Blaise Aguera y Arcas demos augmented-reality maps

44,344 views ใƒป 2010-02-18

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Avshalom Ehrlich ืžื‘ืงืจ: Amit Lampit
00:15
About a year and a half ago,
0
15260
2000
ืœืคื ื™ ื›ืฉื ื” ื•ื—ืฆื™
00:17
Stephen Lawler, who also gave a talk
1
17260
3000
ืกื˜ืคืŸ ืœืื•ื•ืœืจ ืฉื’ื ื”ืขื‘ื™ืจ ื”ืจืฆืื”
00:20
here at TED in 2007 on Virtual Earth,
2
20260
2000
ื›ืืŸ ื‘ TED ื‘ 2007 ืขืœ "Virtual Earth"
00:22
brought me over to become the architect of Bing Maps,
3
22260
4000
ื”ื‘ื™ื ืื•ืชื™ ืœื›ืืŸ ืœื”ื™ื•ืช ื”ืืจื›ื™ื˜ืงื˜ ืฉืœ "ืžืคื•ืช ื‘ื™ื ื’",
00:26
which is Microsoft's online-mapping effort.
4
26260
3000
ืฉื”ืŸ ื”ื”ืฉืงืขื” ืฉืœ ืžื™ืงืจื•ืกื•ืคื˜ ื‘ืžื™ืคื•ื™ ืžืงื•ื•ืŸ.
00:29
In the past two and a half, we've been very hard at work
5
29260
2000
ื‘ืžื”ืœืš ื”ืฉื ืชื™ื™ื ื•ื—ืฆื™ ื”ืื—ืจื•ื ื•ืช, ืขื‘ื“ื ื• ืงืฉื” ืžืื•ื“
00:31
on redefining the way maps work online.
6
31260
4000
ืขืœ ื”ื’ื“ืจื” ืžื—ื“ืฉ ืฉืœ ื”ื“ืจืš ื‘ื” ืžืคื•ืช ืขื•ื‘ื“ื•ืช ื‘ืื•ืคืŸ ืžืงื•ื•ืŸ.
00:35
And we really are seeing this in very different terms
7
35260
2000
ื•ืื ื• ื‘ืืžืช ื—ื•ืฉื‘ื™ื ืขืœ ื–ื” ื‘ืžื•ื ื—ื™ื ืื—ืจื™ื ืœื’ืžืจื™
00:37
from the kind of mapping and direction site
8
37260
2000
ืžื”ืกื•ื’ ืฉืœ ืืชืจ ืžืคื•ื™ ื•ื”ื›ื•ื•ื ื”
00:39
that one is used to.
9
39260
2000
ืฉื›ืœ ืื—ื“ ืจื’ื™ืœ ืืœื™ื•.
00:41
So, the first thing that you might notice about the mapping site
10
41260
2000
ืื–, ื”ื“ื‘ืจ ื”ืจืืฉื•ืŸ ืฉืืชื ืขืฉื•ื™ื™ื ืœื”ื‘ื—ื™ืŸ ื‘ืืชืจ ื”ืžื™ืคื•ื™,
00:43
is just the fluidity of the zooming and the panning,
11
43260
2000
ื”ื•ื ืคืฉื•ื˜ ื”ื—ืœืงื•ืช ืฉืœ ื”ื–ื•ื ื•ื”ื”ื–ื—ื”,
00:45
which, if you're familiar at all with Seadragon,
12
45260
2000
ื•ื‘ืžื™ื“ื” ื•ืืชื ืžื›ื™ืจื™ื ืืช ืกื™ื“ืจื’ื•ืŸ (Seadragon)
00:47
that's where it comes from.
13
47260
2000
ื–ื”ื• ื”ืžืงื•ืจ ืฉืœื•.
00:49
Mapping is, of course,
14
49260
2000
ืžื™ืคื•ื™, ื›ืžื•ื‘ืŸ,
00:51
not just about cartography,
15
51260
2000
ืœื ืขื•ืกืง ืจืง ื‘ืงืจื˜ื•ื’ืจืคื™ื”
00:53
it's also about imagery.
16
53260
2000
ื”ื•ื ืขื•ืกืง ื’ื ื‘ืžื™ื“ืข ืฆื™ืœื•ืžื™.
00:55
So, as we zoom-in beyond a certain level
17
55260
3000
ืื–, ื‘ื–ืžืŸ ืฉืื ื• ืžื‘ืฆืขื™ื ื–ื•ื ืžืขื‘ืจ ืœืจืžื” ืžืกื•ื™ื™ืžืช
00:58
this resolves into a kind of Sim City-like
18
58260
3000
ื–ื” ื”ื•ืคืš ืœื”ื™ื•ืช ืœืžืฉื”ื• ื”ื“ื•ืžื” ืœืกื™ื-ืกื™ื˜ื™
01:01
virtual view at 45 degrees.
