The dawn of the age of holograms | Alex Kipman

2,080,232 views ใƒป 2016-04-18

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ido Dekkers ืžื‘ืงืจ: Tal Dekkers
00:12
Thousands of years from now,
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ื‘ืขื•ื“ ืืœืคื™ ืฉื ื™ื,
00:15
we'll look back at the first century of computing
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ื ื‘ื™ื˜ ื—ื–ืจื” ืœืžืื” ื”ืจืืฉื•ื ื” ืฉืœ ื”ืžื—ืฉื•ื‘
00:18
as a fascinating but very peculiar time --
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ื›ื–ืžืŸ ืžืื•ื“ ืžืจืชืง ืื‘ืœ ืžื•ื–ืจ --
00:23
the only time in history where humans were reduced to live in 2D space,
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ื”ื–ืžืŸ ื”ื™ื—ื™ื“ ื‘ื”ืกื˜ื•ืจื™ื” ื‘ื• ืื ืฉื™ื ื”ื•ืคื—ืชื• ืœื—ื™ื™ื ื‘ืžืจื—ื‘ ื“ื• ืžื™ืžื“ื™,
00:28
interacting with technology as if we were machines;
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ื•ืชืงืฉืจื• ืขื ื”ื˜ื›ื ื•ืœื•ื’ื™ื” ื›ืื™ืœื• ื”ื™ื™ื ื• ืžื›ื•ื ื•ืช;
00:32
a singular, 100-year period in the vastness of time
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ืชืงื•ืคื” ื™ื—ื•ื“ื™ืช ื‘ืช 100 ืฉื ื™ื ื‘ืžืจื—ื‘ ื”ื–ืžืŸ
00:37
where humans communicated,
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ื‘ื” ืื ืฉื™ื ืชืงืฉืจื•,
00:40
were entertained and managed their lives
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ื‘ื™ื“ืจื• ื•ื ื™ื”ืœื• ืืช ื—ื™ื™ื”ื
00:42
from behind a screen.
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ืžืื—ื•ืจื™ ืžืกืš.
00:44
Today, we spend most of our time tapping and looking at screens.
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ื”ื™ื•ื, ืื ื—ื ื• ืžื‘ืœื™ื ืืช ืจื•ื‘ ื–ืžื ื ื• ื‘ืœื—ื™ืฆื•ืช ื•ื‘ื”ืกืชื›ืœื•ืช ืขืœ ืžืกื›ื™ื.
00:50
What happened to interacting with each other?
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ืžื” ืงืจื” ืœืื™ื ื˜ืจืืงืฆื™ื” ืื—ื“ ืขื ื”ืฉื ื™?
00:55
I don't know about you, but I feel limited
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ืื ื™ ืœื ื™ื•ื“ืข ื‘ื ื•ื’ืข ืืœื™ื›ื, ืื‘ืœ ืื ื™ ืžืจื’ื™ืฉ ืžื•ื’ื‘ืœ
00:57
inside this 2D world of monitors and pixels.
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ื‘ืชื•ืš ื”ืขื•ืœื ื”ื“ื• ืžื™ืžื“ื™ ืฉืœ ืžืกื›ื™ื ื•ืคื™ืงืกืœื™ื.
01:01
And it is this very limitation
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ื•ื–ื• ื”ื”ื’ื‘ืœื” ื”ื–ื•
01:03
and my desire to connect with people
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ื•ื”ืชืฉื•ืงื” ืฉืœื™ ืœื”ืชื—ื‘ืจ ืขื ืื ืฉื™ื
01:06
that inspires me as a creator.
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ืฉื ื•ืชื ืช ืœื™ ื”ืฉืจืื” ื›ื™ื•ืฆืจ.
01:08
Put simply: I want to create a new reality,
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ื‘ืคืฉื˜ื•ืช: ืื ื™ ืจื•ืฆื” ืœื™ืฆื•ืจ ืžืฆื™ืื•ืช ื—ื“ืฉื”,
01:11
a reality where technology brings us infinitely closer to each other,
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ืžืฆื™ืื•ืช ื‘ื” ื˜ื›ื ื•ืœื•ื’ื™ื” ืžื‘ื™ืื” ืื•ืชื ื• ืงืจื•ื‘ ื‘ื”ืจื‘ื” ืื—ื“ ืœืฉื ื™,
01:17
a reality where people, not devices,
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ืžืฆื™ืื•ืช ื‘ื” ืื ืฉื™ื, ืœื ืžื›ืฉื™ืจื™ื,
01:20
are the center of everything.
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ื”ื ื”ืžืจื›ื– ืฉืœ ื”ื›ืœ.
01:22
I dream of a reality where technology senses what we see, touch and feel;
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ืื ื™ ื—ื•ืœื ืขืœ ืžืฆื™ืื•ืช ื‘ื” ื˜ื›ื ื•ืœื•ื’ื™ื” ื—ืฉื” ืžื” ืื ื—ื ื• ืจื•ืื™ื, ื ื•ื’ืขื™ื ื•ืžืจื’ื™ืฉื™ื;
01:29
a reality where technology no longer gets in our way,
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ืžืฆื™ืื•ืช ื‘ื” ื˜ื›ื ื•ืœื•ื’ื™ื” ืœื ืžืคืจื™ืขื” ืœื ื• ื™ื•ืชืจ,
01:33
but instead embraces who we are.
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ืืœื ื‘ืžืงื•ื ืžืงื‘ืœืช ืžื™ ืฉืื ื—ื ื•.
01:36
I dream of technology
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ืื ื™ ื—ื•ืœื ืขืœ ื˜ื›ื ื•ืœื•ื’ื™ื”
01:38
on a human path.
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ื‘ืžืกืœื•ืœ ื”ืื ื•ืฉื™.
01:40
We have all experienced technology
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ื›ื•ืœื ื• ื—ื•ื•ื™ื ื• ื˜ื›ื ื•ืœื•ื’ื™ื”
01:42
that enables people to act more like people,
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ืฉืžืืคืฉืจืช ืœืื ืฉื™ื ืœืคืขื•ืœ ื™ื•ืชืจ ื›ืžื• ืื ืฉื™ื,
01:46
products that enable natural interactions, voice controls or biometrics.
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ืžื•ืฆืจื™ื ืฉืžืืคืฉืจื™ื ืคืขื™ืœื•ืช ื˜ื‘ืขื™ืช, ืฉืœื™ื˜ื” ืงื•ืœื™ืช ื•ื‘ื™ื•ืžื˜ืจื™ืงื”.
01:55
This is the next step in the evolution.
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ื–ื” ื”ืฉืœื‘ ื”ื‘ื ื‘ืื‘ื•ืœื•ืฆื™ื”.
01:59
This is Microsoft HoloLens,
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ื–ื” ื”ื”ื•ืœื•ืœื ืก ืฉืœ ืžื™ืงืจื•ืกื•ืคื˜,
02:01
the first fully untethered holographic computer.
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ื”ืžื—ืฉื‘ ื”ื”ื•ืœื’ืจืคื™ ื”ืจืืฉื•ืŸ ื”ืืœ ื—ื•ื˜ื™.
02:05
Devices like this will bring 3D holographic content
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ืžื›ืฉื™ืจื™ื ื›ืžื• ื–ื” ื™ื‘ื™ืื• ืชื•ื›ืŸ ื”ื•ืœื•ื’ืจืคื™ ืชืœืช ืžื™ืžื“ื™
02:09
right into our world,
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ื™ืฉืจ ืœืชื•ืš ื”ืขื•ืœื ืฉืœื ื•,
02:11
enhancing the way we experience life
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ื™ื•ืกื™ืคื• ืœื“ืจืš ื‘ื” ืื ื—ื ื• ื—ื•ื•ื™ื ืืช ื”ื—ื™ื™ื
02:13
beyond our ordinary range of perceptions.
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ืžืขื‘ืจ ืœื˜ื•ื•ื— ื”ืจื’ื™ืœ ืฉืœ ื”ืชืคื™ืกื” ืฉืœื ื•.
02:17
Now, I'm not thinking about a distant future.
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ืขื›ืฉื™ื•, ืื ื™ ืœื ื—ื•ืฉื‘ ืขืœ ื”ืขืชื™ื“ ื”ืจื—ื•ืง.
02:21
I'm talking about today.
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ืื ื™ ืžื“ื‘ืจ ืขืœ ื”ื™ื•ื.
02:23
We are already seeing car companies like Volvo
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ืื ื—ื ื• ื›ื‘ืจ ืจื•ืื™ื ื—ื‘ืจื•ืช ืจื›ื‘ ื›ืžื• ื•ืœื•ื•
02:27
designing cars differently with HoloLens;
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ืฉืžืชื›ื ื ื•ืช ืžื›ื•ื ื™ื•ืช ืฉื•ื ื” ืขื ื”ื•ืœื•ืœื ืก;
02:30
universities like Case Western redefining the way medical students learn;
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ืื•ื ื™ื‘ืจืกื™ื˜ืื•ืช ื›ืžื• ืงื™ื™ืก ื•ื•ืกื˜ืจืŸ ืžื’ื“ื™ืจื•ืช ืžื—ื“ืฉ ืืช ื”ื“ืจืš ื‘ื” ืกื˜ื•ื“ื ื˜ื™ื ืœืจืคื•ืื” ืœื•ืžื“ื™ื;
02:34
and my personal favorite,
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ื•ื”ื—ื‘ื™ื‘ ืขืœื™ ื‘ื™ื•ืชืจ,
02:36
NASA is using HoloLens to let scientists explore planets
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NASA ืžืฉืชืžืฉื™ื ื‘ื”ื•ืœื•ืœื ืก ื›ื“ื™ ืœืืคืฉืจ ืœืžื“ืขื ื™ื ืœื—ืงื•ืจ ืคืœื ื˜ื•ืช
02:42
holographically.
