Everything you need to know to read "Frankenstein" - Iseult Gillespie

1,798,852 views ใƒป 2017-02-23

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์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Yangha Kim ๊ฒ€ํ† : Jihyeon J. Kim
00:07
In 1815, the eruption of Mount Tambora plunged parts of the world into darkness
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1815๋…„, ํƒ๋ณด๋ผ ํ™”์‚ฐ์ด ํญ๋ฐœํ•˜๋ฉด์„œ ์„ธ๊ณ„ ๊ณณ๊ณณ์ด ์–ด๋‘ ์œผ๋กœ ๋’ค๋ฎ์˜€๊ณ 
00:12
and marked a gloomy period that came to be known as The Year Without a Summer.
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์šฐ์šธํ•œ ์‹œ๊ธฐ๊ฐ€ ๋„๋ž˜ํ–ˆ๋Š”๋ฐ, ๊ทธ๊ฒŒ ์ด๋ฅธ๋ฐ” '์—ฌ๋ฆ„์ด ์—†์—ˆ๋˜ ํ•ด'์ฃ .
00:18
So when Mary and Percy Shelley arrived at the House of Lord Byron on Lake Geneva,
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๋‹น์‹œ ์ œ๋„ค๋ฐ” ํ˜ธ ๊ทผ์ฒ˜ ๋ฐ”์ด๋Ÿฐ ๊ฒฝ์˜ ์ €ํƒ์„ ๋ฐฉ๋ฌธํ–ˆ๋˜ ๋ฉ”๋ฆฌ์™€ ํผ์‹œ ์…ธ๋ฆฌ๋Š”
00:22
their vacation was mostly spent indoors.
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ํœด๊ฐ€ ๊ธฐ๊ฐ„ ๋Œ€๋ถ€๋ถ„์„ ์‹ค๋‚ด์—์„œ ๋ณด๋‚ผ ์ˆ˜๋ฐ–์— ์—†์—ˆ์Šต๋‹ˆ๋‹ค.
00:26
For amusement, Byron proposed a challenge to his literary companions:
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๋ฐ”์ด๋Ÿฐ ๊ฒฝ์€ ๋ฌธํ•™๊ณ„ ๋™๋ฃŒ๋“ค์—๊ฒŒ ์žฌ๋ฏธ ์‚ผ์•„ ๋„์ „ ๊ณผ์ œ๋ฅผ ๋‚ด์คฌ์Šต๋‹ˆ๋‹ค.
00:30
Who could write the most chilling ghost story?
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๊ฐ€์žฅ ์˜ค์‹นํ•œ ๊ท€์‹  ์ด์•ผ๊ธฐ๋ฅผ ์จ๋ณด๋ผ๊ณ  ์ œ์•ˆํ•œ ๊ฒ๋‹ˆ๋‹ค.
00:34
This sparked an idea in 18-year-old Mary.
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์ด๋•Œ ์—ด์—ฌ๋Ÿ ์‚ด ๋ฉ”๋ฆฌ์—๊ฒŒ ์˜๊ฐ์ด ๋– ์˜ฌ๋ž์Šต๋‹ˆ๋‹ค.
00:37
Over the next few months, she would craft the story of Frankenstein.
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์ดํ›„ ๋ฉ”๋ฆฌ๋Š” ๋ช‡ ๋‹ฌ ๋™์•ˆ ํ”„๋ž‘์ผ„์Šˆํƒ€์ธ์— ๊ด€ํ•œ ์–˜๊ธฐ๋ฅผ ์จ๋‚ด๋ ค๊ฐ”์ฃ .
00:42
Popular depictions may evoke a green and groaning figure,
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์ž˜ ์•Œ๋ ค์ง„ ๋ฌ˜์‚ฌ ๋‚ด์šฉ๋“ค์„ ์‚ดํŽด๋ณด๋ฉด ์‹ ์Œํ•˜๋Š” ๋…น์ƒ‰ ๊ดด๋ฌผ์ด ๋– ์˜ค๋ฅด๋Š”๋ฐ
00:46
but that's not Mary Shelley's monster.
