Andrew Bird's one-man orchestra of the imagination

459,494 views ・ 2010-11-05

TED


μ•„λž˜ μ˜λ¬Έμžλ§‰μ„ λ”λΈ”ν΄λ¦­ν•˜μ‹œλ©΄ μ˜μƒμ΄ μž¬μƒλ©λ‹ˆλ‹€.

λ²ˆμ—­: Poram Lee κ²€ν† : J J LEE
00:18
Well, there's lots to talk about,
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뭐, μ–˜κΈ°ν•  것듀이 λ§ŽμŠ΅λ‹ˆλ‹€λ§Œ,
00:20
but I think I'm just going to play to start off.
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일단, 제 μ—°μ£Όλ‘œ μ‹œμž‘ν•˜λ € ν•©λ‹ˆλ‹€.
00:24
(Music)
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(μŒμ•…)
03:09
β™« When I wake up β™«
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β™« λ‚΄κ°€ 아침에 β™«
03:13
β™« in the morning β™«
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β™« 일어났을 λ•Œ β™«
03:16
β™« I pour the coffee β™«
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β™« 컀피λ₯Ό λ”°λ₯΄κ³  β™«
03:20
β™« I read the paper β™«
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β™« 신문을 읽고 β™«
03:23
β™« And then I slowly β™«
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β™« 그리곀 천천히 β™«
03:30
β™« and so softly β™«
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β™« 그리고 맀우 λΆ€λ“œλŸ½κ²Œ β™«
03:39
β™« do the dishes β™«
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β™« 섀거지λ₯Ό ν•˜κ³  β™«
03:44
β™« So feed the fishes β™«
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β™« λ¬Όκ³ κΈ°λ“€μ—κ²Œ 먹이λ₯Ό μ£Όκ³  β™«
03:52
β™« You sing me happy birthday β™«
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β™« 당신은 λ‚΄κ²Œ μƒμΌμΆ•ν•˜ λ…Έλž˜λ₯Ό λΆˆλŸ¬μš” β™«
04:00
β™« Like it's gonna be β™«
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β™« 마치 그날이 β™«
04:03
β™« your last day β™«
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β™« 이 μ„Έμƒμ—μ„œ λ‹Ήμ‹ μ˜ β™«
04:07
β™« here on Earth β™«
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β™« λ§ˆμ§€λ§‰μΈ 날이 될 κ²ƒμ²˜λŸΌ β™«
05:33
(Applause)
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(λ°•μˆ˜)
05:44
All right.
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자 그럼.
05:46
So, I wanted to do something special today.
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μ „ 였늘 μ’€ νŠΉλ³„ν•œ 것을 ν•˜κ³  μ‹Άμ—ˆμŠ΅λ‹ˆλ‹€.
05:48
I want to debut a new song that I've been working on
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μ§€λ‚œ 5~6 κ°œμ›”κ°„ μž‘μ—…ν•΄μ˜¨ 신곑을
05:51
in the last five or six months.
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λ°œν‘œν•˜κ³  μ‹Άμ—ˆμŠ΅λ‹ˆλ‹€.
05:54
And there's few things more thrilling
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λ…Έλž˜λ₯Ό 관객듀 μ•žμ—μ„œ 처음으둜
05:56
than playing a song
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μ„ λ³΄μ΄λŠ” 것보닀 더 ν₯λΆ„λ˜λŠ”
05:58
for the first time in front of an audience,
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일은 λ³„λ‘œ μ—†μ£ .
06:01
especially when it's half-finished.
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특히 κ·Έ 곑이 λ°˜μ •λ„ 미완성일 λ•ŒλŠ” λ§μž…λ‹ˆλ‹€.
06:03
(Laughter)
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(μ›ƒμŒ)
06:05
I'm kind of hoping some conversations here
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이 μžλ¦¬μ—μ„œ μ΄λ£¨μ–΄μ§ˆ λŒ€ν™”κ°€ 곑의 완성에
06:07
might help me finish it.
