David Binder: The arts festival revolution

32,943 views ・ 2012-11-16

TED


Please double-click on the English subtitles below to play the video.

00:00
Translator: Thu-Huong Ha Reviewer: Morton Bast
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Translator: David Quesada Reviewer: Fran Ontanaya
00:16
Sydney. I had been waiting my whole life to get to Sydney.
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Sydney. Tota la vida havia volgut viatjar a Sydney.
00:19
I got to the airport, to the hotel, checked in,
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Arribo a l'aeroport, a l'hotel, em registro,
00:22
and, sitting there in the lobby, was a brochure
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i assegut allà al vestíbul veig un fullet
00:25
for the Sydney Festival. I thumbed through it,
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del Festival de Sydney. Faig una ullada,
00:28
and I came across a show called "Minto: Live."
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i veig un espectacle anomenat "Minto:Live."
00:31
The description read: "The suburban streets of Minto
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La descripció deia: "Els suburbis de Minto
00:34
become the stage for performances
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es converteixen en l'escenari de representacions
00:37
created by international artists
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creades per artistes internacionals
00:39
in collaboration with the people of Minto."
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amb la col·laboració de la gent de Minto."
00:42
What was this place called Minto?
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Què era aquest lloc anomenat Minto?
00:45
Sydney, as I would learn, is a city of suburbs,
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Sydney, pel que sabia, és una ciutat de suburbis,
00:47
and Minto lies southwest, about an hour away.
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i Minto es troba al sud-oest, a una hora més o menys.
00:51
I have to say, it wasn't exactly what I had in mind
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La veritat, no era exactament el que esperava trobar
00:54
for my first day down under.
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el meu primer dia a Austràlia.
00:56
I mean, I'd thought about the Harbour Bridge or Bondi Beach,
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Vull dir, esperava veure el Pont del Port o Bondi Beach,
00:59
but Minto? But still, I'm a producer,
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però Minto? En fi, com que sóc productor,
01:02
and the lure of a site-specific theater project
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i era un projecte teatral pensat per a un lloc específic,
01:05
was more than I could resist. (Laughter)
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no vaig poder resistir-me.
01:07
So, off I went into Friday afternoon traffic,
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Vaig agafar el cotxe divendres a la tarda,
01:09
and I'll never forget what I saw when I got there.
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i mai no oblidaré el que vaig veure quan vaig arribar.
01:12
For the performance, the audience walked
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Per la representació, l'audiència caminava
01:15
around the neighborhood from house to house,
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pel veïnat de casa a casa,
01:17
and the residents, who were the performers,
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i els residents, que eren qui feien la representació,
01:20
they came out of their houses, and they performed
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sortien de les seves cases, i feien
01:22
these autobiographical dances on their lawns,
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aquestes dances autobiogràfiques a la gespa,
01:26
on their driveways. (Laughter)
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al carrer. (Riures)
01:29
The show is a collaboration with a U.K.-based
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L'espectacle és una col·laboració
01:31
performance company called Lone Twin.
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amb l'empresa d'actors britànica Lone Twin.
01:34
Lone Twin had come to Minto and worked
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Lone Twin va treballar prèviament a Minto
01:36
with the residents, and they had created these dances.
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amb els residents, i havien creat aquestes dances.
01:39
This Australian-Indian girl, she came out and started
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Aquesta nena Australiana-Índia, va sortir
01:43
to dance on her front lawn,
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i va començar a dansar davant de casa seva,
01:45
and her father peered out the window to see
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el seu pare mirava per la finestra per veure
01:48
what all the noise and commotion was about,
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què era tot aquest soroll i rebombori,
01:50
and he soon joined her.
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i s'hi va apuntar de seguida.
01:53
And he was followed by her little sister.
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També la seva germana petita.
01:56
And soon they were all dancing this joyous,
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I de sobte estaven tots ballant aquesta dansa
01:59
exuberant dance right there on their lawn. (Laughter)
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alegre i exuberant devant de casa seva. (Riures)
02:03
And as I walked through the neighborhood,
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A mesura que caminava pel veïnat,
02:05
I was amazed and I was moved by the incredible
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estava impressionat i commogut per l'increible
02:09
sense of ownership this community clearly felt
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sentiment d'identificació que aquesta comunitat sentia
02:12
about this event.
