Reggie Watts disorients you in the most entertaining way | TED

10,513,840 views ใƒป 2012-05-25

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์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Seung-Soo Kim ๊ฒ€ํ† : Sanghun Byeon
00:16
(Non English)
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(์˜์–ด ์•„๋‹˜)
00:39
(French) Mais Des fois on peut voir parce Que Les gens
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00:44
ici faire Des choses on peut manger.
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00:46
(French) Mais quand tu es fรขchรฉ avec quelqu'un
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00:50
c'est pas passรฉ the first time.
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00:52
(British English) And that's one of the things that I enjoy most
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...๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒŒ ์ œ๊ฐ€ TED์—์„œ ๊ฐ€์žฅ ์ฆ๊ธฐ๋Š”
00:55
about this convention.
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์ผ ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค.
์‚ฌ์‹ค, ์ด๋Ÿฌ๋‚˜ ์ €๋Ÿฌ๋‚˜ ์ด ์„ธ์ƒ์˜ ๋ชจ๋“  ๊ฒƒ์— ๋Œ€ํ•œ ์„ค๋ช…์€ ์•„๋‹™๋‹ˆ๋‹ค.
00:59
It's not so much, as so little has to do with what everything is.
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01:06
(Laughter)
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(์›ƒ์Œ)
01:09
But it is within our self-interest
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๊ทธ๋Ÿฌ๋‚˜ ์ž๊ธฐ์˜ ์‚ฌ๋ฆฌ์‚ฌ์š•์„ ์ž˜ ๋ณด๋ฉด
01:12
to understand the topography of our lives
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์šฐ๋ฆฌ ์Šค์Šค๋กœ ์‚ถ์˜ ์ง€ํ˜•, ํ˜น์€ ํ˜•ํƒœ์„
์•Œ์•„๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
01:15
unto ourselves.
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01:16
(Laughter)
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(์›ƒ์Œ)
01:21
The future states that there is no time
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๋ฏธ๋ž˜๋Š” ๋งํ•ฉ๋‹ˆ๋‹ค.
์šฐ๋ฆฌ๊ฐ€ ๊ฐ–ํ˜€ ์‚ด๊ณ  ์žˆ๋Š”
๊ธฐ์–ต์— ๋Œ€ํ•œ ๋Š๋‚Œ์ด ์—†์–ด์ง€๋Š” ๊ฒƒ ์™ธ์—๋Š”
01:25
other than the collapsation of that sensation
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01:28
of the mirror of the memories in which we are living.
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๋ณ„๋กœ ์‹œ๊ฐ„์ด ๋‚จ์•„ ์žˆ์ง€ ์•Š๋‹ค๊ณ ์š”.
01:31
(Laughter)
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(์›ƒ์Œ)
01:34
Common knowledge,
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์ƒ์‹์ด์ง€๋งŒ,
01:36
but important nonetheless.
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์—ฌ์ „ํžˆ ์ค‘์š”ํ•œ ์‚ฌ์‹ค์ด์ฃ .
01:37
(Laughter)
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(์›ƒ์Œ)
์šฐ๋ฆฌ๋Š” ๋‘๋ ค์›€์„ ์ง๋ฉดํ•˜๋Š”๋ฐ์š”,
01:41
As we face fear in these times,
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01:43
and fear is all around us,
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๋‘๋ ค์›€์€ ์šฐ๋ฆฌ ์ฃผ์œ„์— ์–ธ์ œ๋‚˜ ์žˆ์ง€๋งŒ
01:45
we also have anti-fear.
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๋˜ํ•œ ๋ฐ˜(ๅ)-๋‘๋ ค์›€ ์—ญ์‹œ ์žˆ์Šต๋‹ˆ๋‹ค.
์ด๊ฒƒ์€ ์ƒ์ƒํ•˜๊ฑฐ๋‚˜ ์ธก์ •ํ•˜๊ธฐ๋Š” ์–ด๋ ต์Šต๋‹ˆ๋‹ค.
01:48
It's hard to imagine or measure.
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01:50
The background radiation is simply too static
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์ฃผ๋ณ€์—์„œ ์ผ์–ด๋‚˜๋Š” ์ผ์—๋Š” ๋‹ค๋ฅธ ์š”์†Œ๋“ค์ด ๋„ˆ๋ฌด ๋งŽ์ด ์„ž์—ฌ ์žˆ์–ด์„œ
01:53
to be able to be seen under the normal spectral analysis.
