Peter Molyneux demos Milo, the virtual boy

162,018 views ใƒป 2010-08-18

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ido Dekkers ืžื‘ืงืจ: Sigal Tifferet
00:16
When I saw a piece of technology called Kinect --
0
16260
3000
ื›ืฉืจืื™ืชื™ ืืช ืคื™ืกืช ื”ื˜ื›ื ื•ืœื•ื’ื™ื” ืฉื ืงืจืืช ืงื™ื ืงื˜ --
00:19
it was called Natal -- I was inspired,
1
19260
3000
ื”ื™ื ื ืงืจืื” ืื– ื ื˜ืœ -- ื”ืชืจืฉืžืชื™,
00:22
and I thought for a moment,
2
22260
2000
ื•ื—ืฉื‘ืชื™ ืœืจื’ืข,
00:24
maybe it's possible
3
24260
2000
ืื•ืœื™ ื–ื” ืืคืฉืจื™
00:26
to address that one problem of storytelling,
4
26260
3000
ืœื”ืชื™ื™ื—ืก ืœื‘ืขื™ื™ื” ื”ื–ื• ืฉืœ ืกื™ืคื•ืจ ืกื™ืคื•ืจื™ื,
00:29
to create a character
5
29260
3000
ื›ื“ื™ ืœื™ืฆืจ ื“ืžื•ืช
00:32
which seemed alive,
6
32260
2000
ืฉื ืจืื™ืช ื—ื™ื™ื”,
00:34
which noticed me,
7
34260
2000
ืฉืžื‘ื—ื™ื ื” ื‘ื™,
00:36
that could look me in the eyes
8
36260
2000
ืฉืชื•ื›ืœ ืœื”ื‘ื™ื˜ ื‘ื™ ื‘ืขื™ื ื™ื™ื
00:38
and feel real,
9
38260
2000
ื•ืชืจื’ื™ืฉ ืืžื™ืชื™ืช,
00:40
and sculpt a story about our relationship.
10
40260
3000
ื•ืœืคืกืœ ืกื™ืคื•ืจ ืขืœ ื™ื—ืกื™ื.
00:43
And so a year ago,
11
43260
3000
ื•ื›ืš ืœืคื ื™ ืฉื ื”,
00:46
I showed this off
12
46260
2000
ื”ื“ื’ืžืชื™ ืืช ื–ื”
00:48
at a computer show called E3.
13
48260
3000
ื‘ืชืขืจื•ื›ืช ืžื—ืฉื‘ื™ื ืฉื ืงืจืืช E3.
00:51
And this was a piece of technology
14
51260
2000
ื•ื–ื• ื”ื™ื™ืชื” ืคื™ืกืช ื˜ื›ื ื•ืœื•ื’ื™ื”
00:53
with someone called Claire interacting with this boy.
15
53260
3000
ืขื ืžื™ืฉื”ื™ ื‘ืฉื ืงืœื™ื™ืจ ืฉืžืชืงืฉืจืช ืขื ื”ื™ืœื“ ื”ื–ื”.
00:56
And there was a huge row online
16
56260
3000
ื•ื”ื™ืชื” ืชื’ื•ื‘ื” ื’ื“ื•ืœื” ื‘ืจืฉืช
00:59
about, "Hey, this can't be real."
17
59260
3000
ืฉืืžืจื”, "ื”ื™ื™, ื–ื” ืœื ื™ื›ื•ืœ ืœื”ื™ื•ืช ืืžื™ืชื™."
01:02
And so I waited till now
18
62260
2000
ืื– ื—ื™ื›ื™ืชื™ ืขื“ ืขื›ืฉื™ื•
01:04
to have an actual demo
19
64260
2000
ื›ื“ื™ ืฉื™ื”ื™ื” ืœื™ ืžืžืฉ ื“ืžื•
01:06
of the real tech.
20
66260
2000
ืฉืœ ื”ื˜ื›ื ื•ืœื•ื’ื™ื” ื”ืืžื™ืชื™ืช.
01:08
Now, this tech incorporates
21
68260
2000
ืขื›ืฉื™ื•, ื”ื˜ื›ื ื•ืœื•ื’ื™ื” ื”ื–ืืช ื›ื•ืœืœืช
01:10
three big elements.
22
70260
2000
ืฉืœื•ืฉื” ืืœืžื ื˜ื™ื ืขื™ืงืจื™ื™ื.
01:12
The first is a Kinect camera,
23
72260
2000
ื”ืจืืฉื•ืŸ ื”ื•ื ืžืฆืœืžืช ืงื™ื ืงื˜,
01:14
which will be out in November,
24
74260
3000
ืฉืชืฆื ื‘ื ื•ื‘ืžื‘ืจ,
01:17
some incredible AI
25
77260
2000
ื‘ื™ื ื” ืžืœืื›ื•ืชื™ืช ื ืคืœืื”
01:19
that was hidden in the dusty vaults,
26
79260
3000
ืฉื”ืชื—ื‘ืื” ื‘ื›ืกืคื•ืช ื”ืžืื•ื‘ืงื•ืช,
01:22
collecting dust
27
82260
2000
ืื•ืกืคืช ืื‘ืง
01:24
in Microsoft,
28
84260
2000
ื‘ืžื™ืงืจื•ืกื•ืคื˜,
01:26
plus our quite crude
29
86260
2000
ื•ื‘ื ื•ืกืฃ ื”ื ืกื™ื•ืŸ ื”ื’ืก ืฉืœื ื•
01:28
attempts at AI
30
88260
2000
ื‘ื‘ื™ื ื” ืžืœืื›ื•ืชื™ืช
01:30
at a company called Lionhead,
31
90260
3000
ื‘ื—ื‘ืจื” ืฉื ืงืจืืช ืœื™ื•ื ื”ื“,
01:33
mixing all those things together
32
93260
2000
ื•ื›ืฉืžืขืจื‘ื‘ื™ื ืืช ื”ื›ืœ ื‘ื™ื—ื“
01:35
just to get to this one simple idea:
33
95260
3000
ืจืง ื›ื“ื™ ืœื”ื’ื™ืข ืœืจืขื™ื•ืŸ ื”ืคืฉื•ื˜ ื”ื–ื”:
01:38
to create a real, living
34
98260
3000
ืœื™ืฆื•ืจ ื™ืฉื•ืช ืืžื™ืชื™ืช, ื—ื™ื”
01:41
being in a computer.
