Why should you read Charles Dickens? - Iseult Gillespie

1,801,350 views ใƒป 2017-12-21

TED-Ed


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Alex Jeon ๊ฒ€ํ† : Jihyeon J. Kim
00:07
The starving orphan seeking a second helping of gruel.
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์ฃฝ ํ•œ ๊ทธ๋ฆ‡์„ ๋” ๋จน๊ณ  ์‹ถ์–ดํ•˜๋Š” ๊ตถ์ฃผ๋ฆฐ ๊ณ ์•„.
00:11
The spinster wasting away in her tattered wedding dress.
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์ฐข์–ด์ง„ ์›จ๋”ฉ ๋“œ๋ ˆ์Šค๋ฅผ ์ž…๊ณ  ์ง€์ณ ์žˆ๋Š” ๋…ธ์ฒ˜๋…€.
00:15
The stone-hearted miser plagued by the ghost of Christmas past.
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๊ณผ๊ฑฐ์˜ ํฌ๋ฆฌ์Šค๋งˆ์Šค ์œ ๋ น์—๊ฒŒ ๊ดด๋กญํž˜์„ ๋ฐ›๋Š” ๋ƒ‰์ฒ ํ•œ ๊ตฌ๋‘์‡ .
00:20
More than a century after his death,
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์ž˜์Šค ๋””ํ‚จ์Šค์˜ ์ฃฝ์Œ์ด 100๋…„์ด ์ง€๋‚˜๊ณ  ๋‚˜์„œ๋„,
00:22
these remain recognizable figures from the work of Charles Dickens.
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์ด๋“ค์€ ์•„์ง๋„ ์ฐฐ์Šค ๋””ํ‚จ์Šค์˜ ์ž‘ํ’ˆ๋“ค์˜ ์œ ๋ช…ํ•œ ์ธ๋ฌผ๋“ค์ž…๋‹ˆ๋‹ค.
00:27
So striking is his body of work that it gave rise to its own adjective.
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๊ทธ์˜ ์ž‘ํ’ˆ๋“ค์€ ๋งค์šฐ ๋†€๋ผ์™€์„œ ์ด๋ฅผ ์„ค๋ช…ํ•˜๋Š” ํ˜•์šฉ์‚ฌ๊ฐ€ ์ƒ๊ธฐ๊ธฐ๋„ ํ–ˆ์Šต๋‹ˆ๋‹ค.
00:32
But what are the features of Dickens's writing that make it so special?
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๋””ํ‚จ์Šค์˜ ์ž‘ํ’ˆ์„ ๊ทธ๋ ‡๊ฒŒ ํŠน๋ณ„ํ•˜๊ฒŒ ๋งŒ๋“œ๋Š” ํŠน์ง•๋“ค์€ ๋ฌด์—‡์ผ๊นŒ์š”?
00:36
Dickensโ€™s fiction brims with anticipation
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๋””ํ‚จ์Šค์˜ ์ž‘ํ’ˆ์€ ๊ธฐ๋Œ€๊ฐ์œผ๋กœ ๋„˜์ณ๋‚˜๋Š”๋ฐ
00:39
through brooding settings, plot twists, and mysteries.
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์ด๋Š” ์šฐ์šธํ•œ ๋ฐฐ๊ฒฝ, ์ค„๊ฑฐ๋ฆฌ์˜ ๋ฐ˜์ „, ๋ฏธ์Šคํ…Œ๋ฆฌ๋ฅผ ํ†ตํ•ด์„œ ์ƒ๊น๋‹ˆ๋‹ค.
00:43
These features of his work kept his audience wanting more.
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์ž‘ํ’ˆ์˜ ์ด๋Ÿฐ ํŠน์ง•๋“ค์€ ๋…์ž๋กœ ํ•˜์—ฌ๊ธˆ ๊ทธ ์ด์ƒ์„ ๊ธฐ๋Œ€ํ•˜๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค.
