4 ways to build a human company in the age of machines | Tim Leberecht

94,236 views ใƒป 2016-12-01

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Alsa Saal ืžื‘ืงืจ: Ido Dekkers
00:12
Half of the human workforce is expected to be replaced
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ืžืฆืคื™ื ืฉืžื—ืฆื™ืช ืžื”ืขื‘ื•ื“ื” ื”ืื ื•ืฉื™ืช ืชื•ื—ืœืฃ
ืขืœ ื™ื“ื™ ืชื•ื›ื ื•ืช ื•ืจื•ื‘ื•ื˜ื™ื ื‘- 20 ื”ืฉื ื™ื ื”ืงืจื•ื‘ื•ืช.
00:16
by software and robots in the next 20 years.
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00:19
And many corporate leaders welcome that as a chance to increase profits.
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ืจืืฉื™ ืชืื’ื™ื“ื™ื ืจื‘ื™ื ืจื•ืื™ื ื‘ื›ืš ื”ื–ื“ืžื ื•ืช ืœื”ื’ื“ื™ืœ ืืช ืจื•ื•ื—ื™ื”ื.
00:24
Machines are more efficient;
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ืžื›ื•ื ื•ืช ื”ืŸ ื™ื•ืชืจ ื™ืขื™ืœื•ืช;
00:26
humans are complicated and difficult to manage.
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ื‘ื ื™ ืื“ื ื”ื ืžื•ืจื›ื‘ื™ื ื™ื•ืชืจ ื•ืงืฉื™ื ื™ื•ืชืจ ืœื ื™ื”ื•ืœ.
00:31
Well, I want our organizations to remain human.
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ื•ื‘ื›ืŸ, ืื ื™ ืจื•ืฆื” ืฉื”ืืจื’ื•ื ื™ื ืฉืœื ื• ื™ื™ืฉืืจื• ืื ื•ืฉื™ื™ื.
00:37
In fact, I want them to become beautiful.
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ืœืžืขืฉื”, ืื ื™ ืจื•ืฆื” ืฉื”ื ื™ื”ืคื›ื• ืœื™ืคื™ื.
ื›ื™ ื›ืฉืžื›ื•ื ื•ืช ื™ื™ืงื—ื• ืืช ืขื‘ื•ื“ื•ืชื™ื ื• ื•ื™ืขืฉื• ืื•ืชืŸ ื‘ืฆื•ืจื” ื™ืขื™ืœื” ื™ื•ืชืจ,
00:41
Because as machines take our jobs and do them more efficiently,
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00:44
soon the only work left for us humans will be the kind of work
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ื‘ืงืจื•ื‘, ื›ืœ ื”ืขื‘ื•ื“ื•ืช ืฉื™ืฉืืจื• ืœื ื•, ื‘ื ื™ ื”ืื“ื, ื™ื”ื™ื• ืกื•ื’ ื”ืขื‘ื•ื“ื•ืช
ืฉืฆืจื™ื›ื•ืช ืœื”ื™ืขืฉื•ืช ื‘ืฆื•ืจื” ื™ืคื” ื•ืœื ื‘ืฆื•ืจื” ื™ืขื™ืœื” ื™ื•ืชืจ.
00:49
that must be done beautifully rather than efficiently.
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00:53
To maintain our humanity in the this second Machine Age,
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ืขืœ ืžื ืช ืœืฉืžื•ืจ ืขืœ ื”ืื ื•ืฉื™ื•ืช ืฉืœื ื• ื‘ืขื™ื“ืŸ ื”ืžื›ื•ื ื•ืช ื”ืฉื ื™ ื”ื–ื”,
00:56
we may have no other choice than to create beauty.
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ื™ืชื›ืŸ ืฉืื™ืŸ ืœื ื• ื‘ืจื™ืจื” ืžืœื‘ื“ ืœื™ืฆื•ืจ ื™ื•ืคื™.
01:02
Beauty is an elusive concept.
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ื™ื•ืคื™ ื”ื•ื ืžื•ืฉื’ ื—ืžืงืžืง.
01:04
For the writer Stendhal it was the promise of happiness.
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ืขื‘ื•ืจ ื”ืกื•ืคืจ ืกื˜ื ื“ืœ ืžืฉืžืขื•ืชื• ื”ื™ืชื” ื”ื”ื‘ื˜ื—ื” ืœืื•ืฉืจ.
01:08
For me it's a goal by Lionel Messi.
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ืขื‘ื•ืจื™ ื”ื•ื ืฉืขืจ ืฉืœ ืœื™ื•ื ืœ ืžืกื™.
01:10
(Laughter)
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(ืฆื—ื•ืง)
01:12
So bear with me
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ืื– ื”ื™ืฉืืจื• ืขืžื™
01:13
as I am proposing four admittedly very subjective principles
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ื›ืฉืื ื™ ืžืฆื™ื’ ืืจื‘ืขื” ืขืงืจื•ื ื•ืช ืžืื“ ืกื•ื‘ื™ืงื˜ื™ื‘ื™ื™ื, ืื ื™ ืžื•ื“ื”,
01:18
that you can use to build a beautiful organization.
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ืฉืืชื ื™ื›ื•ืœื™ื ืœื”ืฉืชืžืฉ ื‘ื”ื ื›ื“ื™ ืœื‘ื ื•ืช ืืจื’ื•ืŸ ื™ืคื”.
01:21
First: do the unnecessary.
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ื”ืจืืฉื•ืŸ: ืขืฉื• ืืช ื”ืœื-ื ื—ื•ืฅ.
01:24
[Do the Unnecessary]
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[ืขืฉื• ืืช ื”ืœื-ื ื—ื•ืฅ]
01:25
A few months ago, Hamdi Ulukaya,
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ืœืคื ื™ ืžืกืคืจ ื—ื•ื“ืฉื™ื, ื—ืžื“ื™ ืื•ืœื•ืงืื™ื”,
01:27
the CEO and founder of the yogurt company Chobani,
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ื”ืžื ื›"ืœ ื•ื”ืžื™ื™ืกื“ ืฉืœ ื—ื‘ืจืช ื”ื™ื•ื’ื•ืจื˜ ืฆ'ื•ื‘ืื ื™,
01:30
made headlines when he decided to grant stock to all of his 2,000 employees.
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ื”ื’ื™ืข ืœื›ื•ืชืจื•ืช ื›ืฉื”ื—ืœื™ื˜ ืœื”ืขื ื™ืง ืžื ื™ื•ืช ืœื›ืœ 2,000 ื”ืขื•ื‘ื“ื™ื ืฉืœื•.
