Courtney Martin: Reinventing feminism

126,050 views ・ 2011-03-08

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00:15
So I was born
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on the last day
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of the last year of the '70s.
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I was raised on "Free to be you and me" --
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(cheering)
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hip-hop --
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not as many woohoos for hip-hop in the house.
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Thank you. Thank you for hip-hop --
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and Anita Hill.
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(Cheering)
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My parents were radicals --
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(Laughter)
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who became,
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well, grown-ups.
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My dad facetiously says,
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"We wanted to save the world,
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and instead we just got rich."
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We actually just got "middle class"
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in Colorado Springs, Colorado,
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but you get the picture.
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I was raised with a very heavy sense
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of unfinished legacy.
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At this ripe old age of 30,
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I've been thinking a lot about what it means to grow up
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in this horrible, beautiful time,
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and I've decided, for me,
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it's been a real journey and paradox.
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The first paradox
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is that growing up is about rejecting the past
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and then promptly reclaiming it.
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Feminism was the water I grew up in.
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When I was just a little girl,
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my mom started what is now
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the longest-running women's film festival in the world.
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So while other kids were watching sitcoms and cartoons,
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I was watching very esoteric documentaries
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made by and about women.
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You can see how this had an influence.
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But she was not the only feminist in the house.
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My dad actually resigned
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from the male-only business club in my hometown
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because he said he would never be part of an organization
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that would one day welcome his son, but not his daughter.
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(Applause)
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He's actually here today.
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(Applause)
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The trick here
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is my brother would become an experimental poet,
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not a businessman,
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but the intention was really good.
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(Laughter)
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In any case, I didn't readily claim the feminist label,
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even though it was all around me,
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because I associated it with my mom's women's groups,
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her swishy skirts and her shoulder pads --
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none of which had much cachet
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in the hallways of Palmer High School
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where I was trying to be cool at the time.
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But I suspected there was something really important
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about this whole feminism thing,
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so I started covertly tiptoeing into my mom's bookshelves
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and picking books off and reading them --
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never, of course, admitting that I was doing so.
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I didn't actually claim the feminist label
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until I went to Barnard College
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and I heard Amy Richards and Jennifer Baumgardner speak for the first time.
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They were the co-authors of a book called "Manifesta."
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So what very profound epiphany, you might ask,
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was responsible for my feminist click moment?
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Fishnet stockings.
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Jennifer Baumgardner was wearing them.
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I thought they were really hot.
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I decided, okay, I can claim the feminist label.
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Now I tell you this --
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I tell you this at the risk of embarrassing myself,
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because I think part of the work of feminism
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is to admit that aesthetics, that beauty,
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that fun do matter.
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There are lots of very modern political movements
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that have caught fire in no small part
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because of cultural hipness.
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Anyone heard of these two guys as an example?
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So my feminism is very indebted to my mom's,
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but it looks very different.
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My mom says, "patriarchy."
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I say, "intersectionality."
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So race, class, gender, ability,
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all of these things go into our experiences
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of what it means to be a woman.
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Pay equity? Yes. Absolutely a feminist issue.
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But for me, so is immigration. (Applause)
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Thank you.
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My mom says, "Protest march."
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I say, "Online organizing."
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I co-edit, along with a collective
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of other super-smart, amazing women,
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a site called Feministing.com.
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We are the most widely read feminist publication ever,
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and I tell you this
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because I think it's really important to see
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that there's a continuum.
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Feminist blogging is basically the 21st century version
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of consciousness raising.
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But we also have a straightforward political impact.
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Feministing has been able
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to get merchandise pulled off the shelves of Walmart.
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We got a misogynist administrator sending us hate-mail
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fired from a Big Ten school.
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And one of our biggest successes
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is we get mail from teenage girls in the middle of Iowa
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who say, "I Googled Jessica Simpson and stumbled on your site.
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I realized feminism wasn't about man-hating and Birkenstocks."
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So we're able to pull in the next generation
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in a totally new way.
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My mom says, "Gloria Steinem."
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I say, "Samhita Mukhopadhyay,
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Miriam Perez, Ann Friedman,
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Jessica Valenti, Vanessa Valenti,
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and on and on and on and on."
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We don't want one hero.
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We don't want one icon.
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We don't want one face.
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We are thousands of women and men across this country
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doing online writing, community organizing,
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changing institutions from the inside out --
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all continuing the incredible work
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that our mothers and grandmothers started.
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Thank you.
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(Applause)
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Which brings me to the second paradox:
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sobering up about our smallness
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and maintaining faith in our greatness
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all at once.