35
101260
2000
ื‘ืชื•ืš ื”ืžื—ืฉื‘.
01:43
Now, I'll be honest with you
36
103260
3000
ืขื›ืฉื™ื•, ืื ื™ ืื”ื™ื” ื›ืŸ ืืชื›ื
01:46
and say that most of it
37
106260
2000
ื•ืื’ื™ื“ ืฉืจื•ื‘ื”
01:48
is just a trick,
38
108260
2000
ื”ื™ื ืจืง ื˜ืจื™ืง,
01:50
but it's a trick that actually works.
39
110260
3000
ืื‘ืœ ื–ื” ื˜ืจื™ืง ืฉืžืžืฉ ืขื•ื‘ื“.
01:53
So why don't we go over and have
40
113260
2000
ืื– ืœืžื” ืฉืœื ื ืขื‘ื•ืจ ื•ื ืขื™ืฃ
01:55
a look at the demo now.
41
115260
2000
ืžื‘ื˜ ื‘ื“ืžื• ืขื›ืฉื™ื•.
01:57
This is Dimitri.
42
117260
2000
ื–ื” ื“ื™ืžื™ื˜ืจื™.
01:59
Dimitri, just waggle your arm around.
43
119260
3000
ื“ื™ืžื™ื˜ืจื™, ืจืง ืชื ืคื ืฃ ื‘ื™ื“ื™ื™ื.
02:02
Now, you notice he's sitting.
44
122260
2000
ืขื›ืฉื™ื•, ืชื‘ื—ื™ื ื• ืฉื”ื•ื ื™ื•ืฉื‘.
02:04
There are no controllers,
45
124260
2000
ืื™ืŸ ื‘ืงืจื™ื,
02:06
no keyboards,
46
126260
2000
ืื™ืŸ ืžืงืœื“ื•ืช,
02:08
or mice,
47
128260
2000
ืื• ืขื›ื‘ืจื™ื,
02:10
or joysticks, or joypads.
48
130260
3000
ืื• ื’'ื•ื™ืกื˜ื™ืง ืื• ื’'ื•ื™ืคื“.
02:13
He is just going to use
49
133260
2000
ื”ื•ื ืขื•ืžื“ ืœื”ืฉืชืžืฉ ืจืง
02:15
his hand, his body and his voice,
50
135260
3000
ื‘ื™ื“ื™ื•, ื‘ื’ื•ืคื• ื•ื‘ืงื•ืœื•,
02:18
just like humans interact with their hands, body and voice.
51
138260
3000
ื›ืžื• ืฉืื ืฉื™ื ืžืชืงืฉืจื™ื ืขื ื”ื™ื“ื™ื™ื, ื’ื•ืฃ ื•ืงื•ืœ.
02:21
So let's move forward.
52
141260
2000
ืื– ื‘ื•ื ื ืขื‘ื•ืจ ื”ืœืื”.
02:23
You're going to meet Milo for the first time.
53
143260
3000
ืืชื ืชืคื’ืฉื• ืืช ืžื™ื™ืœื• ื‘ืคืขื ื”ืจืืฉื•ื ื”.
02:27
We had to give him a problem
54
147260
2000
ื”ื™ื™ื ื• ืฆืจื™ื›ื™ื ืœืชืช ืœื• ื‘ืขื™ื”,
02:29
because when we first created Milo,
55
149260
2000
ืžืคื ื™ ืฉื›ืฉื™ืฆืจื ื• ืืช ืžื™ื™ืœื• ืœืจืืฉื•ื ื”,
02:31
we realized that he came across as a little bit of a brat,
56
151260
2000
ื”ื‘ื ื• ืฉื”ื•ื ื ืชืคืก ื›ืžื™ืŸ ืคืจื—ื—
02:33
to be honest with you.
57
153260
2000
ืื ืื”ื™ื” ื›ืŸ ืืชื›ื.
02:35
He was quite a know-it-all,
58
155260
2000
ื”ื•ื ื”ื™ื” ื“ื™ ื—ื›ืžื•ืœื•ื’,
02:37
and he wanted to kind of make you laugh.
59
157260
2000
ื•ื”ื•ื ืจืฆื” ืœื’ืจื•ื ืœื›ื ืœืฆื—ื•ืง.
02:39
So the problem we introduced to him was this:
60
159260
2000
ืื– ื”ื‘ืขื™ื” ืฉื”ืฆื‘ื ื• ืœืคื ื™ ื”ื™ืชื”:
02:41
he's just moved house.
61
161260
2000
ื”ื•ื ื‘ื“ื™ื•ืง ืขื‘ืจ ื‘ื™ืช.
02:43
He's moved from London
62
163260
2000
ื”ื•ื ืขื‘ืจ ืžืœื•ื ื“ื•ืŸ
02:45
to New England, over in America.
63
165260
3000
ืœื ื™ื• ืื™ื ื’ืœื ื“, ื‘ืืžืจื™ืงื”.
02:48
His parents are too busy
64
168260
2000
ื”ื”ื•ืจื™ื ืฉืœื• ืขืกื•ืงื™ื ืžื“ื™ื™
02:50
to listen to his problems,
65
170260
2000
ื›ื“ื™ ืœื”ืงืฉื™ื‘ ืœื‘ืขื™ื•ืช ืฉืœื•,
02:52
and that's when he starts almost conjuring you up.
66
172260
3000
ื•ืื– ื”ื•ื ืžืชื—ื™ืœ ืœื”ืขืœื•ืช ืืชื›ื ื‘ืื•ื‘.
02:55
So here he is
67
175260
2000
ืื– ื”ื ื” ื”ื•ื
02:57
walking through the grass.
68
177260
2000
ื”ื•ืœืš ื‘ื“ืฉื.
02:59
And you're able to interact with his world.
69
179260
3000
ื•ืืชื ื™ื›ื•ืœื™ื ืœื”ื’ื™ื‘ ืœืขื•ืœื ืฉืœื•.
