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00:00
Translator: Geoff Chen
Reviewer: Regina Chu
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翻译人员: Zhihua Dong
校对人员: Geoff Chen
00:14
Liu Bolin: By making myself invisible,
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我的作品里面是用我自己身体的消失
00:18
I try to question the inter-canceling relationship
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来质疑人类创造的文明
00:21
between our civilization and its development.
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以及人自身发展所互相制约的关系。
00:25
Interpreter: By making myself invisible, I try to explore and question
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用我自己身体的消失,来探索、并质疑
00:27
the contradictory and often inter-canceling relationship
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人类创造的文明以及人自身发展的
00:31
between our civilization and its development.
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矛盾、和经常性的互相制约关系。
00:36
LB: This is my first work, created in November 2005.
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这是我的第一件作品,是在 2005 年的十一月。
00:41
And this is Beijing International Art Camp where I worked
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我所在的索家村国际艺术营
00:44
before the government forcibly demolished it.I used this work to express my objection.
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被政府强行拆掉,我用这个作品来表达我的抗议,
00:48
I also want to use this work to let more people
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也想用这件作品来引起更多的人
00:53
pay attention to the living condition of artists and the condition of their creative freedom.
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对艺术家生存状态以及艺术创作自由的关注。
00:56
In the meantime, from the beginning, this series has a
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同时,我这个系列的开始
00:58
protesting, reflective
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也注定了它抗议、反思,以及
01:03
and uncompromising spirit.
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毫不妥协的精神。
01:05
When applying makeup, I borrow a sniper's method
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我在化妆的时候借用了狙击手的化妆方法,
01:09
to better protect myself
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这样呢可以更好地保护自己
01:12
and to detect the enemy, as he did. (Laughter)
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以及发现敌人,像他一样。(笑)
01:16
After finishing this series of protests,
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抗议这个系列做完以后,
01:20
I started questioning why my fate was like this,
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我开始质问我的命运为什么有如此遭遇。
01:24
and I realized that it's not just me --
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我发现不光我一个人,所有的中国人,
01:27
all Chinese are as confused as I am.
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都有和我一样的困惑。
01:31
As you can see, these works
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大家看到的这些作品,
01:33
are about family planning, election in accordance with the law
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关于计划生育、依法选举,以及
01:40
and propaganda of the institution of the People's Congress.
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宣传人民代表大会制度的。
01:44
This work is called Xia Gang ("leaving post").
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这件作品的题目叫“下岗”,
01:46
"Xia Gang" is a Chinese euphemism for "laid off".
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下岗是一个中国语境的词汇,它是指离开工作岗位,
01:50
It refers to those people who lost their jobs during China's transition from a planned economy to a market economy.
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是指中国在由计划经济往市场经济
转型过程中失去工作岗位的这些人。
01:57
From 1998 to 2000,
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从 1998 年到 2000 年
01:59
21.37 million people
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两年期间,在中国失去工作的这些人
02:02
lost their jobs in China.
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就有 2137 万人。
02:05
The six people in the photo
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照片中的 6 个人,
02:08
are Xia Gang workers.
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就是下岗职工,
02:10
I made them invisible in the deserted shop wherethey had lived and worked all their lives.
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我把他们消失在他们曾经
工作生活了一辈子的废弃的车间里面。
02:15
On the wall behind them is the slogan of the Cultural Revolution:
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后面的墙上写着文革时期的标语:
02:17
"The core force leading our cause forward is the Chinese Communist Party."
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“领导我们事业的核心力量是中国共产党”。
02:21
For half a month
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我用了半个月的时间,
02:23
I looked for these 6 people to participate in my work.
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来找这 6 个人参与我的作品。
02:25
We can only see six men in this picture,but in fact, those who are hidden here
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我们在照片中看到的只有 6 个人,
但其实,在这隐藏的,
02:30
are all people who were laid off. They have just been made invisible.
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是所有有下岗经历的这些人,
他们只是被隐形了。
02:35
This piece is called The Studio.
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这件作品叫“直播间”。
02:38
This spring,
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今年春天,
02:39
I happened to have an opportunity during my solo exhibition in Paris
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我在巴黎的个展正好有机会
02:41
to shoot a work in the news studio of France 3 --
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在法国电视三台的新闻直播间拍一件作品,
02:47
I picked the news photos of the day.
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我挑选的当天发生的这些新闻图片,
02:49
One is about the war in the Middle East,
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一张是关于中东战争,
02:52
and another one is about a public demonstration in France.
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另外一张是关于法国民众的示威游行。
02:56
I found that any culture has its irreconcilable contradictions.
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我发现任何文化都有它不可调和的矛盾。
03:01
This is a joint effort between me and French artist JR.
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这件作品是我和法国艺术家 JR 的合作。
03:04
Interpreter: This is a joint effort between me and French artist JR.
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这件作品是我和法国艺术家 JR 的合作。
03:09
(Applause)
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(鼓掌)
03:13
LB: I tried to disappear into JR's eye,
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我把 JR 消失到我的眼睛里面,
03:16
but the problem is JR only uses models with big eyes.
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但是 JR 的所有作品里面的模特眼睛都特别大,
03:20
So I tried to make my eyes bigger with my fingers.
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我其实我做这个动作是想让我的眼睛更大一点,
03:23
But still they are not big enough for JR, unfortunately.
