The art of bow-making | Dong Woo Jang

1,047,320 views ใƒป 2013-11-01

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์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Gemma Lee ๊ฒ€ํ† : Joanne Koh
00:12
It is said that the grass is always greener
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๋‚จ์˜ ๋–ก์ด ๋” ์ปค๋ณด์ธ๋‹ค๋Š”
00:16
on the other side of the fence,
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๋ง์ด ์žˆ์Šต๋‹ˆ๋‹ค.
00:19
and I believe this is true,
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์ €๋Š” ์ด ๋ง์ด ์‚ฌ์‹ค์ด๋ผ๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
00:22
especially when I hear President Obama
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ํŠนํžˆ ์˜ค๋ฐ”๋งˆ ๋Œ€ํ†ต๋ น์ด
00:25
often talk about the Korean education system
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์„ฑ๊ณต์˜ ๊ธฐ์ค€์œผ๋กœ์„œ
00:27
as a benchmark of success.
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ํ•œ๊ตญ์˜ ๊ต์œก ์ฒด๊ณ„๋ฅผ ์ž์ฃผ ์–ธ๊ธ‰ํ•  ๋•Œ ๊ทธ๋ ‡๊ฒŒ ์ƒ๊ฐํ–ˆ์ฃ .
00:31
Well, I can tell you that,
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๊ธ€์Œ”์š”. ์ €๋Š” ์ด๋ ‡๊ฒŒ ๋ง์”€๋“œ๋ฆด ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
00:33
in the rigid structure and highly competitive nature
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์—„๊ฒฉํ•œ ๊ตฌ์กฐ์™€ ๊ฒฝ์Ÿ์ด ์‹ฌํ•œ
00:37
of the Korean school system,
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ํ•œ๊ตญ์˜ ๊ต์œก ์ฒด๊ณ„๋Š”
00:39
also known as pressure cooker,
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์••๋ ฅ์†ฅ์ด๋ผ๊ณ  ๋ถ€๋ฅด๊ธฐ๋„ ํ•˜๋Š”๋ฐ
00:41
not everyone can do well in that environment.
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๊ทธ๋Ÿฐ ํ™˜๊ฒฝ์—์„œ ๋ชจ๋“  ์‚ฌ๋žŒ๋“ค์ด ์„ฑ๊ณตํ•  ์ˆ˜๋Š” ์—†์Šต๋‹ˆ๋‹ค.
00:47
While many people responded in different ways
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์šฐ๋ฆฌ์˜ ๊ต์œก ์ฒด๊ณ„์— ๋Œ€ํ•ด์„œ
00:50
about our education system,
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์‚ฌ๋žŒ๋“ค์€ ์„œ๋กœ ๋‹ค๋ฅธ ๋ฐฉ์‹์œผ๋กœ ๋ฐ˜์‘์„ ํ•˜๋Š”๋ฐ,
00:53
my response to the high-pressure environment
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์••๋ ฅ์ด ์‹ฌํ•œ ํ™˜๊ฒฝ์— ๋Œ€ํ•œ ์ œ ๋ฐ˜์‘์€
00:56
was making bows with pieces of wood
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์ œ๊ฐ€ ์‚ฌ๋Š” ์•„ํŒŒํŠธ ๊ทผ์ฒ˜์—์„œ ์ฐพ์€
00:59
found near my apartment building.
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๋‚˜๋ฌด์กฐ๊ฐ์œผ๋กœ ํ™œ์„ ๋งŒ๋“œ๋Š” ๊ฒƒ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
01:02
Why bows?
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์™œ ํ™œ์ผ๊นŒ์š”?
01:04
I'm not quite sure.
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์ €๋„ ์ž˜ ๋ชจ๋ฅด๊ฒ ์Šต๋‹ˆ๋‹ค.
