Gavin Pretor-Pinney: Cloudy with a chance of joy

130,273 views ใƒป 2013-07-16

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: hila scherba ืžื‘ืงืจ: Ido Dekkers
00:12
Clouds.
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ืขื ื ื™ื.
00:14
Have you ever noticed how much people moan about them?
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ืื™ ืคืขื ืฉืžืชื ืœื‘ ื›ืžื” ืื ืฉื™ื ืžืงื˜ืจื™ื ืขืœื™ื”ื?
00:17
They get a bad rap.
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ื™ืฉ ืœื”ื ืžื•ื ื™ื˜ื™ืŸ ื’ืจื•ืข.
00:19
If you think about it, the English language
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ืื ืชื—ืฉื‘ื• ืขืœ ื–ื”, ื”ืฉืคื” ื”ืื ื’ืœื™ืช
00:22
has written into it negative associations towards the clouds.
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ืžื›ื™ืœื” ื‘ืชื•ื›ื” ืงื™ืฉื•ืจื™ื ืฉืœื™ืœื™ื™ื ืœื’ื‘ื™ ื”ืขื ื ื™ื.
00:26
Someone who's down or depressed,
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ืžื™ืฉื”ื• ืขืฆื•ื‘ ืื• ืžื“ื•ื›ื,
00:28
they're under a cloud.
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ื”ื ืžืชื—ืช ืœืขื ืŸ.
00:30
And when there's bad news in store,
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ื•ืื ื™ืฉ ื—ื“ืฉื•ืช ืจืขื•ืช ื‘ืขืชื™ื“,
00:32
there's a cloud on the horizon.
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ื™ืฉ ืขื ืŸ ื‘ืื•ืคืง.
00:35
I saw an article the other day.
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ืจืื™ืชื™ ืžืืžืจ ืœืคื ื™ ื›ืžื” ื–ืžืŸ
00:37
It was about problems with computer processing
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ืฉื”ื™ื” ืขืœ ื‘ืขื™ื•ืช ื‘ืขื™ื‘ื•ื“ ื‘ืžื—ืฉื‘ื™ื
00:40
over the Internet.
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ื‘ืื™ื ื˜ืจื ื˜.
00:42
"A cloud over the cloud," was the headline.
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"ืขื ืŸ ืžืขืœ ืœืขื ืŸ" ื”ื™ื™ืชื” ื”ื›ื•ืชืจืช.
00:47
It seems like they're everyone's default
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ื–ื” ื ืจืื” ื›ืื™ืœื• ื”ื ื‘ืจื™ืจืช ื”ืžื—ื“ืœ ืฉืœ ื›ื•ืœื
00:49
doom-and-gloom metaphor.
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ืœืžื˜ืืคื•ืจื” ืืคืจื•ืจื™ืช.
00:51
But I think they're beautiful, don't you?
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ืื‘ืœ ืื ื™ ื—ื•ืฉื‘ ืฉื”ื ื™ืคื™ื, ืืชื ืœื?
00:53
It's just that their beauty is missed
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ืื‘ืœ ื”ื™ื•ืคื™ ืฉืœื”ื ืžืชืคืกืคืก
00:56
because they're so omnipresent,
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ื‘ื’ืœืœ ืฉื”ื ืคืฉื•ื˜ ื ืžืฆืื™ื ื‘ื›ืœ ืžืงื•ื ื‘ื• ื–ืžื ื™ืช,
00:58
so, I don't know, commonplace,
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ื›ืœ ื›ืš, ืื ื™ ืœื ื™ื•ื“ืข, ืฉื’ืจืชื™ื™ื,
01:02
that people don't notice them.
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ืฉืื ืฉื™ื ืœื ืฉืžื™ื ืœื‘ ืืœื™ื”ื.
01:03
They don't notice the beauty, but they don't even notice the clouds
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ื”ื ืœื ืฉืžื™ื ืœื‘ ืœื™ื•ืคื™, ืื‘ืœ ื”ื ืืคื™ืœื• ืœื ืฉืžื™ื ืœื‘ ืœืขื ื ื™ื,
01:06
unless they get in the way of the sun.
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ืืœื ืื ื›ืŸ ื”ื ืžืกืชื™ืจื™ื ืืช ื”ืฉืžืฉ.
01:08
And so people think of clouds as
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ืื– ืื ืฉื™ื ื—ื•ืฉื‘ื™ื ืขืœ ืขื ื ื™ื
01:11
things that get in the way.
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ื›ืขืœ ื“ื‘ืจื™ื ืฉืžืคืจื™ืขื™ื.
01:13
They think of them as the annoying, frustrating obstructions,
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ื”ื ื—ื•ืฉื‘ื™ื ืขืœื™ื”ื ื›ืขืœ ืžื›ืฉื•ืœื™ื ืžืขืฆื‘ื ื™ื ื•ืžืชื™ืฉื™ื,
01:18
and then they rush off and do some blue-sky thinking.
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ื•ืื– ื”ื ืžืžื”ืจื™ื ื•ืขื•ืฉื™ื ืงืฆืช ื—ืฉื™ื‘ื” ื‘ื”ื™ืจื” (ื‘ืื ื’ืœื™ืช:ื—ืฉื™ื‘ืช ืฉืžื™ื™ื ื›ื—ื•ืœื™ื)
01:21
(Laughter)
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(ืฆื—ื•ืง)
01:23
But most people, when you stop to ask them,
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ืื‘ืœ ืจื•ื‘ ื”ืื ืฉื™ื, ื›ืฉืขื•ืฆืจื™ื ืœืฉืื•ืœ ืื•ืชื,
01:25
will admit to harboring a strange sort of fondness for clouds.
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ื™ื•ื“ื• ื‘ื›ืš ืฉื™ืฉ ืœื”ื ื—ื™ื‘ื” ืžื•ื–ืจื” ืœืขื ื ื™ื.
01:30
It's like a nostalgic fondness,
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ื–ื” ื›ืžื• ื—ื™ื‘ื” ื ื•ืกื˜ืœื’ื™ืช
01:33
and they make them think of their youth.
