In the Internet age, dance evolves ... | The LXD

1,331,001 views ใƒป 2010-03-05

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Chen Harel ืžื‘ืงืจ: Ido Dekkers
00:17
(Music)
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(ืžื•ื–ื™ืงื”)
01:48
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
01:59
I'm Jon M. Chu. And I'm not a dancer,
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ืื ื™ ื’'ื•ืŸ ืž. ืฆ'ื•, ื•ืื ื™ ืœื ืจืงื“ืŸ.
02:02
I'm not a choreographer -- I'm actually a filmmaker, a storyteller.
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ืื ื™ ืœื ื›ื•ืจืื•ื’ืจืฃ, ืื ื™ ืœืžืขืŸ ื”ืืžืช ื‘ืžืื™ ืกืจื˜ื™ื, ืžืกืคืจ ืกื™ืคื•ืจื™ื.
02:06
I directed a movie two years ago
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ื‘ื™ื™ืžืชื™ ืกืจื˜ ืœืคื ื™ ืฉื ืชื™ื™ื
02:08
called "Step Up 2: The Streets."
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ืฉืžื• - "ืกื˜ืค ืืค 2: ื”ืจื—ื•ื‘ื•ืช"
02:10
Anybody? Anybody? Yeah!
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ืžื™ืฉื”ื•? ืžื™ืฉื”ื•? ื›ืŸ!
02:12
During that movie I got to meet a ton of hip-hop dancers --
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ื‘ืžื”ืœืš ื”ืกืจื˜ ื”ื›ืจืชื™ ื”ืžื•ืŸ ืจืงื“ื™ ื”ื™ืค-ื”ื•ืค
02:14
amazing, the best in the world --
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ืžื“ื”ื™ืžื™ื, ื”ื˜ื•ื‘ื™ื ื‘ืขื•ืœื
02:16
and they brought me into a society, the sort of underground
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ื•ื”ื ื”ื›ื ื™ืกื• ืื•ืชื™ ืœื—ื‘ืจื”, ืœืกื•ื’ ืฉืœ
02:19
street culture that blew my mind.
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ืชืจื‘ื•ืช ืจื—ื•ื‘ ืžื—ืชืจืชื™ืช ืฉื”ื“ื”ื™ืžื” ืื•ืชื™.
02:21
I mean, this is literally human beings
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ื›ืœื•ืžืจ, ืคืฉื•ื˜ื• ื›ืžืฉืžืขื• ืืœื• ื‘ื ื™ ืื“ื
02:23
with super-human strength and abilities.
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ืขื ื›ื•ื—ื•ืช ื•ื™ื›ื•ืœื•ืช ืขืœ ืื ื•ืฉื™ื™ื.
02:26
They could fly in the air. They could bend their elbow all the way back.
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ื”ื ื™ื›ื•ืœื™ื ืœืขื•ืฃ ื‘ืื•ื•ื™ืจ. ื”ื ื™ื›ื•ืœื™ื ืœื›ื•ืคืฃ ืืช ื”ืžืจืคืง ืื—ื•ืจื”.
02:28
They could spin on their heads for 80 times in a row.
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ื”ื ื™ื›ื•ืœื™ื ืœื”ืกืชื•ื‘ื‘ ืขืœ ื”ืจืืฉ 80 ืคืขืžื™ื ื‘ืจืฆื™ืคื•ืช.
02:31
I'd never seen anything like that.
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ืžืขื•ืœื ืœื ืจืื™ืชื™ ื“ื‘ืจ ื›ื–ื”.
02:33
When I was growing up, my heroes were people like
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ื›ืฉื’ื“ืœืชื™, ื”ื’ื™ื‘ื•ืจื™ื ืฉืœื™ ื”ื™ื• ืื ืฉื™ื ื›ืžื•
02:35
Fred Astaire, Gene Kelly, Michael Jackson.
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ืคืจื“ ืืกื˜ืจ, ื’'ื™ืŸ ืงืœื™, ืžื™ื™ืงืœ ื’'ืงืกื•ืŸ.
02:39
I grew up in a musical family.
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ื’ื“ืœืชื™ ื‘ืžืฉืคื—ื” ืžื•ื–ื™ืงืœื™ืช.
02:41
(Laughter)
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(ืฆื—ื•ืง)
02:42
And those guys, those were like, ultimate heroes.
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ื”ืื ืฉื™ื ื”ืœืœื•, ื”ื ื”ื™ื• ื’ื™ื‘ื•ืจื™ื ืื•ืœื˜ื™ืžื˜ื™ื‘ื™ื™ื.
