John Bohannon: Dance vs. powerpoint, a modest proposal

11,306 views ใƒป 2015-07-15

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Keewoo Lee ๊ฒ€ํ† : Lenn Kim
00:15
(Music)
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(์Œ์•…)
00:37
Good afternoon.
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์•ˆ๋…•ํ•˜์„ธ์š”?
00:39
As you're all aware, we face difficult economic times.
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๋ชจ๋‘๋“ค ์•Œ๊ณ  ๊ณ„์‹œ๋‹ค์‹œํ”ผ, ์šฐ๋ฆฌ๋Š” ์–ด๋ ค์šด ๊ฒฝ์ œ ์œ„๊ธฐ์— ์ฒ˜ํ•ด์žˆ์Šต๋‹ˆ๋‹ค.
00:43
I come to you with a modest proposal
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์ œ๊ฐ€ ์—ฌ๊ธฐ ์˜จ ์ด์œ ๋Š” ๊ฒฝ์ œ์  ๋ถ€๋‹ด์„ ๋œ๊ธฐ ์œ„ํ•œ
00:46
for easing the financial burden.
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์กฐ๊ทธ๋งŒ ์ œ์•ˆ์„ ํ•˜๊ธฐ ์œ„ํ•ด์„œ ์ž…๋‹ˆ๋‹ค.
00:48
This idea came to me while talking to
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์ด ์•„์ด๋””์–ด๋Š” ์–ด๋Š ๋‚  MIT์—์„œ ๋ฌผ๋ฆฌํ•™์ž ์นœ๊ตฌ์™€
00:50
a physicist friend of mine at MIT.
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์ด์•ผ๊ธฐ๋ฅผ ํ•˜๋˜ ์ค‘์— ์‹œ์ž‘๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
00:53
He was struggling to explain something to me:
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๊ทธ๋Š” ์ €์—๊ฒŒ ๋ญ”๊ฐ€๋ฅผ ์„ค๋ช…ํ•˜๋ ค๊ณ  ์• ์“ฐ๊ณ  ์žˆ์—ˆ๋Š”๋ฐ์š”,
00:56
a beautiful experiment that uses lasers to cool down matter.
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๋ ˆ์ด์ €๋ฅผ ์ด์šฉํ•ด ๋ฌผ์ฒด์˜ ์˜จ๋„๋ฅผ ๋‚ฎ์ถ”๋Š” ๋†€๋ผ์šด ์‹คํ—˜์— ๊ด€ํ•œ ๊ฒƒ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
01:00
Now he confused me from the very start,
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๊ทธ ์นœ๊ตฌ๋Š” ์ฒซ ๋ถ€๋ถ„๋ถ€ํ„ฐ ์ €๋ฅผ ํ—ท๊ฐˆ๋ฆฌ๊ฒŒ ํ–ˆ์Šต๋‹ˆ๋‹ค.
01:02
because light doesn't cool things down.
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๋น›์€ ๋ฌผ์ฒด์˜ ์˜จ๋„๋ฅผ ๋‚ฎ์ถ”์ง€ ๋ชปํ•˜๊ฑฐ๋“ ์š”.
01:04
It makes it hotter. It's happening right now.
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๋ฌผ์ฒด๋ฅผ ๋œจ๊ฒ๊ฒŒ ๋งŒ๋“ค์ง€์š”. ์ง€๊ธˆ ์—ฌ๊ธฐ์„œ๋„ ์ผ์–ด๋‚˜๊ณ  ์žˆ๋Š” ๊ฒƒ์ฒ˜๋Ÿผ์š”.
01:08
The reason that you can see me standing here is because
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์ œ๊ฐ€ ์—ฌ๊ธฐ์— ์„œ ์žˆ๋Š” ๊ฒƒ์„ ์—ฌ๋Ÿฌ๋ถ„์ด ๋ณด์‹ค ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€
01:10
this room is filled with more than 100 quintillion photons,
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์ด ๊ณต๊ฐ„์ด 1๋งŒ๊ฒฝ๊ฐœ๊ฐ€ ๋„˜๋Š” ๊ด‘์ž๋“ค๋กœ ๊ฐ€๋“ ์ฑ„์›Œ์ ธ์žˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
01:14
and they're moving randomly through the space, near the speed of light.
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๊ทธ๋ฆฌ๊ณ  ์ด ๊ด‘์ž๋“ค์€ ๊ฑฐ์˜ ๋น›์˜ ์†๋„๋กœ ๊ณต๊ฐ„์•ˆ์—์„œ ๋ฌด์ž‘์œ„๋กœ ์›€์ง์ด๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
01:18
All of them are different colors,
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๋ชจ๋“  ๊ด‘์ž๋“ค์€ ๊ฐ๊ธฐ ๋‹ค๋ฅธ ์ƒ‰๊น”์„ ์ง€๋‹ˆ๊ณ  ์žˆ๊ณ ,
01:19
they're rippling with different frequencies,
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์„œ๋กœ ๋‹ค๋ฅธ ์ฃผํŒŒ์ˆ˜๋ฅผ ๊ฐ–๊ณ  ์›€์ง์ด๋ฉฐ
01:21
and they're bouncing off every surface, including me,
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์ €๋ฅผ ํฌํ•จํ•œ ๋ชจ๋“  ํ‘œ๋ฉด์— ๋ฐ˜์‚ฌ๋˜์–ด
01:24
and some of those are flying directly into your eyes,
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๊ทธ ์ค‘ ์ผ๋ถ€๋Š” ์—ฌ๋Ÿฌ๋ถ„์˜ ๋ˆˆ์œผ๋กœ ๊ณง์žฅ ๋‚ ์•„๊ฐ€์ง€์š”.
01:26
and that's why your brain is forming an image of me standing here.
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๊ทธ๋ž˜์„œ ์—ฌ๋Ÿฌ๋ถ„์˜ ๋‡Œ๊ฐ€ ์—ฌ๊ธฐ ์„œ์žˆ๋Š” ์ €์˜ ํ˜•ํƒœ๋ฅผ ์ธ์‹ํ•  ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
01:30
Now a laser is different.
