The secrets of Mozart’s “Magic Flute” - Joshua Borths

Tajne Mocartove "Magične frule" - Džošua Borts (Joshua Borths)

1,512,435 views

2016-11-22 ・ TED-Ed


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The secrets of Mozart’s “Magic Flute” - Joshua Borths

Tajne Mocartove "Magične frule" - Džošua Borts (Joshua Borths)

1,512,435 views ・ 2016-11-22

TED-Ed


Please double-click on the English subtitles below to play the video.

Prevodilac: Milenka Okuka Lektor: Mile Živković
00:24
A boy named Prince Tamino runs through a dark wood
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Dečak, po imenu princ Tamino, trči kroz mračnu šumu,
00:28
pursued by a dragon.
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za njim juri zmaj.
00:30
Just as it rears up to devour him,
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Baš kad se primakne da ga proždere,
00:32
three mysterious ladies appear
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pojave se tri tajanstvene dame
00:35
and slay the dragon with their fierce battle cry.
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i ubiju zmaja svojim žestokim borbenim pokličem.
00:39
So begins Wolfgang Amadeus Mozart's "Die Zauberflöte,"
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Tako počinje "Die Zauberflöte" Volfganga Amadeusa Mocarta,
00:43
or "The Magic Flute."
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ili "Magična frula".
00:47
This fantasy singspiel,
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Ova zigšpil fantazija,
00:48
a type of folk opera with music and dialogue,
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tip folklorne opere s muzikom i dijalozima,
00:51
premiered in 1791 in Vienna.
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premijerno je izveden 1791. u Beču.
00:56
Though it may seem like a childish fairytale,
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Iako možda zvuči poput dečje bajke,
00:58
this intricate opera is full of subversive symbolism,
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ova složena opera je ispunjena subverzivnom simbolikom
01:02
and it's now regarded as one of the most influential operas in history.
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i trenutno je smatraju jednom od najuticajnijih opera u istoriji.
01:07
Tamino's run in with the dragon is only the start of his journey.
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Taminov susret sa zmajem je tek početak njegovog putovanja.
01:11
The three women summon their leader, the Queen of the Night.
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Tri žene prizivaju svog vođu, Kraljicu noći.
01:14
She, in turn, sends Tamino on a quest to rescue her daughter Pamina
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Ona, pak, šalje Tamina u pohod da spase njenu kćerku Paminu
01:19
from the evil sorcerer, Sarastro.
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od zlog čarobnjaka Sarastra.
01:22
And to help him on his journey, she gives him the titular magic flute.
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A kako bi mu pomogla na putovanju, daje mu magičnu frulu iz naslova.
01:27
Tamino eventually finds Pamina at Sarastro's temple,
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Tamino konačno pronalazi Paminu u Sarastrovom hramu,
01:31
but behind enemy lines,
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ali iza neprijateljskih redova
01:32
Tamino and Pamina learn that they're on the wrong side.
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Tamino i Pamina saznaju da su na pogrešnoj strani.
01:36
The Queen of Night actually wants to plunge the world into darkness.
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Kraljica noći zapravo želi da uroni svet u tamu.
01:41
Everything Tamino thought he knew was wrong,
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Sve što je Tamino mislio da zna bilo je pogrešno,
01:43
filling him with doubt and confusion.
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ispunjavalo ga je sumnjom i zbunjenošću.
01:46
So, a new quest begins for Tamino and Pamina.
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Tako počinje novi pohod za Tamina i Paminu.
01:50
They must pass three trials of wisdom,
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Moraju da prođu tri iskušenja mudrosti
01:52
and only then can the day vanquish the night.
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i tek će onda moći dan da savlada noć.
01:56
Helped by the flute's magic power,
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Uz pomoć frulinih čarobnih moći,
01:58
the two youths overcome these trials and the Queen's attempts to sabotage them.
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dvoje mladih savladavaju iskušenja i Kraljičine napore da ih sabotira.
02:04
They're finally initiated into the temple having restored balance to the kingdom.
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Na kraju, nakon što su povratili ravnotežu u kraljevstvo, primaju ih u hram.
02:09
Many elements in this peculiar fairytale
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Mnogi elementi u ovoj neobičnoj bajci
02:12
were inspired by Mozart's involvement in Freemasonry,
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su inspirisani Mocartovom uključenošću u Slobodno zidarstvo,
02:16
a network of fraternal organizations throughout Europe.
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mrežu bratskih organizacija širom Evrope.
02:19
Much of their history, symbolism, and ritual came from the Middle Ages.
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Većina njihove istorije, simobola i rituala potiče iz srednjeg veka.
02:23
But the Freemasons of Mozart's time
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Ali na Slobodne zidare iz Mocartovog vremena
02:26
were also influenced by 18th century European ideals -
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su takođe uticali evropski ideali iz XVIII veka:
02:30
rationalism, humanism, and skepticism towards traditional authorities,
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racionalizam, humanizam i skepticizam prema tradicionalnim autoritetima,
02:35
like monarchy and the church.
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poput monarhije i crkve.
02:38
The symbols of Freemasonry and these ideals of the Enlightenment
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Simboli Slobodnih zidara i pomenuti ideali iz prosvetiteljstva
02:41
are found throughout the opera.
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su prisutni u čitavoj operi.
02:44
If this sounds like a conspiracy theory, that's because it sort of was at the time,
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Ako ovo zvuči poput teorije zavere, to je zato što svojevremeno i jeste bila,
02:49
but it's now taken quite seriously
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ali trenutno se shvata prilično ozbiljno
02:51
and has been the subject of considerable scholarly publication.
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i predmet je značajnog broja akademskih članaka.