03:02
The cool thing is, what we're doing
70
182260
3000
ื”ื“ื‘ืจ ื”ืžื’ื ื™ื‘ ื”ื•ื, ืžื” ืฉืื ื—ื ื• ืขื•ืฉื™ื
03:05
is we're changing the mind
71
185260
2000
ื”ื•ื ืฉืื ื—ื ื• ืžืฉื ื™ื ืืช ื“ืขืชื•
03:07
of Milo constantly.
72
187260
2000
ืฉืœ ืžื™ื™ืœื• ืœืœื ื”ืคืกืง.
03:09
That means no two people's Milos
73
189260
3000
ื–ื” ืื•ืžืจ ืฉืื™ืŸ ืžื™ื™ืœื• ื–ื”ื”
03:12
can be the same.
74
192260
2000
ืœื›ืœ ืื™ืฉ ืฉื”ื•ื ืคื•ื’ืฉ.
03:14
You're actually sculpting a human being here.
75
194260
3000
ืืชื ื‘ืขืฆื ืžืคืกืœื™ื ืื“ื ืคื”.
03:19
So, he's discovering the garden.
76
199260
2000
ืื–, ื”ื•ื ืžื’ืœื” ืืช ื”ื’ืŸ.
03:21
You're helping him discover the garden
77
201260
2000
ืืชื ืขื•ื–ืจื™ื ืœื• ืœื’ืœื•ืช ืืช ื”ื’ืŸ
03:23
by just pointing out these snails.
78
203260
3000
ืขืœ ื™ื“ื™ ื”ืคื ื™ื™ืช ืชืฉื•ืžืช ืœื™ื‘ื• ืœื—ืœื–ื•ื ื•ืช.
03:27
Very simple at the start.
79
207260
2000
ืžืื•ื“ ืคืฉื•ื˜ ื‘ื”ืชื—ืœื”.
03:29
By the way, if you are a boy, it's snails;
80
209260
3000
ื“ืจืš ืื’ื‘, ืื ืืชื ื‘ื ื™ื, ื–ื” ื—ืœื–ื•ื ื•ืช;
03:32
if you're a girl, it's butterflies
81
212260
3000
ืื ืืชืŸ ื‘ื ื•ืช, ืืœื” ืคืจืคืจื™ื,
03:35
because what we found was that girls hate snails.
82
215260
3000
ืžืคื ื™ ืฉืžื” ืฉืžืฆืื ื• ื–ื” ืฉื‘ื ื•ืช ืฉื•ื ืื•ืช ื—ืœื–ื•ื ื•ืช.
03:38
(Laughter)
83
218260
2000
(ืฆื—ื•ืง)
03:44
So remember, this is the first time you've met him,
84
224260
3000
ืื– ื–ื›ืจื•, ื–ื• ื”ืคืขื ื”ืจืืฉื•ื ื” ื‘ื” ืคื’ืฉืชื ื‘ื•,
03:47
and we really want to draw you in and make you more curious.
85
227260
3000
ื•ืื ื—ื ื• ื‘ืืžืช ืจื•ืฆื™ื ืœืžืฉื•ืš ืืชื›ื ืคื ื™ืžื” ื•ืœื’ืจื•ื ืœื›ื ืœื”ื™ื•ืช ื™ื•ืชืจ ืกืงืจื ื™ื.
03:52
His face, by the way,
86
232260
2000
ื”ืคื ื™ื ืฉืœื•, ื“ืจืš ืื’ื‘,
03:54
is fully AI-driven.
87
234260
2000
ืžื•ืคืขืœื•ืช ืœื’ืžืจื™ ืขืœ ื™ื“ื™ ื‘ื™ื ื” ืžืœืื›ื•ืชื™ืช.
03:56
We have complete control over his blush responses,
88
236260
3000
ื™ืฉ ืœื ื• ืฉืœื™ื˜ื” ืžืœืื” ืขืœ ืชื’ื•ื‘ื•ืช ื”ื”ืกืžืงื” ืฉืœื•,
03:59
the diameter of his nostrils
89
239260
3000
ืงื•ื˜ืจ ื”ื ื—ื™ืจื™ื™ื
04:02
to denote stress.
90
242260
2000
ื›ื“ื™ ืœื“ืžื•ืช ืœื—ืฅ.
04:04
We actually do something called body matching.
91
244260
2000
ืื ื—ื ื• ืžืžืฉ ืขื•ืฉื™ื ืžืฉื”ื• ืฉื ืงืจื ื”ืชืืžืช ื’ื•ืฃ.
04:06
If you're leaning forward,
92
246260
2000
ืื ืืชื ื ืฉืขื ื™ื ืงื“ื™ืžื”,
04:08
he will try and slightly change
93
248260
2000
ื”ื•ื ื™ื ืกื” ืžืขื˜ ืœื”ืฉืชื ื•ืช
04:10
the neuro-linguistic nature of his face,
94
250260
3000
ืืช ื”ืฉืคื” ื”ื ื™ื•ืจื•ืœื•ื’ื™ืช ืฉืœ ืคื ื™ื•,
04:13
because we went out with this strong idea:
95
253260
2000
ืžืคื ื™ ืฉื™ืฆืื ื• ืขื ื”ืจืขื™ื•ืŸ ื”ื—ื–ืง ื”ื–ื”:
04:15
how can we make you believe that something's real?
96
255260
3000
ืื™ืš ื ื•ื›ืœ ืœื’ืจื•ื ืœื›ื ืœื”ืืžื™ืŸ ืฉืžืฉื”ื• ืืžื™ืชื™?
04:18
Now we've used the hand.
97
258260
2000
ืขื›ืฉื™ื• ื”ืฉืชืžืฉื ื• ื‘ื™ื“.
04:20
The other thing to use is your body.
98
260260
3000
ื”ื“ื‘ืจ ื”ืื—ืจ ื”ื•ื ืœื”ืฉืชืžืฉ ื‘ื’ื•ืฃ.
04:23
Why not just, instead of pushing left and right
99
263260
3000
ืœืžื” ืœื ืคืฉื•ื˜, ื‘ืžืงื•ื ืœื“ื—ื•ืฃ ืฉืžืืœื” ืื• ื™ืžื™ื ื”
04:26
with a mouse or with a joypad,
100
266260
3000
ืขื ืขื›ื‘ืจ ืื• ื‘ืงืจ,
04:29
why not use your body just to lean on the chair --
101
269260
2000
ืœืžื” ืœื ืœื”ืฉืชืžืฉ ื‘ื’ื•ืฃ ืคืฉื•ื˜ ืœืจื›ื•ืŸ ื‘ื›ื™ืกื --
04:31
again, relaxed?