19
61260
2000
ืžื‘ื˜ ื•ื™ืจื˜ื•ืืœื™ ื‘ 45 ืžืขืœื•ืช.
01:03
This can be viewed from any of the cardinal directions
20
63260
2000
ื ื™ืชืŸ ืœืฆืคื•ืช ื‘ื–ื” ืžื›ืœ ื”ื›ื™ื•ื•ื ื™ื ื”ืจืืฉื™ื™ื
01:05
to show you the 3D structure of the city, all the facades.
21
65260
3000
ื›ื“ื™ ืœื”ืจืื•ืช ืœื›ื ืืช ื”ืžื‘ื ื” ื”ืชืœืช-ืžื™ืžื“ื™ ืฉืœ ื”ืขื™ืจ, ืืช ื›ืœ ื”ื—ื–ื™ืชื•ืช.
01:08
Now, we see this space, this three-dimensional environment,
22
68260
6000
ืขื›ืฉื™ื•, ืื ื• ืจื•ืื™ื ืืช ื”ืžืจื—ื‘ ื”ื–ื”, ืืช ื”ืกื‘ื™ื‘ื” ื”ืชืœืช-ืžื™ืžื“ื™ืช ื”ื–ืืช
01:14
as being a canvas on which
23
74260
3000
ื›ืื™ืœื• ื”ื™ืชื” ื‘ื“ ืฆื™ื•ืจ ืฉืขืœื™ื•
01:17
all sorts of applications can play out,
24
77260
6000
ื ื™ืชืŸ ืœื”ืฆื™ื’ ื›ืœ ืžื™ื ื™ ืกื•ื’ื™ื ืฉืœ ืืคืœื™ืงืฆื™ื•ืช.
01:23
and map's directions are really just one of them.
25
83260
3000
ื•ื›ื™ื•ื•ื ื™ ื”ื”ืกืชื›ืœื•ืช ื‘ืžืคื” ื”ื ื‘ืืžืช ืจืง ืื—ื“ ืžื”ื.
01:26
If you click on this, you'll see
26
86260
3000
ืื ืชืงืœื™ืงื• ืขืœ ื–ื” ืชืจืื•
01:29
some of the ones that we've put out, just in the past couple of months
27
89260
3000
ื›ืžื” ืžื”ืืคืœื™ืงืฆื™ื•ืช ืฉืื ื—ื ื• ืฉืžื ื•, ืจืง ื‘ื›ืžื” ื”ื—ื•ื“ืฉื™ื ื”ืื—ืจื•ื ื™ื,
01:32
since we've launched.
28
92260
2000
ืžืื– ืฉื”ื•ืฉืงื ื•.
01:34
So, for example, a couple of days after the disaster in Haiti,
29
94260
2000
ืื–, ืœื“ื•ื’ืžื, ื›ืžื” ื™ืžื™ื ืœืื—ืจ ื”ืืกื•ืŸ ื‘ื”ืื™ื˜ื™,
01:36
we had an earthquake map that showed
30
96260
2000
ื”ื™ืชื” ืœื ื• ืžืคืช ืจืขื™ื“ืช ืื“ืžื” ืฉื”ืจืืชื”
01:38
before and after pictures from the sky.
31
98260
2000
ืฆื™ืœื•ืžื™ ืื•ื™ืจ ืฉืœ ืœืคื ื™ ื•ืื—ืจื™.
01:40
This wonderful one which I don't have time to show you
32
100260
2000
(ื”ืืคืœื™ืงืฆื™ื”) ื”ื ืคืœืื” ื”ื–ืืช ืฉืื™ืŸ ืœื™ ื–ืžืŸ ืœื”ืฆื™ื’ ืœื›ื
01:42
is taking hyper-local blogs in real time
33
102260
3000
ืœื•ืงื—ืช ื‘ืœื•ื’ื™ื ืžืื•ื“ ืžืงื•ืžื™ื™ื ื‘ื–ืžืŸ ืืžืช
01:45
and mapping those stories, those entries
34
105260
2000
ื•ืžืžืคื” ืืช ื”ืกื™ืคื•ืจื™ื ื”ืœืœื•, ืืช ื”ืขืจื›ื™ื ื”ืœืœื•
01:47
to the places that are referred to on the blogs.
35
107260
2000
ืœืžืงื•ืžื•ืช ื”ืžื™ื•ื—ืกื™ื ืืœื™ื”ื ื‘ื‘ืœื•ื’.
01:49
It's wonderful.
36
109260
3000
ื–ื” ื ืคืœื.
01:52
But I'm going to show you some more candy sort of stuff.
37
112260
3000
ืื‘ืœ ืื ื™ ืขืžื•ื“ ืœื”ืฆื™ื’ ืœื›ื ื›ืžื” ื“ื‘ืจื™ื ื—ืžื•ื“ื™ื ื ื•ืกืคื™ื.
