Sarah Lewis: Embrace the near win

296,037 views ・ 2014-04-21

TED


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譯者: Chen He 審譯者: Fanny Shen
00:13
I feel so fortunate that my first job
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我十分慶倖自己的第一份工作
00:15
was working at the Museum of Modern Art
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是在現代藝術博物館
00:18
on a retrospective of painter Elizabeth Murray.
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當時正在籌備伊莉莎白•默里 (美國畫家)的回顧展
00:21
I learned so much from her.
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她讓我受益匪淺
00:23
After the curator Robert Storr
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在館長羅伯特•斯托
00:25
selected all the paintings
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從默里的畢生心血中
00:27
from her lifetime body of work,
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精心挑選出所有展品後
00:30
I loved looking at the paintings from the 1970s.
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我總愛欣賞她創作於 二十世紀七十年代的畫作
00:33
There were some motifs and elements
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其中的一些主題和元素
00:36
that would come up again later in her life.
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未來都將反映到她的後期創作中
00:39
I remember asking her
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我記得我問過她
00:41
what she thought of those early works.
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對自己的早期作品有何看法
00:43
If you didn't know they were hers,
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若非事先所知
00:45
you might not have been able to guess.
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恐怕你無論如何也猜不到 那些作品出自她之手
00:47
She told me that a few didn't quite meet
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她告訴我其中有幾幅
00:50
her own mark for what she wanted them to be.
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並未如她所願展現出個人風格
00:54
One of the works, in fact,
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實際上
00:55
so didn't meet her mark,
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有一幅甚至令她大失所望
00:57
she had set it out in the trash in her studio,
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以至於被扔進了畫室的垃圾桶
01:00
and her neighbor had taken it
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但她的鄰居卻撿了去
01:02
because she saw its value.
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因為她看到了其中的價值
01:04
In that moment, my view of success
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聽到這裡,我對成功和創造力的看法
01:07
and creativity changed.
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發生了改變
01:10
I realized that success is a moment,
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我意識到成功只屬於片刻
01:13
but what we're always celebrating
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而始終為人們所稱道的
01:15
is creativity and mastery.
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則是創造力和掌控力
01:19
But this is the thing: What gets us to convert success
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但問題在於:如何將成功
01:22
into mastery?
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轉化為一種掌控力?
01:24
This is a question I've long asked myself.
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對此我思慮良久
01:27
I think it comes when we start to value
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我想轉化的關鍵在於
01:30
the gift of a near win.
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認識到垂成(接近成功)的價值
01:33
I started to understand this when I went
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我開始明白這一點時 是在一個五一節
01:36
on one cold May day
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那天天氣寒冷
01:38
to watch a set of varsity archers,
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我前往觀看一支 大學射箭代表隊訓練
01:40
all women as fate would have it,
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她們恰巧都是女生
01:42
at the northern tip of Manhattan
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訓練場地在曼哈頓北端
01:45
at Columbia's Baker Athletics Complex.
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哥倫比亞大學的貝克爾運動綜合中心
01:48
I wanted to see what's called archer's paradox,
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當時我想見識一下所謂的“弓箭手悖論”
01:52
the idea that in order to actually hit your target,
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即“必須瞄準稍稍偏離靶心的目標
01:54
you have to aim at something slightly skew from it.
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才能正中靶心”的說法
01:59
I stood and watched as the coach
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我站在一旁
02:01
drove up these women in this gray van,
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只見教練開著灰色的 貨車載著姑娘們到場
02:04
and they exited with this kind of relaxed focus.
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她們漫不經心地鑽出了車
02:07
One held a half-eaten ice cream cone in one hand
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有個女生右手握著吃了一半的甜筒
02:09
and arrows in the left with yellow fletching.
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左手拿著帶黃色箭羽的箭
02:12
And they passed me and smiled,
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她們微笑著從我身邊經過
02:15
but they sized me up as they
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但在前往靶場的時候
02:16
made their way to the turf,
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她們打量了我一番
02:18
and spoke to each other not with words
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並且一邊通過手勢而不是對話
02:20
but with numbers, degrees, I thought,
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向同伴給出數位、角度、位置等資訊
02:23
positions for how they might plan
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我想她們是在交流
02:24
to hit their target.