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도움이 될 수 있기λ₯Ό λ°”λžλ‹ˆλ‹€.
06:09
Because it gets into all sorts
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이 λ…Έλž˜λŠ” λͺ¨λ“  μ’…λ₯˜μ˜ 말도 μ•ˆ λ˜λŠ”
06:11
of crazy realms.
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λΆ„μ•ΌκΉŒμ§€ λ“€μ–΄κ°€κΈ° λ•Œλ¬Έμž…λ‹ˆλ‹€.
06:13
And so this is basically a song
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κ·Έλž˜μ„œ, κ²°κ΅­, 기본적으둜 이 곑은
06:15
about loops,
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루프(자기 반볡/μˆœν™˜κ³ λ¦¬)에 λŒ€ν•œ κ³‘μž…λ‹ˆλ‹€.
06:17
but not the kind of loops that I make up here.
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μ œκ°€ μ—¬κΈ°μ„œ 보여 λ“œλ¦° 그런 μ’…λ₯˜μ˜ 루프가 μ•„λ‹™λ‹ˆλ‹€.
06:19
They're feedback loops.
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μ†Œλ¦¬μ˜ μ„Έκ³„μ—μ„œμ˜
06:21
And in the audio world
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κ·Έμ € ν”Όλ“œλ°± 루프(되돌림 반볡)κ³ μš”.
06:23
that's when the microphone gets too close
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λ§ˆμ΄ν¬κ°€ μŒμ›μ—
06:26
to its sound source,
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λ„ˆλ¬΄ κ°€κΉŒμ΄ κ°€λ©΄ λ‚˜λŠ” κ±°μ£ 
06:29
and then it gets in this self-destructive loop
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그럼 자기 파괴적인 λ°˜λ³΅μ— λ“€μ–΄κ°‘λ‹ˆλ‹€.
06:31
that creates a very unpleasant sound.
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ꡉμž₯히 λ“£κΈ° λΆˆμΎŒν•œ μ†Œλ¦¬λ₯Ό λ‚΄μ£ .
06:33
And I'm going to demonstrate for you.
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μ—¬λŸ¬λΆ„μ„ μœ„ν•΄μ„œ μ‹œλ²”μ„ λ³΄μ΄κ² μŠ΅λ‹ˆλ‹€.
06:35
(Laughter)
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(μ›ƒμŒ)
06:38
I'm not going to hurt you. Don't worry.
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κ±±μ • λ§ˆμ„Έμš”. μ—¬λŸ¬λΆ„μ„ ν•΄μΉ˜μ§„ μ•Šμ„ κ²λ‹ˆλ‹€.
06:43
β™« This is a loop, feedback loop β™«
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β™« 이건 루프(반볡), ν”Όλ“œλ°±λ£¨ν”„(되돌림 반볡) μž…λ‹ˆλ‹€. β™«
06:46
β™« This is a loop, feedback loop β™«
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β™« 이것은 루프, ν”Όλ“œλ°± λ£¨ν”„μž…λ‹ˆλ‹€. β™«
06:49
β™« This is a loop, feedback loop β™«
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β™« 이것은 루프, ν”Όλ“œλ°± λ£¨ν”„μž…λ‹ˆλ‹€. β™«
06:51
β™« This is a loop, feedback loop β™«
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β™« 이것은 루프, ν”Όλ“œλ°± λ£¨ν”„μž…λ‹ˆλ‹€. β™«
06:54
β™« This is a loop, feedback loop β™«
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β™« 이것은 루프, ν”Όλ“œλ°± λ£¨ν”„μž…λ‹ˆλ‹€. β™«
06:56
β™« This is a loop, feedback loop β™«
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β™« 이것은 루프, ν”Όλ“œλ°± λ£¨ν”„μž…λ‹ˆλ‹€. β™«
06:59
β™« This is a -- (Feedback)
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β™« 이것은 -- (ν”Όλ“œλ°±)
07:07
All right. I don't know if that was necessary to demonstrate --
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이런 κ²λ‹ˆλ‹€. μ‹œλ²”μ΄ κΌ­ ν•„μš”ν–ˆλŠ”μ§€λŠ” 잘 λͺ¨λ₯΄κ² λ„€μš”.
