How to recognize a dystopia - Alex Gendler

Kako da prepoznate distopiju - Aleks Džendler (Alex Gendler)

5,156,524 views ・ 2016-11-15

TED-Ed


Please double-click on the English subtitles below to play the video.

Prevodilac: Milenka Okuka Lektor: Mile Živković
00:06
Have you ever tried to picture an ideal world?
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Da li ste ikad pokušali da zamislite idealan svet?
00:09
One without war, poverty, or crime?
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U kom nema rata, siromaštva ili zločina?
00:12
If so, you're not alone.
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Ako jeste, niste usamljeni.
00:14
Plato imagined an enlightened republic ruled by philosopher kings,
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Platon je zamislio prosvetljenu republiku kojom vladaju filozofi kraljevi,
00:19
many religions promise bliss in the afterlife,
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mnoge religije obećavaju blaženstvo u zagrobnom životu,
00:22
and throughout history,
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a kroz istoriju
00:23
various groups have tried to build paradise on Earth.
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razne grupe su pokušavale da sagrade raj na zemlji.
00:27
Thomas More's 1516 book "Utopia" gave this concept a name,
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Knjiga "Utopija" Tomasa Mora iz 1516. je imenovala ovaj koncept
00:32
Greek for "no place."
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grčkom rečju za "nepostojeće mesto".
00:35
Though the name suggested impossibility,
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Iako je ime sugerisalo nemogućnost,
00:37
modern scientific and political progress
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savremeni naučni i politički progres
00:40
raised hopes of these dreams finally becoming reality.
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je podgrejao nade da će se ovi snovi konačno ostvariti.
00:44
But time and time again, they instead turned into nightmares
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Međutim, iznova i iznova su se pretvarali u noćne more
00:48
of war, famine, and oppression.
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u vidu rata, gladi i ugnjetavanja.
00:50
And as artists began to question utopian thinking,
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Kad su umetnici počeli da preispituju utopijski način razmišljanja,
00:53
the genre of dystopia, the not good place, was born.
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rođen je žanr distopije, lošeg mesta.
00:58
One of the earliest dystopian works is Jonathan Swift's "Gulliver's Travels."
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Jedno od najranijih distopijskih dela su "Guliverova putovanja" Džonatana Svifta.
01:03
Throughout his journey, Gulliver encounters fictional societies,
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Tokom svog putovanja, Guliver nailazi na fiktivna društva,
01:06
some of which at first seem impressive, but turn out to be seriously flawed.
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neka od njih su na prvi pogled impresivna, ali se ispostavlja da su ozbijno falična.
01:11
On the flying island of Laputa,
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Na letećem ostrvu Laputa,
01:13
scientists and social planners pursue extravagant and useless schemes
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naučnici i društveni projektanti prave ekstravagantne i beskorisne planove,
01:18
while neglecting the practical needs of the people below.
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istovremeno zapostavljajući praktične potrebe nižih slojeva.
01:22
And the Houyhnhnm who live in perfectly logical harmony
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A Huinhmi koji žive u logički savršenoj harmoniji
01:25
have no tolerance for the imperfections of actual human beings.
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nemaju toleranciju za nesavršenosti stvarnog ljudskog bića.
01:30
With his novel, Swift established a blueprint for dystopia,
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Svojim romanom, Svift je ustanovio nacrt za distopiju,
01:33
imagining a world where certain trends in contemporary society
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zamišljajući svet u kom su određeni trendovi savremenog društva
01:37
are taken to extremes,
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dovedeni do ekstrema,
01:38
exposing their underlying flaws.
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čime se otkrivaju njihove suštinske mane.
01:42
And the next few centuries would provide plenty of material.
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A naredna nekolika veka će da obezbede obilje materijala.
01:46
Industrial technology that promised to free laborers
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Industrijska tehnologija koja je obećala oslobađanje radnika,
01:50
imprisoned them in slums and factories, instead,
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zarobljavala ih je, pak, u getoima i fabrikama,
01:54
while tycoons grew richer than kings.
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dok su tajkuni postajali bogatiji od kraljeva.
01:57
By the late 1800's, many feared where such conditions might lead.
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Do kasnih 1800-ih mnogi su strahovali kuda ovi uslovi mogu da nas odvedu.
02:02
H. G. Wells's "The Time Machine" imagined upper classes and workers
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U "Vremeplovu" H. Dž. Velsa zamišljeni su viša klasa i radnici
02:06
evolving into separate species,
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kako evoluiraju u različite vrste,
02:09
while Jack London's "The Iron Heel" portrayed a tyrannical oligarchy
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dok je u "Gvozdenoj peti" Džeka Londona portretisan tiranski oligarh
02:13
ruling over impoverished masses.
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koji vlada obespravljenim masama.
02:17
The new century brought more exciting and terrifying changes.
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Novi vek je doneo još uzbudljivije i zastrašujuće promene.
02:22
Medical advances made it possible to transcend biological limits
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Napredak u medicini je omogućio da se prevaziđu biološka ograničenja,
02:26
while mass media allowed instant communication
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dok su masovni mediji omogućili trenutnu komunikaciju
02:29
between leaders and the public.
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između vođa i javnosti.
02:31
In Aldous Huxley's "Brave New World", citizens are genetically engineered
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U "Vrlom novom svetu" Oldosa Hakslija građani su genetski izmenjeni
02:36
and conditioned to perform their social roles.
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i uslovljeni da izvode svoje društvene uloge.
02:39
While propaganda and drugs keep the society happy,
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Iako propaganda i lekovi održavaju društvo srećnim,
02:42
it's clear some crucial human element is lost.
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jasno je da je neki ključni ljudski element izgubljen.
02:46