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per aquest esdeveniment.
02:14
"Minto: Live" brought Sydneysiders into dialogue
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"Minto: Live" va establir un diàleg entre els veïns
02:17
with international artists, and really celebrated
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i artistes internacionals, i va celebrar de veritat
02:21
the diversity of Sydney on its own terms.
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la diversitat de Sydney a la seva manera.
02:24
The Sydney Festival which produced "Minto: Live" I think
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Crec que el Festival de Sydney que va produir "Minto: Live"
02:28
represents a new kind of 21st-century arts festival.
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representa un nou tipus de festival d'arts del segle XXI.
02:32
These festivals are radically open.
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Aquests festivals són radicalment oberts.
02:35
They can transform cities and communities.
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Poden transformar ciutats i comunitats.
02:39
To understand this, I think it kind of makes sense
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Per a entendre això, crec que agafa sentit
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to look where we've come from.
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si mirem d'on venim.
02:44
Modern arts festivals were born
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Els festivals d'arts moderns van néixer
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in the rubble of World War II.
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de les runes de la Segona Guerra Mundial.
02:47
Civic leaders created these annual events
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Els líders civils van crear aquests esdeveniments anuals
02:50
to celebrate culture as the highest
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per a celebrar la cultura com la més alta forma d'expressió
02:53
expression of the human spirit.
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de l'esperit humà.
02:56
In 1947, the Edinburgh Festival was born
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El 1947, va néixer el Festival d'Edimburg,
02:59
and Avignon was born and hundreds of others
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el festival d'Avinyó, i cents d'altres
03:02
would follow in their wake.
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es van crear després.
03:03
The work they did was very, very high art,
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El treball que feien era molt elitista,
03:07
and stars came along like Laurie Anderson
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i venien estrelles com Laurie Anderson,
03:09
and Merce Cunningham and Robert Lepage
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Merce Cunningham o Robert Lepage,
03:12
who made work for this circuit,
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que van col·laborar en aquest circuit,
03:13
and you had these seminal shows like "The Mahabharata"
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i feien espectacles fonamentals com "The Mahabharata"
03:16
and the monumental "Einstein on the Beach."
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i el monumental "Einstein on the Beach".
03:19
But as the decades passed,
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Però van passar les dècades,
03:21
these festivals, they really became the establishment,
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aquests festivals es van establir,
03:24
and as the culture and capital accelerated,
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i amb l'acceleració de la cultura i el capital,
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the Internet brought us all together,
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l'Internet que ens ha unit a tots,
03:30
high and low kind of disappeared,
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i la distinció elitista-popular casi desapareguda,
03:33
a new kind of festival emerged.
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va sorgir un nou tipus de festival.
03:34
The old festivals, they continued to thrive, but
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Els festivals anteriors encara prosperaven però
03:38
from Brighton to Rio to Perth, something new was emerging,
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de Brighton a Rio, o a Perth, estava sorgint quelcom de nou,
03:42
and these festivals were really different.
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i aquests festivals eren diferents de debò.
03:45
They're open, these festivals, because, like in Minto,
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Aquests festivals eren oberts perquè a Minto
03:48
they understand that the dialogue
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la gent comprèn que el diàleg
03:50
between the local and the global is essential.
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entre allò local i allò global és indispensable.
03:54
They're open because they ask the audience to be a player,
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Són oberts perquè demanen a l'audiència que siguin actors,
03:58
a protagonist, a partner, rather than a passive spectator,
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protagonistes, companys, abans que espectadors passius,
04:03
and they're open because they know that imagination
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i són oberts perquè saben que la imaginació
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cannot be contained in buildings,
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no es pot tancar dins d'edificis,
04:08
and so much of the work they do
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i la major part del treball que fan
04:10
is site-specific or outdoor work.
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és en llocs específics o en espais oberts.
04:13
So, the new festival, it asks the audience to play
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Llavors, el nou festival demana a la audiència que representi
04:17
an essential role in shaping the performance.
