A glimpse of the future through an augmented reality headset | Meron Gribetz

376,250 views ใƒป 2016-04-11

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ido Dekkers ืžื‘ืงืจ: Zeeva Livshitz
00:13
Today's computers are so amazing
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ื”ืžื—ืฉื‘ื™ื ืฉืœ ื”ื™ื•ื ื”ื ื›ืœ ื›ืš ืžื“ื”ื™ืžื™ื
00:16
that we fail to notice how terrible they really are.
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ืฉืื ื—ื ื• ืœื ืฉืžื™ื ืœื‘ ื›ืžื” ื”ื ื‘ืืžืช ื ื•ืจืื™ื™ื.
00:22
I'd like to talk to you today about this problem,
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ื”ื™ื™ืชื™ ืจื•ืฆื” ืœื“ื‘ืจ ืื™ืชื›ื ื”ื™ื•ื ืขืœ ื”ื‘ืขื™ื” ื”ื–ื•,
00:24
and how we can fix it with neuroscience.
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ื•ืื™ืš ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืชืงืŸ ืื•ืชื” ืขื ืžื“ืขื™ ื”ืžื•ื—.
00:28
First, I'd like to take you back to a frosty night in Harlem in 2011
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ืจืืฉื™ืช, ื”ื™ื™ืชื™ ืจื•ืฆื” ืœื”ื—ื–ื™ืจ ืืชื›ื ืœืœื™ืœื” ืงืคื•ื ื‘ื”ืจืืœื ื‘ 2011
00:32
that had a profound impact on me.
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ืฉื”ื™ืชื” ืœื• ื”ืฉืคืขื” ืขืžื•ืงื” ืขืœื™.
00:34
I was sitting in a dive bar outside of Columbia University,
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ื™ืฉื‘ืชื™ ื‘ื‘ืจ ืžื—ื•ืฅ ืœืื•ื ื™ื‘ืจืกื™ื˜ืช ืงื•ืœื•ืžื‘ื™ื”,
00:37
where I studied computer science and neuroscience,
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ืฉื ืœืžื“ืชื™ ืžื“ืขื™ ืžื—ืฉื‘ ื•ืžื“ืขื™ ืžื•ื—,
00:40
and I was having this great conversation with a fellow student
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ื•ื”ื™ืชื” ืœื™ ืฉื™ื—ื” ืžืขื•ืœื” ืขื ืกื˜ื•ื“ื ื˜ ืขืžื™ืช
00:43
about the power of holograms to one day replace computers.
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ื‘ื ื•ื’ืข ืœื›ื•ื— ืฉืœ ื”ื•ืœื•ื’ืจืžื•ืช ืœื”ื—ืœื™ืฃ ื™ื•ื ืื—ื“ ืืช ื”ืžื—ืฉื‘ื™ื.
00:47
And just as we were getting to the best part of the conversation,
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ื•ืžืžืฉ ื›ืฉื”ื’ืขื ื• ืœื—ืœืง ื”ื›ื™ ื˜ื•ื‘ ืฉืœ ื”ืฉื™ื—ื”,
00:50
of course, his phone lights up.
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ื›ืžื•ื‘ืŸ, ื”ื˜ืœืคื•ืŸ ืฉืœื• ื–ืžื–ื.
00:52
And he pulls it towards himself, and he looks down and he starts typing.
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ื•ื”ื•ื ืžื•ืฉืš ืื•ืชื• ืืœื™ื•, ื•ื”ื•ื ืžื‘ื™ื˜ ืขืœื™ื• ืœืžื˜ื” ื•ืžืชื—ื™ืœ ืœื”ืงืœื™ื“.
00:57
And then he forces his eyeballs back up to mine and he goes,
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ื•ืื– ื”ื•ื ืžื ื™ืข ืืช ื’ืœื’ืœื™ ืขื™ื ื™ื• ื—ื–ืจื” ืœืฉืœื™ ื•ืื•ืžืจ,
01:00
"Keep going. I'm with you."
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"ืชืžืฉื™ืš, ืื ื™ ืื™ืชืš."
01:02
But of course his eyes were glazed over,
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ืื‘ืœ ื›ืžื•ื‘ืŸ ื”ืขื™ื ื™ื™ื ืฉืœื• ื”ื™ื• ืžื–ื•ื’ื’ื•ืช,
01:04
and the moment was dead.
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ื•ื”ืจื’ืข ืžืช.
01:06
Meanwhile across the bar,
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ื‘ื™ื ืชื™ื™ื ืžืขื‘ืจ ืœื‘ืจ,
01:08
I noticed another student holding his phone,
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ื”ื‘ื—ื ืชื™ ื‘ืกื˜ื•ื“ื ื˜ ืื—ืจ ืฉืžื—ื–ื™ืง ื˜ืœืคื•ืŸ,
01:10
this time towards a group.
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ื”ืคืขื ืœื›ื™ื•ื•ืŸ ืงื‘ื•ืฆื”.
01:11
He was swiping through pictures on Instagram,
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ื”ื•ื ืขื‘ืจ ืขืœ ืชืžื•ื ื•ืช ื‘ืื™ื ืกื˜ื’ืจื,
01:14
and these kids were laughing hysterically.
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ื•ื”ื™ืœื“ื™ื ื”ืืœื” ืฆื—ืงื• ื‘ื”ืกื˜ืจื™ื”.
01:17
And that dichotomy between how crappy I was feeling
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ื•ื”ื“ื™ื›ื•ื˜ื•ืžื™ื” ื”ื–ื• ื‘ื™ืŸ ื›ืžื” ื—ืจื ื”ืจื’ืฉืชื™
01:20
and how happy they were feeling about the same technology,
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ื•ื›ืžื” ืฉืžื—ื™ื ื”ื ื”ืจื’ื™ืฉื• ื‘ื ื•ื’ืข ืœืื•ืชื” ื˜ื›ื ื•ืœื•ื’ื™ื”,
01:23
really got me thinking.
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ื‘ืืžืช ื’ืจืžื” ืœื™ ืœื—ืฉื•ื‘.
01:25
And the more I thought of it, the more I realized
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ื•ื›ื›ืœ ืฉื—ืฉื‘ืชื™ ืขืœ ื–ื” ื™ื•ืชืจ, ื”ื‘ื ืชื™
01:27
it was clearly not the digital information that was the bad guy here,
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ืฉื–ื” ื‘ื‘ืจื•ืจ ืœื ื”ื™ื” ื”ืžื™ื“ืข ื”ื“ื™ื’ื™ื˜ืœื™ ืฉื”ื™ื” ื”ื‘ื—ื•ืจ ื”ืจืข ืคื”,
01:31
it was simply the display position that was separating me from my friend
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ื–ื” ื”ื™ื” ืคืฉื•ื˜ ืžืฆื‘ ื”ืชืฆื•ื’ื” ืฉื”ืคืจื™ื“ ื‘ื™ื ื™ ื•ื‘ื™ืŸ ื—ื‘ืจื™
01:34
and that was binding those kids together.
