Kaki King rocks out to "Playing with Pink Noise"

156,654 views ใƒป 2009-05-29

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ohad Barzilay ืžื‘ืงืจ: Sigal Tifferet
00:14
I was thinking about my place in the universe,
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ื—ืฉื‘ืชื™ ืขืœ ื”ืžืงื•ื ืฉืœื™ ื‘ื™ืงื•ื,
00:17
and about my first thought about what infinity might mean,
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ื•ืขืœ ื”ืžื—ืฉื‘ื” ื”ืจืืฉื•ื ื” ืฉื”ื™ื™ืชื” ืœื™ ืขืœ ืžืฉืžืขื•ืช ื”ืื™ื ืกื•ืฃ,
00:24
when I was a child.
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ื›ืฉื”ื™ื™ืชื™ ื™ืœื“ื”.
00:27
And I thought that if time could reach
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ื—ืฉื‘ืชื™ ืฉืื ื”ื–ืžืŸ ืžืฉืชืจืข
00:31
forwards and backwards infinitely,
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ืงื“ื™ืžื” ื•ืื—ื•ืจื” ื‘ืฆื•ืจื” ืื™ื ืกื•ืคื™ืช,
00:33
doesn't that mean that
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ืื– ื”ืื ื–ื” ืœื ืื•ืžืจ
00:35
every point in time is really infinitely small,
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ืฉื›ืœ ื ืงื•ื“ื” ื‘ื–ืžืŸ ื”ื™ื ืžืžืฉ ืงื˜ื ื” ื‘ืื•ืคืŸ ืื™ื ืกื•ืคื™,
00:38
and therefore somewhat meaningless.
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ื•ื‘ืื™ื–ื” ืžื•ื‘ืŸ ื—ืกืจืช ืžืฉืžืขื•ืช.
00:40
So we don't really have a place in the universe,
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ืื– ืื™ืŸ ืœื ื• ื‘ืืžืช ืžืงื•ื ื‘ื™ืงื•ื,
00:42
as far as on a time line.
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ื›ื›ืœ ืฉื–ื” ื ื•ื’ืข ืœืฆื™ืจ ื”ื–ืžืŸ.
00:44
But nothing else does either.
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ืื‘ืœ ื’ื ืœืฉื•ื ื“ื‘ืจ ืื—ืจ ืื™ืŸ ืžืงื•ื.
00:46
Therefore every moment really is the most important moment
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ื•ืœื›ืŸ ื›ืœ ืจื’ืข ื”ื•ื ื‘ืืžืช ื”ืจื’ืข ื”ื›ื™ ื—ืฉื•ื‘
00:49
that's ever happened, including this moment right now.
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ืฉืื™ ืคืขื ืงืจื”, ื›ื•ืœืœ ื”ืจื’ืข ื”ื–ื” ืขื›ืฉื™ื•.
00:52
And so therefore this music you're about to hear
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ื•ืœื›ืŸ ื”ืžื•ืกื™ืงื” ื”ื–ื• ืฉืืชื ืขื•ืžื“ื™ื ืœืฉืžื•ืข
00:54
is maybe the most important music
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ื”ื™ื ืื•ืœื™ ื”ืžื•ืกื™ืงื” ื”ื—ืฉื•ื‘ื” ื‘ื™ื•ืชืจ
00:56
you'll ever hear in your life.
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ืฉืื™ ืคืขื ืชืฉืžืขื• ื‘ื›ืœ ื—ื™ื™ื›ื.
00:59
(Laughter)
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(ืฆื—ื•ืง)
01:00
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
04:10
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
04:13
Thank you.
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ืชื•ื“ื”.
04:15
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
08:27
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
08:56
For those of you who I'll be fortunate enough to meet afterwards,
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ืœืืœื• ืžื›ื ืฉื™ืชืžื–ืœ ืžื–ืœื™ ืœืคื’ื•ืฉ ืื—ืจ ื›ืš,
09:00
you could please refrain from saying,
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ื‘ื‘ืงืฉื”, ืชืžื ืขื• ืžืœื”ื’ื™ื“,
09:02
"Oh my god, you're so much shorter in real life."
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"ืืœื•ื”ื™ื ืื“ื™ืจื™ื, ืืช ื›ืœ ื›ืš ื™ื•ืชืจ ื ืžื•ื›ื” ื‘ื—ื™ื™ื ื”ืืžื™ืชื™ื™ื."
09:06
(Laughter)
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(ืฆื—ื•ืง)
09:09
Because it's like the stage is an optical illusion,
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ื–ื” ื›ื™ ื”ื‘ืžื” ื™ื•ืฆืจืช ืืฉืœื™ื” ืื•ืคื˜ื™ืช,
09:12
for some reason.
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ืžืื™ื–ื•ืฉื”ื™ ืกื™ื‘ื”.
09:14
(Laughter)
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(ืฆื—ื•ืง)
09:18
Somewhat like the curving of the universe.
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ืžืฉื”ื• ืฉืงืฉื•ืจ ืœืขืงืžื•ืžื™ื•ืช ื”ื™ืงื•ื.
09:20
I don't know what it is. I get asked in interviews a lot,
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ืื ื™ ืœื ื™ื•ื“ืขืช ืžื” ื–ื”. ืื‘ืœ ืื ื™ ื ืฉืืœืช ืขืœ ื–ื” ื”ืจื‘ื” ื‘ืจืื™ื•ื ื•ืช,
09:23
"My god, you're guitars are so gigantic!"
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"ืืœื•ื”ื™ื, ื”ื’ื™ื˜ืจื•ืช ืฉืœืš ื›ืœ ื›ืš ืขื ืงื™ื•ืช!"
09:26
(Laughter)
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(ืฆื—ื•ืง)
09:27
"You must get them custom made -- special, humongous guitars."
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ื‘ื˜ื— ืขื•ืฉื™ื ืœืš ืื•ืชืŸ ื‘ืžื™ื•ื—ื“, 'ื’ื™ื˜ืจื•ืช ืขืฆื•ืžื•ืช ืœืคื™ ืžื™ื“ื”'.
09:30
(Laughter)
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(ืฆื—ื•ืง)
14:21
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
14:24
Thank you very much.
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ืชื•ื“ื” ืจื‘ื”.
14:26
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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