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ื”ื•ืœื•ื’ืจืคื™ืช.
02:43
Now, this is important.
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ืขื›ืฉื™ื•, ื–ื” ื—ืฉื•ื‘.
02:46
By bringing holograms into our world,
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ืขืœ ื™ื“ื™ ื”ื‘ืืช ื”ื•ืœื•ื’ืจืžื•ืช ืœืขื•ืœื,
02:48
I'm not just talking about a new device or a better computer.
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ืื ื™ ืœื ืจืง ืžื“ื‘ืจ ืขืœ ืžื›ืฉื™ืจ ื—ื“ืฉ ืื• ืžื—ืฉื‘ ื˜ื•ื‘ ื™ื•ืชืจ,
02:52
I'm talking about freeing ourselves from the 2D confines
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ืื ื™ ืžื“ื‘ืจ ืขืœ ืœืฉื—ืจืจ ืืช ืขืฆืžื ื• ืžื”ืžื’ื‘ืœื•ืช ื”ื“ื• ืžื™ืžื“ื™ื™ื•ืช
02:58
of traditional computing.
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ืฉืœ ืžื—ืฉื•ื‘ ืžืกื•ืจืชื™.
03:01
Put it this way:
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ื ืฉื™ื ื–ืืช ื›ืš:
03:02
temporally adjusted, we're like cave people in computer terms.
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ื™ื—ืกื™ืช ืœื–ืžืŸ, ืื ื—ื ื• ื›ืžื• ืื ืฉื™ ืžืขืจื•ืช ื‘ืžื•ื ื—ื™ ืžื—ืฉื•ื‘.
03:07
We've barely discovered charcoal
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ื‘ืงื•ืฉื™ ื’ื™ืœื™ื ื• ืืช ื”ืคื—ื
03:09
and started drawing the first stick figures in our cave.
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ื•ื”ืชื—ืœื ื• ืœืฆื™ื™ืจ ืืช ื“ืžื•ื™ื™ืช ื”ืžืงืœ ื”ืจืืฉื•ื ื•ืช ื‘ืžืขืจื” ืฉืœื ื•.
03:14
Now, this is the perspective I apply to my work every single day.
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ืขื›ืฉื™ื•, ื–ื• ื ืงื•ื“ืช ื”ืžื‘ื˜ ืฉืื ื™ ืžื™ื™ืฉื ืœืขื‘ื•ื“ื” ืฉืœื™ ื›ืœ ื™ื•ื.
03:20
And now for the next few minutes,
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ื•ืขื›ืฉื™ื•, ื‘ื“ืงื•ืช ื”ื‘ืื•ืช,
03:21
I invite all of you to apply the same perspective
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ืื ื™ ืžื–ืžื™ืŸ ืืช ื›ื•ืœื›ื ืœื™ื™ืฉื ืืช ืื•ืชื” ื ืงื•ื“ืช ืžื‘ื˜
03:26
to the journey ahead of us.
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ืœืžืกืข ืฉืœืคื ื™ื ื•.
03:31
Now, as I put this HoloLens on,
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ืขื›ืฉื™ื•, ื›ืฉืื ื™ ืฉื ืขืœื™ ืืช ื”ื”ื•ืœื•ืœื ืก,
03:34
let me explain the setup a little bit.
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ืชื ื• ืœื™ ืœื”ืกื‘ื™ืจ ืืช ื”ืžืชืงืŸ ืžืขื˜.
03:36
It's probably the most risky demo we have ever done on any stage
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ื–ื” ื›ื ืจืื” ื”ื“ืžื• ื”ื›ื™ ืžืกื•ื›ืŸ ืฉืื™ ืคืขื ืขืฉื™ื ื• ืขืœ ื‘ืžื” ื›ืœืฉื”ื™
03:42
with HoloLens,
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ืขื ื”ื”ื•ืœื•ืœื ืก,
03:43
and I can't think of a better place to do it than here at TED.
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ื•ืื ื™ ืœื ื™ื›ื•ืœ ืœื—ืฉื•ื‘ ืขืœ ืžืงื•ื ื˜ื•ื‘ ื™ื•ืชืจ ืœืขืฉื•ืช ื–ืืช ืžืืฉืจ ื‘ TED.
03:47
Momentarily, I am going to be seeing holograms
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ืขื•ื“ ืจื’ืข, ืื ื™ ืขื•ืžื“ ืœืจืื•ืช ื”ื•ืœื•ื’ืจืžื•ืช
03:51
right on this stage,
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ืžืžืฉ ืขืœ ื”ื‘ืžื”,
03:52
just as clearly as I can see all of you.
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ื‘ื‘ืจื•ืจ ื›ืžื• ืฉืื ื™ ืจื•ืื” ืืช ื›ื•ืœื›ื.
03:54
Now at the same time, we have also this special camera
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ืขื›ืฉื™ื• ื‘ืื•ืชื• ื–ืžืŸ, ื™ืฉ ืœื ื• ื’ื ืืช ื”ืžืฆืœืžื” ื”ืžื™ื•ื—ื“ืช ื”ื–ื•
03:58
that just walked in onstage
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ืฉืจืง ื ื›ื ืกื” ืœื‘ืžื”
04:00
so that all of you can share in this experience with me
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ื›ืš ืฉื›ื•ืœื›ื ืชื•ื›ืœื• ืœื—ืœื•ืง ืืช ื”ื—ื•ื™ื” ืื™ืชื™
04:03
up on all the monitors.
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ืขืœ ื›ืœ ื”ืžืกื›ื™ื.
04:05
So let's start our journey.
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ืื– ื‘ื•ืื• ื ืชื—ื™ืœ ืืช ื”ืžืกืข ืฉืœื ื•.
04:07
And what better place to begin our journey,
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ื•ืื™ื–ื” ืžืงื•ื ื˜ื•ื‘ ื™ื•ืชืจ ืœื”ืชื—ื™ืœ ืืช ื”ืžืกืข,
04:09
than in the computer cave of 2D.
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ืžืืฉืจ ื‘ืžืขืจืช ื”ืžื—ืฉื‘ ืฉืœ ื”ื“ื• ืžื™ืžื“.
04:14
Let's explore the world all around us with this new lens,
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ื‘ื•ืื• ื ื—ืงื•ืจ ืืช ื”ืขื•ืœื ืกื‘ื™ื‘ื ื• ืขื ื”ืขื“ืฉื” ื”ื—ื“ืฉื” ื”ื–ื•,
04:19
and understand the computer world from a brand new perspective.
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ื•ื ื‘ื™ืŸ ืืช ื”ืขื•ืœื ื”ืžืžื•ื—ืฉื‘ ืžื ืงื•ื“ืช ืžื‘ื˜ ื—ื“ืฉื” ืœื’ืžืจื™.
04:23
The computer universe is both marvelous and primitive.
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ืขื•ืœื ื”ืžื—ืฉื•ื‘ ื”ื•ื ื’ื ืžื•ืคืœื ื•ื’ื ืคืจื™ืžื™ื˜ื™ื‘ื™.
04:28
It's a universe based on causality.
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ื–ื” ืขื•ืœื ืฉืžื‘ื•ืกืก ืขืœ ืกื™ื‘ืชื™ื•ืช.
04:32
As developers, we dream the different causes
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ื›ืžืคืชื—ื™ื, ืื ื—ื ื• ื—ื•ืœืžื™ื ืืช ื”ืกื™ื‘ื•ืช ื”ืฉื•ื ื•ืช
04:35
and then we program the different effects.
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ื•ืื– ืื ื—ื ื• ืžืชื›ื ืชื™ื ืืช ื”ื”ื”ืฉืคืขื•ืช ื”ืฉื•ื ื•ืช.
04:38
Double click on an icon, that's a cause.
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ืœื—ื™ืฆื” ื›ืคื•ืœื” ืขืœ ื”ืื™ื™ืงื•ืŸ, ื–ื• ืกื™ื‘ื”.
04:41
Open an application, that's an effect.
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ืคืชื™ื—ืช ืืคื™ืœื™ืงืฆื™ื”, ื–ื• ื”ืฉืคืขื”.
04:45
Now when we compare this to our physical universe,
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ืขื›ืฉื™ื• ื›ืฉืื ื—ื ื• ืžืฉื•ื•ื™ื ืืช ื–ื” ืœืขื•ืœื ื”ืคื™ื–ื™ ืฉืœื ื•,
04:49
it is overly constraining,
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ื–ื” ืžืื•ื“ ืžื’ื‘ื™ืœ,
04:51
because our universe is not digital.
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ื‘ื’ืœืœ ืฉื”ื™ืงื•ื ืฉืœื ื• ื”ื•ื ืœื ื“ื™ื’ื™ื˜ืœื™.
04:54
Our universe is analog.
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ื”ื™ืงื•ื ืฉืœื ื• ื”ื•ื ืื ืœื•ื’ื™.
04:56
Our universe doesn't think in terms of zero or one,
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ื”ื™ืงื•ื ืฉืœื ื• ืœื ื—ื•ืฉื‘ ื‘ืžื•ื ื—ื™ื ืฉืœ ืืคืก ื•ืื—ื“,
05:01
true or false, or black or white.
