The three ways that good design makes you happy | Don Norman

1,047,812 views

2009-03-09 ใƒป TED


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The three ways that good design makes you happy | Don Norman

1,047,812 views ใƒป 2009-03-09

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Mike Hong ๊ฒ€ํ† : Alf Bae
00:12
The new me is beauty.
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์ƒˆ๋กœ์šด ์ €๋Š” ์•„๋ฆ„๋‹ค์›€์œผ๋กœ ํ†ตํ•ฉ๋‹ˆ๋‹ค.
00:14
(Laughter)
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(์›ƒ์Œ)
00:15
Yeah, people used to say, "Norman's OK,
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์‚ฌ๋žŒ๋“ค์€ ๋ณดํ†ต, "Norman ์€ ๋ฏฟ์„๋งŒ ํ•ด" ๋ผ๊ณ  ๋งํ•˜์ฃ .
00:20
but if you followed what he said, everything would be usable
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ํ•˜์ง€๋งŒ, "๋…ธ๋งŒ์ด ์‹œํ‚ค๋Š”๋Œ€๋กœ ํ•˜๋ฉด, ์‚ฌ์šฉ์„ฑ์€ ์ข‹์€๋ฐ..
00:22
but it would be ugly."
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๋ชป ์ƒ๊ธด ์ œํ’ˆ์ด ๋˜๋ฒ„๋ ค." ๋ผ๊ณ  ํ•˜๋”๊ตฐ์š”.
00:24
Well, I didn't have that in mind, so ...
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๊ทธ๋Ÿฐ ์ƒ๊ฐ์€ ๋ฏธ์ฒ˜ ๋ชป ํ–ˆ์–ด์š”, ๊ทธ๋ž˜์„œ...
00:29
This is neat.
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์—ฌ๊ธฐ์— ๋ฉ‹์ง„ ๊ฒŒ ํ•˜๋‚˜ ์žˆ์Šต๋‹ˆ๋‹ค.
00:31
Thank you for setting up my display.
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์ด๊ฑฐ ์„ค์น˜ํ•ด ์ฃผ์‹  ๋ถ„๋“ค ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค
00:33
I mean, it's just wonderful.
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์ง„์งœ๋กœ, ์ด๊ฑฐ ์ •๋ง๋กœ ๋ฉ‹์ง‘๋‹ˆ๋‹ค.
00:35
And I haven't the slightest idea of what it does or what it's good for,
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์ด๊ฒŒ ๋‹น์ฒด ๋ญ์— ์“ฐ๋Š” ๋ฌผ๊ฑด์ธ์ง€ ์ „ํ˜€ ๋ชจ๋ฅด๊ฒ ์ง€๋งŒ...
00:38
but I want it.
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ํ•˜์ง€๋งŒ, ๊ฐ–๊ณ  ์‹ถ๋‹ค๋Š” ์ƒ๊ฐ์ด ๋“ค์–ด์š”
00:40
And that's my new life.
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๊ทธ๋ฆฌ๊ณ , ์ด๊ฒƒ์ด ์ €์˜ ์ƒˆ๋กœ์šด ์‚ถ์ž…๋‹ˆ๋‹ค.
00:42
My new life is trying to understand what beauty is about,
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์ œ ์ƒˆ๋กœ์šด ์‚ถ์—์„œ๋Š” ์•„๋ฆ„๋‹ค์›€์ด ๋ฌด์—‡์ธ์ง€,
00:46
and "pretty," and "emotions."
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์˜ˆ์œ ๊ฒƒ๊ณผ ๊ฐ์„ฑ์ ์ธ ๊ฒŒ ๋ฌด์—‡์ธ์ง€ ์•Œ๊ณ ์ž ํ•ฉ๋‹ˆ๋‹ค
00:48
The new me is all about making things kind of neat and fun.
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์ƒˆ๋กœ์šด ์ €๋Š” ์ด๋Ÿฐ ๋ฉ‹์ง€๊ณ  ์žฌ๋ฏธ์žˆ๋Š” ๊ฒƒ๋“ค์„ ๋งŒ๋“œ๋Š” ๋ฐฉ๋ฒ•์„ ์•Œ๊ณ ์ž ํ•ฉ๋‹ˆ๋‹ค
00:52
And so this is a Philippe Starck juicer, produced by Alessi.
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์ž, ์ด๊ฒƒ์€ Alessi์—์„œ ๋‚˜์˜จ ํ•„๋ฆฝ ์Šคํƒ ์ฅฌ์Šค๊ธฐ์ž…๋‹ˆ๋‹ค.
00:56
It's just neat; it's fun. It's so much fun I have it in my house --
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๋„ˆ๋ฌด ์žฌ๋ฏธ์žˆ๊ฒŒ ์ƒ๊ฒจ์„œ ์ €ํฌ ์ง‘์—๋„ ํ•˜๋‚˜ ๋“ค์—ฌ๋†จ์ง€์š”.
๊ทธ๋ ‡์ง€๋งŒ ํ˜„๊ด€ ์ž…๊ตฌ์— ๋’€์–ด์š”. (๋‹น์—ฐํžˆ) ์ด๊ฑธ ์ฅฌ์Šค ๋งŒ๋“ค๋•Œ ์‚ฌ์šฉํ•˜์ง€ ์•Š์ฃ .
01:00
but I have it in the entryway, I don't use it to make juice.
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(์›ƒ์Œ)
01:03
(Laughter)
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์‚ฌ์‹ค ๊ธˆ์œผ๋กœ ์ž…ํ˜€์ ธ์žˆ๋Š” ์ŠคํŽ˜์…œ ์—๋””์…˜์œผ๋กœ ๊ตฌ์ž…ํ–ˆ๊ณ ,
01:05
In fact, I bought the gold-plated special edition
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์ž‘์€ ์ชฝ์ง€๊ฐ€ ํ•จ๊ป˜ ๋ฐฐ๋‹ฌ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
01:09
and it comes with a little slip of paper
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์ชฝ์ง€ ์™ˆ "์ฅฌ์Šค๋ฅผ ๋งŒ๋“ค๋•Œ ์ด ์ฅฌ์Šค๊ธฐ๋ฅผ ์ด์šฉํ•˜์ง€ ๋งˆ์‹œ์˜ค.
01:11
that says, "Don't use this juicer to make juice."
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์‚ฐ์„ฑ์œผ๋กœ์ธํ•ด ๋„๊ธˆ์ด ๋ฒ—๊ฒจ์งˆ ์ˆ˜ ์žˆ์Œ."
01:14
The acid will ruin the gold plating.
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(์›ƒ์Œ)
๊ทธ๋ž˜์„œ, ์ด ์‚ฌ์ง„์„ ์ฐ๊ธฐ ์œ„ํ•ด
01:17
(Laughter)
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01:18
So actually, I took a carton of orange juice
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๊ทธ๋ƒฅ ์˜ค๋ Œ์ง€ ์ฃผ์Šค ํ•œ์ž”์„ ์ž”์— ์ฑ„์›Œ๋†“์€ ๊ฒ๋‹ˆ๋‹ค
01:20
and I poured it in the glass to take this picture.
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(์›ƒ์Œ)
01:22
(Laughter)
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์ฅฌ์„œ๊ธฐ ์•„๋ž˜์— ์ •๋ง ๋งค๋ ฅ์ ์ธ ์นผ์ด ํ•˜๋‚˜ ๋†“์—ฌ ์žˆ์Šต๋‹ˆ๋‹ค.
01:25
Beneath it is a wonderful knife.
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์ผ๋ณธ์‚ฐ Global ์ปคํŒ… ๋‚˜์ดํ”„์ž…๋‹ˆ๋‹ค (์นผ)
01:27
It's a Global cutting knife made in Japan.
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์šฐ์„ , ์ƒ๊น€์ƒˆ๋ฅผ ํ•œ ๋ฒˆ ๋ณด์„ธ์š”. ๊ทธ๋ƒฅ ๋ณด๊ธฐ์—๋„ ๋ฉ‹์ง‘๋‹ˆ๋‹ค.
01:30
First of all, look at the shape -- it's just wonderful to look at.
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๋‹ค์Œ์œผ๋กœ, ์•„๋ฆ„๋‹ต๊ฒŒ ๊ท ํ˜•์ด ์žกํžŒ ๋ชจ์Šต์„ ๋ณด์„ธ์š”.
์†์— ์ฅ์—ˆ์„๋•Œ.. ์ข‹์€ ๋Š๋‚Œ์„ ์ฃผ์ฃ .
01:35
Second of all, it's really beautifully balanced:
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์„ธ๋ฒˆ์งธ๋กœ, ๋‚ ์ด ์˜ˆ๋ฆฌํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋ƒฅ ์ž˜๋ฆฌ์ฃ .
์‚ฌ์šฉํ•˜๋Š” ๊ฒƒ ์ž์ฒด๊ฐ€ ๊ธฐ์จ์ด์ฃ .
01:38
it holds well, it feels well.
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01:39
And third of all, it's so sharp, it just cuts.
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๊ทธ๋ž˜์„œ, ์ด ์นผ์€ ๊ทธ ์ž์ฒด๋กœ ๋ชจ๋“  ๊ฑธ ๊ฐ–์ท„์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡์ฃ ?
01:41
It's a delight to use.
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์•„๋ฆ„๋‹ต๊ณ , ๊ธฐ๋Šฅ๋ฉด์—์„œ๋„ ๋›ฐ์–ด๋‚ฉ๋‹ˆ๋‹ค.
01:43
And so it's got everything, right?
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์ด๋Ÿฌํ•œ ๊ฒƒ๋“ค์„ ๋ฐ˜์˜ํ•˜๋Š”
01:45
It's beautiful and it's functional.