00:46
When first published, his stories were serialized,
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์ฒ˜์Œ ์ถœํŒ๋˜์—ˆ์„ ๋•Œ ๊ทธ์˜ ์ด์•ผ๊ธฐ๋“ค์€ ์—ฐ์žฌ๋กœ ์‹ค๋ ธ๋Š”๋ฐ
00:50
meaning they were released a few chapters at a time in affordable literary journals
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๋ฌธํ•™ ์ •๊ธฐ๊ฐ„ํ–‰๋ฌผ์— ํ•œ๋ฒˆ์— ๋ช‡ ์ฑ•ํ„ฐ์”ฉ ์‹ค๋ ธ๋‹ค๋Š” ์˜๋ฏธ์ž…๋‹ˆ๋‹ค.
00:55
and only later reprinted as books.
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๊ทธ๋ฆฌ๊ณ  ํ›„์— ์ฑ…์œผ๋กœ ๋‹ค์‹œ ์ถœ๊ฐ„๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
00:58
This prompted fevered speculation over the cliffhangers
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์ด ๋ฐฉ๋ฒ•์€ ์ž‘ํ’ˆ์˜ ์•„์Šฌ์•„์Šฌํ•œ ๋‚ด์šฉ์ด๋‚˜ ๋‚ด์šฉ์˜ ๋…ธ์ถœ์— ๋Œ€ํ•œ ์—ด๋ค ์ถ”์ธก์„ ์ด‰๋ฐœํ–ˆ์Šต๋‹ˆ๋‹ค.
01:01
and revelations he devised.
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01:04
Serialization not only made fiction available to a wider audience
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์ด๋Ÿฌํ•œ ์—ฐ์žฌ๋ฐฉ์‹์ด ๋…์ž์ธต์„ ๋” ๋Š˜๋ ค์„œ
01:08
and kept them reading,
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๋” ๋งŽ์€ ์‚ฌ๋žŒ๋“ค์ด ๊ทธ์˜ ์ž‘ํ’ˆ์„ ์ฝ๋„๋ก ํ–ˆ์„๋ฟ๋งŒ ์•„๋‹ˆ๋ผ
01:09
but increased the hype around the author himself.
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์ž‘๊ฐ€ ์ž์‹ ์— ๋Œ€ํ•œ ๊ด€์‹ฌ๋„ ์ฆํญ์‹œ์ผฐ์Šต๋‹ˆ๋‹ค.
01:13
Dickens became particularly popular for his wit,
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๋””ํ‚จ์Šค๋Š” ๊ทธ ํŠน์œ ์˜ ์œ„ํŠธ๋กœ ๋”์šฑ ์ธ๊ธฐ๊ฐ€ ์žˆ๊ฒŒ ๋˜์—ˆ๋Š”๋ฐ
01:16
which he poured into quirky characters and satiric scenarios.
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๊ทธ ์œ„ํŠธ๋ฅผ ๊ดดํŒํ•œ ์ธ๋ฌผ๋“ค๊ณผ ํ’์ž์  ์‹œ๋‚˜๋ฆฌ์˜ค์— ๋ถˆ์–ด๋„ฃ์—ˆ๊ธฐ ๋–„๋ฌธ์ž…๋‹ˆ๋‹ค.
01:21
His characters exhibit the sheer absurdity of human behavior,
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๊ทธ์˜ ์ธ๋ฌผ๋“ค์€ ์–ด์ฒ˜๊ตฌ๋‹ˆ์—†๋Š” ์ธ๊ฐ„์˜ ํ–‰๋™๋“ค์„ ๋“œ๋Ÿฌ๋‚ด๊ธฐ๋„ ํ•˜๊ณ ,
01:24
and their names often personify traits or social positions,
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๊ทธ ์ธ๋ฌผ๋“ค์˜ ์ด๋ฆ„์€ ์ธ๋ฌผ์˜ ํŠน์ง•์ด๋‚˜ ์‚ฌํšŒ์  ์ง€์œ„๋ฅผ ๋“œ๋Ÿฌ๋‚ด๊ธฐ๋„ ํ–ˆ๋Š”๋ฐ,
01:29
like the downtrodden Bob Cratchit,
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์˜ˆ๋ฅผ ๋“ค์–ด, ํ˜น์‚ฌ๋‹นํ•˜๋Š” ๋ฐฅ ํฌ๋ž˜์นซ,
01:31
the groveling Uriah Heep,
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๊ตฝ์‹ ๊ฑฐ๋ฆฌ๋Š” ์œ ๋ฆฌ์•„ ํž™
01:33
and the cheery Septimus Crisparkle.
