A Choreographer's Creative Process in Real Time | Wayne McGregor | TED Talks

Translator: Joseph Geni Reviewer: Morton Bast

Translator: Ivana Kopisova Reviewer: Martina Salyova

As you might imagine, I'm absolutely passionate

Ako už asi tušíte, tanec ma absolútne

about dance. I'm passionate about making it,

nadchýna. Nadchýna ma tancovanie,

about watching it, about encouraging others

sledovanie tanca, podporovanie iných,

to participate in it,

aby tancovali

and I'm also really passionate about creativity.

a tiež ma veľmi nadchýna tvorivosť.

Creativity for me is something that's absolutely critical,

Tvorivosť je pre mňa úplne kľúčovým elementom

and I think it's something that you can teach.

a myslím si, že je to niečo, čo sa dá naučiť.

I think the technicities of creativity can be taught

Myslím si, že technika tvorivosti sa dá naučiť

and shared, and I think you can find out things

a môžeme sa o ňu podeliť a myslím si, že môžete objaviť

about your own personal physical signature,

vlastné pohybové znaky,

your own cognitive habits, and use that as

vlastné poznávacie zvyky a využiť ich ako

a point of departure to misbehave beautifully.

odrazový mostík pre krásne bláznovstvá.

I was born in the 1970s, and John Travolta was big

Narodil som sa v 70. rokoch, John Travolta bol vtedy

in those days: "Grease," "Saturday Night Fever,"

veľká hviezda -- Pomáda, Horúčka sobotňajšej noci --

and he provided a fantastic kind of male role model for me

a bol pre mňa úžasným mužským idolom, ktorý ma

to start dancing. My parents were very up for me going.

primäl začať tancovať. Moji rodičia ma veľmi podporovali.

They absolutely encouraged me to take risks, to go,

Stále mi vraveli, aby som riskoval, šiel do toho,

to try, to try. I had an opportunity, an access

skúšal a snažil sa. Mal som príležitosť, prístup

to a local dance studio, and I had an enlightened teacher

do miestneho tanečného štúdia a tiež som mal osvietenú učiteľku,

who allowed me to make up my own and invent

ktorá mi dovolila vymýšľať si a vytvárať

my own dances, so what she did was let me make up

svoje vlastné tance, a tiež mi dovolila vymyslieť

my own ballroom and Latin American dances to teach

vlastné spoločenské a latinskoamerické tance, ktoré som potom

to my peers.

učil svojich spolužiakov.

And that was the very first time that I found an opportunity

Vtedy som mal prvýkrát možnosť

to feel that I was able to express my own voice,

cítiť, že sa môžem slobodne vyjadriť

and that's what's fueled me, then, to become a choreographer.

a to ma vtedy poháňalo, aby som sa stal choreografom.

I feel like I've got something to say and something to share.

Myslím, že mám čo povedať a o čo sa podeliť.

And I guess what's interesting is, is that I am now obsessed

A zaujímavé je asi to, že teraz som už posadnutý

with the technology of the body.

technológiou tela.

I think it's the most technologically literate thing that we have,

Myslím, že je to technologicky najvyspelejšie, čo máme

and I'm absolutely obsessed with finding a way

a som absolútne posadnutý nachádzaním spôsobov

of communicating ideas through the body to audiences

komunikácie s publikom pomocou tela,

that might move them, touch them,

a tým ich dojať, urobiť na nich dojem,

help them think differently about things.

poskytnúť im iný pohľad na svet.

So for me, choreography is very much a process

Choreografia je pre mňa procesom

of physical thinking. It's very much in mind,

fyzického myslenia. Je tak v mysli,

as well as in body, and it's a collaborative process.

ako aj v tele -- ide o proces spolupráce.

It's something that I have to do with other people.

Potrebujem na to totiž aj iných ľudí.

You know, it's a distributed cognitive process in a way.

Istým spôsobom je to sprostredkovaný kognitívny proces.