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ืืžืช ืื• ืฉืงืจ, ืื• ืฉื—ื•ืจ ื•ืœื‘ืŸ.
05:04
We exist in a world governed by quantum physics,
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ืื ื—ื ื• ืงื™ื™ืžื™ื ื‘ืขื•ืœื ืฉื ืฉืœื˜ ืขืœ ื™ื“ื™ ืคื™ื–ื™ืงื” ืงื•ื•ืื ื˜ื™ืช,
05:08
a universe of zero and one both at the same time,
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ื™ืงื•ื ืฉืœ ืืคืกื™ื ื•ืื—ื“ื™ื ื‘ืื•ืชื• ื”ื–ืžืŸ,
05:13
a reality based on infinite probabilities and shades of gray.
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ืžืฆื™ืื•ืช ืžื‘ื•ืกืกืช ืขืœ ืืคืฉืจื™ื•ืช ื‘ืœืชื™ ืžื•ื’ื‘ืœื•ืช ื•ื’ื•ื•ื ื™ื ืฉืœ ืืคื•ืจ.
05:19
You can see how these two worlds collide.
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ืืชื ื™ื›ื•ืœื™ื ืœืจืื•ืช ืื™ืš ืฉื ื™ ื”ืขื•ืœืžื•ืช ื”ืืœื• ืžืชื ื’ืฉื™ื.
05:23
So why are screens so pervasive in our analog life?
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ืื– ืœืžื” ื”ืžืกื›ื™ื ื›ืœ ื›ืš ื ืคื•ืฆื™ื ื‘ื—ื™ื™ื ื”ืื ืœื•ื’ื™ื ืฉืœื ื•?
05:30
We see screens from the moment we wake up,
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ืื ื—ื ื• ืจื•ืื™ื ืžืกื›ื™ื ืžื”ืจื’ืข ืฉืื ื—ื ื• ืžืชืขื•ืจืจื™ื,
05:32
to the moment we fall asleep.
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ืœืจื’ืข ืฉืื ื—ื ื• ื ืจื“ืžื™ื.
05:35
Why?
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ืœืžื”?
05:36
I think it's because computers give us superpowers.
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ืื ื™ ื—ื•ืฉื‘ ืฉื–ื” ื‘ื’ืœืœ ืฉืžื—ืฉื‘ื™ื ื ื•ืชื ื™ื ืœื ื• ื›ื•ื—ื•ืช ืขืœ.
05:40
Within the digital universe, we have the power to displace space
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ื‘ืชื•ืš ื”ื™ืงื•ื ื”ื“ื™ื’ื™ื˜ืœื™, ื™ืฉ ืœื ื• ื›ื•ื— ืœื”ื–ื™ื– ื—ืœืœ
05:44
and the power to displace time.
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ื•ื”ื›ื•ื— ืœื”ื–ื™ื– ื–ืžืŸ.
05:46
It doesn't matter if you're using technology for entertainment,
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ื–ื” ืœื ืžืฉื ื” ืื ืืชื ืžืฉืชืžืฉื™ื ื‘ื˜ื›ื ื•ืœื•ื’ื™ื” ืœื‘ื™ื“ื•ืจ,
05:49
productivity or communication.
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ื™ืฆื™ืจืชื™ื•ืช ืื• ืชืงืฉื•ืจืช.
05:52
Think of it this way:
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ื—ืฉื‘ื• ืขืœ ื–ื” ื›ืš:
05:53
let's all go home tonight
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ื‘ื•ืื• ื›ื•ืœื ื• ื ืœืš ื”ื‘ื™ืชื” ื”ืขืจื‘
05:55
and watch our favorite show on television.
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ื•ื ืฆืคื” ื‘ืชื•ื›ื ื™ืช ื”ืื”ื•ื‘ื” ืขืœื™ื ื• ื‘ื˜ืœื•ื•ื™ื–ื™ื”.
05:58
This is theater -- time and space displaced.
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ื–ื” ืชืื˜ืจื•ืŸ -- ืžืงื•ื ื•ื—ืœืœ ืžื•ื–ื—ื™ื.
06:02
As soon as I'm done with this TED Talk,
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ื‘ืจื’ืข ืฉืื ื™ ืืกื™ื™ื ืืช ื”ืจืฆืืช TED ื”ื–ื•,
06:04
I'm going to immediately call my lovely family in Seattle.
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ืื ื™ ืžื™ื™ื“ ืืชืงืฉืจ ืœืžืฉืคื—ื” ื”ืื”ื•ื‘ื” ืฉืœื™ ื‘ืกื™ืื˜ืœ.
06:11
That's displacement of space.
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ื–ื” ื”ื–ื—ื” ืฉืœ ืžืงื•ื.
06:14
Now, these are such great superpowers
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ืขื›ืฉื™ื•, ืืœื” ื›ืืœื” ื›ื•ื—ื•ืช ืขืœ ืžืขื•ืœื™ื
06:16
that we put up with the two-dimensional limitations
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ืฉืื ื—ื ื• ืžืกื›ื™ืžื™ื ืœื”ืชืžื•ื“ื“ ืขื ื”ืžื’ื‘ืœื•ืช ื”ื“ื• ืžื™ืžื“ื™ื•ืช
06:19
of our current digital world.
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ืฉืœ ื”ืขื•ืœื ื”ื“ื™ื’ื™ื˜ืœื™ ื”ื ื•ื›ื—ื™ ืฉืœื ื•.
06:21
But what if we didn't have to?
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ืื‘ืœ ืžื” ืื ืœื ื”ื™ื™ื ื• ื—ื™ื™ื‘ื™ื?
06:23
What if we could have these same digital powers
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ืžื” ืื ื™ื•ื›ืœื• ืœื”ื™ื•ืช ืœื ื• ืืช ืื•ืชื ื›ื•ื—ื•ืช ื“ื™ื’ื™ื˜ืœื™ื™ื
06:27
in our world?
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ื‘ืขื•ืœื ืฉืœื ื•?
06:29
You can already see glimmers of this,
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ืืชื ื™ื›ื•ืœื™ื ื›ื‘ืจ ืœืจืื•ืช ื ื™ืฆื•ืฆื•ืช ืฉืœ ื–ื”,
06:32
but I believe our children's children
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ืื‘ืœ ืื ื™ ืžืืžื™ืŸ ืฉื”ื™ืœื“ื™ื ืฉืœ ื”ื™ืœื“ื™ื ืฉืœื ื•
06:35
will grow up in a world devoid of 2D technology.
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ื™ื’ื“ืœื• ื‘ืขื•ืœื ื—ืกืจ ื˜ื›ื ื•ืœื•ื’ื™ื” ื“ื• ืžื™ืžื“ื™ืช.
06:40
It's remarkable to dream of this world,
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ื–ื” ื™ื•ืฆื ื“ื•ืคืŸ ืœื—ืœื•ื ืขืœ ื”ืขื•ืœื ื”ื–ื”,
06:42
a world where technology truly understands us --
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ืขื•ืœื ื‘ื• ื˜ื›ื ื•ืœื•ื’ื™ื” ื‘ืืžืช ืžื‘ื™ื ื” ืื•ืชื ื• --
06:46
where we live, work and communicate --
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ื”ื™ื›ืŸ ืื ื—ื ื• ื—ื™ื™ื, ืขื•ื‘ื“ื™ื ื•ืžืชืงืฉืจื™ื --
06:49
with tools that enhance the human experience,
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ืขื ื›ืœื™ื ืฉืžื’ื‘ื™ืจื™ื ืืช ื”ื—ื•ื•ื™ื” ื”ืื ื•ืฉื™ืช,
06:52
not machines that limit our humanity.
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ืœื ืžื›ื•ื ื•ืช ืฉืžื’ื‘ื™ืœื•ืช ืืช ื”ืื ื•ืฉื•ืช.
06:58
So how do we get there?
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ืื– ืื™ืš ืื ื—ื ื• ืžื’ื™ืขื™ื ืœืฉื?
07:01
For me, the answer required looking at the problem
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ื‘ืฉื‘ื™ืœื™, ื”ืชืฉื•ื‘ื” ื“ื•ืจืฉืช ืœื”ื‘ื™ื˜ ื‘ื‘ืขื™ื”
07:05
from a different perspective.
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ืžื ืงื•ื“ืช ืžื‘ื˜ ืฉื•ื ื”.
07:08
It required sensing the world from the perspective of a machine.
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ื”ื™ื ื“ื•ืจืฉืช ืœื—ื•ืฉ ืืช ื”ืขื•ืœื ืžืคืจืกืคืงื˜ื™ื‘ื” ืฉืœ ืžื›ื•ื ื”.
07:14
If you're a machine trying to sense our world,
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ืื ืืชื ืžื›ื•ื ื” ืฉืžื ืกื” ืœื—ื•ืฉ ืืช ื”ืขื•ืœื,
07:18
how would you actually break the problem down?
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ืื™ืš ืœืžืขืฉื” ืชืคืจืงื• ืืช ื”ื‘ืขื™ื”?
07:21
You'd probably try to classify things
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ื›ื ืจืื” ืชื ืกื• ืœืงื˜ืœื’ ื“ื‘ืจื™ื
07:23
as a human,
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ื›ืื ืฉื™ื,
07:26
an environment
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ืกื‘ื™ื‘ื”
07:28
or an object.
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ืื• ืขืฆื.
07:31
But how would that machine then interact with reality?
