Creativity is a remix | Kirby Ferguson

421,913 views ・ 2012-08-10

TED


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00:00
Translator: Joseph Geni Reviewer: Morton Bast
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Prevoditelj: Suzana Baric Recezent: Nela Kacmarcik
00:16
We're going to begin in 1964.
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Započet ćemo 1964.
00:19
Bob Dylan is 23 years old, and his career
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Bob Dylan ima 23 godine i njegova karijera
00:22
is just reaching its pinnacle.
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upravo dostiže svoj vrhunac.
00:24
He's been christened the voice of a generation,
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Proglašen je glasom generacije
00:26
and he's churning out classic songs
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i izbacuje klasike
00:29
at a seemingly impossible rate,
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naizgled nemogućim tempom,
00:31
but there's a small minority of dissenters, and they claim
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ali postoji manjina onih koji su drugog mišljenja, a oni tvrde
00:35
that Bob Dylan is stealing other people's songs.
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kako Bob Dylan krade pjesme drugih ljudi.
00:39
2004. Brian Burton, aka Danger Mouse,
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2004. godina. Brian Burton, alias Danger Mouse,
00:43
takes the Beatles' "White Album,"
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uzima "Bijeli album" Beatlesa
00:45
combines it with Jay-Z's "The Black Album"
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kombinira ga sa Jay-Z-jevim "Crnim albumom"
00:47
to create "The Grey Album."
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i stvara "Sivi album".
00:49
"The Grey Album" becomes an immediate sensation online,
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"Sivi album" odmah postaje internetska senzacija,
00:51
and the Beatles' record company sends out countless
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a izdavačka kuća Beatlesa šalje bezbroj
00:53
cease-and-desist letters for "unfair competition
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upozorenja zbog "nelojalne konkurencije
00:57
and dilution of our valuable property."
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i rasipanja našeg vrijednog vlasništva".
01:00
Now, "The Grey Album" is a remix.
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"Sivi album" je remiks.
01:02
It is new media created from old media.
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To je novi medij stvoren od starih medija.
01:05
It was made using these three techniques:
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Napravljen je koristeći ove tri tehnike:
01:07
copy, transform and combine.
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kopiranje, preoblikovanje i kombiniranje.
01:11
It's how you remix. You take existing songs,
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Tako se remiksira. Uzmete postojeće pjesme,
01:13
you chop them up, you transform the pieces,
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raskomadate ih, preoblikujete dijelove,
01:14
you combine them back together again,
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ponovno ih iskombinirate
01:16
and you've got a new song, but that new song
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i dobijete novu pjesmu, ali ta nova pjesma
01:18
is clearly comprised of old songs.
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očigledno je sastavljena od starih pjesama.
01:21
But I think these aren't just the components of remixing.
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Ali mislim da to nisu samo dijelovi remiksiranja.
01:24
I think these are the basic elements of all creativity.
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Mislim da su to osnovni elementi svake kreativnosti.
01:27
I think everything is a remix,
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Mislim da je sve remiks
01:29
and I think this is a better way to conceive of creativity.
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i mislim da je to bolji način gledanja na kreativnost.
01:34
All right, let's head back to 1964, and let's hear
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U redu, vratimo se u 1964. i poslušajmo
01:37
where some of Dylan's early songs came from.
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odakle su došle neke Dylanove ranije pjesme.
01:40
We'll do some side-by-side comparisons here.
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Radit ćemo neke paralelne usporedbe.
01:42
All right, this first song you're going to hear
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U redu, prva je pjesma koju ćete čuti
01:43
is "Nottamun Town." It's a traditional folk tune.
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"Nottamun Town". To je tradicionalna narodna melodija.
01:45
After that, you'll hear Dylan's "Masters of War."
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Nakon toga čut ćete Dylanovu "Masters of War".