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如何命中靶心的方法
02:26
I stood behind one archer as her coach
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我站在一名弓箭手的後面
02:29
stood in between us to maybe assess
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她的教練站在我們中間
02:31
who might need support, and watched her,
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可能在觀察誰需要幫助
02:33
and I didn't understand how even one
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教練看著她
02:35
was going to hit the ten ring.
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我甚至無法想像 怎樣才能射中靶心的10環
02:38
The ten ring from the standard 75-yard distance,
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靶心的距離足有75碼遠
02:41
it looks as small as a matchstick tip
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看起來就和距離
02:44
held out at arm's length.
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一臂之遠的火柴頭一樣小
02:46
And this is while holding 50 pounds of draw weight
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而且每次開弓時
02:49
on each shot.
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還要承受50磅的拉力
02:52
She first hit a seven, I remember, and then a nine,
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我記得她第一箭射中7環,然後是9環
02:55
and then two tens,
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接著連續兩個10環
02:56
and then the next arrow
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然後再下一箭
02:57
didn't even hit the target.
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卻直接脫靶了
02:59
And I saw that gave her more tenacity,
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但我發現脫靶反而 使她的意志更加堅定
03:01
and she went after it again and again.
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之後她一次次重複,力圖射中靶心
03:04
For three hours this went on.
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訓練持續了三小時之久
03:07
At the end of the practice, one of the archers
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到結束時,其中一名弓箭手已精疲力竭
03:09
was so taxed that she lied out on the ground
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四肢張開癱倒在地
03:12
just star-fished,
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活像一隻海星
03:14
her head looking up at the sky,
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她抬頭仰望天空
03:16
trying to find what T.S. Eliot might call
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試圖尋找T•S•艾略特(美國詩人)筆下的
03:19
that still point of the turning world.
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“旋轉世界的靜止點”
03:22
It's so rare in American culture,
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在美國文化中
03:25
there's so little that's vocational about it anymore,
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極少有人會觀看這些菜鳥訓練
03:28
to look at what doggedness looks like
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從她們身上領會堅持不懈的含義
03:30
with this level of exactitude,
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以及為了命中靶心
03:32
what it means to align your body posture
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連續三小時不斷調整姿勢
03:35
for three hours in order to hit a target,
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默默追求卓越的意義
03:38
pursuing a kind of excellence in obscurity.
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因為這樣做的職業價值已所剩無幾
03:42
But I stayed because I realized I was witnessing
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但我留了下來,因為我意識到
03:44
what's so rare to glimpse,
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我正在見證關於 區別成功和掌控力的
03:47
that difference between success and mastery.
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如此難得的一幕
03:50
So success is hitting that ten ring,
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所以,命中靶心意味著成功
03:53
but mastery is knowing that it means nothing
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而掌控力則是懂得 如果你不能百發百中
03:55
if you can't do it again and again.
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那麼即使成功也毫無意義
03:59
Mastery is not just the same as excellence, though.
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但是,掌控力並不等同於卓越
04:02
It's not the same as success,
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它和成功不同
04:04
which I see as an event,
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成功是一次事件
04:07
a moment in time,
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一個瞬間
04:08
and a label that the world confers upon you.
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是世人給你貼上的一個標籤
04:11
Mastery is not a commitment to a goal
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掌控力不是對目標的一次性實現
04:15
but to a constant pursuit.
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而是一種永恆的追求
04:17
What gets us to do this,
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對垂成的重視
04:19
what get us to forward thrust more
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促使我們不斷追求
04:22
is to value the near win.
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推動我們日益進步
04:26
How many times have we designated something
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多少我們認定為經典
04:28
a classic, a masterpiece even,
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甚至傑作的作品
04:31
while its creator considers it hopelessly unfinished,
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在創作者看來卻是 充滿困難與缺陷的
04:34
riddled with difficulties and flaws,
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無可救藥的半成品
04:36
in other words, a near win?
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或者說垂成品
04:39
Elizabeth Murray surprised me
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默里對自己早期畫作的坦誠
04:41
with her admission about her earlier paintings.