01:55
So, we see the imagery, of course,
38
115260
4000
ืื–, ืื ื—ื ื• ืจื•ืื™ื, ื›ืžื•ื‘ืŸ, ืฉื”ืฆื™ืœื•ืžื™ื
01:59
not stopping at the sky.
39
119260
3000
ืœื ืžืกืชื™ื™ืžื™ื ื‘ืื•ื•ื™ืจ.
02:02
These little green bubbles represent
40
122260
3000
ื”ื‘ื•ืขื•ืช ื”ื™ืจื•ืงื•ืช ื”ืืœื• ืžื™ื™ืฆื’ื•ืช
02:05
photosynths that users have made.
41
125260
2000
ืคื•ื˜ื•ืกื™ื ื˜'ื™ื (photosynths) ืฉืžืฉืชืžืฉื™ื ื™ืฆืจื•.
02:07
I'm not going to dive into them either, but photosynths are integrated into the map.
42
127260
3000
ืื ื™ ืœื ืขื•ืžื“ ืœืฆืœื•ืœ ืœืชื•ื›ื ื’ื ื›ืŸ, ืื‘ืœ ืคื•ื˜ื•ืกื™ื ื˜'ื™ื ืžืฉื•ืœื‘ื™ื ื‘ืชื•ืš ื”ืžืคื”.
02:10
Everything that's cased in blue
43
130260
2000
ื›ืœ ืžื” ืฉืžื•ืงืฃ ื‘ื›ื—ื•ืœ
02:12
is an area where we've taken imagery on the ground as well.
44
132260
5000
ื”ื•ื ืื–ื•ืจ ืฉื‘ื• ืœืงื—ื ื• ืฆื™ืœื•ืžื™ื ืžื”ืงืจืงืข ื’ื ื›ืŸ.
02:17
And so, when you fly down --
45
137260
2000
ื•ืื–, ื›ืืฉืจ ืืชื” ืขืฃ ืœืžื˜ื”
02:19
(Applause)
46
139260
2000
(ืชืฉื•ืื•ืช)
02:21
Thank you. When you fly down to the ground,
47
141260
2000
ืชื•ื“ื”. ื›ืืฉืจ ืืชื” ืขืฃ ืœืžื˜ื”, ืœืงืจืงืข,
02:23
and you see this kind of panoramic imagery,
48
143260
3000
ื•ืืชื” ืจื•ืื” ืืช ืžืŸ ืฆื™ืœื•ื ืคืื ื•ืจืžื™ ืฉื›ื–ื”,
02:26
the first thing that you might notice is that it's not just a picture,
49
146260
4000
ื”ื“ื‘ืจ ื”ืจืืฉื•ืŸ ืฉืืชื” ืขืฉื•ื™ ืœื”ื‘ื—ื™ืŸ ื”ื•ื ืฉื–ื” ืœื ืจืง ืฆื™ืœื•ื,
02:30
there's just as much three-dimensional understanding of this environment
50
150260
3000
ื™ืฉ ื›ืืŸ ื”ื‘ื ื” ืชืœืช-ืžื™ืžื“ื™ืช ืฉืœ ื”ืกื‘ื™ื‘ื” ืœืคื—ื•ืช ื‘ืื•ืชื” ืจืžื”
02:33
as there is of the three-dimensional city from above,
51
153260
3000
ืฉื™ืฉ ื‘ืขื™ืจ ื”ืชืœืช-ืžื™ืžื“ื™ืช ืžืœืžืขืœื”,
02:36
so if I click on something to get a closer view of it,
52
156260
4000
ืื– ืื ืื ื™ ืžืงืœื™ืง ืขืœ ืžืฉื”ื• ื›ื“ื™ ืœืงื‘ืœ ืžื‘ื˜ ืงืจื•ื‘ ื™ื•ืชืจ ืขืœื™ื•,
02:40
then, the fact that that transition looks as it does,
53
160260
3000
ืื–, ื”ืขื•ื‘ื“ื” ืฉื”ืžืขื‘ืจ ื ืจืื” ื›ืžื• ืฉื”ื•ื ื ืจืื”,
02:43
is a function of all of that geometry,
54
163260
2000
ื”ื•ื ืชื•ืฆืื” ืฉืœ ื›ืœ ื”ื’ื™ืื•ืžื˜ืจื™ื” ื”ื–ื•,
02:45
all of that 3D understanding behind this model.
55
165260
4000
ื›ืœ ื”ื”ื‘ื ื” ื”ืชืœืช-ืžื™ืžื“ื™ืช ืฉืžืื—ื•ืจื™ ื”ืžื•ื“ืœ ื”ื–ื”.
02:49
Now, I'll show you a fun app
56
169260
3000
ืขื›ืฉื™ื•, ืื ื™ ืืจืื” ืœื›ื ืืคืœื™ืงืฆื™ื™ื” ื›ื™ืคื™ืช
02:52
that -- we've been working on a collaboration with our friends at Flickr.