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ื•ืงื™ืฉืจ ื‘ื™ืŸ ื”ืื—ืจื™ื.
01:37
See, they were connected around something,
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ื”ื‘ื™ื ื•, ื”ื ื—ื•ื‘ืจื• ืกื‘ื™ื‘ ืžืฉื”ื•,
01:39
just like our ancestors who evolved their social cognitions
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ืžืžืฉ ื›ืžื• ืฉืื‘ื•ืชื™ื ื• ืฉืคื™ืชื—ื• ืืช ื”ื™ื›ื•ืœื•ืช ื”ื—ื‘ืจืชื™ื•ืช ืฉืœื”ื
01:43
telling stories around the campfire.
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ืกื™ืคืจื• ืกื™ืคื•ืจื™ื ืžืกื‘ื™ื‘ ืœืžื“ื•ืจื”.
01:45
And that's exactly what tools should do, I think.
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ื•ื–ื” ื‘ื“ื™ื•ืง ืžื” ืฉื›ืœื™ื ืฆืจื™ื›ื™ื ืœืขืฉื•ืช, ืื ื™ ื—ื•ืฉื‘.
01:48
They should extend our bodies.
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ื”ื ืฆืจื™ื›ื™ื ืœื”ืจื—ื™ื‘ ืืช ื”ื’ื•ืฃ ืฉืœื ื•.
01:49
And I think computers today are doing quite the opposite.
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ื•ืื ื™ ื—ื•ืฉื‘ ืฉืžื—ืฉื‘ื™ื ื”ื™ื•ื ืขื•ืฉื™ื ื‘ื“ื™ื•ืง ื”ื”ืคืš.
01:52
Whether you're sending an email to your wife
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ื‘ื™ืŸ ืื ืืชื ืฉื•ืœื—ื™ื ื“ื•ื"ืœ ืœืืฉืชื›ื
01:55
or you're composing a symphony
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ืื• ืฉืืชื ืžื—ื‘ืจื™ื ืกื™ืžืคื•ื ื™ื”
01:57
or just consoling a friend,
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ืื• ืคืฉื•ื˜ ืžืชื™ื™ืขืฆื™ื ืขื ื—ื‘ืจ,
01:58
you're doing it in pretty much the same way.
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ืืชื ืขื•ืฉื™ื ืืช ื–ื” ืžืžืฉ ื‘ืื•ืชืŸ ื“ืจื›ื™ื.
02:01
You're hunched over these rectangles,
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ืืชื ื›ืคื•ืคื™ื ืžืขืœ ื”ืžืœื‘ื ื™ื ื”ืืœื•,
02:03
fumbling with buttons and menus and more rectangles.
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ืžืฉื—ืงื™ื ืขื ื›ืคืชื•ืจื™ื ื•ืชืคืจื™ื˜ื™ื ื•ืขื•ื“ ืžืœื‘ื ื™ื.
02:06
And I think this is the wrong way,
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ื•ืื ื™ ื—ื•ืฉื‘ ืฉื–ื• ื”ื“ืจืš ื”ืœื ื ื›ื•ื ื”,
02:08
I think we can start using a much more natural machine.
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ืื ื™ ื—ื•ืฉื‘ ืฉืื ื—ื ื• ื™ื›ื•ืœื™ื ืœื”ืชื—ื™ืœ ืœื”ืฉืชืžืฉ ื‘ืžื›ื•ื ื” ื”ืจื‘ื” ื™ื•ืชืจ ื˜ื‘ืขื™ืช.
02:12
We should use machines that bring our work back into the world.
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ืื ื—ื ื• ืฆืจื™ื›ื™ื ืœื”ืฉืชืžืฉ ื‘ืžื›ื•ื ื•ืช ืฉืžื‘ื™ืื•ืช ืืช ื”ืขื‘ื•ื“ื” ืฉืœื ื• ื—ื–ืจื” ืœืขื•ืœื.
02:15
We should use machines that use the principles of neuroscience
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ืื ื—ื ื• ืฆืจื™ื›ื™ื ืœื”ืฉืชืžืฉ ื‘ืžื›ื•ื ื•ืช ืฉืžืฉืชืžืฉื•ืช ื‘ืขืงืจื•ื ื•ืช ืžื“ืขื™ ื”ืžื•ื—
02:18
to extend our senses versus going against them.
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ื›ืจื™ ืœื”ืจื—ื™ื‘ ืืช ื”ื—ื•ืฉื™ื ืฉืœื ื• ื‘ืžืงื•ื ืœืœืœื›ืช ื ื’ื“ื.
02:23
Now it just so happens that I have such a machine here.
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ืขื›ืฉื™ื• ืจืง ื‘ืžืงืจื” ื™ืฉ ืœื™ ื›ื–ื• ืžื›ื•ื ื” ืคื”.
02:26
It's called the Meta 2.
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ื”ื™ื ื ืงืจืืช ืžื˜ื 2.
02:27
Let's try it out.
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ื‘ื•ืื• ื ื ืกื” ืื•ืชื”.
02:37
Now in front of me right now, I can see the audience,
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ืขื›ืฉื™ื• ืžืžืฉ ืžื•ืœื™, ืื ื™ ืจื•ืื” ืืช ื”ืงื”ืœ,
02:40
and I can see my very hands.
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ื•ืื ื™ ื™ื›ื•ืœ ืœืจืื•ืช ืืช ื™ื“ื™ ืฉืœื™.
02:43
And in three, two, one,
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ื•ืขื•ื“ ืฉืœื•ืฉ, ืฉืชื™ื™ื, ืื—ืช,
02:45
we're going to see an immersive hologram appear,
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ืื ื—ื ื• ื ืจืื” ื”ื•ืœื•ื’ืจืžื” ืžื›ื™ืœื” ืžื•ืคื™ืขื”,
02:48
a very realistic hologram appear in front of me,
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ื”ื•ืœื•ื’ืจืžื” ืžืื•ื“ ืจื™ืืœื™ืกื˜ื™ืช ืžื•ืคื™ืขื” ืœืคื ื™,
02:50
of our very glasses I'm wearing on my head right now.