01:48
Jean Ritchie: ♫ In Nottamun Town, not a soul would look out, ♫
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Jean Ritchie: ♫ In Nottamun Town, not a soul would look out, ♫
01:53
♫ not a soul would look up, not a soul would look down. ♫
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♫ not a soul would look up, not a soul would look down. ♫
01:59
Bob Dylan: ♫ Come you masters of war, ♫
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Bob Dylan: ♫ Come you masters of war, ♫
02:04
♫ you that build the big guns, you that build the death planes, ♫
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♫ you that build the big guns, you that build the death planes, ♫
02:12
♫ You that build all the bombs. ♫
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♫ You that build all the bombs. ♫
02:15
Kirby Ferguson: Okay, so that's the same basic melody
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Kirby Ferguson: Dakle, to je ista osnovna melodija
02:17
and overall structure. This next one is "The Patriot Game,"
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i cjelokupna struktura. Sljedeća je pjesma "The Patriot Game"
02:20
by Dominic Behan. Alongside that,
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Dominica Behana. Uz to
02:22
you're going to hear "With God on Our Side," by Dylan.
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čut ćete "With God on Our Side", Dylanovu pjesmu.
02:25
Dominic Behan: ♫ Come all ye young rebels, ♫
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Dominic Behan: ♫ Come all ye young rebels, ♫
02:30
♫ and list while I sing, ♫
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♫ and list while I sing, ♫
02:34
♫ for the love of one's land is a terrible thing. ♫
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♫ for the love of one's land is a terrible thing. ♫
02:43
BD: ♫ Oh my name it is nothin', ♫
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BD: ♫ Oh my name it is nothin', ♫
02:48
♫ my age it means less, ♫
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♫ my age it means less, ♫
02:53
♫ the country I come from is called the Midwest. ♫
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♫ the country I come from is called the Midwest. ♫
03:00
KF: Okay, so in this case, Dylan admits
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KF: U redu, u ovom slučaju Dylan priznaje
03:01
he must have heard "The Patriot Game," he forgot about it,
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da je negdje morao čuti "The Patriot Game", zaboravio na to,
03:04
then when the song kind of bubbled back up
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a kada se pjesma na neki način pridigla
03:05
in his brain, he just thought it was his song.
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u njegovom umu, jednostavno je pomislio da je to njegova pjesma.
03:08
Last one, this is "Who's Going To Buy You Ribbons,"
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Posljednja pjesma, "Who's Going To Buy You Ribbons",
03:09
another traditional folk tune.
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još jedna tradicionalna narodna melodija.
03:10
Alongside that is "Don't Think Twice, It's All Right."
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Uz nju ide "Don't Think Twice, It's All Right".
03:13
This one's more about the lyric.
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Ovdje je više stvar u tekstu.
03:15
Paul Clayton: ♫ It ain't no use to sit and sigh now, ♫
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Paul Clayton: ♫ It ain't no use to sit and sigh now, ♫
03:22
♫ darlin', and it ain't no use to sit and cry now. ♫
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♫ darlin', and it ain't no use to sit and cry now. ♫
03:29
BD: ♫ It ain’t no use to sit and wonder why, babe, ♫
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BD: ♫ It ain’t no use to sit and wonder why, babe, ♫
03:35
♫ if you don't know by now, ♫
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♫ if you don't know by now, ♫
03:39
♫ and it ain't no use to sit and wonder why, babe, ♫
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♫ and it ain't no use to sit and wonder why, babe, ♫
03:44
♫ it'll never do somehow. ♫
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♫ it'll never do somehow. ♫
03:47
KF: Okay, now, there's a lot of these.
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KF: Ima još mnogo ovakvih primjera.
03:50
It's been estimated that two thirds of the melodies
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Procijenjeno je da je dvije trećine melodija
03:52
Dylan used in his early songs were borrowed.
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koje je Dylan koristio u svojim ranim pjesmama posuđeno.
03:54
This is pretty typical among folk singers.
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To je dosta uobičajeno među folk pjevačima.
03:56
Here's the advice of Dylan's idol, Woody Guthrie.
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Evo savjeta Woodyja Guthrieja, Dylanovog idola.
03:58
"The worlds are the important thing.
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"Bitne su riječi.
04:00
Don't worry about tunes. Take a tune,
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Ne brinite za melodiju. Uzmite melodiju,
04:02
sing high when they sing low,
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pjevajte visoko kad oni pjevaju duboko,
04:03
sing fast when they sing slow, and you've got a new tune."