01:07
Perhaps, in the face of constant pressure,
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์–ด์ฉŒ๋ฉด ๊ณ„์†๋˜๋Š” ์••๋ ฅ์— ๋งž์„ 
01:11
my caveman instinct of survival
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์ œ ์›์‹œ์ ์ธ ์ƒ์กด ๋ณธ๋Šฅ์ด
01:13
has connected with the bows.
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ํ™œ๋กœ ์ด์–ด์กŒ๋Š”์ง€๋„ ๋ชจ๋ฆ…๋‹ˆ๋‹ค.
01:18
If you think about it,
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์ƒ๊ฐํ•ด๋ณด๋ฉด
01:19
the bow has really helped drive human survival
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ํ™œ์€ ์„ ์‚ฌ์‹œ๋Œ€๋ถ€ํ„ฐ
01:23
since prehistoric times.
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์‚ฌ๋žŒ๋“ค์ด ์ƒ์กดํ•ด๋‚˜๊ฐ€๋„๋ก ๋„์›€์„ ์คฌ์Šต๋‹ˆ๋‹ค.
01:25
The area within three kilometers of my home
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์ œ๊ฐ€ ์‚ด๋˜ ๊ณณ์—์„œ ์•ฝ 3ํ‚ค๋กœ๋ฏธํ„ฐ ๊ทผ๋ฐฉ์€
01:29
used to be a mulberry forest
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์กฐ์„ ์‹œ๋Œ€์—
01:31
during the Joseon dynasty,
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๋ฝ•๋‚˜๋ฌด ์žŽ์„ ๋จน๋Š” ๋ˆ„์—๋ฅผ ํ‚ค์šฐ๋˜
01:33
where silkworms were fed with mulberry leaves.
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๋ฝ•๋‚˜๋ฌด ์ˆฒ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
01:38
In order to raise the historical awareness of this fact,
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์ด๋Ÿฐ ์—ญ์‚ฌ์ ์ธ ์‚ฌ์‹ค์„ ์ธ์‹์‹œํ‚ค๋ ค๊ณ 
01:42
the government has planted mulberry trees.
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์ •๋ถ€๋Š” ๋ฝ•๋‚˜๋ฌด๋ฅผ ์‹ฌ์—ˆ์Šต๋‹ˆ๋‹ค.
01:47
The seeds from these trees
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์ด ๋‚˜๋ฌด๋“ค์— ๋งบํžŒ ์”จ๋“ค์€
01:48
also have spread by birds here and there
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1988๋…„ ์˜ฌ๋ฆผํ”ฝ ๊ธฐ๊ฐ„์— ๋งŒ๋“ค์–ด์ง„
01:51
nearby the soundproof walls of the city expressway
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๋„์‹œ ๊ณ ์†๋„๋กœ์˜ ๋ฐฉ์Œ๋ฒฝ ์ฃผ๋ณ€์œผ๋กœ
01:55
that has been built around the 1988 Olympics.
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์ƒˆ๋“ค์„ ํ†ตํ•ด ์—ฌ๊ธฐ ์ €๊ธฐ ํฉ๋ฟŒ์กŒ์Šต๋‹ˆ๋‹ค.
01:59
The area near these walls,
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์ด ๋ฐฉ์Œ๋ฒฝ ๊ทผ์ฒ˜๋Š”
02:02
which nobody bothers to pay attention to,
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์•„๋ฌด๋„ ๊ด€์‹ฌ์„ ๊ฐ€์ง€์ง€ ์•Š๋Š” ๊ณณ์œผ๋กœ
02:05
had been left free from major intervention,
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์–ด๋– ํ•œ ์กฐ์น˜ ์—†์ด ๋‚ด๋ฒ„๋ ค์ง„ ์ƒํƒœ์˜€๋Š”๋ฐ
02:08
and this is where I first found my treasures.
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์ €๋Š” ์ด๊ณณ์—์„œ ์ฒ˜์Œ์œผ๋กœ ๋ณด๋ฌผ์„ ์ฐพ์•˜์Šต๋‹ˆ๋‹ค.