02:45
Being a shy, little, skinny Asian kid growing up in the Silicon Valley
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ื‘ื”ื™ื•ืชื™ ื™ืœื“ ืืกื™ื™ืชื™ ืงื˜ืŸ ื•ื‘ื™ื™ืฉืŸ ื”ื’ื“ืœ ื‘ืกื™ืœื™ืงื•ืŸ ื•ืืœื™,
02:48
with low self-esteem, those guys made me believe in something bigger.
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ืขื ื”ืขืจื›ื” ืขืฆืžื™ืช ื ืžื•ื›ื”, ื”ื ื’ืจืžื• ืœื™ ืœื”ืืžื™ืŸ ื‘ืžืฉื”ื• ื’ื“ื•ืœ ื™ื•ืชืจ.
02:51
Those guys made me want to, like, "I'm going to do that
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ื”ืื ืฉื™ื ื”ืืœื• ื’ืจืžื• ืœื™ ืœื”ื’ื™ื“: "ืื ื™ ืืขืฉื”
02:53
moonwalk at that bar mitzvah tonight for that girl."
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ืืช ื”ืœื™ื›ืช ื”ื™ืจื— ื‘ื‘ืจ ืžืฆื•ื•ื” ื”ืขืจื‘ ื‘ืฉื‘ื™ืœ ืžื™ืฉื”ื™."
02:56
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
02:59
And it seems like those dance heroes have disappeared,
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ื•ื ื“ืžื” ืฉื”ืกื•ื’ ื”ื–ื” ืฉืœ ืจืงื“ื ื™ื-ื’ื™ื‘ื•ืจื™ื ื ืขืœื,
03:02
sort of relegated to the background of pop stars and music videos.
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ื”ื ืขื‘ืจื• ืœืจืงืข ืฉืœ ืงืœื™ืคื™ื ืžื•ื–ื™ืงืœื™ื™ื, ืžืื—ื•ืจื™ ื›ื•ื›ื‘ื™ ื”ืคื•ืค.
03:06
But after seeing what I've seen,
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ืืš ืœืื—ืจ ืฉืจื•ืื™ื ืืช ืžื” ืฉืจืื™ืชื™,
03:08
the truth is, they have not disappeared at all.
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ื”ืืžืช ื”ื™ื, ื”ื ืœื ื ืขืœืžื• ื›ืœืœ ื•ื›ืœืœ.
03:10
They're here, getting better and better every day.
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ื”ื ื›ืืŸ, ืžืฉืชืคืจื™ื ืžื™ื•ื ืœื™ื•ื,
03:13
And dance has progressed.
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ื•ืจื™ืงื•ื“ ื”ืชืงื“ื.
03:15
It is insane what dance is right now.
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ืžื˜ื•ืจืฃ ื”ืžืงื•ื ืฉืจื™ืงื•ื“ ื ืžืฆื ื‘ื• ื”ื™ื•ื.
03:17
Dance has never had a better friend than technology.
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ืœืจื™ืงื•ื“ ืžืขื•ืœื ืœื ื”ื™ื” ื—ื‘ืจ ื˜ื•ื‘ ื™ื•ืชืจ ืžื˜ื›ื ื•ืœื•ื’ื™ื”.
03:19
Online videos and social networking ...
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ืกืจื˜ื•ื ื™ื ืื•ื ืœื™ื™ืŸ ื•ืจืฉืชื•ืช ื—ื‘ืจืชื™ื•ืช...
03:21
dancers have created a whole global laboratory online
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ืจืงื“ื ื™ื ื™ืฆืจื• ืžืขื‘ื“ื” ื’ืœื•ื‘ืœื™ืช ืื•ื ืœื™ื™ืŸ
03:24
for dance, where kids in Japan are taking moves
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ืœืจื™ืงื•ื“, ื›ืฉื™ืœื“ื™ื ืžื™ืคืŸ ืœื•ืงื—ื™ื ืชื ื•ืขื•ืช
03:26
from a YouTube video created in Detroit,
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ืžืกืจื˜ื•ื ื™ื ืฉื”ื•ื›ื ื• ื‘ื“ื˜ืจื•ื™ื˜ ื•ื ืžืฆืื™ื ื‘ YouTube.