57
172260
7000
ืฉืื ื—ื ื• ืขื‘ื“ื ื• ืขืœื™ื” ื‘ืฉื™ืชื•ืฃ ืคืขื•ืœื” ืขื ื—ื‘ืจื™ื ื• ื‘ืคืœื™ืงืจ
02:59
This takes Flickr, georegistered imagery
58
179260
3000
ื”ื™ื ืœื•ืงื—ืช ืฆื™ืœื•ืžื™ื ืžืคืœื™ืงืจ ืขื ืžื™ื“ืข ืขืœ ืžื™ืงื•ื ื’ื™ืื•ื’ืจืคื™
03:02
and uses photosynth-like processes
59
182260
3000
ื•ืžืฉืชืžืฉืช ื‘ืชื”ืœื™ื›ื™ื ื“ื•ืžื™ื ืœืคื•ื˜ื•ืกื™ื ื˜'
03:05
to connect that imagery to our imagery, so --
60
185260
4000
ืขืœ ืžื ืช ืœื—ื‘ืจ ืืช ื”ืฆื™ืœื•ืžื™ื ื”ืืœื• ืœืฆื™ืœื•ืžื™ื ืฉืœื ื•, ืื– --
03:09
I'm not sure if that's the one I actually meant to pull up, but --
61
189260
3000
ืื ื™ ืœื ื‘ื˜ื•ื— ืื ื–ื”ื• ื”ืื—ื“ ืฉืื ื™ ื‘ืืžืช ื”ืชื›ื•ื•ื ืชื™ ืœืฉืœื•ืฃ, ืื‘ืœ --
03:12
(Laughter)
62
192260
3000
(ืฆื—ื•ืง)
03:15
But notice -- this is, of course, a popular tourist site,
63
195260
4000
ืื‘ืœ ืฉื™ืžื• ืœื‘ -- ื–ื”ื•, ื›ืžื•ื‘ืŸ, ืืชืจ ืชื™ื™ืจื•ืช ืคื•ืคื•ืœืืจื™,
03:19
and there are lots of photos around here,
64
199260
2000
ื•ื™ืฉ ื”ืจื‘ื” ืชืžื•ื ื•ืช ื‘ืื–ื•ืจ ื”ื–ื”
03:21
and these photos are all taken at different times.
65
201260
3000
ื•ื”ืชืžื•ื ื•ืช ื”ืืœื• ืฆื•ืœืžื• ื‘ื–ืžื ื™ื ืฉื•ื ื™ื.
03:24
So this one was taken around five.
66
204260
2000
ืื–, ื–ื” ืฆื•ืœื ื‘ืขืจืš ื‘ื—ืžืฉ.
03:26
So that's the Flickr photo,
67
206260
2000
ืื–, ื–ื•ื”ื™ ื”ืชืžื•ื ื” ืžืคืœื™ืงืจ,
03:28
that's our imagery.
68
208260
2000
ื–ื”ื• ื”ืฆื™ืœื•ื ืฉืœื ื•.
03:30
So you really see how this kind of crowd-sourced imagery
69
210260
3000
ืื– ืืชื ื‘ืืžืช ืจื•ืื™ื ืื™ืš ืกื•ื’ ื–ื” ืฉืœ ืฆื™ืœื•ื ืžืžืงื•ืจ ืงื”ื™ืœืชื™
03:33
is integrating, in a very deep way, into the map itself.
70
213260
3000
ืžืฉื•ืœื‘, ื‘ืฆื•ืจื” ืขืžื•ืงื” ืžืื•ื“, ื‘ืชื•ืš ื”ืžืคื” ืขืฆืžื”.
03:36
(Applause)
71
216260
2000
(ืชืฉื•ืื•ืช)
03:38
Thank you.
72
218260
2000
ืชื•ื“ื”.
03:40
(Applause)
73
220260
2000
(ืชืฉื•ืื•ืช)
03:42
There are several reasons why this is interesting
74
222260
2000
ื™ืฉ ื›ืžื” ืกื™ื‘ื•ืช ืžื“ื•ืข ื–ื” ืžืขื ื™ื™ืŸ
03:44
and one of them, of course, is time travel.
75
224260
2000
ื•ืื—ืช ืžื”ืŸ, ื›ืžื•ื‘ืŸ, ื”ื™ื ืžืกืข ื‘ื–ืžืŸ.
03:46
And I'm not going to show you some of the wonderful historic imagery in here,
76
226260
2000
ื•ืื ื™ ืœื ืขื•ืžื“ ืœื”ืฆื™ื’ ืœื›ื ื›ืžื” ืžื”ืฆื™ืœื•ืžื™ื ื”ื”ื™ืกื˜ื•ืจื™ื™ื ื”ื ืคืœืื™ื ืฉื™ืฉ ื›ืืŸ,
03:48
but there are some with horses and carriages and so on as well.