02:14
As I fell deeper into bow making,
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์ œ๊ฐ€ ํ™œ ๋งŒ๋“ค๊ธฐ์— ๋” ๊นŠ์ด ๋น ์ ธ๋“ค์–ด๊ฐ€๋ฉด์„œ
02:17
I began to search far and beyond my neighborhood.
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์ง‘์—์„œ ๋ฉ€๋ฆฌ ๋–จ์–ด์ง„ ๊ณณ์„ ์ฐพ๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
02:21
When I went on school field trips,
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ํ•™๊ต์—์„œ ํ˜„์žฅ ํ•™์Šต์„ ๊ฐˆ๋•Œ๋‚˜
02:23
family vacations, or simply on my way home
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๊ฐ€์กฑ ํœด๊ฐ€, ๋˜๋Š” ๊ณผ์™ธ ์ˆ˜์—…์„ ๊ฐ”๋‹ค๊ฐ€
02:26
from extracurricular classes,
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๋Œ์•„์˜ฌ ๋•Œ
02:29
I wandered around wooded areas
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๋‚˜๋ฌด๊ฐ€ ์šฐ๊ฑฐ์ง„ ๊ณณ์„ ๋Œ์•„๋‹ค๋‹ˆ๋ฉฐ
02:31
and gathered tree branches
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ํ•™๊ต ๊ฐ€๋ฐฉ์— ๋ชฐ๋ž˜ ์ˆจ๊ฒจ๊ฐ„ ๋„๊ตฌ๋กœ
02:33
with the tools that I sneaked inside my school bag.
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๋‚˜๋ญ‡๊ฐ€์ง€๋ฅผ ๋ชจ์•˜์Šต๋‹ˆ๋‹ค.
02:37
And they would be somethings like saws, knives,
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๊ทธ ๋„๊ตฌ๋“ค์€ ํ†ฑ, ์นผ,
02:41
sickles and axes
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๋‚ซ, ๋„๋ผ ๊ฐ™์€ ๊ฒƒ๋“ค์ด์—ˆ๊ณ 
02:43
that I covered up with a piece of towel.
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์ €๋Š” ์ด ๋„๊ตฌ๋“ค์„ ์ˆ˜๊ฑด์œผ๋กœ ์‹ธ๋ฉ”๊ณ  ๋‹ค๋…”์Šต๋‹ˆ๋‹ค.
02:48
I would bring the branches home,
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์ €๋Š” ๋ฒ„์Šค์™€ ์ง€ํ•˜์ฒ ์„ ํƒ€๊ณ 
02:50
riding buses and subways,
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๋‚˜๋ญ‡๊ฐ€์ง€๋“ค์„ ์ง‘์œผ๋กœ ๊ฐ€์ ธ์™”๋Š”๋ฐ
02:52
barely holding them in my hands.
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๊ทธ๊ฒƒ๋“ค์„ ์†์— ๋“ค๊ณ ์˜ค๋Š” ์ผ์€ ๊ฑฐ์˜ ์—†์—ˆ์Šต๋‹ˆ๋‹ค.
02:55
And I did not bring the tools here to Long Beach.
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๊ทธ ๋„๊ตฌ๋ฅผ ์ด๊ณณ ๋กฑ๋น„์น˜์—๋„ ๊ฐ€์ ธ์˜ค์ง€ ์•Š์•˜์–ด์š”.
02:59
Airport security.
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๊ณตํ•ญ ๋ณด์•ˆ์ด ๊นŒ๋‹ค๋กœ์šฐ๋‹ˆ๊นŒ์š”.
03:00
(Laughter)
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(์›ƒ์Œ)
03:02
In the privacy of my room, covered in sawdust,
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์ œ ๋ฐฉ์— ํ˜ผ์ž์„œ ํ†ฑ๋ฐฅ์— ํŒŒ๋ฌปํ˜€
03:06
I would saw, trim and polish wood all night long
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ํ™œ์ด ๋ชจ์–‘์ƒˆ๋ฅผ ๊ฐ–์ถœ ๋•Œ๊นŒ์ง€ ๋ฐค์ƒˆ๋„๋ก
03:10
until a bow took shape.