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ํ•˜์ง€๋งŒ ๋ ˆ์ด์ €๋Š” ๋‹ค๋ฆ…๋‹ˆ๋‹ค.
01:31
It also uses photons, but they're all synchronized,
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๋ ˆ์ด์ €๋„ ๊ด‘์ž๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์ง€๋งŒ, ๋ชจ๋‘ ๋™์‹œ์— ์›€์ง์ž…๋‹ˆ๋‹ค.
01:35
and if you focus them into a beam,
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋“ค์„ ํ•˜๋‚˜์˜ ๋น›์ค„๊ธฐ๋กœ ์ง‘์ค‘์‹œํ‚ค๋ฉด
01:38
what you have is an incredibly useful tool.
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๋ ˆ์ด์ €๋Š” ์•„์ฃผ ์œ ์šฉํ•œ ๋„๊ตฌ๊ฐ€ ๋ฉ๋‹ˆ๋‹ค.
01:40
The control of a laser is so precise
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๋ ˆ์ด์ € ๊ธฐ๊ธฐ๋Š” ์•„์ฃผ ์ •๋ฐ€ํ•˜๊ธฐ ๋•Œ๋ฌธ์—
01:43
that you can perform surgery inside of an eye,
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๋ˆˆ์˜ ๋‚ด๋ถ€๋ฅผ ์ˆ˜์ˆ ํ•˜๋Š”๋ฐ ์‚ฌ์šฉํ•  ์ˆ˜ ์žˆ๊ณ 
01:45
you can use it to store massive amounts of data,
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๋˜ ์—„์ฒญ๋‚œ ์–‘์˜ ๋ฐ์ดํ„ฐ๋ฅผ ์ €์žฅํ•˜๋Š”๋ฐ ์‚ฌ์šฉํ•  ์ˆ˜ ์žˆ์œผ๋ฉฐ
01:48
and you can use it for this beautiful experiment
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์ œ ์นœ๊ตฌ๊ฐ€ ์„ค๋ช…ํ•˜๋Š”๋ฐ ์–ด๋ ค์›€์„ ๊ฒช์—ˆ๋˜
01:50
that my friend was struggling to explain.
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๊ทธ ๋†€๋ผ์šด ์‹คํ—˜์— ์‚ฌ์šฉ๋  ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
01:53
First you trap atoms in a special bottle.
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๋จผ์ € ์›์ž๋“ค์„ ํŠน์ˆ˜ํ•œ ๋ณ‘ ์†์— ๊ฐ€๋‘ฌ๋†“์Šต๋‹ˆ๋‹ค.
01:56
It uses electromagnetic fields to isolate the atoms
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์ด๊ฒƒ์€ ์ „์ž๊ธฐ์žฅ์„ ์ด์šฉํ•˜์—ฌ ์›์ž๋“ค์„
01:59
from the noise of the environment.
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๋‹ค๋ฅธ ๋ฐฉํ•ด ๋ฌผ์งˆ๋กœ๋ถ€ํ„ฐ ๊ฒฉ๋ฆฌ์‹œํ‚ต๋‹ˆ๋‹ค.
02:01
And the atoms themselves are quite violent,
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์›์ž๋Š” ํ˜ผ์ž์„œ ๋ฏธ์นœ๋“ฏ์ด ์›€์ง์ด์ฃ .
02:04
but if you fire lasers that are precisely tuned to the right frequency,
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ํ•˜์ง€๋งŒ ์•Œ๋งž์€ ์ฃผํŒŒ์ˆ˜์— ์ •ํ™•ํžˆ ๋งž์ถฐ์ง„ ๋ ˆ์ด์ €๋ฅผ ์˜๋ฉด
02:08
an atom will briefly absorb those photons
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์›์ž๋Š” ๊ด‘์ž๋ฅผ ๋ฐ”๋กœ ํก์ˆ˜ํ•ด์„œ
02:10
and tend to slow down.
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์ ์  ๋Š๋ฆฌ๊ฒŒ ์›€์ง์ž…๋‹ˆ๋‹ค.
02:12
Little by little it gets colder
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๊ทธ๋ฆฌ๊ณ  ์กฐ๊ธˆ์”ฉ ์กฐ๊ธˆ์”ฉ ์˜จ๋„๊ฐ€ ๋‚ด๋ ค๊ฐ‘๋‹ˆ๋‹ค.
02:15
until eventually it approaches absolute zero.
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์ ˆ๋Œ€ 0๋„์— ๋„๋‹ฌํ•  ๋•Œ๊นŒ์ง€์š”.
02:20
Now if you use the right kind of atoms and you get them cold enough,
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๋งŒ์•ฝ ์—ฌ๋Ÿฌ๋ถ„์ด ์•Œ๋งž์€ ์ข…๋ฅ˜์˜ ์›์ž๋ฅผ ์‚ฌ์šฉํ•˜์—ฌ, ์ด๋“ค์„ ์ถฉ๋ถ„ํžˆ ์ฐจ๊ฐ‘๊ฒŒ ๋งŒ๋“ค๋ฉด
02:23
something truly bizarre happens.
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๋ญ”๊ฐ€ ์ด์ƒํ•œ ํ˜„์ƒ์ด ๋ฐœ์ƒํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
02:27
It's no longer a solid, a liquid or a gas.
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์ด ์›์ž๋Š” ๋”์ด์ƒ ๊ณ ์ฒด๋„, ์•ก์ฒด๋„, ๊ธฐ์ฒด๋„ ์•„๋‹™๋‹ˆ๋‹ค.
02:30
It enters a new state of matter called a superfluid.
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'์ดˆ์œ ๋™์ฒด'๋ผ๋Š” ์ƒˆ๋กœ์šด ๋ฌผ์งˆ ์ƒํƒœ์— ์ ‘์–ด๋“ค๊ฒŒ ๋˜์ฃ .
