Shimpei Takahashi: Play this game to come up with original ideas

176,484 views ใƒป 2015-03-12

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ido Dekkers ืžื‘ืงืจ: Tal Dekkers
00:14
Hello.
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ืฉืœื•ื
00:16
I'm a toy developer.
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ืื ื™ ืžืคืชื— ืฆืขืฆื•ืขื™ื.
00:18
With a dream of creating new toys that have never been seen before,
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ืขื ื—ืœื•ื ืœืคืชื— ืฆืขืฆื•ืขื™ื ื—ื“ืฉื™ื ืฉืžืขื•ืœื ืœื ื ืจืื•,
00:22
I began working at a toy company nine years ago.
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ื”ืชื—ืœืชื™ ืœืขื‘ื•ื“ ื‘ื—ื‘ืจืช ืฆืขืฆื•ืขื™ื ืœืคื ื™ ืชืฉืข ืฉื ื™ื.
00:26
When I first started working there,
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ื›ืฉื”ืชื—ืœืชื™ ืœืขื‘ื•ื“ ืฉื
00:28
I proposed many new ideas to my boss every day.
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ื”ืฆืขืชื™ ื”ืจื‘ื” ืจืขื™ื•ื ื•ืช ื—ื“ืฉื™ื ื›ืœ ื™ื•ื ืœื‘ื•ืก ืฉืœื™.
00:32
However, my boss always asked
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ืื‘ืœ ื”ื‘ื•ืก ืฉืœื™ ืชืžื™ื“ ืฉืืœ
00:34
if I had the data to prove it would sell,
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ืื ื™ืฉ ืœื™ ืืช ื”ืžื™ื“ืข ืœื”ื•ื›ื™ื— ืฉื–ื” ื™ืžื›ืจ,
00:37
and asked me to think of product development after analyzing market data.
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ื•ื‘ื™ืงืฉ ืžืžื ื™ ืœื—ืฉื•ื‘ ืขืœ ืคื™ืชื•ื— ืžื•ืฆืจ ืื—ืจื™ ืฉืื ืชื— ืืช ืžื™ื“ืข ื”ืฉื•ืง.
00:40
Data, data, data.
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ืžื™ื“ืข, ืžื™ื“ืข, ืžื™ื“ืข.
00:42
So I analyzed the market data before thinking of a product.
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ืื– ื ื™ืชื—ืชื™ ืืช ืžื™ื“ืข ื”ืฉื•ืง ืœืคื ื™ ืฉื—ืฉื‘ืชื™ ืขืœ ื”ืžื•ืฆืจ.
00:46
However, I was unable to think of anything new at that moment.
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ืื‘ืœ ืœื ื”ืฆืœื—ืชื™ ืœื—ืฉื•ื‘ ืขืœ ืฉื•ื ื“ื‘ืจ ื—ื“ืฉ ื‘ืื•ืชื• ืจื’ืข.
00:51
(Laughter)
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(ืฆื—ื•ืง)
00:52
My ideas were unoriginal.
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ื”ืจืขื™ื•ื ื•ืช ืฉืœื™ ืœื ื”ื™ื• ืžืงื•ืจื™ื™ื.
00:54
I wasn't getting any new ideas and I grew tired of thinking.
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ืœื ืขืœื• ืœื™ ืจืขื™ื•ื ื•ืช ื—ื“ืฉื™ื ื•ื”ืชื—ื™ืœ ืœื”ืžืืก ืœื™ ืœื—ืฉื•ื‘.
00:58
It was so hard that I became this skinny.
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ื–ื” ื”ื™ื” ื›ืœ ื›ืš ืงืฉื” ืฉื ื”ื™ื™ืชื™ ื›ื–ื” ืจื–ื”.
01:03
(Laughter)
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(ืฆื—ื•ืง)
01:05
It's true. (Applause)
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ื–ื” ื ื›ื•ืŸ. (ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
01:08
You've all probably had similar experiences and felt this way too.
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ื›ื•ืœื›ื ื‘ื•ื•ื“ืื™ ื—ื•ื•ื™ืชื ื—ื•ื•ื™ื” ื“ื•ืžื” ื•ื”ืจื’ืฉืชื ื›ืš.
01:12
Your boss was being difficult. The data was difficult.