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์ด์•ผ๊ธฐ๋“ค์„ ๋“ค๋ ค๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค. ๊ทธ๋ž˜์„œ,
01:47
And I can tell you stories about it,
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๊ฐ์„ฑ์— ๋Œ€ํ•œ ์ œ ์ด๋ก ์„ ๋ง์”€๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
01:49
which makes it reflective,
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์ œ ์ด๋ก ์€ 3๊ฐ€์ง€๋กœ ๊ตฌ์„ฑ๋˜์–ด ์žˆ์–ด์š”.
01:51
and so you'll see I have a theory of emotion.
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MIT ๋ฏธ๋””์–ด ์—ฐ๊ตฌ์‹ค์˜ Hiroshi Ishhii์™€ ๊ทธ์˜ ์—ฐ๊ตฌ์ง„์€
01:53
And those are the three components.
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ํƒ๊ตฌ๋Œ€ ์œ„์— ํ”„๋กœ์ ํ„ฐ๋ฅผ ์„ค์น˜ํ–ˆ์Šต๋‹ˆ๋‹ค.
01:55
Hiroshi Ishii and his group at the MIT Media Lab
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๊ทธ๋ฆฌ๊ณ ๋Š” ๋ฌผ์†์—์„œ ์ˆ˜์˜ํ•˜๋Š” ๋ฌผ๊ณ ๊ธฐ ์˜์ƒ์„ ํƒ๊ตฌ๋Œ€ ์œ„์—
01:58
took a ping-pong table and placed a projector above it,
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๋ฟŒ๋ ค์ฃผ์—ˆ์Šต๋‹ˆ๋‹ค.
02:01
and on the ping-pong table they projected an image of water
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ํƒ๊ตฌ๊ณต์ด ํƒ๊ตฌ๋Œ€๋ฅผ ๋ถ€๋”ชํž๋•Œ๋งˆ๋‹ค ๋ฌผ๊ฒฐ์ด ํผ์ ธ๋‚˜๊ฐ€๊ณ ,
02:04
with fish swimming in it.
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๋ฌผ๊ณ ๊ธฐ๋“ค์€ ๋„๋ง์น˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
02:06
And as you play ping-pong, whenever the ball hits part of the table,
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๋˜, ํƒ๊ตฌ๊ณต์ด ๋ฐ˜๋Œ€ํŽธ์œผ๋กœ ๋–จ์–ด์ ธ์„œ ๋ฌผ๊ฒฐ์ด ์ƒ๊ธฐ๋ฉด
02:09
the ripples spread out and the fish run away.
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๋ฌผ๊ณ ๊ธฐ๋Š” ๋˜ ๋„๋ง๊ฐ€๊ฒŒ ๋˜์ฃ . ๋ถˆ์Œํ•œ ๋ฌผ๊ณ ๊ธฐ๋“ค ์‰ฌ์ง€๋„ ๋ชปํ•ด์š”!!!
02:11
But of course, then the ball hits the other side,
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(์›ƒ์Œ)
02:13
the ripples hit the -- poor fish, they can't find any peace and quiet.
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๊ทธ๋Ÿฌ๋ฉด ์ด๊ฒƒ์ด ํƒ๊ตฌ ์ž์ฒด๋ฅผ ์น˜๊ธฐ์— ์ข‹์€ ๋ฐฉ๋ฒ•์ผ๊นŒ์š”?
์•„๋‹™๋‹ˆ๋‹ค. ํ•˜์ง€๋งŒ ์žฌ๋ฏธ์žˆ๋Š” ๋ฐฉ๋ฒ•์ด๋ผ๊ณ  ํ•  ์ˆ˜ ์žˆ๋‚˜์š”?
02:16
(Laughter)
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02:17
Is that a good way to play ping-pong?
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๋งž์Šต๋‹ˆ๋‹ค. ๊ทธ๋ ‡์ฃ .
02:19
No. But is it fun?
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๊ฒ€์ƒ‰์—”์ง„ ๊ตฌ๊ธ€์„ ํ•œ ๋ฒˆ ๋ณด์‹œ์ฃ 
02:21
Yeah! Yeah.
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"emotion and design"์ด๋ผ๊ณ  ์ž…๋ ฅํ•œ๋‹ค๋ฉด,
02:24
Or look at Google.
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02:26
If you type in, oh say, "emotion and design,"
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10 ํŽ˜์ด์ง€์˜ ๊ฒ€์ƒ‰ ๊ฒฐ๊ณผ๊ฐ€ ๋‚˜์˜ต๋‹ˆ๋‹ค.
๊ตฌ๊ธ€์€ ์ž๊ธฐ๋“ค์˜ ๋กœ๊ณ ๋ฅผ ๋Š˜๋ฆฌ๊ณ , ๋กœ๊ณ ์•ˆ์— 10 ๊ฐœ์˜ ํŽ˜์ด์ง€๋ฅผ
02:31
you get 10 pages of results.
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๋ณด์—ฌ์ค๋‹ˆ๋‹ค. "์ด 73,000 ๊ฑด. 1์—์„œ 20๊ฑด๊นŒ์ง€.
02:33
So Google just took their logo and they spread it out.
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๋‹ค์ŒํŽ˜์ด์ง€" ๋ผ๊ณ  ํ‘œ์‹œํ•˜๋Š” ๋Œ€์‹ ์—,
02:36
Instead of saying, "You got 73,000 results.
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ํŽ˜์ด์ง€ ๊ฐฏ์ˆ˜๋งŒํผ ์•ŒํŒŒ๋ฒณ O ๋ฅผ ์‚ฌ์šฉ์ž์—๊ฒŒ ๋ณด์—ฌ์ฃผ๋Š” ๊ฑฐ์ฃ .
02:38
This is one through 20. Next,"
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์•„์ฃผ ๊ฐ„๋‹จํ•˜๋ฉด์„œ๋„ ๋ฏธ๋ฌ˜ํ•˜์ฃ .
02:40
they just give you as many o's as there are pages.
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๋Œ€๋ถ€๋ถ„ ๊ทธ๊ฑธ ๋ณด์…จ๊ฒ ์ง€๋งŒ, ๋ˆˆ์น˜ ๋ชป ์ฑ„์…จ์„ ์ˆ˜๋„ ์žˆ์„ ๊ฒ๋‹ˆ๋‹ค.
02:42
It's really simple and subtle.
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02:44
I bet a lot of you have seen it and never noticed it.
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๊ทธ๊ฒŒ ์šฐ๋ฆฌ์˜ ๋ฌด์˜์‹์ด๋ž€ ๊ฒ๋‹ˆ๋‹ค
๋ฌด์–ธ๊ฐ€๋ฅผ ๋ˆˆ์น˜์ฑ˜์„ ๋•Œ ์œ ์พŒํ•œ ๊ธฐ๋ถ„์„ ๋Š๋ผ์ง€๋งŒ
02:47
That's the subconscious mind
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์ •ํ™•ํ•œ ์ด์œ ๋Š” ๋ชจ๋ฅด๋Š”๊ฑฐ์ฃ .
02:49
that sort of notices it -- it probably is kind of pleasant
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์ฐธ ์˜๋ฆฌํ•œ ๋””์ž์ธ์ด์ฃ .
02:51
and you didn't know why.
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๊ฒŒ๋‹ค๊ฐ€ ์•„์ฃผ ์ œ ๋งˆ์Œ์— ์™ ๋“œ๋Š” ๊ฒƒ์€
02:53
And it's just clever.
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๋งŒ์ผ "design and emotion"์„ ์ž…๋ ฅํ•œ๋‹ค๋ฉด
02:55
And of course, what's especially good is,
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์ฒ˜์Œ 10 ํŽ˜์ด์ง€์ค‘ ์ฒซ๋ฒˆ์งธ ๊ฒ€์ƒ‰๊ฒฐ๊ณผ๊ฐ€ ์ œ ์›น์‚ฌ์ดํŠธ๋ผ๋Š” ๊ฑฐ์ฃ .
02:57
if you type "design and emotion,"
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02:59
the first response out of those 10 pages is my website.
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(์›ƒ์Œ)
ํ•œ ๊ฐ€์ง€ ์ด์ƒํ•œ ๊ฒƒ์€ ๊ตฌ๊ธ€์ด ๊ฑฐ์ง“๋ง์„ ํ•œ๋‹ค๋Š” ๊ฑฐ์—์š”.
03:03
(Laughter)
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03:05
Now, the weird thing is Google lies,
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๋งŒ์ผ "design and emotion"์ด๋ผ๊ณ  ์ž…๋ ฅํ•œ๋‹ค๋ฉด, ๊ตฌ๊ธ€์€,
" 'and' ๋Š” ๋นผ์…”๋„ ๋˜์š”. ์šฐ๋ฆฌ๊ฐ€ ์•Œ์•„์„œ ๋„ฃ์Šต๋‹ˆ๋‹ค" ๋ผ๊ณ  ๋งํ•˜์ฃ 
03:08
because if I type "design and emotion,"
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03:10
it says, "You don't need the 'and.' We do it anyway."
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๊ทธ๋ž˜์„œ, ์˜ค์ผ€์ด ๋ผ๊ณ  ์ƒ๊ฐํ•˜๊ณ ,
"design emotion"์œผ๋กœ ์ž…๋ ฅ์„ ํ•˜๋‹ˆ
03:13
So, OK.
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์ œ ์›น์‚ฌ์ดํŠธ๊ฐ€ ๋” ์ด์ƒ ์ฒซ๋ฒˆ์งธ ๊ฒ€์ƒ‰๊ฒฐ๊ณผ๊ฐ€ ์•„๋‹ˆ์—ˆ์–ด์š”.
03:15
So I type "design emotion"
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์„ธ๋ฒˆ์งธ์— ์žˆ๋”๊ตฐ์š”.
03:17
and my website wasn't first again.
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๊ทธ๋ƒฅ ์ž ์‹œ ๋‹ค๋ฅธ ์–˜๊ธฐ์˜€์–ด์š”.
03:19
It was third.
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03:21
Oh well, different story.