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๋ฉ”๋ฆฌ ์…ธ๋ฆฌ๊ฐ€ ์ฐฝ์กฐํ•œ ์ง„์งœ ๊ดด๋ฌผ์€ ๊ทธ์™€ ์‚ฌ๋ญ‡ ๋‹ค๋ฆ…๋‹ˆ๋‹ค.
00:48
In fact, in the book, Frankenstein refers to the nameless monster's maker,
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์‹ค์ œ๋กœ ์ฑ…์— ๋“ฑ์žฅํ•˜๋Š” ํ”„๋ž‘์ผ„์Šˆํƒ€์ธ์€ ์ด๋ฆ„ ์—†๋Š” ๊ดด๋ฌผ์˜ ์ฐฝ์กฐ์ž๋ฅผ ์ง€์นญํ•˜๋Š”๋ฐ
00:53
Dr. Victor Frankenstein.
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๊ทธ๊ฒŒ ๋ฐ”๋กœ ๋น…ํ„ฐ ํ”„๋ž‘์ผ„์Šˆํƒ€์ธ์ž…๋‹ˆ๋‹ค.
00:56
So tense is the struggle between creator and creature
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์ฐฝ์กฐ๋ฌผ๊ณผ ํ”ผ์กฐ๋ฌผ ๊ฐ„ ๊ฐˆ๋“ฑ์ด ์›Œ๋‚™ ๊ทน์‹ฌํ•˜๋‹ค ๋ณด๋‹ˆ
00:59
that the two have merged in our collective imagination.
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๊ทธ ๋‘ ๋“ฑ์žฅ์ธ๋ฌผ์˜ ์ด๋ฏธ์ง€๊ฐ€ ์šฐ๋ฆฌ ๋จธ๋ฆฟ์†์—์„œ ๋’ค์„ž์—ฌ๋ฒ„๋ฆฐ ๊ฒ๋‹ˆ๋‹ค.
01:03
Before you read or reread the original text,
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์›๋ณธ์„ ์ฒ˜์Œ ์ฝ๊ฑฐ๋‚˜ ๋‹ค์‹œ ์ฝ๊ธฐ ์ „์—
01:06
there are several other things that are helpful to know about Frankenstein
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ํ”„๋ž‘์ผ„์Šˆํƒ€์ธ์— ๊ด€ํ•ด ์•Œ์•„๋‘๋ฉด ์ข‹์€ ์ •๋ณด๊ฐ€ ๋ช‡ ๊ฐ€์ง€ ๋” ์žˆ๋Š”๋ฐ์š”.
01:09
and how it came to assume its multiple meanings.
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์ง€๊ธˆ์ฒ˜๋Ÿผ ๋‹ค์–‘ํ•œ ํ•ด์„์ด ๋‚˜์˜จ ๋ฐฐ๊ฒฝ์„ ์ดํ•ดํ•  ์ˆ˜ ์žˆ์„ ๊ฒ๋‹ˆ๋‹ค.
01:13
The book traces Dr. Frankenstein's futile quest to impart and sustain life.
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์ฑ…์—์„œ๋Š” ํ”„๋ž‘์ผ„์Šˆํƒ€์ธ ๋ฐ•์‚ฌ๊ฐ€ ํ—›๋œ ๋ง์ƒ์— ์‚ฌ๋กœ์žกํ˜€
์ƒ๋ช…์ฒด๋ฅผ ๋งŒ๋“œ๋Š” ๋ชจ์Šต์ด ๊ทธ๋ ค์ง‘๋‹ˆ๋‹ค.
01:18
He constructs his monster part by part from dead matter
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๋ฐ•์‚ฌ๋Š” ๋ฌด๊ธฐ๋ฌผ์„ ๋ชจ์•„ ๊ดด๋ฌผ์˜ ๋ชธ์„ ๋งŒ๋“ค๊ณ 
01:22
and electrifies it into conscious being.