But the best known dystopias were not imaginary at all.
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Ali najpoznatije distopije uopšte nisu bile imaginarne.
02:52
As Europe suffered unprecedented industrial warfare,
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Dok se Evropa mučila sa industrijskim ratom bez premca,
02:55
new political movements took power.
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novi politički pokreti su preuzeli vlast.
02:57
Some promised to erase all social distinctions,
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Neki su obećavali da će izbrisati sve društvene razlike,
03:01
while others sought to unite people around a mythical heritage.
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dok su drugi težili da ujedine ljude oko mitskog nasleđa.
03:04
The results were real-world dystopias
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Rezultat su bile stvarne svetske distopije
03:07
where life passed under the watchful eye of the State
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gde se život odvijao pod budnim okom države
03:11
and death came with ruthless efficiency to any who didn't belong.
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a smrt je stizala nemilosrdnom efikasnošću svakoga ko se nije uklapao.
03:16
Many writers of the time didn't just observe these horrors,
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Mnogi pisci tog vremena nisu samo posmatrali ove užase,
03:19
but lived through them.
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već su ih i živeli.
03:22
In his novel "We", Soviet writer Yevgeny Zamyatin described a future
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U svom romanu "Mi", sovjetski pisac Jevgenij Zamjatin je opisao budućnost
03:26
where free will and individuality were eliminated.
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u kojoj su eliminisani slobodna volja i individualnost.
03:30
Banned in the U.S.S.R., the book inspired authors like George Orwell
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Zabranjena u SSSR-u, knjiga je inspirisala pisce poput Džordža Orvela,
03:34
who fought on the front lines against both fascism and communism.
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koji se borio u prvim redovima protiv i fašizma i komunizma.
03:39
While his novel "Animal Farm" directly mocked the Soviet regime,
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Dok njegov roman "Životinjska farma" direktno ismejava sovjetski režim,
03:43
the classic "1984" was a broader critique of totalitarianism, media, and language.
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klasik "1984" je obuhvatnija kritika totalitarizma, medija i jezika.
03:50
And in the U.S.A., Sinclair Lewis's "It Can't Happen Here"
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A u SAD-u, "To je ovde nemoguće" Sinklera Luisa
03:54
envisioned how easily democracy gave way to fascism.
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predvidela je kako lako demokratija može da utre put fašizmu.
03:59
In the decades after World War II,
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U decenijama nakon II svetskog rata,
04:01
writers wondered what new technologies
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pisci su se pitali šta nove tehnologije,
04:03
like atomic energy, artificial intelligence, and space travel
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poput atomske energije, veštačke inteligencije i puta u svemir
04:06
meant for humanity's future.
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znače za budućnost čovečanstva.
04:09
Contrasting with popular visions of shining progress,
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U suprotnosti sa popularnim vizijama blistavog napretka,
04:12
dystopian science fiction expanded to films, comics, and games.
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distopijska naučna fantastika se prenela na filmove, stripove i igre.
04:18
Robots turned against their creators
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Roboti su se okretali protiv svojih tvoraca,
04:21
while TV screens broadcast deadly mass entertainment.
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dok se na TV ekranima prenosila smrtonosna zabava za mase.
04:25
Workers toiled in space colonies above an Earth of depleted resources
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Radnici rintaju u svemirskim kolonijama iznad Zemlje čiji su resursi opustošeni
04:30
and overpopulated, crime-plagued cities.
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i čiji su gradovi prenaseljeni i razoreni kriminalom.
04:34
Yet politics was never far away.
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Ipak, politika je uvek bila prisutna.
04:36
Works like "Dr. Strangelove" and "Watchmen" explored the real threat of nuclear war,
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Dela, poput "Dr Strejndžlav" i "Nadzirači"
su istraživala istinsku pretnju od nuklearnog oružja,
04:42
while "V for Vendetta" and "The Handmaid's Tale"
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dok su nas "V kao vendeta" i "Služavkina priča"
04:44
warned how easily our rights could disappear in a crisis.
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upozoravale kako lako naša prava mogu da nestanu tokom krize.
04:49
And today's dystopian fiction continues to reflect modern anxieties
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I današnja distopijska fikcija nastvalja da odražava savremene nespokoje
04:53
about inequality,
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o nejednakosti,
04:54
climate change,
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klimatskim promenama,
04:55
government power,
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moći vlada
04:56
and global epidemics.
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i o globalnim epidemijama.
04:58
So why bother with all this pessimism?
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Pa, zašto bi nas bilo briga za sav ovaj pesimizam?
05:01
Because at their heart, dystopias are cautionary tales,
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Zato što su distopije u svojoj srži poučne priče,
05:04
not about some particular government or technology,
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ne o nekoj određenoj vladi ili tehnologiji,
05:08
but the very idea that humanity can be molded into an ideal shape.
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već o samoj ideji da čovečanstvo može da bude ukalupljeno u idealan oblik.
05:14
Think back to the perfect world you imagined.
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Setite se savršenog sveta koji ste zamislili.
05:17
Did you also imagine what it would take to achieve?
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Da li ste takođe zamišljali šta je potrebno da se on ostvari?
05:20
How would you make people cooperate?
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Kako biste naterali ljude da sarađuju?
05:24
And how would you make sure it lasted?
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I kako biste obezbedili njegovu trajnost?
05:28
Now take another look.
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Sad se osvrnite ponovo.
05:30
Does that world still seem perfect?
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Da li se taj svet i dalje čini savršenim?
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