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ืฉื’ื•ืจืžืช ืœื”ื ืœื—ืฉื•ื‘ ืขืœ ื”ื ืขื•ืจื™ื ืฉืœื”ื.
01:36
Who here can't remember thinking, well,
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ืžื™ ืคื” ืœื ื™ื›ื•ืœ ืœื”ื™ื–ื›ืจ ืฉื”ื•ื ื—ืฉื‘, ื™ื•ืชืจ ื ื›ื•ืŸ,
01:39
looking and finding shapes in the clouds
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ื”ืกืชื›ืœ ื•ืžืฆื ืฆื•ืจื•ืช ื‘ืขื ื ื™ื
01:42
when they were kids?
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ื›ืฉื”ื ื”ื™ื• ื™ืœื“ื™ื?
01:43
You know, when you were masters of daydreaming?
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ืืชื ื™ื•ื“ืขื™ื, ื›ืฉื”ื™ื™ืชื ืืžื ื™ื ื‘ืœื—ืœื•ื ื‘ื”ืงื™ืฅ?
01:50
Aristophanes, the ancient Greek playwright,
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ืืจื™ืกื˜ื•ืคืื ืก, ื”ืžื—ื–ืื™ ืžื™ื•ื•ืŸ ื”ืขืชื™ืงื”,
01:53
he described the clouds as the patron godesses
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ื”ื•ื ืชื™ืืจ ืืช ื”ืขื ื ื™ื ื›ืืœื•ืช ืฉื•ืžืจื•ืช
01:56
of idle fellows
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ืฉืœ ืื ืฉื™ื ื‘ื˜ืœื™ื
01:58
two and a half thousand years ago,
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ืœืคื ื™ ืืœืคื™ื™ื ื•ื—ืžืฉ ืžืื•ืช ืฉื ื”,
ื•ืืชื ื™ื›ื•ืœื™ื ืœืจืื•ืช ืœืžื” ื”ื•ื ื”ืชื›ื•ื•ืŸ.
02:00
and you can see what he means.
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ืจืง ืฉื‘ื™ืžื™ื ื•, ื”ืžื‘ื•ื’ืจื™ื ืฉื‘ื™ื ื™ื ื• ื ืจืื™ื ื—ืกืจื™ ืจืฆื•ืŸ
02:01
It's just that these days, us adults seem reluctant
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02:05
to allow ourselves the indulgence
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ืœื”ืจืฉื•ืช ืœืขืฆืžื ื• ืืช ื”ืชืขื ื•ื’ ื”ื–ื”
02:09
of just allowing our imaginations
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ืฉืœ ืคืฉื•ื˜ ืœืชืช ืœื“ืžื™ื•ืŸ ืฉืœื ื•
02:11
to drift along in the breeze, and I think that's a pity.
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ืœื”ื™ืกื—ืฃ ืขื ื”ื‘ืจื™ื–ื”, ื•ืื ื™ ื—ื•ืฉื‘ ืฉื–ื” ื—ื‘ืœ,
02:15
I think we should perhaps do a bit more of it.
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ืื ื™ ื—ื•ืฉื‘ ืฉืื•ืœื™ ืื ื—ื ื• ืฆืจื™ื›ื™ื ืœืขืฉื•ืช ื™ื•ืชืจ ืžื–ื”.
02:18
I think we should be a bit more willing, perhaps,
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ืื ื™ ื—ื•ืฉื‘ ืฉืื ื—ื ื• ืฆืจื™ื›ื™ื ืœื”ื™ื•ืช ื™ื•ืชืจ ืžื•ื›ื ื™ื, ืื•ืœื™,
02:21
to look at the beautiful sight of the sunlight bursting out
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ืœื”ืกืชื›ืœ ืขืœ ื”ืžืจืื” ื”ื™ืคื” ืฉืœ ืื•ืจ ื”ืฉืžืฉ ืคื•ืจืฅ ื”ื—ื•ืฆื”
02:24
from behind the clouds and go, "Wait a minute,
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ืžื”ืขื ื ื™ื ื•ืœืืžืจ - "ืจื’ืข..
02:28
that's two cats dancing the salsa!"
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ื–ื” ืฉื ื™ ื—ืชื•ืœื™ื ืจื•ืงื“ื™ื ืกืœืกื”!"
02:30
(Laughter) (Applause)
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(ืฆื—ื•ืง) (ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
02:32
Or seeing the big, white, puffy one up there
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ืื• ืœืจืื•ืช ืืช ื”ืขื ืŸ ื”ื’ื“ื•ืœ, ื”ืœื‘ืŸ ื”ื ืคื•ื— ืฉื ืœืžืขืœื”
02:37
over the shopping center looks like
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ืžืขืœ ืžืจื›ื– ื”ืงื ื™ื•ืช ืฉื ืจืื” ื›ืžื•
02:39
the Abominable Snowman going to rob a bank.
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ืื™ืฉ ืฉืœื’ ืžืชื•ืขื‘ ืฉื”ื•ืœืš ืœืฉื“ื•ื“ ื‘ื ืง.
02:43
(Laughter)
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(ืฆื—ื•ืง)
02:46
They're like nature's version of those inkblot images,
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ื”ื ื›ืžื• ื”ื’ื™ืจืกื” ืฉืœ ื”ื˜ื‘ืข ืœื“ืžื•ื™ื•ืช ืฉืœ ื›ืชืžื™ ื“ื™ื•
02:50
you know, that shrinks used to show their patients
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ืืชื ื™ื•ื“ืขื™ื, ื›ืžื• ืืœื” ืฉื”ืคืกื™ื›ื•ืœื•ื’ื™ื ื”ื™ื• ืžืจืื™ื ืœืžื˜ื•ืคืœื™ื ืฉืœื”ื
ื‘ืฉื ื•ืช ื”-60.
02:53
in the '60s,
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02:54
and I think if you consider the shapes you see in the clouds,
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ื•ืื ื™ ื—ื•ืฉื‘ ืฉืื ืชื—ืฉื‘ื• ืขืœ ื”ืฆื•ืจื•ืช ืฉืืชื ืจื•ืื™ื ื‘ืขื ื ื™ื,
02:57
you'll save money on psychoanalysis bills.