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ื”ื‘ื•ืก ืฉืœื›ื ื”ื™ื” ืงืฉื”. ื”ืžื™ื“ืข ื”ื™ื” ืงืฉื”.
01:14
You become sick of thinking.
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ื ืžืืก ืœื›ื ืœื—ืฉื•ื‘.
01:16
Now, I throw out the data.
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ืขื›ืฉื™ื•, ื–ืจืงืชื™ ืืช ื›ืœ ื”ืžื™ื“ืข.
01:19
It's my dream to create new toys.
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ื”ื—ืœื•ื ืฉืœื™ ื”ื•ื ืœื™ืฆื•ืจ ืฆืขืฆื•ืขื™ื ื—ื“ืฉื™ื.
01:22
And now, instead of data,
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ื•ืขื›ืฉื™ื•, ื‘ืžืงื•ื ืžื™ื“ืข,
01:24
I'm using a game called Shiritori to come up with new ideas.
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ืื ื™ ืžืฉืชืžืฉ ื‘ืžืฉื—ืง ื‘ืฉื ืฉื™ืจื™ื˜ื•ืจื™ ืขืœ ืžื ืช ืœื—ืฉื•ื‘ ืขืœ ืจืขื™ื•ื ื•ืช ื—ื“ืฉื™ื.
01:29
I would like to introduce this method today.
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ืื ื™ ืจื•ืฆื” ืœื”ืฆื™ื’ ืืช ื”ืฉื™ื˜ื” ื”ื–ื• ื”ื™ื•ื.
01:32
What is Shiritori?
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ืžื” ื–ื” ืฉื™ืจื™ื˜ื•ืจื™?
01:34
Take apple, elephant and trumpet, for example.
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ืงื—ื• ืชืคื•ื—, ืคื™ืœ ื•ื—ืฆื•ืฆืจื”, ืœื“ื•ื’ืžื”.
01:37
It's a game where you take turns saying words
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ื–ื” ืžืฉื—ืง ืžืคื ื™ ืฉืืชื ืขื•ืฉื™ื ืชื•ืจื•ืช ื‘ืœื”ื’ื™ื“ ืžื™ืœื™ื
01:39
that start with the last letter of the previous word.
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ืฉืžืชื—ื™ืœื•ืช ืขื ื”ืื•ืช ื”ืื—ืจื•ื ื” ืฉืœ ื”ืžื™ืœื” ื”ืงื•ื“ืžืช.
01:41
It's the same in Japanese and English.
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ื–ื” ืื•ืชื• ื”ื“ื‘ืจ ื‘ื™ืคื ื™ืช ื•ืื ื’ืœื™ืช.
01:43
You can play Shiritori as you like:
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ืืชื ื™ื›ื•ืœื™ื ืœืฉื—ืง ืฉื™ืจื™ื˜ื•ืจื™ ื›ืžื• ืฉืืชื ืจื•ืฆื™ื:
01:46
"neko, kora, raibu, burashi," etc, etc. [Cat, cola, concert, brush]
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"ื ืงื•, ืงื•ืจื”, ืจืื™ื‘ื•, ื‘ื•ืจืฉื™," ื•ื›ื•' ื•ื›ื•'. [ื—ืชื•ืœ, ืงื•ืœื”, ืงื•ื ืฆืจื˜, ืžื‘ืจืฉืช]
01:49
Many random words will come out.
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ื”ืจื‘ื” ืžื™ืœื™ื ืจื ื“ื•ืžืœื™ื•ืช ื™ืชืงื‘ืœื•.
01:52
You force those words to connect to what you want to think of and form ideas.
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ืืชื ืžืืœืฆื™ื ืืช ื”ืžื™ืœื™ื ื”ืืœื• ืœื”ืชื—ื‘ืจ ืœืžื” ืฉืืชื ืจื•ืฆื™ื ืœื—ืฉื•ื‘ ืขืœื™ื• ื•ืœื™ืฆื•ืจ ืจืขื™ื•ื ื•ืช.
01:57
In my case, for example, since I want to think of toys,
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ื‘ืžืงืจื” ืฉืœื™, ืœื“ื•ื’ืžื, ืื ื™ ืจื•ืฆื” ืœื”ืžืฆื™ื ืฆืขืฆื•ืขื™ื
02:00
what could a toy cat be?