I work often with designers and visual artists,

Často pracujem s dizajnérmi a vizuálnymi umelcami,

obviously dancers and other choreographers,

samozrejme aj s tanečníkmi a inými choreografmi,

but also, more and more, with economists,

ale stále častejšie aj s ekonómami,

anthropologists, neuroscientists, cognitive scientists,

antropológmi, neurológmi, kognitívnymi vedcami,

people really who come from very different domains of

ľuďmi, ktorí majú skutočne rôzne expertízy,

expertise, where they bring their intelligence to bear

v ktorých prinášajú inteligenciu a pracujú

on a different kind of creative process.

na úplne iných kreatívnych postupoch.

What I thought we would do today a little bit is

Dnes by som s vami chcel trochu

explore this idea of physical thinking,

rozobrať myšlienku fyzického myslenia,

and we're all experts in physical thinking.

keďže všetci sme expertami na fyzické myslenie.

Yeah, you all have a body, right?

Áno, všetci predsa máte telo, nie?

And we all know what that body is like in the real world,

A všetci vieme, aké je telo v reálnom svete,

so one of the aspects of physical thinking

takže jedným z aspektov fyzického myslenia,

that we think about a lot is this notion of proprioception,

ktorý nám často napadne, je myšlienka propriocepcie,

the sense of my own body in the space in the real world.

vnímanie vlastného tela v priestore v reálnom svete.

So, we all understand what it feels like to know

Všetci rozumieme tomu, aký je to pocit vedieť,

where the ends of your fingers are

kde sú končeky našich prstov,

when you hold out your arms, yeah?

keď vystrieme ruky, však?

You absolutely know that when you're going to grab a cup,

Viete, ako ich použiť, aby ste chytili pohár

or that cup moves and you have to renavigate it.

a ako ich navigovať, keď sa ten pohár posunie.

So we're experts in physical thinking already.

Takže už teraz sme experti na fyzické myslenie.

We just don't think about our bodies very much.

Ide len o to, že o svojich telách priveľa nepremýšľame.

We only think about them when they go wrong, so, when

Premýšľame o nich, iba keď sa pokazia,

there's a broken arm, or when you have a heart attack,

takže keď si zlomíte ruku, alebo máte infarkt,

then you become really very aware of your bodies.

začnete veľmi vnímať svoje telo.

But how is it that we can start to think about using

Ale ako sa nám podarí začať uvažovať o choreografickom

choreographic thinking, kinesthetic intelligence, to arm

myslení, kinestetickej inteligencii, ako o spôsobe

the ways in which we think about things more generally?

všeobecnejšieho ponímania vecí?

What I thought I'd do is, I'd make a TED premiere.

Napadlo mi teda, že urobím premiéru na TED-e.

I'm not sure if this is going to be good or not.

Nie som si istý, či to bude dobré alebo nie.

I'll just be doing it.

Jednoducho to urobím.

I thought what I'd do is, I'd use three versions

Rozhodol som sa, že použijem tri verzie

of physical thinking to make something.

fyzického myslenia a niečo vytvorím.

I want to introduce you. This is Paolo. This is Catarina.

Predstavím vás. Toto je Paolo a toto Catarina.

(Applause)

(Potlesk)

They have no idea what we're going to do.

Vôbec netušia, čo budeme robiť.

So this is not the type of choreography where

Toto nebude choreografia, pri ktorej

I already have in mind what I'm going to make,

už mám v mysli, čo vytvorím,

where I've fixed the routine in my head

v hlave už mám zafixované figúry

and I'm just going to teach it to them,

a iba ich to naučím

and these so-called empty vessels are just going to learn it.

a oni, ako takzvané prázdne nádoby, sa ju skrátka naučia.

That's not the methodology at all that we work with.

To vôbec nie je metodológia s akou pracujeme.

But what's important about it is how it is that they're

Ale dôležitý je na tom spôsob,

grasping information, how they're taking information,

akým uchopia informáciu,

how they're using it, and how they're thinking with it.

ako ju použijú a ako s ňou narábajú.

I'm going to start really, really simply.

Začnem veľmi, veľmi jednoducho.