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ืชื•ื›ืœื• ืœื—ืกื•ืš ื›ืกืฃ ืขืœ ื”ื—ืฉื‘ื•ืŸ ืœืคืกื™ื›ื•ืื ืœื™ื–ื”.
03:01
Let's say you're in love. All right?
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ื‘ื•ืื• ื ื’ื™ื“ ืฉืืชื ืžืื•ื”ื‘ื™ื. ื‘ืกื“ืจ?
03:03
And you look up and what do you see?
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ื•ืืชื ืžืกืชื›ืœื™ื ืœืžืขืœื” ื•ืžื” ืืชื ืจื•ืื™ื?
03:05
Right? Or maybe the opposite.
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ื ื›ื•ืŸ? ืื• ื‘ื“ื™ื•ืง ื”ื”ื™ืคืš
03:08
You've just been dumped by your partner,
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ืืชื ื‘ื“ื™ื•ืง ื ื–ืจืงืชื ืขืœ ื™ื“ื™ ื‘ืŸ/ืช ื”ื–ื•ื’
03:10
and everywhere you look, it's kissing couples.
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ื•ื‘ื›ืœ ืžืงื•ื ืฉืืชื ืžืกืชื›ืœื™ื, ื™ืฉ ื–ื•ื’ื•ืช ืžืชื ืฉืงื™ื.
03:13
(Laughter)
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(ืฆื—ื•ืง)
03:15
Perhaps you're having a moment of existential angst.
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ืื•ืœื™ ื™ืฉ ืœื›ื ืจื’ืข ืฉืœ ื—ืจื“ื” ืงื™ื•ืžื™ืช.
03:19
You know, you're thinking about your own mortality.
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ืืชื ื™ื•ื“ืขื™ื, ืืชื” ื—ื•ืฉื‘ ืขืœ ื”ืชืžื•ืชื” ืฉืœืš ืขืฆืžืš
03:21
And there, on the horizon, it's the Grim Reaper.
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ื•ืฉื, ื‘ืื•ืคืง, ื–ื” ืžืœืืš ื”ืžื•ื•ืช.
03:24
(Laughter)
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(ืฆื—ื•ืง)
03:27
Or maybe you see a topless sunbather.
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ืื• ืฉืื•ืœื™ ืืชื” ืจื•ืื” ืื™ืฉื” ืžืฉืชื–ืคืช ืœืœื ื—ืœืง ืขืœื™ื•ืŸ.
03:31
(Laughter)
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(ืฆื—ื•ืง)
03:32
What would that mean?
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ืžื” ื–ื” ืื•ืžืจ?
03:36
What would that mean? I have no idea.
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ืžื” ื‘ืืžืช ื–ื” ืื•ืžืจ? ืื™ืŸ ืœื™ ืžื•ืฉื’.
03:41
But one thing I do know is this:
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ืื‘ืœ ื“ื‘ืจ ืื—ื“ ืฉืื ื™ ื›ืŸ ื™ื•ื“ืข ื–ื”:
03:43
The bad press that clouds get is totally unfair.
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ื”ืคืจืกื•ื ื”ืจืข ืฉื”ืขื ื ื™ื ืžืงื‘ืœื™ื ื”ื•ื ืžืžืฉ ืœื ื”ื•ื’ืŸ.
03:47
I think we should stand up for them,
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ืื ื™ ื—ื•ืฉื‘ ืฉืื ื—ื ื• ืฆืจื™ื›ื™ื ืœืชืžื•ืš ื‘ื”ื,
03:48
which is why, a few years ago,
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ื•ืœื›ืŸ, ืœืคื ื™ ื›ืžื” ืฉื ื™ื,
ืื ื™ ื”ืชื—ืœืชื™ ืืช "ื”ืื’ื•ื“ื” ืœื”ืขืจื›ืช ืขื ื ื™ื".
03:50
I started the Cloud Appreciation Society.
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03:53
Tens of thousands of members now
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ืขืฉืจื•ืช ืืœืคื™ ื—ื‘ืจื™ื ืขื›ืฉื™ื•
03:55
in almost 100 countries around the world.
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ื‘ื›ืžืขื˜ 100 ืžื“ื™ื ื•ืช ืžืกื‘ื™ื‘ ืœืขื•ืœื.
03:57
And all these photographs that I'm showing,
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ื•ื›ืœ ื”ืฆื™ืœื•ืžื™ื ืฉืื ื™ ืžืจืื”,
04:00
they were sent in by members.
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ื”ื ื ืฉืœื—ื• ืขืœ ื™ื“ื™ ื—ื‘ืจื™ื.
04:02
And the society exists to remind people of this:
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ื•ื”ืื’ื•ื“ื” ืงื™ื™ืžืช ื›ื“ื™ ืœื”ื–ื›ื™ืจ ืœืื ืฉื™ื ืืช ื–ื”:
04:06
Clouds are not something to moan about.
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ืขื ื ื™ื ื”ื ืœื ืžืฉื”ื• ืœืงื˜ืจ ืขืœื™ื•.
04:09
Far from it. They are, in fact,
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ืจื—ื•ืง ืžื–ื”. ื”ื ืœืžืขืฉื”,
04:11
the most diverse, evocative, poetic aspect of nature.
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ื”ื”ื™ื‘ื˜ ื”ืžื’ื•ื•ืŸ ื‘ื™ื•ืชืจ, ื”ืžืขื•ืจืจ ื•ื”ืคื™ื•ื˜ื™ ืฉืœ ื”ื˜ื‘ืข.
04:19
I think, if you live with your head in the clouds
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ืื ื™ ื—ื•ืฉื‘, ืื ืืชื ื—ื™ื™ื ืขื ื”ืจืืฉ ื‘ืขื ื ื™ื
04:22
every now and then, it helps you keep your feet on the ground.
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ืžื“ื™ ืคืขื, ื–ื” ื™ืขื–ื•ืจ ืœื›ื ืœื”ืฉืื™ืจ ืืช ื”ืจื’ืœื™ื™ื ืขืœ ื”ืงืจืงืข.