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ืื‘ืœ ืื™ืš ื”ืžื›ื•ื ื” ื”ื–ื• ืชืชืงืฉืจ ืขื ื”ืžืฆื™ืื•ืช?
07:37
And I can think of three ways.
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ื•ืื ื™ ื™ื›ื•ืœ ืœื—ืฉื•ื‘ ืขืœ ืฉืœื•ืฉื” ื“ื‘ืจื™ื.
07:38
First, as a machine,
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ืจืืฉื™ืช, ื›ืžื›ื•ื ื”,
07:40
I would observe or I would input reality.
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ื”ื™ื™ืชื™ ืžืกืชื›ืœ ืื• ื”ื™ื™ืชื™ ืงื•ืœื˜ ืืช ื”ืžืฆื™ืื•ืช.
07:45
Speech recognition and biometric authentication
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ื–ื™ื”ื•ื™ ื“ื™ื‘ื•ืจ ื•ื–ื™ื”ื•ื™ ื‘ื™ื•ืžื˜ืจื™
07:48
are great examples of a machine interacting with humans
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ื”ืŸ ื“ื•ื’ืžืื•ืช ืžืขื•ืœื•ืช ืœืžื›ื•ื ื” ืฉืžืชืงืฉืจืช ืขื ืื ืฉื™ื
07:51
from an input perspective.
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ืžื ืงื•ื“ืช ืžื‘ื˜ ืฉืœ ืงืœื˜.
07:54
Secondly, as a machine,
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ืฉื ื™ืช, ื›ืžื›ื•ื ื”,
07:56
I could place digital information, or output information,
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ืื ื™ ื™ื›ื•ืœ ืœืžืงื ืžื™ื“ืข ื“ื™ื’ื™ื˜ืœื™, ืื• ืžื™ื“ืข ืคืœื˜,
08:01
into reality.
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ืœืชื•ืš ื”ืžืฆื™ืื•ืช.
08:03
Holograms are examples of a machine interacting with an environment
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ื”ื•ืœื•ื’ืจืžื•ืช ื”ืŸ ื“ื•ื’ืžืื•ืช ืœืžื›ื•ื ื•ืช ืžืชืงืฉืจื•ืช ืขื ืกื‘ื™ื‘ื”
08:08
from an output perspective.
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ืžื ืงื•ื“ืช ืžื‘ื˜ ืฉืœ ืคืœื˜.
08:10
Finally, as a machine,
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ืœื‘ืกื•ืฃ, ื›ืžื›ื•ื ื”,
08:13
I could exchange energy with the world via haptics.
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ืื ื™ ืื•ื›ืœ ืœื”ื—ืœื™ืฃ ืื ืจื’ื™ื” ืขื ื”ืขื•ืœื ื“ืจืš ืžืžืฉืง ื”ืืคื˜ื™.
08:17
Now, imagine being able to feel the temperature of a virtual object,
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ืขื›ืฉื™ื•, ื“ืžื™ื™ื ื• ืœื”ื™ื•ืช ืžืกื•ื’ืœื™ื ืœื”ืจื’ื™ืฉ ืืช ื”ื˜ืžืคืจื˜ื•ืจื” ืฉืœ ืขืฆื ื•ื™ืจื˜ื•ืืœื™,
08:22
or better yet, imagine pushing a hologram
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ืื• ื˜ื•ื‘ ื™ื•ืชืจ, ื“ืžื™ื™ื ื• ืœื“ื—ื•ืฃ ื”ื•ืœื•ื’ืจืžื”
08:25
and having it push you back with equal force.
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ื•ืฉื”ื™ื ืชื“ื—ื•ืฃ ืืชื›ื ื—ื–ืจื” ืขื ื›ื•ื— ืฉื•ื•ื”.
08:29
With this perspective,
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ืขื ื”ืคืจืกืคืงื˜ื™ื‘ื” ื”ื–ื•,
08:31
we are able to collapse reality into a simple matrix.
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ืื ื—ื ื• ืžืกื•ื’ืœื™ื ืœืžื•ื˜ื˜ ืืช ื”ืžืฆื™ืื•ืช ืœืžื˜ืจื™ืฆื” ืคืฉื•ื˜ื”.
08:36
Now here's a secret:
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ืขื›ืฉื™ื• ื”ื ื” ืกื•ื“:
08:37
as an engineer, I get really excited
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ื›ืžื”ื ื“ืก ืื ื™ ืžืžืฉ ืžืชืจื’ืฉ
08:39
anytime I can reduce something to the matrix.
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ื›ืœ ืคืขื ืฉืื ื™ ื™ื›ื•ืœ ืœื”ืคื—ื™ืช ืžืฉื”ื• ืœืžื˜ืจื™ืฆื”.
08:42
From self-driving cars
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ืžืžื›ื•ื ื™ื•ืช ื ื”ื™ื’ื” ืขืฆืžื™ืช
08:44
to smartphones
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ืœืกืžืจื˜ืคื•ื ื™ื
08:46
to this holographic computer on my head,
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ืœืžื—ืฉื‘ ื”ื”ื•ืœื•ื’ืจืคื™ ื”ื–ื” ืขืœ ืจืืฉื™,
08:48
machines are becoming capable of understanding our world.
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ืžื›ื•ื ื•ืช ื”ื•ืคื›ื•ืช ืœื‘ืขืœื•ืช ื™ื›ื•ืœืช ืœื”ื‘ื™ืŸ ืืช ื”ืขื•ืœื ืฉืœื ื•.
08:53
And they are starting to interact with us
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ื•ื”ืŸ ืžืชื—ื™ืœื•ืช ืœืชืงืฉืจ ืื™ืชื ื•
08:55
in significantly more personal ways.
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ื‘ื“ืจื›ื™ื ืื™ืฉื™ื•ืช ื™ื•ืชืจ ื‘ืื•ืคืŸ ืžืฉืžืขื•ืชื™.
09:00
Now, imagine having granular control
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ืขื›ืฉื™ื•, ื“ืžื™ื™ื ื• ืฉื™ืฉ ืœื›ื ืฉืœื™ื˜ื” ื’ืจืขื™ื ื™ืช
09:03
over everything in the world.
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ืขืœ ื”ื›ืœ ื‘ืขื•ืœื.
09:06
Move the dial one way,
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ื”ื ื™ืขื• ืืช ื”ื—ื•ื’ื” ืœื›ื™ื•ื•ืŸ ืื—ื“,
09:10
and you get reality.
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ื•ืืชื ืžืงื‘ืœื™ื ืžืฆื™ืื•ืช.
09:13
Move the dial the other way,
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ื”ื ื™ืขื• ืืช ื”ื—ื•ื’ื” ืœืฆื“ ื”ืฉื ื™,
09:17
and you get virtual reality.
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ื•ืืชื ืžืงื‘ืœื™ื ืžืฆื™ืื•ืช ืžื“ื•ืžื”.
09:21
Now, imagine dialing your entire environment
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ืขื›ืฉื™ื•, ื“ืžื™ื™ื ื• ืœื›ื•ื•ืŸ ืืช ื›ืœ ื”ืกื‘ื™ื‘ื” ืฉืœื›ื
09:26
between virtual and real worlds.
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ื‘ื™ืŸ ื”ืขื•ืœื ื”ื•ื™ืจื˜ื•ืืœื™ ืœืžืฆื™ืื•ืชื™.
09:34
I love it down here.
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ืื ื™ ืื•ื”ื‘ ืืช ื–ื” ืคื”.
09:36
Now, imagine if I could look at all of you
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ืขื›ืฉื™ื•, ื“ืžื™ื™ื ื• ืฉืื•ื›ืœ ืœื”ื‘ื™ื˜ ื‘ื›ื•ืœื›ื
09:40
and dial from real humans into elves.
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ื•ืœื›ื•ื•ืŸ ืžืื ืฉื™ื ืืžื™ืชื™ื™ื ืœืืœืคื™ื.
09:44
When technology truly understands our world,
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ื›ืฉื˜ื›ื ื•ืœื•ื’ื™ื” ื‘ืืžืช ืžื‘ื™ื ื” ืืช ื”ืขื•ืœื ืฉืœื ื•,
09:47
it will again transform the ways we interact,
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ื”ื™ื ืชื”ืคื•ืš ืืช ื”ื“ืจื›ื™ื ื‘ื” ืื ื—ื ื• ืžืชืงืฉืจื™ื,
09:51
the ways we work and the ways we play.
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ื”ื“ืจื›ื™ื ื‘ื”ืŸ ืื ื—ื ื• ืขื•ื‘ื“ื™ื ื•ื”ื“ืจื›ื™ื ื‘ื”ืŸ ืื ื—ื ื• ืžืฉื—ืงื™ื.
09:59
Less than half a century ago,
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ืœืคื ื™ ืคื—ื•ืช ืžืžืื”,
10:01
two courageous men landed on the moon,
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ืฉื ื™ ื’ื‘ืจื™ื ืืžื™ืฆื™ื ื ื—ืชื• ืขืœ ื”ื™ืจื—,
10:04
using computers that were less powerful than the phones in your pockets.
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ื‘ืฉื™ืžื•ืฉ ื‘ืžื—ืฉื‘ื™ื ืฉื”ื™ื• ืคื—ื•ืช ื—ื–ืงื™ื ืžื”ื˜ืœืคื•ื ื™ื ื‘ื›ื™ืกื™ื ืฉืœื›ื.
10:09
Six hundred million humans watched them
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ืฉืฉ ืžืื•ืช ืžืœื™ื•ืŸ ืื ืฉื™ื ืฆืคื• ื‘ื”ื
10:12
on grainy, black-and-white televisions.