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The New York Times์— ๋ฏธ๋‹ˆ์ฟ ํผ(MINI Cooper) ์ž๋™์ฐจ์— ๋Œ€ํ•œ
03:24
There was this wonderful review in The New York Times
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๋ฉ‹์ง„ ๋ฆฌ๋ทฐ๊ฐ€ ํ•œ ๋ฒˆ ์‹ค๋ ธ์—ˆ์ง€์š”.
03:27
about the MINI Cooper automobile.
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๋ฆฌ๋ทฐ์—๋Š”, "์ด ์ž๋™์ฐจ๋Š” ๊ฒฐํ•จ์ด ๋งŽ์Šต๋‹ˆ๋‹ค."
03:29
It said, "You know, this is a car that has lots of faults.
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"๊ทธ๋ž˜๋„ ๊ตฌ๋งคํ•˜์‹ญ์‹œ์˜ค."
03:32
Buy it anyway.
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"๊ทธ๊ฒƒ์„ ๋ชจ๋Š” ๊ฒƒ ์ž์ฒด๊ฐ€ ๋„ˆ๋ฌด ์žฌ๋ฏธ์žˆ์–ด์š”." ๋ผ๊ณ  ์จ์žˆ์Šต๋‹ˆ๋‹ค.
03:34
It's so much fun to drive."
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๊ทธ๋ฆฌ๊ณ  ์ฐจ ๋‚ด๋ถ€๋ฅผ ๋“ค์—ฌ๋‹ค๋ณธ๋‹ค๋ฉด,
03:36
And if you look at the inside of the car --
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์ €๋Š” ์ž์„ธํžˆ ๋ณด๊ณ  ์‹ถ์–ด์„œ ๋ ŒํŠธ๋ฅผ ํ–ˆ์ฃ .
03:39
I mean, I loved it, I wanted to see it, I rented it,
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์ด ์‚ฌ์ง„์€ ์•„๋“ค์ด ์šด์ „์ค‘์ผ๋•Œ ์ œ๊ฐ€ ์ง์ ‘ ์ฐ์—ˆ์Šต๋‹ˆ๋‹ค.
03:41
this is me taking a picture while my son is driving --
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์ž๋™์ฐจ ๋‚ด๋ถ€์˜ ์ „์ฒด์ ์ธ ๋””์ž์ธ์ด ์žฌ๋ฏธ์žˆ๋”๊ตฐ์š”.
03:44
and the inside of the car, the whole design is fun.
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๋‘ฅ๊ธ€๋‘ฅ๊ธ€ํ•˜๊ฒŒ ์ƒ๊ธด๋ฐ๋‹ค๊ฐ€ ๊น”๋”ํ•˜์ฃ .
03:47
It's round, it's neat.
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๊ฐ์ข… ์กฐ์ž‘๋„ ์•„์ฃผ ์ž˜ ์ž‘๋™ํ•˜์ฃ .
03:49
The controls work wonderfully.
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์ด๊ฒƒ์ด ์ €์˜ ์ฆ๊ฑฐ์›€์— ๋Œ€ํ•œ ์ƒˆ๋กœ์šด ์‚ถ์ž…๋‹ˆ๋‹ค.
03:51
So that's my new life; it's all about fun.
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์ €๋Š” "์‚ฌ์šฉํ•˜๊ธฐ ์ฆ๊ฑฐ์šด ์ œํ’ˆ๋“ค์€ ์ž˜ ์ž‘๋™ํ•œ๋‹ค."
03:54
I really have the feeling that pleasant things work better,
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๋ผ๊ณ  ์ƒ๊ฐํ–ˆ์ง€๋งŒ ๋ญ”๊ฐ€ ๋‚ฉ๋“ํ•  ์ˆœ ์—†์—ˆ์–ด์š”. ๊ทธ๋ ‡์ง€๋งŒ
03:57
and that never made any sense to me
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๊ฒฐ๊ตญ ๊ทธ๊ฒƒ์ด ์‚ฌ์‹ค์ด๋ผ๋Š” ๊ฒƒ์„ ์•Œ์•˜์ฃ . ๋ณด์„ธ์š”...
04:00
until I finally figured out -- look ...
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์ž.. ๋ฐ”๋‹ฅ์— ๋„๋นค์ง€๋ฅผ ๋†“์•„ ๋‘๊ฒ ์Šต๋‹ˆ๋‹ค.
04:04
I'm going to put a plank on the ground.
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์ƒ์ƒํ•ด๋ณด์„ธ์š”. ๋Œ€์ถฉ 60cmํญ์— 9m๊ธธ์ด๋ฅผ ๊ฐ€์ง„ ๋„๋นค์ง€์ž…๋‹ˆ๋‹ค.
04:06
So, imagine I have a plank about two feet wide and 30 feet long
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๊ทธ ์œ„๋ฅผ ๊ฑธ์–ด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค. ๊ตณ์ด ์•„๋ž˜๋ฅผ ์ณ๋‹ค๋ณด์ง€ ์•Š๊ณ ๋„ ์ž˜ ๊ฑท์„ ์ˆ˜ ์žˆ์ฃ ?
04:09
and I'm going to walk on it, and you see I can walk on it without looking,
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์•ž๋’ค๋กœ ์™”๋‹ค๊ฐ”๋‹ค ํ•˜๊ธฐ๋„ ํ•˜๊ณ , ์œ„์•„๋ž˜๋กœ ๋›ธ ์ˆ˜๋„ ์žˆ์ฃ .
04:12
I can go back and forth and I can jump up and down.
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์•„๋ฌด ๋ฌธ์ œ ์—†์Šต๋‹ˆ๋‹ค.
04:14
No problem.
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์ด๋ฒˆ์—๋Š” 100m ์ƒ๊ณต์— ๋„๋นค์ง€๋ฅผ ๊ฑธ์–ด ๋‘๊ฒ ์Šต๋‹ˆ๋‹ค.
04:16
Now I'm going to put the plank 300 feet in the air --
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์ €๋Š” ๊ทผ์ฒ˜์— ๊ฐ€์ง€๋„ ์•Š์„๊ฒ๋‹ˆ๋‹ค. ใ„ณ
04:20
and I'm not going to go near it, thank you.
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04:25
Intense fear paralyzes you.
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๊ฐ•๋ ฌํ•œ ๋‘๋ ค์›€์€ ๋ชธ์„ ์–ผ์–ด๋ถ™๊ฒŒ ๋งŒ๋“ค์ฃ .
04:27
It actually affects the way the brain works.
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๋‘๋ ค์›€์€ ์‹ค์ œ๋กœ ๋‘๋‡Œ๊ฐ€ ๋™์ž‘ํ•˜๋Š” ๋ฐ์— ์˜ํ–ฅ์„ ๋ฏธ์นฉ๋‹ˆ๋‹ค.
04:30
So, Paul Saffo, before his talk said that he didn't really have it down
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Paul Saffo ๋Š” ๊ฐ•์—ฐ ์ง์ „์— ์ด๋ ‡๊ฒŒ ๋งํ•˜๋”๊ตฐ์š”.
04:34
until just a few days or hours before the talk,
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๊ฐ•์—ฐ์ด ์‹œ์ž‘ํ•˜๊ธฐ ๋ฉฐ์น ์ „๊นŒ์ง€, ๊ฐ•์—ฐ๋‚ด์šฉ์„ ์ „๋ถ€ ์ ์–ด๋‘์ง€ ๋ชปํ–ˆ๋‹ค๊ณ ,
04:36
and that anxiety was really helpful in causing him to focus.
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๊ฐ•์—ฐ์— ๋Œ€ํ•œ ๋ถˆ์•ˆ๊ฐ์ด ๊ทธ๊ฒƒ์„ ์ค€๋น„ํ•˜๋Š”๋ฐ ์ง‘์ค‘ํ•  ์ˆ˜ ์žˆ๋„๋ก ๋„์™€์คฌ๋‹ต๋‹ˆ๋‹ค.
04:40
That's what fear and anxiety does;
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๊ทธ๊ฒŒ ๋ฐ”๋กœ ๋‘๋ ค์›€๊ณผ ๋ถˆ์•ˆ๊ฐ์ด ํ•˜๋Š” ์—ญํ• ์ด์ฃ .
04:42
it causes you to be -- what's called depth-first processing --
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๊ทธ๊ฒƒ๋“ค์€ ์šฐ๋ฆฌ๊ฐ€ ๊นŠ์ด์šฐ์„  ์‹คํ–‰(depth-first processing)์„ ํ•˜๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค.
04:45
to focus, not be distracted.
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์ง‘์ค‘ํ•˜๊ณ , ๋ฐฉํ•ด๋ฐ›์ง€ ์•Š๊ณ ,
04:48
And I couldn't force myself across that.
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๊ทธ๋ฆฌ๊ณ  ์ €๋กœ ํ•˜์—ฌ๊ธˆ ์ €๊ฑธ ๊ฑด๋„ˆ์ง€ ๋ชปํ•˜๊ฒŒ ํ•˜์ฃ 
04:51
Now some people can -- circus workers, steel workers.
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๋ฌผ๋ก  ์„œ์ปค์Šค ๋‹จ์›์ด๋‚˜, ๊ณ ์ธต๋นŒ๋”ฉ์˜ ๊ฑด์„ค๋…ธ๋™์ž๋Š” ๊ทธ ๋„๋นค์ง€๋ฅผ ๊ฑด๋„ ์ˆ˜ ์žˆ์ฃ .
04:54
But it really changes the way you think.
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ํ•˜์ง€๋งŒ ๋‘๋ ค์›€์€ ์ •๋ง๋กœ ์‚ฌ๋žŒ์˜ ์‚ฌ๊ณ ์— ์˜ํ–ฅ์„ ๋ฏธ์นฉ๋‹ˆ๋‹ค.
04:56
And then, a psychologist, Alice Isen,
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๊ทธ๋ฆฌ๊ณ  ์‹ฌ๋ฆฌํ•™์ž Alice Isen ์€
04:59
did this wonderful experiment.