01:35
Some called it a PR stunt,
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ื™ืฉ ื”ืžื›ื ื™ื ื–ืืช ืชืขืœื•ืœ ืฉืœ ื™ื—ืกื™ ืฆื™ื‘ื•ืจ,
01:37
others -- a genuine act of giving back.
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ืื—ืจื™ื -- ืžื—ื•ื•ื” ืืžื™ืชื™ืช ืฉืœ ื”ื—ื–ืจืช ื˜ื•ื‘ื”.
01:39
But there is something else that was remarkable about it.
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ืื‘ืœ ื”ื™ื” ืžืฉื”ื• ืื—ืจ ื™ื•ืฆื ื“ื•ืคืŸ ื‘ื›ืš.
ื–ื” ื”ื’ื™ืข ืœื’ืžืจื™ ื‘ื”ืคืชืขื”.
01:43
It came completely out of the blue.
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ืœื ื”ื™ื” ื›ืœ ืœื—ืฅ ืฉืœ ื›ื•ื—ื•ืช ื”ืฉื•ืง ืื• ืฉืœ ื‘ืขืœื™ ื”ืžื ื™ื•ืช
01:45
There had been no market or stakeholder pressure,
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01:47
and employees were so surprised
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ื•ื”ืขื•ื‘ื“ื™ื ื”ื™ื• ื›ืœ ื›ืš ืžื•ืคืชืขื™ื
01:49
that they burst into tears when they heard the news.
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ืขื“ ืฉื”ื ืคืจืฆื• ื‘ื“ืžืขื•ืช ื›ืฉืฉืžืขื• ืืช ื”ื—ื“ืฉื•ืช.
01:53
Actions like Ulukaya's are beautiful because they catch us off guard.
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ืคืขื•ืœื•ืช ื›ืžื• ื–ื• ืฉืœ ืื•ืœื•ืงืื™ื” ื”ืŸ ื™ืคื•ืช ืžืคื ื™ ืฉื”ืŸ ืชื•ืคืกื•ืช ืื•ืชื ื• ืœื ืžื•ื›ื ื™ื.
01:57
They create something out of nothing
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ื”ืŸ ื™ื•ืฆืจื•ืช ื™ืฉ ืžืื™ืŸ
ืžืคื ื™ ืฉื”ืŸ ืœื—ืœื•ื˜ื™ืŸ ืœื ื ื—ื•ืฆื•ืช.
02:00
because they're completely unnecessary.
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ืคืขื ืขื‘ื“ืชื™ ื‘ื—ื‘ืจื”
02:04
I once worked at a company
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ืฉื ื•ืฆืจื” ื›ืชื•ืฆืื” ืžืžื™ื–ื•ื’
02:06
that was the result of a merger
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02:07
of a large IT outsourcing firm and a small design firm.
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ื‘ื™ืŸ ื—ื‘ืจื” ื’ื“ื•ืœื” ืœืžื™ืงื•ืจ ื—ื•ืฅ ืฉืœ IT ื•ื—ื‘ืจืช ืขื™ืฆื•ื‘ ืงื˜ื ื”.
02:11
We were merging 9,000 software engineers
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ืžื™ื–ื’ื ื• 9,000 ืžื”ื ื“ืกื™ ืชื•ื›ื ื”
02:13
with 1,000 creative types.
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ืขื 1,000 ื˜ื™ืคื•ืกื™ื ื™ืฆื™ืจืชื™ื™ื.
02:15
And to unify these immensely different cultures,
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ื•ื›ื“ื™ ืœืื—ื“ ืืช ื”ืชืจื‘ื•ื™ื•ืช ื”ืฉื•ื ื•ืช ื‘ืชื›ืœื™ืช ื”ืœืœื•,
02:18
we were going to launch a third, new brand.
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ืขืžื“ื ื• ืœื”ืฉื™ืง ืžื•ืชื’ ืฉืœื™ืฉื™, ื—ื“ืฉ.
02:21
And the new brand color was going to be orange.
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ื•ื”ืฆื‘ืข ืฉืœ ื”ืžื•ืชื’ ื”ื—ื“ืฉ ื”ื™ื” ืืžื•ืจ ืœื”ื™ื•ืช ื›ืชื•ื.
ื›ืฉืขื‘ืจื ื• ืขืœ ื”ืชืงืฆื™ื‘ ืขื‘ื•ืจ ื”ื”ืฉืงื”,
02:25
And as we were going through the budget for the rollouts,
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02:28
we decided last minute
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ื”ื—ืœื˜ื ื• ื‘ืจื’ืข ื”ืื—ืจื•ืŸ
02:30
to cut the purchase of 10,000 orange balloons,
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ืœืงืฆืฅ ืืช ื”ืจื›ื™ืฉื” ืฉืœ 10,000 ื‘ืœื•ื ื™ื ื›ืชื•ืžื™ื,
02:34
which we had meant to distribute to all staff worldwide.
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ืฉื”ืชื›ื•ื•ื ื• ืœื—ืœืง ืœื›ืœ ื”ืขื•ื‘ื“ื™ื ื‘ืจื—ื‘ื™ ื”ืขื•ืœื.
02:37
They just seemed unnecessary and cute in the end.
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ื”ื ืคืฉื•ื˜ ื ืจืื• ืœื ื ื—ื•ืฆื™ื ื•ื—ืžื•ื“ื™ื.
02:41
I didn't know back then
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ืœื ื™ื“ืขืชื™ ื‘ืื•ืชื• ื–ืžืŸ
02:43
that our decision marked the beginning of the end --
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ืฉื”ื”ื—ืœื˜ื” ืฉืœื ื• ืกื™ืžื ื” ืืช ืชื—ื™ืœืชื• ืฉืœ ื”ืกื•ืฃ --
02:46
that these two organizations would never become one.
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ืฉืฉื ื™ ื”ืืจื’ื•ื ื™ื ื”ืœืœื• ืœืขื•ืœื ืœื ื™ื”ืคื›ื• ืœืื—ื“.
02:49
And sure enough, the merger eventually failed.
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ื•ื‘ืืžืช, ื”ืžื™ื–ื•ื’ ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ ื ื›ืฉืœ.
02:52
Now, was it because there weren't any orange balloons?
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ื”ืื ื–ื” ืงืจื” ื‘ื’ืœืœ ืฉืœื ื”ื™ื• ื‘ืœื•ื ื™ื ื›ืชื•ืžื™ื?
02:55
No, of course not.
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ืœื, ื›ืžื•ื‘ืŸ ืฉืœื.
02:57
But the kill-the-orange-balloons mentality permeated everything else.
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ืื‘ืœ ื”ืžื ื˜ืœื™ื•ืช ืฉืœ ืงื™ืฆื•ืฅ ื”ื‘ืœื•ื ื™ื ื”ื›ืชื•ืžื™ื ื—ืœื—ืœื” ืœื›ืœ ืžืงื•ื.