02:34
The atoms lose their individual identity,
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๊ทธ๋Ÿฌ๋ฉด ์›์ž๋Š” ๋ณธ๋ž˜์˜ ์„ฑ์งˆ์„ ์žƒ์–ด๋ฒ„๋ฆฌ๊ฒŒ ๋˜๊ณ ,
02:36
and the rules from the quantum world take over,
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์–‘์ž ์„ธ๊ณ„์˜ ๋ฒ•์น™์ด ์ง€๋ฐฐํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
02:39
and that's what gives superfluids such spooky properties.
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๊ทธ๋ฆฌ๊ณ  ์ด๋กœ ์ธํ•ด ์ดˆ์œ ๋™์ฒด๋Š” ๊ธฐ๊ดดํ•œ ํŠน์ง•์„ ๊ฐ–๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
02:43
For example, if you shine light through a superfluid,
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์˜ˆ๋ฅผ ๋“ค์–ด, ๋งŒ์•ฝ ์ดˆ์œ ๋™์ฒด์— ๋น›์„ ํˆฌ๊ณผ์‹œํ‚ค๋ฉด
02:46
it is able to slow photons down
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์ดˆ์œ ๋™์ฒด๊ฐ€ ๊ด‘์ž์˜ ์†๋„๋ฅผ ๋Š๋ฆฌ๊ฒŒ ๋งŒ๋“ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
02:49
to 60 kilometers per hour.
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์‹œ๊ฐ„๋‹น 60km ๊นŒ์ง€ ๋ง์ด์ฃ .
02:59
Another spooky property is that it flows
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๋˜ ํ•œ๊ฐ€์ง€ ์ดˆ์œ ๋™์ฒด์˜ ์ด์ƒํ•œ ์„ฑ์งˆ์€
03:02
with absolutely no viscosity or friction,
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๊ทธ ์–ด๋–ค ์ ์„ฑ์ด๋‚˜ ๋งˆ์ฐฐ๋ ฅ๋„ ์—†์ด ๊ทธ๋ƒฅ ๋– ๋‹ค๋‹™๋‹ˆ๋‹ค.
03:05
so if you were to take the lid off that bottle,
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๊ทธ๋ž˜์„œ ๋งŒ์•ฝ ์—ฌ๋Ÿฌ๋ถ„์ด ๋ณ‘๋šœ๊ป‘์„ ์—ด๋ฉด
03:07
it won't stay inside.
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๊ทธ ์•ˆ์— ๊ฐ€๋งŒํžˆ ์žˆ์ง€ ์•Š์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:09
A thin film will creep up the inside wall,
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์–‡์€ ๋ง‰์ด ๋ณ‘ ์•ˆ์˜ ๋ฒฝ์„ ํƒ€๊ณ 
03:12
flow over the top and right out the outside.
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์œ„๋กœ ์˜ฌ๋ผ์™€ ๋ณ‘ ๋ฐ–์œผ๋กœ ํ˜๋Ÿฌ๋‚ด๋ฆฝ๋‹ˆ๋‹ค.
03:16
Now of course, the moment that it does hit the outside environment,
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ํ•˜์ง€๋งŒ ๋‹น์—ฐํžˆ ๋ฐ”๊นฅ ํ™˜๊ฒฝ์— ๋…ธ์ถœ๋˜๋Š” ๋ฐ”๋กœ ๊ทธ ์ˆœ๊ฐ„์—
03:19
and its temperature rises by even a fraction of a degree,
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์•„์ฃผ ์•ฝ๊ฐ„์˜ ์˜จ๋„๊ฐ€ ์ƒ์Šนํ•˜๊ณ 
03:23
it immediately turns back into normal matter.
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๊ณง๋ฐ”๋กœ ๋ณดํ†ต์˜ ๋ฌผ์งˆ๋กœ ๋˜๋Œ์•„ ๊ฐ‘๋‹ˆ๋‹ค.
03:25
Superfluids are one of the most fragile things we've ever discovered.
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์ดˆ์œ ๋™์ฒด๋Š” ์ง€๊ธˆ๊ป ์šฐ๋ฆฌ๊ฐ€ ๋ฐœ๊ฒฌํ•œ ๋ฌผ์งˆ ์ค‘ ๊ฐ€์žฅ ์„ฌ์„ธํ•œ ๋ฌผ์งˆ์ž…๋‹ˆ๋‹ค.
03:28
And this is the great pleasure of science:
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๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฐ๊ฒŒ ๋ฐ”๋กœ ๊ณผํ•™์˜ ํฐ ์žฌ๋ฏธ์—์š”.
03:31
the defeat of our intuition through experimentation.
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์ง๊ด€์ด ์‹คํ—˜์„ ํ†ตํ•ด ํ‹€๋ฆฌ๊ฒŒ ๋ฐํ˜€์ง€๋Š” ๊ฒƒ ๋ง์ž…๋‹ˆ๋‹ค.
03:35
But the experiment is not the end of the story,
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ํ•˜์ง€๋งŒ ์‹คํ—˜ ์ž์ฒด๊ฐ€ ์ „๋ถ€๋Š” ์•„๋‹ˆ์—์š”.
03:37
because you still have to transmit that knowledge to other people.
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์™œ๋ƒํ•˜๋ฉด ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์—๊ฒŒ๋„ ์ด ์‚ฌ์‹ค์„ ์ „๋‹ฌํ•  ์ˆ˜ ์žˆ์–ด์•ผ๋งŒ ํ•˜๋‹ˆ๊นŒ์š”.
03:40
I have a Ph.D in molecular biology.
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์ €๋Š” ๋ถ„์ž์ƒ๋ฌผํ•™ ๋ฐ•์‚ฌ์ž…๋‹ˆ๋‹ค.
03:43
I still barely understand what most scientists are talking about.
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๊ทธ๋Ÿผ์—๋„ ๋‹ค๋ฅธ ๊ณผํ•™์ž๋“ค์ด ๋ฌด์—‡์„ ์„ค๋ช…ํ•˜๋Š”์ง€ ๊ฒจ์šฐ ์•Œ์•„๋“ฃ์Šต๋‹ˆ๋‹ค.