77
228260
3000
ืื‘ืœ ื™ืฉ ื’ื ื›ืžื” ืขื ืกื•ืกื™ื ื•ืžืจื›ื‘ื•ืช ื•ื›ืš ื”ืœืื”.
03:51
But what's cool about this is that, not only is it augmenting
78
231260
3000
ืื‘ืœ ืžื” ืฉื ื”ื“ืจ ื‘ื–ื”, ื–ื” ืœื ืจืง ืฉื–ื” ื”ืขืฉืจื” ืฉืœ
03:54
this visual representation of the world
79
234260
2000
ื”ื”ืฆื’ื” ื”ื•ื™ื–ื•ืืœื™ืช ื”ื–ื• ืฉืœ ื”ืขื•ืœื
03:56
with things that are coming in from users,
80
236260
3000
ืขื ื“ื‘ืจื™ื ืฉืžื’ื™ืขื™ื ืžืžืฉืชืžืฉื™ื,
03:59
but it also is the foundation for augmented reality,
81
239260
4000
ืืœื ื–ื” ื’ื ื”ื™ืกื•ื“ื•ืช ืœืžืฆื™ืื•ืช ืžืชื•ื’ื‘ืจืช,
04:03
and that's something that I'll be showing you more of in just a moment.
82
243260
3000
ื•ื–ื” ืžืฉื”ื• ืฉืื ื™ ืืฆื™ื’ ืœื›ื ืžืžื ื• ื™ื•ืชืจ ื‘ืขื•ื“ ืจื’ืข.
04:06
Now I just made a transition indoors. That's also interesting.
83
246260
4000
ืขื›ืฉื™ื• ื‘ื“ื™ื•ืง ืขื‘ืจืชื™ ืœืชื•ืš ืžื‘ื ื”. ื–ื” ื’ื ืžืขื ื™ื™ืŸ.
04:10
OK, notice there's now a roof above us.
84
250260
2000
ื‘ืกื“ืจ, ืฉื™ืžื• ืœื‘ ืฉื™ืฉ ื›ืจื’ืข ื’ื’ ืžืขืœื™ื ื•.
04:12
We're inside the Pike Place Market.
85
252260
3000
ืื ื—ื ื• ื‘ืชื•ืš ื”ืฉื•ืง ืฉืœ "ืคื™ื™ืง ืคืœื™ื™ืก".
04:15
And this is something that we're able to do with a backpack camera,
86
255260
2000
ื•ื–ื” ืžืฉื”ื• ืฉืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืขืฉื•ืช ืขื ืžืฆืœืžื” ื”ื ื™ืฉืืช ื‘ืชืจืžื™ืœ ื’ื‘,
04:17
so, we're now not only imaging in the street
87
257260
4000
ืื–, ืื ื—ื ื• ืœื ืจืง ืžืฆืœืžื™ื ื‘ืจื—ื•ื‘
04:21
with this camera on tops of cars,
88
261260
2000
ืขื ื”ืžืฆืœืžื” ื”ื–ืืช ืขืœ ื’ื’ ื”ืžื›ื•ื ื™ื•ืช,
04:23
but we're also imaging inside.
89
263260
4000
ืืœื ืื ื—ื ื• ืžืฆืœืžื™ื ื’ื ื‘ืคื ื™ื.
04:27
And from here, we're able to do the same sorts of registration,
90
267260
5000
ื•ืžื›ืืŸ, ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืขืฉื•ืช ืืช ืื•ืชื• ืกื•ื’ ืฉืœ ื”ืชืืžื”
04:32
not only of still images, but also of video.
91
272260
4000
ืœื ืจืง ืฉืœ ืฆื™ืœื•ืžื™ ืกื˜ื™ืœืก, ืืœื ื’ื ืฉืœ ื•ื™ื“ืื•.
04:36
So this is something that we're now going to try
92
276260
2000
ืื– ื–ื” ืžืฉื”ื• ืฉืื ื—ื ื• ืขื•ืžื“ื™ื ืœื ืกื•ืช ืขื›ืฉื™ื•
04:38
for the first time, live,
93
278260
2000
ื‘ืคืขื ื”ืจืืฉื•ื ื”, ื‘ืฉื™ื“ื•ืจ ื—ื™,
04:40
and this is really, truly, very frightening.
94
280260
3000
ื•ื–ื” ื‘ืจืฆื™ื ื•ืช, ื‘ืืžืช, ืžืื•ื“ ืžืคื—ื™ื“.
04:43
(Laughter)
95
283260
2000
(ืฆื—ื•ืง)
04:46
OK.
96
286260
2000
ื‘ืกื“ืจ.