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un paper essencial dins de la representació.
04:20
Companies like De La Guarda, which I produce, and Punchdrunk
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Companyies com De La Guarda, que produeixo, i Punchdrunk
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create these completely immersive experiences
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creen aquestes experiències totalment immersives
04:28
that put the audience at the center of the action,
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que posen l'audiència al centre de l'acció,
04:31
but the German performance company Rimini Protokoll
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però la companyia d'actors alemanya Rimini Protokoll
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takes this all to a whole new level.
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ho porta tot a un nivell diferent.
04:37
In a series of shows that includes "100 Percent Vancouver,"
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En una sèrie d'espectacles que inclou "100% Vancouver"
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"100 Percent Berlin," Rimini Protokoll makes shows
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o "100% Berlín", les representacions de Rimini Protokol
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that actually reflect society.
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realment reflecteixen la societat.
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Rimini Protokoll chooses 100 people that represent that city
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Rimini Protokoll escull 100 persones que representen la ciutat
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at that moment in terms of race and gender and class,
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en aquell moment d'acord amb la raça, gènere i classe,
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through a careful process that begins three months before,
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per mitjà d'un acurat procés que comença 3 mesos abans,
04:59
and then those 100 people share stories about
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llavors aquestes 100 persones expliquen històries sobre
05:02
themselves and their lives, and the whole thing
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ells mateixos i les seves vides, i tot
05:05
becomes a snapshot of that city at that moment.
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esdevé una foto de la ciutat en aquell moment.
05:10
LIFT has always been a pioneer in the use of venues.
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LIFT és un pioner en la localització d'esdeveniments.
05:13
They understand that theater and performance
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Entenen que el teatre i la representació
05:16
can happen anywhere.
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poden ocurrir allà on vulguis.
05:17
You can do a show in a schoolroom,
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Pots fer una representació en un aula,
05:20
in an airport, — (Laughter) —
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en un aeroport, — (Riures) —
05:22
in a department store window.
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o a l'aparador d'una botiga.
05:25
Artists are explorers. Who better to show us the city anew?
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Els artistes són exploradors. Qui millor per ensenyar-nos la ciutat un altre cop?
05:29
Artists can take us to a far-flung part of the city
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Els artistes es poden portar a la part més remota de la ciutat
05:33
that we haven't explored, or they can take us into
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que no hem explorat, o ens poden portar
05:35
that building that we pass every day but we never went into.
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a aquell edifici pel que passem cada dia però no hi entrem.
05:39
An artist, I think, can really show us people
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Un artista, crec, es capaç de mostrar-nos les persones
05:43
that we might overlook in our lives.
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que passaríem per alt d'altra manera.
05:46
Back to Back is an Australian company of people
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Back to Back és una companyia australiana
05:50
with intellectual disabilities. I saw their amazing show
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de persones discapacitades. Vaig veure el seu espectacle
05:54
in New York at the Staten Island Ferry Terminal
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al Staten Island Ferry Terminal de Nova York
05:58
at rush hour.
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en hora punta.
05:59
We, the audience, were given headsets and seated
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Repartien auriculars entre l'audiència i ens assèiem
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on one side of the terminal.
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a una banda del terminal.
06:04
The actors were right there in front of us,
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Els actors estaven just davant de nosaltres,
06:06
right there among the commuters,
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entre els viatgers,
06:09
and we could hear them,
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i els podiem sentir.
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but we might not have otherwise seen them.
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Potser d'altra manera ni tan sols els miraríem.
06:14
So Back to Back takes site-specific theater and uses it
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Aleshores Back to Back fa teatre en llocs específics i l'utilitza
06:18
to gently remind us about who and what we choose
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per a recordar-nos qui som i què escollim
06:21
to edit out of our daily lives.
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per a editar les nostres vides.
06:24
So, the dialogue with the local and the global,
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Així, el diàleg entre allò local i allò global,
06:27
the audience as participant and player and protagonist,
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la audiència com a participant, actor i protagonista
06:31
the innovative use of site, all of these things
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i l'ús innovatiu dels llocs, totes aquestes coses
06:34
come to play in the amazing work
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entren en joc a l'impressionant treball
06:37
of the fantastic French company Royal de Luxe.