ืœื ืชืžื™ื“ ืืชื ืฉืžื™ื ืœื‘ ืœื›ืš, ืืš ื›ืฉืืชื ืžืงืฆืฆื™ื ืืช ื”ืœื-ื ื—ื•ืฅ,
03:03
You might not always realize it, but when you cut the unnecessary,
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03:06
you cut everything.
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ืืชื ืžืงืฆืฆื™ื ืืช ื”ื›ืœ.
03:09
Leading with beauty means rising above what is merely necessary.
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ืœื”ื ื”ื™ื’ ื‘ืืžืฆืขื•ืช ื™ื•ืคื™ ืžืฉืžืขื•ืชื• ืœื”ืชืขืœื•ืช ืžืขืœ ืžื” ืฉื ื—ื•ืฅ ื‘ืœื‘ื“.
03:14
So do not kill your orange balloons.
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ืื– ืืœ ืชื”ืจื’ื• ืืช ื”ื‘ืœื•ื ื™ื ื”ื›ืชื•ืžื™ื.
ื”ืขืงืจื•ืŸ ื”ืฉื ื™:
03:19
The second principle:
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03:20
create intimacy.
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ืฆืจื• ืื™ื ื˜ื™ืžื™ื•ืช
[ืฆืจื• ืื™ื ื˜ื™ืžื™ื•ืช]
03:22
[Create Intimacy]
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03:23
Studies show that how we feel about our workplace
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ืžื—ืงืจื™ื ืžืจืื™ื ืฉื”ืื•ืคืŸ ืฉื‘ื• ืื ื• ื—ืฉื™ื ื›ืœืคื™ ืžืงื•ื ื”ืขื‘ื•ื“ื” ืฉืœื ื•
03:26
very much depends on the relationships with our coworkers.
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ืชืœื•ื™ ืžืื“ ื‘ื™ื—ืกื™ื ืฉืœื ื• ืขื ืขืžื™ืชื™ื ื•.
03:29
And what are relationships other than a string of microinteractions?
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ื•ืžื” ื”ื ื™ื—ืกื™ื, ืื ืœื ืฉืจืฉืจืช ืฉืœ ืื™ื ื˜ืจืืงืฆื™ื•ืช ืงื˜ื ื•ืช?
ื™ืฉ ืžืื•ืช ื›ืืœื• ืžื“ื™ ื™ื•ื ื‘ืืจื’ื•ื ื™ื ืฉืœื ื•
03:33
There are hundreds of these every day in our organizations
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03:36
that have the potential to distinguish a good life from a beautiful one.
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ืฉื™ื›ื•ืœื•ืช ืœื™ืฆื•ืจ ืืช ื”ื”ื‘ื“ืœ ื‘ื™ืŸ ื—ื™ื™ื ื˜ื•ื‘ื™ื ืœื‘ื™ืŸ ื—ื™ื™ื ื™ืคื™ื.
03:41
The marriage researcher John Gottman says
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ื—ื•ืงืจ ื”ื ื™ืฉื•ืื™ืŸ ื’'ื•ืŸ ื’ื•ื˜ืžืŸ ืื•ืžืจ
03:43
that the secret of a healthy relationship
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ืฉื”ืกื•ื“ ืฉืœ ื™ื—ืกื™ื ื‘ืจื™ืื™ื
ืื™ื ื• ื”ืžื—ื•ื•ื” ื”ื’ื“ื•ืœื” ืื• ื”ื”ื‘ื˜ื—ื” ื”ื ืขืœื”,
03:46
is not the great gesture or the lofty promise,
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03:49
it's small moments of attachment.
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ืืœื ืจื’ืขื™ื ืงื˜ื ื™ื ืฉืœ ื—ื™ื‘ื•ืจ.
03:52
In other words, intimacy.
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ื‘ืžื™ืœื™ื ืื—ืจื•ืช, ืื™ื ื˜ื™ืžื™ื•ืช.
ื‘ืืจื’ื•ื ื™ื ื”ืžืจื•ืฉืชื™ื ืฉืœื ื•
03:55
In our networked organizations,
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03:56
we tout the strength of weak ties
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ืื ื• ืจื•ื“ืคื™ื ืื—ืจื™ ื—ื•ื–ืงื ืฉืœ ื”ืงืฉืจื™ื ื”ื—ืœืฉื™ื
03:59
but we underestimate the strength of strong ones.
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ืื‘ืœ ืื ื• ืžืคื—ื™ืชื™ื ื‘ื—ืฉื™ื‘ื•ืชื ืฉืœ ืงืฉืจื™ื ื—ื–ืงื™ื.
04:02
We forget the words of the writer Richard Bach who once said,
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ืื ื• ืฉื•ื›ื—ื™ื ืืช ืžื™ืœื•ืชื™ื• ืฉืœ ื”ืกื•ืคืจ ืจื™ืฆ'ืจื“ ื‘ืืš, ืฉืืžืจ ืคืขื:
"ืื™ื ื˜ื™ืžื™ื•ืช --
04:05
"Intimacy --
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04:06
not connectedness --
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ืœื ื—ื™ื‘ื•ืจื™ื•ืช --
04:07
intimacy is the opposite of loneliness."
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ืื™ื ื˜ื™ืžื™ื•ืช ื”ื™ื ื”ื”ื™ืคืš ืžื‘ื“ื™ื“ื•ืช."
04:10
So how do we design for organizational intimacy?
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ืื– ืื™ืš ืื ื—ื ื• ืžืขืฆื‘ื™ื ื›ื“ื™ ืœื™ืฆื•ืจ ืื™ื ื˜ื™ืžื™ื•ืช ืืจื’ื•ื ื™ืช?
04:15
The humanitarian organization CARE
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ื”ืืจื’ื•ืŸ ื”ื”ื•ืžื ื™ื˜ืจื™ CARE
04:17
wanted to launch a campaign on gender equality
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ืจืฆื” ืœื”ืฉื™ืง ืงืžืคื™ื™ืŸ ื‘ื ื•ืฉื ืฉื™ื•ื•ื™ื•ืŸ ืžื’ื“ืจื™
04:19
in villages in northern India.
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ื‘ื›ืคืจื™ื ื‘ืฆืคื•ืŸ ื”ื•ื“ื•.
ืื‘ืœ ื”ื ื”ื‘ื™ื ื• ื‘ืžื”ืจื”
04:22
But it realized quickly
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04:23
that it had to have this conversation first with its own staff.
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ืฉื”ื ืฆืจื™ื›ื™ื ืœืงื™ื™ื ืืช ื”ืฉื™ื— ื”ื–ื” ืงื•ื“ื ื›ืœ ืขื ื”ืขื•ื‘ื“ื™ื ืฉืœื”ื.