04:48
(Ringing)
97
288260
2000
(ืฆื™ืœืฆื•ืœ)
04:50
All right, guys, are you there?
98
290260
2000
ื‘ืกื“ืจ, ื—ื‘ืจ'ื”, ื”ืื ืืชื ืฉื?
04:52
(Noise)
99
292260
2000
(ืจืขืฉ)
04:54
All right. I'm hitting it. I'm punching play.
100
294260
2000
ื‘ืกื“ืจ, ืื ื™ ืžืงื™ืฉ ืขืœ ื–ื”. ืื ื™ ืœื•ื—ืฅ "ื”ืคืขืœ".
04:56
I'm live. All right. There we go.
101
296260
2000
ืื ื™ ื‘ืฉื™ื“ื•ืจ ื—ื™. ื‘ืกื“ืจ. ื”ื ื” ื–ื” ื‘ื.
04:58
So, these are our friends in Pike Place Market, the lab.
102
298260
5000
ืื–, ืืœื• ื”ื ื”ื—ื‘ืจื™ื ืฉืœื ื• ื‘ืฉื•ืง ืฉืœ "ืคื™ื™ืง ืคืœื™ื™ืก", ื”ืžืขื‘ื“ื”.
05:03
(Applause)
103
303260
8000
(ืชืฉื•ืื•ืช)
05:12
So they're broadcasting this live.
104
312260
2000
ืื– ื”ื ืžืฉื“ืจื™ื ืืช ื–ื” ื‘ืฉื™ื“ื•ืจ ื—ื™.
05:14
OK, George, can you pan back over to the corner market?
105
314260
4000
ื‘ืกื“ืจ, ื’'ื•ืจื’', ื”ืื ืืชื” ื™ื›ื•ืœ ืœื›ื•ื•ืŸ ืืช ื”ืžืฆืœืžื” ื—ื–ืจื” ืœืคื™ื ื” ืฉืœ ื”ืฉื•ืง?
05:18
Because I want to show points of interest.
106
318260
4000
ืžืคื ื™ ืฉืื ื™ ืจื•ืฆื” ืœื”ืจืื•ืช ื ืงื•ื“ื•ืช ืขื ื™ื™ืŸ.
05:22
No, no. The other way.
107
322260
3000
ืœื, ืœื. ืœื›ื™ื•ื•ืŸ ื”ืฉื ื™.
05:25
Yeah, yeah, back to the corner, back to the corner.
108
325260
2000
ื›ืŸ, ื›ืŸ. ื—ื–ืจื” ืœืคื™ื ื”. ื—ื–ืจื” ืœืคื™ื ื”.
05:27
I don't want to see you guys yet.
109
327260
3000
ืื ื™ ืœื ืจื•ืฆื” ืœืจืื•ืช ืืชื›ื ืขื“ื™ื™ืŸ.
05:31
OK, OK, back to the corner, back to the corner, back to the corner.
110
331260
6000
ื‘ืกื“ืจ, ื‘ืกื“ืจ. ื—ื–ืจื” ืœืคื™ื ื”. ื—ื–ืจื” ืœืคื™ื ื”. ื—ื–ืจื” ืœืคื™ื ื”.
05:37
OK, never mind.
111
337260
2000
ื‘ืกื“ืจ, ืชืฉื›ื— ืžื–ื”.
05:40
What I wanted to show you was these points of interest
112
340260
2000
ืžื” ืฉืจืฆื™ืชื™ ืœื”ืจืื•ืช ืœื›ื ื”ื ื ืงื•ื“ื•ืช ื”ืขื ื™ื™ืŸ ื”ืืœื•
05:42
over here on top of the image
113
342260
2000
ื›ืืŸ ืขืœ ื’ื‘ื™ ื”ืฆื™ืœื•ื
05:44
because what that gives you a sense of is the way,
114
344260
2000
ืžืคื ื™ ืฉืžื” ืฉื–ื” ืฉืžืืคืฉืจ ืœืš ื–ื” ืœืงื‘ืœ ืชื—ื•ืฉื” ืขืœ ื”ื“ืจืš,
05:46
if you're actually on the spot,
115
346260
2000
ืื ืืชื ืžืžืฉ ื‘ื ืงื•ื“ื”...
05:48
you can think about this --
116
348260
2000
ืืชื ื™ื›ื•ืœื™ื ืœื—ืฉื•ื‘ ืขืœ ื–ื” --
05:50
this is taking a step in addition to augmented reality.
117
350260
3000
ื–ื” ืœืงื—ืช ืฆืขื“ ืงื“ื™ืžื” ืžืขื‘ืจ ืœืžืฆื™ืื•ืช ื”ืžืชื•ื’ื‘ืจืช.
05:53
What the hell are you guys -- oh, sorry.
118
353260
2000
ืžื” ืœืขื–ืื–ืœ ืืชื -- ื”ื•, ืกืœื™ื—ื”.