Usually, dance has a stimulus or stimuli, and I thought

Tanec má zvyčajne podnet alebo podnety a mne napadlo,

I'd take something simple, TED logo, we can all see it,

že si vezmem niečo jednoduché, logo TED, všetci ho vidíme,

it's quite easy to work with, and I'm going to do something

bude sa s ním celkom jednoducho pracovať, a tak urobím niečo

very simply, where you take one idea from a body,

veľmi jednoduché, keď si vezmete myšlienku od jedného tela,

and it happens to be my body, and translate that

teraz to bude moje telo, a prenesiete ju

into somebody else's body,

do tela niekoho iného,

so it's a direct transfer, transformation of energy.

takže je to priamy prenos, transformácia energie.

And I'm going to imagine this, you can do this too if you like,

A predstavím si, vy môžete tiež, ak chcete,

that I'm going to just take the letter "T" and I'm going

že si vezmem len písmeno T a v mysli si ho

to imagine it in mind, and I'm going to place that outside in

predstavím a premiestnim ho do reálneho sveta.

the real world. So I absolutely see a letter "T" in front of me.

Takže teraz dokonale vidím pred sebou písmeno T.

Yeah? It's absolutely there.

Áno? Je presne tam.

I can absolutely walk around it when I see it, yeah?

Môžem okolo neho jednoducho prejsť, keď ho vidím, však?

It has a kind of a grammar. I know what I'm going to do

Má akúsi gramatiku. Viem, čo s ním urobím

with it, and I can start to describe it, so I can describe it

a môžem ho začať opisovať, takže ho opíšem

very simply. I can describe it in my arms, right?

veľmi jednoducho. Použijem ruky, dobre?

So all I did was take my hand and then I move my hand.

Takže všetko, čo urobím je, že si vezmem ruku a urobím ňou pohyb.

I can describe it, whoa, in my head, you know? Whoa.

Viem ho opísať, vou, v hlave, viete? Vou.

Okay. I can do also my shoulder. Yeah?

OK. Môžem to urobiť aj ramenom. Hej?

It gives me something to do, something to work towards.

Môžem teda niečo robiť, niekam sa tak pohnúť.

If I were to take that letter "T" and flatten it down

Ak si vezmem toto T a položím ho na zem,

on the floor, here, maybe just off the floor,

sem, možno trochu nad zem,

all of a sudden I could do maybe something with my knee,

zrazu môžem možno urobiť niečo s kolenom, však?

yeah? Whoa. So If I put the knee and the arms together,

Vou. Takže ak teraz spojím koleno a ruky,

I've got something physical, yeah? And I can start to build something.

už mám niečo fyzické, hej? A môžem na tom začať stavať.

So what I'm going to do just for one and a half minutes or so

Takže teraz budem asi tak minútu a pol pracovať

is I'm going to take that concept, I'm going to make something,

s konceptom, na základe ktorého niečo vytvorím

and the dancers behind me are going to interpret it,

a tanečníci za mnou to budú interpretovať,

they're going to snapshot it, they're going to take

spravia si momentky a vyberú si z toho niektoré

aspects of it, and it's almost like I'm offloading memory

aspekty a je to skoro ako keby som vykladal pamäť

and they're holding onto memory? Yeah?

a oni sa jej chytajú, áno?

And we'll see what we come up with.

A uvidíme, čo vymyslíme.

So just have a little watch about how they're, how they're

Takže sa len pozerajte na to, ako

accessing this and what they're doing,

to prijímajú a čo robia

and I'm just going to take this letter "T," the letter "E,"

a ja si vezmem len písmená T, E a D

and the letter "D," to make something. Okay. Here goes.

a niečo vytvorím. Dobre. Tak ideme.

So I have to get myself in the zone. Right.

Musím sa do toho dostať. Dobre.

It's a bit of a cross of my arm.

Trochu prekrížim rukou.

So all I'm doing is exploring this space of "T"

Takže ja teraz skúmam priestor písmena T,

and flashing through it with some action.

prebleskujem cezeň.

