Carlo Ratti: Architecture that senses and responds

Prevoditelj: Tilen Pigac - EFZG Recezent: Mislav Ante Omazić - EFZG

Good afternoon, everybody.

Dobar dan, svima.

I've got something to show you.

Imam nešto za pokazati vama.

(Laughter)

(Smijeh)

Think about this as a pixel, a flying pixel.

Zamislite da je ovo piksel, leteći piksel.

This is what we call, in our lab, sensible design.

Ovo je što mi zovemo, u našem laboratoriju, razuman dizajn.

Let me tell you a bit about it.

Dopustite mi da vam ispričam malo o tome.

Now if you take this picture -- I'm Italian originally,

Sada, ako uzmete ovu sliku -- ja sam Talijan,

and every boy in Italy grows up

i svaki dječak u Italiji raste

with this picture on the wall of his bedroom --

s ovom slikom na zidu svoje spavaće sobe.

but the reason I'm showing you this

Ali razlog zašto vam ovo pokazujem

is that something very interesting

jest što se nešto jako zanimljivo

happened in Formula 1 racing

dogodilo u utrkama Formule 1

over the past couple of decades.

tijekom posljednjih nekoliko desetljeća.

Now some time ago,

Prije nekog vremena,

if you wanted to win a Formula 1 race,

ako ste htjeli osvojiti utrku Formule 1,

you take a budget, and you bet your budget

uzeli biste budžet i kladili bi se tim budžetom

on a good driver and a good car.

na dobrog vozača i na dobar auto.

And if the car and the driver were good enough, then you'd win the race.

I ako su auto i vozač bili dovoljno dobri, onda bi pobijedili u utrci.

Now today, if you want to win the race,

Danas, ako želite pobijediti u utrci,

actually you need also something like this --

zapravo trebate i nešto ovako --

something that monitors the car in real time,

nešto što prati auto u realnom vremenu,

has a few thousand sensors

ima nekoliko tisuća senzora koji

collecting information from the car,

prikupljaju informacije iz automobila,

transmitting this information into the system,

prenose tu informaciju u sustav

and then processing it

i zatim je obrađuju

and using it in order to go back to the car with decisions

i koriste je kako bi se vratili natrag autu s odlukama

and changing things in real time

i kako bi mijenjali stvari u realnom vremenu

as information is collected.

dok se podaci prikupljaju.

This is what, in engineering terms,

To je ono što se, u smislu inžinjeringa,

you would call a real time control system.

može nazvati sustav kontrole u stvarnom vremenu.

And basically, it's a system made of two components --

A u osnovi, to je sustav od dvije komponente --

a sensing and an actuating component.

osjećanja i pokretne komponente.

What is interesting today

Ono što je zanimljivo danas

is that real time control systems

je što sustavi kontrole u realnom vremenu

are starting to enter into our lives.

počinju ulaziti u naše živote.

Our cities, over the past few years,

Naši gradovi, prošlih nekoliko godina

just have been blanketed

bili su prekriveni

with networks, electronics.

mrežama, elektronikom.

They're becoming like computers in open air.

Oni postaju poput računala na otvorenom.

And, as computers in open air,

I, kao i računala na otvorenom,

they're starting to respond in a different way

oni počinju reagirati na drugačiji način

to be able to be sensed and to be actuated.

kako bi bili u mogućnosti naslutiti i aktivirati.

If we fix cities, actually it's a big deal.

Ako popravimo gradove, to je zapravo ogromna stvar.

Just as an aside, I wanted to mention,

Baš usput, htio sam spomenuti,

cities are only two percent of the Earth's crust,

gradovi čine samo dva posto Zemljine kore,

but they are 50 percent of the world's population.

ali oni čine 50 posto svjetske populacije.

They are 75 percent of the energy consumption --

Oni čine 75 posto potrošnje energije --

up to 80 percent of CO2 emissions.

do 80 posto emisije CO2.

So if we're able to do something with cities, that's a big deal.

Dakle, ako smo u stanju učiniti nešto s gradovima, to je velika stvar.

Beyond cities,

Izvan gradova,

all of this sensing and actuating

svo to istraživanje i pokretanje

is entering our everyday objects.

ulazi u naše svakodnevne predmete.

That's from an exhibition that

Ovo je s izložbe

Paola Antonelli is organizing

Paola Antonellija koja je organizirana

at MoMA later this year, during the summer.

u MoMA-i kasnije ove godine, tijekom ljeta.