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์ „๊ธฐ ์ž๊ทน์„ ํ†ตํ•ด ์˜์‹์„ ๋ถˆ์–ด๋„ฃ์Šต๋‹ˆ๋‹ค.
01:25
Upon completing the experiment, however, he's horrified at the result and flees.
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ํ•˜์ง€๋งŒ ์‹คํ—˜์ด ๊ฑฐ์˜ ๋๋‚˜๊ฐˆ ๋•Œ์ฏค ๋ฐ•์‚ฌ๋Š” ๊ฒ์„ ๋จน๊ณ  ๋‹ฌ์•„๋‚˜๋ฒ„๋ฆฌ๋Š”๋ฐ
01:30
But time and space aren't enough to banish the abandoned monster,
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๊ดด๋ฌผ์„ ๋‚ด์ซ“์„ ๋งŒํ•œ ์‹œ๊ฐ„๋„ ์—†๊ณ  ๊ณต๊ฐ„๋„ ๋งˆ๋•…์น˜ ์•Š์€ ์ƒํ™ฉ์—์„œ
01:34
and the plot turns on a chilling chase between the two.
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์ด์•ผ๊ธฐ๋Š” ๊ฒฐ๊ตญ ๋ฐ•์‚ฌ์™€ ๊ดด๋ฌผ ๊ฐ„์˜ ์ˆจ ๋ง‰ํžˆ๋Š” ์ถ”๊ฒฉ์ „์œผ๋กœ ์ด์–ด์ง‘๋‹ˆ๋‹ค.
01:38
Shelley subtitled her fireside ghost story,
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์…ธ๋ฆฌ๋Š” ์ž์‹ ์ด ์“ด ์ด ๋…ธ๋ณ€ ๊ดด๋‹ด์˜ ์ œ๋ชฉ์„
01:41
"The Modern Prometheus."
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'ํ˜„๋Œ€ํŒ ํ”„๋กœ๋ฉ”ํ…Œ์šฐ์Šค'๋ผ๊ณ  ์ง€์—ˆ์ฃ .
01:43
That's in reference to the Greek myth of the Titan Prometheus
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๊ทธ๋ฆฌ์Šค ์‹ ํ™”์— ๋“ฑ์žฅํ•˜๋Š” ๊ฑฐํ•œ ํ”„๋กœ๋ฉ”ํ…Œ์šฐ์Šค์™€ ์—ฐ๊ฒฐ์ง€์–ด์„œ์š”.
01:46
who stole fire from the gods and gave it to humanity.
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ํ”„๋กœ๋ฉ”ํ…Œ์šฐ์Šค๋Š” ์‹ ์—๊ฒŒ์„œ ๋ถˆ์„ ํ›”์ณ ์ธ๋ฅ˜์—๊ฒŒ ์ „ํ•œ ์ธ๋ฌผ์ธ๋ฐ์š”.
01:50
This gave humanity knowledge and power,
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๋•๋ถ„์— ์ธ๋ฅ˜๋Š” ์ง€์‹๊ณผ ํž˜์„ ์–ป๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.
01:52
but for tampering with the status quo,
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ํ•˜์ง€๋งŒ ์„ธ์ƒ์˜ ๊ท ํ˜•์„ ๊นจ๋œจ๋ฆฐ ์ฃ„๋กœ
01:54
Prometheus was chained to a rock and eaten by vultures for eternity.
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ํ”„๋กœ๋ฉ”ํ…Œ์šฐ์Šค๋Š” ๋ฐ”์œ„์— ๋ฌถ์—ฌ ์˜์›ํžˆ ๋…์ˆ˜๋ฆฌ ๋–ผ์—๊ฒŒ ๋œฏ์–ด๋จนํžˆ๋Š” ์‹ ์„ธ๊ฐ€ ๋˜์ฃ .