I'm not remembering what I'm doing.

Nepamätám si, čo robím,

I'm just working on my task. My task is this "T."

len pracujem na úlohe. Mojou úlohou je toto T.

Going to watch it from the side, whoa.

Pozrime sa na to zboku, vou.

Strike moment.

Výpad.

That's it.

Presne tak.

So we're starting to build a phrase.

Takže začíname budovať frázu.

So what they're doing, let's see, something like that,

Takže pozrime sa, čo robia, tak nejako,

so what they're doing is grasping aspects of that movement

berú si teraz aspekty z pohybov

and they're generating it into a phrase.

a generujú z nich frázu.

You can see the speed is extremely quick, yeah?

Vidíte, že je to extrémne rýchle, však?

I'm not asking them to copy exactly.

Nechcem od nich, aby ma presne kopírovali.

They're using the information that they receive

Používajú informácie, ktoré získali,

to generate the beginnings of a phrase.

aby vygenerovali začiatky frázy.

I can watch that and that can tell me something

Môžem ich pozorovať a povedať im niečo

about how it is that they're moving.

k tomu, ako sa hýbu.

Yeah, they're super quick, right?

Hej, sú veľmi rýchli, však?

So I've taken this aspect of TED and translated it

Zobral som si teda tento aspekt TEDu a premenil ho

into something that's physical.

na niečo fyzické.

Some dancers, when they're watching action,

Niektorí tanečníci sledujú celý proces

take the overall shape, the arc of the movement,

a vezmú si z neho celkový tvar, hlavný oblúk pohybu,

the kinetic sense of the movement,

kinetický zmysel pohybu

and use that for memory.

a používajú ho ako základ pamäti.

Some work very much in specific detail.

Iní pracujú s malými špecifickými detailami.

They start with small little units and build it up.

Vezmú si maličké jednotky a stavajú na nich.

Okay, you've got something? One more thing.

Ok, máte niečo? Ešte niečo.

So they're solving this problem for me,

Takže oni za mňa teraz riešia problém,

having a little --

tak trochu...

They're constructing that phrase.

Budujú frázu.

They have something and they're going to hold on to it,

Niečo už majú a budú sa toho držať,

yeah? One way of making.

hej? Spôsob tvorby.

That's going to be my beginning in this world premiere.

Toto bude úvod tejto svetovej premiéry.

Okay. From there I'm going to do a very different thing.

OK. Teraz spravím niečo úplne iné.

So basically I'm going to make a duet.

Vytvorím vlastne duet.

I want you to think about them as architectural objects,

Chcem, aby ste ich vnímali ako objekty architektúry,

so what they are, are just pure lines.

ako keby boli iba jednoduché čiary.

They're no longer people, just pure lines, and I'm going

Už nie sú ľudia, iba čiary a ja s nimi budem pracovať

to work with them almost as objects to think with, yeah?

takmer ako keby boli len predmety.

So what I'm thinking about is taking

Chcem teda zobrať niekoľko

a few physical extensions from the body as I move, and

fyzických nadstavieb ich tiel a budem nimi hýbať

I move them, and I do that by suggesting things to them:

a to tak, že im budem dávať návrhy:

If, then; if, then. Okay, so here we go.

Ak, tak, ak, tak. OK, tak poďme na to.

Just grab this arm.

Chyť ju za ruku.

Can you place that down into the floor?

Môžeš ju dať dole na zem?

Yeah, down to the floor. Can you go underneath?

Tak, na zem. Ty prejdi popod.

Yeah. Cat, can you put leg over that side? Yeah.

Dobre. Cat, nohu na tú stranu. Tak.

Can you rotate?

A otočiť.

Whoom, just go back to the beginning.

Super, naspäť od začiatku.

Here we go, ready? And ... bam, bake ... (clicks metronome)

Poďme na to, pripravení? A... bam, bam ... (metronóm)

Great. Okay, from there, you're both getting up.

Super. OK, odtiaľto obaja vstanete.

You're both getting up. Here we go. Good, now? Them.