04:26
So it invited all 36 team members and their partners
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ื”ื ื”ื–ืžื™ื ื• ืืช ื›ืœ 36 ื—ื‘ืจื™ ื”ืฆื•ื•ืช ืขื ื‘ื ื™ ื•ื‘ื ื•ืช ื”ื–ื•ื’ ืฉืœื”ื
ืœืื—ื“ ืžืžืงื“ืฉื™ ื—'ืื’'ื•ืจืื”ื•,
04:32
to one of the Khajuraho Temples,
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04:33
known for their famous erotic sculptures.
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ื”ื™ื“ื•ืขื™ื ื‘ืคืกืœื™ื ื”ืื™ืจื•ื˜ื™ื™ื ื”ืžืคื•ืจืกืžื™ื ืฉืœื”ื.
04:37
And there they openly discussed their personal relationships --
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ื•ืฉื ื”ื ื“ื™ื‘ืจื• ื‘ืคืชื™ื—ื•ืช ืขืœ ื”ื™ื—ืกื™ื ื”ืื™ืฉื™ื™ื ืฉืœื”ื --
ื”ื—ื•ื•ื™ื•ืช ืฉืœื”ื ื‘ื ื•ืฉื ืฉื™ื•ื•ื™ื•ืŸ ืžื’ื“ืจื™
04:41
their own experiences of gender equality
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04:44
with the coworkers and the partners.
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ืขื ืขืžื™ืชื™ื”ื ืœืขื‘ื•ื“ื” ื•ืขื ื‘ื ื™ ื”ื–ื•ื’.
ื–ื” ื”ื™ื” ืžืื™ืจ ืขื™ื ื™ื™ื ืขื‘ื•ืจ ื”ืžืฉืชืชืคื™ื.
04:47
It was eye-opening for the participants.
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04:49
Not only did it allow them to relate to the communities they serve,
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ื–ื” ืื™ืคืฉืจ ืœื”ื ืœื ืจืง ืœื”ื™ืงืฉืจ ืœืงื”ื™ืœื•ืช ืฉืื•ืชืŸ ื”ื ืžืฉืจืชื™ื,
04:53
it also broke down invisible barriers
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ื–ื” ื’ื ื”ืกื™ืจ ืžื—ืกื•ืžื™ื ื‘ืœืชื™ ื ืจืื™ื
04:55
and created a lasting bond amongst themselves.
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ื•ื™ืฆืจ ืงืฉืจ ืžืชืžืฉืš ื‘ื™ื ื ืœื‘ื™ืŸ ืขืฆืžื.
04:58
Not a single team member quit in the next four years.
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ืืฃ ืœื ื—ื‘ืจ ืฆื•ื•ืช ืื—ื“ ืขื–ื‘ ื‘ืืจื‘ืข ื”ืฉื ื™ื ืœืื—ืจ ืžื›ืŸ.
05:03
So this is how you create intimacy.
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ืื– ื›ืš ื™ื•ืฆืจื™ื ืื™ื ื˜ื™ืžื™ื•ืช.
05:05
No masks ...
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ื‘ืœื™ ืžืกื›ื•ืช...
05:07
or lots of masks.
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ืื• ื”ืจื‘ื” ืžืกื›ื•ืช.
05:09
(Laughter)
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(ืฆื—ื•ืง)
05:10
When Danone, the food company,
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ื›ืฉื“ื ื•ื ื”, ื—ื‘ืจืช ื”ืžื–ื•ืŸ,
05:12
wanted to translate its new company manifesto into product initiatives,
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ืจืฆืชื” ืœืชืจื’ื ืืช ืžื“ื™ื ื™ื•ืช ื”ื—ื‘ืจื” ื”ื—ื“ืฉื” ืฉืœื” ืœื™ื•ื–ืžื•ืช ืžื•ืฆืจื™ื
05:16
it gathered the management team
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ื”ื™ื ื›ื™ื ืกื” ืืช ืฆื•ื•ืช ื”ื”ื ื”ืœื”
05:18
and 100 employees from across different departments,
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ื•- 100 ืขื•ื‘ื“ื™ื ืžืžื—ืœืงื•ืช ืฉื•ื ื•ืช,
05:22
seniority levels and regions
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ื‘ืขืœื™ ื•ืชืง ืฉื•ื ื” ื•ืžืื™ื–ื•ืจื™ื ืฉื•ื ื™ื
ืœืฉืœื•ืฉื” ื™ืžื™ื ืฉืœ ื—ืฉื™ื‘ื” ืืกื˜ืจื˜ื’ื™ืช.
05:24
for a three-day strategy retreat.
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05:26
And it asked everybody to wear costumes for the entire meeting:
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ื”ื ื‘ื™ืงืฉื• ืžื›ื•ืœื ืœืœื‘ื•ืฉ ืชื—ืคื•ืฉื•ืช ืœืื•ืจืš ื›ืœ ื”ื›ื™ื ื•ืก:
05:30
wigs, crazy hats, feather boas,
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ืคืื•ืช, ื›ื•ื‘ืขื™ื ืžื˜ื•ืจืคื™ื, ืฆืขื™ืคื™ ื ื•ืฆื•ืช,
05:33
huge glasses and so on.
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ืžืฉืงืคื™ื™ื ืขื ืงื™ื™ื ื•ื›ืŸ ื”ืœืื”.
05:35
And they left with concrete outcomes
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ื”ื ืกื™ื™ืžื• ืขื ืชื•ืฆืื•ืช ืงื•ื ืงืจื˜ื™ื•ืช
05:37
and full of enthusiasm.
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ื•ืžืœืื™ ื”ืชืœื”ื‘ื•ืช.
ื›ืฉืฉืืœืชื™ ืืช ื”ืื™ืฉื” ืฉืชื›ื ื ื” ืืช ื”ื—ื•ื•ื™ื” ื”ื–ื•
05:40
And when I asked the woman who had designed this experience
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ืœืžื” ื–ื” ืขื‘ื“,
05:43
why it worked,
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05:44
she simply said, "Never underestimate the power of a ridiculous wig."
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ื”ื™ื ืคืฉื•ื˜ ืืžืจื”: "ืœืขื•ืœื ืืœ ืชืžืขื™ื˜ ื‘ื—ืฉื™ื‘ื•ืชื” ืฉืœ ืคืื” ืžื’ื•ื—ื›ืช".