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ืžื” ืฆืขืฆื•ืข ืฉืœ ื—ืชื•ืœ ื™ื›ื•ืœ ืœื”ื™ื•ืช?
02:03
A cat that lands after doing a somersault from a high place?
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ื—ืชื•ืœ ืฉื ื•ื—ืช ืื—ืจื™ ืกืœื˜ื” ืžืžืงื•ื ื’ื‘ื•ื”?
02:07
How about a toy with cola?
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ืžื” ืœื’ื‘ื™ ืฆืขืฆื•ืข ืขื ืงื•ืœื”?
02:09
A toy gun where you shoot cola and get someone soaking wet?
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ืืงื“ื— ืฆืขืฆื•ืข ืฉืืชื ื™ื›ื•ืœื™ื ืœื™ืจื•ืช ืงื•ืœื” ื•ืœื”ืจื˜ื™ื‘ ืžื™ืฉื”ื• ืœื’ืžืจื™?
02:12
(Laughter)
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(ืฆื—ื•ืง)
02:13
Ridiculous ideas are okay. The key is to keep them flowing.
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ืจืขื™ื•ื ื•ืช ืžื’ื•ื›ื—ื™ื ื”ื ื‘ืกื“ืจ. ื”ืžืคืชื— ื”ื•ื ืฉื™ืžืฉื™ื›ื• ืœื–ืจื•ื.
02:16
The more ideas you produce, you're sure to come up with some good ones, too.
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ื›ื›ืœ ืฉืžืžืฆื™ืื™ื ื™ื•ืชืจ ืจืขื™ื•ื ื•ืช ื›ืš ื™ื•ืชืจ ืกื‘ื™ืจ ืฉื—ืœืงื ื’ื ื™ื”ื™ื• ื˜ื•ื‘ื™ื.
02:21
A brush, for example. Can we make a toothbrush into a toy?
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ืœื“ื•ื’ืžื: ืžื‘ืจืฉืช. ื”ืื ืืคืฉืจ ืœื”ืคื•ืš ืžื‘ืจืฉืช ืฉื™ื ื™ื™ื ืœืฆืขืฆื•ืข?
02:26
We could combine a toothbrush with a guitar and --
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ืืคืฉืจ ืœื—ื‘ืจ ืžื‘ืจืฉืช ืฉื™ื ื™ื™ื ื•ื’ื™ื˜ืจื” ื•--
02:30
(Music noises) --
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(ืฆืœื™ืœื™ ืžื•ื–ื™ืงื”)
02:32
you've got a toy you can play with while brushing your teeth.
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ื™ืฉ ืœื›ื ืฆืขืฆื•ืข ืฉืืชื ื™ื›ื•ืœื™ื ืœืฉื—ืง ื‘ื• ื‘ืขื•ื“ื›ื ืžืฆื—ืฆื—ื™ื ืฉื™ื ื™ื™ื.
02:35
(Laughter) (Applause)
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(ืฆื—ื•ืง) (ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
02:37
Kids who don't like to brush their teeth might begin to like it.
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ืื•ืœื™ ื™ืœื“ื™ื ืฉืœื ืื•ื”ื‘ื™ื ื”ืฉื™ื ื™ื™ื ืฉืœื”ื ื™ืชื—ื™ืœื• ืœืื”ื•ื‘ ืืช ื–ื”.
02:41
Can we make a hat into a toy?
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ื”ืื ืืคืฉืจ ืœื”ืคื•ืš ื›ื•ื‘ืข ืœืฆืขืฆื•ืข?
02:44
How about something like a roulette game, where you try the hat on one by one,
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ืžื” ืขื ืžืฉื”ื• ื›ืžื• ืžืฉื—ืง ืจื•ืœื˜ื”, ื‘ื• ืืชื ืžื•ื“ื“ื™ื ืืช ื”ื›ื•ื‘ืข ืื—ื“ ืื—ืจื™ ื”ืฉื ื™,
02:48
and then, when someone puts it on, a scary alien breaks through the top
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ื•ืื–, ื›ืฉืžื™ืฉื”ื• ืฉื ืื•ืชื•, ื—ื™ื™ื–ืจ ืžืคื—ื™ื“ ืคื•ืจืฅ ืžืœืžืขืœื”
02:53
screaming, "Ahh!"