02:00
Prometheus enjoyed a resurgence in the literature of the Romantic Period
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๋‚ญ๋งŒ์ฃผ์˜ ์‹œ๋Œ€์— ์ ‘์–ด๋“ค๋ฉด์„œ ํ”„๋กœ๋ฉ”ํ…Œ์šฐ์Šค๊ฐ€ ๋‹ค์‹œ๊ธˆ ์ฃผ๋ชฉ๋ฐ›์•˜๋Š”๋ฐ
02:03
during the 18th century.
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๊ทธ๊ฒŒ 18์„ธ๊ธฐ ๋ฌด๋ ต์ž…๋‹ˆ๋‹ค.
02:05
Mary was a prominent Romantic,
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๋Œ€ํ‘œ์ ์ธ ๋‚ญ๋งŒ์ฃผ์˜ ์ž‘๊ฐ€์˜€๋˜ ๋ฉ”๋ฆฌ ์—ญ์‹œ
02:07
and shared the movement's appreciation for nature, emotion, and the purity of art.
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๋‚ญ๋งŒ์ฃผ์˜ ์šด๋™์ด ํ‘œ๋ฐฉํ–ˆ๋˜ ์ž์—ฐ, ๊ฐ์„ฑ, ์˜ˆ์ˆ ์˜ ์ˆœ์ˆ˜์„ฑ์„ ์ถ”๊ตฌํ–ˆ์ฃ .
02:13
Two years after Mary released "Frankenstein",
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๋ฉ”๋ฆฌ๊ฐ€ 'ํ”„๋ž‘์ผ„์Šˆํƒ€์ธ'์„ ๊ณต๊ฐœํ•˜๊ณ  2๋…„ ๋’ค์—
02:15
Percy reimagined the plight of Prometheus in his lyrical drama,
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ํผ์‹œ๋Š” ํ”„๋กœ๋ฉ”ํ…Œ์šฐ์Šค์˜ ์ธ์ƒ ์—ญ์ •์„ ์žฌ๊ตฌ์„ฑํ•ด
'์‚ฌ์Šฌ์—์„œ ํ’€๋ฆฐ ํ”„๋กœ๋ฉ”ํ…Œ์šฐ์Šค'๋ผ๋Š” ์„œ์ • ์‹œ๊ทน์„ ๋‚ด๋†“์•˜์Šต๋‹ˆ๋‹ค.
02:19
"Prometheus Unbound."
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02:21
The Romantics used these mythical references
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๋‚ญ๋งŒ์ฃผ์˜์ž๋“ค์€ ์‹ ํ™”๋ฅผ ์†Œ์žฌ๋กœ ํ•ด์„œ
02:24
to signal the purity of the Ancient World in contrast to modernity.
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ํ˜„์‹œ๋Œ€์™€ ๋Œ€๋น„๋˜๋Š” ๊ณ ๋Œ€์˜ ์ˆœ์ˆ˜์„ฑ์„ ํ‘œํ˜„ํ•˜๋ ค ํ–ˆ๊ณ 
02:28
They typically regarded science with suspicion,
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๊ณผํ•™์„ ์˜ํ˜น ์–ด๋ฆฐ ์‹œ์„ ์œผ๋กœ ๋ฐ”๋ผ๋ดค์ฃ .
02:31
and "Frankenstein" is one of the first cautionary tales
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๊ทธ๋Ÿฐ ๋งฅ๋ฝ์—์„œ 'ํ”„๋ž‘์ผ„์Šˆํƒ€์ธ'์€ ๊ตํ›ˆ์„ ๋‹ด๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
02:34
about artificial intelligence.
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์ตœ์ดˆ๋กœ ์ธ๊ณต ์ง€๋Šฅ์„ ์†Œ์žฌ๋กœ ํ•œ ์ž‘ํ’ˆ ์ค‘ ํ•˜๋‚˜๊ฑฐ๋“ ์š”.