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์ƒ๊ธฐ๋ฐœ๋ž„ ์ƒ™ํ‹ฐ๋ฌด์Šค ํฌ๋ฆฌ์ŠคํŒŒํด ์ฒ˜๋Ÿผ ๋ง์ž…๋‹ˆ๋‹ค.
01:37
Dickens set these colorful characters against intricate social backdrops,
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๋””ํ‚จ์Šค๋Š” ๋ณต์žกํ•œ ์‚ฌํšŒ์  ๋ฐฐ๊ฒฝ์„ ๊ฐ€์ง„ ๋‹ค์–‘ํ•œ ๋“ฑ์žฅ์ธ๋ฌผ๋“ค์„ ์„ค์ •ํ–ˆ๋Š”๋ฐ
01:42
which mimic the society he lived in.
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๊ทธ๊ฐ€ ์‚ด์•˜๋˜ ์‹œ๋Œ€๋ฅผ ๋ชจ๋ฐฉํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
01:44
For instance, he often considered
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์˜ˆ๋ฅผ ๋“ค์–ด ๊ทธ๋Š”
01:46
the changes brought about by the Industrial Revolution.
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์‚ฐ์—…ํ˜๋ช…์— ์˜ํ•ด ์ผ์–ด๋‚œ ๋ณ€ํ™”๋“ค์„ ์ž์ฃผ ๊ณ ๋ คํ•˜์˜€์Šต๋‹ˆ๋‹ค.
01:49
During this period,
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์ด ์‹œ๊ธฐ์— ๋‚ฎ์€ ์‹ ๋ถ„์˜ ์‚ฌ๋žŒ๋“ค์€
01:50
the lower classes experienced sordid working and living conditions.
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์ง€์ €๋ถ„ํ•œ ์ž‘์—…ํ™˜๊ฒฝ๊ณผ ์—ด์•…ํ•œ ์ƒํ™œํ™˜๊ฒฝ์—์„œ ์ง€๋ƒˆ์Šต๋‹ˆ๋‹ค.
01:55
Dickens himself experienced this hardship as a child
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๋””ํ‚จ์Šค ์ž์‹ ๋„ ์–ด๋ฆด ์ ์— ๊ทธ๋Ÿฐ ํ™˜๊ฒฝ์„ ๊ฒฝํ—˜ํ–ˆ๋Š”๋ฐ
01:58
when he was forced to work in a boot blacking factory
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๊ตฌ๋‘๋‹ฆ๋Š” ๊ณต์žฅ์—์„œ ์ผํ•ด์•ผ ํ–ˆ์ฃ .
02:01
after his father was sent to debtors' prison.
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์•„๋ฒ„์ง€๊ฐ€ ๋นš ๋•Œ๋ฌธ์— ๊ฐ์˜ฅ์— ๊ฐ”๊ธฐ ๋•Œ๋ฌธ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
02:05
This influenced his depiction of the Marshalsea prison in Little Dorrit,
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์ด๋Ÿฐ ๊ฒฝํ—˜์€ ์ž‘ํ’ˆ ๋ฆฌํ‹€ ๋„๋ฆฟ์— ๋‚˜์˜ค๋Š” ๋งˆ์ƒฌ์”จ ๊ฐ์˜ฅ์— ๋Œ€ํ•œ ๋ฌ˜์‚ฌ์—๋„ ๋‚˜์˜ค๋Š”๋ฐ,
02:09
where the titular character cares for her convict father.