05:55
(Laughter)
119
355260
3000
(ืฆื—ื•ืง)
05:58
We're doing two different --
120
358260
3000
ืื ื—ื ื• ืขื•ืฉื™ื ืฉื ื™ ื“ื‘ืจื™ื ืฉื•ื ื™ื...
06:01
OK, I'm hanging up now.
121
361260
3000
ื‘ืกื“ืจ, ืื ื™ ืžื ืชืง ืขื›ืฉื™ื•.
06:04
We're doing two different things here.
122
364260
2000
ืื ื—ื ื• ืขื•ืฉื™ื ืฉื ื™ ื“ื‘ืจื™ื ืฉื•ื ื™ื ื›ืืŸ.
06:06
One of them is to take that real ...
123
366260
2000
ืื—ื“ ืžื”ื ื”ื•ื ืœืงื—ืช ืืช ื”ืžืฆื™ืื•ืช...
06:08
(Laughter)
124
368260
7000
(ืฆื—ื•ืง)
06:15
All right, let me just take a moment and thank the team.
125
375260
3000
ื‘ืกื“ืจ, ืชื ื• ืœื™ ืจื’ืข ืœื”ื•ื“ื•ืช ืœืฆื•ื•ืช.
06:18
They've done a fantastic job of pulling this together.
126
378260
2000
ื”ื ืขืฉื• ืขื‘ื•ื“ื” ื ืคืœืื” ืœื”ืจื™ื ืืช ื–ื” ื™ื—ื“.
06:20
(Applause)
127
380260
2000
(ืชืฉื•ืื•ืช)
06:22
I'm going to abandon them now and walk back outside.
128
382260
3000
ืื ื™ ื”ื•ืœืš ืœืขื–ื•ื‘ ืื•ืชื ืขื›ืฉื™ื• ื•ืœืœื›ืช ื—ื–ืจื” ื”ื—ื•ืฆื”.
06:25
And while I walk outside, I'll just mention that
129
385260
3000
ื•ื‘ื–ืžืŸ ืฉืื ื™ ื”ื•ืœืš ื”ื—ื•ืฆื”, ืื ื™ ืจืง ืืฆื™ื™ืŸ
06:28
here we're using this for telepresence,
130
388260
2000
ืฉื›ืืŸ, ืื ื• ืžืฉืชืžืฉื™ื ื‘ื–ื” ืœื ื•ื›ื—ื•ืช ืžืจื—ื•ืง,
06:30
but you can equally well use this
131
390260
2000
ืื‘ืœ ื‘ืื•ืชื” ืžื™ื“ื” ื ื™ืชืŸ ืœื”ืฉืชืžืฉ ื‘ื–ื”
06:32
on the spot, for augmented reality.
132
392260
2000
ื‘ืžืงื•ื ืขืฆืžื•, ืœืžืฆื™ืื•ืช ืžืชื•ื’ื‘ืจืช.
06:34
When you use it on the spot, it means that
133
394260
2000
ื›ืืฉืจ ืืชื” ืžืฉืชืžืฉ ื‘ื–ื” ื‘ืžืงื•ื ืขืฆืžื•, ื–ื” ืื•ืžืจ
06:36
you're able to bring all of that metadata
134
396260
2000
ืฉืืชื” ื™ื›ื•ืœ ืœื”ื‘ื™ื ืืช ื›ืœ ื”ืžื˜ื“ืื˜ื” [ืžื™ื“ืข ืขืœ ื”ืžื™ื“ืข] ื”ื–ื”
06:38
and information about the world to you.
135
398260
2000
ื•ืžื™ื“ืข ืขืœ ื”ืขื•ืœื - ืืœื™ืš.
06:40
So here, we're taking the extra step of also broadcasting it.
136
400260
2000
ืื– ื›ืืŸ, ืื ื—ื ื• ืœื•ืงื—ื™ื ืืช ื”ืฆืขื“ ื”ื ื•ืกืฃ ื•ื’ื ืžืฉื“ืจื™ื ืื•ืชื•.
06:42
That was being broadcast, by the way, on a 4G network
137
402260
3000
ื–ื” ืฉื•ื“ืจ, ื“ืจืš ืื’ื‘, ืขืœ ืจืฉืช ื“ื•ืจ ืจื‘ื™ืขื™
06:45
from the market.
138
405260
3000
ืžืชื•ืš ื”ืฉื•ืง.
06:48
All right, and now there's one last TED talk
139
408260
3000
ื‘ืกื“ืจ, ื•ืขื›ืฉื™ื• ื™ืฉ ื”ืจืฆืืช TED ืื—ืช ืื—ืจื•ื ื”
06:51
that Microsoft has given in the past several years.
140
411260
2000
ืฉืžื™ืงืจื•ืกื•ืคื˜ ื”ืขื‘ื™ืจื” ื‘ื›ืžื” ืฉื ื™ื ื”ืื—ืจื•ื ื•ืช.
