ืื ื ืืืฅ ืคืขืืืื ืขื ืืืชืืืืืช ืืื ืืืืช ืืืื ืืื ืืืคืขืื ืืช ืืกืจืืื.
ืืชืจืื: Ido Dekkers
ืืืงืจ: Sigal Tifferet
00:18
(Music)
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00:32
Text: BeatJazz.
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ืืงืกื: ืืืื'ืื
00:54
BeatJazz is:
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ืืืื'ืื ืืื
00:56
1. Live looping,
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1. ืืืืื ืืื
01:00
2. Jazz improvisation
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2. ืืืืชืืจ ื'ืื
01:02
And
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ื
01:05
3. "Gestural" sound design.
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3. "ืืืืืช" ืขืืฆืื ืฆืืื
02:27
Accelerometers
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ืืื ืชืืืฆื
02:29
on each hand
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ืืื ืื
02:31
read hand position.
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ืงืืจืืื ืืช ืืืงืื ืืื.
02:52
The color of the lights
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ืฆืืข ืืืืจืืช
02:56
indicates which sound I am playing.
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ืืจืื ืืืื ืฆืืื ืื ื ืื ืื.
03:02
Red = Drums,
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ืืืื = ืชืืคืื
03:06
Blue = Bass,
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ืืืื = ืืก
03:17
Green = Chords,
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ืืจืืง = ืืืืจืช ืืืืื
03:22
Orange = Leads,
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ืืชืื = ืืืืจื ืืืืืื
03:24
Purple = Pads
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ืกืืื = ืงืืืืื
03:38
The mouthpiece
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ืืงืจ ืืคื
03:41
consists of ...
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ืืืจืื
03:43
a button,
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ืืืคืชืืจ,
03:45
two guitar picks
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ืฉื ื ืืคืจืืื ืฉื ืืืืจื
03:49
and lots of hot glue.
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ืืืจืื ืืืง ืื.
04:40
The heads-up display
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ืืชืฆืืื ืืขืืืืช
04:43
is a smartphone that displays system parameters.
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ืืื ืกืืจืืคืื ืฉืืฆืื ืืช ืืคืจืืืจืื ืฉื ืืืขืจืืช
04:57
Why?
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ืืื?
05:00
To atomize music culture
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ืืื ืืคืจืง ืืช ืชืจืืืช ืืืืืืงื.
05:03
so that ALL past, present and future genres
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ืื ืฉืื ืืกืื ืื ืืช ืฉื ืืขืืจ, ืืืืื ืืืขืชืื
05:05
can be studied and abstracted, live.
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ืืืืืื ืืืืื ืืืืืืช ืืืคืฉืืื, ืืืืคืขื ืืื.
05:08
And
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ื
05:10
"BeatJazzers"
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"ืืืืื'ืืืจืื"
05:13
become as common as D.J.'s.
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ืืืคืืื ืื ืคืืฆืื ืืื ื'ืืืื
05:21
But mostly ...
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ืืื ืืขืืงืจ...
05:26
to MAKE the future
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ืืื ืืืฆืืจ ืืช ืืขืชืื
05:31
rather than wait for it.
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ืืืงืื ืืืืืช ืื.
06:13
(Applause)
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(ืืืืืืช ืืคืืื)
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