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๊ทธ ์ž‘ํ’ˆ์—์„œ ์ฃผ์ธ๊ณต์€ ๊ฐ์˜ฅ์— ๊ฐ„ ์•„๋ฒ„์ง€๋ฅผ ๋Œ๋ณด๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
02:13
Prisons, orphanages, or slums may seem grim settings for a story,
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๊ฐ์˜ฅ, ๊ณ ์•„์›, ๋นˆ๋ฏผ๊ฐ€๋Š” ์†Œ์„ค์˜ ๋ฐฐ๊ฒฝ์œผ๋กœ๋Š” ๋งค์šฐ ์•”์šธํ•  ์ˆ˜๋„ ์žˆ์œผ๋‚˜
02:18
but they allowed Dickens to shed light
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๋””ํ‚จ์Šค๋Š” ๊ทธ ๋ฐฐ๊ฒฝ๋“ค์„ ํ†ตํ•ด์„œ ์‚ฌํšŒ์˜ ๊ฐ€์žฅ ๋ˆˆ์— ๋„์ด์ง€ ์•Š๋Š” ์ด๋“ค์ด
02:20
on how his society's most invisible people lived.
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์–ด๋–ป๊ฒŒ ์‚ด์•„๊ฐ€๋Š”์ง€ ์กฐ๋ช…ํ•˜์˜€์Šต๋‹ˆ๋‹ค.
02:24
In Nicholas Nickleby,
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์ž‘ํ’ˆ ๋‹ˆ์ฝœ๋ผ์Šค ๋‹ˆํด๋น„์—์„œ
02:25
Nicholas takes a job with the schoolmaster Wackford Squeers.
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๋‹ˆ์ฝœ๋ผ์Šค๋Š” ์›ฉํฌ๋“œ ์Šคํ€ด์–ด์Šค ๊ต์žฅ์˜ ์ผ์„ ๋•๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
02:29
He soon realizes that Squeers is running a scam
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๊ทธ๋Š” ๊ณง ์Šคํ€ด์–ด์Šค๊ฐ€ ์‚ฌ๊ธฐ๋ฅผ ์น˜๊ณ  ์žˆ์Œ์„ ์•Œ๊ฒŒ ๋˜์—ˆ๋Š”๋ฐ
02:33
where he takes unwanted children from their parents for a fee
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์Šคํ€ด์–ด์Šค๋Š” ๋ˆ์„ ๋ฐ›๊ณ  ๋ถ€๋ชจ๋“ค์ด ์›์น˜ ์•Š๋Š”
02:36
and subjects them to violence and deprivation.
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์•„์ด๋“ค์„ ๋ฐ๋ ค์™€์„œ ๋นˆ๊ณค๊ณผ ํญ๋ ฅ ์†์— ๋ฐฉ์น˜ํ•˜์˜€์Šต๋‹ˆ๋‹ค.
02:39
Oliver Twist also deals with the plight of children in the care of the state,
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์ž‘ํ’ˆ ์˜ฌ๋ฆฌ๋ฒ„ ํŠธ์œ„์ŠคํŠธ๋„ ๊ณค๊ฒฝ์— ์ฒ˜ํ•œ ์•„์ด๋“ค์„ ๋‹ค๋ฃจ๋Š”๋ฐ,
02:43
illustrating the brutal conditions of the workhouse
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๊ฑฐ๊ธฐ์—์„œ ๊ทธ๋Š” ์ž‘์—…์žฅ์˜ ํ˜น๋…ํ•œ ํ™˜๊ฒฝ์„ ๋ฌ˜์‚ฌํ–ˆ์œผ๋ฉฐ
02:46
in which Oliver pleads with Mr. Bumble for food.
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์˜ฌ๋ฆฌ๋ฒ„๊ฐ€ ๋ฒ”๋ธ”์”จ์—๊ฒŒ ์Œ์‹์„ ๋‹ฌ๋ผ๊ณ  ์‚ฌ์ •ํ•˜๋Š” ์žฅ๋ฉด๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
02:50
When he flees to London, he becomes ensnared in a criminal underworld.