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出乎我的意料
04:45
Painter Paul Cézanne so often thought his works were incomplete
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保爾•塞尚(法國畫家) 時常覺得自己的作品有所欠缺
04:48
that he would deliberately leave them aside
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他會有意置之不理
04:50
with the intention of picking them back up again,
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待日後加以完善
04:53
but at the end of his life,
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但直到臨終時
04:54
the result was that he had only signed
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他認可並署名的畫作也僅僅是
04:56
10 percent of his paintings.
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他所有作品的十分之一
04:59
His favorite novel was "The [Unknown] Masterpiece" by Honoré de Balzac,
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塞尚最愛的一部小說是 巴爾扎克的《無人知道的傑作》
05:03
and he felt the protagonist was the painter himself.
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他覺得小說主人公是他的真實寫照
05:09
Franz Kafka saw incompletion
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對於換做他人都將大加讚賞的作品
05:11
when others would find only works to praise,
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弗朗茨•卡夫卡(奧地利小說家)
05:14
so much so that he wanted all of his diaries,
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卻認為有太多不足之處
05:17
manuscripts, letters and even sketches
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以至於他要求自己所有的 日記、手稿、信件甚至草稿
05:19
burned upon his death.
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都在他死後付之一炬
05:21
His friend refused to honor the request,
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他的朋友沒有答應他的要求
05:24
and because of that, we now have all the works
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正因為此,如今我們才能有幸拜讀
05:25
we now do by Kafka:
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現今所有卡夫卡的作品
05:27
"America," "The Trial" and "The Castle,"
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包括《美國》、《審判》和《城堡》
05:31
a work so incomplete it even stops mid-sentence.
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《城堡》並不是一部完整的小說, 就連停筆處的句子也只寫了一半
05:34
The pursuit of mastery, in other words,
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換句話說,對掌控力的追求
05:37
is an ever-onward almost.
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是一個不斷前進接近成功的過程
05:41
"Lord, grant that I desire
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“主啊,請讓我的渴望
05:43
more than I can accomplish,"
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總是多於我所能完成的”
05:46
Michelangelo implored,
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米開朗琪羅如是懇求道
05:47
as if to that Old Testament God on the Sistine Chapel,
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仿佛在懇求西斯廷教堂壁畫 (這裡指《創世紀•創造亞當》)中 所繪的舊約中的上帝
05:51
and he himself was that Adam
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而他就是那壁畫中的亞當
05:52
with his finger outstretched
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虔誠地伸出手指
05:54
and not quite touching that God's hand.
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即將與上帝的神指觸碰
05:59
Mastery is in the reaching, not the arriving.
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掌控力於過程中形成,而非從結果中獲取
06:03
It's in constantly wanting to close that gap
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它存在於力圖縮小理想與現實之間差距的
06:06
between where you are and where you want to be.
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長久的希冀之中
06:11
Mastery is about sacrificing for your craft
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掌控力意味著為事業作出犧牲
06:14
and not for the sake of crafting your career.
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而非圖一時事業之成就
06:18
How many inventors and untold entrepreneurs
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許多發明家和無數企業家
06:21
live out this phenomenon?
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都踐行了這一點
06:24
We see it even in the life
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我們甚至可以從不屈不撓的北極探險家
06:25
of the indomitable Arctic explorer Ben Saunders,
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本•桑德斯的生平看到這一點
06:28
who tells me that his triumphs
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據他所說,他所取得的成就
06:30
are not merely the result
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不僅包括
06:32
of a grand achievement,
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這巨大的成就本身
06:34
but of the propulsion of a lineage of near wins.
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還包括一系列垂成事件所帶來的推動作用
06:39
We thrive when we stay at our own leading edge.
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不斷超越自我,方能茁壯成長
06:42
It's a wisdom understood by Duke Ellington,
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艾靈頓公爵(美國爵士音樂家)領悟了這個道理
06:45
who said that his favorite song out of his repertoire
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在他創作的所有歌曲中,他最鍾愛的
06:48
was always the next one,
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永遠是下一首
06:50
always the one he had yet to compose.