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์ผ์ƒ์„ ๋ถ„์„ํ•ด์„œ๋Š” ์ด๋Ÿฐ ๊ฒƒ์„ ์ธก์ •ํ•ด๋‚ด๊ธฐ ์–ด๋ ต์Šต๋‹ˆ๋‹ค.
ํ•˜์ง€๋งŒ ๋•Œ๋•Œ๋กœ ์šฐ๋ฆฌ๊ฐ€ ๋Š๋ผ๋Š” ๊ฒƒ ์ฒ˜๋Ÿผ,
01:58
(American accent) But we feel as though there are times
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02:01
when a lot of us -- you know what I'm saying?
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์šฐ๋ฆฌ๋“ค ๋Œ€๋ถ€๋ถ„์ด -- ๋ชจ๋‘ ์ œ๊ฐ€ ๋ฌด์Šจ ๋ง ํ•˜๋Š”์ง€ ์•„์‹œ์ง€์š”?
02:03
But -- you know what I'm saying?
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๊ทธ๋Ÿฌ๋‚˜ -- ์ž ์‹œ๋งŒ์š”, ์ œ๊ฐ€ ์ง€๊ธˆ ๋ฌด์Šจ๋ง ํ•˜๋Š”์ง€ ์•„์‹œ๋‚˜์š”?
02:05
Because, as a hip hop thing, you know what I'm saying,
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ํž™ํ•ฉ ๊ฐ™์ด, ์ œ๊ฐ€ ๋ฌด์Šจ ๋ง์„ ํ•˜๋Š”์ง€ ์•„์‹œ์ง€์š”.
02:07
TED be rocking -- you know what I'm saying.
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TED๋Š” ์ •๋ง ๋ฉ‹์žˆ๊ณ  -- ์ œ๊ฐ€ ๋ฌด์Šจ๋ง ํ•˜๋Š”์ง€ ์•„์‹œ์ฃ .
02:10
Like so I wrote a song,
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๊ทธ๋ ‡๊ฒŒ ์ €๋Š” ๋…ธ๋ž˜๋ฅผ ๋งŒ๋“ค์—ˆ๊ณ ,
์—ฌ๋Ÿฌ๋ถ„์ด ์ข‹์•„ํ•˜๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
02:13
and I hope you guys dig it.
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์ด ๋…ธ๋ž˜๋Š” ์‚ฌ๋žŒ๋“ค๊ณผ
02:15
It's a song about people
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์ƒˆ์Šค์ฝฐ์น˜(๋ฏธ๊ตญ ๋ถ์„œ๋ถ€ ์‚ฐ์†์—์„œ ์„œ์‹ํ•˜๋Š” ์‚ฌ๋žŒ ๋งŒํผ ํฐ ์ง์Šน)์— ๊ด€ํ•œ ๋…ธ๋ž˜ ์ž…๋‹ˆ๋‹ค.
02:17
and sasquatches --
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02:19
(Laughter)
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(์›ƒ์Œ)
โ€” ๊ทธ๋ฆฌ๊ณ  ๋‹ค๋ฅธ ํ”„๋ž‘์Šค ๊ณผํ•™ ๊ฐ™์€ ๊ฒƒ๋“ค๋„ ๊ด€๋ จ๋˜์—ˆ๊ณ ์š”.
02:22
And other French science stuff.
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๊ทธ๊ฒƒ์€ ํ”„๋ž‘์Šค ๊ณผํ•™์ด๊ณ ์š”.
02:25
That's French science.
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02:26
Okay, here we go.
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์ข‹์•„์š”, ์ž ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.