It's called "Talk to Me."

Zove se "Pričaj sa mnom".

Well our objects, our environment

Pa, naši predmeti, naš okoliš,

is starting to talk back to us.

počinje razgovarati s nama.

In a certain sense, it's almost as if every atom out there

U određenom smislu, to je gotovo kao da svaki atom tamo vani

were becoming both a sensor and an actuator.

postaje i senzor i pokretač.

And that is radically changing the interaction we have as humans

A to radikalno mijenja interakciju koju imamo kao ljudi

with the environment out there.

s vanjskim okolišem.

In a certain sense,

U određenom smislu,

it's almost as if the old dream of Michelangelo ...

to je gotovo kao u starom snu Michelangela...

you know, when Michelangelo sculpted the Moses,

znate, kad je Michelangelo oblikovao Mojsija,

at the end it said that he took the hammer, threw it at the Moses --

na kraju je rekao da je uzeo čekić, bacio na Mojsija --

actually you can still see a small chip underneath --

zapravo još uvijek možete vidjeti malu rupu ispod --

and said, shouted,

i rekao, vikao,

"Perché non parli? Why don't you talk?"

"Perché non parli? Zašto ne govoriš?"

Well today, for the first time,

Pa i danas, po prvi put,

our environment is starting to talk back to us.

naš okoliš počinje razgovarati s nama.

And I'll show just a few examples --

A ja ću vam pokazati samo nekoliko primjera --

again, with this idea of sensing our environment and actuating it.

opet, s ovom idejom našeg očitavanja našeg okoliša i pokretanja.

Let's starting with sensing.

Počnimo s osjećanjem.

Well, the first project I wanted to share with you

Prvi projekt koji sam htio podijeliti s vama

is actually one of the first projects by our lab.

je zapravo jedan od prvih projekata iz našeg laboratorija.

It was four and a half years ago in Italy.

To je bilo prije četiri i pol godine u Italiji.

And what we did there

I ono što smo učinili tamo

was actually use a new type of network at the time

je zapravo korištenje novog tipa mreže u tom trenutku

that had been deployed all across the world --

koji je bio raspoređen diljem cijelog svijeta --

that's a cellphone network --

to je mobilna mreža --

and use anonymous and aggregated information from that network,

i koristili smo anonimne i agregirane podatke iz te mreže,

that's collected anyway by the operator,

koji su ionako prikupljeni od strane operatera

in order to understand

kako bi razumjeli

how the city works.

kako grad funkcionira.

The summer was a lucky summer -- 2006.

To je bilo sretno ljeto -- 2006.

It's when Italy won the soccer World Cup.

To je kada je Italija osvojila Svjetsko prvenstvo u nogometu.

Some of you might remember, it was Italy and France playing,

Neki od vas se možda sjećaju, Italija i Francuska su igrale,

and then Zidane at the end, the headbutt.

a zatim je Zidane na kraju, udario glavom.

And anyway, Italy won at the end.

Uostalom, Italija je pobijedila na kraju.

(Laughter)

(Smijeh)

Now look at what happened that day

Sada pogledajte što se dogodilo tog dana

just by monitoring activity

samo prateći aktivnosti

happening on the network.

koje se događaju na mreži.

Here you see the city.

Ovdje možete vidjeti grad.

You see the Colosseum in the middle,

Vidite Koloseum u sredini,

the river Tiber.

rijeku Tiber.

It's morning, before the match.

To je jutro, prije utakmice.

You see the timeline on the top.

Vidite datume na vrhu.

Early afternoon,

Rano poslijepodne,

people here and there,

ljudi ovdje i tamo

making calls and moving.

pozivaju i kreću se.

The match begins -- silence.

Utakmica počinje -- tišina.

France scores. Italy scores.

Francuska zabija gol. Italija zabija gol.

Halftime, people make a quick call and go to the bathroom.

Poluvrijeme, ljudi rade kratke pozive i odlaze na WC.

Second half. End of normal time.

Druga polovica. Kraj normalnog vremena.

First overtime, second.

Prvi produžetak, drugi.

Zidane, the headbutt in a moment.

Zidane, udarac glavom u trenutku.

Italy wins. Yeah.

Italija pobjeđuje. Da.