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永遠是即將譜寫出的那首
06:54
Part of the reason that the near win
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垂成之所以是掌控力形成的內因
06:56
is inbuilt to mastery
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部分原因是因為
06:58
is because the greater our proficiency,
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我們對一件事情越精通
07:00
the more clearly we might see
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就會越清楚地明白
07:03
that we don't know all that we thought we did.
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自己並非全知全能
07:06
It's called the Dunning–Kruger effect.
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這就是所謂的“達克效應”
07:08
The Paris Review got it out of James Baldwin
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在《巴黎評論》對詹姆斯•鮑德溫(美國作家)的採訪中也有所提及
07:11
when they asked him,
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當記者問鮑德溫
07:12
"What do you think increases with knowledge?"
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“你如何看待知識的增長?”
07:15
and he said, "You learn how little you know."
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他回答道:“學之甚多,方顯知之甚少。”
07:20
Success motivates us, but a near win
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成功可以激發積極性
07:22
can propel us in an ongoing quest.
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但垂成能推動我們不斷求索
07:25
One of the most vivid examples of this comes
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如果我們琢磨一下
07:27
when we look at the difference
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一場奧運會比賽後
07:29
between Olympic silver medalists
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亞軍和季軍之間的差別
07:31
and bronze medalists after a competition.
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便會得出一個鮮明例證
07:34
Thomas Gilovich and his team from Cornell
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康奈爾大學的湯瑪斯•季洛維奇與他的團隊
07:36
studied this difference and found
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研究這種差別後發現
07:39
that the frustration silver medalists feel
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亞軍通常比季軍更顯沮喪
07:41
compared to bronze, who are typically a bit
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因為和一無所獲的第四名相比
07:43
more happy to have just not received fourth place
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季軍至少有獎牌可得
07:46
and not medaled at all,
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這也是值得高興的
07:47
gives silver medalists a focus
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而與金牌失之交臂的亞軍在沮喪之餘
07:49
on follow-up competition.
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會把注意力放在接下來的比賽中
07:52
We see it even in the gambling industry
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我們甚至可以從博彩業中
07:54
that once picked up on this phenomenon
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體會到垂成的作用
07:56
of the near win
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正因為意識到這種作用
07:57
and created these scratch-off tickets
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博彩業推出了“刮刮樂”彩票
08:00
that had a higher than average rate of near wins
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這種彩票的中獎率高於平均值
08:03
and so compelled people to buy more tickets
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十分容易誘使人們購買更多
08:06
that they were called heart-stoppers,
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以至於被戲稱為“速效救心丸
08:08
and were set on a gambling industry set of abuses
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在二十世紀七十年代的英國
08:11
in Britain in the 1970s.
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刮刮樂風靡博彩業
08:14
The reason the near win has a propulsion
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垂成之所以是一種推動力
08:16
is because it changes our view of the landscape
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是因為它可以改變我們對形勢的看法
08:19
and puts our goals, which we tend to put
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將原本遙不可及的目標
08:22
at a distance, into more proximate vicinity
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融入離我們更近
08:25
to where we stand.
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更容易企及的目標當中
08:26
If I ask you to envision what a great day looks like next week,
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如果下周讓你描述美好的一天
08:30
you might describe it in more general terms.
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你大概只會泛泛而談
08:33
But if I ask you to describe a great day at TED tomorrow,
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但如果明天讓你形容在TED的美好一日
08:37
you might describe it with granular, practical clarity.
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你或許就會清晰具體、繪聲繪色地講述一番
08:40
And this is what a near win does.
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這就是垂成體現的作用
08:42
It gets us to focus on what, right now,
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它會讓我們立即集中注意力
08:45
we plan to do to address that mountain in our sights.
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著手解決眼前的難題
08:49
It's Jackie Joyner-Kersee, who in 1984
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傑西•喬伊娜•柯西在1984年的奧運會上
08:53
missed taking the gold in the heptathlon
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僅以三分之一秒之差
08:55
by one third of a second,
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痛失七項全能金牌
08:57
and her husband predicted that would give her
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她的丈夫預言,這會讓她獲得
08:59
the tenacity she needed in follow-up competition.