02:36
For Shelley, the terror was not supernatural,
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์…ธ๋ฆฌ์—๊ฒŒ ๊ณตํฌ๋Š” ์ดˆ์ž์—ฐ์ ์ธ ๊ฒŒ ์•„๋‹ˆ๋ผ
02:39
but born in a lab.
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์‹คํ—˜์‹ค์—์„œ ๋น„๋กฏ๋œ ๊ฑฐ์˜€์ฃ .
02:41
In addition, gothic devices infuse the text.
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๊ฒŒ๋‹ค๊ฐ€, ๊ณ ๋”•์  ์š”์†Œ๊ฐ€ ๊ธ€์— ์˜ํ–ฅ์„ ๋ฏธ์ณค์Šต๋‹ˆ๋‹ค.
02:45
The gothic genre is characterized by unease,
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๊ณ ๋”• ๋ฌธํ•™์˜ ํŠน์ง•์€ ๋Œ€์ฒด๋กœ ๋ถˆ์•ˆํ•˜๊ณ  ์œผ์Šค์Šคํ•œ ๊ณณ์„ ๋ฐฐ๊ฒฝ์œผ๋กœ ํ•˜๋ฉฐ
02:48
eerie settings,
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02:49
the grotesque,
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๊ธฐ๊ดดํ•˜๊ธฐ๊นŒ์ง€ ํ•˜์ฃ .
02:50
and the fear of oblivion -
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๋ง๊ฐ์— ๋Œ€ํ•œ ๋‘๋ ค์›€๋„ ๋‹ด๊ณ  ์žˆ๊ณ ์š”.
02:52
all elements that can be seen in "Frankenstein."
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์ด๋Ÿฐ ์š”์†Œ๋“ค์ด ๋ชจ๋‘ 'ํ”„๋ž‘์ผ„์Šˆํƒ€์ธ'์— ๋…น์•„ ๋“ค์–ด์žˆ์Šต๋‹ˆ๋‹ค.
02:55
But this horror had roots in personal trauma, as well.
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ํ•˜์ง€๋งŒ ์ด ๊ณตํฌ๋Š” ๊ฐœ์ธ์ ์ธ ์•„ํ””์„ ๋ฐ˜์˜ํ•œ ๊ฒƒ์ด๊ธฐ๋„ ํ•˜์ฃ .
02:59
The text is filled with references to Shelley's own circumstances.
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์…ธ๋ฆฌ ๋ณธ์ธ์˜ ์ƒํ™ฉ์ด ์ž‘ํ’ˆ ๊ณณ๊ณณ์— ์ž˜ ๋…น์•„๋“ค์–ด ์žˆ๊ฑฐ๋“ ์š”.
03:03
Born in 1797, Mary was the child of William Godwin and Mary Wollstonecraft.
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๋ฉ”๋ฆฌ๋Š” 1797๋…„์— ์œŒ๋ฆฌ์—„ ๊ณ ๋“œ์œˆ๊ณผ ๋ฉ”๋ฆฌ ์šธ์Šคํ„ดํฌ๋ž˜ํ”„ํŠธ ์‚ฌ์ด์—์„œ ํƒœ์–ด๋‚ฌ๋Š”๋ฐ
03:10
Both were radical intellectual figures,
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๋ถ€๋ชจ๊ฐ€ ๊ธ‰์ง„์ ์ธ ์„ฑํ–ฅ์˜ ์ง€์‹์ธ๋“ค์ด์—ˆ์ฃ .
03:12
and her mother's book, "A Vindication of the Rights of Women,"
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๋ฉ”๋ฆฌ์˜ ์–ด๋จธ๋‹ˆ๊ฐ€ ์“ด ์ €์„œ '์—ฌ์„ฑ ๊ถŒ๋ฆฌ์˜ ์˜นํ˜ธ'๋Š”
03:16
is a key feminist text.