(ืฆื—ื•ืง)
05:48
(Laughter)
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05:49
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
05:52
Because wigs erase hierarchy,
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ืžืคื ื™ ืฉืคืื•ืช ืžื‘ื˜ืœื•ืช ื”ื™ืจืจื›ื™ื”,
ื•ื”ื™ืจืจื›ื™ื” ื”ื•ืจื’ืช ืื™ื ื˜ื™ืžื™ื•ืช --
05:56
and hierarchy kills intimacy --
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05:57
both ways,
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ื‘ืฉื ื™ ื”ื›ื™ื•ื•ื ื™ื,
05:59
for the CEO and the intern.
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ืขื‘ื•ืจ ื”ืžื ื›"ืœ ื•ืขื‘ื•ืจ ื”ืžืชืžื—ื”.
06:01
Wigs allow us to use the disguise of the false
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ืคืื•ืช ืขื•ื–ืจื•ืช ืœื ื• ืœื”ืฉืชืžืฉ ื‘ืžืกื•ื•ื” ืฉืœ ื”ืฉืงืจื™
06:05
to show something true about ourselves.
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ื›ื“ื™ ืœื”ืจืื•ืช ืžืฉื”ื• ืืžื™ืชื™ ืขืœ ืขืฆืžื ื•.
ื•ื–ื” ืœื ืคืฉื•ื˜ ื‘ื—ื™ื™ ื”ืขื‘ื•ื“ื” ื”ื™ื•ืžื™ื•ืžื™ื™ื,
06:09
And that's not easy in our everyday work lives,
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06:11
because the relationship with our organizations
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ื‘ื’ืœืœ ืฉื”ื™ื—ืกื™ื ืฉืœื ื• ืขื ื”ืืจื’ื•ื ื™ื ืฉืœื ื•
06:13
is often like that of a married couple that has grown apart,
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ื“ื•ืžื™ื ืœืขืชื™ื ืงืจื•ื‘ื•ืช ืœืืœื• ืฉืœ ื–ื•ื’ ื ืฉื•ื™ ืฉื”ืชืจื—ืง,
06:18
suffered betrayals and disappointments,
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ืกื‘ืœ ื‘ื’ื™ื“ื•ืช ื•ืื›ื–ื‘ื•ืช,
06:21
and is now desperate to be beautiful for one another once again.
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ื•ื”ื ืขื›ืฉื™ื• ื ื—ื•ืฉื™ื ืœื”ื™ื•ืช ืฉื•ื‘ ื™ืคื™ื ื–ื” ืขื‘ื•ืจ ื–ื•.
06:25
And for either of us the first step towards beauty involves a huge risk.
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ืขื‘ื•ืจ ื›ืœ ืื—ื“ ืžืื™ืชื ื• ื”ืฆืขื“ ื”ืจืืฉื•ืŸ ื‘ื“ืจืš ืœื”ื™ื•ืช ื™ืคื” ื›ืจื•ืš ื‘ืกื™ื›ื•ืŸ ืขืฆื•ื.
06:30
The risk to be ugly.
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ื”ืกื™ื›ื•ืŸ ืœื”ื™ื•ืช ืžื›ื•ืขืจ.
06:31
[Be Ugly]
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[ื”ื™ื• ืžื›ื•ืขืจื™ื]
ื›ืœ ื›ืš ื”ืจื‘ื” ืืจื’ื•ื ื™ื ื‘ื™ืžื™ื ื• ืœื”ื•ื˜ื™ื ืœืขืฆื‘ ืžืงื•ืžื•ืช ืขื‘ื•ื“ื” ื™ืคื™ื
06:33
So many organizations these days are keen on designing beautiful workplaces
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06:37
that look like anything but work:
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ืฉื ืจืื™ื ื›ืžื• ื”ื›ืœ ืžืœื‘ื“ ืขื‘ื•ื“ื”:
ืืชืจื™ ื ื•ืคืฉ, ื‘ืชื™ ืงืคื”, ืžื’ืจืฉื™ ืžืฉื—ืงื™ื ืื• ืงืžืคื•ืก ืฉืœ ืงื•ืœื’' --
06:39
vacation resorts, coffee shops, playgrounds or college campuses --
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(ืฆื—ื•ืง)
06:43
(Laughter)
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06:44
Based on the promises of positive psychology,
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ืขืœ ื‘ืกื™ืก ื”ื”ื‘ื˜ื—ื•ืช ืฉืœ ื”ืคืกื™ื›ื•ืœื•ื’ื™ื” ื”ื—ื™ื•ื‘ื™ืช,
06:46
we speak of play and gamification,
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ืื ื—ื ื• ืžื“ื‘ืจื™ื ืขืœ ืžืฉื—ืง ื•"ืžืฉื—ืงื™ื–ืฆื™ื”"
06:49
and one start-up even says that when someone gets fired,
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ื•ื‘ืกื˜ืืจื˜-ืืค ืื—ื“ ืื•ืžืจื™ื ืฉื›ืฉืžื™ืฉื”ื• ืžืคื•ื˜ืจ,
06:53
they have graduated.
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ืฉื”ื•ื ืกื™ื™ื ืืช ื”ืœื™ืžื•ื“ื™ื.
06:54
(Laughter)
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(ืฆื—ื•ืง)
06:56
That kind of beautiful language only goes "skin deep,
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ืกื•ื’ ื›ื–ื” ืฉืœ ืฉืคื” ื”ื•ื "ื™ื•ืคื™ ืฉื—ื•ื“ืจ ืžืชื—ืช ืœืขื•ืจ
07:00
but ugly cuts clean to the bone,"
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ืื‘ืœ ื›ื™ืขื•ืจ ื—ื•ืชืš ืขื“ ื”ืขืฆื",
07:04
as the writer Dorothy Parker once put it.
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ื›ืคื™ ืฉื”ืกื•ืคืจืช ื“ื•ืจื•ืช'ื™ ืคืจืงืจ ื ื™ืกื—ื” ื–ืืช ืคืขื.
07:06
To be authentic is to be ugly.
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ืœื”ื™ื•ืช ืื•ืชื ื˜ื™ ื–ื” ืœื”ื™ื•ืช ืžื›ื•ืขืจ.
07:10
It doesn't mean that you can't have fun or must give in to the vulgar or cynical,
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ืื™ืŸ ื–ื” ืื•ืžืจ ืฉืืชื ืœื ื™ื›ื•ืœื™ื ืœื”ื ื•ืช ืื• ืฉืืชื ื—ื™ื™ื‘ื™ื ืœื”ื™ื›ื ืข ืœื•ื•ืœื’ืจื™ ืื• ืœืฆื™ื ื™,
07:15
but it does mean that you speak the actual ugly truth.
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ืื‘ืœ ื–ื” ืื•ืžืจ ืฉืืชื ืฆืจื™ื›ื™ื ืœื•ืžืจ ืืช ื”ืืžืช ื”ืžื›ื•ืขืจืช.