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可是没办法,我眼睛还是那么小。
03:25
Interpreter: So I tried to disappear into JR's eye,
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我试着消失到 JR 的眼睛里面,
03:28
but the problem is JR uses only models with big eyes.
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但是 JR 的所有作品里面的模特眼睛都特别大,
03:31
So I tried to make my eyes bigger with this gesture.
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我做这个手势是想让我的眼睛更大一点,
03:34
But it doesn't work, my eyes are still small.
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可是没办法,我眼睛对 JR 来说还是不够大。(笑)
03:39
LB: This one is about 9/11 memories.
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这件作品是关于 911 的一些回忆。
03:47
This is an aircraft carrier moored alongside the Hudson River.
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这是在哈得逊河的旁边停靠的航空母舰。
03:52
Kenny Scharf's graffiti.
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肯尼·沙尔夫的涂鸦 (Kenny Scharf Mural)
03:56
(Laughter)
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(笑)
04:00
This is Venice, Italy.
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这是在意大利的威尼斯,
04:04
Because global temperatures rise,
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因为全球的温度升高,
04:06
the sea level rises, and it is said thatVenice will disappear in the coming decades.
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海平面上涨,有消息称威尼斯
将在未来的几十年内消失。
04:15
This is the ancient city of Pompeii.
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这是意大利的庞贝古城,
04:18
Interpreter: This is the ancient city of Pompeii.
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这是意大利的庞贝古城,
04:29
LB: This is the Borghese Gallery
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这是罗马的
04:31
in Rome.
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博尔盖塞美术馆 (Borghese Gallery)。
04:34
When I work on a new piece, I pay more attention to the expression of ideas.
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我在拍新作品的时候,
我会更加注重思想的表达。
04:39
For instance, why would I make myself invisible?
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比如说我为什么要消失,我消失在这儿
04:41
What will making myself invisible here cause people to think?
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会引起人们什么样的思考。
05:03
This one is called Instant Noodles.
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这件作品的题目叫“方便面”。
05:05
Interpreter: This one is called Instant Noodles. (Laughter)
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这件作品的题目叫“方便面”。(笑)
05:10
LB: Since August 2012,
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从 2012 年的 8 月,
05:14
harmful phosphors have been found
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在中国超市里各大知名的
桶装方便面品牌的杯包装里,
05:19
in the instant noodle package cups from every famous brand sold in China's supermarkets.
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都发现了有害的荧光粉,
05:21
These phosphors can even cause cancer.
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这些荧光粉甚至可以致癌。
05:24
To create this artwork,
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我为了拍这件作品,
05:26
I bought a lot of packaged instant noodle cups
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我又买了大量的桶装方便面,
05:28
and put them in my studio, making it look like a supermarket.
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在我的工作室里做成超市的样子。
05:31
And my task is to stand there, trying to be still,
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然后我的任务就是站在那儿,尽量不动,
05:33
setting up the camera position and coordinating with my assistant
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摆好相机的位置,然后配合我的助手。
05:38
and drawing the colors and shapes that are behind my body
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把我身体后面挡住的一些颜色和形状
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on the front of my body. If the background is simple,
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在我身体前面画出来。如果背景简单的话,
05:45
I usually have to stand for three to four hours.
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我一般要站三到四个小时。
05:48
The background of this piece is more complex,
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像这件作品背景比较复杂,
05:50
so I need three to four days in advance for preparation.
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我一般就需要提前三到四天就开始准备。
05:55
This is the suit I wore when I did the supermarket shoot.
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我身上这件衣服就是拍这件作品的时候完成的,
05:58
There is no Photoshop involved.
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没有任何电脑的痕迹。
06:00
Interpreter: This is the suit I [was] wearing when I did the supermarket shoot.
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我身上这件衣服就是在超市
拍这件作品时所穿的衣服,
06:06
There is no Photoshop involved. (Laughter)
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没有使用任何 Photoshop 修图。(笑)
06:12
LB: These works are on China's cultural memories.
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这几件作品是关于中国的文化记忆。
06:24
And this one,
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还有这种,
06:26
this is about food safety in China.
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这是关于中国的食品安全。
06:28
Unsafe food can harm people's health,
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不安全的食品可以危害人的身体,
06:34
and a deluge of magazines can confuse people's minds. (Laughter)
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然后泛滥的杂志可以迷惑人的心智。(笑)
06:38
The next pieces of work show how I made myself invisible in magazines of different languages,
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接下来的几件作品都是我在不同国家、
06:41
in different countries and at different times.
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不同时间,我把自己消失在不同文字的杂志里。
06:46
I think that in art, an artist's attitude is the most important element.
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我觉得在艺术作品中,艺术家的态度最重要。
06:51
If an artwork is to touch someone,
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艺术作品如果想打动别人,
06:55
it must be the result of not only technique, but also the artist's thinking and struggle in life.
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不仅仅是它的技巧,同样是它的思考
06:59
And the repeated struggles in life create artwork,
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和生命挣扎,而一次次的生命挣扎就会成为艺术作品,
07:03
no matter in what form.
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不管它的形式是什么。
07:09
(Music)
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(音乐)
07:30
That's all I want to say.
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我所要说的就到此为止。
07:31
Thank you. (Applause)
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谢谢。(鼓掌)
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