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์ด ๋ฉ‹์ง„ ์‹คํ—˜์„ ํ•˜์ง€์š”
05:01
She brought students in to solve problems.
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๊ทธ๋…€๋Š” ํ•™์ƒ๋“ค์—๊ฒŒ ๋ฌธ์ œ๋“ค์„ ํ’€๊ฒŒ ์‹œ์ผœ๋ณด์•˜์Šต๋‹ˆ๋‹ค.
05:03
So, she'd bring people into the room,
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ํ•™์ƒ๋“ค์„ ๋ฐฉ์•ˆ์— ๋ฐ๋ ค์˜ค๋ฉด
05:05
and there'd be a string hanging down here
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๋ฐฉ์•ˆ์—๋Š” ์ค„์ด ์—ฌ๊ธฐ ํ•˜๋‚˜ ๋“œ๋ฆฌ์›Œ์ ธ ์žˆ์Šต๋‹ˆ๋‹ค
05:07
and a string hanging down here.
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๊ทธ๋ฆฌ๊ณ  ์—ฌ๊ธฐ์—๋„ ํ•˜๋‚˜ ์žˆ์ง€์š”
05:09
It was an empty room, except for a table with a bunch of crap on it --
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๋ฐฉ์•ˆ์€ ๋น„์–ด์žˆ์–ด์š”. ๋ฌด์–ธ๊ฐ€ ์ž”๋œฉ ์˜ฌ๋ผ๊ฐ€ ์žˆ๋Š” ํƒ์ž๋งŒ ํ•˜๋‚˜ ์žˆ์ฃ 
05:12
some papers and scissors and stuff.
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ํƒ์ž ์œ„์—๋Š” ์ข…์ด๋ž‘ ๊ฐ€์œ„ ๋“ฑ๋“ฑ์ด ์žˆ์–ด์š”
05:14
And she'd bring them in,
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๊ทธ๋…€๊ฐ€ ์‚ฌ๋žŒ๋“ค์„ ๋ฐ๋ ค์˜ค๋ฉด,
05:16
and she'd say,
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์ด๋ ‡๊ฒŒ ๋งํ•ฉ๋‹ˆ๋‹ค.
05:18
"This is an IQ test and it determines how well you do in life.
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"์ด๊ฑด ์‹ค์ œ ์ƒํ™œ์„ ์–ผ๋งˆ๋‚˜ ์ž˜ ์˜์œ„ํ•˜๋Š” ์ง€ ํŒ๋‹จํ•˜๋Š” IQ ํ…Œ์ŠคํŠธ
05:21
Would you tie those two strings together?"
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์ž…๋‹ˆ๋‹ค. ์ € ์ค„ ๋‘๊ฐœ๋ฅผ ํ•œ ๋ฒˆ ๋ฌถ์–ด ๋ณด์‹œ๊ฒ ์–ด์š”?"
05:24
So they'd take one string and they'd pull it over here
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์‹คํ—˜๋Œ€์ƒ์€ ์ค„ ํ•˜๋‚˜๋ฅผ ์žก๊ณ , ์—ฌ๊ธฐ๋กœ ๋Œ์–ด ๋‹น๊ฒจ๋ด…๋‹ˆ๋‹ค.
05:27
and they couldn't reach the other string.
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๋‹น๊ฒจ๋ณด์ง€๋งŒ ๋‹ค๋ฅธ ์ค„์—๋Š” ๋‹ฟ์ง€๊ฐ€ ์•Š์•„์š”
05:30
Still can't reach it.
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์—ฌ์ „ํžˆ~ ๋‹ฟ์„ ์ˆ˜๊ฐ€ ์—†์ง€์š”
05:32
And, basically, none of them could solve it.
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๊ทธ๋ž˜์„œ ๊ฒฐ๊ตญ ์•„๋ฌด๋„ ๊ทธ๊ฑธ ํ•ด๊ฒฐํ•˜์ง€ ๋ชปํ–ˆ์Šต๋‹ˆ๋‹ค.
05:35
You bring in a second group of people,
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์ด๋ฒˆ์—” ๋‹ค๋ฅธ ๋ฌด๋ฆฌ์˜ ์‚ฌ๋žŒ๋“ค์„ ๋ฐ๋ฆฌ๊ณ  ์˜ต๋‹ˆ๋‹ค
05:38
and you say, "Oh, before we start,
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๊ทธ๋ฆฌ๊ณ ๋Š” ์ด๋ ‡๊ฒŒ ๋งํ•˜์ฃ  "์‹œ์ž‘ํ•˜๊ธฐ์— ์•ž์„œ
05:41
I got this box of candy, and I don't eat candy.
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์—ฌ๊ธฐ ์ด ๋ฐ•์Šค์— ์‚ฌํƒ•์ด ์ข€ ์žˆ์Šต๋‹ˆ๋‹ค.
05:44
Would you like the box of candy?"
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์ œ๊ฐ€ ์‚ฌํƒ•์„ ์•ˆ ๋จน์–ด์„œ.. ๋“œ์‹ค๋ž˜์š”?"
05:46
And turns out they liked it, and it made them happy --
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์ด ๋Œ€์ƒ์ž๋“ค์€ ์‚ฌํƒ•์„ ๋จน๊ณ ๋Š” ์™ ์ง€ ํ–‰๋ณตํ•ด์ง€์ฃ .
05:49
not very happy, but a little bit of happy.
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๊ต‰์žฅํžˆ ํ–‰๋ณตํ•œ ๊ฑด ์•„๋‹ˆ์ง€๋งŒ, ๋ญ ์กฐ๊ธˆ ํ–‰๋ณตํ•ฉ๋‹ˆ๋‹ค
05:51
And guess what -- they solved the problem.
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๊ฒฐ๊ณผ๋Š” ์–ด๋• ์„๊นŒ์š”? ์ด ์‚ฌ๋žŒ๋“ค์€ ๋ฌธ์ œ๋ฅผ ํ•ด๊ฒฐํ•ฉ๋‹ˆ๋‹ค.
05:53
And it turns out that when you're anxious
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์‚ฌ๋žŒ์ด ์ดˆ์กฐํ•จ์„ ๋Š๋ผ๋ฉด, ์‹ ๊ฒฝ์ „๋‹ฌ๋ฌผ์งˆ์ด
05:56
you squirt neural transmitters in the brain, which focuses you
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๋‡Œ์— ๋ถ„๋น„๋˜๊ณ , ๊ทธ ์‚ฌ๋žŒ์œผ๋กœ ํ•˜์—ฌ๊ธˆ ๊นŠ์ด ์šฐ์„  ํƒ์ƒ‰ (depth-first) ์„
05:59
makes you depth-first.
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์ˆ˜ํ–‰ํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
06:01
And when you're happy -- what we call positive valence --
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๊ทธ๋ฆฌ๊ณ  ์‚ฌ๋žŒ์ด ํ–‰๋ณตํ•˜๋ฉด -- ์‹ฌ๋ฆฌํ•™์—์„œ๋Š” positive valence ๋ผ๊ณ  ํ•˜์ฃ 
06:04
you squirt dopamine into the prefrontal lobes,
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์ „๋‘์—ฝ์—์„œ๋Š” ๋„“์ด ์šฐ์„ (breadth-first) ๋ฌธ์ œ ํ’€์ด๋ฅผ
06:06
which makes you a breadth-first problem solver:
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๋„์™€์ฃผ๋Š” ๋„ํŒŒ๋ฏผ์„ ๋‚ด๋ฟœ์Šต๋‹ˆ๋‹ค.
06:08
you're more susceptible to interruption; you do out-of-the-box thinking.
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๊ทธ๋Ÿฌ๋ฉด ์‚ฌ๋žŒ์€ ์ž ์‹œ ๋ฉˆ์ถ”์–ด, ํ•œ๋ฐœ์ง ๋ฌผ๋Ÿฌ์„ (out of the box) ์‚ฌ๊ณ ๋ฅผ ํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค
06:11
That's what brainstorming is about, right?
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๊ทธ๊ฒŒ ๋ธŒ๋ ˆ์ธ ์Šคํ† ๋ฐ์ด๋ผ๋Š” ๊ฑฐ์—์š”. ๊ทธ๋ ‡์ฃ ?
06:14
With brainstorming we make you happy, we play games,
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๋ธŒ๋ ˆ์ธ ์Šคํ† ๋ฐ์„ ํ•  ๋•Œ๋Š” ์‚ฌ๋žŒ๋“ค์„ ์ฆ๊ฒ๊ฒŒ ํ•˜์ฃ . ๊ฒŒ์ž„๋„ ํ•ฉ๋‹ˆ๋‹ค
06:17
and we say, "No criticism,"
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๊ทธ๋ฆฌ๊ณ  "๋น„ํ‰ ๊ธˆ์ง€" ๋ผ๋Š” ๊ธฐ์ค€๋„ ์ •ํ•˜์ฃ 
06:19
and you get all these weird, neat ideas.
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๊ทธ๋ ‡๊ฒŒ ๋˜๋ฉด ์ด... ์ฐธ์‹ ํ•˜๊ณ  ๋ฉ‹์ง„ ์•„์ด๋””์–ด๋“ค์ด ๋‚˜์˜ค์ฃ 
06:21
But in fact, if that's how you always were you'd never get any work done
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ํ•˜์ง€๋งŒ, ๊ทธ๋Ÿฐ ๊ฒƒ์ด ์–ธ์ œ๋‚˜ ์ผ์„ ์™„๋ฃŒํ•˜๋Š” ๋ฐ์— ์œ ์ตํ•˜์ง„ ์•Š์•„์š”, ์™œ๋ƒ๋ฉด
06:24
because you'd be working along and say, "Oh, I got a new way of doing it."
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์ผ์„ ํ•˜๋Š” ์ค‘๊ฐ„์— "์˜ค... ๋ญ”๊ฐ€ ๋‹ค๋ฅธ ๋ฐฉ์‹์œผ๋กœ ํ•ด๋ณผ๊นŒ" ๋ผ๊ณ  ํ•˜๊ฑฐ๋“ ์š”
06:27
So to get work done, you've got to set a deadline, right?