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๋‚˜๋ฌด๋ฅผ ์ž๋ฅด๊ณ , ๋‹ค๋“ฌ๊ณ , ์œค์„ ๋ƒˆ์Šต๋‹ˆ๋‹ค.
03:13
One day, I was changing the shape of a bamboo piece
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ํ•˜๋ฃจ๋Š” ๋Œ€๋‚˜๋ฌด์˜ ํ˜•ํƒœ๋ฅผ ๋ฐ”๊พธ๋ ค๊ณ  ํ•˜๋˜ ๋„์ค‘
03:17
and ended up setting the place on fire.
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๋ถˆ์„ ๋‚ด๊ณ  ๋ง์•˜์ฃ .
03:22
Where? The rooftop of my apartment building,
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์–ด๋””์„œ์š”? 96๊ฐ€๊ตฌ๊ฐ€ ์ง‘์ด๋ผ๊ณ  ๋ถ€๋ฅด๋˜
03:27
a place where 96 families call home.
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์ €ํฌ ์•„ํŒŒํŠธ์˜ ์˜ฅ์ƒ์—์„œ ๋ง์ด์ฃ .
03:30
A customer from a department store across from my building
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์ œ๊ฐ€ ์‚ฌ๋Š” ๊ฑด๋ฌผ ๋งž์€ํŽธ ๋ฐฑํ™”์ ์˜ ์†๋‹˜ ํ•œ ๋ถ„์ด
03:33
called 911,
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์†Œ๋ฐฉ์„œ์— ์ „ํ™”๋ฅผ ํ–ˆ๊ณ 
03:34
and I ran downstairs to tell my mom
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์ €๋Š” ๋จธ๋ฆฌ์นด๋ฝ ์ ˆ๋ฐ˜์ด ํƒ€๋“ค์–ด๊ฐ„ ์ฑ„๋กœ
03:37
with half of my hair burned.
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์•„๋ž˜์ธต์œผ๋กœ ๋‹ฌ๋ ค๊ฐ€ ์–ด๋จธ๋‹ˆ๊ป˜ ๋ง์”€๋“œ๋ ธ์Šต๋‹ˆ๋‹ค.
03:42
I want to take this opportunity
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์ด ๊ธฐํšŒ๋ฅผ ๋นŒ์–ด
03:44
to tell my mom, in the audience today:
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์˜ค๋Š˜ ๊ด€์ค‘์„์— ์•‰์•„๊ณ„์‹  ์–ด๋จธ๋‹ˆ๊ป˜ ๋ง์”€๋“œ๋ฆฝ๋‹ˆ๋‹ค.
03:48
Mom, I was really sorry,
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์—„๋งˆ, ์ •๋ง ์ฃ„์†กํ•ด์š”.
03:50
and I will be more careful with open fire from now on.
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์•ž์œผ๋กœ๋Š” ๋ถˆ์„ ๋‹ค๋ฃฐ ๋•Œ ๋” ์กฐ์‹ฌํ• ๊ฒŒ์š”.
03:54
My mother had to do a lot of explaining,
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์ œ ์–ด๋จธ๋‹ˆ๋Š” ๊ธธ๊ฒŒ ์„ค๋ช…์„ ํ•˜์…”์•ผ ํ–ˆ์Šต๋‹ˆ๋‹ค.
03:56
telling people that her son did not commit
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๋‹น์‹ ์˜ ์•„๋“ค์ด
03:59
a premeditated arson.
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๊ณ„ํš์ ์ธ ๋ฐฉํ™”๋ฅผ ์ €์ง€๋ฅธ๊ฒŒ ์•„๋‹ˆ๋ผ๊ณ  ๋ง์ž…๋‹ˆ๋‹ค.
04:05
I also researched extensively on bows around the world.