02:30
(Singing) I've been trying inside
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โ™ซ ๋‚ด๋ฉด์„ ์ฐพ๊ธฐ ์œ„ํ•ด ๋…ธ๋ ฅํ–ˆ์–ด์š” โ™ซ
02:37
I know that I'm in trouble
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โ™ซ ๋‚˜๋Š” ํ˜ผ์ž ๊ณค๊ฒฝ์— ์ฒ˜ํ•œ๋‹ค๋Š” ๊ฑธ ์•Œ์•„์š” โ™ซ
02:42
(Applause)
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02:44
that I'm in trouble
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02:50
by myself
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02:54
But every time it gets me
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โ™ซ ๊ทธ๋Ÿฌ๋‚˜ ํ•ญ์ƒ ๊ทธ๊ฒŒ ์ €๋ฅผ ๋ถ™์žก์•„์š” โ™ซ
02:58
(Vocalization)
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โ™ซ [ํ™•์‹คํ•˜์ง€ ์•Š์Œ] โ™ซ
03:08
(Beatbox)
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(์Œ์•…)
03:38
(Singing) And I've been trying to be the one that you believe in
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โ™ซ๋‚˜๋Š” ๋‹น์‹ ์ด ๋ฏฟ๋Š”, ๊ทธ๋Ÿฐ ์‚ฌ๋žŒ์ด ๋˜๊ธฐ ์œ„ํ•ด ๋…ธ๋ ฅํ•ด์š” โ™ซ
03:43
And you're the one that I want to be so saucy
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โ™ซ ๋‹น์‹ ์€ ๋‚ด๊ฐ€ ์™ธ์„ค์ ์ด ๋˜๊ณ  ์‹ถ๊ฒŒ ํ•˜๋Š” ์‚ฌ๋žŒ์ด์—์š” โ™ซ
03:49
And you're the one I want to [unclear], baby
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โ™ซ ๋‹น์‹ ์€ ๋‚ด๊ฐ€ [ํ™•์‹คํ•˜์ง€ ์•Š์Œ] โ™ซ
03:53
And you can do anything
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โ™ซ ๋‹น์‹ ์€ ๋ฌด์—‡์ด๋“  ํ•  ์ˆ˜ ์žˆ์ฃ  โ™ซ
03:56
as long as you don't get hurt along the way back
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โ™ซ ๋Œ์•„๊ฐ€๋Š” ๊ธธ์— ๋‹ค์น˜์ง€์ง€๋งŒ ์•Š๋Š”๋‹ค๋ฉด ๋ง์ด์ฃ  โ™ซ
03:59
(Beatbox)
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04:00
If I survive, I'm going to tell you what is wrong
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โ™ซ ์ œ๊ฐ€ ์‚ด์•„๋‚จ์œผ๋ฉด, ์ž˜๋ชป๋œ ๊ฑธ ์•Œ๋ ค ๋“œ๋ฆด๊ฒŒ์š” โ™ซ
โ™ซ ์™œ๋ƒํ•˜๋ฉด ๋‹น์‹ ์€ [ํ™•์‹คํ•˜์ง€ ์•Š์Œ] โ™ซ
04:05
Because if you were [unclear]
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04:10
And I think that you're looking like a [unclear]
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โ™ซ ๋‹น์‹ ์€ [ํ™•์‹คํ•˜์ง€ ์•Š์Œ] ๊ฐ™์•„ ๋ณด์—ฌ์š” โ™ซ
04:16
I give you what I want to be
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โ™ซ ์ œ๊ฐ€ ๋˜๊ณ  ์‹ถ์€ ๊ฑธ ๋‹น์‹ ์—๊ฒŒ ๋“œ๋ฆฝ๋‹ˆ๋‹ค โ™ซ
04:21
(Music)
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(์Œ์•…)
04:34
(Music ends abruptly)
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04:36
(British accent) And it's like,
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์ œ ๋…ธ๋ž˜๋Š” ์›ํ•˜์‹œ๋Š” ๋งŒํผ ์‚ฌ์šฉํ•ด๋„ ์ข‹์Šต๋‹ˆ๋‹ค
04:38
you could use as many of those things that you want.
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(๋ฐ•์ˆ˜)
04:41
(Applause)
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04:45
And the computer models,
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์ปดํ“จํ„ฐ ๋ชจ๋ธ์€,
04:47
no matter how many that you have
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์–ผ๋งˆ๋‚˜ ๋งŽ์ด ์žˆ๋“ ์ง€,
04:48
and how many people that you use,
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์–ผ๋งˆ๋‚˜ ๋งŽ์€ ์‚ฌ๋žŒ๋“ค์ด ์‚ฌ์šฉํ•˜๋Š”์ง€์— ์ƒ๊ด€์—†์ด
04:50
are never going to be able to arrive at the same conclusions.