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์ž‘์—…์„ ํ•ด๋‚ด๊ธฐ ์œ„ํ•ด์„œ๋Š”, ๋ฐ๋“œ๋ผ์ธ์ด ํ•„์š”ํ•ฉ๋‹ˆ๋‹ค, ๊ทธ๋ ‡์ฃ ?
06:31
You've got be anxious.
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๋ญ”๊ฐ€ ๋ถˆ์•ˆ๊ฐ์„ ์ข€ ๋Š๊ปด์•ผ ํ•˜์ฃ 
06:33
The brain works differently
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๊ทธ๋ž˜์„œ ๋‡Œ๊ฐ€ ์ข€ ๋‹ค๋ฅด๊ฒŒ ์ž‘๋™ํ•˜์ฃ 
06:35
if you're happy. Things work better because you're more creative.
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์ง€๊ธˆ ์ƒํ™ฉ์ด ํ–‰๋ณตํ•˜๋ฉด, ์ข€ ๋” ์ฐฝ์˜์ ์ด ๋˜์–ด์„œ ์ผ์ด ์ž˜ ๋˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
06:38
You get a little problem, you say, "Ah, I'll figure it out."
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์‚ฌ์†Œํ•œ ๋ฌธ์ œ๋ฅผ ํ•ด๊ฒฐํ•  ๋•Œ๋Š” ์ด๋ ‡๊ฒŒ ๋งํ•ฉ๋‹ˆ๋‹ค. "์•„~ ํ•ด๊ฒฐํ• ์ˆ˜ ์žˆ์–ด"
06:41
No big deal.
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๋ณ„๊ฑฐ ์•„๋‹ˆ์ฃ 
06:43
There's something I call the visceral level of processing, and there will be visceral-level design.
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์ œ๊ฐ€ ์ •์˜ํ•˜๋Š” ๋ฐฉ์‹์—๋Š” "๋ณธ๋Šฅ์  ํ–‰๋™"์ด ์žˆ์Šต๋‹ˆ๋‹ค
์ƒ๋ฌผํ•™์ ์œผ๋กœ, ์šฐ๋ฆฌ๋Š” ๋ฐ์€ ์ƒ‰๊น”์„ ์ข‹์•„ํ•˜๋„๋ก ๊ณต์ง„ํ™”ํ•ด์™”์Šต๋‹ˆ๋‹ค
06:47
Biology -- we have co-adapted through biology to like bright colors.
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์šฐ์„ , ๊ณผ์ผ์ด๋‚˜ ๋ฐ์€ ์ƒ‰์ƒ์˜ ์‹๋ฌผ์„ ํฌ์œ ๋ฅ˜๋‚˜ ์˜์žฅ๋ฅ˜๊ฐ€
06:51
That's especially good that mammals and primates like fruits
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์„ ํ˜ธํ•˜๊ฒŒ ๋˜์–ด ๊ทธ๊ฑธ ๋จน๊ฒŒ ๋ฉ๋‹ˆ๋‹ค. ๊ทธ๋Ÿฌ๋ฉด ์‹๋ฌผ๋“ค์€
06:55
and bright plants, because you eat the fruit
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์ž์‹ ๋“ค์˜ ์”จ์•—์„ ํผํŠธ๋ฆด ์ˆ˜๊ฐ€ ์žˆ์ง€์š”
06:57
and you thereby spread the seed.
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์šฐ๋ฆฌ ๋‡Œ ์†์—๋Š” ์–ด๋งˆ์–ด๋งˆํ•œ ์ •๋ณด๊ฐ€ ๋‹ด๊ฒจ ์žˆ์Šต๋‹ˆ๋‹ค
06:59
There's an amazing amount of stuff that's built into the brain.
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์“ด ๋ง›์€ ์‹ซ์–ดํ•˜๊ณ , ์‹œ๋„๋Ÿฌ์šด ๊ฒƒ์„ ์‹ซ์–ดํ•˜๊ณ ,
07:02
We dislike bitter tastes, we dislike loud sounds,
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๋งค์šฐ ๋ฅ๊ฑฐ๋‚˜ ์ถ”์šด ๊ธฐํ›„๋ฅผ ์‹ซ์–ดํ•˜๊ณ ,
07:05
we dislike hot temperatures, cold temperatures.
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๊พธ์ง–๋Š” ์†Œ๋ฆด ์‹ซ์–ดํ•˜๊ณ , ์ฐŒํ‘ธ๋ฆฐ ์–ผ๊ตด์„ ์‹ซ์–ดํ•˜๊ณ ,
07:07
We dislike scolding voices. We dislike frowning faces;
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๋Œ€์นญ์ ์ธ ์–ผ๊ตด์„ ์„ ํ˜ธํ•˜๊ณ , ๊ธฐํƒ€ ๋“ฑ๋“ฑ
07:11
we like symmetrical faces, etc., etc.
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๊ทธ๋ž˜์„œ ์ด๊ฑด ๋ณธ๋Šฅ์ ์ธ ๋ ˆ๋ฒจ์ž…๋‹ˆ๋‹ค.
๊ทธ๋ฆฌ๊ณ  ๋””์ž์ธ์„ ํ†ตํ•ด ์—ฌ๋Ÿฌ๋ถ„์€ ๋‹ค์–‘ํ•œ ๋ณธ๋Šฅ์„ ๋Š๋ผ๊ฒŒ ํ•  ์ˆ˜ ์žˆ์ง€์š”
07:15
So that's the visceral level.
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07:17
In design, you can express visceral in lots of ways,
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๊ธ€์ž์ฒด์˜ ์„ ํƒ์ด๋ผ๋˜๊ฐ€, ๋œจ๊ฒ๊ฑฐ๋‚˜ ํฅ๋ถ„๋˜๋Š” ๊ฑด ๋นจ๊ฐ„์ƒ‰์œผ๋กœ ํ•œ๋‹ค๊ฑฐ๋‚˜,
07:20
like the choice of type fonts and the red for hot, exciting.
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์•„๋‹ˆ๋ฉด 1963๋…„ํ˜• ์žฌ๊ทœ์–ด ์ฒ˜๋Ÿผ์š”
์‚ฌ์‹ค์€ ์ •๋ง ํ›„์ง„์ฐจ์—์š”. ๋งจ๋‚  ๊ณ ์žฅ์ด ๋‚˜์ฃ .
07:25
Or the 1963 Jaguar:
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07:27
It's actually a crummy car, falls apart all the time,
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ํ•˜์ง€๋งŒ ์ฃผ์ธ๋“ค์€ ์ •๋ง ์‚ฌ๋ž‘์Šค๋Ÿฌ์›Œ ํ•˜๋Š” ์ฐจ์ž…๋‹ˆ๋‹ค
๊ทธ๋ฆฌ๊ณ  ๋งค์šฐ ์•„๋ฆ„๋‹ต์ฃ  - ํ˜„๋Œ€ ๋ฏธ์ˆ ๊ด€์— ์ „์‹œ๋˜์–ด ์žˆ์„ ์ •๋„์ž…๋‹ˆ๋‹ค.
07:30
but the owners love it.
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๋ฌผ๋ณ‘
07:32
And it's beautiful -- it's in the Museum of Modern Art.
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์—ฌ๋Ÿฌ๋ถ„์€ ๋‹ด๊ธด ๋ฌผ์ด ์•„๋‹Œ ๋ฌผ๋ณ‘ ๊ทธ ์ž์ฒด๋ฅผ ์œ„ํ•ด ๊ตฌ๋งค๋ฅผ ํ•ฉ๋‹ˆ๋‹ค
07:34
A water bottle:
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07:36
You buy it because of the bottle, not because of the water.
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๊ทธ๋ฆฌ๊ณ  ๋‹ค ๋จน์—ˆ์„ ๋•, ๋ฒ„๋ฆฌ์ง€ ์•Š์ฃ .
07:39
And when people are finished, they don't throw it away.
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๋ณด๊ด€ํ•ฉ๋‹ˆ๋‹ค - ๊ทธ ์˜ค๋ž˜๋œ ์™€์ธ ๋ณ‘๋“ค์ฒ˜๋Ÿผ, ์žฅ์‹์„ ์œ„ํ•ด ๋ณด๊ด€ํ•˜๋Š” ๊ฑฐ์ฃ 
07:42
They keep it for -- you know, it's like the old wine bottles, you keep it for decoration
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๋˜๋Š” ๋ฌผ์„ ๋‹ค์‹œ ์ฑ„์›Œ ์‚ฌ์šฉํ•˜๊ธฐ๋„ ํ•˜์ฃ , ์ค‘์š”ํ•œ ๊ฑด ๋ฌผ์ด ์•„๋‹ˆ์—ˆ๋‹จ ๊ฒ๋‹ˆ๋‹ค
07:45
or maybe fill it with water again, which proves it's not the water.
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์ด๊ฒŒ ๋‹ค ๋ณธ๋Šฅ์ ์ธ ๊ฒฝํ—˜์— ๋Œ€ํ•œ ๊ฒ๋‹ˆ๋‹ค
07:48
It's all about the visceral experience.
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์ค‘๊ฐ„ ๋‹จ๊ณ„์˜ ๊ณผ์ •์€ ํ–‰๋™์  ๋‹จ๊ณ„์ž…๋‹ˆ๋‹ค
07:53
The middle level of processing is the behavioral level
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๊ทธ๋ฆฌ๊ณ  ์ด ๋‹จ๊ณ„๊ฐ€ ๋ฐ”๋กœ ๋งค์šฐ ๋งŽ์€ ์ผ๋“ค์ด ์ผ์–ด๋‚˜๋Š” ๋‹จ๊ณ„์ง€์š”
๋ณธ๋Šฅ ๋‹จ๊ณ„๋Š” ๋ฌด์˜์‹์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฑธ ์ธ์‹ํ•  ์ˆ˜ ์—†์ฃ 
07:57
and that's actually where most of our stuff gets done.