03:28
building on it within days and releasing a new video,
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ื‘ื•ื ื™ื ืขืœื™ื”ื ืชื•ืš ืžืกืคืจ ื™ืžื™ื ื•ืžืฉื—ืจืจื™ื ืกืจื˜ื•ืŸ ื—ื“ืฉ,
03:31
while teenagers in California are taking the Japanese video and remixing it
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ื‘ื–ืžืŸ ืฉื ืขืจื™ื ื‘ืงืœื™ืคื•ืจื ื™ื” ืžืžืงืกืกื™ื ืžื—ื“ืฉ ืืช ื”ืกืจื˜ื•ืŸ ื”ื™ืคื ื™
03:33
with a Philly flair to create a whole new dance style in itself.
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ืขื ืกื’ื ื•ืŸ ืคื™ืœื“ืœืคื™ ืœื™ืฆื™ืจืช ืกื’ื ื•ืŸ ืจื™ืงื•ื“ ื—ื“ืฉ ืœื’ืžืจื™.
03:37
And this is happening every day.
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ื•ื–ื” ืงื•ืจื” ื›ืœ ื”ื–ืžืŸ.
03:39
And from these bedrooms and living rooms and garages,
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ืžื—ื“ืจื™ ื”ืฉื™ื ื” ื”ืœืœื•, ื”ืกืœื•ื ื™ื ื•ื”ืžื•ืกื›ื™ื,
03:42
with cheap webcams,
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ืขื ืžืฆืœืžื•ืช ืื™ื ื˜ืจื ื˜ ื–ื•ืœื•ืช,
03:44
lies the world's great dancers of tomorrow.
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ื™ืฆืื• ื”ืจืงื“ื ื™ื ื”ืžื•ื‘ื™ืœื™ื ืฉืœ ื”ืžื—ืจ.
03:46
Our Fred Astaires, our Gene Kellys
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ื”ืคืจื“ ืืกื˜ืจ ื•ื’'ื™ืŸ ืงืœื™ ืฉืœื ื•,
03:48
our Michael Jacksons are right at our fingertips,
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ื”ืžื™ื™ืงืœ ื’'ืงืกื•ืŸ ืฉืœื ื•, ื ืžืฆืื™ื ื‘ืžืจื—ืง ื ื’ื™ืขื”,
03:50
and may not have that opportunity, except for us.
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ื•ืœื ื™ื”ื™ื• ืœื”ื ืืช ื”ื”ื–ื“ืžื ื•ืช ื”ื–ื•, ืื™ืœื•ืœื ืื ื•.
03:53
So, we created the LXD,
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ื•ืœื›ืŸ, ื™ืฆืจื ื• ืืช LXD,
03:55
sort of a -- the Legion of Extraordinary Dancers,
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ืกื•ื’ ืฉืœ - ืœื™ื’ื™ื•ืŸ ืœืจืงื“ื ื™ื ื™ื•ืฆืื™ ื“ื•ืคืŸ,
03:58
a justice league of dancers that believe
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"ืœื™ื’ืช ื”ืฆื“ืง" ืฉืœ ืจืงื“ื ื™ื ื”ืžืืžื™ื ื™ื
04:00
that dance can have a transformative effect on the world.
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ืฉืจื™ืงื•ื“ ื™ื›ื•ืœ ืœืฉื ื•ืช ืืช ื”ืขื•ืœื.
04:02
A living, breathing comic book series,
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ืกื™ืคื•ืจ ืงื•ืžื™ืงืก ื—ื™ ื•ื ื•ืฉื,
04:05
but unlike Spiderman and Iron Man,
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ืืš ื‘ื ื™ื’ื•ื“ ืœืกืคื™ื™ื“ืจืžืŸ ื•ืื™ื™ืจื•ืŸ-ืžืŸ,
04:07
these guys can actually do it.
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ื”ื—ื‘ืจ'ื” ื”ืืœื” ื‘ืืžืช ืขื•ืฉื™ื ื–ืืช.
04:09
And we're going to show you some today. So, let me introduce to you,
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ื•ืื ื—ื ื• ื”ื•ืœื›ื™ื ืœื”ืจืื•ืช ืœื›ื ื—ืœืง ื”ื™ื•ื. ืœื›ืŸ, ืื ื™ ืžืชื›ื‘ื“ ืœื”ืฆื™ื’
04:11
some of our heroes right now.
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ื—ืœืง ืžื”ื’ื™ื‘ื•ืจื™ื ืฉืœื ื• ืขื›ืฉื™ื•.
04:13
We got Madd Chadd,
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ื™ืฉ ืœื ื• ืืช ืžื“ ืฆ'ืื“,
04:15
Lil' C, Kid David and J Smooth.