07:10
(Laughter)
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(μ›ƒμŒ)
07:12
-- but my point is it's the sound of self-destruction.
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제 μš”μ μ€ 자기파괴적인 μ†Œλ¦¬λΌλŠ” 것과
07:17
And I've been thinking about
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이것이 μ–΄λ–»κ²Œ λͺ¨λ“  μ˜μ—­μ˜
07:19
how that applies across a whole spectrum of realms,
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뢄야에 μ μš©λ˜λŠ”μ§€μ— κ΄€ν•œ κ±°μ£ .
07:23
from, say, the ecological, okay.
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λ§ν•˜μžλ©΄, μƒνƒœμ μΈ 것을 예둜 λ“€λ©΄,
07:26
There seems to be a rule in nature
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μžμ—°μ— μ–΄λ–€ κ·œμΉ™μ΄ μžˆλŠ” 것 κ°™λ‹€λŠ” κ±°μ£ .
07:29
that if you get too close to where you came from,
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당신이 λ°œμƒν•˜κ²Œ 된 μ›μ²œμ— λ„ˆλ¬΄ κ°€κΉŒμ΄ κ°€κ²Œ 되면
07:32
it gets ugly.
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일이 엉망이 λ˜λŠ” κ±°μ£ .
07:34
So like, you can't feed cows their own brains
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κ·ΈλŸ¬λ‹ˆκΉŒ, 예둜, μ†Œμ—κ²Œ κ·Έλ“€μ˜ λ‡Œλ₯Ό λ¨Ήμ—¬μ„œλŠ” μ•ˆ λ˜κ³ μš”,
07:37
or you get mad cow disease,
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그러면 κ΄‘μš°λ³‘μ΄ λ°œλ³‘ν•˜κ²Œ λ˜λ‹ˆκΉŒμš”.
07:39
and inbreeding and incest
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근친 κ΅λ°°λ‚˜ κ·ΌμΉœμƒκ°„μ˜ κ²½μš°λ„ μžˆκ³ μš”.
07:41
and, let's see,
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그리고, μ–΄λ”” λ΄…μ‹œλ‹€,
07:43
what's the other one?
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λ‹€λ₯Έ μ˜ˆκ°€ 또 뭐가 있죠?
07:45
Biological -- there's autoimmune diseases,
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생물학적인 -- μžκ°€ λ©΄μ—­ μ§ˆν™˜λ„ 있죠.
07:47
where the body attacks itself
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λͺΈμ΄ κ·Έ μžμ‹ μ„ κ³΅κ²©ν•˜λŠ” κ±°μ£ .
07:49
a little too overzealously
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μ•½κ°„ μ§€λ‚˜μΉ˜λ„λ‘ μ—΄μ„±μ μœΌλ‘œ
07:51
and destroys the host,
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곡격을 ν•˜λ‹€κ°€ κ·Έ μˆ™μ£Όλ‚˜
07:53
or the person.
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μ‚¬λžŒμ„ νŒŒκ΄΄ν•˜μ£ .
07:58
And then -- okay, this is where we get to the song --
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또 그리고... μ’‹μŠ΅λ‹ˆλ‹€, μ—¬κΈ°κΉŒμ§€, μ΄μ―€μ—μ„œ λ…Έλž˜κ°€
08:01
kind of bridges the gap to the emotional.
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감성적인 이듀 μ‚¬μ΄μ˜ ν‹ˆμƒˆλ₯Ό μž‡λŠ” 닀리λ₯Ό λ†“λŠ” κ±°μ£ .
08:04
Because although I've used scientific terms
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비둝 μ œκ°€ 곑듀에 κ³Όν•™ μš©μ–΄λ₯Ό
08:07
in songs,
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μ“°κΈ΄ ν–ˆμ§€λ§Œ
08:09
it's very difficult sometimes to make them lyrical.