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ํ–‰๋™ ๋‹จ๊ณ„ ์—ญ์‹œ ๋ฌด์˜์‹์ž…๋‹ˆ๋‹ค. ๊ทธ๊ฑธ ์ธ์‹ํ•  ์ˆ˜ ์—†์ฃ 
07:59
Visceral is subconscious, you're unaware of it.
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08:01
Behavioral is subconscious, you're unaware of it.
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์šฐ๋ฆฌ๊ฐ€ ํ•˜๋Š” ๊ฑฐ์˜ ๋ชจ๋“  ๊ฒƒ์ด ๋ฌด์˜์‹์—์„œ ์ผ์–ด๋‚ฉ๋‹ˆ๋‹ค.
์ด๋ ‡๊ฒŒ ๋ฌด๋Œ€๋ฅผ ๊ฑธ์„ ๋•Œ, ์ €๋Š” ์ œ ๋ฐœ์˜ ์›€์ง์ž„์— ์ฃผ์˜๋ฅผ ๊ธฐ์šธ์ผ ํ•„์š”๊ฐ€ ์—†์–ด์š”
08:04
Almost everything we do is subconscious.
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08:06
I'm walking around the stage -- I'm not attending to the control of my legs.
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์ œ๊ฐ€ ์ง€๊ธˆ ํ•˜๋Š” ํ–‰๋™, ์ง€๊ธˆ ๊ฐ•์—ฐ ์—ญ์‹œ ๋ฌด์˜์‹์ ์œผ๋กœ ๋‚˜์˜ค๊ณ  ์žˆ์–ด์š”
08:10
I'm doing a lot; most of my talk is subconscious;
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๋ฆฌํ—ˆ์„ค๋„ ๋งŽ์ดํ•˜๊ณ , ๋จธ๋ฆฌ์†์œผ๋กœ๋„ ๋งŽ์ด ์—ฐ์Šตํ–ˆ๊ฑฐ๋“ ์š”.
์šฐ๋ฆฌ๊ฐ€ ํ•˜๋Š” ๊ฑฐ์˜ ๋Œ€๋ถ€๋ถ„์€ ๋ฌด์˜์‹์ ์œผ๋กœ ์ผ์–ด๋‚ฉ๋‹ˆ๋‹ค
08:13
it has been rehearsed and thought about a lot.
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์ž๋™์ ์ธ ํ–‰๋™ - ๋Šฅ์ˆ™ํ•œ ํ–‰๋™์€ ํ–‰๋™๋‹จ๊ณ„๋ฅผ ํ†ตํ•ด์„œ,
08:15
Most of what we do is subconscious.
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08:17
Automatic behavior -- skilled behavior -- is subconscious,
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๋ฌด์˜์‹์ ์œผ๋กœ ์ผ์–ด๋‚˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค
๊ทธ๋ฆฌ๊ณ  ํ–‰๋™๋‹จ๊ณ„ ๋””์ž์ธ์ด๋ผ๋Š” ๊ฒƒ์€ ์‚ฌ์šฉ์„ฑ, ์กฐ์ž‘์— ๋Œ€ํ•œ ์ดํ•ด
08:20
controlled by the behavioral side.
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08:22
And behavioral design is all about feeling in control,
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๋ฟ๋งŒ ์•„๋‹ˆ๋ผ, ์ž์‹ ์˜ ๋Š๋‚Œ๊ณผ ์ž๊ธฐ๊ฐ€ ๊ฐ–๋Š”
08:26
which includes usability, understanding --
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์˜ํ–ฅ๋ ฅ์— ๋Œ€ํ•œ ๊ฒƒ์ด๋ผ๋Š” ๊ฒ๋‹ˆ๋‹ค
๊ทธ๊ฒŒ ๊ทธ Global knives ๊ฐ€ ๋ฉ‹์ง„ ์ด์œ ์ง€์š”
08:29
but also the feel and heft.
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๊ทธ ์นผ์€ ๋งค์šฐ ๊ท ํ˜•์žกํ˜€ ์žˆ๊ณ , ๋งค์šฐ ๋‚ ์นด๋กญ์ง€์š”.
08:31
That's why the Global knives are so neat.
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๊ทธ๋ž˜์„œ ์ž๋ฅด๋Š” ํ–‰์œ„๋ฅผ ํ†ต์ œํ•˜๊ณ  ์žˆ๋‹ค๋Š” ๋Š๋‚Œ์„ ์ฃผ์ง€์š”
08:33
They're so nicely balanced, so sharp,
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๋˜๋Š” ๊ณ ์„ฑ๋Šฅ์˜ ์Šคํฌ์ธ ์นด๋ฅผ ํƒ€๊ณ  ๊ธ‰ํ•œ ์ฝ”๋„ˆ๋ฅผ ๋„๋Š” ๊ฒฝ์šฐ์—๋„
08:35
that you really feel you're in control of the cutting.
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08:37
Or, just driving a high-performance sports car
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์—ฌ๋Ÿฌ๋ถ„์€ ๋‹ค์‹œ ํ•œ ๋ฒˆ
08:40
over a demanding curb --
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ํ˜„์žฌ ์ƒํ™ฉ์„ ์™„์ „ํžˆ ํ†ต์ œํ•˜๊ณ  ์žˆ๋‹ค๊ณ  ๋Š๋ผ์ง€์š”.
08:42
again, feeling that you are in complete control of the environment.
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๋˜๋Š” ๊ฐ๊ฐ์ ์ธ ๋Š๋‚Œ๋„ ๋“ค์ง€์š”
08:45
Or the sensual feeling.
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์ด๊ฑด Kohler ์ƒค์›Œ๊ธฐ ์ž…๋‹ˆ๋‹ค, ํญํฌํ˜• (waterfall) ์ƒค์›Œ๊ธฐ์ด์ง€์š”
08:47
This is a Kohler shower, a waterfall shower,
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์‚ฌ์‹ค, ๋ฐ‘์— ๋‹ฌ๋ฆฐ ์†์žก์ด๋“ค ์—ญ์‹œ ์ƒค์›Œ๊ธฐ์ž…๋‹ˆ๋‹ค.
08:49
and actually, all those knobs beneath are also showerheads.
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์‚ฌ์šฉ์ž์˜ ๋ชธ ์ „์ฒด์— ๋ฌผ์„ ๋ฟœ์ฃ 
08:52
It will squirt you all around
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์ € ์ƒค์›Œ๊ธฐ ๋ฐ‘์—์„œ ๋ช‡ ์‹œ๊ฐ„์”ฉ ๋ฌผ๋‚ญ๋น„๋ฅผ ํ•˜์ง€ ์•Š์œผ๋ฉด์„œ,
08:54
and you can stay in that shower for hours --
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์ƒค์›Œ๋ฅผ ์ฆ๊ธธ ์ˆ˜๊ฐ€ ์žˆ์–ด์š”.
08:56
and not waste water, by the way,
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๋˜‘๊ฐ™์€ ์ง€์ €๋ถ„ํ•œ ๋ฌผ์„ ๊ณ„์† ์žฌํ™œ์šฉ ํ•˜๊ฑฐ๋“ ์š”
08:58
because it recirculates the same dirty water.
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(์›ƒ์Œ)
09:00
(Laughter)
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๋˜๋Š” ์ด ๊ฒƒ -- ์ œ๊ฐ€ ์‹œ์นด๊ณ ์˜ Four Seasons ํ˜ธํ…”์˜
09:03
Or this -- this is a really neat teapot I found
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ํ‹ฐํƒ€์ž„ ๋•Œ ๋ฐœ๊ฒฌํ•œ ์ฃผ์ „์ž๋ฅผ ํ•œ ๋ฒˆ ๋ณด์„ธ์š”
09:05
at high tea at The Four Seasons Hotel in Chicago.
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์ด๊ฑด Ronnenfeldt (๋กœ๋„จํŽ ํŠธ) ๊ธฐ์šธ์ž„ ์ฃผ์ „์ž๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค
09:09
It's a Ronnefeldt tilting teapot.
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์ƒ๊น€์ƒˆ ๋•Œ๋ฌธ์— ๋ถ™์€ ์ด๋ฆ„์ด๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค๋งŒ
09:11
That's kind of what the teapot looks like
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์‚ฌ์šฉํ•˜๋Š” ๋ฐฉ๋ฒ•์€, ์ฃผ์ „์ž๋ฅผ ๋จผ์ € ๋ˆ•ํžŒ ๋‹ค์Œ์—
09:13
but the way you use it is you lay it on its back,
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ํ‹ฐ๋ฅผ ์ง‘์–ด๋„ฃ์ฃ 
๊ทธ๋ฆฌ๊ณ ๋Š” ๋ฌผ์„ ๋ถ€์–ด์š”
09:17
and you put tea in,
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๊ทธ๋Ÿฌ๋ฉด ์ฐจ๊ฐ€ ๋ฌผ์— ์Šค๋ฉฐ๋“ค๊ฒŒ ๋˜์ง€์š”
09:19
and then you fill it with water.
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09:21
The water then seeps over the tea.
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์ฐป์žŽ์ด ์ด ์ฃผ์ „์ž์˜ ์šฐ์ธก์— ์žˆ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค
09:24
And the tea is sitting in this stuff to the right --
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์ด ์„ ์˜ ์šฐ์ธก์— ์žˆ๋Š” ๊ฑฐ์ง€์š”
์—ฌ๊ธฐ์— ์กฐ๊ทธ๋งˆํ•œ ๊ณต๊ฐ„์ด ์žˆ์–ด์„œ ๊ฑฐ๊ธฐ์— ์žˆ๋Š” ๊ฒ๋‹ˆ๋‹ค
09:27
the tea is to the right of this line.