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ืฉืœ ื”ืžืฉืงืคื™ื™ื ืฉืœื ื• ืฉืื ื™ ื—ื•ื‘ืฉ ืขืœ ืจืืฉื™ ืขื›ืฉื™ื•.
02:52
And of course this could be anything that we're shopping for
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ื•ื›ืžื•ื‘ืŸ, ื–ื” ื™ื›ื•ืœ ืœื”ื™ื•ืช ื›ืœ ืžื” ืฉืื ื—ื ื• ืงื•ื ื™ื ืขื›ืฉื™ื•
02:55
or learning from,
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ืื• ืœื•ืžื“ื™ื ืžืžื ื•,
02:56
and I can use my hands
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ื•ืื ื™ ื™ื›ื•ืœ ืœื”ืฉืชืžืฉ ื‘ื™ื“ื™
02:58
to very nicely kind of move it around with fine control.
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ื›ื“ื™ ืœื”ื ื™ืข ืื•ืชืŸ ืžืžืฉ ื™ืคื” ืžืกื‘ื™ื‘ ืขื ืฉืœื™ื˜ื” ืขื“ื™ื ื”.
03:02
And I think Iron Man would be proud.
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ื•ืื ื™ ื—ื•ืฉื‘ ืฉืื™ื™ืจื•ืŸ ืžืŸ ื”ื™ื” ื’ืื”.
03:06
We're going to come back to this in just a bit.
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ืื ื—ื ื• ื ื—ื–ื•ืจ ืœื–ื” ืขื•ื“ ืžืขื˜,
03:09
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
03:11
Now if you're anything like me, your mind is already reeling
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ืขื›ืฉื™ื• ืื ืืชื ื›ืžื•ื ื™, ื”ืžื•ื— ืฉืœื›ื ื›ื‘ืจ ืจืฅ
03:14
with the possibilities of what we can do with this kind of technology,
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ืขื ืืคืฉืจื•ื™ื•ืช ืฉืœ ืžื” ื™ื›ื•ืœ ืœื”ืขืฉื•ืช ืขื ืกื•ื’ ื–ื” ืฉืœ ื˜ื›ื ื•ืœื•ื’ื™ื”,
03:18
so let's look at a few.
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ืื– ื‘ื•ืื• ื ื‘ื™ื˜ ื‘ื›ืžื”.
03:19
My mom is an architect,
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ืื™ืžื™ ื”ื™ื ืืจื›ื™ื˜ืงื˜ื™ืช,
03:20
so naturally the first thing I imagined
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ืื– ื›ืžื•ื‘ืŸ ื”ื“ื‘ืจ ื”ืจืืฉื•ืŸ ืฉื“ืžื™ื™ื ืชื™
03:22
was laying out a building in 3D space
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ื”ื™ื” ืœืคืจื•ืฉ ืชื›ื ื•ืŸ ืฉืœ ื‘ื ื™ื™ืŸ ื‘ืžืจื—ื‘ ื”ืชืœืช ืžื™ืžื“ื™
03:25
instead of having to use these 2D floor plans.
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ื‘ืžืงื•ื ืœื”ืฉืชืžืฉ ื‘ืฉืจื˜ื•ื˜ื™ ื”ื“ื• ืžื™ืžื“ ื”ืืœื”.
03:27
She's actually touching graphics right now
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ื”ื™ื ืœืžืขืฉื” ื ื•ื’ืขืช ื‘ื’ืจืคื™ืงื” ืขื›ืฉื™ื•
03:29
and selecting an interior decor.
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ื•ื‘ื•ื—ืจืช ืขื™ืฆื•ื‘ ืคื ื™ืžื™.
03:31
This was all shot through a GoPro through our very glasses.
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ื›ืœ ื–ื” ืฆื•ืœื ื‘ื’ื• ืคืจื• ื“ืจืš ื”ืžืฉืงืคื™ื™ื ืฉืœื ื•.
03:35
And this next use case is very personal to me,
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ื•ื”ืฉื™ืžื•ืฉ ื”ื‘ื ื”ื•ื ืžืื•ื“ ืื™ืฉื™ ื‘ืฉื‘ื™ืœื™,
03:37
it's Professor Adam Gazzaley's glass brain project,
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ื–ื” ืคืจื•ื™ื™ืงื˜ ืžื•ื— ื”ื–ื›ื•ื›ื™ืช ืฉืœ ืคืจื•ืคืกื•ืจ ืื“ื ื’ื–ืœื™,
03:41
courtesy of UCSF.
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ื‘ืื“ื™ื‘ื•ืช ืื•ื ื™ื‘ืจืกื™ื˜ืช ืกืŸ ืคืจื ืกื™ืกืงื•.
03:43
As a neuroscience student,
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ื›ืกื˜ื•ื“ื ื˜ ืœืžื“ืขื™ ืžื•ื—,
03:44
I would always fantasize
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ื”ื™ื™ืชื™ ืชืžื™ื“ ื—ื•ืœื
03:46
about the ability to learn and memorize these complex brain structures
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ืขืœ ื”ื™ื›ื•ืœืช ืœืœืžื•ื“ ื•ืœืฉื ืŸ ืืช ืžื‘ื ื” ื”ืžื•ื— ื”ืžื•ืจื›ื‘
03:51
with an actual machine,
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ืขื ืžื›ื•ื ื” ืžืžืฉื™ืช,
03:52
where I could touch and play with the various brain structures.
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ื‘ื” ื”ื™ื™ืชื™ ื™ื›ื•ืœ ืœื’ืขืช ื•ืœืฉื—ืง ืขื ืžื‘ื ื™ ื”ืžื•ื— ื”ืฉื•ื ื™ื.
03:56
Now what you're seeing is called augmented reality,
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ืขื›ืฉื™ื• ืžื” ืฉืืชื ืจื•ืื™ื ื ืงืจื ืžืฆื™ืื•ืช ืจื‘ื•ื“ื”,
04:00
but to me, it's part of a much more important story --
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ืื‘ืœ ื‘ืฉื‘ื™ืœื™, ื–ื” ื—ืœืง ืžืกื™ืคื•ืจ ื”ืจื‘ื” ื™ื•ืชืจ ื’ื“ื•ืœ --
04:03
a story of how we can begin to extend our bodies with digital devices,
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ืกื™ืคื•ืจ ืขืœ ืื™ืš ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœื”ืชื—ื™ืœ ืœื”ืจื—ื™ื‘ ืืช ื”ื’ื•ืฃ ืฉืœื ื• ืขื ืžื›ืฉื™ืจื™ื ื“ื™ื’ื™ื˜ืœื™ื™ื,
04:10
instead of the other way around.