(Laughter)

(Smijeh)

(Applause)

(Pljesak)

Well, that night, everybody went to celebrate in the center.

Dakle, te noći, svatko je želio slaviti u centru.

You saw the big peak.

Vidjeli ste veliki vrh.

The following day, again everybody went to the center

Sljedeći dan, svatko je otišao u centar

to meet the winning team

u susret pobjedničkom timu

and the prime minister at the time.

i premijeru u to vrijeme.

And then everybody moved down.

A onda su se svi preselili dolje.

You see the image of the place called Circo Massimo,

Možete vidjeti sliku mjesta zvanog Circo Massimo,

where, since Roman times, people go to celebrate,

gdje su, još od rimskog doba, ljudi išli na proslavu --

to have a big party, and you see the peak at the end of the day.

kako bi imali veliku zabavu, i vidjet ćete vrh na kraju dana.

Well, that's just one example of how we can sense the city today

Pa, to je samo jedan primjer kako možemo osjetiti grad danas,

in a way that we couldn't have done

na način koji nismo mogli učiniti

just a few years ago.

do prije nekoliko godina.

Another quick example about sensing:

Još jedan brzi primjer očitavanja:

it's not about people,

ne radi se o ljudima,

but about things we use and consume.

već o stvarima koje koristimo i konzumiramo.

Well today, we know everything

Pa danas, znamo sve

about where our objects come from.

o tome odakle dolaze naši predmeti.

This is a map that shows you

Ovo je karta koja vam pokazuje

all the chips that form a Mac computer, how they came together.

sve čipve koji čine Mac računalo, kako su došli zajedno.

But we know very little about where things go.

Ali mi znamo vrlo malo o tome gdje stvari idu.

So in this project,

Tako smo u ovom projektu,

we actually developed some small tags

zapravo razvili neke male oznake

to track trash as it moves through the system.

kako bi pratili smeće kako prolazi kroz sustav.

So we actually started with a number of volunteers

Tako smo zapravo počeli s velikim brojem volontera

who helped us in Seattle,

koji su nam pomogli u Seattleu,

just over a year ago,

prije nešto više od godine dana,

to tag what they were throwing away --

da označe što su bacali --

different types of things, as you can see here --

različite vrste stvari, kao što možete vidjeti ovdje --

things they would throw away anyway.

stvari koje bi ionako bacili.

Then we put a little chip, little tag,

Onda smo stavili mali čip, malu oznaku,

onto the trash

na smeće

and then started following it.

i zatim ga počeli slijediti.

Here are the results we just obtained.

Ovdje su rezultati koje smo dobili.

(Music)

(Glazba)

From Seattle ...

Iz Seattlea ...

after one week.

nakon tjedan dana.

With this information we realized

Uz ove informacije smo shvatili

there's a lot of inefficiencies in the system.

kako ima puno slabosti u sustavu.

We can actually do the same thing with much less energy.

Zapravo možemo učiniti istu stvar s puno manje energije.

This data was not available before.

Ovi podatci nisu prije bili dostupni.

But there's a lot of wasted transportation and convoluted things happening.

No, ovdje postoji puno neiskorištenog transporta i čudnih stvari koje se događaju.

But the other thing is that we believe

No, druga stvar je da mi vjerujemo

that if we see every day

da ako vidimo svakodnevno

that the cup we're throwing away, it doesn't disappear,

da čaša koju bacamo, ne nestaje,

it's still somewhere on the planet.

ona je još uvijek negdje na planetu.

And the plastic bottle we're throwing away every day still stays there.

A plastična boca koju svakodnevno bacamo ostaje ovdje.

And if we show that to people,

I ako to pokažemo ljudima,

then we can also promote some behavioral change.

onda isto tako možemo promovirati neku promjenu u ponašanju.

So that was the reason for the project.

Dakle, to je bio povod za projekt.

My colleague at MIT, Assaf Biderman,

Moj suradnik na MIT-u, Assaf Biderman,

he could tell you much more about sensing

bi vam mogao reći puno više o očitavanju

and many other wonderful things we can do with sensing,

i mnogim drugim prekrasnim stvarima koje možemo s njime raditi,

but I wanted to go to the second part we discussed at the beginning,

ali želio bih prijeći na drugi dio o kojem smo pričali na početku,

and that's actuating our environment.

a to je pokretanje našeg okoliša.