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ืœื™ืœ' ืกื™, ืงื™ื“ ื“ื™ื™ื•ื™ื“ ื•ื’'ื™ื™ ืกืžื•ืช'.
04:18
Please be excited, have fun, yell, scream.
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ื‘ื‘ืงืฉื” ื”ื™ื• ื ืจื’ืฉื™ื, ืชื”ื ื•, ืชืฆืจื—ื•, ืชืฆืขืงื•.
04:20
Ladies and gentlemen: The LXD.
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ื’ื‘ื™ืจื•ืชื™ื™ ื•ืจื‘ื•ืชื™ื™, ื” - LXD.
04:22
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
04:23
(Video): Madd Chadd: When people first see me,
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(ื•ื™ื“ืื•): ืžื“ ืฆ'ืื“: ื›ืฉืื ืฉื™ื ืจื•ืื™ื ืื•ืชื™ ืœืจืืฉื•ื ื”
04:25
I get a lot of different reactions actually.
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ืื ื™ ืžืงื‘ืœ ืชื’ื•ื‘ื•ืช ืจื‘ื•ืช ื•ืฉื•ื ื•ืช.
04:29
Sometimes you would think that maybe kids would enjoy it,
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ืœืคืขืžื™ื ื ื“ืžื” ืฉื™ืœื“ื™ื ื™ื”ื ื• ืžื–ื”,
04:33
but sometimes they get a little freaked out.
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ืืš ืœืคืขืžื™ื ื”ื ืžืฉืชื’ืขื™ื.
04:37
And, I don't know, I kind of get a kick out of that a little bit.
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ื•ืžืกื™ื‘ื” ื›ืœืฉื”ื™, ื–ื” ืืคื™ืœื• ืงืฆืช ื ื—ืžื“ ืœื™.
04:41
(Music)
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(ืžื•ื–ื™ืงื”)
05:57
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
06:02
J Smooth: When I'm in the zone -- I'm dancing and free styling it --
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ื’'ื™ื™ ืกืžื•ืช': ื›ืฉืื ื™ ืžืจื•ื›ื–, ืจื•ืงื“, ื‘ืกื’ื ื•ืŸ ื—ื•ืคืฉื™,
06:05
I actually visually kind of picture
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ืื ื™ ืžื“ืžื™ื™ืŸ ื‘ืื•ืคืŸ ื—ื–ื•ืชื™ ืชืžื•ื ื”
06:08
lines, and moving them.
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ืฉืœ ืงื•ื•ื™ื, ื•ืžื–ื™ื– ืื•ืชื.
06:10
I think of like, Transformers,
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ืื ื™ ื—ื•ืฉื‘ ืขืœ ืจื•ื‘ื•ื˜ืจื™ืงื™ื,
06:12
like how panels open and then they fold,
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ืื™ืš ื”ืคืื ืœื™ื ืฉืœื”ื ื ืคืชื—ื™ื, ื•ืžืชืงืคืœื™ื,
06:16
they fold in, and then you close that panel.
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ืžืชืงืคืœื™ื ืคื ื™ืžื”, ื•ืื– ืืชื” ืกื•ื’ืจ ืืช ื”ืคืื ืœ.
06:19
And then another thing opens,
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ื•ืื– ืื—ื“ ืื—ืจ ื ืคืชื—.
06:22
you close that.
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ืืชื” ืกื•ื’ืจ ืืช ื–ื”.
06:24
(Music)
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(ืžื•ื–ื™ืงื”)
07:40
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
07:46
Kid David: It's kind of like, honestly a lot of times
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ืงื™ื“ ื“ื™ื™ื•ื™ื“: ื–ื” ื›ืžื• ืฉ... ื‘ื›ื ื•ืช, ื”ืจื‘ื” ืคืขืžื™ื
07:48
I don't really know what's going on
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ืื ื™ ืœื ื‘ืืžืช ื™ื•ื“ืข ืžื” ืงื•ืจื”
07:50
when I'm dancing.
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ื›ืฉืื ื™ ืจื•ืงื“.
07:52
Because at that point it's just really like, it's my body and the music.
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ืžื›ื™ื•ื•ืŸ ืฉื‘ื–ืžืŸ ื–ื”, ื–ื” ื‘ืขืฆื ื”ื’ื•ืฃ ืฉืœื™ ื•ื”ืžื•ื–ื™ืงื”.
07:54
It's not really a conscious decision,
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ืื™ืŸ ื”ื—ืœื˜ื•ืช ืžื•ื“ืขื•ืช,
07:56
"I'm going to do this next, I'm going to do this."