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ืขืœ ืžืกื›ื™ ื˜ืœื‘ื™ื–ื™ื” ืžื’ื•ืจืขื ื™ื ื‘ืฉื—ื•ืจ ืœื‘ืŸ.
10:15
And the world?
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ื•ื”ืขื•ืœื?
10:17
The world was mesmerized.
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ื”ืขื•ืœื ื”ื•ืงืกื.
10:20
Now imagine how our children and their children
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ืขื›ืฉื™ื• ื“ืžื™ื™ื ื• ืื™ืš ื”ื™ืœื“ื™ื ืฉืœื ื• ื•ื™ืœื“ื™ื”ื
10:24
will experience the continued exploration of space
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ื™ื—ื•ื• ืืช ื”ื—ืงืจ ื”ืžืชืžืฉืš ืฉืœ ื”ื—ืœืœ
10:28
with technology that understands this world.
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ืขื ื˜ื›ื ื•ืœื•ื’ื™ื” ืฉืžื‘ื™ื ื” ืืช ื”ืขื•ืœื.
10:33
We already live in a world where real-time universal translators exist.
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ืื ื—ื ื• ื›ื‘ืจ ื—ื™ื™ื ื‘ืขื•ืœื ื‘ื• ืชืจื’ื•ื ืื•ื ื™ื‘ืจืกืœื™ ื‘ื–ืžืŸ ืืžืช ืงื™ื™ื.
10:38
And I can squint, and I can already see holographic telepresence
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ื•ืื ื™ ื™ื›ื•ืœ ืœืžืฆืžืฅ, ื•ืื ื™ ื™ื›ื•ืœ ื›ื‘ืจ ืœืจืื•ืช ื ื•ื›ื—ื•ืช ื”ื•ืœื•ื’ืจืคื™ืช
10:43
in our near future.
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ื‘ืขืชื™ื“ ื”ืงืจื•ื‘.
10:45
In fact, since we've been lucky with our demo so far,
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ืœืžืขืฉื”, ืžืื—ืจ ื•ื”ื™ื™ื ื• ื‘ืจื™ ืžื–ืœ ืขื ื”ื“ืžื• ืฉืœื ื• ืขื“ ืขื›ืฉื™ื•,
10:48
let's try doing something else even more crazy.
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ื‘ื•ืื• ื ื ืกื” ืœืขืฉื•ืช ืžืฉื”ื• ืื—ืจ ืืคื™ืœื• ื™ื•ืชืจ ืžืฉื•ื’ืข.
10:51
I invite you to experience,
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ืื ื™ ืžื–ืžื™ืŸ ืืชื›ื ืœื—ื•ื•ืช,
10:53
for the first time anywhere in the world,
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ื‘ืคืขื ื”ืจืืฉื•ื ื” ื‘ืขื•ืœื,
10:56
here on the TED stage,
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ืคื” ืขืœ ื‘ืžืช TED,
10:59
a real-life holographic teleportation,
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ื˜ืœืคื•ืจื˜ืฆื™ื” ื”ื•ืœื•ื’ืจืคื™ืช ื‘ื–ืžืŸ ืืžืช,
11:03
between me and my friend, Dr. Jeffrey Norris,
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ื‘ื™ื ื™ ื•ื—ื‘ืจื™, ื“ืจ' ื’'ืคืจื™ ื ื•ืจื™ืก,
11:07
from NASA's Jet Propulsion Laboratory.
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ืžืžืขื‘ื“ืช ื”ื ืขืช ื”ืกื™ืœื•ืŸ ืฉืœ ื ืืกื.
11:10
Finger crossed. Hi, Jeff.
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ื ื—ื–ื™ืง ืืฆื‘ืขื•ืช. ื”ื™ื™ ื’'ืฃืฅ
11:14
Jeff Norris: Hey, Alex.
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ื’'ืฃ ื ื•ืจื™ืก: ื”ื™ื™ ืืœื›ืก.
11:15
Alex Kipman: Phew! That worked. How are you doing today, Jeff?
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ืืœื›ืก ืงื™ืคืžืŸ: ืคื™ื•! ื–ื” ืขื‘ื“. ืžื” ืงื•ืจื” ื”ื™ื•ื, ื’'ืฃ?
11:18
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
11:20
JN: Doing great. I had an awesome week.
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ื’'ื : ื”ื›ืœ ืžืขื•ืœื”. ื”ื™ื” ืœื™ ืฉื‘ื•ืข ื ืคืœื.
11:23
AK: So, can you tell us a little bit, Jeff, about where you are?
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ืืง: ืื–, ืืชื” ื™ื›ื•ืœ ืœืกืคืจ ืœื ื• ืงืฆืช, ื’'ืฃ, ืขืœ ืื™ืคื” ืืชื”?
11:28
JN: Well, I'm actually in three places.
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ื’'ื : ื•ื‘ื›ืŸ, ืื ื™ ืœืžืขืฉื” ื‘ืฉืœื•ืฉื” ืžืงื•ืžื•ืช.
11:31
I'm standing in a room across the street,
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ืื ื™ ืขื•ืžื“ ื‘ื—ื“ืจ ืžืขื‘ืจ ืœืจื—ื•ื‘,
11:34
while I'm standing on this stage with you,
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ื‘ื–ืžืŸ ืฉืื ื™ ืขื•ืžื“ ืขืœ ื”ื‘ืžื” ืื™ืชืš.
11:37
while I'm standing on Mars, a hundred million miles away.
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ื‘ื–ืžืŸ ืฉืื ื™ ืขืœ ืžืื“ื™ื, ื‘ืžืจื—ืง ืžืื” ื•ืฉื™ืฉื™ื ืžืœื™ื•ืŸ ืงื™ืœื•ืžื˜ืจ.
11:41
AK: Wow, a hundred million miles away. This is crazy!
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ื': ื•ื•ืื•, ื‘ืžืจื—ืง ืžืื” ื•ืฉื™ืฉื™ื ืžื™ืœื™ื•ืŸ ืงื™ืœื•ืžื˜ืจ. ื–ื” ืžื˜ื•ืจืฃ!
11:45
Can you tell us a little bit more about where all this data
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ืืชื” ื™ื›ื•ืœ ืœืกืคืจ ืœื ื• ืงืฆืช ื™ื•ืชืจ ืขืœ ืžืื™ืคื” ื›ืœ ื”ืžื™ื“ืข ื”ื–ื”
11:48
from Mars is coming from?
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ืžืžืื“ื™ื ืžื’ื™ืข?
11:52
JN: Absolutely.
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ื’'ื : ื‘ื”ื—ืœื˜.
11:53
This is a precise holographic replica of Mars,
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ื–ื• ืจืคืœื™ืงื” ื”ื•ืœื•ื’ืจืคื™ืช ืžื“ื•ื™ื™ืงืช ืฉืœ ืžืื“ื™ื,
11:57
built from data captured by the Curiosity Mars Rover,
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ืฉื ื‘ื ืชื” ืžืžื™ื“ืข ืฉื ืืกืฃ ืขืœ ื™ื“ื™ ื”ืจื•ื‘ืจ ืงื•ืจื™ื•ืกื™ื˜ื™,
12:00
that I can explore as easily as a place on Earth.
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ืฉืื ื™ ื™ื›ื•ืœ ืœื—ืงื•ืจ ื‘ืงืœื•ืช ื›ืžื• ืžืงื•ื ืขืœ ื›ื“ื•ืจ ื”ืืจืฅ.
12:05
Humans are natural explorers.
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ืื ืฉื™ื ื”ื ื—ื•ืงืจื™ื ื˜ื‘ืขื™ื™ื.
12:08
We can instantly understand an environment,
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ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœื”ื‘ื™ืŸ ืžื™ื™ื“ื™ืช ืกื‘ื™ื‘ื”,
12:10
just by being present in it.
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ืคืฉื•ื˜ ื‘ืœื”ื™ื•ืช ื ื•ื›ื—ื™ื ื‘ื”.
12:13
We've built tools like our Mars Rover
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ื‘ื ื™ื ื• ื›ืœื™ื ื›ืžื• ืจื•ื‘ืจ ืžืื“ื™ื
12:15
to extend our vision and lengthen our reach.
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ื›ื“ื™ ืœื”ืจื—ื™ื‘ ืืช ื”ืจืื™ื” ืฉืœื ื• ื•ืœื”ืืจื™ืš ืืช ื”ื”ื’ืขื” ืฉืœื ื•.
12:19
But for decades,
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ืื‘ืœ ื‘ืžืฉืš ืขืฉื•ืจื™ื,
12:21
we've explored from a seat behind screens and keyboards.
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ื—ืงืจื ื• ืžื›ื™ืกื ืžืื—ื•ืจื™ ืžืกื›ื™ื ื•ืžืงืœื“ื•ืช.
12:26
Now, we're leaping over all of that,
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ืขื›ืฉื™ื•, ืื ื—ื ื• ืงื•ืคืฆื™ื ืžืขืœ ื›ืœ ื–ื”,
12:29
over the giant antennas and the relay satellites
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ืžืขืœ ื”ืื ื˜ื ื•ืช ื”ืขืฆื•ืžื•ืช ื•ืžืžืกืจื™ ื”ืœื•ื•ื™ื ื™ื
12:32
and the vastness between worlds
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ื•ื”ืžืจื—ืง ื”ืขืฆื•ื ื‘ื™ืŸ ื”ืขื•ืœืžื•ืช
12:35
to take our first steps on this landscape as if we were truly there.