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์ ˆ๋Œ€๋กœ ๊ฐ™์€ ๊ฒฐ๊ณผ์— ๋„๋‹ฌํ•˜์ง€ ์•Š์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
4๋…„์ „์— ์ €๋Š” ๋ธŒ๋ฃจํ‚น์Šค ์—ฐ๊ตฌ์†Œ์˜ ์‚ฌ๋žŒ๋“ค๊ณผ ์ผ์„ ํ–ˆ์Šต๋‹ˆ๋‹ค.
04:54
Four years ago I worked with a few people at the Brookings Institute,
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04:58
and I arrived at a conclusion.
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๊ทธ๋ฆฌ๊ณ  ๊ฒฐ๊ตญ ๊ฒฐ๋ก ์— ๋„๋‹ฌํ–ˆ์ง€์š”.
05:00
(Laughter)
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(์›ƒ์Œ)
05:07
Tomorrow is another day.
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๋‚ด์ผ์€ ๋˜ ๋‹ค๋ฅธ ๋‚ ์ด๋‹ค.
05:09
(Laughter)
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(์›ƒ์Œ)
05:11
Not just any day,
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๊ทธ์ € ์•„๋ฌด๋Ÿฐ ๋‚ ์ด ์•„๋‹ˆ๋ผ,
05:13
but it is a day.
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ํ•˜๋ฃจ์ด๋‹ค.
05:15
It will get here, there's no question.
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๋ฌผ์–ด๋ณผ ํ•„์š”๋„ ์—†์ด, ๋‚ด์ผ์€ ๋„๋ž˜ํ•  ๊ฒ๋‹ˆ๋‹ค.
05:19
And the important thing to remember
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๊ทธ๋ฆฌ๊ณ  ๊ธฐ์–ตํ•ด์•ผ ํ•  ์ค‘์š”ํ•œ ์ ์€,
05:21
is that this simulation is a good one.
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์ด ์‹œ๋ฎฌ๋ ˆ์ด์…˜ ์—ฐ๊ตฌ๋Š” ๊ดœ์ฐฎ์•˜๋‹ค๋Š” ์  ์ž…๋‹ˆ๋‹ค.
05:25
It's believable, it's tactile.
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๋ฏฟ์„๋งŒํ•˜๊ณ  ์กด์žฌ๊ฐ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
05:28
You can reach out -- things are solid.
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์—ฌ๋Ÿฌ๋ถ„๋“ค์€ ํ™•์‹คํ•œ ๊ณณ์œผ๋กœ ๋ป—์–ด ๋‚˜๊ฐˆ ์ˆ˜ ์žˆ์œผ๋ฉฐ
05:29
You can move objects from one area to another.
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๋Œ€์ƒ์„ ์ด๊ณณ์ €๊ณณ์œผ๋กœ ์šบ๊ธธ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
๋‹น์‹ ์€ ๋‹น์‹ ์˜ ๋ชธ์„ ๋Š๋‚„ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
05:33
You can feel your body.
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05:34
You can say, "I'd like to go over to this location,"
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"๋‚˜๋Š” ์ด ๊ณณ์œผ๋กœ ๊ฐ€๊ณ  ์‹ถ๋‹ค." ๋ผ๊ณ  ๋งํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
๊ทธ๋ฆฌ๊ณ  ์—ฌ๋Ÿฌ๋ถ„๋“ค์€ ์›ํ•˜๋Š”๋Œ€๋กœ ์ด ๋ถ„์ž ๋ฉ์–ด๋ฆฌ๋ฅผ ๊ณต๊ธฐ๋ฅผ ํ†ตํ•ด
05:37
and you can move this mass of molecules through the air
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๋‹ค๋ฅธ ๊ณณ์œผ๋กœ ์šบ๊ธธ ์ˆ˜ ์žˆ์–ด์š”.
05:40
over to another location, at will.
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05:42
(Laughter)
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(์›ƒ์Œ)
05:45
That's something you live inside of every day.
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๊ทธ๊ฒƒ์€ ๋‹น์‹ ์ด ๋งค์ผ ์‚ด๊ณ  ์žˆ๋Š” ๋ฐ”๋กœ๊ทธ๋Ÿฐ ๊ณณ์ž…๋‹ˆ๋‹ค.