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"ืื ื™ ืืขืฉื” ืืช ื–ื” ืื—"ื›, ืื ื™ ืขื•ืฉื” ืืช ื–ื” ืขื›ืฉื™ื•."
07:59
It's kind of like this other level
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ื–ื” ื›ืžื• ืจืžื” ืื—ืจืช
08:02
where you can't make choices anymore,
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ื‘ื” ืืชื” ืœื ื™ื›ื•ืœ ืœื‘ืฆืข ื”ื—ืœื˜ื•ืช,
08:04
and it's just your body reacting to certain sounds in the music.
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ื•ืจืง ื”ื’ื•ืฃ ืžื’ื™ื‘ ืœืฆืœื™ืœื™ื ืฉืœ ื”ืžื•ื–ื™ืงื”.
08:08
I got my name just because I was so young.
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ืงื•ืจืื™ื ืœื™ ื›ื›ื” ืžื›ื™ื•ื•ืŸ ืฉื”ื™ื™ืชื™ ืžืื“ ืฆืขื™ืจ.
08:10
I was young when I started. I was younger than a lot of the people I was dancing with.
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ื”ื™ื™ืชื™ ืžืื“ ืฆืขื™ืจ ื›ืฉื”ืชื—ืœืชื™. ื”ืจื‘ื” ื™ื•ืชืจ ืฆืขื™ืจ ืžืจื•ื‘ ื”ืื ืฉื™ื ืฉืจืงื“ืชื™ ืื™ืชื.
08:14
So, it was always like, they called me Kid David, because I was the kid.
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ืœื›ืŸ, ื”ื ืงืจืื• ืœื™ ืงื™ื“ ื“ื™ื™ื•ื™ื“, ืžื›ื™ื•ื•ืŸ ืฉื”ื™ื™ืชื™ ื™ืœื“.
08:21
(Music)
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(ืžื•ื–ื™ืงื”)
09:09
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
09:16
L'il C: I tell them to create a ball,
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ืœื™ืœ' ืกื™: ืื ื™ ืื•ืžืจ ืœื”ื ืœื™ืฆื•ืจ ื›ื“ื•ืจ,
09:18
and then you just use that ball of energy.
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ื•ืื– ืœื”ืฉืชืžืฉ ื‘ื›ื“ื•ืจ ื”ืื ืจื’ื™ื”,
09:20
And instead of throwing it out, people would think
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ื•ื‘ืžืงื•ื ืœื–ืจื•ืง ืื•ืชื•, ืื ืฉื™ื ื™ื—ืฉื‘ื•
09:22
that's a krump move, that's a krump move.
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ื–ื•ื”ื™ ืชื ื•ืขืช ืงืจืืžืค, ื•ื–ื•ื”ื™ ืชื ื•ืขืช ืงืจืืžืค.
09:24
That's not a krump move. You're going to throw it out,
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ื–ื•ื”ื™ ืœื ืชื ื•ืขืช ืงืจืืžืค. ืืชื” ื”ื•ืœืš ืœื–ืจื•ืง ืืช ื–ื”,
09:26
you throw it out, and you hold it.
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ืืชื” ื–ื•ืจืง ืืช ื–ื”, ื•ืžื—ื–ื™ืง ืืช ื–ื”.
09:28
And you let it go, and then right when you see the tail,
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ื•ืืชื” ืžืฉื—ืจืจ, ื•ื‘ืจื’ืข ืฉืืชื” ืจื•ืื” ืืช ื”ื–ื ื‘
09:30
you grab it by the tail, then you bring it back in.
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ืืชื” ืชื•ืคืก ืืช ื”ื–ื ื‘, ื•ืžื—ื–ื™ืจ ืืช ื–ื” ืคื ื™ืžื”.
09:32
And you just got this piece of energy
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ื•ืืชื” ืžื—ื–ื™ืง ืืช ืคื™ืกืช ื”ืื ืจื’ื™ื” ื”ื–ืืช
09:35
and you just, you're manipulating it.
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ื•ืืชื” ืžืฉืคื™ืข ืขืœื™ื”.
09:37
You know, you create power, then you tame it.
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ืืชื” ื™ื•ื“ืข, ืืชื” ื™ื•ืฆืจ ื›ื•ื—, ื•ืืชื” ืžืืœืฃ ืื•ืชื•.
09:45
(Music)
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(ืžื•ื–ื™ืงื”)
10:51
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
11:03
(Music)
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(ืžื•ื–ื™ืงื”)
16:45
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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