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ื‘ืžืงื•ื ืœื”ืคืš.
04:13
Now ...
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ืขื›ืฉื™ื• ...
04:15
in the next few years, humanity's going to go through a shift, I think.
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ื‘ืฉื ื™ื ื”ืงืจื•ื‘ื•ืช, ื”ืื ื•ืฉื•ืช ืขื•ืžื“ืช ืœืขื‘ื•ืจ ืžื”ืคืš, ืื ื™ ื—ื•ืฉื‘.
04:18
We're going to start putting an entire layer of digital information
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ืื ื—ื ื• ืขื•ืžื“ื™ื ืœื”ืชื—ื™ืœ ืœืฉื™ื ืฉื›ื‘ื” ืฉืœืžื” ืฉืœ ืžื™ื“ืข ื“ื™ื’ื™ื˜ืœื™
04:21
on the real world.
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ืขืœ ื”ืขื•ืœื ื”ืืžื™ืชื™.
04:24
Just imagine for a moment
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ืคืฉื•ื˜ ื“ืžื™ื™ื ื• ืœืจื’ืข
04:25
what this could mean for storytellers,
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ืžื” ื–ื” ื”ื™ื” ืื•ืžืจ ืœืกื™ืคื•ืจ ืกื™ืคื•ืจื™ื,
04:27
for painters,
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ืœืฆื™ื™ืจื™ื,
04:28
for brain surgeons,
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ืœืžื ืชื—ื™ ืžื•ื—,
04:31
for interior decorators
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ืœืžืขืฆื‘ื™ ืคื ื™ื
04:32
and maybe for all of us here today.
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ื•ืื•ืœื™ ืœื›ื•ืœื ื• ืคื” ื”ื™ื•ื.
04:35
And what I think we need to do as a community,
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ื•ืžื” ืฉืื ื™ ื—ื•ืฉื‘ ืฉืื ื—ื ื• ืฆืจื™ื›ื™ื ืœืขืฉื•ืช ื›ืงื”ื™ืœื”,
04:37
is really try and make an effort
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ื–ื” ื‘ืืžืช ืœื ืกื•ืช ืœืขืฉื•ืช ืžืืžืฅ
04:39
to imagine how we can create this new reality
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ืœื“ืžื™ื™ืŸ ืื™ืš ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœื™ืฆื•ืจ ืืช ื”ืžืฆื™ืื•ืช ื”ื—ื“ืฉื” ื”ื–ื•
04:42
in a way that extends the human experience,
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ื‘ื“ืจืš ืฉืชืจื—ื™ื‘ ืืช ื”ื—ื•ื•ื™ื” ื”ืื ื•ืฉื™ืช,
04:45
instead of gamifying our reality
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ื‘ืžืงื•ื ืœื”ืคื•ืš ืืช ื”ืžืฆื™ืื•ืช ืฉืœื ื• ืœืžืฉื—ืง
04:47
or cluttering it with digital information.
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ืื• ืœื‘ืœื’ืŸ ืื•ืชื” ืขื ืžื™ื“ืข ื“ื™ื’ื™ื˜ืœื™.
04:49
And that's what I'm very passionate about.
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ื•ื–ื• ื”ืชืฉื•ืงื” ืฉืœื™.
04:52
Now, I want to tell you a little secret.
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ืขื›ืฉื™ื•, ืื ื™ ืจื•ืฆื” ืœืกืคืจ ืœื›ื ืกื•ื“ ืงื˜ืŸ.
04:54
In about five years --
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ืชื•ืš ื—ืžืฉ ืฉื ื™ื ื‘ืขืจืš --
04:55
this is not the smallest device --
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ื–ื” ืœื ื”ืžื›ืฉื™ืจ ื”ื›ื™ ืงื˜ืŸ --
04:57
in about five years,
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ื‘ืขืจืš ืชื•ืš ื—ืžืฉ ืฉื ื™ื,
04:58
these are all going to look like strips of glass on our eyes
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ื›ืœ ืืœื” ื™ืจืื• ื›ืžื• ืจืฆื•ืขื•ืช ื–ื›ื•ื›ื™ืช ืžื•ืœ ืขื™ื ื™ื™ื ื•
05:01
that project holograms.
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ืฉืžืงืจื™ื ื•ืช ื”ื•ืœื•ื’ืจืžื•ืช.
05:03
And just like we don't care so much about which phone we buy
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ื•ืžืžืฉ ื›ืžื• ืฉืœื ืื›ืคืช ืœื ื• ื›ืœ ื›ืš ื‘ื ื•ื’ืข ืœืื™ื–ื” ื˜ืœืคื•ืŸ ื ืงื ื”
05:06
in terms of the hardware -- we buy it for the operating system --
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ื‘ืžื•ื ื—ื™ื ืฉืœ ืชื•ื›ื ื” -- ืื ื—ื ื• ืงื•ื ื™ื ืื•ืชื• ื‘ื’ืœืœ ืžืขืจื›ืช ื”ื”ืคืขืœื” --
05:10
as a neuroscientist,
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ื›ืžื“ืขื ื™ ืžื•ื—,
05:11
I always dreamt of building the iOS of the mind, if you will.
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ืชืžื™ื“ ื—ืœืžืชื™ ืขืœ ืœื‘ื ื•ืช ืืช ืžืขืจื›ืช ื”ื”ืคืขืœื” ืฉืœ ื”ืžื™ื™ื ื“, ืื ืชืจืฆื•.
05:16
And it's very, very important that we get this right,
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ื•ื–ื” ืžืื•ื“ ืžืื•ื“ ืžืฉื•ื‘ ืฉื ืขืฉื” ืืช ื–ื” ื ื›ื•ืŸ,
05:19
because we might be living inside of these things
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ื‘ื’ืœืœ ืฉืื•ืœื™ ื ื—ื™ื” ื‘ืชื•ืš ื”ื“ื‘ืจื™ื ื”ืืœื”
05:21
for at least as long as we've lived
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ืœืคื—ื•ืช ื›ืžื” ืฉื—ื™ื™ื ื•
05:23
with the Windows graphical user interface.
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ืขื ืžืžืฉืง ื”ืžืฉืชืžืฉ ืฉืœ ื—ืœื•ื ื•ืช.
05:26
And I don't know about you,
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ื•ืื ื™ ืœื ื™ื•ื“ืข ื‘ื ื•ื’ืข ืืœื™ื›ื,
05:27
but living inside of Windows scares me.
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ืื‘ืœ ืœื—ื™ื•ืช ื‘ืชื•ืš ื—ืœื•ื ื•ืช ืžืคื—ื™ื“ ืื•ืชื™.
