Why should you read “The God of Small Things” by Arundhati Roy? - Laura Wright

712,907 views ・ 2019-09-24

TED-Ed


Please double-click on the English subtitles below to play the video.

Prevodilac: Milenka Okuka Lektor: Ivana Krivokuća
00:06
“A few dozen hours can affect the outcome of whole lifetimes/
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„Nekoliko sati može uticati na konačan ishod više života
00:11
And that when they do, those few dozen hours,
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a kada se to desi, neophodno je tih nekoliko sati,
00:14
like the salvaged remains of a burned clock…
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sličnih ostacima ugljenisanog sata...
00:17
must be resurrected from the ruins and examined.”
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izbaviti iz ruševina i pažljivo ispitati.”
00:21
This is the premise of Arundhati Roy’s 1997 novel "The God of Small Things."
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Ovo je glavna ideja romana iz 1997. godine „Bog malih stvari” od Arundati Roj.
00:27
Set in a town in Kerala, India called Ayemenem,
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Smeštena u gradu Ajmenem u državi Kerala u Indiji,
00:31
the story revolves around fraternal twins Rahel and Estha,
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priča se bavi životom brata i sestre, blizanaca, Rahel i Este,
00:35
who are separated for 23 years after the fateful few dozen hours
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koji su razdvojeni na 23 godine nakon kobnih nekoliko sati
00:39
in which their cousin drowns, their mother’s illicit affair is revealed,
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u kojima se njihova rođaka utopila,
otkrivena je zabranjena afera njihove majke, a njen ljubavnik je ubijen.
00:43
and her lover is murdered.
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00:45
While the book is set at the point of Rahel and Estha’s reunion,
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Iako se knjiga bavi trenutkom ponovnog susreta Rahel i Este,
00:48
the narrative takes place mostly in the past, reconstructing the details
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pripovedanje je uglavnom smešteno u prošlost i rekonstruiše detalje
00:53
around the tragic events that led to their separation.
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u vezi sa tragičnim događajima zbog kojih su razdvojeni.
00:56
Roy’s rich language and masterful storytelling
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Rojin bogati jezik i majstorsko pripovedanje
00:59
earned her the prestigious Booker prize for "The God of Small Things."
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obezbedili su joj prestižnu Bukerovu nagradu za „Boga malih stvari”.
01:03
In the novel, she interrogates the culture of her native India,
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U romanu preispituje kulturu svoje rodne Indije,
01:06
including its social mores and colonial history.
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uključujući društvene običaje i kolonijalnu istoriju.
01:09
One of her focuses is the caste system,
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Jedna od tema na koje se fokusirala je kastinski sistem,
01:12
a way of classifying people by hereditary social class
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tj. način klasifikovanja ljudi prema nasleđenoj društvenoj klasi
01:15
that is thousands of years old.
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koja je hiljadama godina stara.
01:18
By the mid-20th century,
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Do sredine XX veka,
01:19
the original four castes associated with specific occupations
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prvobitne četiri kaste povezane sa naročitim zanimanjima
01:23
had been divided into some 3000 sub-castes.
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su podeljene na nekih 3 000 podkasti.
01:27
Though the caste system was Constitutionally abolished in 1950,
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Iako je kastinski sistem ustavom ukinut 1950. godine,
01:31
it continued to shape social life in India,
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nastavio je da oblikuje društveni život u Indiji,
01:33
routinely marginalizing people of lower castes.
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rutinski marginalizujući ljude iz nižih kasti.
01:37
In the novel, Rahel and Estha have a close relationship with Velutha,
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U romanu, Rahel i Esta imaju prisan odnos sa Velutom,
01:41
a worker in their family’s pickle factory
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radnikom iz njihove porodične fabrike kornišona
01:43
and member of the so-called “untouchable” caste.
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i pripadnikom takozvane kaste nedodirljivih.
01:46
When Velutha and the twins’ mother, Ammu, embark on an affair,
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Kada Veluta i majka blizanaca Amu započnu ljubavnu aferu,
01:51
they violate what Roy describes as the “love laws”
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krše ono što Roj opisuje „zakonima ljubavi”
01:54
forbidding intimacy between different castes.
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koji zabranjuju intimnost između različitih kasta.
01:57
Roy warns that the tragic consequences of their relationship
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Roj upozorave da će tragične posledice njihove veze
02:00
“would lurk forever in ordinary things,” like “coat hangers,” “the tar on roads,”
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„zauvek vrebati u svakodnevnim stvarima”, poput „ofingera”, „katrana na putevima”,
02:06
and “the absence of words.”
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i „odsustva reči”.
02:09