04:25
And I want to show you why, with the help of
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ื•ืื ื™ ืจื•ืฆื” ืœื”ืจืื•ืช ืœื›ื ืœืžื”, ืขื ืงืฆืช ืขื–ืจื”
04:27
some of my favorite types of clouds.
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ืžืกื•ื’ื™ ื”ืขื ื ื™ื ื”ื—ื‘ื™ื‘ื™ื ืขืœื™ื™.
04:29
Let's start with this one. It's the cirrus cloud,
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ื‘ื•ืื• ื ืชื—ื™ืœ ืขื ื–ื”. ื–ื” ืขื ืŸ ื”ื ื•ืฆื”,
04:31
named after the Latin for a lock of hair.
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ืงืจื•ื™ ืขืœ ืคื™ ื”ืฉื ื”ืœื˜ื™ื ื™ ืœ"ืงื•ื•ืฆืช ืฉื™ืขืจ".
04:34
It's composed entirely of ice crystals
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ื”ื•ื ืžื•ืจื›ื‘ ืœื’ืžืจื™ ืžื’ื‘ื™ืฉื™ ืงืจื—
04:36
cascading from the upper reaches of the troposphere,
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ื”ื™ื•ืจื“ื™ื ื‘ื”ื“ืจื’ื” ืžื”ืฉื›ื‘ื•ืช ื”ืขืœื™ื•ื ื•ืช ืฉืœ ื”ื˜ืจื•ืคื•ืกืคื™ืจื”,
04:38
and as these ice crystals fall,
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ื•ื›ืฉื’ื‘ื™ืฉื™ ื”ืงืจื— ื”ืืœื” ื ื•ืคืœื™ื,
04:40
they pass through different layers with different winds
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ื”ื ืขื•ื‘ืจื™ื ื“ืจืš ืฉื›ื‘ื•ืช ืฉื•ื ื•ืช ืขื ืจื•ื—ื•ืช ืฉื•ื ื•ืช
ื•ื”ื ืžื’ื‘ื™ืจื™ื ืžื”ื™ืจื•ืช ื•ืžืื˜ื™ื,
04:43
and they speed up and slow down,
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04:44
giving the cloud these brush-stroked appearances,
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ื•ื ื•ืชื ื™ื ืœืขื ืŸ ืืช ื”ืžืจืื” ืฉืœ ืœื™ื˜ื•ืคื™ ื”ืžื‘ืจืฉืช,
04:47
these brush-stroke forms known as fall streaks.
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ืœื™ื˜ื•ืคื™ ื”ืžื‘ืจืฉืช ื”ืืœื• ื™ื“ื•ืขื™ื ื›"ืคืกื™ ืกืชื™ื•"
04:50
And these winds up there can be very, very fierce.
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ื•ื”ืจื•ื—ื•ืช ื”ืืœื• ืฉื ืœืžืขืœื” ื™ื›ื•ืœื•ืช ืœื”ื™ื•ืช ืขื–ื•ืช ืžืื•ื“.
04:52
They can be 200 miles an hour, 300 miles an hour.
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ื”ืŸ ื™ื›ื•ืœื•ืช ืœื”ื’ื™ืข ืœ320 ืงื™ืœื•ืžื˜ืจ ืœืฉืขื”, 480 ืงื™ืœื•ืžื˜ืจ ืœืฉืขื”.
04:55
These clouds are bombing along,
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ื”ืขื ื ื™ื ื”ืืœื• ื–ื–ื™ื ื‘ืžื”ื™ืจื•ืช ืื™ืชื,
04:56
but from all the way down here,
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ืื‘ืœ ืžื›ืืŸ ืœืžื˜ื”,
04:58
they appear to be moving gracefully, slowly,
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ื–ื” ื ืจืื” ื›ืื™ืœื• ื”ื ื–ื–ื™ื ื‘ื—ื™ื ื ื™ื•ืช, ื‘ืื™ื˜ื™ื•ืช,
05:01
like most clouds.
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ื›ืžื• ืจื•ื‘ ื”ืขื ื ื™ื.
05:03
And so to tune into the clouds is to slow down,
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ื›ืš ืฉืœื”ืชื›ื•ื•ื ืŸ ืœืขื ื ื™ื ื–ื” ืœื”ืื˜,
05:07
to calm down.
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ืœื”ื™ืจื’ืข.
05:09
It's like a bit of everyday meditation.
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ื–ื” ืงืฆืช ื›ืžื• ืžื“ื™ื˜ืฆื™ื” ื™ื•ืžื™ื•ืžื™ืช.
05:11
Those are common clouds.
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ืืœื• ืขื ื ื™ื ื ืคื•ืฆื™ื.
05:13
What about rarer ones, like the lenticularis,
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ืžื” ืขื ื”ื ื“ื™ืจื™ื ื™ื•ืชืจ, ื›ืžื• ื”ืœื ื˜ื™ืงื•ืœืจื™ืก (lenticularis)
05:15
the UFO-shaped lenticularis cloud?
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ืขื ื ื™ ื”ืœื ื˜ื™ืงื•ืœืจื™ืก ืฉื ืจืื” ื›ืžื• ืขื‘"ืž?
05:18
These clouds form in the region of mountains.
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ื”ืขื ื ื™ื ื”ืืœื• ื ื•ืฆืจื™ื ื‘ืื™ื–ื•ืจื™ื ืฉืœ ื”ืจื™ื.