03:46
So as my friend was trying to explain that experiment,
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๊ทธ๋ž˜์„œ ์ œ ์นœ๊ตฌ๊ฐ€ ๊ทธ ์‹คํ—˜์— ๋Œ€ํ•ด์„œ ์„ค๋ช…ํ•  ๋•Œ๋„,
03:49
it seemed like the more he said,
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๊ทธ๊ฐ€ ๋” ์ž์„ธํžˆ ์„ค๋ช…ํ•˜๋ฉด ํ• ์ˆ˜๋ก
03:52
the less I understood.
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์ดํ•ดํ•˜๊ธฐ๊ฐ€ ๋” ์–ด๋ ค์› ๋˜ ๊ฑฐ์ฃ .
03:55
Because if you're trying to give someone the big picture
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์™œ๋ƒํ•˜๋ฉด ์•„์ฃผ ๋ณต์žกํ•œ ๊ฐœ๋…์— ๋Œ€ํ•œ
03:57
of a complex idea, to really capture its essence,
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ํฐ ํ‹€์„ ์„ค๋ช…ํ•˜๋ ค ํ•  ๋•Œ, ์ •๋ง ์ค‘์š”ํ•œ ๋ถ€๋ถ„์„ ์„ค๋ช…ํ•˜๊ธฐ ์œ„ํ•ด์„ 
04:02
the fewer words you use, the better.
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๋‹จ์–ด๋ฅผ ์ ๊ฒŒ ์‚ฌ์šฉํ• ์ˆ˜๋ก ๋” ์ „๋‹ฌํ•˜๊ธฐ ์‰ฝ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
04:05
In fact, the ideal may be to use no words at all.
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์‚ฌ์‹ค, ๋‹จ์–ด๋ฅผ ์•„์˜ˆ ์‚ฌ์šฉํ•˜์ง€ ์•Š๋Š”๊ฒŒ ๊ฐ€์žฅ ์ด์ƒ์ ์ผ์ˆ˜๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
04:08
I remember thinking, my friend could have explained
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์ €๋Š”, ์ œ ์นœ๊ตฌ๊ฐ€ ์‹คํ—˜ ์ „์ฒด๋ฅผ
04:10
that entire experiment with a dance.
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์ถค์œผ๋กœ ์„ค๋ช…ํ• ์ˆ˜๋„ ์žˆ์ง€ ์•Š์•˜์„๊นŒ ์ƒ๊ฐํ•ด ๋ณด๊ธฐ๋„ ํ–ˆ์Šต๋‹ˆ๋‹ค.
04:13
Of course, there never seem to be any dancers around when you need them.
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๋ฌผ๋ก , ํ•ญ์ƒ ํ•„์š”ํ• ๋• ์šฐ๋ฆฌ ์ฃผ์œ„์— ๋Œ„์„œ๊ฐ€ ์•„๋ฌด๋„ ์—†์ฃ .
04:17
Now, the idea is not as crazy as it sounds.
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๊ทธ๋Ÿฐ๋ฐ, ์ด๊ฒŒ ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ ๋งŒํผ ์ด์ƒํ•œ ์•„์ด๋””์–ด๋Š” ์•„๋‹™๋‹ˆ๋‹ค.
04:19
I started a contest four years ago called Dance Your Ph.D.
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์ €๋Š” 4๋…„ ์ „๋ถ€ํ„ฐ 'Dance Your Ph.D(๋‹น์‹ ์˜ ๋ฐ•์‚ฌํ•™์œ„๋ฅผ ์ถค์ถฐ๋ณด์„ธ์š”)' ๋ผ๋Š” ์ฝ˜ํ…Œ์ŠคํŠธ๋ฅผ ์—ด์—ˆ์Šต๋‹ˆ๋‹ค.
04:23
Instead of explaining their research with words,
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๊ณผํ•™์ž๋“ค์ด ์ž์‹ ์ด ์—ฐ๊ตฌํ•œ ๊ฒƒ์„ ๋‹จ์–ด๋กœ ์„ค๋ช…ํ•˜๋Š” ๋Œ€์‹ ์—
04:25
scientists have to explain it with dance.
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์ถค์œผ๋กœ ์„ค๋ช…ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:28
Now surprisingly, it seems to work.
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๊ทธ๋Ÿฐ๋ฐ ๋†€๋ž๊ฒŒ๋„, ํšจ๊ณผ๊ฐ€ ์žˆ๋Š” ๋“ฏ ํ•˜๋”๊ตฐ์š”.
04:31
Dance really can make science easier to understand.
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์ •๋ง๋กœ ์ถค์€ ๊ณผํ•™์„ ์ดํ•ดํ•˜๊ธฐ ์‰ฝ๊ฒŒ ํ•ด์ค„์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:34
But don't take my word for it.
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ํ•˜์ง€๋งŒ ์ œ ๋ง๋งŒ ๋“ฃ๊ณ  ๋ฏฟ์–ด๋ฒ„๋ฆฌ์ง€ ๋งˆ์‹œ๊ณ 
04:36
Go on the Internet and search for "Dance Your Ph.D."
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์ธํ„ฐ๋„ท์—์„œ 'Dance Your Ph.D' ๋ฅผ ๊ฒ€์ƒ‰ํ•ด ๋ณด์„ธ์š”.
04:39
There are hundreds of dancing scientists waiting for you.
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์•„๋งˆ ๋ฐฑ์—ฌ๋ช…์˜ ์ถค์ถ”๋Š” ๊ณผํ•™์ž๋“ค์ด ์—ฌ๋Ÿฌ๋ถ„๋“ค์„ ๊ธฐ๋‹ค๋ฆฌ๊ณ  ์žˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:42
The most surprising thing that I've learned while running this contest
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์ด ์ฝ˜ํ…Œ์ŠคํŠธ๋ฅผ ์—ด๋ฉด์„œ ๋ฐฐ์› ๋˜ ๊ฒƒ ์ค‘์— ๊ฐ€์žฅ ๋†€๋ผ์› ๋˜ ๊ฒƒ์€
04:44
is that some scientists are now working directly with dancers on their research.
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๋ช‡๋ช‡ ๊ณผํ•™์ž๋“ค์ด ์ง€๊ธˆ์€ ์•„์˜ˆ ๋Œ„์„œ๋“ค๊ณผ ํ•จ๊ป˜ ์—ฐ๊ตฌ๋ฅผ ํ•˜๊ณ  ์žˆ๋‹ค๋Š” ๊ฒ๋‹ˆ๋‹ค.