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그런 μš©μ–΄λ“€λ‘œ κ°€μ‚¬λ‘œ λ§Œλ“€κΈ°λŠ” 맀우 μ–΄λ ΅κ±°λ“ μš”.
08:12
And there's some things
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그리고 가끔 κ·Έλƒ₯ λ…Έλž˜μ— μ†ν•˜μ§€ μ•ŠλŠ”
08:14
you just don't need to have in songs.
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것듀이 있기 λ§ˆλ ¨μž…λ‹ˆλ‹€.
08:18
So I'm trying to bridge this gap
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κ·Έλž˜μ„œ μ „ 이 아이디어와 이 λ©œλ‘œλ”” μ‚¬μ΄μ˜
08:20
between this idea and this melody.
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ν‹ˆμƒˆλ₯Ό λ©”μš°λ € ν•©λ‹ˆλ‹€.
08:23
And so, I don't know if you've ever had this,
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μ—¬λŸ¬λΆ„λ„ 이런 κ²½μš°κ°€ μžˆμ—ˆλŠ”μ§€λŠ” 잘 λͺ¨λ₯΄κ² μ§€λ§Œ
08:26
but when I close my eyes sometimes
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가끔 자렀고
08:29
and try to sleep,
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λˆˆμ„ 감으면
08:31
I can't stop thinking about my own eyes.
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제 λˆˆμ— λŒ€ν•œ 생각을 멈좜 수 없을 λ•Œκ°€ μžˆμŠ΅λ‹ˆλ‹€.
08:34
And it's like your eyes
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그건 마치, 눈이 눈 κ·Έ μžμ‹ μ„
08:36
start straining to see themselves.
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보렀고 ν•˜λŠ” 것 같은 κ±°μ§€μš”.
08:38
That's what it feels like to me.
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μ „ 이게 κ·Έλ ‡κ²Œ λŠκ»΄μ§‘λ‹ˆλ‹€.
08:40
It's not pleasant.
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μ „ν˜€ 즐거운 게 μ•„λ‹™λ‹ˆλ‹€.
08:42
I'm sorry if I put that idea in your head.
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κ·Έ 생각을 μ—¬λŸ¬λΆ„ 머릿속에 λ„£μ—ˆλ‹€λ©΄ μ£„μ†‘ν•©λ‹ˆλ‹€.
08:44
(Laughter)
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(μ›ƒμŒ)
08:46
It's impossible, of course, for your eyes to see themselves,
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λ¬Όλ‘  눈이 κ·Έ μžμ‹ μ˜ λˆˆμ„ λ³΄λŠ” 것은 λΆˆκ°€λŠ₯ν•©λ‹ˆλ‹€.
08:48
but they seem to be trying.
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ν•˜μ§€λ§Œ 그듀은 보렀고 λ…Έλ ₯ν•˜λŠ” 것 κ°™μŠ΅λ‹ˆλ‹€.
08:51
So that's getting a little more closer to a personal experience.
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이둜써, 개인적인 κ²½ν—˜μ— μ’€ 더 κ°€κΉŒμ›Œμ‘Œλ„€μš”
08:55
Or ears being able to hear themselves --
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λ˜λŠ” κ·€κ°€ κ·€ μžμ‹ μ„ λ“€μœΌλ €κ³  ν•œλ‹€λ˜κ°€...
08:57
it's just impossible.
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틀림없이 λΆˆκ°€λŠ₯ν•˜μ£ .
08:59
That's the thing.
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λ°”λ‘œ κ·Έ μ μž…λ‹ˆλ‹€.
09:01
So, I've been working on this song
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μ œκ°€ κ·Έ 점듀에 λŒ€ν•΄ μ΄μ•ΌκΈ°ν•˜λŠ”
09:04
that mentions these things
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이 곑을 μž‘μ—…ν•΄μ˜€λ©΄μ„œ
09:07
and then also imagines
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그리고 λ˜ν•œ μžμ‹ μ„ μŠ¬ν””μœΌλ‘œλΆ€ν„°
09:09
a person who's been so successful
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λ³΄ν˜Έν•˜λŠ”λ° ꡉμž₯히 성곡적인 μ‚¬λžŒμ„
09:11
at defending themselves from heartbreak
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μƒμƒν•΄λ³΄μ„Έμš”.