05:20
When the wind passes, rises to pass over the mountain,
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ื›ืฉื”ืจื•ื— ืžืชืจื•ืžืžืช, ืขื•ืœื” ื›ื“ื™ ืœืขื‘ื•ืจ ืืช ื”ื”ืจ,
05:23
it can take on a wave-like path in the lee of the peak,
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ื”ื™ื ื™ื›ื•ืœื” ืœืงื—ืช ืžืกืœื•ืœ ื“ืžื•ื™ ื’ืœ ื‘ืื™ื–ื•ืจ ื”ืคืกื’ื”,
05:26
with these clouds hovering at the crest
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ืขื ื”ืขื ื ื™ื ื”ืืœื• ืžืจื—ืคื™ื ื‘ืคืกื’ื”
05:29
of these invisible standing waves of air,
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ืฉืœ ื’ืœื™ ื”ืื•ื•ื™ืจ ื”ื‘ืœืชื™ ื ืจืื™ื ื”ืœืœื•,
05:32
these flying saucer-like forms,
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ื ื•ืฆืจื™ื ืฆื•ืจื•ืช ื“ืžื•ื™ ืฆืœื—ืช ืžืขื•ืคืคืช,
05:34
and some of the early black-and-white UFO photos
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ื•ื›ืžื” ืžื”ืชืžื•ื ื•ืช ื”ืžื•ืงื“ืžื•ืช ืฉืœ ืขื‘"ืžื™ื
05:37
are in fact lenticularis clouds. It's true.
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ื”ื ืœืžืขืฉื” ืขื ื ื™ ืœื ื˜ื™ืงื•ืœืจื™ืก. ื–ื” ื ื›ื•ืŸ.
05:40
A little rarer are the fallstreak holes. All right?
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ืงืฆืช ื™ื•ืชืจ ื ื“ื™ืจื™ื ื”ื ื—ื•ืจื™ื ื‘ืคืกื™ ื”ืกืชื™ื•. ืื•ืงื™ื™?
05:44
This is when a layer is made up of very, very cold
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ื–ื” ื›ืฉืฉื›ื‘ื” ืขืฉื•ื™ื™ื” ืžื˜ื™ืคื•ืช ืžื™ื
05:46
water droplets, and in one region they start to freeze,
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ืžืื•ื“ ืžืื•ื“ ืงืจื•ืช, ื•ื‘ืื™ื–ื•ืจ ืžืกื•ื™ื ื”ืŸ ืžืชื—ื™ืœื•ืช ืœืงืคื•ื,
05:49
and this freezing sets off a chain reaction which spreads outwards
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ื•ื”ืงื™ืคืื•ืŸ ื”ื–ื” ืžืชื—ื™ืœ ืชื’ื•ื‘ืช ืฉืจืฉืจืช ืฉื ืคืจืฉืช ื”ื—ื•ืฆื”
05:52
with the ice crystals cascading and falling down below,
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ื›ืฉื’ื‘ื™ืฉื™ ื”ืงืจื— ื ื•ืคืœื™ื ื‘ื”ื“ืจื’ื” ืœืžื˜ื”,
05:55
giving the appearance of jellyfish tendrils down below.
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ื•ื ื•ืชื ื™ื ืืช ื”ืžืจืื” ืฉืœ ืงื ื•ืงื ื•ืช ืฉืœ ืžื“ื•ื–ื” ืœืžื˜ื”.
05:59
Rarer still, the Kelvinโ€“Helmholtz cloud.
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ืขื“ื™ื™ืŸ ื ื“ื™ืจ - ืขื ื ื™ ื”ืงืœื•ื•ื™ืŸ-ื”ืœืžื”ื•ืœืฅ.
06:04
Not a very snappy name. Needs a rebrand.
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ืœื ืžืžืฉ ืฉื ืžืœื ื—ื™ื™ื. ืฆืจื™ืš ืžื™ืชื•ื’ ืžื—ื“ืฉ.
06:07
This looks like a series of breaking waves,
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ื–ื” ื ืจืื” ื›ืžื• ืกื“ืจื” ืฉืœ ื’ืœื™ื ืฉื‘ื•ืจื™ื,
06:11
and it's caused by shearing winds -- the wind
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ื•ื–ื” ื ื•ืฆืจ ืขืœ ื™ื“ื™ ืจื•ื—ื•ืช -
06:13
above the cloud layer and below the cloud layer
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ื”ืจื•ื— ืžืขืœ ืœืฉื›ื‘ืช ื”ืขื ื ื™ื ื•ืžืชื—ืชื™ื”
ืฉื•ื ื•ืช ื‘ืื•ืคืŸ ืžื”ื•ืชื™, ื•ื‘ืืžืฆืข, ื‘ื™ื ื™ื”ืŸ,
06:16
differ significantly, and in the middle, in between,
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06:18
you get this undulating of the air,
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ืžืงื‘ืœื™ื ืื•ื•ื™ืจ ื‘ืฆื•ืจื” ื’ืœื™ืช,
06:20
and if the difference in those speeds is just right,
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ื•ืื ื”ื”ื‘ื“ืœ ื‘ื™ืŸ ื”ืžื”ื™ืจื•ื™ื•ืช ื”ื•ื ื‘ื“ื™ื•ืง ื ื›ื•ืŸ,
ื”ื—ืœืง ื”ืขืœื™ื•ืŸ ืฉืœ ื”ื’ืœื™ื ื”ืืœื• ืžืกืชืœืกืœ
06:23
the tops of the undulations curl over
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ื‘ืžืขื™ืŸ ืžืขืจื‘ื•ืœืช ื“ืžื•ื™ื™ืช ื’ืœ ื™ืคื”ืคื™ื”.
06:25
in these beautiful breaking wave-like vortices.
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06:28
All right. Those are rarer clouds than the cirrus,
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ื‘ืกื“ืจ. ืืœื• ืขื ื ื™ื ื ื“ื™ืจื™ื ื™ื•ืชืจ ืžืืฉืจ ื”ืขื ื ื™ ืงื ื•ืงื ืช,
ืื‘ืœ ื”ื ืœื ื›ืœ ื›ืš ื ื“ื™ืจื™ื.
06:31
but they're not that rare.
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06:32
If you look up, and you pay attention to the sky,
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ืื ืชืกืชื›ืœื• ืœืžืขืœื”, ื•ืชืฉื™ืžื• ืœื‘ ืœืฉืžื™ื™ื,
06:35
you'll see them sooner or later,
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ืชืจืื• ืื•ืชื ื‘ืžื•ืงื“ื ืื• ื‘ืžืื•ื—ืจ,
06:37
maybe not quite as dramatic as these, but you'll see them.