04:49
For example, at the University of Minnesota,
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์˜ˆ๋ฅผ ๋“ค๋ฉด, ๋ฏธ๋„ค์†Œํƒ€ ๋Œ€ํ•™์—
04:51
there's a biomedical engineer named David Odde,
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๋ฐ์ด๋น— ์˜ค๋ฐ(David Odde) ๋ผ๋Š” ์ƒ๋ฌผ์˜๊ณตํ•™์ž๊ฐ€ ์žˆ๋Š”๋ฐ
04:54
and he works with dancers to study how cells move.
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๊ทธ๋Š” ์„ธํฌ๋“ค์ด ์–ด๋–ป๊ฒŒ ์›€์ง์ด๋Š”์ง€๋ฅผ ๋Œ„์„œ๋“ค๊ณผ ํ•จ๊ป˜ ์—ฐ๊ตฌํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
04:57
They do it by changing their shape.
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์„ธํฌ๋“ค์€ ๋ชจ์–‘์„ ๋ฐ”๊พธ๋ฉด์„œ ์›€์ง์ž…๋‹ˆ๋‹ค.
04:59
When a chemical signal washes up on one side,
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ํ™”ํ•™ ์‹ ํ˜ธ๊ฐ€ ํ•œ์ชฝ์„ ํœฉ์“ธ๊ณ  ๊ฐ€๋ฉด์„œ
05:02
it triggers the cell to expand its shape on that side,
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์„ธํฌ์˜ ๋ชจ์–‘์ด ๊ทธ ๋ฐฉํ–ฅ์œผ๋กœ ํ™•์žฅ๋˜๋„๋ก ์œ ๋„ํ•˜๋Š”๋ฐ,
05:05
because the cell is constantly touching and tugging at the environment.
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์™œ๋ƒํ•˜๋ฉด ์„ธํฌ๋Š” ์ฃผ๋ณ€ ํ™˜๊ฒฝ์— ๊ณ„์†ํ•ด์„œ ์ ‘์ด‰ํ•˜๊ณ  ๋Œ์–ด๋‹น๊ธฐ๊ธฐ ๋•Œ๋ฌธ์ด์ด์—์š”.
05:09
So that allows cells to ooze along in the right directions.
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๊ทธ๋ž˜์„œ ์„ธํฌ๋“ค์ด ์˜ฌ๋ฐ”๋ฅธ ๋ฐฉํ–ฅ์„ ํƒ€๊ณ  ํ๋ฅผ ์ˆ˜ ์žˆ๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
05:12
But what seems so slow and graceful from the outside
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ํ•˜์ง€๋งŒ ๊ฒ‰์—์„œ ๋ณด๊ธฐ์—” ์ด๋ ‡๊ฒŒ ๋Š๋ฆฌ๊ณ  ์šฐ์•„ํ•œ ๊ฒƒ ๊ฐ™์ง€๋งŒ,
05:16
is really more like chaos inside,
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์‹ค์ œ๋กœ ๋‚ด๋ถ€๋Š” ๊ฑฐ์˜ ์นด์˜ค์Šค์— ๊ฐ€๊น์Šต๋‹ˆ๋‹ค.
05:19
because cells control their shape with a skeleton of rigid protein fibers,
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์™œ๋ƒํ•˜๋ฉด ์„ธํฌ๋Š” ๋‹จ๋‹จํ•œ ๋‹จ๋ฐฑ์งˆ ์„ฌ์œ ์งˆ์˜ ๋ผˆ๋Œ€๋กœ ๋ชจ์–‘์„ ์กฐ์ ˆํ•˜๋Š”๋ฐ
05:23
and those fibers are constantly falling apart.
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์ด ์„ฌ์œ ์งˆ์ด ๊ณ„์†ํ•ด์„œ ํ—ˆ๋ฌผ์–ด์ง€๊ธฐ ๋•Œ๋ฌธ์ด์ฃ .
05:26
But just as quickly as they explode,
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ํ•˜์ง€๋งŒ ํ—ˆ๋ฌผ์–ด์ง€์ž๋งˆ์ž ๋” ๋งŽ์€ ๋‹จ๋ฐฑ์งˆ์ด
05:29
more proteins attach to the ends and grow them longer,
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์–‘ ๋์— ๋‹ฌ๋ผ๋ถ™์–ด์„œ ๋” ๊ธธ๊ฒŒ ์ž๋ž๋‹ˆ๋‹ค.
05:31
so it's constantly changing
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๊ทธ๋ž˜์„œ ๊ณ„์†ํ•ด์„œ ๋ณ€ํ™”ํ•˜๋Š” ๊ฑฐ์ฃ .
05:33
just to remain exactly the same.
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๊ทธ์ € ๋˜‘๊ฐ™์€ ์ƒํƒœ๋ฅผ ์œ ์ง€ํ•˜๊ธฐ ์œ„ํ•ด์„œ์š”.
05:36
Now, David builds mathematical models of this and then he tests those in the lab,
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๋ฐ์ด๋น—์€ ์ง€๊ธˆ ์ด ๊ณผ์ •์˜ ์ˆ˜ํ•™์  ๋ชจ๋ธ์„ ์„ธ์›Œ ์‹คํ—˜ํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
05:39
but before he does that, he works with dancers
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ํ•˜์ง€๋งŒ ๊ทธ ์ „์—, ๋Œ„์„œ๋“ค๊ณผ ํ•จ๊ป˜
05:42
to figure out what kinds of models to build in the first place.
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์–ด๋–ค ์ข…๋ฅ˜์˜ ๋ชจ๋ธ์„ ์„ธ์›Œ์•ผ ํ• ์ง€๋ถ€ํ„ฐ ์—ฐ๊ตฌํ•ฉ๋‹ˆ๋‹ค.