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๋˜ํ•œ ์ €๋Š” ์ „์„ธ๊ณ„์˜ ํ™œ์— ๋Œ€ํ•ด์„œ ๋งŽ์€ ์—ฐ๊ตฌ๋ฅผ ํ–ˆ์Šต๋‹ˆ๋‹ค.
04:09
In that process, I tried to combine
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๊ทธ ๊ณผ์ •์—์„œ ์ €๋Š”
04:11
the different bows from across time and places
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์—ฌ๋Ÿฌ ์‹œ๋Œ€์™€ ์žฅ์†Œ์˜ ๋‹ค๋ฅธ ํ™œ๋“ค์„ ์กฐํ•ฉํ•ด
04:13
to create the most effective bow.
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๊ฐ€์žฅ ํšจ๊ณผ์ ์ธ ํ™œ์„ ๋งŒ๋“ค๊ณ ์ž ํ–ˆ์Šต๋‹ˆ๋‹ค.
04:17
I also worked with many different types of wood,
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์ €๋Š” ๋˜ ๋‹จํ’๋‚˜๋ฌด, ์ฃผ๋ชฉ, ๋ฝ•๋‚˜๋ฌด ๊ฐ™์€
04:20
such as maple, yew and mulberry,
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๋‹ค๋ฅธ ์—ฌ๋Ÿฌ ๋‚˜๋ฌด๋“ค์„ ์จ๋ณด๊ธฐ๋„ ํ–ˆ๊ณ 
04:23
and did many shooting experiments
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์•ž์„œ ๋ง์”€๋“œ๋ ธ๋˜
04:25
in the wooded area near the urban expressway
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๋„์‹œ ๊ณ ์†๋„๋กœ ๊ทผ์ฒ˜์˜ ๋‚˜๋ฌด๊ฐ€ ์šฐ๊ฑฐ์ง„ ๊ณณ์—์„œ
04:27
that I mentioned before.
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ํ™œ์˜๊ธฐ ์‹คํ—˜๋„ ๋งŽ์ด ํ•ด๋ณด์•˜์Šต๋‹ˆ๋‹ค.
04:30
The most effective bow for me
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์ €ํ•œํ…Œ ๊ฐ€์žฅ ํšจ๊ณผ์ ์ธ ํ™œ์€
04:32
would be like this.
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์ด๋ ‡์Šต๋‹ˆ๋‹ค.
04:35
One: Curved tips can maximize the springiness
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ํ•˜๋‚˜: ํœ˜์–ด์ง„ ๋์€
04:39
when you draw and shoot the arrow.
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ํ™œ์„ ๋‹น๊ฒจ์„œ ์  ๋•Œ ํƒ„๋ ฅ์„ฑ์„ ๊ทน๋Œ€ํ™”ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:43
Two: Belly is drawn inward for higher draw weight,
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๋‘˜: ์•ˆ์œผ๋กœ ๋“ค์–ด๊ฐ„ ๋ฐฐ๋Š” ๋‹น๊ธฐ๋Š” ํž˜์ด ํฐ๋ฐ,
04:47
which means more power.
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๊ทธ ๋ง์€ ํž˜์ด ๋” ์„ธ๋‹ค๋Š” ๋œป์ž…๋‹ˆ๋‹ค.
04:51
Three: Sinew used in the outer layer of the limb
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์…‹: ํŒ”์˜ ๋ฐ”๊นฅ์ธต์— ์“ฐ์ธ ํž˜์ค„์€
04:55
for maximum tension storage.
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์ค„์„ ๊ฐ€์žฅ ํŒฝํŒฝํ•˜๊ฒŒ ๋งŒ๋“ญ๋‹ˆ๋‹ค.
04:58
And four: Horn used to store energy in compression.
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๋„ท: ๋ฟ”์€ ํ™œ์ด ๋‹น๊ฒจ์ ธ ์žˆ์„ ๋•Œ ํž˜์„ ์ €์žฅํ•˜๋Š”๋ฐ ์“ฐ์ž…๋‹ˆ๋‹ค.