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์˜ฌ๋ฆฌ๋ฒ„๊ฐ€ ๋Ÿฐ๋˜์œผ๋กœ ๋„๋ง๊ฐ”์„ ๋•Œ, ๊ทธ๋Š” ์ง€ํ•˜ ๋ฒ”์ฃ„์„ธ๊ณ„์— ๋ง๋ ค๋“ญ๋‹ˆ๋‹ค.
02:55
These stories frequently portray Victorian life
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๊ทธ์˜ ์ž‘ํ’ˆ๋“ค์€ ํ”ํžˆ ๋น…ํ† ๋ฆฌ์•„ ์‹œ๋Œ€์˜ ์ƒํ™œ์„ ๋ฌ˜์‚ฌํ•˜๋Š”๋ฐ
02:57
as grimy, corrupt, and cruel.
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์ง€์ €๋ถ„ํ•˜๊ณ , ํƒ€๋ฝํ•˜๊ณ , ํ˜น๋…ํ•œ ํ™˜๊ฒฝ์œผ๋กœ ๋ฌ˜์‚ฌํ•ฉ๋‹ˆ๋‹ค.
03:00
But Dickens also saw his time as one in which old traditions
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๋””ํ‚จ์Šค๋Š” ๋˜ํ•œ ๊ทธ์˜ ์‹œ๋Œ€๋ฅผ ์˜ค๋žœ ์ „ํ†ต๋“ค์ด
03:03
were fading away.
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์‚ฌ๋ผ์ ธ๊ฐ€๋Š” ์‹œ๊ธฐ๋กœ ๋ณด์•˜์Šต๋‹ˆ๋‹ค.
03:05
London was becoming the incubator of the modern world
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๋Ÿฐ๋˜์€ ํ˜„๋Œ€์˜ ์„ธ์ƒ์ด ์›€ํŠธ๋Š” ๊ณณ์ด์—ˆ๊ณ 
03:08
through new patterns in industry, trade, and social mobility.
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์ด๋Š” ์‚ฐ์—…, ์ƒ์—…, ์‚ฌํšŒ์˜ ๋ณ€๋™์—์„œ์˜ ์ƒˆ๋กœ์šด ํ˜•ํƒœ๋ฅผ ํ†ตํ•ด์„œ์˜€์Šต๋‹ˆ๋‹ค.
03:12
Dickens's London is therefore a dualistic space:
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๋””ํ‚จ์Šค์˜ ๋Ÿฐ๋˜์€ ๋”ฐ๋ผ์„œ ์ด์ค‘์ ์ธ ๊ณต๊ฐ„์ด์—ˆ์œผ๋ฉฐ,
03:16
a harsh world that is simultaneously filled with wonder and possibility.
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๊ฐ€ํ˜นํ•œ ์„ธ๊ณ„์ด๋ฉด์„œ๋„ ๋™์‹œ์— ๋†€๋ผ์›€๊ณผ ๊ฐ€๋Šฅ์„ฑ์˜ ์„ธ๊ณ„์ด๊ธฐ๋„ ํ–ˆ์Šต๋‹ˆ๋‹ค.
03:21
For instance, the enigma of Great Expectations
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์˜ˆ๋ฅผ ๋“ค์–ด, ์œ„๋Œ€ํ•œ ์œ ์‚ฐ์˜ ์ˆ˜์ˆ˜๊ป˜๋ผ๋Š”
03:24
centers around the potential of Pip,
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ํ•์ด๋ผ๋Š” ์ธ๋ฌผ์„ ์ค‘์‹ฌ์œผ๋กœ ์ „๊ฐœ๋˜๋Š”๋ฐ
03:26
an orphan plucked from obscurity by an anonymous benefactor
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๊ทธ๋Š” ์ด๋ฆ„์„ ๋ฐํžˆ์ง€ ์•Š์€ ๊ธฐ๋ถ€์ž์—๊ฒŒ ๋ฐœํƒ๋˜์–ด
03:30
and propelled into high society.