07:19
Like this manufacturer
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ื›ืžื• ื—ื‘ืจืช ื”ื™ื™ืฆื•ืจ ื”ื–ื•
ืฉืจืฆืชื” ืœื‘ืฆืข ืฉื™ื ื•ื™ื™ื ื‘ืื—ืช ืžื”ื™ื—ื™ื“ื•ืช ื”ืขืกืงื™ื•ืช ื”ืžืชืงืฉื•ืช ืฉืœื”.
07:21
that wanted to transform one of its struggling business units.
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07:24
It identified, named and pinned on large boards all the issues --
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ื”ื ื–ื™ื”ื•, ื ืชื ื• ืฉืžื•ืช ื•ืชืœื• ืขืœ ืœื•ื—ื•ืช ื’ื“ื•ืœื™ื ืืช ื›ืœ ื”ื ื•ืฉืื™ื --
07:28
and there were hundreds of them --
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ื•ื”ื™ื• ืžืื•ืช ื›ืืœื” --
07:29
that had become obstacles to better performance.
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ืฉื”ืคื›ื• ืœืžื›ืฉื•ืœื™ื ื‘ื“ืจืš ืœื‘ื™ืฆื•ืขื™ื ื˜ื•ื‘ื™ื ื™ื•ืชืจ.
07:32
They put them on boards, moved them all into one room,
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ื”ื ืชืœื• ืื•ืชื ืขืœ ืœื•ื—ื•ืช, ื”ื›ื ื™ืกื• ืืช ื›ื•ืœื ืœืชื•ืš ื—ื“ืจ ืื—ื“,
07:34
which they called "the ugly room."
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ืฉืื•ืชื• ื”ื ื›ื™ื ื• "ื”ื—ื“ืจ ื”ืžื›ื•ืขืจ".
ื”ืžื›ื•ืขืจ ื”ืคืš ืœื”ื™ื•ืช ื’ืœื•ื™ ืœื›ื•ืœื --
07:37
The ugly became visible for everyone to see --
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07:39
it was celebrated.
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ื—ื’ื’ื• ืื•ืชื•.
07:41
And the ugly room served as a mix of mirror exhibition and operating room --
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ื”ื—ื“ืจ ื”ืžื›ื•ืขืจ ืฉื™ืžืฉ ื›ืฉื™ืœื•ื‘ ื‘ื™ืŸ ืชืฆื•ื’ืช ืžืจืื” ืœื‘ื™ืŸ ื—ื“ืจ ื ื™ืชื•ื— --
07:45
a biopsy on the living flesh to cut out all the bureaucracy.
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ื‘ื™ื•ืคืกื™ื” ืฉืœ ื”ื‘ืฉืจ ื”ื—ื™ ื›ื“ื™ ืœืขืงื•ืจ ืืช ื›ืœ ื”ื‘ื™ืจื•ืงืจื˜ื™ื”.
07:50
The ugliest part of our body is our brain.
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ื”ื—ืœืง ื”ืžื›ื•ืขืจ ื‘ื™ื•ืชืจ ื‘ื’ื•ืฃ ืฉืœื ื• ื”ื•ื ื”ืžื•ื—.
07:54
Literally and neurologically.
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ื‘ืื•ืคืŸ ืžื™ืœื•ืœื™ ื•ื ื•ื™ืจื•ืœื•ื’ื™.
07:57
Our brain renders ugly what is unfamiliar ...
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ื”ืžื•ื— ืฉืœื ื• ื”ื•ืคืš ืœืžื›ื•ืขืจ ืืช ืžื” ืฉืื™ื ื• ืžื•ื›ืจ...
08:01
modern art, atonal music,
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ืืžื ื•ืช ืžื•ื“ืจื ื™ืช, ืžื•ืกื™ืงื” ืื˜ื•ื ืœื™ืช,
08:03
jazz, maybe --
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ืื•ืœื™ ื’'ื–...
08:04
VR goggles for that matter --
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ืžืฉืงืคื™ ืžืฆื™ืื•ืช ืžื“ื•ืžื” ืœืฆื•ืจืš ื”ืขื ื™ื™ืŸ --
08:06
strange objects, sounds and people.
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ื—ืคืฆื™ื, ืงื•ืœื•ืช ื•ืื ืฉื™ื ืœื ืžื•ื›ืจื™ื.
08:10
But we've all been ugly once.
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ืื‘ืœ ื›ื•ืœื ื• ื”ื™ื™ื ื• ืคืขื ืžื›ื•ืขืจื™ื.
08:12
We were a weird-looking baby,
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ื”ื™ื™ื ื• ืชื™ื ื•ืง ืžื•ื–ืจ-ืœืžืจืื”,
08:14
a new kid on the block, a foreigner.
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ื”ื ืขืจ ื”ื—ื“ืฉ ื‘ืฉื›ื•ื ื”, ื–ืจ.
08:17
And we will be ugly again when we don't belong.
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ื•ื ื”ื™ื” ืฉื•ื‘ ืžื›ื•ืขืจื™ื ื›ืฉืœื ื ื”ื™ื” ืฉื™ื™ื›ื™ื.
08:23
The Center for Political Beauty,
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ื”ืžืจื›ื– ืœื™ื•ืคื™ ืคื•ืœื™ื˜ื™,
08:25
an activist collective in Berlin,
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ืงื•ืœืงื˜ื™ื‘ ืฉืœ ืคืขื™ืœื™ื ื‘ื‘ืจืœื™ืŸ,
08:26
recently staged an extreme artistic intervention.
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ื”ืฆื™ื’ ืœืื—ืจื•ื ื” ื”ืชืขืจื‘ื•ืช ืืžื ื•ืชื™ืช ืงื™ืฆื•ื ื™ืช.
08:30
With the permission of relatives,
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ื‘ืื™ืฉื•ืจื ืฉืœ ืงืจื•ื‘ื™ ืžืฉืคื—ื”,
ื”ื ื”ื•ืฆื™ืื• ืžื”ืงื‘ืจ ื’ื•ืคื•ืช ืฉืœ ืคืœื™ื˜ื™ื ืฉื˜ื‘ืขื• ื‘ืชื—ื•ืžื” ืฉืœ ืื™ืจื•ืคื”,
08:32
it exhumed the corpses of refugees who had drowned at Europe's borders,
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08:36
transported them all the way to Berlin,
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ื”ืขื‘ื™ืจื• ืื•ืชื ืขื“ ืœื‘ืจืœื™ืŸ,
08:38
and then reburied them at the heart of the German capital.
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ื•ืื– ืงื‘ืจื• ืื•ืชื ืžื—ื“ืฉ ื‘ืœื™ื‘ื” ืฉืœ ื”ื‘ื™ืจื” ื”ื’ืจืžื ื™ืช.