102
271260
2000
ืฉื•ื‘, ื ื™ื ื•ื—?
04:33
You can lean back,
103
273260
2000
ืืคืฉืจ ืœื”ืฉืขืŸ ืื—ื•ืจื”,
04:35
but the camera will change its perspective
104
275260
2000
ืื‘ืœ ื”ืžืฆืœืžื” ืชืฉื ื” ืืช ื”ืคืจืกืคืงื˜ื™ื‘ื” ืฉืœื”
04:37
depending on which way you're looking.
105
277260
3000
ื›ืชืœื•ืช ื‘ืžืงื•ื ืืœื™ื• ืชื‘ื™ื˜ื•.
04:41
So Dimitri's now going to use --
106
281260
2000
ืื– ื“ื™ืžื™ื˜ืจื™ ืขื›ืฉื™ื• ืขื•ืžื“ ืœื”ืฉืชืžืฉ --
04:43
he's used his hand; he's used his body.
107
283260
2000
ื”ื•ื ืžืฉืชืžืฉ ื‘ื™ื“; ื”ื•ื ืžืฉืชืžืฉ ื‘ื’ื•ืฃ.
04:45
He's now going to use the other thing which is essential,
108
285260
3000
ื”ื•ื ืขื›ืฉื™ื• ื™ืฉืชืžืฉ ื‘ื“ื‘ืจ ื”ื ื•ืกืฃ ืฉื—ื™ื•ื ื™,
04:48
and that's his voice.
109
288260
2000
ื•ื–ื” ื”ืงื•ืœ ืฉืœื•.
04:50
Now, the thing about voice is,
110
290260
2000
ืขื›ืฉื™ื•, ื”ืขื ื™ืŸ ื‘ืงื•ืœ ื”ื•ื,
04:52
our experience with voice recognition
111
292260
2000
ื”ื ืกื™ื•ืŸ ืฉืœื ื• ืขื ื–ื™ื”ื•ื™ ืงื•ืœื™
04:54
is pretty awful, isn't it?
112
294260
2000
ื”ื•ื ื“ื™ ื ื•ืจืื™, ืœื ื›ืš?
04:56
It never works.
113
296260
2000
ื–ื” ืืฃ ืคืขื ืœื ืขื•ื‘ื“.
04:58
You order an airline ticket; you end up in Timbuktu.
114
298260
3000
ืืชื” ืžื–ืžื™ืŸ ื›ืจื˜ื™ืก ื˜ื™ืกื”, ื•ืืชื ืžืกื™ื™ื ื‘ื˜ื™ืžื‘ื•ืงื˜ื•.
05:02
So we've tackled that problem,
115
302260
2000
ืื– ื”ืชืžื•ื“ื“ื ื• ืขื ื”ื‘ืขื™ื” ื”ื–ื•,
05:04
and we've come up with a solution, which we'll see in a second.
116
304260
3000
ื•ื”ื’ืขื ื• ืœืคืชืจื•ืŸ ืฉื ืจืื” ืขื•ื“ ืจื’ืข.
05:07
Milo: I could just squish it.
117
307260
2000
ืžื™ื™ืœื•: ืื ื™ ื™ื›ื•ืœ ืคืฉื•ื˜ ืœืžืขื•ืš ืื•ืชื•.
05:09
Peter Molyneux: What are you going to do, Dimitri?
118
309260
2000
ืคื˜ืจ ืžื•ืœื™ื ื•ืงืก: ืžื” ืืชื” ืขื•ืžื“ ืœืขืฉื•ืช, ื“ื™ืžื™ื˜ืจื™?
05:11
Female Voice: Squashing a snail may not seem important,
119
311260
2000
ืงื•ืœ ื ืฉื™: ืžืขื™ื›ืช ื—ื™ืœื–ื•ืŸ ืื•ืœื™ ืœื ื ืจืื™ืช ื—ืฉื•ื‘ื”,
05:13
but remember, even this choice
120
313260
2000
ืื‘ืœ ื–ื›ื•ืจ, ืืคื™ืœื• ื”ื‘ื—ื™ืจื” ื”ื–ื•
05:15
will affect how Milo develops.
121
315260
3000
ืชืฉืคื™ืข ืขืœ ื”ื”ืชืคืชื—ื•ืช ืฉืœ ืžื™ื™ืœื•.
05:18
Do you want Milo to squash it?
122
318260
2000
ืืชื” ืจื•ืฆื” ืฉืžื™ื™ืœื• ื™ืžื—ืฅ ืื•ืชื•?
05:20
When you see the microphone,
123
320260
2000
ื›ืฉืืชื” ืจื•ืื” ืืช ื”ืžื™ืงืจื•ืคื•ืŸ,
05:22
say ... (PM: Squash.) ... yes to decide.
124
322260
2000
ื”ื’ื“...(ืค ืž : ืžื—ืฅ) .... ื›ืŸ ื›ื“ื™ ืœื”ื—ืœื™ื˜.
05:24
Dimitri: Go on, Milo. Squash it.
125
324260
3000
ื“ื™ืžื™ื˜ืจื™: ืงื“ื™ืžื” ืžื™ื™ืœื•. ืชืžื—ืฅ ืื•ืชื•.
05:27
PM: No. That's the wrong thing to do.
126
327260
2000
ืค ืž: ืœื. ื–ื” ืœื ื”ืžืขืฉื” ื”ื ื›ื•ืŸ.
05:29
Now look at his response.
127
329260
2000
ืขื›ืฉื™ื• ืชืจืื• ืืช ื”ืชื’ื•ื‘ื”.
05:31
He said, "Go on, Milo. Squash it."
128
331260
3000
ื”ื•ื ืืžืจ, "ืงื“ื™ืžื” ืžื™ื™ืœื•. ืชืžื—ืฅ ืื•ืชื•."
05:34
What we're using there is,
129
334260
2000
ืžื” ืฉืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ื• ืฉื ื”ื•ื,
05:36
we're using something, a piece of technology called Tellme.