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pjevajte brzo kad oni pjevaju sporo i imate novu pjesmu."
04:07
(Laughter) (Applause)
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(Smijeh) (Pljesak)
04:11
And that's, that's what Guthrie did right here,
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Upravo je to Guthrie učinio ovdje
04:12
and I'm sure you all recognize the results.
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i siguran sam da svi prepoznajete rezultat.
04:15
(Music)
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(Glazba)
04:21
We know this tune, right? We know it?
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Znamo ovu pjesmu, zar ne? Znamo li je?
04:23
Actually you don't.
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Zapravo ne znamo.
04:25
That is "When the World's on Fire," a very old melody,
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To je "When the World's on Fire", jedna vrlo stara melodija,
04:28
in this case performed by the Carter Family.
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u ovom slučaju izvodi je Carter Family.
04:30
Guthrie adapted it into "This Land Is Your Land."
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Guthrie ju je prilagodio u "This Land Is Your Land".
04:32
So, Bob Dylan, like all folk singers, he copied melodies,
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Dakle, Bob Dylan je, kao i svi folk pjevači, kopirao melodije,
04:37
he transformed them, he combined them with new lyrics
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preoblikovao ih, kombinirao ih s novim tekstom
04:39
which were frequently their own concoction
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koji je često bio mješavina
04:42
of previous stuff.
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novog i postojećeg.
04:44
Now, American copyright and patent laws run counter
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Američki zakoni o autorskim pravima i patentima brane
04:48
to this notion that we build on the work of others.
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da nadograđujemo tuđa djela.
04:51
Instead, these laws and laws around the world
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Umjesto toga, ti zakoni i zakoni diljem svijeta
04:53
use the rather awkward analogy of property.
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koriste dosta nezgodnu analogiju vlasništva.
04:57
Now, creative works may indeed be kind of like property,
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Kreativna djela stvarno mogu biti poput vlasništva,
04:59
but it's property that we're all building on,
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ali to je vlasništvo koje svi nadograđujemo
05:02
and creations can only take root and grow
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a kreacije se mogu ukorijeniti i rasti
05:04
once that ground has been prepared.
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samo kad je zemlja pripremljena.
05:07
Henry Ford once said, "I invented nothing new.
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Henry Ford je jednom rekao: "Nisam izumio ništa novo.
05:10
I simply assembled the discoveries of other men
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Ja sam tek spojio otkrića drugih ljudi
05:12
behind whom were centuries of work.
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za kojima su bila stoljeća rada.
05:14
Progress happens when all the factors that make for it
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Napredak se ostvaruje kad su svi potrebni čimbenici
05:17
are ready and then it is inevitable."
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spremni i tada je to neizbježno."
05:21
2007. The iPhone makes it debut.
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2007. godina. Pojavljuje se iPhone.
05:25
Apple undoubtedly brings this innovation to us early,
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Apple nam bez sumnje rano donosi tu inovaciju,
05:28
but its time was approaching because its core technology
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ali njegovo se vrijeme približavalo zato što se njegova temeljna tehnologija
05:30
had been evolving for decades.
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razvijala desetljećima.
05:32
That's multi-touch, controlling a device
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To je multi-touch, kontroliranje uređaja
05:34
by touching its display.
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dodirivanjem njegovog zaslona.
05:36
Here is Steve Jobs introducing multi-touch
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Ovdje Steve Jobs predstavlja multi-touch
05:39
and making a rather foreboding joke.
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i šali se prilično proročanski.
05:41
Steve Jobs: And we have invented a new technology
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Steve Jobs: Izumili smo novu tehnologiju
05:44
called multi-touch.
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koja se zove multi-touch.
05:46
You can do multi-fingered gestures on it,
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Ne njemu možete raditi pokrete s više prstiju,
05:48
and boy have we patented it. (Laughter)
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i dobrano smo to zaštitili patentom! (Smijeh)
05:52
KF: Yes. And yet, here is multi-touch in action.
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KF: A opet, evo multi-toucha na djelu.
05:56
This is at TED, actually, about a year earlier.