06:53
And that's Curtis Wong, WorldWide Telescope.
141
413260
3000
ื•ื–ื”ื• ืงืจื˜ื™ืก ื•ื•ื ื’, ื˜ืœืกืงื•ืค ื›ืœืœ-ืขื•ืœืžื™.
06:56
So, we're going to head over to the dumpsters,
142
416260
2000
ืื–, ืื ื—ื ื• ืขื•ืžื“ื™ื ืœื’ืฉืช ืืœ ืžื›ื•ืœืช ื”ืืฉืคื”
06:58
where it's traditional, after a long day at the market,
143
418260
3000
ืืฉืจ ืฉื ื ื”ื•ื’ ื‘ืื•ืคืŸ ืžืกื•ืจืชื™, ืœืื—ืจ ื™ื•ื ืืจื•ืš ื‘ืฉื•ืง,
07:01
to go out for a break, but also stare up at the sky.
144
421260
4000
ืœืฆืืช ื”ื—ื•ืฆื” ืœื”ืคืกืงื”, ืื‘ืœ ื’ื ืœืฆืคื•ืช ืืœ ื”ืฉืžื™ื™ื.
07:05
This is the integration
145
425260
2000
ื–ื”ื• ื”ืฉื™ืœื•ื‘
07:07
of WorldWide Telescope into our maps.
146
427260
3000
ืฉืœ ื”ื˜ืœืกืงื•ืค ื”ื›ืœืœ-ืขื•ืœืžื™ ืœืชื•ืš ื”ืžืคื•ืช ืฉืœื ื•.
07:10
(Applause)
147
430260
2000
(ืชืฉื•ืื•ืช)
07:12
This is the current -- thank you --
148
432260
3000
ื–ื” ื”ื–ืžืŸ -- ืชื•ื“ื” --
07:15
this is the current time. If we scrub the time,
149
435260
2000
ื–ื” ื”ื–ืžืŸ ื”ื ื•ื›ื—ื™, ืื‘ืœ ืื ืื ื—ื ื• ืžื–ื™ื–ื™ื ืืช ื”ื–ืžืŸ,
07:17
then we can see how the sky will look at different times,
150
437260
3000
ืื– ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืจืื•ืช ืื™ืš ื”ืฉืžื™ื™ื ื™ืจืื• ื‘ื–ืžื ื™ื ืฉื•ื ื™ื.
07:20
and we can get all of this very detailed
151
440260
2000
ื•ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืงื‘ืœ ืืช ื›ืœ ื”ืžื™ื“ืข ื”ืžืื•ื“
07:22
information about different times, different dates:
152
442260
4000
ืžืคื•ืจื˜ ืขืœ ื–ืžื ื™ื ืฉื•ื ื™ื, ืชืืจื™ื›ื™ื ืฉื•ื ื™ื.
07:27
Let's move the moon a little higher in the sky,
153
447260
2000
ื‘ื•ืื• ื ื–ื™ื– ืืช ื”ื™ืจื— ืงืฆืช ื™ื•ืชืจ ื’ื‘ื•ื” ื‘ืฉืžื™ื™ื,
07:29
maybe change the date.
154
449260
4000
ืื•ืœื™ ื ืฉื ื” ืืช ื”ืชืืจื™ืš.
07:33
I would like to kind of zoom in on the moon.
155
453260
3000
ืื ื™ ืจื•ืฆื” ืœืขืฉื•ืช ืžืฉื”ื• ื“ื•ืžื” ืœื–ื•ื ืขืœ ื”ื™ืจื—.
07:39
So, this is an astronomically complete
156
459260
2000
ืื–, ื–ื”ื• ื™ื™ืฆื•ื’ ืืกื˜ืจื•ื ื•ืžื™
07:41
representation of the sky
157
461260
3000
ืฉืœื ืฉืœ ื”ืฉืžื™ื™ื
07:44
integrated right into the Earth.
158
464260
2000
ืžืฉื•ืœื‘ ื™ืฉืจ ืœืชื•ืš ื›ื“ื•ืจ ื”ืืจืฅ.
07:46
All right now, I've overrun my time,
159
466260
2000
ื‘ืกื“ืจ ืขื›ืฉื™ื•, ื’ืžืจืชื™ ืืช ื”ื–ืžืŸ ืฉืœื™,
07:48
so I've got to stop.
160
468260
2000
ืื– ืื ื™ ื—ื™ื™ื‘ ืœืขืฆื•ืจ.
07:50
Thank you all very much.
161
470260
2000
ืชื•ื“ื” ืจื‘ื” ืœื›ื•ืœื›ื.
07:52
(Applause)
162
472260
12000
(ืชืฉื•ืื•ืช)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

https://forms.gle/WvT1wiN1qDtmnspy7