09:14
that they're left to do the deed themselves,
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κ·Έλ“€ 슀슀둜 κ·Έ ν–‰μœ„λ₯Ό ν•˜λ„λ‘ 남겨진 κ±°μ£ .
09:17
if that's possible.
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λ§Œμ•½ 그것이 κ°€λŠ₯ν•˜λ‹€λ©΄ λ§μž…λ‹ˆλ‹€.
09:19
And that's what the song is asking.
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κ·Έ 점에 λŒ€ν•΄ λ°”λ‘œ 이 곑이 λ¬»λŠ” κ±°μ£ .
09:23
All right.
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자 그럼,
09:25
It doesn't have a name yet.
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아직 곑 제λͺ©μ€ μ—†μŠ΅λ‹ˆλ‹€.
09:27
(Music)
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(μŒμ•…)
11:23
β™« Go ahead and congratulate yourself β™«
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β™« ν•΄λ΄μš”, 슀슀둜λ₯Ό μΆ•ν•˜ν•˜μ„Έμš”. β™«
11:26
β™« Give yourself a hand, the hand is your hand β™«
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β™« μŠ€μŠ€λ‘œμ—κ²Œ 손 λ‚΄λ°€μ–΄ λ΄μš”, 그건 λ‹Ήμ‹ μ˜ 손이죠. β™«
11:30
β™« And the eye that eyes itself is your eye β™«
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β™« κ·Έ 눈, κ·Έ μžμ²΄λŠ” λ‹Ήμ‹ μ˜ 눈이죠. β™«
11:33
β™« And the ear that hears itself is near β™«
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β™« 그리고 κ·Έ μžμ‹ μ΄ λ“£λŠ” κ·€λŠ” κ°€κΉŒμ΄μ— 있죠 β™«
11:37
β™« 'Cause it's your ear, oh oh β™«
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β™« 그건 λ‹Ήμ‹ μ˜ κ·€μ΄λ‹ˆκΉŒμš”, 였 였 β™«
11:40
β™« You've done the impossible now β™«
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β™« 당신은 이제 λΆˆκ°€λŠ₯ν•œ 것을 ν•΄λƒˆμ–΄μš”. β™«
11:43
β™« Took yourself apart β™«
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β™« 슀슀둜λ₯Ό λͺ°μ•„ μ„Έμ› μ£ . β™«
11:47
β™« You made yourself invulnerable β™«
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β™« 슀슀둜λ₯Ό μƒμ²˜λ°›μ§€ μ•Šλ„λ‘ λ§Œλ“€μ—ˆμ–΄μš”. β™«
11:50
β™« No one can break your heart β™«
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β™« λˆ„κ΅¬λ„ λ‹Ήμ‹ μ˜ κ°€μŠ΄μ„ 찒어놓을 수 μ—†μ–΄μš”. β™«
11:54
β™« So you wear it out β™«
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β™« κ·Έλž˜μ„œ 당신이 ν—μ–΄λœ¨λ¦¬μ£  β™«
11:58
β™« And you wring it out β™«
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β™« 그리고 당신이 μ§œλ‚΄μ£  β™«
12:01
β™« And you wear it out β™«
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β™« 그리고 당신이 ν—μ–΄λœ¨λ¦¬μ£  β™«
12:04
β™« And you break it yourself β™«
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β™« 그리고 λ‹Ήμ‹  슀슀둜 κ·Έκ±Έ λΆ€μˆ΄μš” β™«
12:06
β™« Breaking your own, break it yourself β™«
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β™« λ‹Ήμ‹  슀슀둜 λ‹Ήμ‹ μ˜ 것을 λΆ€μˆ΄μš” β™«
12:09
β™« Breaking your own, break it yourself β™«
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β™« λ‹Ήμ‹  슀슀둜 λ‹Ήμ‹ μ˜ 것을 λΆ€μˆ΄μš” β™«
12:13
β™« Breaking your own β™«
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β™« λ‹Ήμ‹ μ˜ 것을 λΆ€μˆ΄μš” β™«
12:29
(Applause)
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(λ°•μˆ˜)
12:33
Thanks.
