Why should you read Charles Dickens? - Iseult Gillespie

1,855,560 views ・ 2017-12-21

TED-Ed


Videoni ijro etish uchun quyidagi inglizcha subtitrlarga ikki marta bosing.

Translator: Arofat Akhundjanova Reviewer: Nazarbek Nazarov
00:07
The starving orphan seeking a second helping of gruel.
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Och qolgan yetim xo’jaynidan yana suyuq bo'tqa berishni so'raydi.
00:11
The spinster wasting away in her tattered wedding dress.
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Qari qiz butun hayotini uvadasi chiqqan to'y libosida o'tkazadi.
00:15
The stone-hearted miser plagued by the ghost of Christmas past.
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Toshyurak xasis O'tgan Rojdestvo Ruhidan xalos bo'lishga harakat qiladi.
00:20
More than a century after his death,
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Yozuvchi vafotiga yuz yildan oshgan bo'lsa-da,
00:22
these remain recognizable figures from the work of Charles Dickens.
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Charlz Dikkens qahramonlari hali ham juda mashhur.
00:27
So striking is his body of work that it gave rise to its own adjective.
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Dikkens ijodi shu qadar o’ziga xoski, bejizga “dikkenscha uslub” atamasi
00:32
But what are the features of Dickens's writing that make it so special?
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paydo bo'lmagan. Ammo muallif uslubining o'ziga xosligi nimada?
00:36
Dickens’s fiction brims with anticipation
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Dikkens nasri oldindan sezish, qayg’uli sahnalar, voqea-
00:39
through brooding settings, plot twists, and mysteries.
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larning kutilmaganda burilish yasashi va jumboqli vaziyatlar bilan ajralib turadi.
00:43
These features of his work kept his audience wanting more.
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Bu xususiyatlarning barchasi kitobxonlar e'tiborini tortadi.
00:46
When first published, his stories were serialized,
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Uning dastlabki hikoyalari arzon adabiy jurnallarda
00:50
meaning they were released a few chapters at a time in affordable literary journals
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bobma-bob chop etilgan, keyinchalik esa
00:55
and only later reprinted as books.
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alohida kitob shaklida nashr etilgan.
00:58
This prompted fevered speculation over the cliffhangers
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Odamlar u asar qanday yakun topishini oldindan bilib,
01:01
and revelations he devised.
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voqealar rivojini yozgan deb gumon qilishgan.
01:04
Serialization not only made fiction available to a wider audience
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Hikoyalarni bo'lib-bo'lib chop etish kitobxonlar doirasini kengaytirgan,
01:08
and kept them reading,
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ularning asarga bo'lgan
01:09
but increased the hype around the author himself.
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qiziqishini oshirgan va muallif haqidagi shov-shuvlarni avj oldirgan.
01:13
Dickens became particularly popular for his wit,
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Dikkens zukkoligi bilan ayniqsa mashhur bo'lib,
01:16
which he poured into quirky characters and satiric scenarios.
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g'ayritabiiy qahramonlar va kulgili sahnalar yaratadi.
01:21
His characters exhibit the sheer absurdity of human behavior,
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Dikkens asar personajlari orqali inson xulq-atvorining bema'niligini hajv qilib,
01:24
and their names often personify traits or social positions,
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ko'pincha qahramonlar ismlarida ularning fe'l-atvori hamda ijtimoiy mavqeini
01:29
like the downtrodden Bob Cratchit,
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aks ettiradi. Masalan, xo'rlangan Bob Kretchit,
01:31
the groveling Uriah Heep,
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xushomadgo'y Uray Xip,
01:33
and the cheery Septimus Crisparkle.
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xushchaqchaq Septimus Krisparkl.
01:37
Dickens set these colorful characters against intricate social backdrops,
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Bu o'ziga xos qahramonlar yozuvchi davri aks etgan
01:42
which mimic the society he lived in.
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murakkab ijtimoiy muhitga ro'baro' qilinadi. Masalan,
01:44
For instance, he often considered
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muallif sanoat inqilobi natijasida
01:46
the changes brought about by the Industrial Revolution.
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odamlar turmushida yuz bergan o'zgarishlar haqida ko'p yozadi.
01:49
During this period,
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Bu davrda
01:50
the lower classes experienced sordid working and living conditions.
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quyi tabaqa vakillari og'ir sharoitlarda kun ko'radi.
01:55
Dickens himself experienced this hardship as a child
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Bolaligida otasi qarzdorlar qamoqxonasiga yuborilgach,
01:58
when he was forced to work in a boot blacking factory
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etikmoy ishlab chiqaruvchi fabrikada ishlashga majbur bo'lgan
02:01
after his father was sent to debtors' prison.
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Dikkensning o'zi bu sinovlarni boshidan o'tkazadi.
02:05
This influenced his depiction of the Marshalsea prison in Little Dorrit,
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Buning ta'sirida "Jajji Dorrit" asaridagi Marshalsi qamoqxonasi yaratiladi.
02:09
where the titular character cares for her convict father.
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Roman bosh qahramoni jazoga hukm etilgan otasiga g'amxo'rlik qiladi.
02:13
Prisons, orphanages, or slums may seem grim settings for a story,
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Qamoqxona, yetimxona va xarobalar roman uchun chiroyli manzara
02:18
but they allowed Dickens to shed light
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bo'lmasligi mumkin, ammo Dikkens
02:20
on how his society's most invisible people lived.
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ular orqali jamiyatdagi soyada qolgan kishilar hayotini yoritib beradi.
02:24
In Nicholas Nickleby,
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"Nikolas Niklbi" romanida
02:25
Nicholas takes a job with the schoolmaster Wackford Squeers.
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Nikolas maktab egasi Vakford Skvirsnikiga ishga kiradi.
02:29
He soon realizes that Squeers is running a scam
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Tez orada u Skvirsning fribgarligini tushunib yetadi.
02:33