08:42
The idea was to allow them to reach their desired destination,
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ื”ืจืขื™ื•ืŸ ื”ื™ื” ืœืืคืฉืจ ืœื”ื ืœื”ื’ื™ืข ืœื™ืขื“ ื”ืžื‘ื•ืงืฉ ืฉืœื”ื,
ื’ื ืื ืœืื—ืจ ืžื•ืชื.
08:46
if only after their death.
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08:48
Such acts of beautification may not be pretty,
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ืคืขื•ืœื•ืช ื›ืืœื• ืฉืœ ื™ื™ืคื•ื™ ืื•ืœื™ ืื™ื ืŸ ื™ืคื•ืช ืžืจืื”,
ืืš ื”ืŸ ื ื—ื•ืฆื•ืช ืžืื“.
08:52
but they are much needed.
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08:53
Because things tend to get ugly when there's only one meaning, one truth,
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ืžืคื ื™ ืฉื“ื‘ืจื™ื ื ื•ื˜ื™ื ืœื”ืคื•ืš ืžื›ื•ืขืจื™ื ื›ืฉื™ืฉ ืจืง ืžืฉืžืขื•ืช ืื—ืช, ืืžืช ืื—ืช.
08:56
only answers and no questions.
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ืจืง ืชืฉื•ื‘ื•ืช, ืœืœื ืฉืืœื•ืช.
08:58
Beautiful organizations keep asking questions.
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ืืจื’ื•ื ื™ื ื™ืคื™ื ืžืžืฉื™ื›ื™ื ืœืฉืื•ืœ ืฉืืœื•ืช.
09:02
They remain incomplete,
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ื”ื ื ืฉืืจื™ื ืœื ืžื•ืฉืœืžื™ื,
09:05
which is the fourth and the last of the principles.
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ื•ื–ื”ื• ื”ืขืงืจื•ืŸ ื”ืจื‘ื™ืขื™ ื•ื”ืื—ืจื•ืŸ.
09:07
[Remain Incomplete]
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[ื”ื™ืฉืืจื• ืœื ืžื•ืฉืœืžื™ื]
09:09
Recently I was in Paris,
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ืœืื—ืจื•ื ื” ื”ื™ื™ืชื™ ื‘ืคืจื™ืก,
09:11
and a friend of mine took me to Nuit Debout,
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ื•ื—ื‘ืจ ืฉืœื™ ืœืงื— ืื•ืชื™ ืœ- Nuit Debout,
09:14
which stands for "up all night,"
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ืฉืžืฉืžืขื•ืชื• "ืขืจื™ื ื›ืœ ื”ืœื™ืœื”"
09:15
the self-organized protest movement
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ืชื ื•ืขืช ืžื—ืื” ืกืคื•ื ื˜ื ื™ืช
09:17
that had formed in response to the proposed labor laws in France.
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ืฉื”ืชืืจื’ื ื” ื‘ืชื’ื•ื‘ื” ืœื—ื•ืงื™ ื”ืขื‘ื•ื“ื” ืฉื”ื•ืฆืขื• ื‘ืฆืจืคืช.
09:22
Every night, hundreds gathered at the Place de la Rรฉpublique.
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ืžื“ื™ ืœื™ืœื” ืžืชืงื‘ืฆื™ื ืžืื•ืช ืœื™ื“ ืืจืžื•ืŸ ื”ืจืคื•ื‘ืœื™ืงื”.
09:25
Every night they set up a small, temporary village
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ืžื“ื™ ืœื™ืœื” ื”ื ืžืงื™ืžื™ื ื›ืคืจ ื–ืžื ื™ ืงื˜ืŸ
09:28
to deliberate their own vision of the French Republic.
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ื›ื“ื™ ืœื”ื‘ื”ื™ืจ ืืช ื”ื—ื–ื•ืŸ ืฉืœื”ื ืœื’ื‘ื™ ื”ืจืคื•ื‘ืœื™ืงื” ื”ืฆืจืคืชื™ืช.
ื”ืœื™ื‘ื” ืฉืœ ื”ืื“ื•ืงืจื˜ื™ื” ื”ื–ื•
09:32
And at the core of this adhocracy
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09:34
was a general assembly where anybody could speak
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ื”ื™ืชื” ืืกื™ืคื” ื›ืœืœื™ืช ืฉื‘ื” ื›ืœ ืื—ื“ ื™ื›ื•ืœ ื”ื™ื” ืœื“ื‘ืจ
ื‘ืืžืฆืขื•ืช ืฉืคืช ืกื™ืžื ื™ื ืฉืขื•ืฆื‘ื” ื‘ืžื™ื•ื—ื“.
09:37
using a specially designed sign language.
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09:40
Like Occupy Wall Street and other protest movements,
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ื›ืžื• Occupy Wall Street ื•ืชื ื•ืขื•ืช ืžื—ืื” ืื—ืจื•ืช,
09:44
Nuit Debout was born in the face of crisis.
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Nuit Debout ื ื•ืœื“ื” ืœื ื•ื›ื— ืžืฉื‘ืจ.
ื”ื™ื ื”ื™ืชื” ืžื‘ื•ืœื’ื ืช --
09:47
It was messy --
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09:48
full of controversies and contradictions.
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ืžืœืื” ื‘ื—ื™ืœื•ืงื™ ื“ืขื•ืช ื•ื‘ืกืชื™ืจื•ืช,
09:51
But whether you agreed with the movement's goals or not,
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ืื‘ืœ ื‘ื™ืŸ ืื ื”ืกื›ืžืช ืขื ื™ืขื“ื™ ื”ืชื ื•ืขื” ืื• ืœื,
09:54
every gathering was a beautiful lesson in raw humanity.
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ื›ืœ ืžืคื’ืฉ ื”ื™ื” ืฉื™ืขื•ืจ ื™ืคื” ื‘ืื ื•ืฉื™ื•ืช ื˜ื”ื•ืจื”.
09:59
And how fitting that Paris --
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ื•ื›ืžื” ืžืชืื™ื ืฉืคืจื™ืก --
10:01
the city of ideals, the city of beauty --
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ืขื™ืจ ื”ืื™ื“ืืœื™ื, ืขื™ืจ ื”ื™ื•ืคื™ --
10:04
was it's stage.
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ื”ื™ืชื” ื”ื‘ืžื” ืฉืœื”.
10:05
It reminds us that like great cities,
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ื–ื” ืžื–ื›ื™ืจ ืœื ื• ืฉื›ืžื• ืขืจื™ื ื’ื“ื•ืœื•ืช,
10:07
the most beautiful organizations are ideas worth fighting for --
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ื”ืืจื’ื•ื ื™ื ื”ื™ืคื™ื ื‘ื™ื•ืชืจ ื”ื ืจืขื™ื•ื ื•ืช ืฉืจืื•ื™ ืœื”ืœื—ื ืขืœื™ื”ื --
10:11
even and especially when their outcome is uncertain.