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๋ฌด๋ช…์˜ ์ƒํƒœ๋กœ๋ถ€ํ„ฐ ์ƒ๋ฅ˜์ธต์œผ๋กœ ๋“ค์–ด๊ฐ€๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
03:32
In his search for purpose,
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๊ทธ์˜ ๋ชฉํ‘œ๋ฅผ ๋‹ฌ์„ฑํ•˜๋ ค๋Š” ๊ณผ์ •์—์„œ
03:34
Pip becomes the victim of other peopleโ€™s ambitions for him
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ํ•์€ ํƒ€์ธ์˜ ์•ผ๋ง์— ํฌ์ƒ์–‘์ด ๋˜๊ธฐ๋„ ํ•˜๊ณ 
03:37
and must negotiate with a shadowy cast of characters.
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๋“ฑ์žฅ์ธ๋ฌผ๋“ค์˜ ์–ด๋‘์šด ๋ฉด๊ณผ ํƒ€ํ˜‘ํ•ด์•ผ ํ•˜๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.
03:40
Like many of Dickensโ€™s protagonists,
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๋งŽ์€ ๋””ํ‚จ์Šค ์ž‘ํ’ˆ๋“ค์˜ ์ฃผ์ธ๊ณต์ฒ˜๋Ÿผ
03:43
poor Pip's position is constantly destabilized,
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ํ•์˜ ์œ„์น˜๋Š” ์ง€์†์ ์œผ๋กœ ๋ถˆ์•ˆ์ •ํ•˜๊ฒŒ ๋˜๋ฉฐ
03:46
just one of the reasons why reading Dickens
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์ด๋Š” ๋…์ž๋“ค์ด ๋””ํ‚จ์Šค ์ž‘ํ’ˆ์„ ์ฝ๋Š”
03:49
is the best of times for the reader,
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์ข‹์€ ์ด์œ ๊ฐ€ ๋˜๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.
03:51
while being the worst of times for his characters.
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๋น„๋ก ๋“ฑ์žฅ์ธ๋ฌผ๋“ค์—๊ฒŒ๋Š” ์ตœ์•…์˜ ์‹œ๊ฐ„์ด๊ฒ ์ง€๋งŒ.
03:54
Dickens typically offered clear resolution by the end of his novels,
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๋””ํ‚จ์Šค๋Š” ๋Œ€๊ฐœ ์†Œ์„ค๋“ค์˜ ๋งˆ์ง€๋ง‰์—์„œ ๋ช…ํ™•ํ•œ ํ•ด๊ฒฐ์„ ์ œ์‹œํ•ฉ๋‹ˆ๋‹ค.
03:58
โ€“ with the exception of The Mystery of Edwin Drood.
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๊ทธ๋Ÿฌ๋‚˜ ์—๋“œ์œˆ ๋“œ๋ฃจ๋“œ์˜ ๋ฏธ์Šคํ„ฐ๋ฆฌ ์—์„œ๋Š” ์˜ˆ์™ธ์ž…๋‹ˆ๋‹ค.
04:02
The novel details the disappearance of the orphan Edwin under puzzling circumstances.
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์ด ์†Œ์„ค์ด ๋ณต์žกํ•œ ์ƒํ™ฉ ์†์—์„œ ๊ณ ์•„์ธ ์—๋“œ์œˆ์ด ์‚ฌ๋ผ์ง€๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
04:07
However, Dickens died before the novel was finished
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๊ทธ๋Ÿฌ๋‚˜ ๋””ํ‚จ์Šค๋Š” ์†Œ์„ค์„ ์™„์„ฑํ•˜์ง€ ๋ชปํ•˜๊ณ  ์ฃฝ๊ฒŒ ๋˜๋Š”๋ฐ
04:10
and left no notes resolving the mystery.
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๊ทธ ์†Œ์„ค์˜ ๋ฏธ์Šคํ„ฐ๋ฆฌ๋ฅผ ํ’€ ์‹ค๋งˆ๋ฆฌ๋ฅผ ๋‚จ๊ฒจ๋†“์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค.