05:07
After fixing, breaking, redesigning,
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๊ณ ์น˜๊ณ , ๋ถ€์ˆ˜๊ณ , ์„ค๊ณ„๋ฅผ ๋‹ค์‹œ ํ•˜๊ณ 
05:10
mending, bending and amending,
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์ˆ˜์„ ํ•˜๊ณ , ๊ตฌ๋ถ€๋ฆฌ๊ณ , ๋ณด์ถฉํ•˜๋ฉด์„œ
05:12
my ideal bow began to take shape,
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์ €์˜ ์ด์ƒ์ ์ธ ํ™œ์ด ํ˜•ํƒœ๋ฅผ ๊ฐ–์ถฐ๋‚˜๊ฐ”๊ณ 
05:16
and when it was finally done,
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๋งˆ์นจ๋‚ด ํ™œ์„ ๋งŒ๋“ค์—ˆ์„ ๋•Œ๋Š”
05:20
it looked like this.
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์ด๋Ÿฐ ๋ชจ์–‘์ด์—ˆ์Šต๋‹ˆ๋‹ค.
05:24
I was so proud of myself
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์ €๋Š” ์Šค์Šค๋กœ ์™„๋ฒฝํ•œ ํ™œ์„ ๋งŒ๋“ค์–ด๋‚ธ
05:26
for inventing a perfect bow on my own.
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์ œ ์ž์‹ ์ด ์•„์ฃผ ์ž๋ž‘์Šค๋Ÿฌ์› ์Šต๋‹ˆ๋‹ค.
05:32
This is a picture of Korean traditional bows
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์ด ์‚ฌ์ง„์€ ๋ฐ•๋ฌผ๊ด€์—์„œ ์ฐ์€
05:36
taken from a museum,
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ํ•œ๊ตญ์˜ ์ „ํ†ต ํ™œ์ธ๋ฐ
05:38
and see how my bow resembles them.
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์ œ๊ฐ€ ๋งŒ๋“  ํ™œ์ด ์ € ์ „ํ†ต ํ™œ๋“ค๊ณผ ์–ผ๋งˆ๋‚˜ ๋‹ฎ์•˜๋Š”์ง€ ๋ณด์‹ญ์‹œ์˜ค.
05:43
Thanks to my ancestors
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์ œ ๋ฐœ๋ช…์„ ๋นผ์•—์•„๊ฐ„
05:45
for robbing me of my invention. (Laughter)
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์„ ์กฐ๋‹˜๋“ค๊ป˜ ๊ฐ์‚ฌ๋“œ๋ฆฝ๋‹ˆ๋‹ค. (์›ƒ์Œ)
05:51
Through bowmaking,
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ํ™œ์„ ๋งŒ๋“ค๋ฉด์„œ
05:53
I came in contact with part of my heritage.
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์ €๋Š” ์ œ๊ฐ€ ๋ฌผ๋ ค๋ฐ›์€ ์œ ์‚ฐ์˜ ์ผ๋ถ€์™€ ๋งŒ๋‚  ์ˆ˜ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
05:56
Learning the information that has accumulated over time
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์˜ค๋žœ ์‹œ๊ฐ„๋™์•ˆ ์ถ•์ ๋œ ์ •๋ณด๋ฅผ ๋ฐฐ์šฐ๊ณ 
06:00
and reading the message left by my ancestors
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์กฐ์ƒ๋“ค์ด ๋‚จ๊ธด ๊ธ€์„ ์ฝ๋Š” ๊ฒƒ์ด ์ €์—๊ฒ
06:02
were better than any consolation therapy
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์‚ด์•„์žˆ๋Š” ๊ทธ ์–ด๋–ค ์–ด๋ฅธ๋“ค์ด ์ฃผ๋Š” ์ƒ๋‹ด ์š”๋ฒ•๋ณด๋‹ค
06:05
or piece of advice any living adults could give me.