And the first project

A prvi projekt

is something we did a couple of years ago in Zaragoza, Spain.

je nešto što smo napravili prije par godina u Zaragozi, Španjolskoj.

It started with a question by the mayor of the city,

Počelo je s pitanjem gradonačelnika tog grada,

who came to us saying

koji je došao do nas govoreći

that Spain and Southern Europe have a beautiful tradition

kako Španjolska i južna Europa imaju prekrasnu tradiciju

of using water in public space, in architecture.

korištenja vode na javnim prostorima, u arhitekturi.

And the question was: How could technology, new technology,

A pitanje je bilo: Kako bi tehnologiju, novu tehnologiju,

be added to that?

dodali tome?

And one of the ideas that was developed at MIT in a workshop

A jedna od ideja koja je razvijena na radionici na MIT-u

was, imagine this pipe, and you've got valves,

je bila, zamislite ovu slavinu, i imate ventile,

solenoid valves, taps,

solenoidne ventile, slavine,

opening and closing.

koje se otvaraju i zatvaraju.

You create like a water curtain with pixels made of water.

Napravite nešto nalik vodenoj zavjesi s pikselima koji su načinjeni od vode.

If those pixels fall,

Ako ti pikseli padnu,

you can write on it,

možete pisati po njoj,

you can show patterns, images, text.

možete prikazati uzorke, slike, tekst.

And even you can approach it, and it will open up

I možete joj se čak približiti i otvoriti će se

to let you jump through,

kako bi vam dopustila da je preskočite,

as you see in this image.

kao što možete vidjeti na ovoj slici.

Well, we presented this to Mayor Belloch.

Dakle, prezentirali smo to gradonačelniku Bellochu.

He liked it very much.

Njemu se to jako svidjelo.

And we got a commission to design a building

I dobili smo dozvolu da dizajniramo zgradu

at the entrance of the expo.

na ulazu u ekspo.

We called it Digital Water Pavilion.

Nazvali smo je Paviljon digitalne vode.

The whole building is made of water.

Cijela zgrada je napravljena od vode.

There's no doors or windows,

Nema vrata ni prozora,

but when you approach it,

ali kada joj se približite,

it will open up to let you in.

otvorit će se kako bi vas pustila unutra.

(Music)

(Glazba)

The roof also is covered with water.

Krov je isto tako prekriven vodom.

And if there's a bit of wind,

A ako ima malo vjetra,

if you want to minimize splashing, you can actually lower the roof.

ukoliko želite minimizirati prolijevanje, možete zapravo spustiti krov.

Or you could close the building,

Ili možete zatvoriti zgradu,

and the whole architecture will disappear,

i cijela arhitektura će nestati,

like in this case.

kao u ovom primjeru.

You know, these days, you always get images during the winter,

Znate, ovih dana, uvijek dobijete slike tijekom zime

when they take the roof down,

kada maknu krov

of people who have been there and said, "They demolished the building."

ljudi koji su bili tamo kažu, "Srušili su zgradu."

No, they didn't demolish it, just when it goes down,

Ne, nisu srušili zgradu samo se krov spustio,

the architecture almost disappears.

a arhitektura je gotovo nestala.

Here's the building working.

Ovdje je kada zgrada funkcionira.

You see the person puzzled about what was going on inside.

Vidite ovu osobu koja je zbunjena što se događa unutra.

And here was myself trying not to get wet,

A ovdje sam ja pokušavajući se ne smočiti,

testing the sensors that open the water.

testirajući senzore koji puštaju vodu.

Well, I should tell you now what happened one night

trebao bih vam reći što se dogodilo jedne noći

when all of the sensors stopped working.

kada su svi senzori prestali raditi.

But actually that night, it was even more fun.

Ali te noći, bilo je zapravo još zabavnije.

All the kids from Zaragoza came to the building,

Sva djeca iz Zaragoze su došla do zgrade,

because the way of engaging with the building became something different.

jer je način interakcije sa zgradom postao nekako drugačiji.

Not anymore a building that would open up to let you in,

Više nije bila zgrada koja će se otvoriti i pustiti vas unutra,

but a building that would still make cuts and holes through the water,

već zgrada koji bi radila pukotine i rupe u vodi,

and you had to jump without getting wet.

i morali biste skočiti kako se ne bi smočili.