05:46
It's basically efficient brainstorming,
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๊ธฐ๋ณธ์ ์œผ๋กœ ํšจ๊ณผ์ ์ธ ๋ธŒ๋ ˆ์ธ์Šคํ† ๋ฐ์ด ๋˜๊ธฐ๋„ ํ•˜๊ณ ,
05:49
and when I visited David to learn about his research,
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์ œ๊ฐ€ ๋ฐ์ด๋น—์˜ ์—ฐ๊ตฌ๋ฅผ ๋ฐฐ์šฐ๋Ÿฌ ์ฐพ์•„๊ฐ”์„ ๋•Œ
05:51
he used dancers to explain it to me
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๊ทธ๋Š” ๋Œ„์„œ๋“ค์„ ์ด์šฉํ•ด ์—ฐ๊ตฌ์— ๋Œ€ํ•ด ์„ค๋ช…ํ•ด์คฌ์Šต๋‹ˆ๋‹ค.
05:55
rather than the usual method: PowerPoint.
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ํŒŒ์›Œํฌ์ธํŠธ์™€ ๊ฐ™์€ ํ‰๋ฒ”ํ•œ ๋ฐฉ๋ฒ•์„ ์‚ฌ์šฉํ•˜๋Š” ๋Œ€์‹ ์—์š”.
05:59
And this brings me to my modest proposal.
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๊ทธ๋ž˜์„œ ์ด๊ฒƒ์ด ์ œ๊ฒŒ ์กฐ๊ทธ๋งŒ ์ œ์•ˆ์„ ๋– ์˜ฌ๋ฆฌ๊ฒŒ ํ–ˆ์Šต๋‹ˆ๋‹ค.
06:01
I think that bad PowerPoint presentations
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์ €๋Š” ๋‚˜์œ ํŒŒ์›Œํฌ์ธํŠธ ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์ด
06:04
are a serious threat to the global economy.
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์„ธ๊ณ„ ๊ฒฝ์ œ๋ฅผ ์‹ฌ๊ฐํ•˜๊ฒŒ ์œ„ํ˜‘ํ•œ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
06:07
(Laughter) (Applause)
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(์›ƒ์Œ) (๋ฐ•์ˆ˜)
06:15
Now it does depend on how you measure it, of course,
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๋ฌผ๋ก  ์—ฌ๋Ÿฌ๋ถ„๋“ค์ด ์–ด๋–ป๊ฒŒ ์ธก์ •ํ•˜๋Š๋ƒ์— ๋”ฐ๋ผ ๋‹ค๋ฅด์ง€๋งŒ
06:20
but one estimate has put the drain at 250 million dollars per day.
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ํ•œ ์กฐ์‚ฌ์— ๋”ฐ๋ฅด๋ฉด ํ•˜๋ฃจ์— 3์ฒœ์–ต์›์„ ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์— ์Ÿ์•„๋ถ“๋Š”๋‹ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.
06:25
Now that assumes half-hour presentations
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ํ‰๊ท ์ ์œผ๋กœ ์—ฐ๋ด‰ 3,500๋งŒ์›์ธ 4๋ช…์„ ์ƒ๋Œ€๋กœ
06:27
for an average audience of four people
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30๋ถ„์งœ๋ฆฌ ํ”„๋ ˆ์  ํ…Œ์ด์…˜์„ ํ•œ๋‹ค๊ณ 
06:29
with salaries of 35,000 dollars,
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๊ฐ€์ •ํ•˜๋ฉด
06:31
and it conservatively assumes that
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๋ณด์ˆ˜์ ์œผ๋กœ ๋ด๋„ 4๋ถ„์˜ 1์ •๋„์˜ ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์€
06:33
about a quarter of the presentations are a complete waste of time,
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์™„์ „ํžˆ ์‹œ๊ฐ„ ๋‚ญ๋น„๋ผ๋Š” ๊ฒƒ์„ ์ถ”์ •ํ•  ์ˆ˜ ์žˆ์ฃ .
06:37
and given that there are some apparently
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๊ทธ๋ฆฌ๊ณ  ๋Œ€๋žต์ ์œผ๋กœ ํ•˜๋ฃจ์— 3์ฒœ๋งŒ๊ฐœ์˜
06:40
30 million PowerPoint presentations created every day,
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ํŒŒ์›Œํฌ์ธํŠธ ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์ด ๋งŒ๋“ค์–ด์ง„๋‹ค๋Š” ์ ์„ ๊ณ ๋ คํ•˜๋ฉด
06:43
that would indeed add up to an annual waste
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์ด๊ฒƒ์€ ์—ฐ๊ฐ„ 1์กฐ์›์˜ ๋‚ญ๋น„๋ฅผ
06:46
of 100 billion dollars.
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๋œปํ•ฉ๋‹ˆ๋‹ค.
06:49
Of course, that's just the time we're losing
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๋ฌผ๋ก , ํ”„๋ฆฌ์  ํ…Œ์ด์…˜์„ ๋ณด๋Š” ๋ฐ ์žƒ๋Š”
06:51
sitting through presentations.
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์‹œ๊ฐ„๋งŒ ๊ณ ๋ คํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:53
There are other costs, because PowerPoint is a tool,
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๋‹ค๋ฅธ ๋น„์šฉ๋„ ์žˆ๋Š”๋ฐ์š”, ํŒŒ์›Œํฌ์ธํŠธ๊ฐ€ ๋„๊ตฌ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
06:58
and like any tool, it can and will be abused.
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๋‹ค๋ฅธ ๋„๊ตฌ๋“ค ์ฒ˜๋Ÿผ ํŒŒ์›Œํฌ์ธํŠธ๋„ ๋‚จ์šฉ๋  ์ˆ˜ ์žˆ๊ณ , ๋˜ ๊ทธ๋ ‡๊ฒŒ ๋  ๊ฒ๋‹ˆ๋‹ค.
07:01
To borrow a concept from my country's CIA,
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๋ฏธ๊ตญ์˜ CIA ๊ฐœ๋…์„ ๋นŒ๋ ค๋ณด์ž๋ฉด
07:04
it helps you to soften up your audience.
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์—ฌ๋Ÿฌ๋ถ„๋“ค์˜ ์ฒญ์ค‘๋“ค์„ ๊ตฌ์›Œ์‚ถ๋Š”๋ฐ๋„ ๋„์›€์ด ๋  ๊ฒ๋‹ˆ๋‹ค.