02:55
For example, some Mozart scholars believe the Queen of the Night
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Na primer, neki proučavaoci Mocarta veruju da Kraljica noći
02:59
symbolizes Maria Theresa, the Empress of the Holy Roman Empire
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simbolizuje Mariju Terezu, caricu Svetog rimskog carstva
03:04
who opposed Freemasonry and banned it in Austria.
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koja je bila protivnica Slobodnih zidara i zabranila ih je u Austriji.
03:08
While there continues to be debate as to the specific meaning,
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Dok i dalje traje debata o specifičnim značenjima,
03:11
interpretation,
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interpretaciji
03:12
and location of these masonic references,
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i lokaciji ovih masonskih referenci,
03:15
scholars agree that they're there and are fully intentional.
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akademici se slažu da su prisutni i da su u potpunosti namerni.
03:20
One of these symbols is the number three,
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Jedan od tih simbola je broj tri,
03:23
which represented balance and order to Freemasons.
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koji je za Slobodne zidare predstavljao ravnotežu i red.
03:27
Now the number three is, of course, easy to find in any work of storytelling,
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Sad, broj tri je naravno lako pronaći u bilo kom narativu,
03:31
but it's particularly prominent in "The Magic Flute":
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ali je naročito istaknut u "Čarobnoj fruli":
03:34
three trials,
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tri iskušenja,
03:36
three ladies,
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tri dame,
03:37
three spirits,
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tri duha
03:38
and three doors,
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i troja vrata;
03:40
much of the music is written in E-flat major,
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muzka je uglavnom napisana u Es-duru,
03:43
which has three flats in its key signature,
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koji u svojoj armaturi ima tri snizilice,
03:46
and historically, masonic rituals began with three knocks.
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a istorijski, masonski su rituali započinjali sa tri kucanja.
03:51
The opera references them by opening with three majestic chords
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Opera pravi referencu na njih započinjući sa tri veličanstvena akorda
03:55
complete with dramatic pauses.
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upotpunjena dramskim pauzama.
03:58
Those chords, which reoccur throughout the opera,
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Ova tri akorda, koji se iznova ponavljaju kroz operu,
04:01
serve another purpose.
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imaju dodatnu svrhu.
04:03
They capture the dramatic arc of the opera in miniature.
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Predstavljaju dramatični okvir opere u malom.
04:07
The first chord, E-flat major, is in its most natural root position,
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Prvi akord, Es-dur, je u svojoj najprirodnijoj osnovnoj poziciji,
04:12
simple and unadorned.
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jednostavan i bez ukrasa.
04:14
It echoes the child-like Prince Tamino,
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Odražava detinjastog princa Tamina,
04:16
who, in his naiveté, accepts everything the Queen and her ladies say
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koji u svojoj naivnosti, prihvata sve što mu Kraljica i njene dvorkinje kažu,
04:20
without question.
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bez pogovora.
04:22
The second chord is C minor,
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Drugi akord je C-mol,
04:24
a sour sonority that mirrors Tamino's sadness and doubt
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jedak zvuk koji odražava Taminovu tugu i sumnju
04:28
in the middle of the opera.
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u središnjem delu opere.
04:30
That's when his world and notions of good and evil get turned on their heads.
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U tom trenutku se izvrću njegov svet i razumevanje dobra i zla.
04:35
And good and evil are just two of the opera's extreme opposites.
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A dobro i zlo su samo dve krajnje suprotnosti u operi.
04:39
It features some of the highest and lowest notes in opera,
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U operi su prisutne neke od najviših i najnižih nota,
04:44
day and night,
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dan i noć,
04:45
simple hummable melodies and complicated forward-looking music.
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jednostavne opojne melodije i složena progresivna muzika.
04:50
The opera's central theme concerns balancing these extremes
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Centralna tema opere se tiče uravnotežavanja ovih ekstrema
04:54
to achieve perfect harmony.
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kako bi se postigla savršena harmonija.
04:56
To reflect this,
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Ovo je predstavljeno
04:57
the final chord in the opening restores musical order.
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tako što finalni akord iz prologa uspostavlja muzički red.
05:01
It returns to the triumphant E-flat major,
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Delo se vraća trijumfalnom Es-duru,
05:05
the same chord it started with but inverted,
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baš onom akordu kojim je počelo, ali invertovanom,
05:08
meaning Mozart moved the bottom note to the top.
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što znači da je Mocart pomerio poslednju notu na vrh.
05:12
Although it retains its original harmony, the chord sounds higher,
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Iako sadrži prvobitnu harmoniju, akord zvuči više,
05:15
pointing towards enlightenment.
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ukazujući na prosvetljenost.
05:17
That's similar to Tamino,
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To je slično Taminu,
05:19
who in passing his trials restores balance to the kingdom
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koji prolazeći svoja iskušenja uspostavlja ravnotežu u kraljevstvu
05:23
while growing stronger, wiser, and more complete.
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istovremeno sazrevajući jači, mudriji i potpuniji.
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