05:30
(Laughter)
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(ืฆื—ื•ืง)
05:31
To isolate the single most intuitive interface out of infinity,
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ื›ื“ื™ ืœื‘ื•ื“ื“ ืืช ื”ืžืžืฉืง ื”ื›ื™ ืื™ื ื˜ื•ืื™ื˜ื™ื‘ื™ ืžื”ืื™ืŸ ืกื•ืฃ,
05:35
we use neuroscience to drive our design guidelines,
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ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ืžื“ืขื™ ืžื•ื— ื›ื“ื™ ืœื”ื ื™ืข ืืช ื”ื ื—ื™ื•ืช ื”ืขื™ืฆื•ื‘ ืฉืœื ื•,
05:37
instead of letting a bunch of designers fight it out in the boardroom.
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ื‘ืžืงื•ื ืœืชืช ืœืงื‘ื•ืฆื” ืฉืœ ืžืขืฆื‘ื™ื ืœื”ืœื—ื ื‘ื—ื“ืจ ื”ื™ืฉื™ื‘ื•ืช.
05:41
And the principle we all revolve around
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ื•ื”ืขืงืจื•ื ื•ืช ืฉื›ื•ืœื ื• ืกื•ื‘ื‘ื™ื ืกื‘ื™ื‘ื
05:44
is what's called the "Neural Path of Least Resistance."
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ื”ื ืžื” ืฉื ืงืจื "ืžืขื‘ืจ ื ื™ื•ืจื•ืœื•ื’ื™ ืฉืœ ื”ื›ื™ ืคื—ื•ืช ื”ืชื ื’ื“ื•ืช."
05:47
At every turn, we're connecting the iOS of the brain with our brain
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ื‘ื›ืœ ืคื ื™ื™ื”, ืื ื—ื ื• ืžื—ื‘ืจื™ื ืืช ืžืขืจื›ืช ื”ื”ืคืขืœื” ืฉืœ ื”ืžื•ื— ืขื ื”ืžื•ื— ืฉืœื ื•
05:51
on, for the first time, our brain's terms.
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ืœืคื™, ื‘ืคืขื ื”ืจืืฉื•ื ื”, ืชื ืื™ ื”ืžื•ื— ืฉืœื ื•.
05:53
In other words, we're trying to create a zero learning-curve computer.
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ื‘ืžื™ืœื™ื ืื—ืจื•ืช, ืื ื—ื ื• ืžื ืกื™ื ืœื™ืฆื•ืจ ืžื—ืฉื‘ ืขื ืขืงื•ืžืช ืœืžื™ื“ื” ืืคืกื™ืช.
05:58
We're building a system that you've always known how to use.
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ืื ื—ื ื• ื‘ื•ื ื™ื ืžืขืจื›ืช ืฉืชืžื™ื“ ื™ื“ืขืชื ืื™ืš ืœื”ืฉืชืžืฉ ื‘ื”.
06:02
Here are the first three design guidelines that we employ
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ื”ื ื” ืฉืœื•ืฉืช ืงื•ื™ ื”ืขื™ืฆื•ื‘ื™ื ื”ืจืืฉื•ื ื™ื ื‘ื”ื ืื ื—ื ื• ืžืฉืชืžืฉื™ื
06:05
in this brand-new form of user experience.
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ื‘ืฆื•ืจื” ื”ื—ื“ืฉื” ืœื’ืžืจื™ ืฉืœ ื—ื•ื•ื™ืช ืžืฉืชืžืฉ.
06:07
First and foremost, you are the operating system.
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ืจืืฉื™ืช, ืืชื ืžืขืจื›ืช ื”ื”ืคืขืœื”.
06:10
Traditional file systems are complex and abstract,
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ืžืขืจื›ื•ืช ืงื‘ืฆื™ื ืžืกื•ืจืชื™ื•ืช ื”ืŸ ืžื•ืจื›ื‘ื•ืช ื•ืžื•ืคืฉื˜ื•ืช,
06:13
and they take your brain extra steps to decode them.
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ื•ื”ืžื•ื— ืฉืœื›ื ื“ื•ืจืฉ ืฉืœื‘ื™ื ื ื•ืกืคื™ื ื›ื“ื™ ืœืคืฆื— ืื•ืชืŸ.
06:16
We're going against the Neural Path of Least Resistance.
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ืื ื—ื ื• ื”ื•ืœื›ื™ื ื ื’ื“ ื”ื ืชื™ื‘ ื”ื˜ื‘ืขื™ ืฉืœ ื”ื›ื™ ืคื—ื•ืช ื”ืชื ื’ื“ื•ืช.
06:18
Meanwhile, in augmented reality,
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ื‘ื™ื ืชื™ื™ื, ื‘ืžืฆื™ืื•ืช ืจื‘ื•ื“ื”,
06:21
you can of course place your holographic TED panel over here,
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ืืชื ื™ื›ื•ืœื™ื ื›ืžื•ื‘ืŸ ืœืžืงื ืืช ืคืื ืœ TED ื”ื”ื•ืœื•ื’ืจืคื™ ืฉืœื›ื ืคื”,
06:26
and your holographic email on the other side of the desk,
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ื•ื”ืื™ืžื™ื™ืœ ื”ื”ื•ืœื•ื’ืจืคื™ ืฉืœื›ื ื‘ืฆื“ ื”ืฉื ื™ ืฉืœ ื”ืฉื•ืœื—ืŸ,
06:29
and your spatial memory evolved just fine to go ahead and retrieve them.
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ื•ื”ื–ื™ื›ืจื•ืŸ ื”ืžืจื—ื‘ื™ ืฉืœื›ื ื”ืชืคืชื— ืžืžืฉ ื˜ื•ื‘ ื›ื“ื™ ืœืื—ื–ืจ ืื•ืชื.
06:35
You could put your holographic Tesla that you're shopping for --
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ืชื•ื›ืœื• ืœืฉื™ื ืืช ื”ื˜ืกืœื” ื”ื”ื•ืœื•ื’ืจืคื™ืช ืฉืœื›ื ืฉืืชื ืจื•ืฆื™ื ืœืงื ื•ืช --
06:38
or whatever model my legal team told me to put in right before the show.
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ืื• ืื™ื–ื” ืžื•ื“ืœ ืฉื”ืฆื•ื•ืช ื”ืžืฉืคื˜ื™ ืฉืœื™ ืืžืจ ืœื™ ืœืฉื™ื ืžืžืฉ ืœืคื ื™ ื”ืžืฆื’ืช.
06:42
(Laughter)
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(ืฆื—ื•ืง)
06:43
Perfect. And your brain knows exactly how to get it back.