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์ถฉ๊ณ ๋ณด๋‹ค ๋” ๋‚˜์€ ์œ„๋กœ๊ฐ€ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
06:10
You see, I searched far and wide,
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์ €๋Š” ์•„์ฃผ ๋ฉ€๋ฆฌ์„œ ์ฐพ๊ณ  ์žˆ์—ˆ๊ณ 
06:13
but never bothered to look close and near.
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๊ฐ€๊นŒ์šด ๊ณณ์€ ๋ณด๋ ค๊ณ  ํ•˜์ง€๋„ ์•Š์•˜์Šต๋‹ˆ๋‹ค.
06:16
From this realization,
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์ด๋Ÿฐ ๊นจ๋‹ฌ์Œ์—์„œ
06:19
I began to take interest in Korean history,
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์ „์—๋Š” ์ „ํ˜€ ๊ด€์‹ฌ์ด ์—†์—ˆ๋˜
06:21
which had never inspired me before.
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ํ•œ๊ตญ์˜ ์—ญ์‚ฌ์— ๊ด€์‹ฌ์„ ๊ฐ–๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
06:25
In the end, the grass is often greener
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๊ฒฐ๊ตญ์€ ๋‚ด๊ฐ€ ๊ฐ€์ง„ ๋–ก์ด
06:28
on my side of the fence,
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๋” ํฝ๋‹ˆ๋‹ค.
06:30
although we don't realize it.
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ํ•˜์ง€๋งŒ ์šฐ๋ฆฌ๋Š” ๊ทธ๊ฑธ ๊นจ๋‹ซ์ง€ ๋ชปํ•ฉ๋‹ˆ๋‹ค.
06:33
Now, I am going to show you how my bow works.
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์ด์ œ ์ œ๊ฐ€ ๋งŒ๋“  ํ™œ์ด ์–ด๋–ป๊ฒŒ ์ž‘๋™ํ•˜๋Š”์ง€ ๋ณด์—ฌ๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
06:38
And let's see how this one works.
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์ด ํ™œ์ด ์–ด๋–ป๊ฒŒ ์ž‘๋™ํ•˜๋Š”์ง€ ๋ณด์‹œ์ฃ .
06:43
This is a bamboo bow,
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์ด๊ฒƒ์€ ๋Œ€๋‚˜๋ฌด ํ™œ์ธ๋ฐ
06:45
with 45-pound draw weights.
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23 kg ์˜ ๋‹น๊ธฐ๋Š” ํž˜์ด ์žˆ์Šต๋‹ˆ๋‹ค.
06:49
(Noise of shooting arrow)
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(ํ™œ์˜๋Š” ์†Œ๋ฆฌ)
06:51
(Applause)
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(๋ฐ•์ˆ˜)
07:00
A bow may function in a simple mechanism,
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ํ™œ์€ ๋‹จ์ˆœํ•œ ๊ตฌ์กฐ๋กœ ์›€์ง์ด์ง€๋งŒ
07:04
but in order to make a good bow,
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์ข‹์€ ํ™œ์„ ๋งŒ๋“ค๋ ค๋ฉด
07:07
a great amount of sensitivity is required.
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์•„์ฃผ ์„ฌ์„ธํ•˜๊ฒŒ ์ž‘์—…ํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
07:11
You need to console and communicate
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๋‚˜๋ฌด ์žฌ๋ฃŒ๋ฅผ ๋‹ค๋…๊ฑฐ๋ฆฌ๋ฉฐ
07:13
with the wood material.
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์†Œํ†ตํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
07:16
Each fiber in the wood
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๋‚˜๋ฌด ์†์˜ ์„ฌ์œ ์†Œ ํ•˜๋‚˜ํ•˜๋‚˜๊ฐ€
07:18
has its own reason and function for being,
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๊ฐ๊ฐ์˜ ์ด์œ ์™€ ๊ธฐ๋Šฅ์ด ์žˆ์œผ๋ฉฐ,
07:21
and only through cooperation and harmony among them
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์„ฌ์œ ์†Œ๋“ค ์‚ฌ์ด์˜ ํ˜‘๋ ฅ์™€ ์กฐํ™”๋ฅผ ํ†ตํ•ด์„œ๋งŒ
07:24
comes a great bow.