(Video) (Crowd Noise)

(Video) (Buka gomile)

And that was, for us, was very interesting,

A to je nama, bilo veoma zanimljivo,

because, as architects, as engineers, as designers,

jer, kao arhitekti, kao inžinjeri, kao dizajneri,

we always think about how people will use the things we design.

uvijek razmišljamo o tome kako će ljudi koristiti stvari koje dizajniramo.

But then reality's always unpredictable.

Ali stvarnost je uvijek nepredvidljiva.

And that's the beauty of doing things

A u tome leži ljepota izrade stvari

that are used and interact with people.

koje koriste ljudi i imaju interakciju s njima.

Here is an image then of the building

Ovdje je slika zgrade

with the physical pixels, the pixels made of water,

s fizičkim pikselima, s pikselima napravljenim od vode,

and then projections on them.

i projekcija na njima.

And this is what led us to think about

A to nas je vodilo da razmišljamo o

the following project I'll show you now.

idućem projektu koji ću vam sada pokazati.

That's, imagine those pixels could actually start flying.

To je, zamislite kada bi ti pikseli doista mogli početi letjeti.

Imagine you could have small helicopters

Zamislite kada biste mogli imati male helikoptere

that move in the air,

koji se kreću po zraku,

and then each of them with a small pixel in changing lights --

a zatim svaki od njih s malim pikselom koji mijenja svjetla --

almost as a cloud that can move in space.

gotovo kao oblak koji se može micati u prostoru.

Here is the video.

Ovdje je video.

(Music)

(Glazba)

So imagine one helicopter,

Dakle, zamislite jedan helikopter,

like the one we saw before,

poput onoga što smo ga vidjeli prije,

moving with others,

krečući se s ostalima,

in synchrony.

u sinkronizaciji.

So you can have this cloud.

Dakle, možete imati taj oblak.

You can have a kind of flexible screen or display, like this --

Možete imati neku vrstu fleksibilnog zaslona ili prikaza, poput ovog --

a regular configuration in two dimensions.

regularnu konfiguraciju u dvije dimenzije.

Or in regular, but in three dimensions,

Ili u regularnoj, ali u tri dimenzije,

where the thing that changes is the light,

gdje je stvar koja se mijenja svjetlo,

not the pixels' position.

a ne pozicija piksela.

You can play with a different type.

Možete se igrati s različitim vrstama.

Imagine your screen could just appear

Zamislite kada bi se vaš ekran mogao samo pojaviti

in different scales or sizes,

u različitim omjerima ili veličinama,

different types of resolution.

različitim vrstama rezolucije.

But then the whole thing can be

A zatim cijela stvar može biti

just a 3D cloud of pixels

samo 3D oblak piksela

that you can approach and move through it

kojem se možete približiti i kretati kroz njega

and see from many, many directions.

i vidjeti ga s mnogo, mnogo smjerova.

Here is the real Flyfire

Ovdje je stvarna Flyfire

control and going down to form the regular grid as before.

kontrola koja ide dolje kako bi formirala normalnu mrežu kao prije.

When you turn on the light, actually you see this. So the same as we saw before.

Kada upalite svjetlo, zapravo vidite ovo. Dakle, isto kao što smo vidjeli i prije.

And imagine each of them then controlled by people.

I zamislite da svaki od njih kontroliraju ljudi.

You can have each pixel

Može biti da svaki piksel

having an input that comes from people,

ima ulaz koji dolazi od ljudi,

from people's movement, or so and so.

od kretanja ljudi, ili to i to.

I want to show you something here for the first time.

Želim vam pokazati nešto po prvi puta.

We've been working with Roberto Bolle,

Surađivali smo s Robertom Bolleom,

one of today's top ballet dancers --

jednim od najboljih baletana današnjice --

the étoile at Metropolitan in New York

zvijezdom u Metropolitanu u New Yorku

and La Scala in Milan --

i La Scali u Milanu --

and actually captured his movement in 3D

i zapravo zabilježili njegovo kretanje u 3D

in order to use it as an input for Flyfire.

kako bi ga koristili kao ulaz za Flyfire.

And here you can see Roberto dancing.

A ovdje možete vidjeti Roberta kako pleše.

You see on the left the pixels,

Vidite s lijeve strane piksele,

the different resolutions being captured.

različite rezolucije koje su zahvaćene.

It's both 3D scanning in real time

To je i 3D skeniranje u stvarnom vremenu

and motion capture.

i hvatanje kretanja.

So you can reconstruct a whole movement.