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ื•ืฆื•ืขืง, "ืืืื”ื”ื”!"
02:55
I wonder if there would be a demand for this at parties?
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ืื ื™ ืชื•ื”ื” ืื ืชื”ื™ื” ื“ืจื™ืฉื” ืœื–ื” ื‘ืžืกื™ื‘ื•ืช?
02:58
Ideas that didn't come out while you stare at the data will start to come out.
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ืจืขื™ื•ื ื•ืช ืฉืœื ื™ืฆืื• ื›ืฉืืชื ื‘ื•ื”ื™ื ื‘ืžื™ื“ืข ื™ืชื—ื™ืœื• ืœืฆืืช.
03:03
Actually, this bubble wrap, which is used to pack fragile objects,
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ืœืžืขืฉื”, ืขื˜ื™ืคืช ื”ื‘ื•ืขื•ืช ื”ื–ื•, ืฉืžืฉืžืฉืช ืœืขื˜ื™ืคืช ื—ืคืฆื™ื ืฉื‘ื™ืจื™ื,
03:09
combined with a toy, made Mugen Pop Pop,
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ื‘ืฉื™ืœื•ื‘ ืขื ืฆืขืฆื•ืข, ื™ืฆืจ ืืช ืžื•ื’ืŸ ืคื•ืค ืคื•ืค,
03:14
a toy where you can pop the bubbles as much as you like.
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ืฆืขืฆื•ืข ื‘ื• ืืชื ืžืคื•ืฆืฆื™ื ืืช ื”ื‘ื•ืขื•ืช ื›ืžื” ืฉืืชื ืจื•ืฆื™ื.
03:17
It was a big hit when it reached stores.
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ื–ื” ื”ื™ื” ืœื”ื™ื˜ ื’ื“ื•ืœ ื›ืฉื”ื•ื ื”ื’ื™ืข ืœื—ื ื•ื™ื•ืช.
03:20
Data had nothing to do with its success.
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ืœืžื™ื“ืข ืœื ื”ื™ื” ืฉื•ื ืงืฉืจ ืœื”ืฆืœื—ื” ืฉืœื•.
03:22
Although it's only popping bubbles,
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ืœืžืจื•ืช ืฉื–ื” ืจืง ืคื™ืฆื•ืฅ ื‘ื•ืขื•ืช,
03:25
it's a great way to kill time,
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ื–ื• ื“ืจืš ืžืขื•ืœื” ืœื”ืจื•ื’ ื–ืžืŸ,
03:27
so please pass this around
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ืื– ื‘ื‘ืงืฉื” ืชืขื‘ื™ืจื• ืืช ื–ื” ื‘ื™ื ื›ื
03:29
amongst yourselves today and play with it.
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ื”ื™ื•ื ื•ืชืฉื—ืงื• ืขื ื–ื”.
03:32
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
03:36
Anyway, you continue to come up with useless ideas.
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ื‘ื›ืœ ืžืงืจื”, ืžืžืฉื™ื›ื™ื ืœื”ืžืฆื™ื ืจืขื™ื•ื ื•ืช ื—ืกืจื™ ืชื•ืขืœืช.
03:39
Think up many trivial ideas, everyone.
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ื—ืฉื‘ื• ืขืœ ื”ืจื‘ื” ืจืขื™ื•ื ื•ืช ื˜ืจื™ื•ื•ื™ืืœื™ื, ื›ื•ืœื.
03:41
If you base your ideas on data analysis and know what you're aiming for,
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ืื ืืชื ืžื‘ืกืกื™ื ืืช ื”ืจืขื™ื•ื ื•ืช ืฉืœื›ื ืขืœ ื ื™ืชื•ื— ืžื™ื“ืข ืืชื ื™ื•ื“ืขื™ื ืœืžื” ืืชื ืžื›ื•ื•ื ื™ื,
03:45
you'll end up trying too hard,
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ืืชื ืชื’ื™ืขื• ืœืžืฆื‘ ืฉืืชื ืชื ืกื• ื™ื•ืชืจ ืžื“ื™,
03:48
and you can't produce new ideas.
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ื•ืœื ืชื•ื›ืœื• ืœื™ื™ืฆืจ ืจืขื™ื•ื ื•ืช ื—ื“ืฉื™ื.