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ื›ื“ื™ ืœืงื—ืช ืืช ื”ืฆืขื“ื™ื ื”ืจืืฉื•ื ื™ื ืฉืœื ื• ืขืœ ืคื ื™ ื”ืฉื˜ื— ื”ืืœื• ื›ืื™ืœื• ื”ื™ื™ื ื• ืฉื ื‘ืืžืช.
12:41
Today, a group of scientists on our mission
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ื”ื™ื•ื, ืงื‘ื•ืฆื” ืฉืœ ืžื“ืขื ื™ื ื‘ืžืฉื™ืžื” ืฉืœื ื•
12:44
are seeing Mars as never before --
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ืจื•ืื™ื ืืช ืžืื“ื™ื ื›ืžื• ืฉืœื ื ืจืื” ืžืขื•ืœื --
12:47
an alien world made a little more familiar,
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ืขื•ืœื ื—ื™ื™ื–ืจื™ ืฉื”ื•ืคืš ืœืžืขื˜ ื™ื•ืชืจ ืžื•ื›ืจ,
12:50
because they're finally exploring it as humans should.
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ื‘ื’ืœืœ ืฉื”ื ื—ื•ืงืจื™ื ืœื‘ืกื•ืฃ ื›ืžื• ืฉืื ืฉื™ื ืฆืจื™ื›ื™ื.
12:55
But our dreams don't have to end with making it just like being there.
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ืื‘ืœ ื”ื—ืœื•ืžื•ืช ืฉืœื ื• ืœื ืฆืจื™ื›ื™ื ืœื”ืกืชื™ื™ื ืขื ืœืขืฉื•ืช ืืช ื–ื” ื›ืžื• ืœื”ื™ื•ืช ืฉื.
12:59
When we dial this real world to the virtual,
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ื›ืฉืื ื—ื ื• ืžื›ื•ื•ื ื™ื ืืช ื”ืขื•ืœื ื”ืืžื™ืชื™ ื”ื–ื” ืœื•ื•ื™ืจื˜ื•ืืœื™,
13:02
we can do magical things.
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ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืขืฉื•ืช ื“ื‘ืจื™ื ืงืกื•ืžื™ื.
13:05
We can see in invisible wavelengths
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ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืจืื•ืช ืื•ืจื›ื™ ื’ืœ ื‘ืœืชื™ ื ืจืื™ื
13:07
or teleport to the top of a mountain.
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ืื• ืœืฉื’ืจ ืืช ืขืฆืžื ื• ืœืงืฆื” ืฉืœ ื”ืจ.
13:10
Perhaps someday, we'll feel the minerals in a rock just by touching it.
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ืื•ืœื™ ื™ื•ื ืื—ื“, ื ืจื’ื™ืฉ ืžื™ื ืจืœื™ื ื‘ืกืœืข ืจืง ืžืœื’ืขืช ื‘ื•.
13:17
We're taking the first steps.
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ืื ื—ื ื• ืœื•ืงื—ื™ื ืืช ื”ืฆืขื“ื™ื ื”ืจืืฉื•ื ื™ื.
13:19
But we want the whole world to join us in taking the next,
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ืื‘ืœ ืื ื—ื ื• ืจื•ืฆื™ื ืฉื›ืœ ื”ืขื•ืœื ื™ืฆื˜ืจืฃ ืืœื™ื ื• ื‘ืœืงื—ืช ืืช ื”ื‘ืื™ื,
13:22
because this is not a journey for a few,
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ืžืคื ื™ ืฉื–ื” ืœื ืžืกืข ืœืžืขื˜ื™ื,
13:25
but for all of us.
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ืืœื ืœื›ื•ืœื ื•.
13:28
AK: Thank you Jeff, this was amazing.
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ืืง: ืชื•ื“ื” ืœืš, ื’'ืฃ, ื–ื” ื”ื™ื” ืžื“ื”ื™ื.
13:30
Thank you so much for joining us on the TED stage today.
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ืชื•ื“ื” ืจื‘ื” ืœืš ืฉื”ืฆื˜ืจืคืช ืืœื™ื ื• ืขืœ ื‘ืžืช TED ื”ื™ื•ื.
13:33
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื)
13:39
JN: Thank you Alex, bye bye.
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ื’'ื : ืชื•ื“ื” ืœืš ืืœื›ืก, ื‘ื™ ื‘ื™.
13:42
AK: Bye, Jeff.
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ืืง: ื‘ื™ื™ ื’'ืฃ.
13:50
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
13:57
I dream about this future
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ืื ื™ ื—ื•ืœื ืขืœ ื”ืขืชื™ื“ ื”ื–ื”
14:01
every single day.
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ื›ืœ ื™ื•ื ื•ื™ื•ื.
14:04
I take inspiration from our ancestors.
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ืื ื™ ืžืงื‘ืœ ื”ืฉืจืื” ืžืื‘ื•ืชื ื•.
14:06
We used to live in tribes where we interacted,
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ื”ื™ื™ื ื• ื—ื™ื™ื ื‘ืฉื‘ื˜ื™ื ืฉื ื—ื™ื™ื ื• ื™ื—ื“,
14:09
communicated and worked together.
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ืชืงืฉืจื ื• ื•ืขื‘ื“ื ื• ื™ื—ื“.
14:12
We are all beginning to build technology that will enable us to return
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ื›ื•ืœื ื• ืžืชื—ื™ืœื™ื ืœื‘ื ื•ืช ื˜ื›ื ื•ืœื•ื’ื™ื” ืฉืชืืฉืคืจ ืœื ื• ืœื—ื–ื•ืจ
14:17
to the humanity that brought us where we are today --
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ืœืื ื•ืฉื™ื•ืช ืฉื”ื‘ื™ืื” ืื•ืชื ื• ืœืžืงื•ื ื‘ื• ืื ื—ื ื• ื ืžืฆืื™ื ื”ื™ื•ื --
14:21
technology that will let us stop living inside this 2D world
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ื˜ื›ื ื•ืœื•ื’ื™ื” ืฉืชืืคืฉืจ ืœื ื• ืœื”ืคืกื™ืง ืœื—ื™ื•ืช ื‘ืชื•ืš ืขื•ืœื ื“ื• ืžื™ืžื“ื™
14:26
of monitors and pixels,
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ืฉืœ ืžืกื›ื™ื ื•ืคื™ืงืกืœื™ื,
14:28
and let us start remembering what it feels like
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ื•ืชืืคืฉืจ ืœื ื• ืœื”ืชื—ื™ืœ ืœื–ื›ื•ืจ ืื™ืš ื–ื” ืžืจื’ื™ืฉ
14:33
to live in our 3D world.
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ืœื—ื™ื•ืช ื‘ืขื•ืœื ื”ืชืœืช ืžื™ืžื“ื™ ืฉืœื ื•.
14:37
It's a phenomenal time to be human.
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ื–ื” ื–ืžืŸ ื™ื•ืฆื ื“ื•ืคืŸ ืœื”ื™ื•ืช ืื ื•ืฉื™.
14:42
Thank you.
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ืชื•ื“ื” ืœื›ื.
14:43
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
14:48
Helen Walters: Thanks so much. I have some questions.
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ื”ืœืŸ ื•ื•ืœื˜ืจืก: ืชื•ื“ื” ืจื‘ื” ืœืš. ื™ืฉ ืœื™ ื›ืžื” ืฉืืœื•ืช.
14:50
AK: OK.
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ืืง: ืื•ืงื™ื™.
14:52
HW: So there's been some talk in the press.
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ื”ื•: ืื– ื”ื™ื• ื›ืžื” ื“ื™ื‘ื•ืจื™ื ื‘ืขื™ืชื•ื ื•ืช.
14:54
And I'll just ask you straight, then we have a straight answer.
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ื•ืื ื™ ืืฉืืœ ืื•ืชืš ื™ืฉื™ืจื•ืช, ื•ืื– ืชื”ื™ื” ืœื ื• ืชืฉื•ื‘ื” ื™ืฉื™ืจื”.
14:57
There's been talk about the difference between the demos
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ื”ื™ื• ื“ื™ื‘ื•ืจื™ื ืขืœ ื”ื”ื‘ื“ืœ ื‘ื™ืŸ ื”ื“ืžื•
15:00
and the reality of the commercial product.
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ื•ื”ืžืฆื™ืื•ืช ืฉืœ ื”ืžื›ืฉื™ืจื™ื ื”ืžืกื—ืจื™ื™ื.
15:02
Talk about this field of view issue.
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ื“ื‘ืจ ืื™ืชื ื• ืขืœ ื ื•ืฉื ืฉื“ื” ื”ืจืื™ื”.
15:04
Is this type of experience what someone who buys the product will get?
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ื”ืื ื–ื” ืกื•ื’ ื”ื—ื•ื•ื™ื” ืฉืžื™ ืฉื™ืงื ื” ืžื›ืฉื™ืจ ื›ื–ื” ื™ืงื‘ืœ
15:08
AK: It's a great question,
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ืืง: ื–ื• ืฉืืœื” ืžืขื•ืœื”,
15:10
Or, said better, this is a question we've been receiving
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ืื•, ืื ื™ ืื ืกื— ืืช ื–ื” ื˜ื•ื‘ ื™ื•ืชืจ, ื–ื• ืฉืืœื” ืฉืงื™ื‘ืœื ื•
15:13
in the media for possibly the last year.