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Ovo je na TED-u, zapravo godinu dana ranije.
05:58
This is Jeff Han, and, I mean, that's multi-touch.
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Ovo je Jeff Han i ovo je multi-touch.
06:01
It's the same animal, at least.
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Barem je ista stvar.
06:02
Let's hear what Jeff Han has to say about this
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Poslušajmo što Jeff Han ima za reći o ovoj
06:04
newfangled technology.
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novoj tehnologiji.
06:06
Jeff Han: Multi-touch sensing isn't anything --
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Jeff Han: Multi-touch opažanje nije
06:08
isn't completely new. I mean, people like Bill Buxton
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u potpunosti novo. Mislim, ljudi poput Billa Buxtona
06:10
have been playing around with it in the '80s.
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igrali su se time 80-ih.
06:12
The technology, you know, isn't the most exciting thing here
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Znate, tehnologija nije ovdje najuzbudljivija stvar,
06:15
right now other than probably its newfound accessibility.
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osim vjerojatno njene novootkrivene dostupnosti.
06:18
KF: So he's pretty frank about it not being new.
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KF: Dakle, dosta je otvoren o tome kako nije novost.
06:20
So it's not multi-touch as a whole that's patented.
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Dakle, nije patentiran multi-touch kao cjelina,
06:23
It's the small parts of it that are,
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već njegovi mali dijelovi
06:25
and it's in these small details where
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i u tim malim detaljima možemo
06:26
we can clearly see patent law contradicting its intent:
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jasno vidjeti kako zakon o patentima proturječi svojoj svrsi:
06:29
to promote the progress of useful arts.
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promociji napretka korisnih vještina.
06:33
Here is the first ever slide-to-unlock.
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Ovo je prvo otključavanje pokretom prsta.
06:36
That is all there is to it. Apple has patented this.
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To je cijela mudrost. Apple je to patentirao.
06:39
It's a 28-page software patent, but I will summarize
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To je bio patent softvera od 28 stranica, ali sažet ću ga.
06:41
what it covers. Spoiler alert: Unlocking your phone
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Reći ću vam odmah: Otključavanje mobitela
06:45
by sliding an icon with your finger. (Laughter)
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klizanjem ikone pomakom prsta. (Smijeh)
06:48
I'm only exaggerating a little bit. It's a broad patent.
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Samo malo pretjerujem. To je širok patent.
06:51
Now, can someone own this idea?
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Kako netko može posjedovati tu ideju?
06:54
Now, back in the '80s, there were no software patents,
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U 80-ima nisu postojali patenti softwarea,
06:57
and it was Xerox that pioneered the graphical user interface.
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a Xerox je bio prvi koji je koristio grafičko korisničko sučelje.
07:00
What if they had patented pop-up menus,
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Što da su patentirali skočne izbornike,
07:03
scrollbars, the desktop with icons that look like folders
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klizni trak (scrollbar), desktop s ikonama koje izgledaju poput mapa
07:07
and sheets of paper?
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i listova papira?
07:09
Would a young and inexperienced Apple
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Bi li mlad i neiskusan Apple
07:11
have survived the legal assault from a much larger
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preživio zakonski napad mnogo veće
07:14
and more mature company like Xerox?
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i monogo zrelije tvrtke kao što je Xerox?
07:18
Now, this idea that everything is a remix might sound
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Ova ideja da je sve remiks mogla bi zvučati
07:21
like common sense until you're the one getting remixed.
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zdravorazumski sve dok vi niste ti koje se remiksira.
07:25
For example ...
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Na primjer...
07:27
SJ: I mean, Picasso had a saying.
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SJ: Picasso je imao izreku.
07:28
He said, "Good artists copy. Great artists steal."
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Govorio bi: "Dobri umjetnici kopiraju. Odlični kradu."
07:31
And we have, you know,
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A uvijek smo, znate, bili besramni
07:34
always been shameless about stealing great ideas.
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što se tiče krađe odličnih ideja.
07:37
KF: Okay, so that's in '96. Here's in 2010.
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KF: U redu, to je bilo 1996. Ovo je 2010.