Obaja vstanete. Ideme. Dobre. Potom...

(Applause)

(potlesk)

So from there, from there, we're both getting up,

Odtiaľ, odtiaľ obaja vstanete,

we're both getting up, going in this direction,

obaja vstanete týmto smerom,

going underneath. Whoa, whoa, underneath.

prejsť popod. Vou, vou, popod.

Whoa, underneath, whoo-um. Yeah? Underneath. Jump.

Vou, popod, vú. Hej? Popod. Poskok.

Underneath. Jump. Paolo, kick. Don't care where. Kick.

Popod. Poskok. Paolo, výkop. Je jedno kam. Výkop.

Kick, replace, change a leg. Kick, replace, change the leg.

Výkop, položiť, zmeniť nohu. Výkop, položiť, zmeniť nohu.

Yeah? Okay? Cat, almost get his head. Almost get his head.

Hej? OK? Cat, chyť ho skoro za hlavu. Chyť ho skoro za hlavu.

Whoaa. Just after it, maybe. Whoaa, whaaay, ooh.

Vou. Možno až po tom. Vou, taaak, ú.

Grab her waist, come up back into her first, whoom, spin,

Chyť ju za pás, vráťte sa hore na začiatok, vúú, otočka.

turn her, whoo-aa. (Snaps) Great.

otoč ju, vú-á. (luskne prstami) Super.

Okay, let's have a little go from the beginning of that.

OK, skúsme to od začiatku.

Just, let me slow down here. Fancy having eight -- (Laughter)

Dobre, trochu teraz spomalím. Predstavte si osem -- (smiech)

Fancy having eight hours with me in a day.

Predstavte si so mnou osem hodín denne.

So, maybe too much. So, here we go, ready, and -- (Clicks metronome)

Možno je to priveľa. Tak, ideme, môžeme, a... (metronóm)

(Clicks metronome)

(metronóm)

Nice, good job. Yeah? Okay. (Applause)

Výborne, dobrá práca. Hej? OK. (potlesk)

Okay, not bad. (Applause) A little bit more?

OK, nie zlé. (potlesk) Ešte niečo pridáme?

Yeah. Just a little bit more, here we go, from that place.

Dobre. Už len kúsok pridáme, poďme, odtiaľto.

Separate. Face the front. Separate. Face the front.

Od seba. Tvárou dopredu. Od seba. Tvárou dopredu.

Imagine that there's a circle in front of you, yeah?

Predstavte si, že je pred vami kruh, hej?

Avoid it. Avoid it. Whoom. Kick it out of the way.

Vyhnite sa mu. Vyhnite. Vúú. Odkopnite ho.

Kick it out of the way. Throw it into the audience. Whoom.

Odkopnite ho. Odhoďte ho do publika. Vúú.

Throw it into the audience again.

Znova ho odhoďte do publika.

We've got mental architecture, we're sharing it,

Máme akúsi mentálnu architektúru, delíme sa o ňu,

therefore solving a problem. They're enacting it.

riešime tak problém. Oni to stvárňujú.

Let me just see that a little bit. Ready, and go.

Trochu sa na to pozriem. Môžeme a ideme.

(Clicks metronome)

(metronóm)

Okay, brilliant. Okay, here we go. From the beginning,

OK, výborne. OK, tak. Od začiatku,

can we do our phrases first? And then that.

začneme našimi frázami. A potom toto.

And we're going to build something now, organize it,

Niečo vybudujeme, zorganizujeme to,

the phrases. Here we go. Nice and slow?

frázy. Ideme. Pekne pomaly.

Ready and go ... um. (Clicks metronome)

Môžeme a ideme... um. (metronóm)

(Clicks metronome)

(metronóm)

The duet starts. (Clicks metronome)

Začína duet. (metronóm)

(Clicks metronome)

(metronóm)

So yeah, okay, good. Okay, nice, very nice. (Applause)

Tak, OK, super. OK, dobre, veľmi dobre. (potlesk)

So good. So -- (Applause)

Dobre. Tak... (potlesk)

Okay. So that was -- (Applause)

OK. Toto bolo... (potlesk)

Well done. (Applause)

Dobrá práca. (potlesk)

That was the second way of working.