Dakle, možete rekonstruirati cijelo kretanje.

You can go all the way through.

Možete ići do kraja.

But then, once we have the pixels, then you can play with them

Ali zatim, jednom kada imamo piksele, tada se možete igrati s njima

and play with color and movement

i igrati se s bojom i kretanjem

and gravity and rotation.

i gravitacijom i rotacijom.

So we want to use this as one of the possible inputs

Dakle, želimo to koristiti kao jedan od mogućih ulaza

for Flyfire.

za Flyfire.

I wanted to show you the last project we are working on.

Želio sam vam pokazati zadnji projekt na kojem radimo.

It's something we're working on for the London Olympics.

To je nešto na čemu radimo za Olimpijske igre u Londonu.

It's called The Cloud.

Zove se Oblak.

And the idea here is, imagine, again,

A ideja ovdje je, zamislite, ponovo,

we can involve people

možemo uključiti ljude

in doing something and changing our environment --

u nešto kako bi mijenjali naš okoliš --

almost to impart what we call cloud raising --

skoro kao davati ono što mi zovemo dizanje oblaka --

like barn raising, but with a cloud.

poput dizanja žitnice, ali s oblakom.

Imagine you can have everybody make a small donation for one pixel.

Zamislite kada bi svi donirali malenu svotu za jedan piksel.

And I think what is remarkable

I mislim kako je nevjerojatno

that has happened over the past couple of years

to što se dogodilo proteklih par godina

is that, over the past couple of decades,

je da, tijekom proteklih par desetljeća,

we went from the physical world to the digital one.

zamijenili smo fizički svijet onim digitalnim.

This has been digitizing everything, knowledge,

To znači digitalizacija svega, znanja,

and making that accessible through the Internet.

i njezina dostupnost putem interneta.

Now today, for the first time --

Sada danas, po prvi put --

and the Obama campaign showed us this --

a Obamina kampanja nam je to pokazala --

we can go from the digital world,

možemo ići od digitalnog svijeta,

from the self-organizing power of networks,

od samoorganizirajuće moći mreža,

to the physical one.

do fizičkog svijeta.

This can be, in our case,

To može biti, u našem slučaju,

we want to use it for designing and doing a symbol.

želimo to koristiti za dizajniranje i izradu simbola.

That means something built in a city.

To znači gradnja nečega u gradu.

But tomorrow it can be,

Ali sutra može biti,

in order to tackle today's pressing challenges --

kako bismo se nosili s današnjim izazovima --

think about climate change or CO2 emissions --

razmislite o klimatskoj promjeni ili CO2 emisijama --

how we can go from the digital world to the physical one.

kako možemo ići od digitalnog svijeta prema fizičkom.

So the idea that we can actually involve people

Dakle, ideja da zapravo možemo uključiti ljude

in doing this thing together, collectively.

u zajedničko sudjelovanje, kolektivno.

The cloud is a cloud, again, made of pixels,

Oblak je oblak, ponovno, sačinjen od piksela,

in the same way as the real cloud

na isti način na koji je pravi oblak

is a cloud made of particles.

oblak koji je sačinjen od čestica.

And those particles are water,

A te čestice su voda,

where our cloud is a cloud of pixels.

gdje je naš oblak oblak od piksela.

It's a physical structure in London, but covered with pixels.

To je fizička struktura u Londonu, ali prekrivena pikselima.

You can move inside, have different types of experiences.

Možete je dovesti unutra, imati različite vrste iskustva.

You can actually see from underneath,

Možete zapravo od ispod vidjeti,

sharing the main moments

dijeleći glavne trenutke

for the Olympics in 2012 and beyond,

Olimpijskih igara 2012 i više,

and really using it as a way to connect with the community.

i doista ga koristiti kao način za povezivanje sa zajednicom.

So both the physical cloud in the sky

Dakle, i fizički oblak na nebu

and something you can go to the top [of],

i nešto na što se možete popesti,

like London's new mountaintop.

poput Londonskog novog planinskog vrha.

You can enter inside it.

Možete ući unutra.

And a kind of new digital beacon for the night --

I poput novog digitalnog svjetionika u noći --

but most importantly,

ali još važnije,

a new type of experience for anybody who will go to the top.

novi tip iskustva za svakoga tko će ići na vrh.

Thank you.

Hvala vam.

(Applause)

(Pljesak)