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ืื•ืœื™ ืœื ื›ืœ ื›ืš ื“ืจืžื˜ื™ื™ื ื›ืžื• ืืœื•, ืื‘ืœ ืชืจืื• ืื•ืชื.
06:40
And you'll see them around where you live.
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ื•ืืชื ืชืจืื• ืื•ืชื ื‘ืกื‘ื™ื‘ื” ืื™ืคื” ืฉืืชื ื’ืจื™ื.
06:42
Clouds are the most egalitarian
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ืขื ื ื™ื ื”ื ื”ืฉื•ื•ื™ื ื™ื™ื ื‘ื™ื•ืชืจ
06:44
of nature's displays, because we all have a good,
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ืžื‘ื™ืŸ ืžืจืื•ืช ื˜ื‘ืข, ืžื›ื™ื•ื•ืŸ ืฉืœื›ื•ืœื ื• ื™ืฉ
06:47
fantastic view of the sky.
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ื ืงื•ื“ืช ืžื‘ื˜ ืžืฆื•ื™ื™ื ืช ืขืœ ื”ืฉืžื™ื™ื.
06:50
And these clouds, these rarer clouds,
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ื•ื”ืขื ื ื™ื ื”ืืœื•, ื”ืขื ื ื™ื ื”ื ื“ื™ืจื™ื ื”ืืœื•,
06:52
remind us that the exotic can be found in the everyday.
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ืžื–ื›ื™ืจื™ื ืœื ื• ืฉื”ืืงื–ื•ื˜ื™ ื™ื›ื•ืœ ืœื”ื™ืžืฆื ื‘ื™ื•ืžื™ื•ื.
06:56
Nothing is more nourishing, more stimulating
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ืฉื•ื ื“ื‘ืจ ืœื ืžื–ื™ืŸ ื™ื•ืชืจ, ืžืขื•ืจืจ ื™ื•ืชืจ
06:59
to an active, inquiring mind than being surprised,
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ืœืžื•ื— ืคืขื™ืœ ื•ื—ื•ืงืจ ืžืืฉืจ ืœื”ื™ื•ืช ืžื•ืคืชืข,
07:02
being amazed. It's why we're all here at TED, right?
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ืœื”ื™ื•ืช ื ื“ื”ื. ืœื›ืŸ ื›ื•ืœื ื• ื›ืืŸ ื‘-TED, ื ื›ื•ืŸ?
07:06
But you don't need to rush off
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ืื‘ืœ ืืชื ืœื ืฆืจื™ื›ื™ื ืœืžื”ืจ
07:09
away from the familiar, across the world
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ืœื”ืชืจื—ืง ืžื”ืžื•ื›ืจ, ืœืฆื“ ื”ืฉื ื™ ืฉืœ ื”ืขื•ืœื
07:11
to be surprised.
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ื›ื“ื™ ืœื”ื™ื•ืช ืžื•ืคืชืขื™ื.
07:13
You just need to step outside,
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ืืชื ืจืง ืฆืจื™ื›ื™ื ืœืฆืืช ื”ื—ื•ืฆื”,
07:16
pay attention to what's so commonplace, so everyday,
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ืœืฉื™ื ืœื‘ ืœืžื” ืฉื›ืœ ื›ืš ืฉื’ืจืชื™, ื›ืœ ื›ืš ื™ื•ืžื™ื•ืžื™,
07:18
so mundane that everybody else misses it.
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ื›ืœ ื›ืš ืžืฉืขืžื, ืฉื›ืœ ืื—ื“ ืื—ืจ ืžืคืกืคืก ืืช ื–ื”.
07:22
One cloud that people rarely miss is this one:
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ืขื ืŸ ืื—ื“ ืฉืื ืฉื™ื ื›ืžืขื˜ ื•ืœื ืžืคืกืคืกื™ื ื–ื” ื–ื”:
07:25
the cumulonimbus storm cloud.
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ืขื ืŸ ืกื•ืคื” ืžืกื•ื› ืงื•ืžื•ืœื•ื ื™ืžื‘ื•ืก.
07:28
It's what's produces thunder and lightning and hail.
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ื–ื” ืžื” ืฉืžื™ื™ืฆืจ ืจืขืžื™ื ื•ื‘ืจืงื™ื ื•ื‘ืจื“.
07:30
These clouds spread out at the top in this enormous
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ื”ืขื ื ื™ื ื”ืืœื• ืžืชืคืจืฉื™ื ื”ื—ื•ืฆื” ืžื”ื—ืœืง ื”ืขืœื™ื•ืŸ ื‘ืฆื•ืจื” ืฉืœ
07:33
anvil fashion stretching 10 miles up into the atmosphere.
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ืกื“ืŸ ืขื ืงื™ ืฉื ืžืชื— ืœื’ื•ื‘ื” ืฉืœ 16ืงื™ืœื•ืžื˜ืจื™ื ืœืชื•ืš ื”ืื˜ืžื•ืกืคื™ืจื”.
07:36
They are an expression of the majestic architecture
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ื”ื ื‘ื™ื˜ื•ื™ ืฉืœ ื”ืืจื›ื™ื˜ืงื˜ื•ืจื” ื”ื ื”ื“ืจืช
07:39
of our atmosphere.
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ืฉืœ ื”ืื˜ืžื•ืกืคื™ืจื” ืฉืœื ื•.
07:41
But from down below, they are the embodiment
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ืื‘ืœ ืžื›ืืŸ ืœืžื˜ื”, ื”ื ื”ื”ืชื’ืœืžื•ืช
07:45
of the powerful, elemental force and power
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ืฉืœ ื”ื›ื•ื— ื•ื”ืขื•ืฆืžื” ื”ื™ืกื•ื“ื™ื™ื ื•ื”ืขื•ืฆืžืชื™ื™ื
07:49
that drives our atmosphere.
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ืฉืžื ื™ืขื™ื ืืช ื”ืื˜ืžื•ืกืคื™ืจื” ืฉืœื ื•.