03:50
Even if you know what your aim is,
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ืืคื™ืœื• ืื ืืชื ื™ื•ื“ืขื™ื ืžื”ื™ ืžื˜ืจืชื›ื,
03:52
think of ideas as freely as if you were throwing darts with your eyes closed.
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ื—ืฉื‘ื• ืขืœ ืจืขื™ื•ื ื•ืช ื‘ื—ื•ืคืฉื™ื•ืช ื›ืื™ืœื• ืืชื ื–ื•ืจืงื™ื ื—ื™ืฆื™ื ืขื ืขื™ื ื™ื ืขืฆื•ืžื•ืช.
03:56
If you do this, you surely will hit somewhere near the center.
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ืื ืชืขืฉื• ื–ืืช, ื‘ื˜ื•ื— ืชืคื’ืขื• ืงืจื•ื‘ ืœืžืจื›ื–.
03:59
At least one will.
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ืœืคื—ื•ืช ืื—ื“ ื™ืคื’ืข.
04:00
That's the one you should choose.
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ื–ื” ื”ืื—ื“ ืฉืฆืจื™ืš ืœื‘ื—ื•ืจ.
04:02
If you do so, that idea will be in demand
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ืื ืชืขื–ื• ื›ืš, ืชื”ื™ื” ื“ืจื™ืฉื” ืœืจืขื™ื•ืŸ
04:05
and, moreover, it will be brand new.
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ื•ืขื•ื“, ื”ื•ื ื™ื”ื™ื” ื—ื“ืฉ ืœื’ืžืจื™.
04:08
That is how I think of new ideas.
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ื›ืš ืื ื™ ื—ื•ืฉื‘ ืขืœ ืจืขื™ื•ื ื•ืช ื—ื“ืฉื™ื.
04:10
It doesn't have to be Shiritori; there are many different methods.
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ื–ื” ืœื ื—ื™ื™ื‘ ืœื”ื™ื•ืช ืฉื™ืจื™ื˜ื•ืจื™. ื™ืฉื ืŸ ื”ืจื‘ื” ืฉื™ื˜ื•ืช ืฉื•ื ื•ืช.
04:13
You just have to choose words at random.
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ืคืฉื•ื˜ ืฆืจื™ืš ืœื‘ื—ื•ืจ ืžื™ืœื™ื ืืงืจืื™ื•ืช.
04:15
You can flip through a dictionary and choose words at random.
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ืืคืฉืจ ืœื“ืคื“ืฃ ื‘ืžื™ืœื•ืŸ ื•ืœื‘ื—ื•ืจ ืžื™ืœื™ื ืืงืจืื™ื•ืช.
04:18
For example, you could look up two random letters and gather the results
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ืœื“ื•ื’ืžื”, ืืชื ื™ื›ื•ืœื™ื ืœื—ืคืฉ ืฉืชื™ ืื•ืชื™ื•ืช ืืงืจืื™ื•ืช ื•ืœืืกื•ืฃ ืืช ื”ืชื•ืฆืื•ืช
04:22
or go to the store and connect product names
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ืื• ืœืœื›ืช ืœื—ื ื•ืช ื•ืœื—ื‘ืจ ืฉืžื•ืช ืžื•ืฆืจื™ื
04:26
with what you want to think of.
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ืขื ืžื” ืฉืืชื ื—ื•ืฉื‘ื™ื ืขืœื™ื•.
04:29
The point is to gather random words,
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ื”ืžื˜ืจื” ื”ื™ื ืœืืกื•ืฃ ืžื™ืœื™ื ืืงืจืื™ื•ืช,
04:33
not information from the category you're thinking for.
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ืœื ืžื™ื“ืข ืžืงื˜ื’ื•ืจื™ื” ืฉืืชื ื—ื•ืฉื‘ื™ื ืขืœื™ื”.
04:36
If you do this, the ingredients for the association of ideas are collected
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ืื ืชืขืฉื• ื–ืืช, ื”ืžืจื›ื™ื‘ื™ื ืœื”ืงืฉืจื™ื ืฉืœ ืจืขื™ื•ื ื•ืช ื ืืกืคื™ื
04:42
and form connections that will produce many ideas.
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ื•ื™ื•ืฆืจื™ื ื—ื™ื‘ื•ืจื™ื ืฉื™ื™ืฆืจื• ื”ืจื‘ื” ืจืขื™ื•ื ื•ืช.