07:07
It distracts them with pretty pictures, irrelevant data.
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๊ทธ๋“ค์„ ์˜ˆ์œ ์‚ฌ์ง„์ด๋‚˜ ๊ด€๋ จ ์—†๋Š” ๋ฐ์ดํ„ฐ๋กœ ํ˜ผ๋ž€์‹œํ‚ค๊ณ 
07:11
It allows you to create the illusion of competence,
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๋Šฅ์ˆ™ํ•œ๋“ฏ ํ•œ ํ™˜์ƒ์ด๋‚˜
07:15
the illusion of simplicity,
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๋‹จ์ˆœํ•œ๋“ฏ ํ•œ ํ™˜์ƒ์„ ๋งŒ๋“ค์–ด ์ฃผ๋ฉฐ
07:17
and most destructively, the illusion of understanding.
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๊ทธ๋ฆฌ๊ณ  ๊ฐ€์žฅ ์‹ฌ๊ฐํ•˜๊ฒŒ๋„, ์ž˜ ์ดํ•ดํ•˜๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ์ฐฉ๊ฐํ•˜๊ฒŒ ํ•œ๋‹ค๋Š” ๊ฒ๋‹ˆ๋‹ค.
07:22
So now my country is 15 trillion dollars in debt.
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ํ˜„์žฌ ๋ฏธ๊ตญ์€ 15์กฐ ๋‹ฌ๋Ÿฌ์˜ ๋นš์„ ์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
07:26
Our leaders are working tirelessly to try and find ways to save money.
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์šฐ๋ฆฌ์˜ ์ง€๋„์ž๋“ค์€ ๋ˆ์„ ์ ˆ์•ฝํ•˜๋Š” ๋ฐฉ๋ฒ•์„ ์ฐพ๋Š๋ผ ํž˜๋“ค๊ฒŒ ์ผํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
07:31
One idea is to drastically reduce public support for the arts.
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ํ•œ ์•„์ด๋””์–ด๋Š” ์˜ˆ์ˆ ์„ ์œ„ํ•œ ์ •๋ถ€์˜ ์ง€์›์„ ํฌ๊ฒŒ ๊ฐ์†Œ์‹œํ‚ค์ž๋Š” ๊ฒƒ ์ž…๋‹ˆ๋‹ค.
07:36
For example, our National Endowment for the Arts,
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์˜ˆ๋ฅผ ๋“ค์–ด, ๋ฏธ๊ตญ์˜ ์˜ˆ์ˆ  ๊ตญ๊ฐ€ ๋ถ€๋‹ด๊ธˆ์€
07:38
with its $150 million budget,
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1์–ต 5์ฒœ๋งŒ ๋‹ฌ๋Ÿฌ ์ธ๋ฐ์š”,
07:41
slashing that program would immediately reduce the national debt
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๊ทธ ํ”„๋กœ๊ทธ๋žจ์„ ์ค„์ด๋Š” ๊ฒƒ๋งŒ์œผ๋กœ๋„ ๊ตญ๊ฐ€์˜ ๋นš์ด
07:44
by about one one-thousandth of a percent.
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์ฒœ๋ถ„์˜ ์ผ ํผ์„ผํŠธ ์ •๋„ ์ค„์–ด๋“ค ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:47
One certainly can't argue with those numbers.
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๋ˆ„๊ตฌ๋„ ๊ทธ ๊ณ„์‚ฐ์— ํ† ๋ฅผ ๋‹ฌ ์ˆ˜ ๋Š” ์—†์Šต๋‹ˆ๋‹ค.
07:49
However, once we eliminate public funding for the arts,
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๊ทธ๋Ÿฌ๋‚˜, ์˜ˆ์ˆ ์„ ์œ„ํ•œ ๊ณต๊ณต ๋ถ€๋‹ด๊ธˆ์„ ์—†์•ค๋‹ค๋ฉด
07:54
there will be some drawbacks.
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๋ช‡ ๊ฐ€์ง€ ๋ถ€์ž‘์šฉ์ด ์žˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:57
The artists on the street will swell the ranks of the unemployed.
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๊ธธ๊ฑฐ๋ฆฌ ์˜ˆ์ˆ ๊ฐ€๋“ค์ด ์‹ค์—…์ž์˜ ์ˆ˜๋ฅผ ๋Š˜๋ฆด ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:01
Many will turn to drug abuse and prostitution,
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๋งŽ์€ ์ด๋“ค์€ ์•ฝ๋ฌผ ๋‚จ์šฉ, ๋งค์ถ˜์— ๋น ์งˆ ๊ฒƒ์ด๊ณ 
08:04
and that will inevitably lower property values in urban neighborhoods.
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๊ทธ๊ฒƒ์€ ๋„์‹œ์˜ ๊ฐ€์น˜๋ฅผ ๋ถˆ๊ฐ€ํ”ผํ•˜๊ฒŒ ๋–จ์–ด๋œจ๋ฆด ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:07
All of this could wipe out the savings we're hoping to make in the first place.
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์ด ๋ชจ๋“  ๊ฒƒ์€ ์• ์ดˆ์— ์šฐ๋ฆฌ๊ฐ€ ํ•˜๊ณ ์ž ํ–ˆ๋˜ ์ ˆ์•ฝ์„ ๋ถˆ๊ฐ€๋Šฅํ•˜๊ฒŒ ๋งŒ๋“ค ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:12
I shall now, therefore, humbly propose my own thoughts,
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๊ทธ๋ž˜์„œ ์ €๋Š” ์ €์˜ ์ž‘์€ ์ œ์•ˆ์„ ๋งํ•ด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
08:15
which I hope will not be liable to the least objection.
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์กฐ๊ธˆ์˜ ๋ฐ˜๋Œ€์˜ ์—ฌ์ง€๋„ ์—†๊ธฐ๋ฅผ ๋ฐ”๋ž๋‹ˆ๋‹ค.