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ื‘ืžื“ื™ื” ื›ื ืจืื” ื‘ืžืฉืš ื”ืฉื ื” ื”ืื—ืจื•ื ื”.
15:16
If you do your research, I haven't answered that question.
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ืื ืืชื ืขื•ืฉื™ื ืืช ื”ืžื—ืงืจ, ืœื ืขื ื™ืชื™ ืขืœ ื”ืฉืืœื” ื”ื–ื•.
15:18
I've purposely ignored it,
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ื”ืชืขืœืžืชื™ ืžืžื ื” ื‘ื›ื•ื•ื ื”,
15:20
because ultimately, it's the wrong question to ask.
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ืžืคื ื™ ืฉื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ, ื–ื• ื”ืฉืืœื” ื”ืœื ื ื›ื•ื ื” ืœืฉืื•ืœ.
15:23
That's the equivalent of me showing holograms to someone for the first time,
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ื–ื” ื”ืžืงื‘ื™ืœื” ืœืœื”ืจืื•ืช ื”ื•ืœื•ื’ืจืžื•ืช ืœืžื™ืฉื”ื• ื‘ืคืขื ื”ืจืืฉื•ื ื”,
15:29
and you then saying, "What's the size of your television?"
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ื•ืื– ื”ื•ื ื™ื’ื™ื“, "ื‘ืื™ื–ื” ื’ื•ื“ืœ ื”ื˜ืœื•ื•ื™ื–ื™ื” ืฉืœื›ื?"
15:33
The field of view for the product is almost irrelevant.
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ืฉื“ื” ื”ืจืื™ื” ืฉืœ ื”ืžื•ืฆืจ ื”ื•ื ื›ืžืขื˜ ืœื ืจืœื•ื•ื ื˜ื™.
15:36
What we should be talking about is the density of lights,
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ืžื” ืฉืื ื—ื ื• ืฆืจื™ื›ื™ื ืœื“ื‘ืจ ืขืœื™ื• ื–ื” ื”ื“ื—ื™ืกื•ืช ืฉืœ ื”ืื•ืจ,
15:40
or radiance, that shows up.
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ืื• ืงืจื™ื ื”, ืฉื ืจืื™ืช.
15:41
Better said, what the angular resolution is of the things that you see.
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ื•ื‘ื ื™ืกื•ื— ื˜ื•ื‘ ื™ื•ืชืจ, ืžื” ื”ืจื–ื•ืœื•ืฆื™ื” ื”ื–ื•ื•ื™ืชื™ืช ืฉืœ ื”ื“ื‘ืจ ืฉืืชื ืจื•ืื™ื.
15:45
So from that perspective, what you saw --
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ืื– ืžื ืงื•ื“ืช ื”ืžื‘ื˜ ื”ื–ื•, ืžื” ืฉืจืื™ืชื --
15:47
you know, the camera is wearing a HoloLens.
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ืืชื ื™ื•ื“ืขื™ื, ื”ืžืฆืœืžื” ื—ื•ื‘ืฉืช ื”ื•ืœื•ืœื ืก.
15:49
So even if I wanted to cheat, I can't.
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ืื– ืืคื™ืœื• ืื ื”ื™ื™ืชื™ ืจื•ืฆื” ืœืจืžื•ืช, ืื ื™ ืœื ื™ื›ื•ืœ.
15:51
HW: But the camera has a different lens on it than our eye. Right?
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ื”ื•: ืื‘ืœ ืœืžืฆืœืžื” ื™ืฉ ืขื“ืฉื” ืฉื•ื ื” ืžื”ืขื™ืŸ ืฉืœื ื•. ื ื›ื•ืŸ?
15:54
AK: The camera has a fish-eye lens on it.
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ืืง: ืœืžืฆืœืžื” ื™ืฉ ืขื“ืฉืช ืขื™ืŸ ื“ื’ ืขืœื™ื”.
15:57
It's seeing a much wider view than the human eye is.
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ื”ื™ื ืจื•ืื” ืžื‘ื˜ ืจื—ื‘ ื‘ื”ืจื‘ื” ืžื”ืขื™ืŸ ื”ืื ื•ืฉื™ืช.
16:00
So if you think about the points of light that show up radially
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ืื– ืื ืืชื ื—ื•ืฉื‘ื™ื ืขืœ ื ืงื•ื“ื•ืช ื”ืื•ืจ ืฉื ืจืื•ืช ื–ื•ื™ืชื™ืช
16:05
from the vision of the camera,
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ืžื ืงื•ื“ืช ื”ืžื‘ื˜ ืฉืœ ื”ืžืฆืœืžื”,
16:06
which is the thing that matters:
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ืฉื–ื” ืžื” ืฉืžืฉื ื”:
16:08
how many points of light can I get in a given volume?
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ื›ืžื” ื ืงื•ื“ื•ืช ืื•ืจ ืื ื™ ื™ื›ื•ืœ ืœืงื‘ืœ ื‘ื ืคื— ืžืกื•ื™ื™ื?
16:11
That's the same as I get on this HoloLens as I will on that one.
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ื–ื” ืื•ืชื• ื“ื‘ืจ ื›ืžื• ืฉืื ื™ ืžืงื‘ืœ ืขืœ ื”ื”ื•ืœื•ืœื ืก ื”ื–ื” ื›ืžื• ืฉืื ื™ ืืงื‘ืœ ืขืœ ื”ื”ื•ื.
16:15
Now, this camera sees a much wider view of the world, right?
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ืขื›ืฉื™ื•, ื”ืžืฆืœืžื” ื”ื–ื• ืจื•ืื” ืฉื“ื” ืจืื™ื” ืจื—ื‘ ื‘ื”ืจื‘ื” ืฉืœ ื”ืขื•ืœื, ื ื›ื•ืŸ?
16:20
HW: Jesus Christ!
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ื”ื•: ืืœื•ื”ื™ื!
16:21
(Laughter)
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(ืฆื—ื•ืง)
16:22
AK: He did show up! I told you he'd show up.
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ืืง: ื”ื•ื ื”ื•ืคื™ืข! ืืžืจืชื™ ืœืš ืฉื”ื•ื ื™ื•ืคื™ืข.
16:24
Come this way.
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ื‘ื•ืื™ ืœืคื”.
16:25
(Laughter)
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(ืฆื—ื•ืง)
16:27
HW: Oh, shit.
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ื”ื•: ืื•ื”, ืฉื™ื˜.
16:29
AK: And there's holographic Jeff Norris.
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ืืง: ื•ื”ื ื” ื’'ืฃ ื ื•ืจื™ืก ื”ื”ื•ืœื•ื’ืจืคื™.
16:32
HW: I knew something was happening, but I really wasn't sure what.
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ื”ื•: ื™ื“ืขืชื™ ืฉืžืฉื”ื• ืงื•ืจื”, ืื‘ืœ ืœื ืžืžืฉ ื™ื“ืขืชื™ ืžื”.
16:35
AK: So in short: to be super crisp,
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ืืง: ืื– ื‘ืงื™ืฆื•ืจ: ื›ื“ื™ ืœื”ื™ื•ืช ื‘ืจื•ืจ ืœื’ืžืจื™,
16:37
the camera that you see on the screen has a wider field of view
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ืœืžืฆืœืžื” ืฉืืช ืจื•ืื” ืขืœ ื”ืžืกืš ื™ืฉ ืฉื“ื” ืจืื™ื” ืจื—ื‘ ื™ื•ืชืจ
16:40
than the human eye.
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ืžื”ืขื™ืŸ ื”ืื ื•ืฉื™ืช.
16:41
But the angular resolution of the holograms that you see,
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ืื‘ืœ ื”ืจื–ื•ืœื•ืฆื™ื” ื”ื–ื•ื™ืชื™ืช ืฉืœ ื”ื”ื•ืœื•ื’ืจืžื” ืฉืืช ืจื•ืื”,
16:45
the points of light per unit of area,
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ื ืงื•ื“ื•ืช ื”ืื•ืจ ืœื™ื—ื™ื“ืช ืฉื˜ื—,
16:49
are actually the same.
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ื”ืŸ ืœืžืขืฉื” ื–ื”ื•ืช.
16:50
HW: So you spent -- Jeff, I'll get to you in a minute --
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ื”ื•: ืื– ืืชื” ื‘ื™ืœื™ืช -- ื’'ืฃ, ืื ื™ ืื’ื™ืข ืืœื™ืš ืขื•ื“ ืจื’ืข --
16:53
so you spent a lot of time mapping the stage --
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ืื– ื‘ื™ืœื™ืช ื”ืจื‘ื” ื–ืžืŸ ื‘ืœืžืคื•ืช ืืช ื”ื‘ืžื” --
16:58
AK: That's right.
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ืืง: ื–ื” ื ื›ื•ืŸ.
16:59
HW: So help me out here:
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ื”ื•: ืื– ืชืขื–ื•ืจ ืœื™ ืคื”:
17:00
if I buy a HoloLens and have it at home,
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ืื ืื ื™ ืงื•ื ื” ื”ื•ืœื•ืœื ืก ื•ื™ืฉ ืœื• ืื•ืชื• ื‘ื‘ื™ืช,
17:02
I don't need to map my apartment, right?
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ืื ื™ ืœื ืฆืจื™ื›ื” ืœืžืคื•ืช ืืช ื”ื“ื™ืจื”, ื ื›ื•ืŸ?