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ืžื•ืฉืœื. ื•ื”ืžื•ื— ืฉืœื›ื ื™ื•ื“ืข ื‘ื“ื™ื•ืง ืื™ืš ืœืื—ื–ืจ ืื•ืชื•.
06:45
The second interface guideline we call "touch to see."
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ืœืงื•ื•ื™ื ื”ืžื ื—ื™ื ืฉืœ ื”ืžืžืฉืง ื”ืฉื ื™ ืื ื—ื ื• ืงื•ืจืื™ื "ืœื’ืขืช ื›ื“ื™ ืœืจืื•ืช."
06:49
What do babies do when they see something that grabs their interest?
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ืžื” ืชื™ื ื•ืงื•ืช ืขื•ืฉื™ื ื›ืฉื”ื ืจื•ืื™ื ืžืฉื”ื• ืฉืชื•ืคืก ืืช ืชืฉื•ืžืช ืœื™ื‘ื?
06:54
They try and reach out and touch it.
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ื”ื ืžื ืกื™ื ืœื”ื•ืฉื™ื˜ ื™ื“ ื•ืœื’ืขืช ื‘ื•.
06:56
And that's exactly how the natural machine should work as well.
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ื•ื–ื” ื‘ื“ื™ื•ืง ืื™ืš ืฉื”ืžื›ื•ื ื” ื”ื˜ื‘ืขื™ืช ืฆืจื™ื›ื” ืœืขื‘ื•ื“.
07:00
Turns out the visual system gets a fundamental boost
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ืžืกืชื‘ืจ ืฉื”ืžืขืจื›ืช ื”ื•ื™ื–ื•ืืœื™ืช ืžืงื‘ืœืช ืขื™ื“ื•ื“ ืžืฉืžืขื•ืชื™
07:02
from a sense we call proprioception --
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ืžื—ื•ืฉ ืฉืื ื—ื ื• ืงื•ืจืื™ื ืœื• ืคืจื•ืคืจื™ื•ืกืคืฆื™ื” --
07:05
that's the sense of our body parts in space.
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ื–ื” ื”ื—ื•ืฉ ืฉืœ ื—ืœืงื™ ื”ื’ื•ืฃ ืฉืœื ื• ื‘ื—ืœืœ.
07:07
So by touching our work directly, we're not only going to control it better,
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ืื– ื‘ื ื’ื™ืขื” ื‘ืขื‘ื•ื“ื” ืฉืœื ื• ื™ืฉื™ืจื•ืช, ืื ื—ื ื• ืœื ืจืง ื ืฉืœื•ื˜ ื‘ื• ื˜ื•ื‘ ื™ื•ืชืจ,
07:11
we're also going to understand it much more deeply.
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ืื ื—ื ื• ื’ื ื ื‘ื™ืŸ ืื•ืชื• ื”ืจื‘ื” ื™ื•ืชืจ ืœืขื•ืžืง.
07:14
Hence, touch to see.
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ืœื›ืŸ, ืชื’ืขื• ื›ื“ื™ ืœืจืื•ืช.
07:16
But it's not enough to experience things ourselves.
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ืื‘ืœ ื–ื” ืœื ืžืกืคื™ืง ืœื—ื•ื•ืช ื“ื‘ืจื™ื ื‘ืขืฆืžื ื•.
07:18
We're inherently these social primates.
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ืื ื—ื ื• ื‘ืขืฆื ื—ื™ื•ืช ื—ื‘ืจื•ืชื™ื•ืช.
07:20
And this leads me to our third guideline,
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ื•ื–ื” ืžื•ื‘ื™ืœ ืื•ืชื™ ืœืงื• ื”ืžื ื—ื” ื”ืฉืœื™ืฉื™ ืฉืœื ื•,
07:23
the holographic campfire from our first story.
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ื”ืžื“ื•ืจื” ื”ื”ื•ืœื•ื’ืจืคื™ืช ืžื”ืกื™ืคื•ืจ ื”ืจืืฉื•ืŸ ืฉืœื ื•.
07:26
Our mirror-neuron subsystem suggests
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ืžืขืจื›ืช ื ื™ื•ืจื•ื ื™ ื”ืžืจืื” ืฉืœื ื• ืžืฆื™ืขื”
07:28
that we can connect with each other and with our work much better
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ืฉืื ื—ื ื• ื™ื›ื•ืœื™ื ืœื”ืชื—ื‘ืจ ืื—ื“ ืœืฉื ื™ ื•ืขื ื”ืขื‘ื•ื“ื” ืฉืœื ื• ื˜ื•ื‘ ื‘ื”ืจื‘ื”
07:32
if we can see each other's faces and hands in 3D.
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ืื ื ื•ื›ืœ ืœืจืื•ืช ืืช ื”ืคื ื™ื ื•ื”ื™ื“ื™ื™ื ืื—ื“ ืฉืœ ื”ืฉื ื™ ื‘ืชืœืช ืžื™ืžื“.
07:35
So if you look at the video behind me,
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ืื– ืื ืืชื ืžื‘ื™ื˜ื™ื ื‘ืกืจื˜ื•ืŸ ืžืื—ื•ืจื™,
07:36
you can see two Meta users playing around with the same hologram,
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ืืชื ื™ื›ื•ืœื™ื ืœืจืื•ืช ืฉื ื™ ืžืฉืชืžืฉื™ ืžื˜ื ืžืฉื—ืงื™ื ืขื ืื•ืชื” ื”ื•ืœื•ื’ืจืžื”,
07:41
making eye contact, connected around this thing,
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ื™ื•ืฆืจื™ื ืงืฉืจ ืขื™ืŸ, ืžื—ื•ื‘ืจื™ื ืกื‘ื™ื‘ ื”ื“ื‘ืจ ื”ื–ื”,
07:43
instead of being distracted by external devices.
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ื‘ืžืงื•ื ืœื”ื™ื•ืช ืžื•ืกื—ื™ื ืขืœ ื™ื“ื™ ืžื›ืฉื™ืจื™ื ื—ื™ืฆื•ื ื™ื™ื.
07:48
Let's go ahead and try this again with neuroscience in mind.
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ื‘ื•ืื• ื ืžืฉื™ืš ื•ื ื ืกื” ืืช ื–ื” ืฉื•ื‘ ืชื•ืš ื—ืฉื™ื‘ื” ืขืœ ืžื“ืขื™ ื”ืžื•ื—.
07:56
So again, our favorite interface, the iOS of the mind.