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ํ›Œ๋ฅญํ•œ ํ™œ์ด ๋‚˜์˜ต๋‹ˆ๋‹ค.
07:28
I may be an [odd] student
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์ œ๊ฐ€ ์ƒ‰๋‹ค๋ฅธ ์ทจ๋ฏธ๋ฅผ ๊ฐ–๊ณ  ์žˆ๋Š”
07:29
with unconventional interests,
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์ด์ƒํ•œ ํ•™์ƒ์ผ์ง€๋„ ๋ชจ๋ฅด์ง€๋งŒ
07:32
but I hope I am making a contribution
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์ œ ์ด์•ผ๊ธฐ๋ฅผ ์—ฌ๋Ÿฌ๋ถ„๊ณผ ๋‚˜๋ˆ”์œผ๋กœ์จ
07:34
by sharing my story with all of you.
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๋ญ”๊ฐ€ ๋„์›€์ด ๋˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
07:38
My ideal world is a place
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์ œ๊ฐ€ ์ƒ๊ฐํ•˜๋Š” ์ด์ƒ์ ์ธ ์„ธ๊ณ„๋Š”
07:41
where no one is left behind,
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๋ˆ„๊ตฌ๋„ ๋’ค์ฒ˜์ง€์ง€ ์•Š๊ณ 
07:43
where everyone is needed exactly where they are,
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๋ชจ๋‘๊ฐ€ ์ œ์ž๋ฆฌ์—์„œ ๊ผญ ํ•„์š”ํ•œ ์‚ฌ๋žŒ์ด ๋˜๋Š” ๊ณณ์ž…๋‹ˆ๋‹ค.
07:46
like the fibers and the tendons in a bow,
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ํ™œ์— ์žˆ๋Š” ์„ฌ์œ ์†Œ์™€ ํž˜์ค„์ฒ˜๋Ÿผ ๋ง์ด์ฃ .
07:50
a place where the strong is flexible
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๊ฐ•ํ•จ์€ ์œ ์—ฐํ•จ์ด ๋˜๊ณ 
07:53
and the vulnerable is resilient.
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์•ฝํ•จ์€ ํƒ„๋ ฅ์„ฑ์ด ๋˜๋Š” ๊ณณ ๋ง์ž…๋‹ˆ๋‹ค.
07:57
The bow resembles me,
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ํ™œ์€ ์ €๋ฅผ ๋‹ฎ์•˜๊ณ 
07:58
and I resemble the bow.
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์ €๋Š” ํ™œ์„ ๋‹ฎ์•˜์Šต๋‹ˆ๋‹ค.
08:01
Now, I am shooting a part of myself to you.
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์ด์ œ ์ œ ์ž์‹ ์˜ ์ผ๋ถ€๋ฅผ ์—ฌ๋Ÿฌ๋ถ„์—๊ฒŒ ์˜๊ฒ ์Šต๋‹ˆ๋‹ค.
08:06
No, better yet, a part of my mind
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์•„๋‹ˆ, ๊ทธ๊ฒƒ๋ณด๋‹ค ๋” ์ค‘์š”ํ•œ ์ œ ๋งˆ์Œ์˜ ์ผ๋ถ€๊ฐ€
08:09
has just been shot over to your mind.
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๋ฐฉ๊ธˆ ์—ฌ๋Ÿฌ๋ถ„ ๋งˆ์Œ์œผ๋กœ ๋‚ ์•„๊ฐ”์Šต๋‹ˆ๋‹ค.
08:12
Did it strike you?
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์ œ๊ฐ€ ์—ฌ๋Ÿฌ๋ถ„์„ ๋งž์ท„๋‚˜์š”?
08:14
Thank you.
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๊ณ ๋ง™์Šต๋‹ˆ๋‹ค.
08:16
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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