08:19
Once we eliminate public funding for the artists,
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์šฐ๋ฆฌ๊ฐ€ ์˜ˆ์ˆ ๊ฐ€๋“ค์„ ์œ„ํ•œ ๊ณต๊ณต ์ž๊ธˆ์„ ์—†์•ค๋‹ค๋ฉด,
08:21
let's put them back to work
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๊ทธ๋“ค์ด ๋‹ค์‹œ ์ผํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•ฉ์‹œ๋‹ค.
08:22
by using them instead of PowerPoint.
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ํŒŒ์›Œํฌ์ธํŠธ ๋Œ€์‹  ๊ทธ๋“ค์„ ์‚ฌ์šฉํ•˜๋ฉด์„œ ๋ง์ด์ฃ 
08:25
As a test case, I propose we start with American dancers.
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์‹œํ—˜์ ์œผ๋กœ ๋ฏธ๊ตญ ๋Œ„์„œ๋“ค๋ถ€ํ„ฐ ์‹œ์ž‘ํ•˜๊ธฐ๋ฅผ ์ œ์•ˆํ•ฉ๋‹ˆ๋‹ค.
08:29
After all, they are the most perishable of their kind,
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๋ฏธ๊ตญ ๋Œ„์„œ๋“ค์€ ์˜ˆ์ˆ ๊ฐ€๋“ค ์ค‘์—์„œ ๊ฐ€์žฅ ์—ฐ์•ฝํ•œ ์‚ฌ๋žŒ๋“ค์ž…๋‹ˆ๋‹ค.
08:31
prone to injury and very slow to heal
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๋ถ€์ƒ๋‹นํ•˜๊ธฐ ์‰ฌ์šด๋ฐ๋‹ค๊ฐ€ ํšŒ๋ณต๋„ ๋Š๋ฆฝ๋‹ˆ๋‹ค.
08:33
due to our health care system.
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๋ฏธ๊ตญ์˜ ๊ฑด๊ฐ• ๋ณดํ—˜ ์ œ๋„ ๋•Œ๋ฌธ์— ๊ทธ๋ ‡์Šต๋‹ˆ๋‹ค.
08:36
Rather than dancing our Ph.Ds,
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์šฐ๋ฆฌ ๊ณผํ•™์ž๋“ค์˜ ์—ฐ๊ตฌ ์ฃผ์ œ๋ฅผ ์ถค์œผ๋กœ ํ‘œํ˜„ํ•˜๊ธฐ ๋ณด๋‹ค๋Š”
08:39
we should use dance to explain all of our complex problems.
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์šฐ๋ฆฌ๋Š” ๋ชจ๋“  ๋ณต์žกํ•œ ๋ฌธ์ œ๋ฅผ ์„ค๋ช…ํ•˜๋Š”๋ฐ ์ธฐ์„ ์‚ฌ์šฉํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
08:42
Imagine our politicians using dance
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์šฐ๋ฆฌ์˜ ์ •์น˜์ธ๋“ค์ด ์ถค์„ ์‚ฌ์šฉํ•˜์—ฌ ์„ค๋ช…ํ•˜๋Š” ๊ฒƒ์„ ์ƒ์ƒํ•ด ๋ณด์„ธ์š”.
08:45
to explain why we must invade a foreign country
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์šฐ๋ฆฌ๊ฐ€ ์™œ ๋‹ค๋ฅธ ๋‚˜๋ผ๋ฅผ ์นจ๋žตํ•ด์•ผํ•˜๋Š”์ง€,
08:49
or bail out an investment bank.
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๋˜๋Š” ์™œ ํˆฌ์ž ์€ํ–‰์„ ๊ตฌ์ œํ•ด์•ผํ•˜๋Š”์ง€์š”.
08:52
It's sure to help.
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ํ™•์‹คํžˆ ๋„์›€์ด ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:54
Of course someday, in the deep future,
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๋ฌผ๋ก  ์–ธ์  ๊ฐ€๋Š”
08:58
a technology of persuasion
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ํŒŒ์›Œํฌ์ธํŠธ๋ณด๋‹ค๋„ ๊ฐ•๋ ฅํ•œ
09:00
even more powerful than PowerPoint may be invented,
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์„ค๋“์˜ ๊ธฐ์ˆ ์ด ๋ฐœ๋ช…๋˜์„œ
09:04
rendering dancers unnecessary as tools of rhetoric.
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์ถค์ถ”๋Š” ๋Œ„์„œ๋“ค์ด ์ˆ˜์‚ฌํ•™(ไฟฎ่พญๅญธ)์ ์œผ๋กœ๋Š” ๋ถˆํ•„์š”ํ•˜๊ฒŒ ๋  ์ˆ˜๋„ ์žˆ๊ฒ ์ฃ .
09:07
However, I trust that by that day,
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ํ•˜์ง€๋งŒ ์ €๋Š” ๊ทธ๋•Œ ์ฏค์—๋Š”
09:10
we shall have passed this present financial calamity.
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ํ˜„์žฌ์˜ ๊ธˆ์œต ์œ„๊ธฐ๊ฐ€ ๋ชจ๋‘ ์ง€๋‚˜๊ฐ”์„ ๊ฒƒ์ด๋ผ๊ณ  ๋ฏฟ์Šต๋‹ˆ๋‹ค.
09:13
Perhaps by then we will be able to afford the luxury
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์•„๋งˆ ๊ทธ๋•Œ ์ฏค์ด๋ฉด ์šฐ๋ฆฌ๋Š” ์‚ฌ์น˜๋ฅผ ๋ถ€๋ฆด ์ˆ˜๋„ ์žˆ์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
09:16
of just sitting in an audience
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๊ทธ๋ƒฅ ๊ด€๊ฐ์„์— ์•‰์•„
09:19
with no other purpose
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๋‹ค๋ฅธ ๋ชฉ์  ์—†์ด
09:21
than to witness the human form in motion.
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์ธ๊ฐ„์˜ ์›€์ง์ž„์„ ๋ณด๊ธฐ ์œ„ํ•ด ์•‰์•„๋งŒ ์žˆ์œผ๋ฉด์„œ์š”.
09:26
(Music)
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(์Œ์•…)
10:37
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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