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ืื– ืฉื•ื‘, ื”ืžืžืฉืง ื”ืื”ื•ื‘ ืขืœื™ื ื•, ืžืขืจื›ืช ื”ื”ืคืขืœื” ืฉืœ ื”ืžื•ื—.
08:00
I'm going to now take a step further
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ืื ื™ ืืงื— ืขื›ืฉื™ื• ืฆืขื“ ื ื•ืกืฃ ืื—ื“ ื”ืœืื”
08:02
and go ahead and grab this pair of glasses
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ื•ืืงื— ืืช ื”ืžืฉืงืคื™ื™ื ื”ืืœื•
08:05
and leave it right here by the desk.
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ื•ื ืฉืื™ืจ ืื•ืชื ืฉื ืขืœ ื”ืฉื•ืœื—ืŸ.
08:06
I'm now with you, I'm in the moment,
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ืขื›ืฉื™ื• ืื ื™ ืื™ืชื›ื, ืื ื™ ื‘ืจื’ืข,
08:08
we're connecting.
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ืื ื—ื ื• ืžืชื—ื‘ืจื™ื.
08:09
My spatial memory kicks in, and I can go ahead and grab it
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ื”ื–ื™ื›ืจื•ืŸ ื”ืžื™ื•ื—ื“ ืฉืœื™ ื ื›ื ืก ืœืคืขื•ืœื”, ื•ืื ื™ ื™ื›ื•ืœ ืœื”ืžืฉื™ืš ื•ืœืชืคื•ืฉ ืื•ืชื
08:12
and bring it right back here, reminding me
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ื•ืœื”ื‘ื™ื ืื•ืชื ื—ื–ืจื” ืœืคื”, ืžื–ื›ื™ืจ ืœื™
08:14
that I am the operating system.
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ืฉืื ื™ ืžืขืจื›ืช ื”ื”ืคืขืœื”.
08:16
And now my proprioception is working,
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ื•ืขื›ืฉื™ื• ื”ืคืจื•ืคื™ื•ืกืคืฆื™ื” ืฉืœื™ ืขื•ื‘ื“ืช,
08:19
and I can go ahead and explode these glasses into a thousand parts
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ื•ืื ื™ ื™ื›ื•ืœ ืœื”ืžืฉื™ืš ื•ืœืคืจืง ืืช ื”ืžืฉืงืคื™ื™ื ื”ืืœื• ืœืืœืคื™ ื—ืœืงื™ื
08:22
and touch the very sensor that is currently scanning my hand.
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ื•ืœื’ืขืช ื‘ืกื ืกื•ืจ ืฉื›ืจื’ืข ืกื•ืจืง ืืช ื”ื™ื“ ืฉืœื™.
08:27
But it's not enough to see things alone,
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ืื‘ืœ ื–ื” ืœื ืžืกืคื™ืง ืœืจืื•ืช ื“ื‘ืจื™ื ืœื‘ื“,
08:29
so in a second, my co-founder Ray is going to make a 3D call --
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ืื– ืชื•ืš ืฉื ื™ื”, ื”ืžื™ื™ืกื“ ื”ืฉื•ืชืฃ ืฉืœื™ ืจื™ื™ ืขื•ืžื“ ืœืขืฉื•ืช ืฉื™ื—ืช ืชืœืช ืžื™ืžื“ --
08:32
Ray?
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ืจื™ื™?
08:33
(Ringing)
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(ืฆืœื™ืœ ื—ื™ื•ื’)
08:35
Hey Ray, how's it going?
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ื”ื™ื™ ืจื™ื™, ืžื” ืงื•ืจื”?
08:36
Guys, I can see this guy in front me in full 3D.
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ื—ื‘ืจื”, ืื ื™ ื™ื›ื•ืœ ืœืจืื•ืช ืืช ื”ื‘ื—ื•ืจ ื”ื–ื” ืžื•ืœื™ ื‘ืชืœืช ืžื™ืžื“.
08:40
And he is photo-realistic.
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ื•ื”ื•ื ืคื•ื˜ื• ืจืืœื™ืกื˜ื™.
08:42
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
08:44
Thank you.
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ืชื•ื“ื” ืœื›ื.
08:45
My mirror-neuron subsystem suggests that this is going to replace phones
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ืžืขืจื›ืช ื ื™ื•ืจื•ื ื™ ื”ืžืจืื” ืฉืœื™ ืžืฆื™ืขื” ืฉื–ื” ืขื•ืžื“ ืœื”ื—ืœื™ืฃ ื˜ืœืคื•ื ื™ื
08:49
in not too long.
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ื‘ืขืชื™ื“ ื”ืงืจื•ื‘.
08:50
Ray, how's it going?
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ืจื™ื™, ืžื” ืงื•ืจื”?
08:52
Ray: Great. We're live today.
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ืจื™ื™: ืžืขื•ืœื”. ืื ื—ื ื• ืœื™ื™ื‘ ื”ื™ื•ื.
08:54
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
08:56
MG: Ray, give the crowd a gift
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ืž.ื’: ืจื™ื™, ืชืŸ ืœืงื”ืœ ืžืชื ื”
08:58
of the holographic brain we saw from the video earlier.
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ืฉืœ ื”ืžื•ื— ื”ื”ื•ืœื•ื’ืจืคื™ ืฉืจืื™ื ื• ื‘ืกืจื˜ื•ืŸ ืงื•ื“ื ืœื›ืŸ.
09:01
Guys, this is not only going to change phones,
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ื—ื‘ืจื”, ื–ื” ืœื ืจืง ืขื•ืžื“ ืœืฉื ื•ืช ื˜ืœืคื•ื ื™ื,
09:03
it's also going to change the way we collaborate.
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ื–ื” ื’ื ืขื•ืžื“ ืœืฉื ื•ืช ืืช ื”ื“ืจืš ื‘ื” ืื ื—ื ื• ืžืฉืชืคื™ื ืคืขื•ืœื”.
09:06
Thank you so much.
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ืชื•ื“ื” ืจื‘ื” ืœื›ื.
09:07
Thanks, Ray.
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ืชื•ื“ื” ืจื™ื™.
09:09
Ray: You're welcome.
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ืจื™ื™: ื‘ื‘ืงืฉื”.
09:10
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
09:11
MG: So folks, this is the message that I discovered in that bar in 2011:
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ืž.ื’: ืื– ื—ื‘ืจื”, ื–ื” ื”ืžืกืจ ืฉื’ื™ืœื™ืชื™ ื‘ื‘ืจ ื”ื”ื•ื ื‘ 2011:
09:16
The future of computers is not locked inside one of these screens.