17:04
AK: The HoloLens maps in real time at about five frames per second,
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ืืง: ื”ื”ื•ืœื•ืœื ืก ืžืžืคื” ื‘ื–ืžืŸ ืืžืช ื‘ื‘ืขืจืš ื—ืžื™ืฉื” ืคืจื™ื™ืžื™ื ื‘ืฉื ื™ื”,
17:08
with this technology that we call spatial mapping.
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ืขื ื˜ื›ื ื•ืœื•ื’ื™ื” ืฉืื ื—ื ื• ืงื•ืจืื™ื ืœื” ืžื™ืคื•ื™ ืžืจื—ื‘ื™.
17:11
So in your home, as soon as you put it on,
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ืื– ื‘ื‘ื™ืช ืฉืœืš, ื‘ืจื’ืข ืฉืชื—ื‘ืฉื™ ืื•ืชื•,
17:13
holograms will start showing up, and you'll start placing them
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ื”ื•ืœื•ื’ืจืžื•ืช ื™ืชื—ื™ืœื• ืœื”ื•ืคื™ืข, ื•ืืช ืชืชื—ื™ืœื™ ืœืžืงื ืื•ืชืŸ
17:16
and they'll start learning your home.
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ื•ื”ืŸ ื™ืชื—ื™ืœื• ืœืœืžื•ื“ ืืช ื”ื‘ื™ืช ืฉืœืš.
17:17
In a stage environment where we're trying to get something on my head
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ื‘ืกื‘ื™ื‘ืช ื‘ืžื” ื‘ื” ืื ื™ ืžื ืกื” ืœืฉื™ื ืžืฉื”ื• ืขืœ ืจืืฉื™
17:21
to communicate with something over there
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ื›ื“ื™ ืœืชืงืฉืจ ืขื ืžื™ืฉื”ื• ืฉื
17:23
with all of the wireless connectivity that usually brings all conferences down,
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ืขื ื›ืœ ื”ืงื™ืฉื•ืจื™ื•ืช ื”ืืœื—ื•ื˜ื™ืช ืฉื‘ื“ืจืš ื›ืœืœ ืžืคื™ืœื” ื›ืœ ื›ื™ื ื•ืก,
17:27
we don't take the risk of trying to do this live.
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ืื ื—ื ื• ืœื ืจื•ืฆื™ื ืœืงื—ืช ืกื™ื›ื•ืŸ ืฉืœ ืœื ืกื•ืช ืœืขืฉื•ืช ืืช ื–ื” ื—ื™.
17:32
So what we do is pre-map the stage at five frames per second
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ืื– ืžื” ืฉืขืฉื™ื ื• ื–ื” ืœืžืคื•ืช ืžืจืืฉ ืืช ื”ื‘ืžื” ื‘ื—ืžื™ืฉื” ืคืจื™ื™ืžื™ื ืœืฉื ื™ื”
17:35
with the same spatial-mapping technology
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ืขื ืื•ืชื” ื˜ื›ื ื•ืœื•ื’ื™ืช ืžื™ืคื•ื™ ืžืจื—ื‘ื™ืช
17:37
that you'll use with the product at home,
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ืฉืืชื ืชืฉืชืžืฉื• ื‘ื” ื‘ืžื•ืฆืจ ื‘ื‘ื™ืช,
17:39
and then we store it,
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ื•ืื– ืฉืžืจื ื• ืื•ืชื•,
17:40
so that when there's shenanigans of wireless in an environment like this,
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ื›ืš ืฉื›ืฉื™ืฉ ืฉื˜ื•ื™ื•ืช ืฉืœ ื”ืจืฉืช ื”ืืœื—ื•ื˜ื™ืช ื‘ืกื‘ื™ื‘ื” ื›ื–ื•,
17:43
between the camera's HoloLens and the one on my head,
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ื‘ื™ืŸ ื”ื”ื•ืœื•ืœื ืก ืฉืœ ื”ืžืฆืœืžื” ื•ื–ื” ืฉืขืœ ืจืืฉื™,
17:46
we don't have things disappear.
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ื“ื‘ืจื™ื ืœื ื™ืขืœืžื• ืœื ื•.
17:48
Because ultimately, the holograms are coming from this HoloLens,
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ื‘ื’ืœืœ ืฉื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ, ื”ื”ื•ืœื•ื’ืจืžื•ืช ืžื’ื™ืขื•ืช ืžื”ื”ื•ืœื•ืœื ืก ื”ื–ื”,
17:51
and that one is just viewing the HoloLens.
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ื•ื”ื”ื•ื ืจืง ืฆื•ืคื” ื‘ื”ื•ืœื•ืœื ืก.
17:53
So if I lose connectivity,
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ืื– ืื ืื ื™ ืžืื‘ื“ ืงื™ืฉื•ืจื™ื•ืช,
17:55
you would stop seeing beautiful things on the screen.
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ืืชื ืชืคืกื™ืงื• ืœืจืื•ืช ื“ื‘ืจื™ื ื™ืคื™ื ืขืœ ื”ืžืกืš.
17:58
HW: And it was beautiful.
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ื”ื•: ื•ื–ื” ื”ื™ื” ื™ืคื™ืคื”.
18:00
Um ... Jeff?
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ืืžืž... ื’'ืฃ?
18:02
JN: Yes?
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ื’'ื : ื›ืŸ?
18:04
HW: Hi.
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ื”ื•: ื”ื™ื™.
18:07
AK: I'll take a step back.
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ืืง: ืื ื™ ืืงื— ืฆืขื“ ืื—ื•ืจื”.
18:08
HW: So Jeff, you were on Mars,
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ื”ื•: ืื– ื’'ืฃ, ืืชื” ืขืœ ืžืื“ื™ื,
18:11
you were here, you were in a room across the street.
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ื”ื™ื™ืช ืคื”, ื”ื™ื™ืช ื‘ื—ื“ืจ ืžืขื‘ืจ ืœืจื—ื•ื‘.
18:14
Tell me more about the fact that, with holograms, you have sight
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ืกืคืจ ืœื™ ื™ื•ืชืจ ืขืœ ื”ืขื•ื‘ื“ื”, ืฉืขื ื”ื•ืœื•ื’ืจืžื•ืช, ืืชื” ื™ื›ื•ืœ ืœืจืื•ืช
18:18
but you don't have touch, you don't have smell.
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ืื‘ืœ ืืื™ืŸ ืœืš ืžื’ืข, ืื™ืŸ ืœืš ืจื™ื—.
18:21
Is this scientifically useful now?
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ื”ืื ื–ื” ืžื•ืขื™ืœ ืœืš ืžื“ืขื™ืช ืขื›ืฉื™ื•?
18:24
That's my question for a hologram.
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ื–ื• ื”ืฉืืœื” ืฉืœื™ ืœื”ื•ืœื•ื’ืจืžื”.
18:27
JN: Thanks for the question.
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ื’'ื : ืชื•ื“ื” ืขืœ ื”ืฉืืœื”.
18:28
Absolutely, I believe that these technologies
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ื‘ื”ื—ืœื˜, ืื ื™ ืžืืžื™ืŸ ืฉื”ื˜ื›ื ื•ืœื•ื’ื™ื•ืช ื”ืืœื•
18:31
are scientifically useful right now,
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ืžื•ืขื™ืœื•ืช ืžื“ืขื™ืช ืžืžืฉ ืขื›ืฉื™ื•,
18:33
and that's why we're using them in multiple parts of our work at NASA.
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ื•ืœื›ืŸ ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ื”ืŸ ื‘ื—ืœืงื™ื ืจื‘ื™ื ืฉืœ ื”ืขื‘ื•ื“ื” ืฉืœื ื• ื‘ื ืืกื.
18:38
So we're using it to improve the ways that we explore Mars.
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ืื– ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ื” ื›ื“ื™ ืœืฉืคืจ ืืช ื”ื“ืจื›ื™ื ืฉืื ื—ื ื• ื—ื•ืงืจื™ื ืืช ืžืื“ื™ื.
18:41
We're also using it for our astronauts on the space station.
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ืื ื—ื ื• ื’ื ืžืฉืชืžืฉื™ื ื‘ื” ืœืืกื˜ืจื•ื ืื•ื˜ื™ื ืฉืœื ื• ืขืœ ืชื—ื ืช ื”ื—ืœืœ.
18:45
We're even using it now to design
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ืื ื—ื ื• ืืคื™ืœื• ืžืฉืชืžืฉื™ื ื‘ื” ื›ื“ื™ ืœืชื›ื ืŸ
18:47
the next generation of our spacecraft.
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ืืช ื”ื“ื•ืจ ื”ื‘ื ืฉืœ ื”ื—ืœืœื™ื•ืช ืฉืœื ื•.
18:50
HW: Amazing. OK, Jeff, please go away. Thank you very much.
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ื”ื•: ืžื“ื”ื™ื. ืื•ืงื™ื™, ื’'ืฃ, ื‘ื‘ืงืฉื” ืœืš ืžืคื”. ืชื•ื“ื” ืจื‘ื” ืœืš.
18:53
(Laughter)
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(ืฆื—ื•ืง)
18:56
Alex, really, that was amazing. Thank you so much.
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ืืœื›ืก, ื‘ืืžืช, ื–ื” ื”ื™ื” ืžื“ื”ื™ื. ืชื•ื“ื” ืจื‘ื” ืœืš ื›ืœ ื›ืš.
18:59
AK: Thank you.
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ืืง: ืชื•ื“ื” ืœืš.
19:00
HW: Thank you. Thank you.
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ื”ื•. ืชื•ื“ื” ืœืš, ืชื•ื“ื” ืœืš.
19:02
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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