130
336260
2000
ืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ืžืฉื”ื•, ืคื™ืกืช ื˜ื›ื ื•ืœื•ื’ื™ื” ืฉื ืจืืช ื”ื’ื“-ืœื™.
05:38
It's a company that Microsoft acquired some years ago.
131
338260
3000
ื–ื• ื—ื‘ืจื” ืฉืžื™ืงืจื•ืกื•ืคื˜ ืจื›ืฉื” ืœืคื ื™ ื›ืžื” ืฉื ื™ื.
05:41
We've got a database of words which we recognize.
132
341260
2000
ื™ืฉ ืœื ื• ืžืื’ืจ ื ืชื•ื ื™ื ืฉืœ ืžื™ืœื™ื ืฉืื ื—ื ื• ืžื–ื”ื™ื.
05:43
We pick those words out.
133
343260
2000
ืื ื—ื ื• ื‘ื•ื—ืจื™ื ืืช ื”ืžื™ืœื™ื ื”ืืœื”.
05:45
We also reference that
134
345260
2000
ืื ื—ื ื• ื’ื ืžื™ื™ื—ืกื™ื ื–ืืช
05:47
with the tonation database
135
347260
2000
ืœืžืื’ืจ ื”ื˜ื•ื ืฆื™ื•ืช
05:49
that we build up of Dimitri's voice,
136
349260
3000
ืฉื‘ื ื™ื ื• ืœืงื•ืœื• ืฉืœ ื“ื™ืžื™ื˜ืจื™,
05:52
or the user's voice.
137
352260
2000
ืื• ืงื•ืœื• ืฉืœ ื”ืžืฉืชืžืฉ.
05:54
Now we need to have a bit more engagement,
138
354260
3000
ืขื›ืฉื™ื• ืื ื—ื ื• ืฆืจื™ื›ื™ื ืงืฆืช ื™ื•ืชืจ ืคืขื™ืœื•ืช.
05:57
and again, what we can do
139
357260
2000
ื•ืฉื•ื‘, ืžื” ืฉืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืขืฉื•ืช
05:59
is we can look at the body.
140
359260
2000
ื–ื” ืœื”ื‘ื™ื˜ ื‘ื’ื•ืฃ.
06:01
And we'll do that in a second.
141
361260
2000
ื•ื ืขืฉื” ื–ืืช ืขื•ื“ ืจื’ืข.
06:03
Milo: I wonder how deep it is.
142
363260
2000
ืžื™ื™ืœื•: ืžืขื ื™ื™ืŸ ื›ืžื” ืขืžื•ืง ื–ื”.
06:13
Deep.
143
373260
2000
ืขืžื•ืง.
06:16
PM: Okay. So what we're going to do now
144
376260
2000
ืค ืž: ืื•ืงื™ื™. ืื– ืžื” ืฉืื ื—ื ื• ืขื•ืžื“ื™ื ืœืขืฉื•ืช ืขื›ืฉื™ื•
06:18
is teach Milo to skim stones.
145
378260
3000
ื–ื” ืœืœืžื“ ืืช ืžื™ื™ืœื• ืœื”ืงืคื™ืฅ ืื‘ื ื™ื.
06:21
We're actually teaching him.
146
381260
2000
ืื ื—ื ื• ืžืžืฉ ืžืœืžื“ื™ื ืื•ืชื•.
06:23
It's very, very interesting
147
383260
2000
ื–ื” ืžืื•ื“, ืžืื•ื“ ืžืขื ื™ื™ืŸ
06:25
that men, more than women,
148
385260
2000
ืฉื’ื‘ืจื™ื, ื™ื•ืชืจ ืžื ืฉื™ื,
06:27
tend to be more competitive here.
149
387260
3000
ื ื”ื™ื™ื ื™ื•ืชืจ ืชื—ืจื•ืชื™ื™ื ืคื”.
06:30
They're fine with teaching Milo for the first few throws,
150
390260
3000
ื”ื ืžื•ื›ื ื™ื ืœืœืžื“ ืืช ืžื™ื™ืœื• ื‘ื–ืจื™ืงื•ืช ื”ืจืืฉื•ื ื•ืช,
06:33
but then they want to beat Milo,
151
393260
2000
ืื‘ืœ ืื– ื”ื ืจื•ืฆื™ื ืœื ืฆื— ืืช ืžื™ื™ืœื•,
06:35
where women,
152
395260
2000
ื‘ืขื•ื“ ืฉื ืฉื™ื,
06:37
they're more nurturing about this.
153
397260
3000
ื”ืŸ ื™ื•ืชืจ ืžื˜ืคื—ื•ืช ืคื”.
06:43
Okay, this is skimming stones.
154
403260
2000
ืื•ืงื™ื™, ื–ื• ื”ืงืคืฆืช ืื‘ื ื™ื.
06:45
How do you skim stones?
155
405260
3000
ืื™ืš ืžืงืคื™ืฆื™ื ืื‘ื ื™ื?
06:48
You stand up,
156
408260
3000
ืืชื ืขื•ืžื“ื™ื,
06:51
and you skim the stone.
157
411260
2000
ื•ืืชื ืžืงืคื™ืฆื™ื ืืช ื”ืื‘ืŸ.
06:53
It's that simple.
158
413260
2000
ื–ื” ื›ื–ื” ืคืฉื•ื˜.
06:55
Just recognizing your body,
159
415260
2000
ืจืง ืœื”ื›ื™ืจ ืืช ื”ื’ื•ืฃ ืฉืœื›ื,
06:57
recognizing the body's motions, the tech,
160
417260
2000
ืœื”ื›ื™ืจ ืืช ื”ืชื ื•ืขื•ืช ืฉืœ ื”ื’ื•ืฃ, ื”ื˜ื›ื ื•ืœื•ื’ื™ื”,
06:59
understanding that you've gone
161
419260
2000
ืœื”ื‘ื™ืŸ ืฉืขื‘ืจืชื ืžืžืฆื‘ ืฉืœ
07:01
from sitting down to standing up.
162
421260
3000
ื™ืฉื™ื‘ื” ืœืžืฆื‘ ืฉืœ ืขืžื™ื“ื”.