04:45
The greatest advantage to this method is the continuous flow of images.
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ื”ื™ื™ืชืจื•ืŸ ื”ื›ื™ ื’ื“ื•ืœ ืฉืœ ื”ืฉื™ื˜ื” ื”ื–ื• ื”ื•ื ื–ืจื ืฉื•ื˜ืฃ ืฉืœ ื“ื™ืžื•ื™ื™ื.
04:49
Because you're thinking of one word after another,
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ืžืคื ื™ ืฉืืชื ื—ื•ืฉื‘ื™ื ืขืœ ืžื™ืœื” ืื—ืช ืื—ืจื™ ื”ืฉื ื™ื”,
04:52
the image of the previous word is still with you.
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ื”ื“ื™ืžื•ื™ื™ื ืฉืœ ื”ืžื™ืœื” ื”ืงื•ื“ืžืช ืขื“ื™ื™ืŸ ืื™ืชื›ื.
04:54
That image will automatically be related with future words.
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ื”ื“ื™ืžื•ื™ ื”ื–ื” ื™ืงื•ืฉืจ ืื•ื˜ื•ืžื˜ื™ืช ืœืžื™ืœื” ื”ืขืชื™ื“ื™ืช.
04:57
Unconsciously, a concert will be connected to a brush
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ื‘ืื•ืคืŸ ื‘ืœืชื™ ืžื•ื“ืข ืงื•ื ืฆืจื˜ ื™ื”ื™ื” ืงืฉื•ืจ ืœืžื‘ืจืฉืช
05:00
and a roulette game will be connected to a hat.
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ื•ืžืฉื—ืง ืจื•ืœื˜ื” ื™ื”ื™ื” ืงืฉื•ืจ ืœื›ื•ื‘ืข.
05:02
You wouldn't even realize it.
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ืืชื ืืคื™ืœื• ืœื ืชื”ื™ื• ืžื•ื“ืขื™ื ืœื–ื”.
05:03
You can come up with ideas that you wouldn't have thought of otherwise.
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ืืชื ื™ื›ื•ืœื™ื ืœื”ื’ื™ืข ืœืจืขื™ื•ื ื•ืช ืฉืœื ื”ื™ื™ืชื ื—ื•ืฉื‘ื™ื ืขืœื™ื”ื ืื—ืจืช.
05:07
This method is, of course, not just for toys.
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ื”ืฉื™ื˜ื” ื”ื–ื•, ื›ืžื•ื‘ืŸ, ื”ื™ื ืœื ืจืง ืœืฆืขืฆื•ืขื™ื.
05:09
You can collect ideas for books, apps, events, and many other projects.
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ืืคืฉืจ ืœืืกื•ืฃ ื›ื›ื” ืจืขื™ื•ื ื•ืช ืœืกืคืจื™ื, ืืคืœื™ืงืฆื™ื•ืช, ืื™ืจื•ืขื™ื, ื•ื”ืจื‘ื” ืคืจื•ื™ื™ืงื˜ื™ื ืื—ืจื™ื.
05:13
I hope you all try this method.
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ืื ื™ ืžืงื•ื•ื” ืฉื›ื•ืœื›ื ืชื ืกื• ืืช ื”ืฉื™ื˜ื” ื”ื–ื•.
05:18
There are futures that are born from data.
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ื™ืฉื ื ืขืชื™ื“ื™ื ืฉื ื•ืœื“ื™ื ืžืžื™ื“ืข.
05:21
However, using this silly game called Shiritori,
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ืืš ืฉื™ืžื•ืฉ ื‘ืžืฉื—ืง ื”ืžืฆื—ื™ืง ื”ื–ื” ื”ื ืงืจื ืฉื™ืจื™ื˜ื•ืจื™,
05:25
I look forward to the exciting future you will create,
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ืื ื™ ืžืฆืคื” ืœืขืชื™ื“ ื”ืžืจื’ืฉ ืฉืชื™ืฆืจื•,
05:28
a future you couldn't even imagine.
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ืขืชื™ื“ ืฉืœื ืชื•ื›ืœื• ืœื“ืžื™ื™ืŸ.
05:32
Thank you very much.
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ืชื•ื“ื” ืจื‘ื” ืœื›ื.
05:34
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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