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ื”ืขืชื™ื“ ืฉืœ ืžื—ืฉื‘ื™ื ืœื ื ืขื•ืœ ื‘ืชื•ืš ืื—ื“ ื”ืžืกื›ื™ื ื”ืืœื•.
09:20
It's right here, inside of us.
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ื”ื•ื ืžืžืฉ ืคื”, ื‘ืชื•ื›ื ื•.
09:25
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
09:29
So if there's one idea that I could leave you with here today,
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ืื– ืื ื™ืฉ ืจืขื™ื•ืŸ ืื—ื“ ืฉืื•ื›ืœ ืœื”ืฉืื™ืจ ืœื›ื ื”ื™ื•ื,
09:32
it's that the natural machine is not some figment of the future,
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ื–ื” ืฉื”ืžื›ื•ื ื” ื”ื˜ื‘ืขื™ืช ื”ื™ื ืœื ื”ืžืฆืื” ืฉืœ ื”ืขืชื™ื“,
09:35
it's right here in 2016.
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ื”ื™ื ืžืžืฉ ืคื” ื‘ 2016.
09:38
Which is why all hundred of us at Meta,
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ืœื›ืŸ ื›ืœ ื”ืžืื” ืžืื™ืชื ื• ื‘ืžื˜ื,
09:41
including the administrative staff,
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ื›ื•ืœืœ ื”ืฆื•ื•ืช ื”ืื“ืžื™ื ื™ืกื˜ืจื˜ื™ื‘ื™,
09:42
the executives,
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ื”ืžื ื”ืœื™ื,
09:44
the designers, the engineers --
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ื”ืžืขืฆื‘ื™ื, ื”ืžื”ื ื“ืกื™ื --
09:46
before TED2017,
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ืœืคื ื™ TED2017,
09:48
we're all going to be throwing away our external monitors
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ืื ื—ื ื• ื ื–ืจื•ืง ืืช ื”ืžืกื›ื™ื ื”ื—ื™ืฆื•ื ื™ื™ื ืฉืœื ื•
09:51
and replacing them with a truly and profoundly more natural machine.
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ื•ื ื—ืœื™ืฃ ืื•ืชื ืขื ืžื›ื•ื ื•ืช ื™ื•ืชืจ ื˜ื‘ืขื™ื•ืช ืžืฉืžืขื•ืชื™ืช .
09:56
Thank you very much.
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ืชื•ื“ื” ืจื‘ื” ืœื›ื.
09:58
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
10:02
Thank you, appreciate it.
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ืชื•ื“ื” ืœื›ื, ืื ื™ ืžืขืจื™ืš ืืชื›ื.
10:05
Thanks, guys.
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ืชื•ื“ื” ื—ื‘ืจื”.
10:09
Chris Anderson: So help me out on one thing,
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ื›ืจื™ืก ืื ื“ืจืกื•ืŸ: ืื– ืชืขื–ื•ืจ ืœื™ ืขื ืžืฉื”ื• ืื—ื“,
10:12
because there've been a few augmented reality demos
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ื‘ื’ืœืœ ืฉื”ื™ื• ื›ืžื” ื”ื“ื’ืžื•ืช ืฉืœ ืžืฆื™ืื•ืช ืจื‘ื•ื“ื”
10:15
shown over the last year or so out there.
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ืฉื”ื•ืฆื’ื• ื‘ืžื”ืœืš ื”ืฉื ื” ื”ืื—ืจื•ื ื”.
10:18
And there's sometimes a debate among technologists
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ื•ื™ืฉ ืœืคืขืžื™ื ื•ื™ื›ื•ื— ื‘ื™ืŸ ื˜ื›ื ื•ืœื•ื’ื™ื
10:20
about, are we really seeing the real thing on-screen?
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ื‘ื ื•ื’ืข, ืื ื—ื ื• ื‘ืืžืช ืจื•ืื™ื ืืช ื”ื“ื‘ืจ ื”ืืžื™ืชื™ ืขืœ ื”ืžืกืš?
10:24
There's this issue of field of view,
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ื™ืฉ ืืช ื”ืขื ื™ื™ืŸ ืฉืœ ืฉื“ื” ืจืื™ื”,
10:26
that somehow the technology is showing a broader view
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ื•ืื™ืš ืฉื”ื•ื ื”ื˜ื›ื ื•ืœื•ื’ื™ื” ืžืจืื” ืฉื“ื” ืจื—ื‘ ื™ื•ืชืจ
10:29
than you would actually see wearing the glasses.
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ืžืฉืืชื” ืœืžืขืฉื” ืจื•ืื” ื›ืฉืืชื” ื—ื•ื‘ืฉ ืืช ื”ืžืฉืงืคื™ื™ื.
10:33
Were we seeing the real deal there?
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ื”ืื ืจืื™ื ื• ืืช ื”ื“ื‘ืจ ื”ืืžื™ืชื™ ืฉื?
10:34
MG: Absolutely the real deal.
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ืž.ื’: ืœื’ืžืจื™ ืืช ื”ื“ื‘ืจ ื”ืืžื™ืชื™.
10:36
Not only that,
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ืœื ืจืง ื–ื”,
10:37
we took extra measures to shoot it with a GoPro through the actual lens
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ืœืงื—ื ื• ื›ืžื” ืฆืขื“ื™ื ื›ื“ื™ ืœืฆืœื ืืช ื–ื” ืขื ื’ื• ืคืจื• ื“ืจืš ื”ืขื“ืฉื” ืขืฆืžื”
10:40
in the various videos that you've seen here.
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ื‘ืกืจื˜ื•ื ื™ื ื”ืฉื•ื ื™ื ืฉืจืื™ืชื ืคื”.
10:42
We want to try to simulate the experience for the world
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ืื ื—ื ื• ืจื•ืฆื™ื ืœื ืกื•ืช ืœื“ืžื•ืช ืืช ื”ื—ื•ื•ื™ื” ืœืขื•ืœื
10:45
that we're actually seeing through the glasses,
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ืฉืื ื—ื ื• ืœืžืขืฉื” ืจื•ืื™ื ื“ืจืš ื”ืžืฉืงืคื™ื™ื,
10:47
and not cut any corners.
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ื•ืœื ืœื—ืชื•ืš ืคื™ื ื•ืช.
10:48
CA: Thank you so much for showing us that.
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ื›.ื: ืชื•ื“ื” ืจื‘ื” ืœืš ืฉื”ืจืื™ืช ืœื ื• ืืช ื–ื”.
10:50
MG: Thanks so much, I appreciate that.
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ืž.ื’: ืชื•ื“ื” ืจื‘ื” ืœืš, ืื ื™ ืžืขืจื™ืš ืืช ื–ื”.
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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