04:13
Readers continue to passionately debate over who Dickens intended as the murderer,
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๋…์ž๋“ค์€ ๋””ํ‚จ์Šค๊ฐ€ ๋ˆ„๊ตฌ๋ฅผ ์—๋“œ์œˆ์˜ ์‚ด์ธ์ž๋กœ ์ƒ๊ฐํ–ˆ๋Š”์ง€์— ๋Œ€ํ•ด ๋…ผ์Ÿํ•˜์˜€๊ณ ,
04:18
and whether Edwin Drood was even murdered in the first place.
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์• ์ดˆ์— ์—๋“œ์œˆ ๋“œ๋ฃจ๋“œ๊ฐ€ ์‚ดํ•ด๋œ ๊ฒŒ ๋งž๋Š”์ง€์— ๋Œ€ํ•ด์„œ๋„ ๋…ผ์Ÿํ•˜์˜€์Šต๋‹ˆ๋‹ค.
04:23
Throughout many adaptations,
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๋งŽ์€ ๋ฒˆ์•ˆ๊ณผ
04:25
literary homages,
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๋ฌธํ•™์ ์ธ ์ฐฌ์‚ฌ์˜ ๊ธ€๊ณผ
04:26
and the pages of his novels,
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๊ทธ์˜ ์†Œ์„ค์˜ ๋‚ด์šฉ ์†์—์„œ
04:27
Dickensโ€™s sparkling language and panoramic worldview
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๋””ํ‚จ์Šค์˜ ๋ฒˆ์ฉ์ด๋Š” ์–ธ์–ด์™€ ๋„“๊ฒŒ ํŽผ์ณ์ง€๋Š” ์„ธ๊ณ„๊ด€์€
04:31
continue to resonate.
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๊ณ„์† ์šธ๋ คํŽด์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
04:33
Today, the adjective Dickensian
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์˜ค๋Š˜๋‚ , ๋””ํ‚จ์Šค๋‹ค์šด์ด๋ผ๊ณ  ํ•˜๋Š” ํ˜•์šฉ์‚ฌ๋Š”
04:35
often implies squalid working or living conditions.
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์ข…์ข… ๋ˆ„์ถ”ํ•œ ์ž‘์—…ํ™˜๊ฒฝ ํ˜น์€ ์ƒํ™œํ™˜๊ฒฝ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค.
04:38
But to describe a novel as Dickensian is typically high praise,
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๊ทธ๋Ÿฌ๋‚˜ ์–ด๋–ค ์†Œ์„ค์„ ๋””ํ‚จ์‹œ์•ˆ์ด๋ผ๊ณ  ํ‘œํ˜„ํ•˜๋Š” ๊ฒƒ์€ ๋Œ€๋‹จํ•œ ์นญ์ฐฌ์ด๋ฉฐ
04:43
as it suggests a story in which true adventure and discovery
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๊ทธ ์†Œ์„ค ์•ˆ์—๋Š” ๊ฐ€์žฅ ๊ธฐ๋Œ€ํ•˜๊ธฐ ์–ด๋ ค์šด ์žฅ์†Œ์—์„œ ์ผ์–ด๋‚˜๋Š”
04:46
occur in the most unexpected places.
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์ง„์ •ํ•œ ๋ชจํ—˜๊ณผ ๋ฐœ๊ฒฌ์ด ์žˆ๋‹ค๋Š” ๋œป์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
04:49
Although he often explored bleak material,
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๋””ํ‚จ์Šค๋Š” ์ฃผ๋กœ ์–ด๋‘์šด ์†Œ์žฌ๋“ค์„ ํƒ๊ตฌํ•˜์˜€์œผ๋‚˜
04:52
Dickensโ€™s piercing wit never failed to find light in the darkest corners.
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๋””ํ‚จ์Šค์˜ ๋‚ ์นด๋กœ์šด ์œ„ํŠธ๋Š” ํ•ญ์ƒ ๊ฐ€์žฅ ์–ด๋‘์šด ๊ณณ์—์„œ ๋น›์„ ์ฐพ์•„๋‚ด๊ณค ํ–ˆ์Šต๋‹ˆ๋‹ค.
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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