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๊ทธ๋ฆฌ๊ณ  ๋ฌผ์ด ์ด๋Ÿฐ์‹์œผ๋กœ ์ฐจ ์˜ค๋ฆ…๋‹ˆ๋‹ค
09:29
There's a little ledge inside, so the tea is sitting there
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์ฐจ๊ฐ€ ๋‹ค ์šฐ๋Ÿฌ๋‚˜์˜ค๋ฉด, ๋˜๋Š” ๊ฑฐ์˜ ์šฐ๋Ÿฌ๋‚˜์˜ค๋ฉด, ๊ธฐ์šธ์ด๋ฉด ๋ฉ๋‹ˆ๋‹ค
09:31
and the water is filling it up like that.
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09:33
And when the tea is ready, or almost ready, you tilt it.
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๊ทธ๋ ‡๊ฒŒ ๋˜๋ฉด ์ฐป์žŽ์€ ๋ถ€๋ถ„์ ์œผ๋กœ๋งŒ ์ž ๊ธฐ์ฃ 
09:36
And that means the tea is partially covered
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์ฐจ๊ฐ€ ๋‹ค ์šฐ๋Ÿฌ๋‚˜์™€์„œ ๋งˆ์‹ค ์ค€๋น„๊ฐ€ ๋˜๋ฉด
์„ธ๋กœ๋กœ ์„ธ์šฐ๋ฉด ๋ฉ๋‹ˆ๋‹ค
09:39
while it completes the brewing.
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๊ทธ๋Ÿฌ๋ฉด ์ฐป์žŽ์€ - ๋ณด์‹œ๋‹ค์‹œํ”ผ - ์ด ์œ„๋กœ ์˜ฌ๋ผ์˜ค๊ฒŒ ๋˜์ฃ 
09:41
And when it's finished, you put it vertically,
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๋ฌผ์€ ์—ฌ๊ธฐ๊นŒ์ง€ ๋ฐ–์— ์˜ค์ง€ ์•Š์•„์„œ, ์ฐจ ์žŽ์€
09:43
and now the tea is -- you remember -- above this line
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09:45
and the water only comes to here --
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๋ฌผ์— ๋‹ด๊ธฐ์ง€ ์•Š์•„์š”. ์ด ๋ชจ๋“  ๊ฑธ ๋– ๋‚˜์„œ
์ด ์ฃผ์ „์ž๋Š” ์‚ฌ๋žŒ๊ฐ„์— ์˜๋ฏธ๋ฅผ ์ฃผ๊ณ  ๋ฐ›์„ ์ˆ˜ ์žˆ์–ด์š”
09:48
and so it keeps the tea out.
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๊ทธ๊ฒŒ ๊ฐ์„ฑ์ด๋ž€ ๊ฒƒ์ด์ง€์š”
09:50
On top of that, it communicates,
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๊ฐ์„ฑ์ด๋ผ๋Š” ๊ฒƒ์€ ํ–‰๋™์ž…๋‹ˆ๋‹ค. ๊ฐ์„ฑ์€ ์ •๋ง ํ–‰๋™ ๊ทธ ์ž์ฒด์ฃ 
09:52
which is what emotion does.
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09:54
Emotion is all about acting; emotion is really about acting.
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์ด ํ—˜๋‚œํ•œ ์„ธ์ƒ์„ ์•ˆ์ „ํ•˜๊ฒŒ ์‚ด์•„๊ฐ€๋Š” ๊ฒƒ์ด์ฃ 
์ธ์ง€๋ž€ ์„ธ์ƒ์„ ์ดํ•ดํ•˜๋Š” ๊ฒƒ์ด๋ผ๋ฉด, ๊ฐ์„ฑ์€ ๊ทธ๊ฑธ ํ•ด์„ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค
09:57
It's being safe in the world.
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09:59
Cognition is about understanding the world, emotion is about interpreting it --
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์ข‹๋‹ค, ๋‚˜์˜๋‹ค, ์•ˆ์ „ํ•˜๋‹ค, ์œ„ํ—˜ํ•˜๋‹ค๋ฅผ ๋Š๋ผ๋ฉด์„œ์š”
๊ธด์žฅ๋œ ๊ทผ์œก, ์•ˆ์ •๋œ ๋Š๋‚Œ๋“ฑ์˜ ์šฐ๋ฆฌ์˜ ๋ฐ˜์‘์„ ์œ ๋„ํ•˜์ฃ .
10:03
saying good, bad, safe, dangerous,
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10:05
and getting us ready to act, which is why the muscles tense or relax.
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ๋‹ค๋ฅธ ์‚ฌ๋žŒ์˜ ๋ฌด์˜์‹์ ์ธ ํ–‰๋™์„ ํ†ตํ•ด์„œ
10:08
And that's why we can tell the emotion of somebody else --
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๋‹ค๋ฅธ ์‚ฌ๋žŒ์˜ ๊ฐ์„ฑ์„ ์•Œ ์ˆ˜ ์žˆ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
๋ฌผ๋ก  ์šฐ๋ฆฌ์˜ ์–ผ๊ตด๊ทผ์œก์„ ํ†ตํ•ด์„œ ๊ฐ์„ฑ์„ ์ถฉ๋ถ„ํžˆ ํ‘œํ˜„ํ•˜๋„๋ก ๋ฐœ๋‹ฌ๋˜์–ด ์žˆ์ง€๋งŒ์š”.
10:12
because their muscles are acting, subconsciously,
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10:14
except that we've evolved to make the facial muscles really rich with emotion.
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๊ทธ๋ž˜์„œ ์ด ์ฃผ์ „์ž๋Š” ๊ฐ์„ฑ์ ์ด๋ผ๊ณ  ํ•  ์ˆ˜ ์žˆ์ฃ  ์™œ๋ƒํ•˜๋ฉด ์ด ์ฃผ์ „์ž๋Š”,
์›จ์ดํ„ฐ์—๊ฒŒ ์‹ ํ˜ธ๋ฅผ ๋ณด๋‚ด๊ฑฐ๋“ ์š”. "์—ฌ๊ธฐ์š”. ์—ฌ๊ธฐ ๋‹ค ๋งˆ์…จ์–ด์š”. ์„œ ์žˆ๋Š” ๊ฑฐ ๋ณด์ด์ฃ ?"
10:20
Well, this has emotions if you like,
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10:22
because it signals the waiter that, "Hey, I'm finished. See -- upright."
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๊ทธ๋Ÿฌ๋ฉด ์›จ์ดํ„ฐ๊ฐ€ ์™€์„œ ๋ฌผ์–ด ๋ณด๊ฒ ์ง€์š”. "๋ฌผ์„ ์ข€ ๋” ๋“œ๋ฆด๊นŒ์š”?"
10:26
And the waiter can come by and say, "Would you like more water?"
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๋ฉ‹์ ธ์š”. ์–ผ๋งˆ๋‚˜ ๋ฉ‹์ง„ ๋””์ž์ธ์ธ์ง€...
์„ธ๋ฒˆ์งธ๋Š” ๋ฐ˜์˜์ ์ธ(Reflective) ๋‹จ๊ณ„์ž…๋‹ˆ๋‹ค.
10:29
It's kind of neat. What a wonderful design.
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10:31
And the third level is reflective,
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์ดˆ์ž์•„๋ผ๋Š” ๊ฑธ ์ข‹์•„ํ•˜์‹œ๋Š” ์ง€ ๋ชจ๋ฅด๊ฒ ์ง€๋งŒ,
10:35
which is, if you like the superego,
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์—ฌ๋Ÿฌ๋ถ„์˜ ํ–‰๋™์— ์ „ํ˜€ ์˜ํ–ฅ์„ ๋ชป ๋ฏธ์น˜๋Š” ๋‡Œ์˜ ์˜์—ญ์ž…๋‹ˆ๋‹ค
10:39
it's a little part of the brain that has no control over what you do,
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์ „ํ˜€ ๊ถŒํ•œ๋„ ์—†๊ณ , ๋ญ”๊ฐ€๋ฅผ ๋Š๋ผ์ง€๋„ ์•Š๋Š” ์˜์—ญ์ž…๋‹ˆ๋‹ค.
10:42
no control over the -- doesn't see the senses,
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๊ทผ์œก์„ ์›€์ง์ผ ์ˆ˜๋„ ์—†์Šต๋‹ˆ๋‹ค
๊ทธ๋ƒฅ ์ง€๊ธˆ ํ˜„์žฌ์˜ ์ƒํ™ฉ์„ ๊ด€์ฐฐํ•˜๊ณ 
10:46
doesn't control the muscles.
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๋จธ๋ฆฌ์†์—์„œ ์กฐ๊ทธ๋งˆํ•œ ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๋‚ด์ฃ .
10:48
It looks over what's going on.
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์ง€์ผœ๋ณด๋ฉด์„œ... "์ €๊ฑด ์ข‹๊ตฐ, ์ €๊ฑด ๋‚˜๋น " ๋ผ๊ณ  ๋งํ•˜์ฃ 
10:50
It's that little voice in your head
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๋˜๋Š” "์™œ ์ด๋Ÿฐ๊ฑธ ํ•˜๋Š” ๊ฑฐ์•ผ? ์ดํ•ดํ•  ์ˆ˜๊ฐ€ ์—†๋„ค" ๋ผ๊ณ  ๋งํ•˜์ฃ 
10:52
that's watching and saying, "That's good. That's bad."
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์˜์‹์ด๋ผ๋Š” ๋…€์„์ด ๋‚ด๋Š” ์กฐ๊ทธ๋งˆํ•œ ๋ชฉ์†Œ๋ฆฌ์ž…๋‹ˆ๋‹ค
10:54
Or, "Why are you doing that? I don't understand."
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์—ฌ๊ธฐ์— ๋งค์šฐ ๋›ฐ์–ด๋‚œ '๋ฐ˜์˜์ ์ธ' ์ œํ’ˆ์ด ์žˆ์Šต๋‹ˆ๋‹ค
10:56
It's that little voice in your head that's the seat of consciousness.