05:50
Now with the allocation and the understanding
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์ž ์ด์ œ ์šฐ๋ฆฌ๊ฐ€ ์ดํ•ด๊ฐ€ ๋ถ€์กฑํ•œ ๊ฒƒ์„
05:53
of the lack of understanding,
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์ธ์ •ํ•˜๊ณ  ์•Œ๊ณ  ์žˆ๋Š” ์ฑ„๋กœ
05:54
we enter into a new era of science
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์šฐ๋ฆฌ๋Š” ์ƒˆ๋กœ์šด ๊ณผํ•™์˜ ์‹œ๋Œ€๋กœ ๋“ค์–ด์„ญ๋‹ˆ๋‹ค.
์ด ์‹œ๋Œ€์—๋Š” ์šฐ๋ฆฌ๊ฐ€
05:57
in which we feel nothing more
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05:59
than so much so as to say
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๋งํ•˜์ž๋ฉด, ์šฐ๋ฆฌ ์•ˆ์— ์žˆ๋Š” ๊ฒƒ๋“ค ๋ณด๋‹ค
๋” ๋งŽ์ด ๋Š๋ผ์ง€ ๋ชปํ•˜์ฃ 
06:02
that those within themselves,
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06:04
comporary or non-comporary,
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ํ˜„๋Œ€์ ์ด๋“  ํ˜น์€ ๋น„ํ˜„๋Œ€์ ์ด๋“ 
์‹œ๋Œ€๋Š” ๋น„์œ ์ ์œผ๋กœ
06:07
will figuratively figure
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06:08
into the folding of our non-understanding
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์šฐ๋ฆฌ๊ฐ€ ์ž๋ฃŒ์™€ ๊ฒฐ๋ก ์„ ์–ป๋Š” ๊ณณ์˜ ๋„คํŠธ์›Œํฌ(์—ฐ๊ฒฐ๋ง)์•ˆ์œผ๋กœ
06:12
and our partial understanding
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์šฐ๋ฆฌ๊ฐ€ ์ „ํ˜€ ์ดํ•ดํ•˜์ง€ ๋ชปํ•˜๊ฑฐ๋‚˜
06:13
to the networks of which we all draw our source
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๊ฒจ์šฐ ์ผ๋ถ€๋งŒ ์ดํ•ดํ•˜๋Š”
06:17
and conclusions from.
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ํ˜•์ƒ์œผ๋กœ ๋‚˜ํƒ€๋‚ฉ๋‹ˆ๋‹ค.
06:18
(Laughter)
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(์›ƒ์Œ)
06:20
So, as I say before the last piece,
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๊ทธ๋ž˜์„œ, ์ œ๊ฐ€ ์˜ˆ์ „์— ๋งˆ์ง€๋ง‰ ๊ณก์—์„œ ๋งํ–ˆ๋“ฏ์ด,
์šฐ๋ฆฌ๊ฐ€ ์‚ด๊ณ  ์žˆ๋Š” ๊ณณ์„ ๊ตฌ(็ƒ)๋กœ ์ƒ๊ฐํ•˜๊ธฐ ๋ณด๋‹ค๋Š”
06:25
feel not as though it is a sphere we live on,
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06:28
rather an infinite plane which has the illusion
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์ž์‹ ์„ ํ•˜๋‚˜์˜ ์›์ ์œผ๋กœ ๋˜๋Œ๋ ค ๊ฐˆ ์ˆ˜ ์žˆ๋Š”
06:32
of leading yourself back to the point of origin.
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๋ฌดํ•œ ํ‰๋ฉด์œผ๋กœ ๋Š๋ผ์„ธ์š”.
06:35
(Laughter)
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(์›ƒ์Œ)
06:36
Once we understand that all the spheres in the sky
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์šฐ๋ฆฌ๊ฐ€ ํ•˜๋Š˜์— ์žˆ๋Š” ๊ตฌ(็ƒ)๋“ค์„ ๋ชจ๋‘
06:39
are just large infinite planes,
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๋ฌดํ•œ๋Œ€์˜ ํ‰๋ฉด์œผ๋กœ ์ดํ•ดํ•œ๋‹ค๋ฉด,
์•Œ์•„๋ณด๊ธฐ ์‰ฌ์šธ ๊ฒƒ ์ž…๋‹ˆ๋‹ค. (์›ƒ์Œ)
06:41
it will be plain to see.
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06:42
(Laughter)
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06:43
(Audience) (Laughter)
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06:45
This is my final piece.