07:04
Again, all of this is done
163
424260
2000
ืฉื•ื‘, ื›ืœ ื–ื” ื ืขืฉื”
07:06
in the way us humans do things,
164
426260
2000
ื‘ืฆื•ืจื” ืฉื‘ื” ืื ืฉื™ื ืขื•ืฉื™ื ื“ื‘ืจื™ื,
07:08
and that's crucially important
165
428260
3000
ื•ื–ื” ื—ื™ื•ื ื™
07:11
if we want Milo to appear real.
166
431260
2000
ืื ืื ื—ื ื• ืจื•ืฆื™ื ืฉืžื™ื™ืœื• ื™ืจืื” ืืžื™ืชื™.
07:13
Female Voice: See if you can inspire him to do any better.
167
433260
3000
ืงื•ืœ ื ืฉื™: ืชืจืื” ืื ืืชื” ื™ื›ื•ืœ ืœืขื•ื“ื“ ืื•ืชื• ืœืขืฉื•ืช ื˜ื•ื‘ ื™ื•ืชืจ.
07:21
Try hitting the boat.
168
441260
2000
ื ืกื” ืœืคื’ื•ืข ื‘ืกื™ืจื”.
07:25
Milo: Ahhh. So close.
169
445260
2000
ืžื™ื™ืœื•: ืื”ื”ื”. ื›ืœ ื›ืš ืงืจื•ื‘.
07:33
PM: That's Dimitri at his most competitive.
170
453260
2000
ืค ืž: ื–ื” ื“ื™ืžื™ื˜ืจื™ ื‘ืžืฆื‘ ื”ืชื—ืจื•ืชื™ ืฉืœื•.
07:35
Now beaten an 11-year-old child. Well done.
171
455260
3000
ืขื›ืฉื™ื• ื ื™ืฆื— ื™ืœื“ ื‘ืŸ 11. ื™ืคื” ืžืื•ื“.
07:39
Milo: Okay.
172
459260
2000
ืžื™ื™ืœื•: ืื•ืงื™ื™.
07:42
PM: So, Milo's being called back in by his parents,
173
462260
3000
ืค ืž: ืื–, ืžื™ื™ืœื• ื ืงืจื ื‘ื—ื–ืจื” ืœื‘ื™ืช ื”ื•ืจื™ื•,
07:45
giving us time to be alone
174
465260
2000
ื ื•ืชืŸ ืœื ื• ื–ืžืŸ ืœื”ื™ื•ืช ืœื‘ื“
07:47
and to help him out.
175
467260
2000
ื•ืœืขื–ื•ืจ ืœื•.
07:49
Basically -- the bit that we missed at the start --
176
469260
2000
ื‘ืขืงืจื•ืŸ -- ื”ื—ืœืง ืฉื”ื—ืžืฆื ื• ื‘ื”ืชื—ืœื” --
07:51
his parents had asked him to clean up his room.
177
471260
3000
ื”ื•ืจื™ื• ื‘ื™ืงืฉื• ืžืžื ื• ืœืกื“ืจ ืืช ื—ื“ืจื•.
07:54
And we're going to help him with this now.
178
474260
2000
ื•ืื ื—ื ื• ื ืขื–ื•ืจ ืœื• ืขื ื–ื” ืขื›ืฉื™ื•.
07:56
But this is going to be an introduction,
179
476260
2000
ืื‘ืœ ื–ื• ืขื•ืžื“ืช ืœื”ื™ื•ืช ื”ืงื“ืžื”,
07:58
and this is all about the deep psychology that we're trying to use.
180
478260
3000
ื•ื–ื” ื”ื›ืœ ืขืœ ื”ืคืกื™ื›ื•ืœื•ื’ื™ื” ื”ืขืžื•ืงื” ืฉืื ื—ื ื• ืžื ืกื™ื ืœื”ืฉืชืžืฉ ื‘ื”.
08:01
We're trying to introduce you
181
481260
2000
ืื ื—ื ื• ืžื ืกื™ื ืœื”ืฆื™ื’ ืœื›ื
08:03
to what I believe is the most wonderful part,
182
483260
3000
ืืช ืžื” ืฉืื ื™ ื—ื•ืฉื‘ ืฉื”ื•ื ื”ื—ืœืง ื”ื›ื™ ื ืคืœื,
08:06
you being able to talk
183
486260
2000
ืฉืืชื ืชื•ื›ืœื• ืœื“ื‘ืจ
08:08
in your natural voice to Milo.
184
488260
3000
ื‘ืงื•ืœ ื”ื˜ื‘ืขื™ ืฉืœื›ื ืœืžื™ื™ืœื•.
08:11
Now, to do that, we needed a set up,
185
491260
2000
ืขื›ืฉื™ื•, ื›ื“ื™ ืœืขืฉื•ืช ืืช ื–ื”, ืื ื—ื ื• ืฆืจื™ื›ื™ื ืœื”ืชื›ื•ื ืŸ,
08:13
like a magician's trick.
186
493260
2000
ื›ืžื• ื˜ืจื™ืง ืฉืœ ืงื•ืกื.
08:15
And what we did was,
187
495260
2000
ื•ืžื” ืฉืขืฉื™ื ื• ื”ื•ื,
08:17
we needed to give Milo this big problem.
188
497260
2000
ื”ื™ื™ื ื• ืฆืจื™ื›ื™ื ืœืชืช ืœืžื™ื™ืœื• ืืช ื”ื‘ืขื™ื” ื”ื’ื“ื•ืœื” ื”ื–ื•.
08:19
So as Dimitri
189
499260
3000
ืื– ื›ืฉื“ื™ืžื™ื˜ืจื™
08:22
starts tidying up,
190
502260
2000
ืžืชื—ื™ืœ ืœืกื“ืจ,
08:24
you can overhear a conversation
191
504260
2000
ืืชื ื™ื›ื•ืœื™ื ืœืฉืžื•ืข ืฉื™ื—ื”
08:26
that Milo's having with his parents.
192
506260
2000
ืฉืžื™ื™ืœื• ืขื•ืจืš ืขื ื”ื•ืจื™ื•.
08:28
Milo's Mom: Oh, you've got gravy all over the floor. (Milo: I didn't mean to!)