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ืืคื™ืœื• ื•ื‘ืžื™ื•ื—ื“ ื›ืฉื”ืชื•ืฆืื” ืฉืœื”ื ืื™ื ื” ื‘ื˜ื•ื—ื”.
10:15
They are movements;
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ื”ื ืชื ื•ืขื•ืช;
10:16
they are always imperfect, never fully organized,
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ื”ื ืชืžื™ื“ ืœื ืžื•ืฉืœืžื™ื, ืœืขื•ืœื ืื™ื ื ืžืื•ืจื’ื ื™ื ืœื’ืžืจื™,
ื›ืš ืฉื”ื ื ืžื ืขื™ื ืžืœื”ืคื•ืš ืœื‘ื ืœื™ื™ื.
10:19
so they avoid ever becoming banal.
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10:21
They have something but we don't know what it is.
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ื™ืฉ ื‘ื”ื ืžืฉื”ื• ืื‘ืœ ืื™ื ื• ื™ื•ื“ืขื™ื ืžื” ื”ื•ื.
10:24
They remain mysterious; we can't take our eyes off them.
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ื”ื ื ืฉืืจื™ื ืžื™ืกืชื•ืจื™ื™ื; ืื ื—ื ื• ืœื ื™ื›ื•ืœื™ื ืœื”ืกื™ืจ ืžื”ื ืืช ื”ืขื™ื ื™ื™ื.
10:27
We find them beautiful.
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ืื ื—ื ื• ืžื•ืฆืื™ื ืื•ืชื ื™ืคื™ื.
10:31
So to do the unnecessary,
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ืื ื›ืš, ื›ื“ื™ ืœืขืฉื•ืช ืืช ื”ืœื-ื ื—ื•ืฅ,
ื›ื“ื™ ืœื™ืฆื•ืจ ืื™ื ื˜ื™ืžื™ื•ืช,
10:33
to create intimacy,
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10:34
to be ugly,
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ื›ื“ื™ ืœื”ื™ื•ืช ืžื›ื•ืขืจ,
10:36
to remain incomplete --
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ื›ื“ื™ ืœื”ืฉืืจ ืœื-ืžื•ืฉืœืžื™ื --
10:38
these are not only the qualities of beautiful organizations,
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ืืœื• ืœื ืจืง ื”ืชื›ื•ื ื•ืช ืฉืœ ืืจื’ื•ื ื™ื ื™ืคื™ื,
10:41
these are inherently human characteristics.
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ืืœื• ืชื›ื•ื ื•ืช ืื ื•ืฉื™ื•ืช ืžื˜ื‘ืขืŸ.
10:44
And these are also the qualities of what we call home.
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ื•ืืœื• ื’ื ื”ืชื›ื•ื ื•ืช ืฉืœ ืžื” ืฉืื ื• ืžื›ื ื™ื "ื‘ื™ืช".
10:49
And as we disrupt, and are disrupted,
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ื›ืฉืื ื—ื ื• ืžืขืจืขืจื™ื ืื• ืžืขื•ืจืขืจื™ื,
10:51
the least we can do is to ensure
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ื”ืžืขื˜ ืฉืื ื• ื™ื›ื•ืœื™ื ืœืขืฉื•ืช ื”ื•ื ืœื”ื‘ื˜ื™ื—
10:54
that we still feel at home in our organizations,
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ืฉืื ื—ื ื• ืขื“ื™ืŸ ืžืจื’ื™ืฉื™ื ื‘ื‘ื™ืช ื‘ืืจื’ื•ื ื™ื ืฉืœื ื•,
10:58
and that we use our organizations to create that feeling for others.
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ื•ืฉืื ื• ืžืฉืชืžืฉื™ื ื‘ืืจื’ื•ื ื™ื ืฉืœื ื• ื›ื“ื™ ืœื™ืฆื•ืจ ืืช ื”ื”ืจื’ืฉื” ื”ื–ื• ืขื‘ื•ืจ ืื—ืจื™ื.
11:02
Beauty can save the world when we embrace these principles
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ื™ื•ืคื™ ื™ื•ื›ืœ ืœื”ืฆื™ืœ ืืช ื”ืขื•ืœื ืื ื ืืžืฅ ืืช ื”ืขืงืจื•ื ื•ืช ื”ืืœื”
11:05
and design for them.
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ื•ื ืชื›ื ืŸ ืœืคื™ื”ื.
ืœื ื•ื›ื— ื”ื‘ื™ื ื” ื”ืžืœืื›ื•ืชื™ืช ื•ืœืžื™ื“ืช ื”ืžื›ื•ื ื”,
11:08
In the face of artificial intelligence and machine learning,
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11:11
we need a new radical humanism.
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ืื ื• ื–ืงื•ืงื™ื ืœื”ื•ืžื ื™ื–ื ืจื“ื™ืงืœื™ ื—ื“ืฉ.
11:13
We must acquire and promote a new aesthetic and sentimental education.
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ืื ื—ื ื• ื—ื™ื™ื‘ื™ื ืœืจื›ื•ืฉ ื•ืœืงื“ื ื—ื™ื ื•ืš ืืกืชื˜ื™ ื•ืกื ื˜ื™ืžื ื˜ืœื™ ื—ื“ืฉ.
11:19
Because if we don't,
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ืžืคื ื™ ืฉืื ืœื ื ืขืฉื” ื–ืืช,
11:21
we might end up feeling like aliens
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ืื ื• ืขืœื•ืœื™ื ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ ืœื—ื•ืฉ ื›ืžื• ื–ืจื™ื
11:23
in organizations and societies that are full of smart machines
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ื‘ืืจื’ื•ื ื™ื ื•ื‘ื—ื‘ืจื•ืช ื”ืžืœืื™ื ื‘ืžื›ื•ื ื•ืช ื—ื›ืžื•ืช
11:27
that have no appreciation whatsoever
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ืื‘ืœ ืื™ืŸ ืœื”ื ื›ืœืœ ื”ืขืจื›ื”
11:30
for the unnecessary,
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ืœื‘ืœืชื™-ื ื—ื•ืฅ,
11:32
the intimate,
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ืœืื™ื ื˜ื™ืžื™,
11:33
the incomplete
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ืœืœื-ืžื•ืฉืœื
11:35
and definitely not for the ugly.
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ื•ื‘ื•ื•ื“ืื™ ืฉืœื ืœืžื›ื•ืขืจ.
11:37
Thank you.
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ืชื•ื“ื” ืจื‘ื”.
(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
11:39
(Applause)
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ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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