To bol druhý spôsob práce.

The first one, body-to-body transfer, yeah,

Prvý bol transfer telo-telu, hej,

with an outside mental architecture that I work with

s vonkajšou mentálnou architektúrou, s ktorou pracujem

that they hold memory with for me.

a oni si ju pre mňa pamätajú.

The second one, which is using them as objects to think

Druhý je, že ich používam ako predmety, akoby boli

with their architectural objects, I do a series of

objektami architektúry, dám im sériu podnetov,

provocations, I say, "If this happens, then that.

poviem im: „Ak sa stane toto, tak potom tamto.

If this, if that happens -- " I've got lots of methods like that,

Ak toto, stane sa tamto..." Mám veľa takýchto metód,

but it's very, very quick, and this is a third method.

ale je to veľmi, veľmi rýchle. A toto je tretia metóda.

They're starting it already, and this is a task-based method,

Už ju začali. Je založená na úlohách

where they have the autonomy to make

a majú v nej slobodu

all of the decisions for themselves.

robiť všetky rozhodnutia sami.

So I'd like us just to do, we're going to do a little

Takže teraz si zatancujeme taký malý

mental dance, a little, in this little one minute,

mentálny tanec, len teraz na chvíľku,

so what I'd love you to do is imagine,

chcel by som, aby ste si predstavili,

you can do this with your eyes closed, or open, and if you

môžete mať oči zatvorené alebo otvorené,

don't want to do it you can watch them, it's up to you.

ak nechcete, môžete sledovať tanečníkov, je to na vás.

Just for a second, think about that word "TED" in front of

Len na sekundu myslite na slovo „TED" priamo pred vami,

you, so it's in mind, and it's there right in front of your mind.

takže je vo vašej mysli a je priamo pred vami vo vašej mysli.

What I'd like you to do is transplant that outside

Teraz by som chcel, aby ste ho preniesli

into the real world, so just imagine that word "TED"

do reálneho sveta, takže si predstavte slovo „TED"

in the real world.

v reálnom svete.

What I'd like you to do what that is take an aspect of it.

Vezmime si z neho teraz jeden aspekt.

I'm going to zone in on the "E," and I'm going to

Takže sa sústredím na písmeno E a zväčším

scale that "E" so it's absolutely massive,

toto písmeno E, takže bude úplne obrovské,

so I'm scaling that "E" so it's absolutely massive,

zväčším toto E, takže bude úplne obrovské,

and then I'm going to give it dimensionality.

a potom mu dám dimenzionalitu.

I'm going to think about it in 3D space. So now,

Predstavím si ho v 3D priestore.

instead of it just being a letter that's in front of me,

Takže teraz to už nie je len písmeno predo mnou,

it's a space that my body can go inside of.

je to priestor, do ktorého môže moje telo vstúpiť.

I now decide where I'm going to be in that space,

Teraz sa môžem rozhodnúť, kde budem v tomto priestore,

so I'm down on this small part of the bottom rib

takže stojím na tej malej krátkej spodnej paličke

of the letter "E," and I'm thinking about it, and I'm imagining

písmena E, myslím na to a predstavujem si

this space that's really high and above. If I asked you to

priestor, ktorý je veľmi vysoko nado mnou. Keby som vás požiadal,

reach out — you don't have to literally do it, but in mind —

aby ste sa načiahli -- nemusíte to urobiť, stačí si to predstaviť --

reach out to the top of the "E," where would you reach?

načiahli sa až navrch tohto E, kam by ste sa načiahli?

If you reach with your finger, where would it be?

Ak sa načiahnete prstom, kde bude?

If you reach with your elbow, where would it be?

Ak sa načiahnete lakťom, kde bude?