07:39
"I'm going to destroy Android because it's a stolen product."
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"Uništit ću Android jer je to ukraden proizvod."
07:42
(Laughter)
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(Smijeh)
07:43
"I'm willing to go thermonuclear war on this." (Laughter)
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"Spreman sam započeti termonuklearni rat zbog toga." (Smijeh)
07:47
Okay, so in other words, great artists steal, but not from me.
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Drugim riječima, odlični umjetnici kradu, ali ne od mene.
07:50
(Laughter)
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(Smijeh)
07:53
Now, behavioral economists might refer to this sort of thing as loss aversion
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Bihevioralni ekonomisti mogli bi to nazvati averzijom prema gubitku.
07:56
We have a strong predisposition towards protecting
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Imamo jaku predispoziciju prema zaštiti
07:58
what we feel is ours.
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onoga što smatramo svojim.
08:00
We have no such aversion towards copying
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Takvu averziju nemamo prema kopiranju
08:02
what other people have, because we do that nonstop.
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onoga što je tuđe, zato što to stalno radimo.
08:05
So here's the sort of equation we're looking at.
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Imamo ovakvu računicu:
08:08
We've got laws that fundamentally treat creative works as property,
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imamo zakone koji kreativne uratke smatraju vlasništvom,
08:10
plus massive rewards or settlements
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plus ogromne nagrade ili nagodbe
08:13
in infringement cases, plus huge legal fees
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u slučajevima povrede, plus ogromne zakonske troškove
08:15
to protect yourself in court,
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kako biste se zaštitili na sudu,
08:17
plus cognitive biases against perceived loss.
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plus kongnitivnu pristranost o doživljenim gubicima.
08:20
And the sum looks like this.
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Zbroj izgleda ovako.
08:22
That is the last four years of lawsuits
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To su posljednje četiri godine tužbi
08:25
in the realm of smartphones.
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u području pametnih telefona.
08:28
Is this promoting the progress of useful arts?
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Promovira li to napredak korisnih vještina?
08:34
1983. Bob Dylan is 42 years old, and his time
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1983. Bob Dylan ima 42 godine i njegovo vrijeme
08:39
in the cultural spotlight is long since past.
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kulturne slave davna je prošlost.
08:43
He records a song called "Blind Willie McTell,"
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Snima pjesmu "Blind Willie McTell",
08:45
named after the blues singer, and the song
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nazvanu po pjevaču bluesa.
08:48
is a voyage through the past, through a much darker time,
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Pjesma je putovanje kroz prošlost, kroz mnogo mračnije,
08:51
but a simpler one, a time when musicians like Willie McTell
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ali jednostavnije doba u kojem glazbenici poput Willieja McTella
08:54
had few illusions about what they did.
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nisu imali toliko iluzija o tome što rade.
08:57
"I jump 'em from other writers
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"Uzimam ih od drugih pisaca,
08:59
but I arrange 'em my own way."
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ali poslažem ih na svoj način."
09:02
I think this is mostly what we do.
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MIslim da mi uglavnom to radimo.
09:03
Our creativity comes from without, not from within.
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Naša kreativnost dolazi izvana, a ne iz nas.
09:07
We are not self-made. We are dependent on one another,
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Nismo sami zaslužni za svoj uspjeh. Ovisimo jedni o drugima,
09:10
and admitting this to ourselves isn't an embrace
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a to priznanje samima sebi nije prihvaćanje
09:13
of mediocrity and derivativeness.
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prosječnosti i imitacije.
09:15
It's a liberation from our misconceptions,
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To je oslobođenje od naših zabluda
09:18
and it's an incentive to not expect so much from ourselves
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i poticaj da ne očekujemo toliko od sebe samih
09:21
and to simply begin.
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te da jednostavno započnemo.
09:24
Thank you so much. It was an honor to be here.
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Mnogo Vam hvala. Čast mi je biti ovdje.
09:27
Thank you. (Applause)
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Hvala. (Pljesak)
09:30
Thank you. Thank you. (Applause)
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Hvala. Hvala. (Pljesak)
09:33
Thank you. (Applause)
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Hvala. (Pljesak)
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