Why should you read "The Handmaid's Tale"? - Naomi R. Mercer

2,371,338 views ・ 2018-03-08

TED-Ed


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In Margaret Atwood's near-future novel, "The Handmaid's Tale,"
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a Christian fundamentalist regime called the Republic of Gilead
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has staged a military coup and established a theocratic government
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in the United States.
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The regime theoretically restricts everyone,
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but in practice a few men have structured Gilead so they have all the power,
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especially over women.
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The Handmaid's Tale is what Atwood calls speculative fiction,
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meaning it theorizes about possible futures.
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This is a fundamental characteristic
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shared by both utopian and dystopian texts.
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The possible futures in Atwood's novels are usually negative, or dystopian,
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where the actions of a small group have destroyed society as we know it.
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Utopian and dystopian writing tends to parallel political trends.
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Utopian writing frequently depicts an idealized society
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that the author puts forth as a blueprint to strive toward.
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Dystopias, on the other hand,
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are not necessarily predictions of apocalyptic futures,
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but rather warnings about the ways in which societies can set themselves
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on the path to destruction.
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The Handmaid's Tale was published in 1985, when many conservative groups
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attacked the gains made by the second-wave feminist movement.
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This movement had been advocating greater social and legal equality for women
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since the early 1960s.
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The Handmaid's Tale imagines a future in which the conservative
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counter-movement gains the upper hand
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and not only demolishes the progress women had made toward equality,
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but makes women completely subservient to men.
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Gilead divides women in the regime into distinct social classes
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based upon their function as status symbols for men.
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Even their clothing is color-coded.
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Women are no longer allowed to read
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or move about freely in public,
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and fertile women are subject to state-engineered rape
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in order to give birth to children for the regime.
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Although The Handmaid's Tale is set in the future,
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one of Atwood's self-imposed rules in writing it
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was that she wouldn't use any event
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or practice that hadn't already happened in human history.
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The book is set in Cambridge, Massachusetts,
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a city that during the American colonial period
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had been ruled by the theocratic Puritans.
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In many ways, the Republic of Gilead resembles the strict rules
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that were present in Puritan society:
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rigid moral codes,
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modest clothing,
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banishment of dissenters,
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and regulation of every aspect of people's lives and relationships.
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For Atwood, the parallels to Massachusett's Puritans
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were personal as well as theoretical.
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She spent several years studying the Puritans at Harvard
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and she's possibly descended from Mary Webster,
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a Puritan woman accused of witchcraft who survived her hanging.
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Atwood is a master storyteller.
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The details of Gilead, which we've only skimmed the surface of,
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slowly come into focus through the eyes of its characters,
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mainly the novel's protagonist Offred,
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a handmaid in the household of a commander.
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Before the coup that established Gilead,
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Offred had a husband, a child, a job, and a normal, middle-class American life.
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But when the fundamentalist regime comes into power,
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Offred is denied her identity,
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separated from her family,
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and reduced to being, in Offred's words,
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"a two-legged womb for increasing Gilead's waning population."
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She initially accepts the loss of her fundamental human rights
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in the name of stabilizing the new government.
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But state control soon extends into attempts to control the language,
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behavior,
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and thoughts of herself and other individuals.
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Early on, Offred says,
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"I wait. I compose myself.
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My self is a thing I must compose, as one composes a speech."
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She likens language to the formulation of identity.
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Her words also acknowledge the possibility of resistance,
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and it's resistance, the actions of people who dare to break the political,
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intellectual,
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and sexual rules,
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that drives the plot of the Handmaid's Tale.
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Ultimately, the novel's exploration of the consequences of complacency,
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and how power can be wielded unfairly,
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makes Atwood's chilling vision of a dystopian regime ever relevant.
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