193
508260
2000
ืืžื ืฉืœ ืžื™ื™ืœื•: ืื•ื”, ื™ืฉ ืจื•ื˜ื‘ ืขืœ ื›ืœ ื”ืจืฆืคื”. (ืžื™ื™ืœื•: ืœื ื”ืชื›ื•ื•ื ืชื™!)
08:30
Milo's Mom: That carpet is brand new.
194
510260
2000
ืืžื ืฉืœ ืžื™ื™ืœื•: ื”ืฉื˜ื™ื— ื”ื–ื” ื—ื“ืฉ ืœื’ืžืจื™.
08:32
PM: So he's just spilled
195
512260
2000
ืค ืž: ืื– ื”ื•ื ืฉืคืš
08:34
a plate of sausages on the floor,
196
514260
2000
ืฆืœื—ืช ื ืงื ื™ืงื™ื•ืช ืขืœ ื”ืจืฆืคื”,
08:36
on the brand-new carpet.
197
516260
2000
ืขืœ ื”ืฉื˜ื™ื— ื”ื—ื“ืฉ.
08:38
We've all done it as parents; we've all done it as children.
198
518260
3000
ื›ื•ืœื ื• ืขืฉื™ื ื• ืืช ื–ื” ื›ื”ื•ืจื™ื; ื›ื•ืœื ื• ืขืฉื™ื ื• ืืช ื–ื” ื›ื™ืœื“ื™ื.
08:41
Now's a chance for Dimitri
199
521260
2000
ืขื›ืฉื™ื• ื–ื• ื”ื”ื–ื“ืžื ื•ืช ืฉืœ ื“ื™ืžื™ื˜ืจื™
08:43
to kind of reassure and calm Milo down.
200
523260
2000
ืœื”ืจื’ื™ืข ืืช ืžื™ื™ืœื•.
08:45
It's all been too much for him.
201
525260
2000
ื”ื›ืœ ื”ื™ื” ื™ื•ืชืจ ืžื“ื™ ื‘ืฉื‘ื™ืœื•.
08:47
He's just moved house. He's got no friends.
202
527260
3000
ื”ื•ื ืจืง ืขื‘ืจ ื‘ื™ืช. ืื™ืŸ ืœื• ื—ื‘ืจื™ื.
08:50
Now is the time
203
530260
2000
ืขื›ืฉื™ื• ื”ื–ืžืŸ
08:52
when we open that portal
204
532260
2000
ืฉืื ื—ื ื• ืคื•ืชื—ื™ื ืคืชื—
08:54
and allow you to talk to Milo.
205
534260
2000
ื•ืžืืคืฉืจื™ื ืœื›ื ืœื“ื‘ืจ ืขื ืžื™ื™ืœื•.
08:57
Female Voice: Why don't you try saying something encouraging
206
537260
3000
ืงื•ืœ ื ืฉื™: ืœืžื” ืœื ืชื ืกื” ืœื”ื’ื™ื“ ืœื• ืžืฉื”ื• ืžืขื•ื“ื“
09:00
to cheer Milo up.
207
540260
2000
ื›ื“ื™ ืœืขื•ื“ื“ ืืช ืžื™ื™ืœื•.
09:02
Dimitri: Come on, Milo. You know what parents are like.
208
542260
2000
ื“ื™ืžื™ื˜ืจื™: ืงื“ื™ืžื” ืžื™ื™ืœื•. ืืชื” ื™ื•ื“ืข ืื™ืš ื–ื” ื”ื•ืจื™ื.
09:04
They're always getting stressed.
209
544260
3000
ื”ื ืชืžื™ื“ ื ืœื—ืฆื™ื.
09:08
Milo: What do they want to come here for anyway?
210
548260
3000
ืžื™ื™ืœื•: ืœืžื” ื”ื ืจืฆื• ืœื‘ื•ื ืœืคื” ื‘ื›ืœืœ?
09:12
We don't know anyone.
211
552260
3000
ืื ื—ื ื• ืœื ืžื›ื™ืจื™ื ืืฃ ืื—ื“.
09:15
Dimitri: Well, you've got a new school to go to.
212
555260
2000
ื“ื™ืžื™ื˜ืจื™: ื™ืฉ ืœืš ื‘ื™ืช ืกืคืจ ื—ื“ืฉ ืœืœื›ืช ืืœื™ื•.
09:17
You're going to meet loads of cool, new friends.
213
557260
3000
ืชื›ื™ืจ ื”ืžื•ืŸ ื—ื‘ืจื™ื ื—ื“ืฉื™ื ื•ืžื’ื ื™ื‘ื™ื.
09:22
Milo: I just really miss my old house, that's all.
214
562260
3000
ืžื™ื™ืœื•: ืื ื™ ืคืฉื•ื˜ ืžืžืฉ ืžืชื’ืขื’ืข ืœื‘ื™ืช ื”ื™ืฉืŸ ืฉืœื™, ื–ื” ื”ื›ืœ.
09:28
Dimitri: Well, this is a pretty awesome house, Milo.
215
568260
2000
ื“ื™ืžื™ื˜ืจื™: ื–ื” ื‘ื™ืช ืžืžืฉ ืžื’ื ื™ื‘, ืžื™ื™ืœื•.
09:30
You've got a cool garden to play in and a pond.
216
570260
3000
ื™ืฉ ืœืš ื’ืŸ ืžื’ื ื™ื‘ ืœืฉื—ืง ื‘ื• ื•ื‘ืจื™ื›ื”.
09:37
Milo: It was good skimming stones.
217
577260
2000
ืžื™ื™ืœื•: ื–ื” ื”ื™ื” ื›ื™ืฃ ืœื”ืงืคื™ืฅ ืื‘ื ื™ื.
09:47
This looks nice.
218
587260
2000
ื–ื” ื ืจืื” ื ื—ืžื“.
09:50
You cleaned up my room.
219
590260
2000
ืกื™ื“ืจืช ืœื™ ืืช ื”ื—ื“ืจ.
09:52
Thanks.
220
592260
2000
ืชื•ื“ื”.
09:54
PM: So after three-quarters of an hour,
221
594260
2000
ืค ืž: ืื– ืื—ืจื™ ืฉืœื•ืฉืช ืจื‘ืขื™ ื”ืฉืขื”,
09:56
he recognizes you.