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de la fantàstica companyia francesa Royal de Luxe.
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Royal de Luxe's giant puppets come into a city
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Les titelles gegants de Royal de Luxe arriben a una ciutat
06:45
and they live there for a few days.
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i s'hi queden uns pocs dies.
06:48
For "The Sultan's Elephant," Royal de Luxe
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Per a "The Sultan's Elephant", Royal de Luxe
06:51
came to central London and brought it to a standstill
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va paralitzar el centre de Londres
06:54
with their story of a giant little girl and her friend,
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amb la seva història d'una nena gegant i el seu amic,
06:59
a time-traveling elephant.
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un elefant que viatja a través del temps.
07:01
For a few days, they transformed a massive city
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Per alguns dies, van transformar una ciutat enorme
07:06
into a community where endless possibility reigned.
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en una comunitat plena d'infinites possibilitats.
07:11
The Guardian wrote, "If art is about transformation,
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The Guardian va escriure, "Si l'art es tracta de transformació
07:14
then there can be no more transformative experience.
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llavors no pot haver-hi una experiència més transformadora.
07:18
What 'The Sultan's Elephant' represents is no less
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El que "The Sultan's Elephant" representa és ni més ni menys
07:22
than an artistic occupation of the city
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que una ocupació artística de la ciutat
07:25
and a reclamation of the streets for the people."
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i una reivindicació del carrer per a la persones".
07:30
We can talk about the economic impacts of these festivals
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Podem parlar de l'impacte econòmic d'aquests festivals
07:34
on their cities, but I'm much [more] interested in many more things,
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a cada ciutat, però m'interessen moltes més altres coses,
07:38
like how a festival helps a city to express itself,
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per exemple com un festival ajuda a una ciutat a expressar-se,
07:42
how it lets it come into its own.
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com li fa arribar a ser ella mateixa.
07:45
Festivals promote diversity,
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Els festivals promouen la diversitat,
07:47
they bring neighbors into dialogue,
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afavoreixen el diàleg entre veïns,
07:49
they increase creativity,
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fomenten la creativitat,
07:51
they offer opportunities for civic pride,
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enforteixen l'orgull cívic,
07:55
they improve our general psychological well-being.
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i milloren el nostre benestar psicològic en general.
07:58
In short, they make cities better places to live.
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Resumint, fan les ciutats millors llocs per a viure.
08:02
Case in point:
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Un bon exemple:
08:03
When "The Sultan's Elephant" came to London
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Quan "The Sultan's Elephan" va arribar a Londres
08:07
just nine months after 7/7, a Londoner wrote,
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just nou mesos després del 7/7, un londinenc va escriure,
08:11
"For the first time since the London bombings,
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"Per primer cop des dels bombardeigs a la ciutat,
08:15
my daughter called up with that sparkle back in her voice.
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em va trucar la meva filla i vaig sentir la seva veu plena de goig.
08:18
She had gathered with others
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Havia quedat amb amics
08:20
to watch 'The Sultan's Elephant,' and, you know,
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per a veure "The Sultan's Elephant", i, saps?
08:23
it just made all the difference."
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Això va marcar una diferencia".
08:26
Lyn Gardner in The Guardian has written
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Lyn Gardner va escriure a The Guardian
08:28
that a great festival can show us a map of the world,
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que un gran festival ens pot mostrar un mapa del món,
08:33
a map of the city and a map of ourselves,
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un mapa de la ciutat i un mapa de nosaltres mateixos,
08:37
but there is no one fixed festival model.
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però no hi ha un model fix de festival.
08:40
I think what's so brilliant about the festivals,
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Crec que allò que tenen d'especial els festivals,
08:43
the new festivals, is that they are really fully capturing
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els nous festivals, és que capturen completament
08:48
the complexity and the excitement
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la complexitat i l'emoció
08:51
of the way we all live today.
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de com vivim avui dia.
08:53
Thank you very much. (Applause)
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Moltes gràcies. (Aplaudiments)
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