If I already then said about that space that you're in,

Potom by som vám povedal, aby ste ten priestor, v ktorom

let's infuse it with the color red, what does that do

sa teraz nachádzate, vyplnili červenou farbou, čo to spraví

to the body? If I then said to you, what happens if

s vašim telom? Keby som vám potom povedal,

that whole wall on the side of "E" collapses and you have to

že celá bočná stena tohto E padá a vy musíte

use your weight to put it back up,

použiť celú váhu svojho tela, aby ste ju dali naspäť,

what would you be able to do with it?

čo by ste urobili?

So this is a mental picture, I'm describing a mental,

Toto je mentálny obraz, opisujem mentálny

vivid picture that enables dancers to make choices

živý obraz, ktorý dáva tanečníkom možnosť

for themselves about what to make.

robiť vlastné rozhodnutia o tom, čo vytvoria.

Okay, you can open your eyes if you had them closed.

OK, už môžete otvoriť oči, ak ste ich mali zavreté.

So the dancers have been working on them.

Tanečníci na nich pracovali.

So just keep working on them for a little second.

Ešte na nich chvíľku pracujte.

So they've been working on those mental architectures in the here.

Pracujú na tejto mentálnej architektúre.

I know, I think we should keep them as a surprise.

Dobre, myslím, že by to malo byť prekvapenie.

So here goes, world premiere dance. Yeah? Here we go.

Takže je to tu, svetová premiéra tanca. Ideme na to.

TED dance. Okay. Here it comes. I'm going to organize it quickly.

TED tanec. OK. Ideme. Len to rýchlo zorganizujem.

So, you're going to do the first solo that we made,

Takže tu zatancuješ prvé sólo,

yeah blah blah blah blah, we go into the duet, yeah,

hej, bla bla bla bla, ideme na duet, hej,

blah blah blah blah. The next solo, blah blah blah blah,

bla bla bla bla. Ďalšie sólo, bla bla bla bla,

yeah, and both at the same time, you do the last solutions.

hej, potom obaja spolu posledné riešenia.

Okay? Okay. Ladies and gentlemen, world premiere,

OK? OK. Dámy a páni, svetová premiéra,

TED dance, three versions of physical thinking. (Applause)

TED tanec, tri verzie fyzického myslenia. (potlesk)

Well, clap afterwards, let's see if it's any good, yeah? (Laughter)

Zatlieskajte potom, najprv počkajme, či to vôbec bude dobré, hej? (smiech)

So yeah, let's clap -- yeah, let's clap afterwards.

Takže... zatlieskajte potom... Hej, zatlieskajte potom.

Here we go. Catarina, big moment, here we go, one.

Ideme. Catarina, veľká chvíľa, ideme, jeden.

(Clicks metronome)

(metronóm)

Here it comes, Cat. (Clicks metronome)

Ideme, Cat. (metronóm)

Paolo, go. (Clicks metronome) Last you solo.

Paolo, ideš. (metronóm) Tvoje sólo.

The one you made. (Clicks metronome)

To, čo si vymyslel. (metronóm)

(Clicks metronome)

(metronóm)

Well done. Okay, good. Super. So --

Výborne. OK, dobre. Super.

(Applause)

(potlesk)

So -- (Applause)

Takže... (potlesk)

Thank you. (Applause)

Ďakujem. (potlesk)

So -- three versions. (Applause) Oh. (Laughs)

Takže... tri verzie. (potlesk) Ó. (smiech)

(Applause) Three versions of physical thinking, yeah?

(potlesk) Tri verzie fyzického myslenia.

Three versions of physical thinking. I'm hoping that today,

Tri verzie fyzického myslenia. Dúfam, že dnes,

what you're going to do is go away and make a dance

keď odídete, vymyslíte si sami tanec,

for yourself, and if not that,

a ak nie to,

at least misbehave more beautifully, more often.

tak sa budete aspoň krajšie a častejšie blázniť.

Thank you very much. (Applause)

Veľmi pekne ďakujeme. (potlesk)

Thank you. Thank you. (Applause)

Ďakujeme. Ďakujeme. (potlesk)

Here we go. (Applause)

(potlesk)

(Applause)

(potlesk)