Roy’s writing makes constant use of these ordinary things,
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Roj u svom pisanju stalno koristi ove svakodnevne stvari,
02:12
bringing lush detail to even the most tragic moments.
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obogaćujući obiljem detalja čak i najtragičnije trenutke.
02:16
The book opens at the funeral of the twins’ half-British cousin Sophie
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Knjiga počinje sahranom polubritanske rođake blizanaca, Sofi,
02:20
after her drowning.
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nakon što se utopila.
02:22
As the family mourns, lilies curl and crisp in the hot church.
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Dok je porodica oplakuje, ljiljani se suše i drobe u vreloj crkvi.
02:27
A baby bat crawls up a funeral sari.
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Mladi šišmiš se sklupčava u pogrebni sari.
02:30
Tears drip from a chin like raindrops from a roof.
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Suze se cede sa brade poput kišnih kapi sa krova.
02:34
The novel forays into the past to explore the characters’ struggles
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Roman zadire u prošlost kako bi istražio teškoće likova
02:38
to operate in a world where they don’t quite fit,
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da funkcionišu u svetu u koji se baš i ne uklapaju,
02:41
alongside their nation’s political turmoil.
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kao i politička previranja njihovog naroda.
02:44
Ammu struggles not to lash out at her beloved children
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Amu se bori da ne iskali bes na svoju voljenu decu
02:48
when she feels particularly trapped in her parents’ small-town home,
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kada se oseti naročito zarobljenom u malenom domu njenih roditelja
02:52
where neighbors judge and shun her for being divorced.
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gde je komšije osuđuju i izbegavaju jer je razvedena.
02:55
Velutha, meanwhile, balances his affair with Ammu and friendship with the twins
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Veluta, pak, žonglira aferom sa Amu i prijateljstvom sa blizancima,
03:00
not only with his employment to their family,
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ne samo zato što je zaposlen u njihovoj porodici,
03:02
but also with his membership to a budding communist countermovement
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već i zbog članstva u rastućem komunističkom pokretu
03:06
to Indira Ghandi’s “Green Revolution.”
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suprotstavljenom „zelenoj revoluciji” Indire Gandi.
03:09
In the 1960s, the misleadingly named “Green Revolution”
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Tokom 1960-ih, varljivo nazvana „zelena revolucija”
03:13
introduced chemical fertilizers and pesticides
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je uvela hemijska đubriva i pesticide,
03:16
and the damming of rivers to India.
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kao i izgradnju brana na indijskim rekama.
03:19
While these policies produced high-yield crops that staved off famine,
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Iako je ova politika rezultirala visokim prinosom žitarica, čime je izbegnuta glad,
03:22
they also forced people from lower castes off their land
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takođe je proterala ljude iz nižih kasta sa njihove zemlje
03:26
and caused widespread environmental damage.
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i uzrokovala je raširenu štetu po okolinu.
03:29
When the twins return to Ayemenem as adults,
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Kada se blizanci vrate u Ajmenem kao odrasli,
03:32
the consequences of the Green Revolution are all around them.
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posledice zelene revolucije su svuda oko njih.
03:36
The river that was bursting with life in their childhood
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Reka koja je bujala životom u njihovom detinjstvu
03:39
greets them “with a ghastly skull’s smile, with holes where teeth had been,
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pozdravlja ih „avetinjskim osmehom bezube lobanje
03:44
and a limp hand raised from a hospital bed.”
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i dizanjem mlitave ruke sa bolničke postelje.”
03:47
As Roy probes the depths of human experience,
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Roj preispituje dubine ljudskog iskustva,
03:50
she never loses sight of the way her characters are shaped
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nikada ne gubeći iz vida način na koji su njeni likovi oblikovani
03:53
by the time and the place where they live.
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vremenom i prostorom u kome žive.
03:56
In the world of "The God of Small Things,"
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U svetu romana „Bog malih stvari”,
03:58
“Various kinds of despair competed for primacy…
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„Različite vrste očajanja se bore za preimućstvo...
04:01
personal despair could never be desperate enough...
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lično očajanje nikada ne može da bude dovoljno očajno...
04:05
personal turmoil dropped by at the wayside shrine of the vast, violent, circling,
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lični nemir, skrenuvši s puta, kroči u hram golemog, silovitog, uskovitlanog,
04:11
driving, ridiculous, insane, unfeasible public turmoil of a nation.”
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olujnog, besmislenog, suludog, nepojmljivog,
javnog nemira jednog naroda.”
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