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接下來的比賽中所需要的堅韌
09:03
In 1988, she won the gold in the heptathlon
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1988年的奧運會,她最終斬獲七項全能金牌
09:06
and set a record of 7,291 points,
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並且書寫了7291分的新紀錄
09:10
a score that no athlete has come very close to since.
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此記錄至今仍無人能及
09:15
We thrive not when we've done it all,
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促使我們成長的不是已完成之事
09:18
but when we still have more to do.
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而是更多有待完成之事
09:21
I stand here thinking and wondering
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此刻我站在這裡思考著一個問題
09:24
about all the different ways
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我想知道如果要在這個演播廳內
09:25
that we might even manufacture a near win
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刻意製造一次垂成
09:28
in this room,
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諸位將如何各顯神通
09:29
how your lives might play this out,
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又將如何在各自的生活中發揮它的作用
09:31
because I think on some gut level we do know this.
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因為我想我們內心都明白這種作用的存在
09:36
We know that we thrive when we stay
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我們懂得不斷超越自我
09:37
at our own leading edge,
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方能茁壯成長的道理
09:39
and it's why the deliberate incomplete
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這就是為何有意製造的不完美
09:41
is inbuilt into creation myths.
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會成為創世神話的內在組成部分
09:44
In Navajo culture, some craftsmen and women
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在納瓦霍文化中
09:46
would deliberately put an imperfection
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一些手藝人會故意在紡織品和陶器中
09:49
in textiles and ceramics.
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保留些許缺陷
09:51
It's what's called a spirit line,
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他們稱之為“靈性線”
09:53
a deliberate flaw in the pattern
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即在圖案中有意留出瑕疵
09:55
to give the weaver or maker a way out,
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給編織者或製造者以改進的空間
09:58
but also a reason to continue making work.
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也是一種精益求精的動力
10:03
Masters are not experts because they take
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大師不是專家
10:05
a subject to its conceptual end.
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大師之所以為大師
10:08
They're masters because they realize
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是因為他們追求事物概念上的終點
10:09
that there isn't one.
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但同時也清楚終這個終點並不存在
10:12
Now it occurred to me, as I thought about this,
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我由此想到
10:15
why the archery coach
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為什麼射箭隊的教練
10:17
told me at the end of that practice,
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會在訓練結束後
10:19
out of earshot of his archers,
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私下告訴我
10:21
that he and his colleagues never feel
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他和他的夥伴始終覺得
10:23
they can do enough for their team,
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為自己的團隊做得不夠
10:25
never feel there are enough visualization techniques
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始終覺得沒有掌握足夠的瞄準技巧
10:28
and posture drills to help them overcome
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也沒有進行足夠多的姿勢訓練
10:31
those constant near wins.
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來幫助他們克服日復一日接近成功的過程
10:33
It didn't sound like a complaint, exactly,
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在我聽來,這絕非訴苦
10:36
but just a way to let me know,
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而是以一種便於理解的方式
10:38
a kind of tender admission,
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一種委婉的坦陳
10:40
to remind me that he knew he was giving himself over
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來提醒我他清楚自己
10:43
to a voracious, unfinished path
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已經踏上一條永不滿足
10:46
that always required more.
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永無止境的道路
10:49
We build out of the unfinished idea,
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我們朝著未實現的目標前行
10:52
even if that idea is our former self.
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即使這目標是回到故我
10:57
This is the dynamic of mastery.
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這便是推動掌控力的力量
11:00
Coming close to what you thought you wanted
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努力去接近你所追求的目標
11:03
can help you attain more than you ever dreamed
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可以助你達到意想不到的
11:06
you could.
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驚人高度
11:07
It's what I have to imagine Elizabeth Murray
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這不禁讓我想象
11:10
was thinking when I saw her smiling
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我在展館看見默里
11:12
at those early paintings one day
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微笑地凝視著自己的早期作品的那天
11:14
in the galleries.
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她當時是怎樣的想法
11:17
Even if we created utopias, I believe
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我相信,就算我們真的創造了烏托邦
11:20
we would still have the incomplete.
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也依然存在不完美
11:23
Completion is a goal,
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追求完美固然是我們的目標
11:25
but we hope it is never the end.
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但我們希望這絕非終點
11:29
Thank you.
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謝謝
11:32
(Applause)
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(掌聲)

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