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κ°μ‚¬ν•©λ‹ˆλ‹€.
12:35
(Applause)
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(λ°•μˆ˜)
12:40
All right.
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자,
12:42
It's kind of cool. Songwriters can sort of get away with murder.
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μž‘κ³‘κ°€λ“€μ΄ μ œλ©‹λŒ€λ‘œ 해도 면죄뢀가 μ£Όμ–΄μ§€μ§€μš”. 일면 멋지죠.
12:45
You can throw out crazy theories
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μ—¬λŸ¬ 가지 ν™©λ‹Ήν•œ 가섀듀을 던져 놓고
12:48
and not have to back it up with data
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ꡳ이 λ°μ΄ν„°λ‚˜ κ·Έλž˜ν”½ λ˜λŠ” 자료 μ‘°μ‚¬λ‘œ
12:51
or graphs or research.
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가섀듀을 λ’·λ°›μΉ¨ν•  ν•„μš”κ°€ μ—†κ±°λ“ μš”.
12:54
But, you know, I think reckless curiosity
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ν•˜μ§€λ§Œ, μ „ μ‰Όμ—†λŠ” ꢁ금증이
12:57
would be what the world needs now,
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μ§€κΈˆ 세상이 ν•„μš”λ‘œ ν•˜λŠ” 것이라고 μƒκ°ν•©λ‹ˆλ‹€.
13:00
just a little bit.
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쑰금 λ§μž…λ‹ˆλ‹€.
13:02
(Applause)
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(λ°•μˆ˜)
13:06
I'm going to finish up with a song of mine
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제 곑 μ€‘μ˜ ν•˜λ‚˜λ₯Ό λΆ€λ₯΄λ©° 끝내도둝 ν•˜κ² μŠ΅λ‹ˆλ‹€.
13:08
called "Weather Systems."
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"기상 μ‹œμŠ€ν…œ"μ΄λΌλŠ” κ³‘μž…λ‹ˆλ‹€.
13:10
(Music)
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(μŒμ•…)
13:27
β™« Quiet β™«
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β™« 쑰용히 β™«
13:32
β™« Quiet down, she said β™«
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β™« 쑰용히 ν•΄λ΄μš”, κ·Έλ…€κ°€ λ§ν–ˆμ§€μš” β™«
13:36
β™« Speak into the back of his head β™«
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β™« 그의 λ’€μ—μ„œ λ§ν–ˆμ–΄μš” β™«
13:39
β™« On the edge of the bed, I can see your blood flow β™«
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β™« μΉ¨λŒ€ λμ—μ„œ, λ‹Ήμ‹ μ˜ ν”Όκ°€ 흐λ₯΄λŠ” 게 λ³΄μ—¬μš” β™«
13:43
β™« I can see your β™«
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β™« λ‹Ήμ‹ μ˜ 세포듀이 β™«
13:47
β™« cells grow β™«
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β™« μžλΌλŠ” 게 λ³΄μ—¬μš” β™«
13:54
β™« Hold still awhile β™«
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β™« μž μ‹œ 움직이지 λ§μ•„λ΄μš” β™«
13:57
β™« Don't spill the wine β™«
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β™« 와인을 μŸμ§€ λ§ˆμš” β™«
14:00
β™« I can see it all from here β™«
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β™« μ—¬κΈ°μ„  보여 μ „λΆ€ λ‹€ λ³΄μ—¬μš” β™«
14:03
β™« I can see β™«
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β™« λ‚œ λ³Ό 수 μžˆμ–΄μš” β™«
14:05