222
596260
2000
ื”ื•ื ืžื›ื™ืจ ืืชื›ื.
09:58
And I promise you, if you're sitting in front of this screen,
223
598260
3000
ื•ืื ื™ ืžื‘ื˜ื™ื— ืœื›ื, ืื ืืชื ื™ื•ืฉื‘ื™ื ืžื•ืœ ื”ืžืกืš ื”ื–ื”,
10:01
that is a truly wonderful moment.
224
601260
3000
ื–ื” ืจื’ืข ืžืžืฉ ื ืคืœื.
10:04
And we're ready now
225
604260
2000
ื•ืื ื—ื ื• ืžื•ื›ื ื™ื ืขื›ืฉื™ื•
10:06
to tell a story about his childhood and his life,
226
606260
2000
ืœืกืคืจ ืกื™ืคื•ืจ ืขืœ ื”ื™ืœื“ื•ืช ืฉืœื• ื•ืขืœ ื—ื™ื™ื•,
10:08
and it goes on,
227
608260
2000
ื•ื–ื” ืžืžืฉื™ืš,
10:10
and he has, you know, many adventures.
228
610260
2000
ื•ื™ืฉ ืœื•, ืืชื ื™ื•ื“ืขื™ื, ื”ืจื‘ื” ื”ืจืคืชืงืื•ืช.
10:12
Some of those adventures are a little bit dark or on the darker side.
229
612260
3000
ื—ืœืง ืžื”ื”ืจืคืชืงืื•ืช ื”ืืœื” ื—ืฉื•ื›ื•ืช ืื• ื‘ืฆื“ ื”ื—ืฉื•ืš.
10:15
Some of those adventures are wonderfully encouraging --
230
615260
2000
ื—ืœืง ืžื”ื”ืจืคืชืงืื•ืช ื”ืืœื” ืžืžืฉ ืžืขื•ื“ื“ื•ืช --
10:17
he's got to go to school.
231
617260
2000
ื”ื•ื ืฆืจื™ืš ืœืœื›ืช ืœื‘ื™ืช ื”ืกืคืจ.
10:19
The cool thing is
232
619260
2000
ื”ื“ื‘ืจ ื”ืžื’ื ื™ื‘ ื”ื•ื
10:21
that we're doing as well:
233
621260
2000
ืฉื’ื ืื ื—ื ื• ืขื•ืฉื™ื:
10:23
as you interact with him,
234
623260
2000
ื›ืฉืžืชืงืฉืจื™ื ืื™ืชื•,
10:25
you're able to put things into his world; he recognizes objects.
235
625260
3000
ืืชื ื™ื›ื•ืœื™ื ืœืฉื™ื ื“ื‘ืจื™ื ื‘ืขื•ืœื ืฉืœื•, ื•ื”ื•ื ืžื–ื”ื” ืืช ื”ื—ืคืฆื™ื.
10:28
His mind is based in a cloud.
236
628260
3000
ื”ืžื•ื— ืฉืœื• ื‘ื‘ืกื™ืกื• ื‘ืขื ืŸ.
10:31
That means Milo's mind,
237
631260
2000
ื–ื” ืื•ืžืจ ืฉืจืืฉื• ืฉืœ ืžื™ื™ืœื•,
10:33
as millions of people use it,
238
633260
2000
ื›ืฉืžื™ืœื™ื•ื ื™ ืื ืฉื™ื ืžืฉืชืžืฉื™ื ื‘ื•,
10:35
will get smarter and cleverer.
239
635260
2000
ื™ืขืฉื” ื—ื›ื ื™ื•ืชืจ ื•ื ื‘ื•ืŸ ื™ื•ืชืจ.
10:37
He'll recognize more objects
240
637260
2000
ื”ื•ื ื™ื–ื”ื” ื™ื•ืชืจ ื—ืคืฆื™ื
10:39
and thus understand more words.
241
639260
2000
ื•ืœื›ืŸ ื™ื‘ื™ืŸ ื™ื•ืชืจ ืžื™ืœื™ื.
10:41
But for me,
242
641260
2000
ืื‘ืœ ื‘ืฉื‘ื™ืœื™,
10:43
this is a wonderful opportunity
243
643260
2000
ื–ื• ื”ื–ื“ืžื ื•ืช ื ืคืœืื”
10:45
where technology, at last, can be connected with,
244
645260
3000
ื‘ื” ืืคืฉืจ, ืœื‘ืกื•ืฃ, ืœื”ืชื—ื‘ืจ ืขื ื”ื˜ื›ื ื•ืœื•ื’ื™ื”,
10:48
where I am no longer restrained
245
648260
2000
ืžืงื•ื ื‘ื• ืื ื™ ืœื ืžื•ื’ื‘ืœ ื™ื•ืชืจ
10:50
by the finger I hold in my hand --
246
650260
2000
ืœืืฆื‘ืข ื‘ื™ื“ --
10:52
as far as a computer game's concerned --
247
652260
2000
ื‘ื™ื—ืก ืœืžืฉื—ืงื™ ืžื—ืฉื‘ --
10:54
or by the blandness of not being noticed
248
654260
2000
ืื• ืœื—ื•ืกืจ ื”ืขื ื™ื™ืŸ ื›ืฉืœื ืžื‘ื—ื™ื ื™ื ื‘ืš
10:56
if you're watching a film or a book.
249
656260
3000
ืื ืืชื” ืจื•ืื” ืกืจื˜ ืื• ืงื•ืจื ืกืคืจ.
10:59
And I love those revolutions,
250
659260
3000
ื•ืื ื™ ืื•ื”ื‘ ืืช ื”ืžื”ืคื›ื•ืช ื”ืืœื•,
11:02
and I love the future that Milo brings.
251
662260
2000
ื•ืื ื™ ืื•ื”ื‘ ืืช ื”ืขืชื™ื“ ืฉืžื™ื™ืœื• ืžื‘ื™ื.
11:04
Thank you very much indeed.
252
664260
2000
ืชื•ื“ื” ืจื‘ื” ืœื›ื ื‘ืืžืช.
11:06
(Applause)
253
666260
3000
(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

https://forms.gle/WvT1wiN1qDtmnspy7