07:51
To be there is to be connected in the driving rain
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ืœื”ื™ื•ืช ืฉื ื–ื” ืœื”ื™ื•ืช ืžื—ื•ื‘ืจ ื‘ื’ืฉื
07:55
and the hail, to feel connected to our atmosphere.
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ื•ื”ื‘ืจื“ ื”ื—ื–ืงื™ื, ืœื”ืจื’ื™ืฉ ืžื—ื•ื‘ืจื™ื ืœืื˜ืžื•ืกืคื™ืจื” ืฉืœื ื•.
07:58
It's to be reminded that we are creatures
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ื–ื” ื›ื“ื™ ืœื”ื™ื–ื›ืจ ืฉืื ื—ื ื• ื™ืฆื•ืจื™ื
08:00
that inhabit this ocean of air.
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ืฉืžืื›ืœืกื™ื ืืช ืื•ืงื™ื™ืื ื•ืก ื”ืื•ื•ื™ืจ ื”ื–ื”.
08:02
We don't live beneath the sky. We live within it.
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ืื ื—ื ื• ืœื ื—ื™ื™ื ืžืชื—ืช ืœืฉืžื™ื™ื. ืื ื—ื ื• ื—ื™ื™ื ื‘ืชื•ื›ื.
08:06
And that connection, that visceral connection to our atmosphere
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ื•ื”ื—ื™ื‘ื•ืจ ื”ื–ื”, ื”ื—ื™ื‘ื•ืจ ื”ืขืžื•ืง ื”ื–ื” ืœืื˜ืžื•ืกืคื™ืจื” ืฉืœื ื•
08:10
feels to me like an antidote.
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ืžืจื’ื™ืฉ ืœื™ ื›ืžื• ืชืจื•ืคื”.
08:12
It's an antidote to the growing tendency we have
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ื–ื• ืชืจื•ืคื” ืœื ื˜ื™ื™ื” ื”ื’ื•ื‘ืจืช ื”ื–ื• ืฉื™ืฉ ืœื ื•
08:15
to feel that we can really ever experience life
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ืœื”ืจื’ื™ืฉ ืฉืื ื—ื ื• ื‘ืืžืช ื™ื›ื•ืœื™ื ืœื—ื•ื•ืช ืื™ ืคืขื ืืช ื”ื—ื™ื™ื
08:19
by watching it on a computer screen, you know,
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ืขืœ ื™ื“ื™ ืฆืคื™ื™ื” ื“ืจืš ืžืกืš ื”ืžื—ืฉื‘, ืืชื ืžื‘ื™ื ื™ื,
08:21
when we're in a wi-fi zone.
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ื›ืฉืื ื—ื ื• ื‘ืื™ื–ื•ืจ WI-FI.
08:24
But the one cloud that best expresses
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ืื‘ืœ ื”ืขื ืŸ ื”ืื—ื“ ืฉืžื‘ื˜ื ื”ื›ื™ ื˜ื•ื‘
08:26
why cloudspotting is more valuable today than ever
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ืœืžื” ืฆืคื™ื™ื” ื‘ืขื ื ื™ื ื”ื™ื ื‘ืขืœืช ืขืจืš ืจื‘ ื™ื•ืชืจ ื”ื™ื•ื ืžืืฉืจ ืื™ ืคืขื
08:29
is this one, the cumulus cloud.
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ื”ื•ื ื–ื” - ืขื ืŸ ืขืจืžืชื™ (cumulus).
08:32
Right? It forms on a sunny day.
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ื ื›ื•ืŸ? ื”ื•ื ื ื•ืฆืจ ื‘ื™ื•ื ืฉืžืฉื™.
08:34
If you close your eyes and think of a cloud,
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ืื ืชืกื’ืจื• ืืช ื”ืขื™ื ื™ื™ื ืฉืœื›ื ื•ืชื—ืฉื‘ื• ืขืœ ืขื ืŸ,
08:36
it's probably one of these that comes to mind.
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ื–ื” ื›ื›ืœ ื”ื ืจืื” ื™ื”ื™ื” ืื—ื“ ืžืืœื” ืฉื™ืขืœื” ืœืจืืฉ.
08:39
All those cloud shapes at the beginning,
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ื›ืœ ืฆื•ืจื•ืช ื”ืขื ื ื™ื ื”ืืœื• ื‘ื”ืชื—ืœื”,
08:41
those were cumulus clouds.
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ืืœื” ื”ื™ื• ืขื ื ื™ื ืขืจืžืชื™ื™ื.
08:43
The sharp, crisp outlines of this formation
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ืงื•ื•ื™ ื”ืžื™ืชืืจ ื”ื—ื“ื™ื ื•ื”ื‘ืจื•ืจื™ื ืฉืœ ื”ืฆื•ืจื” ื”ื–ื•
08:47
make it the best one for finding shapes in.
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ื”ื•ืคื›ื™ื ืื•ืชื” ืœื”ื›ื™ ื˜ื•ื‘ื” ื‘ืžืฆื™ืืช ืฆื•ืจื•ืช ื‘ื”.
08:50
And it reminds us
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ื•ื–ื” ืžื–ื›ื™ืจ ืœื ื•
08:52
of the aimless nature of cloudspotting,
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ืืช ื”ื˜ื‘ืข ื—ืกืจ ื”ืžื˜ืจื” ื‘ืฆืคื™ื™ื” ื‘ืขื ื ื™ื,
08:56
what an aimless activity it is.
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ืื™ื–ื• ืคืขื™ืœื•ืช ื—ืกืจืช ืžื˜ืจื” ื–ื•.
08:58
You're not going to change the world
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ืืชื ืœื ื”ื•ืœื›ื™ื ืœืฉื ื•ืช ืืช ื”ืขื•ืœื
09:00
by lying on your back and gazing up at the sky, are you?
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ืขืœ ื™ื“ื™ ืฉื›ื™ื‘ื” ืขืœ ื”ื’ื‘ ื•ื‘ื”ื™ื™ื” ื‘ืฉืžื™ื™ื, ื ื›ื•ืŸ?
09:04
It's pointless. It's a pointless activity,
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ื–ื” ื—ืกืจ ื˜ืขื. ื–ื• ืคืขื™ืœื•ืช ื—ืกืจืช ื˜ืขื.