where he takes unwanted children from their parents for a fee
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U kambag'al bolalarni ota-onalaridan sotib olib,
02:36
and subjects them to violence and deprivation.
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maktabda ularni zo'ravonlik va yo'qsillikka mahkum etadi.
02:39
Oliver Twist also deals with the plight of children in the care of the state,
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"Oliver Tvist" ham davlat qaramog'idagi bolalarning og'ir ahvolini hikoya qiladi.
02:43
illustrating the brutal conditions of the workhouse
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Romanda shafqatsiz sharoitlarda ishlashga
02:46
in which Oliver pleads with Mr. Bumble for food.
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majbur Oliver janob Bamblga ovqat berishini so'rab yolvoradi.
02:50
When he flees to London, he becomes ensnared in a criminal underworld.
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Londonga qochib kelgach, u jinoyat olamiga tushib qoladi. Bu asarlarda
02:55
These stories frequently portray Victorian life
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Qirolicha Viktoriya davrining ko'rimsiz, axloqiy tanazzulga
02:57
as grimy, corrupt, and cruel.
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yuz tutgan, shafqatsiz muhiti tasvirlanadi.
03:00
But Dickens also saw his time as one in which old traditions
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Dikkens bu davrda ko'plab qadimiy urf-odatlar yo'qola
03:03
were fading away.
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boshlaganiga guvoh bo'ladi.
03:05
London was becoming the incubator of the modern world
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London sanoat, tijorat va ijtimoiy hayotdagi
03:08
through new patterns in industry, trade, and social mobility.
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o'zgarishlar tufayli zamonaviy dunyo inkubatoriga aylanadi.
03:12
Dickens's London is therefore a dualistic space:
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Dikkens Londonni ikki yoqlama tasavvur etadi.
03:16
a harsh world that is simultaneously filled with wonder and possibility.
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U berahm, ammo mo'jiza va imkoniyatlarga to'la shahar sifatida namoyon bo’ladi.
03:21
For instance, the enigma of Great Expectations
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Masalan, "Katta umidlar" romani sujet chizig'ining
03:24
centers around the potential of Pip,
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murakkabligi shundaki, noma'lum shaxs Pip ismli
03:26
an orphan plucked from obscurity by an anonymous benefactor
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yetim bolaga vasiylik qilib, uni jamiyatning yuqori qatlamiga olib kiradi,
03:30
and propelled into high society.
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uning qarshisida yangi imkoniyatlar eshigini ochadi.
03:32
In his search for purpose,
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Hayotdan maqsad izlagan Pip
03:34
Pip becomes the victim of other people’s ambitions for him
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o'zgalarning xohish-istaklari qurboniga aylanadi va
03:37
and must negotiate with a shadowy cast of characters.
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shubhali kishilar bilan aloqa qilishiga to'g'ri keladi.
03:40
Like many of Dickens’s protagonists,
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Dikkensning ko'plab qahramonlari singari
03:43
poor Pip's position is constantly destabilized,
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bechora Pip ham taqdir o'yinlariga ro'baro' keladi.
03:46
just one of the reasons why reading Dickens
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Shu bois Dikkensni o'qish
03:49
is the best of times for the reader,
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kitobxon uchun maroqli,
03:51
while being the worst of times for his characters.
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ammo uning qahramonlari uchun og'ir sinovdir.
03:54
Dickens typically offered clear resolution by the end of his novels,
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Dikkens odatda romanlari oxirida jumboq yechimini keltiradi,
03:58
– with the exception of The Mystery of Edwin Drood.
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ammo "Edvin Drud siri" bundan istisno.
04:02
The novel details the disappearance of the orphan Edwin under puzzling circumstances.
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Roman Edvinning sirli ravishda g'oyib bo'lishi to'g'risida hikoya qiladi.
04:07
However, Dickens died before the novel was finished
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Dikkens asarni yakunlamay vafot etadi,
04:10
and left no notes resolving the mystery.
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jumboqqa yechim bo'luvchi asar qoralamasi ham topilmaydi.
04:13
Readers continue to passionately debate over who Dickens intended as the murderer,
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O'quvchilar Dikkens kimni qotil qilmoqchi bo'lgan, Edvin Drud chindan
04:18
and whether Edwin Drood was even murdered in the first place.
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o'ldirilganmi degan savollar ustida bahslashishda davom etmoqda.
04:23
Throughout many adaptations,
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Dikkensning jonli tili va
04:25
literary homages,
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keng dunyoqarashi
04:26
and the pages of his novels,
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ko'plab filmlar, bag'ishlovlar va
04:27
Dickens’s sparkling language and panoramic worldview
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romanlari sahifalarida
04:31
continue to resonate.
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yashab kelmoqda.
04:33
Today, the adjective Dickensian
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Bugungi kunda dikkenscha uslub
04:35
often implies squalid working or living conditions.
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og'ir turmush sharoitlari tasviriga nisbat qilib beriladi, ammo
04:38
But to describe a novel as Dickensian is typically high praise,
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asarni dikkenscha roman deb baholash yozuvchilar uchun ulkan maqtovdir.
04:43
as it suggests a story in which true adventure and discovery
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Bu asarda haqiqiy sarguzasht va topilmalar
04:46
occur in the most unexpected places.
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kutilmagan joylarda ro'y berishini anglatadi.
04:49
Although he often explored bleak material,
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Garchi asarlarining aksariyati juda qayg'uli bo'lsa-da,
04:52
Dickens’s piercing wit never failed to find light in the darkest corners.
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Dikkensning zukkoligi hatto eng qorong'i burchaklarda ham yorug'lik ko'ra oladi.
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