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๋Œ€ํ‘œ์ ์ธ ํŽ˜๋ฏธ๋‹ˆ์ŠคํŠธ ์ž‘ํ’ˆ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
03:18
Tragically, she died as a result of complications from Mary's birth.
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์•ˆํƒ€๊น๊ฒŒ๋„ ๊ทธ๋…€๋Š” ๋ฉ”๋ฆฌ๋ฅผ ๋‚ณ๊ณ  ํ•ฉ๋ณ‘์ฆ์œผ๋กœ ์œ ๋ช…์„ ๋‹ฌ๋ฆฌํ–ˆ์Šต๋‹ˆ๋‹ค.
03:22
Mary was haunted by her mother's death,
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๋ฉ”๋ฆฌ๋Š” ์–ด๋จธ๋‹ˆ์˜ ์ฃฝ์Œ์œผ๋กœ ๊ณ ํ†ต๋ฐ›์•˜๊ณ 
03:24
and later experienced her own problems with childbirth.
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๋‚˜์ค‘์— ์ž์‹ ์˜ ์•„์ด๋ฅผ ์ถœ์‚ฐํ•˜๋ฉด์„œ ํž˜๋“  ๊ณผ์ •์„ ๊ฒช์–ด์•ผ ํ–ˆ์ฃ .
03:28
She became pregnant following her elopement with Percy at 16,
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๋ฉ”๋ฆฌ๋Š” ํผ์‹œ์™€ ์‚ฌ๋ž‘์˜ ๋„ํ”ผํ–‰๊ฐ์„ ๋ฒŒ์ด๋ฉฐ 16์„ธ์— ์ž„์‹ ํ•˜๊ฒŒ ๋์ง€๋งŒ
03:32
but that baby died shortly after birth.
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์•„์ด๋Š” ํƒœ์–ด๋‚œ ์ง€ ์–ผ๋งˆ ๋˜์ง€ ์•Š์•„ ์ฃฝ๊ณ  ๋ง์•˜์Šต๋‹ˆ๋‹ค.
03:35
Out of four more pregnancies, only one of their children survived.
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์ดํ›„ ๋ฉ”๋ฆฌ๋Š” ๋„ค ๋ฒˆ ๋” ์ž„์‹ ํ–ˆ์ง€๋งŒ ์•„์ด๋Š” ๊ทธ์ค‘ ํ•œ ๋ช…๋งŒ ์‚ด์•„๋‚จ์•˜์ฃ .
03:40
Some critics have linked this tragedy to the themes explored in "Frankenstein."
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์–ด๋–ค ๋น„ํ‰๊ฐ€๋“ค์€ ์ด๋Ÿฐ ๋น„๊ทน์  ์š”์†Œ๊ฐ€ 'ํ”„๋ž‘์ผ„์Šˆํƒ€์ธ'์— ๋ฐ˜์˜๋๋‹ค๊ณ  ๋งํ•ฉ๋‹ˆ๋‹ค.
03:44
Shelley depicts birth as both creative and destructive,
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์‹ค์ œ๋กœ ์…ธ๋ฆฌ๋Š” '์ถœ์ƒ'์„ ์ฐฝ์กฐ์™€ ํŒŒ๊ดด ๋‘ ๊ฐ€์ง€๋กœ ๋ฌ˜์‚ฌํ•˜๋Š” ๋ฐ๋‹ค
03:48
and the monster becomes a disfigured mirror of the natural cycle of life.
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๊ทธ ๊ดด๋ฌผ์ด ์ธ๊ฐ„์˜ ์‚ถ์„ ๋ฐ˜์˜ํ•˜๋Š” ๋’คํ‹€๋ฆฐ ๊ฑฐ์šธ ์—ญํ• ์„ ํ•˜๊ฑฐ๋“ ์š”.