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์ด๊ฒƒ์ด ์ €์˜ ๋งˆ์ง€๋ง ๊ณก ์ž…๋‹ˆ๋‹ค
06:47
And just remember,
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๊ทธ๋ƒฅ ๋‹น์‹ ์˜ ๋ชจ๋“  ๊ฒƒ์„
06:49
everything you are --
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๊ธฐ์–ตํ•˜์„ธ์š”.
์Œ์•…์ด ๋‹จ์ง€ ๊ณต๊ฐ„์˜ ํ•œ ๋ถ€๋ถ„์ธ ๊ฒƒ ์ฒ˜๋Ÿผ
06:51
it's more important to realize the negative space,
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๋ถ€์ •์  ๊ณต๊ฐ„์„ ์ธ์‹ํ•˜๋Š” ๊ฒƒ์ด
06:55
as music is only the division of space;
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๋” ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค.
06:58
it is the space we are listening to divided as such,
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๊ทธ๊ฒƒ์€ ์šฐ๋ฆฌ๊ฐ€ ๋“ฃ๊ณ  ์žˆ๋Š”, ๋‚˜๋‰˜์–ด์ง„๋Œ€๋กœ์˜ ๊ณต๊ฐ„์ด์—์š”.
07:01
which gives us the information in comparison to something other
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์ด๊ฒƒ์€ ์šฐ๋ฆฌ์—๊ฒŒ ๋‹ค๋ฅธ ๊ฒƒ๋“ค๊ณผ์˜
๋น„๊ต ์ •๋ณด๋ฅผ ์•Œ๋ ค์ค๋‹ˆ๋‹ค.
07:05
that gives us the idea of what the idea that wants to be transmitted
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์ „ํŒŒ๋˜๊ธฐ๋ฅผ ๋ฐ”๋ผ๋Š” ์•„์ด๋””์–ด๊ฐ€ ๊ฒฐ๊ตญ ๋ฌด์—‡์ด ๋ ์ง€๋ฅผ
์•Œ๋ ค์ฃผ๋Š” ๊ฒƒ์ด์ฃ .
07:09
wants to be.
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07:10
So please, without further ado.
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์ž ์ด์ œ, ๊ทธ๋งŒ ๋งˆ์น˜๊ฒ ์Šต๋‹ˆ๋‹ค.
07:11
(Applause)
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(๋ฐ•์ˆ˜)
07:13
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
07:15
(Applause)
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(๋ฐ•์ˆ˜)
07:19
This is a fun one.
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์žฌ๋ฏธ์žˆ๋Š” ๋…ธ๋ž˜์ธ๋ฐ์š”,
07:21
It goes like this.
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์ด๋ ‡๊ฒŒ ๊ฐ‘๋‹ˆ๋‹ค.
07:22
(Beatbox)
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(์Œ์•…)
07:29
(Gibberish)
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07:47
(Music ends)
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07:48
Okay, for the last piece I'd like to do,
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์ข‹์•„์š”, ๋งˆ์ง€๋ง‰์œผ๋กœ ์ œ๊ฐ€ ํ•˜๊ณ  ์‹ถ์€ ๊ณก์€
07:50
this one goes very similar to this.
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์ด๊ฒƒ๊ณผ ๋งŽ์ด ๋น„์Šทํ•ฉ๋‹ˆ๋‹ค.
07:53
I hope you guys recognize it.
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์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ์•Œ์•„๋ณผ ์ˆ˜ ์žˆ๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
07:54
Here we go.
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์ž, ๊ฐ‘๋‹ˆ๋‹ค
08:00
Okay, that still works. Okay, good.
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์ข‹์•„์š”. ์•„์ง ์ž‘๋™ํ•˜๋Š”๊ตฐ์š”. ์˜ค์ผ€์ด.
์ข‹์•„์š”, ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.
08:03
All right, here we go.
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08:04
(Laughter)
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(์›ƒ์Œ)
08:07
(Beatbox)
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(์Œ์•…)
08:19
Here we go.
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์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค.
08:20
(Beatbox)
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(์Œ์•…)
08:28
Yeah, yo, yo, yo
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โ™ซ ๋„ค~~ ์š”, ์š”, ์š” โ™ซ
08:32
(Gibberish)
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(์Œ์•…)
09:18
(Music fades out)
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09:20
Thank you. Enjoy the rest.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ๋‚จ์€ ์‹œ๊ฐ„๋„ ์ฆ๊ธฐ์„ธ์š”. ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
09:22
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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