β™« oh, I β™«
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β™« 였, λ‚œ β™«
14:07
β™« I can see β™«
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β™« λ‚œ λ³Ό 수 μžˆμ–΄μš” β™«
14:14
β™« weather systems β™«
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β™« μ„Έμƒμ˜ β™«
14:17
β™« of the world β™«
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β™« 기상 μ‹œμŠ€ν…œμ„ β™«
14:30
β™« Weather systems β™«
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β™« μ„Έμƒμ˜ β™«
14:33
β™« of the world β™«
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β™« 기상 μ‹œμŠ€ν…œμ„ β™«
15:07
β™« Some things you say β™«
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β™« 당신이 λ§ν•˜λŠ” μ–΄λ–€ 것듀은 β™«
15:10
β™« are not for sale β™«
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β™« νŒŒλŠ” 것이 μ•„λ‹ˆμ˜ˆμš” β™«
15:14
β™« I would hold it where β™«
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β™« μ–΄λ–€ λ¬Όμ§ˆμ— 자유둜운 μ‚¬λžŒλ“€μ΄ β™«
15:17
β™« our free agents of some substance are β™«
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β™« μžˆλŠ” κ³³μ—μ„œ κ·Έκ±Έ λΆ™μž‘κ³  μžˆκ² μ–΄μš”. β™«
15:23
β™« scared β™«
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β™« λ‘λ €μ›Œν•˜λŠ” κ³³μ—μ„œ β™«
15:30
β™« Hold still a while β™«
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β™« μž μ‹œλ§Œ κ°€λ§Œνžˆ μžˆμ–΄λ΄μš” β™«
15:33
β™« Don't spill the wine β™«
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β™« 와인을 μŸμ§€ λ§ˆμš” β™«
15:37
β™« I can see it all from here β™«
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β™« μ—¬κΈ°μ„  μ „λΆ€ λ³΄μ΄λ„€μš” β™«
15:40
β™« I can see β™«
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β™« λ‚œ λ³Ό 수 μžˆμ–΄μš” β™«
15:42
β™« oh, I β™«
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β™« 였, λ‚œ β™«
15:44
β™« I can see β™«
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β™« λ‚œ λ³Ό 수 μžˆμ§€μš” β™«
15:49
β™« weather systems of the world β™«
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β™« μ„Έμƒμ˜ 기상 μ‹œμŠ€ν…œμ„ β™«
17:42
β™« Weather systems β™«
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β™« μ„Έμƒμ˜ β™«
17:47
β™« of the world β™«
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β™« 기상 μ‹œμŠ€ν…œμ„ β™«
18:56
Thanks.
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κ°μ‚¬ν•©λ‹ˆλ‹€.
18:58
(Applause)
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(λ°•μˆ˜)
이 μ›Ήμ‚¬μ΄νŠΈ 정보

이 μ‚¬μ΄νŠΈλŠ” μ˜μ–΄ ν•™μŠ΅μ— μœ μš©ν•œ YouTube λ™μ˜μƒμ„ μ†Œκ°œν•©λ‹ˆλ‹€. μ „ 세계 졜고의 μ„ μƒλ‹˜λ“€μ΄ κ°€λ₯΄μΉ˜λŠ” μ˜μ–΄ μˆ˜μ—…μ„ 보게 될 κ²ƒμž…λ‹ˆλ‹€. 각 λ™μ˜μƒ νŽ˜μ΄μ§€μ— ν‘œμ‹œλ˜λŠ” μ˜μ–΄ μžλ§‰μ„ 더블 ν΄λ¦­ν•˜λ©΄ κ·Έκ³³μ—μ„œ λ™μ˜μƒμ΄ μž¬μƒλ©λ‹ˆλ‹€. λΉ„λ””μ˜€ μž¬μƒμ— 맞좰 μžλ§‰μ΄ μŠ€ν¬λ‘€λ©λ‹ˆλ‹€. μ˜κ²¬μ΄λ‚˜ μš”μ²­μ΄ μžˆλŠ” 경우 이 문의 양식을 μ‚¬μš©ν•˜μ—¬ λ¬Έμ˜ν•˜μ‹­μ‹œμ˜€.

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