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Many in my generation --
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because of well-intentioned parenting and self-esteem education --
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were socialized to believe
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that we were special little snowflakes --
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(Laughter)
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who were going to go out and save the world.
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These are three words many of us were raised with.
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We walk across graduation stages,
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high on our overblown expectations,
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and when we float back down to earth,
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we realize we don't know what the heck it means
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to actually save the world anyway.
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The mainstream media often paints my generation
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as apathetic,
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and I think it's much more accurate
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to say we are deeply overwhelmed.
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And there's a lot to be overwhelmed about, to be fair --
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an environmental crisis,
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wealth disparity in this country
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unlike we've seen since 1928,
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and globally,
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a totally immoral and ongoing wealth disparity.
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Xenophobia's on the rise. The trafficking of women and girls.
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It's enough to make you feel very overwhelmed.
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I experienced this firsthand myself
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when I graduated from Barnard College in 2002.
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I was fired up; I was ready to make a difference.
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I went out and I worked at a non-profit,
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I went to grad school, I phone-banked,
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I protested, I volunteered,
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and none of it seemed to matter.
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And on a particularly dark night
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of December of 2004,
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I sat down with my family,
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and I said that I had become very disillusioned.
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I admitted that I'd actually had a fantasy -- kind of a dark fantasy --
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of writing a letter
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about everything that was wrong with the world
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and then lighting myself on fire
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on the White House steps.
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My mom
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took a drink of her signature Sea Breeze,
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her eyes really welled with tears,
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and she looked right at me and she said,
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"I will not stand
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for your desperation."
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She said, "You are smarter, more creative
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and more resilient than that."
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Which brings me to my third paradox.
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Growing up is about aiming to succeed wildly
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and being fulfilled by failing really well.
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(Laughter)
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(Applause)
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There's a writer I've been deeply influenced by, Parker Palmer,
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and he writes that many of us are often whiplashed
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"between arrogant overestimation of ourselves
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and a servile underestimation of ourselves."
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You may have guessed by now,
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I did not light myself on fire.
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I did what I know to do in desperation, which is write.
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I wrote the book I needed to read.
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I wrote a book about eight incredible people
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all over this country
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doing social justice work.
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I wrote about Nia Martin-Robinson,
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the daughter of Detroit and two civil rights activists,
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who's dedicating her life
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to environmental justice.
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I wrote about Emily Apt
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who initially became a caseworker in the welfare system
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because she decided that was the most noble thing she could do,
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but quickly learned, not only did she not like it,
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but she wasn't really good at it.
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Instead, what she really wanted to do was make films.
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So she made a film about the welfare system
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and had a huge impact.
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I wrote about Maricela Guzman, the daughter of Mexican immigrants,
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who joined the military so she could afford college.
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She was actually sexually assaulted in boot camp
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and went on to co-organize a group
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called the Service Women's Action Network.
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What I learned from these people and others
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was that I couldn't judge them
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based on their failure to meet their very lofty goals.
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Many of them are working in deeply intractable systems --
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the military, congress,
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the education system, etc.
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But what they managed to do within those systems
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was be a humanizing force.
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And at the end of the day,
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what could possibly be more important than that?
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Cornel West says, "Of course it's a failure.
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But how good a failure is it?"
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This isn't to say we give up our wildest, biggest dreams.
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It's to say we operate on two levels.
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On one,
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we really go after changing these broken systems
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of which we find ourselves a part.
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But on the other, we root our self-esteem
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in the daily acts of trying to make one person's day
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more kind, more just, etc.
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So when I was a little girl,
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I had a couple of very strange habits.
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One of them was
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I used to lie on the kitchen floor of my childhood home,
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and I would suck the thumb of my left hand
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and hold my mom's cold toes with my right hand.
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(Laughter)
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I was listening to her talk on the phone, which she did a lot.
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She was talking about board meetings,
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she was founding peace organizations,
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she was coordinating carpools, she was consoling friends --
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all these daily acts of care and creativity.
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And surely, at three and four years old,
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I was listening to the soothing sound of her voice,
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but I think I was also getting my first lesson in activist work.
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The activists I interviewed
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had nothing in common, literally, except for one thing,
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which was that they all cited their mothers
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as their most looming and important
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activist influences.
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So often, particularly at a young age,
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we look far afield
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for our models of the meaningful life,
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and sometimes they're in our own kitchens,
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talking on the phone, making us dinner,
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doing all that keeps the world going around and around.
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My mom and so many women like her
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have taught me that life is not about glory,
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or certainty, or security even.
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It's about embracing the paradox.
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It's about acting in the face of overwhelm.
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And it's about loving people really well.
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And at the end of the day,
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these things make for a lifetime
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of challenge and reward.
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Thank you.
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(Applause)
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