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ํ—ˆ๋จธ์˜ ์†Œ์œ ์ฃผ๋“ค์€ "๋‚ด๊ฐ€ ์‚ด๋ฉด์„œ ๋ณ„ ํŠน์ดํ•œ ์ฐจ๋ฅผ ํฌํ•จํ•ด์„œ
11:00
Here's a great reflective product.
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๋งŽ์€ ์ข…๋ฅ˜์˜ ์ฐจ๋ฅผ ํƒ€๋ดค์ง€๋งŒ,
11:03
Owners of the Hummer have said, "You know I've owned many cars in my life --
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์ด๋ ‡๊ฒŒ ์ด๋ชฉ์„ ๋„๋Š” ์ฐจ๋Š” ์ฒ˜์Œ์ด์•ผ"
11:07
all sorts of exotic cars,
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๊ทธ๊ฑด ์ฐจ์˜ ์ธ์ƒ์— ๋Œ€ํ•œ ๊ฒƒ์ด์ง€
11:09
but never have I had a car that attracted so much attention."
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์ฐจ ์ž์ฒด์— ๋Œ€ํ•œ ๊ฒƒ์€ ์•„๋‹™๋‹ˆ๋‹ค
๋งŒ์•ฝ์— ๋” ๊ธ์ •์ ์ธ ๋Š๋‚Œ์„ ์›ํ•˜์‹ ๋‹ค๋ฉด,
11:13
It's about attention. It's about their image,
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์—ฌ๊ธฐ GM(General Motors)์—์„œ ๋งŒ๋“  ์ฐจ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
์ด ์ฐจ๋ฅผ ์‚ฌ๋Š” ๋ถ„์€ ์•„๋งˆ ํ™˜๊ฒฝ์„ ์—ผ๋ คํ•˜๋Š” ๋ถ„์ด์‹ค ๊ฒ๋‹ˆ๋‹ค.
๊ทธ๋ฆฌ๊ณ  ๊ทธ ์ฐจ๊ฐ€ ์ฒ˜์Œ ๋ช‡ ๋…„์€ ๊ฐ€๊ฒฉ์ด ๋งค์šฐ ๋น„์‹ธ๊ณ ,
11:18
not about the car.
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์™„๋ฒฝํ•˜์ง€ ์•Š์Œ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ  ํ™˜๊ฒฝ์„ ์ง€ํ‚ค๊ธฐ ์œ„ํ•ด์„œ
11:20
If you want a more positive model --
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11:22
this is the GM car.
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์ € ์ฐจ๋ฅผ ๊ตฌ๋งคํ•˜๋Š” ๋ถ„๋“ค์ด ์žˆ๊ฒ ์ฃ .
11:24
And the reason you might buy it now is because you care about the environment.
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๊ทธ๋Ÿฐ ๊ฒƒ ์—ญ์‹œ ๋ฐ˜์˜์ ์ธ ๋””์ž์ธ๋•Œ๋ฌธ์ด๋ผ๊ณ  ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
11:26
And you'll buy it to protect the environment,
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๋˜๋Š” ์—ฌ๋Ÿฌ๋ถ„์€ ๋‹ค๋ฅธ ์‚ฌ๋žŒ์—๊ฒŒ ๋ฝ๋‚ด๊ธฐ ์œ„ํ•ด์„œ ๋น„์‹ผ ์‹œ๊ณ„๋ฅผ ์ฐจ๊ฒ ์ฃ 
11:28
even though the first few cars are going to be really expensive
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์‚ฌ๋žŒ๋“ค์€ "์˜ค... ๊ทธ๋Ÿฐ ๋ฉ‹์ง„ ์‹œ๊ณ„๋ฅผ ๊ฐ–๊ณ  ๊ณ„์‹  ์ค„ ๋ชฐ๋ž๋„ค์š”" ๋ผ๊ณ  ํ•˜๊ฒ ์ฃ 
11:31
and not perfected.
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์ด๊ฑฐ๋ž‘์€ ์ • ๋ฐ˜๋Œ€๋กœ ๋ง์ด์—์š”
11:33
But that's reflective design as well.
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์ด๊ฑด ์™„์ „ํžˆ ํ–‰๋™์ ์ธ ์ˆ˜์ค€์˜ ์‹œ๊ณ„์ฃ 
11:35
Or an expensive watch, so you can impress people --
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์•„๋งˆ ์ข€์ „์— ์ œ๊ฐ€ ๋ณด์—ฌ๋“œ๋ฆฐ ๋งŒ ์‚ผ์ฒœ๋ถˆ์งœ๋ฆฌ ์‹œ๊ณ„๋ณด๋‹ค ์‹œ๊ฐ„์€ ๋” ์ž˜ ๋งž์„ ๊ฒ๋‹ˆ๋‹ค
11:37
"Oh gee, I didn't know you had that watch."
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ํ•˜์ง€๋งŒ ๋ชป ์ƒ๊ฒผ์ฃ 
11:40
As opposed to this one,
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๋ถ„๋ช…ํžˆ Don Norman ์‹œ๊ณ„์—์š”.
11:42
which is a pure behavioral watch,
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์žฌ๋ฏธ์žˆ๋Š” ๊ฑด, ๊ฐ€๋” ํ•˜๋‚˜์˜ ๊ฐ์ •์ด ๋‹ค๋ฅธ ์ข…๋ฅ˜์˜ ๊ฐ์ •์„ ์–ต์ œํ•œ๋‹ค๋Š” ๊ฑฐ์—์š”
11:44
which probably keeps better time than the $13,000 watch I just showed you.
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๋–จ์–ด์ง€๋Š” ๊ฒƒ์— ๋Œ€ํ•œ ๋ณธ๋Šฅ์ ์ธ ๋‘๋ ค์›€์„
11:47
But it's ugly.
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๋ฐ˜์˜์ ์ธ ๊ฐ์ •์ด "๊ดœ์ฐฎ์•„.. ๊ดœ์ฐฎ์•„, ์•ˆ์ „ํ•ด, ์•ˆ์ „ํ•ด" ๋ผ๊ณ  ํ•˜๋Š” ๊ฑฐ์ฃ 
11:49
This is a clear Don Norman watch.
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11:51
And what's neat is sometimes you pit one emotion against the other,
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๋งŒ์•ฝ์— ๊ทธ ๋†€์ด๊ณต์›์ด ๋‚ก๊ณ  ๋…น์Šจ ๊ณณ์ด๋ผ๋ฉด, ์•„์˜ˆ ์ €๋Ÿฐ ๋†€์ด๊ธฐ๊ตฌ๋Š” ํƒ€์ง€๋„ ์•Š๊ฒ ์ฃ 
11:54
the visceral fear of falling
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11:57
against the reflective state saying, "It's OK. It's OK. It's safe. It's safe."
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๊ทธ๋Ÿฐ ๊ฒƒ์ด ๊ฐ์ • ์–ต์ œ์˜ ์˜ˆ์ž…๋‹ˆ๋‹ค
๋˜ ํ•˜๋‚˜์˜ ์žฌ๋ฏธ์žˆ๋Š” ์ œํ’ˆ์€....
12:02
If that amusement park were rusty and falling apart, you'd never go on the ride.
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(์›ƒ์Œ)
12:06
So, it's pitting one against the other.
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Jake Cress ๋Š” ๊ฐ€๊ตฌ ์ œ์ž‘์ž์ž…๋‹ˆ๋‹ค
๊ทธ๋Š” ์ด ๋ฏฟ๊ธฐ ์–ด๋ ค์šธ๋งŒํผ ๋ฉ‹์ง„ ๊ฐ€๊ตฌ๋“ค์„ ๋งŒ๋“ค์ฃ .
12:12
The other neat thing ...
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์ด๊ฒƒ์ด ๊ทธ๊ฐ€ ๋งŒ๋“  "์†์ด ๋‹ฌ๋ฆฐ ์˜์ž"์ž…๋‹ˆ๋‹ค
12:15
(Laughter)
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์ € ๋ถˆ์Œํ•œ ์˜์ž๋Š” ์žก๊ณ  ์žˆ๋˜ ๊ตฌ์Šฌํ•˜๋‚˜๋ฅผ ๋†“์ณค์ฃ 
๊ทธ๋ž˜์„œ ๋ˆ„๊ฐ€ ์•Œ์•„์ฐจ๋ฆฌ๊ธฐ ์ „์— ์žฝ์‹ธ๊ฒŒ ๋‹ค์‹œ ์ฃผ์œผ๋ ค ํ•˜๋„ค์š”
12:19
So Jake Cress is this furniture maker,
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12:22
and he makes this unbelievable set of furniture.
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์ธ์ƒ์ ์ธ ๊ฒƒ์€, ์—ฌ๋Ÿฌ๋ถ„์ด ๊ทธ ์ด์•ผ๊ธฐ๋ฅผ ๋“ฃ๊ณ  ์ˆ˜๊ธํ•˜๊ณ  ์žˆ๋‹ค๋Š” ๊ฑฐ์ฃ .
12:25
And this is his chair with claw,
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์ด ๊ฐ์„ฑ์˜ ๋ฉ‹์ง„ ๋ถ€๋ถ„์ž…๋‹ˆ๋‹ค
12:27
and the poor little chair has lost its ball
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๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฐ ๊ฒƒ์ด ์ƒˆ๋กœ์šด ์ €์ž…๋‹ˆ๋‹ค.
12:30
and it's trying to get it back before anybody notices.
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์ €๋Š” ์ด์ œ ์•ž์œผ๋กœ ๊ธ์ •์ ์ธ ๊ฒƒ๋งŒ ๋งํ•˜๋ฉฐ ์‚ด๋ ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค
(์›ƒ์Œ)
12:34
And what's so neat about it is how you accept that story.
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(๋ฐ•์ˆ˜)
12:38
And that's what's nice about emotion.
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12:41
So that's the new me.
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12:43
I'm only saying positive things from now on.
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12:45
(Laughter)
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12:46
(Applause)
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์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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