03:53
The monster, therefore, embodies Dr. Frankenstein's corruption of nature
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์ฆ‰, ๋ฐ•์‚ฌ๊ฐ€ ๋ช…์˜ˆ๋ฅผ ์ถ”๊ตฌํ•˜๋Š” ๊ณผ์ •์—์„œ ์žƒ์–ด๋ฒ„๋ฆฐ ๋ณธ์„ฑ์„ ๋Œ€๋ณ€ํ•˜๋Š” ๊ฒŒ
03:58
in the quest for glory.
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๋ฐ”๋กœ ๊ทธ ๊ดด๋ฌผ์ด๋ž€ ์–˜๊ธฐ์ฃ .
04:00
This constitutes his fatal flaw, or hamartia.
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๊ทธ๊ฒŒ ๋ฐ•์‚ฌ์˜ ์น˜๋ช…์  ๊ฒฐํ•จ, ํ˜น์€ ๋น„๊ทน์ ์ธ ๊ฒฐํ•จ์ด๊ธฐ๋„ ํ•œ๋ฐ
04:03
His god complex is most clear in the line,
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๊ทธ์˜ ์‹  ์ฝคํ”Œ๋ ‰์Šค๋Š” ๋‹ค์Œ ๋Œ€์‚ฌ์—์„œ ์ž˜ ๋“œ๋Ÿฌ๋‚˜์ฃ 
04:06
"Life and death appear to me ideal bounds which I should first break through
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"์‚ถ๊ณผ ์ฃฝ์Œ์€ ์ด์ƒ์ ์ธ ๊ฒฝ๊ณ„์ธ๋ฐ ๋‚œ ๊ทธ๊ฒƒ์„ ๋„˜์–ด์„œ์„œ
04:11
and pour a torrent of light onto our dark world."
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์ด ์–ด๋‘์šด ์„ธ์ƒ์— ๋น›์„ ๋น„์ถฐ์ค„ ๊ฑฐ์•ผ."
04:15
Although he accomplishes something awe-inspiring,
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๋ฐ•์‚ฌ๋Š” ๊ฒฝ์ด๋กœ์šด ์ผ์„ ํ•ด๋‚ด์ง€๋งŒ
04:18
he has played with fire at his own ethical expense.
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์œ„ํ—˜ํ•œ ๋ถˆ์žฅ๋‚œ์„ ํ•œ ๋Œ€๊ฐ€๋Š” ๊ฐ€ํ˜นํ•˜๊ธฐ๋งŒ ํ•ฉ๋‹ˆ๋‹ค.
04:22
And that decision echoes throughout the novel,
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๊ทธ ์„ ํƒ์˜ ๊ฒฐ๊ณผ๊ฐ€ ์†Œ์„ค ๊ณณ๊ณณ์— ํˆฌ์˜๋ผ ์žˆ๋Š”๋ฐ์š”
04:24
which is full of references to fire and imagery that contrasts light and dark.
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๋ถˆ์€ ๋ฌผ๋ก , ๋น›๊ณผ ์–ด๋‘ ์œผ๋กœ ๋Œ€๋น„๋˜๋Š” ์ด๋ฏธ์ง€๋ฅผ ํ†ตํ•ด ํ‘œํ˜„๋ผ ์žˆ์ฃ .
04:30
These moments suggest not only the spark of Prometheus's fire,
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์ด๋Ÿฌํ•œ ์ด๋ฏธ์ง€๋Š” ํ”„๋กœ๋ฉ”ํ…Œ์šฐ์Šค์˜ ๋ถˆ๊ฝƒ์„ ์ƒ์ง•์ ์œผ๋กœ ๋‚˜ํƒ€๋‚ผ ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ
04:34
but the power of radical ideas to expose darker areas of life.
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์‚ถ์˜ ์–ด๋‘์šด ๋ถ€๋ถ„์„ ๋“ค์ถฐ๋‚ด๋Š” ๊ธ‰์ง„์  ์‚ฌ์ƒ์˜ ํž˜์„ ๋Œ€๋ณ€ํ•˜๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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