09:06
which is precisely why it's so important.
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ื•ื–ื” ื‘ื“ื™ื•ืง ืœืžื” ื”ื™ื ื›ืœ ื›ืš ื—ืฉื•ื‘ื”.
09:11
The digital world conspires to make us feel
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ื”ืขื•ืœื ื”ื“ื™ื’ื™ื˜ืœื™ ื–ื•ืžื ืœื’ืจื•ื ืœื ื• ืœื”ืจื’ื™ืฉ
09:15
eternally busy, perpetually busy.
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ืขืกื•ืงื™ื ื›ืœ ื”ื–ืžืŸ, ืขืกื•ืงื™ื ืœืœื ื”ืจืฃ.
09:18
You know, when you're not dealing with
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ืืชื ื™ื•ื“ืขื™ื, ื›ืฉืืชื ืœื ืžืชืžื•ื“ื“ื™ื
09:20
the traditional pressures of earning a living
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ืขื ื”ืœื—ืฆื™ื ื”ืžืกื•ืจืชื™ื™ื ืฉืœ ืœื”ืชืคืจื ืก
09:23
and putting food on the table, raising a family,
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ื•ืœืฉื™ื ืื•ื›ืœ ืขืœ ื”ืฉื•ืœื—ืŸ, ืœื’ื“ืœ ืžืฉืคื—ื”,
09:25
writing thank you letters,
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ืœื›ืชื•ื‘ ืžื›ืชื‘ื™ ืชื•ื“ื”,
09:27
you have to now contend with
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ืื ืฆืจื™ื›ื™ื ืœื”ืชืžื•ื“ื“ ืขื›ืฉื™ื•
09:30
answering a mountain of unanswered emails,
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ืขื ืžืขื ื” ืœื”ืจ ืฉืœ ืื™ืžื™ื™ืœื™ื ืœืœื ืžืขื ื”,
09:34
updating a Facebook page,
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ืขื“ื›ื•ืŸ ื“ืฃ ืคื™ื™ืกื‘ื•ืง,
09:35
feeding your Twitter feed.
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"ืœื”ืื›ื™ืœ" (ื ืฉืžืข ื›ืžื• ืคื™ื“) ืืช ื”ืคื™ื“ ื‘ื˜ื•ื•ื™ื˜ืจ.
09:38
And cloudspotting legitimizes doing nothing.
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ื•ืฆืคื™ื™ื” ื‘ืขื ื ื™ื ื ื•ืชื ืช ืœื’ื™ื˜ื™ืžืฆื™ื” ืœืœืขืฉื•ืช ื›ืœื•ื.
09:42
(Laughter)
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(ืฆื—ื•ืง)
09:44
And sometimes we need โ€”
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ื•ืœืคืขืžื™ื ืื ื—ื ื• ืฆืจื™ื›ื™ื -
09:46
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
09:52
Sometimes we need excuses to do nothing.
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ืœืคืขืžื™ื ืื ื—ื ื• ืฆืจื™ื›ื™ื ืชื™ืจื•ืฆื™ื ืœืœืขืฉื•ืช ื›ืœื•ื.
09:56
We need to be reminded by these
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ืื ื—ื ื• ืฆืจื™ื›ื™ื ืชื–ื›ื•ืจืช
09:59
patron goddesses of idle fellows
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ืžื”ืืœื•ืช ืฉืฉื•ืžืจื•ืช ืขืœ ื”ืื ืฉื™ื ื”ื‘ื˜ืœื™ื
10:02
that slowing down
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ืฉืœื”ืื˜
10:05
and being in the present, not thinking about
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ื•ืœื”ื™ื•ืช ื‘ื”ื•ื•ื”, ืœื ืœื—ืฉื•ื‘
10:09
what you've got to do and what you should have done,
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ืขืœ ืžื” ืืชื” ืฆืจื™ืš ืœืขืฉื•ืช ื•ืžื” ื”ื™ื™ืช ืฆืจื™ืš ืœืขืฉื•ืช,
10:12
but just being here, letting your imagination
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ืืœื ืคืฉื•ื˜ ืœื”ื™ื•ืช ืฉื, ืœืชืช ืœื“ืžื™ื•ืŸ
10:15
lift from the everyday concerns down here
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ืœื”ืชืจื•ืžื ืžื”ื“ืื’ื•ืช ื”ื™ื•ืžื™ื•ืžื™ื•ืช ื›ืืŸ ืœืžื˜ื”
10:17
and just being in the present, it's good for you,
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ื•ืคืฉื•ื˜ ืœื”ื™ื•ืช ื‘ื”ื•ื•ื”, ื–ื” ื˜ื•ื‘ ื‘ืฉื‘ื™ืœืš,
10:20
and it's good for the way you feel.
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ื•ื–ื” ื˜ื•ื‘ ืœื”ืจื’ืฉื” ืฉืœืš.
10:22
It's good for your ideas. It's good for your creativity.
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ื–ื” ื˜ื•ื‘ ืœืจืขื™ื•ื ื•ืช ืฉืœืš. ื–ื” ื˜ื•ื‘ ืœื™ืฆื™ืจืชื™ื•ืช ืฉืœืš.
10:26
It's good for your soul.
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ื–ื” ื˜ื•ื‘ ืœื ืฉืžื” ืฉืœืš.
10:29
So keep looking up,
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ืื– ืชืžืฉื™ื›ื• ืœื”ืกืชื›ืœ ืœืžืขืœื”,
10:32
marvel at the ephemeral beauty,
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ืœื”ืชืคืขืœ ืžื”ื™ื•ืคื™ ื”ืืจืขื™ ื”ื–ื”,
10:35
and always remember to live life with your head in the clouds.
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ื•ืชืžื™ื“ ืชื–ื›ืจื• ืœื—ื™ื•ืช ืืช ื”ื—ื™ื™ื ืขื ื”ืจืืฉ ื‘ืขื ื ื™ื.
10:38
Thank you very much.
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ืชื•ื“ื” ืจื‘ื”.
10:39
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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