Why glass towers are bad for city life -- and what we need instead | Justin Davidson

253,319 views ・ 2017-07-11

TED


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翻译人员: Junyi Sha 校对人员: Clover Lee
00:12
Imagine that when you walked in here this evening,
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想象一下当你在今晚步入这里时
00:15
you discovered that everybody in the room looked almost exactly the same:
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你发现所有在场的人 看上去几乎都一模一样
00:20
ageless, raceless,
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没有年龄和种族的区别
00:22
generically good-looking.
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而且个个天生丽质
00:24
That person sitting right next to you
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那个坐在你右手边的人
00:26
might have the most idiosyncratic inner life,
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他的内心世界可能极其怪僻
00:28
but you don't have a clue
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而你却根本看不出来
00:29
because we're all wearing the same blank expression all the time.
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因为我们始终都是同样面无表情
00:34
That is the kind of creepy transformation that is taking over cities,
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这就是正在城市中 发生着的诡异转变
00:39
only it applies to buildings, not people.
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只不过不是对公众 而是建筑
00:43
Cities are full of roughness and shadow,
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城市中遍布粗糙与阴影
00:49
texture and color.
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但也有和谐与色彩
00:50
You can still find architectural surfaces of great individuality and character
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你仍然能够在里加和也门 这些地区的公寓楼房中
找到极具个性的
00:57
in apartment buildings in Riga
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00:59
and Yemen,
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外表设计
01:02
social housing in Vienna,
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维也纳的社会住房
01:04
Hopi villages in Arizona,
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亚利桑那的霍皮村落
01:07
brownstones in New York,
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纽约的赤褐色砂石建筑
01:09
wooden houses in San Francisco.
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旧金山的木屋
01:11
These aren't palaces or cathedrals.
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它们既不是宫殿 也不是大教堂
01:13
These are just ordinary residences
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它们只是一些展现各自城市魅力的
01:15
expressing the ordinary splendor of cities.
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普普通通的住宅房
01:19
And the reason they're like that is that the need for shelter
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这些房屋之所以会千奇百丽正是因为
01:22
is so bound up with the human desire for beauty.
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人们生存本能中所附带的 对美(生活)的追求
01:28
Their rough surfaces give us a touchable city.
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那些粗糙的表面带给了我们 一个触手可及的城市
01:32
Right? Streets that you can read
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当你的手指拂过街边的
01:34
by running your fingers over brick and stone.
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一砖一瓦时 你仿佛走进了 小巷深处的记忆
01:37
But that's getting harder to do,
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但这样的机会已经越来越少了
01:40
because cities are becoming smooth.
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因为城市正在变得光滑
01:43
New downtowns sprout towers
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高塔在市中心拔地而起
01:45
that are almost always made of concrete and steel
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但却几乎全是有着被玻璃覆盖表面的
01:47
and covered in glass.
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钢筋混凝土
01:50
You can look at skylines all over the world --
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看看世界各地的城市天际线吧——
01:53
Houston,
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休斯顿
01:55
Guangzhou,
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广州
01:57
Frankfurt --
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法兰克福——
01:59
and you see the same army of high-gloss robots
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你会看见那些一模一样的 高抛光机器人大军
02:02
marching over the horizon.
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正在水平面上前行
02:05
Now, just think of everything we lose
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现在 让我们想想 当建筑师们
02:07
when architects stop using the full range of available materials.
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不再使用那么多可用的材料时 我们将失去的一切
02:12
When we reject granite and limestone and sandstone
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当我们抛弃了 花岗岩 石灰岩 砂岩
02:16
and wood and copper and terra-cotta and brick
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木材 铜片 陶瓦和砖
02:18
and wattle and plaster,
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篱枝或是石膏
02:20
we simplify architecture
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我们简化了这些建筑
02:23
and we impoverish cities.
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我们抛光了整个城市
02:25
It's as if you reduced all of the world's cuisines
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这就好比把世界各地的美食
02:29
down to airline food.
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简化成飞机餐
02:31
(Laughter)
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(笑声)
02:32
Chicken or pasta?
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鸡肉和通心粉二选一
02:35
But worse still,
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但是更槽糕的是
02:37
assemblies of glass towers like this one in Moscow
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那些像是在莫斯科的 这种玻璃高楼的组合
02:41
suggest a disdain for the civic and communal aspects of urban living.
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其实暗含着一种对于 城市社会生活的歧视
02:46
Right? Buildings like these are intended to enrich their owners and tenants,
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像这样的建筑都成为了 招揽开发商或是入驻公司的手段
02:51
but not necessarily the lives of the rest of us,
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而它们对于每天穿行其中的我们来说
02:53
those of us who navigate the spaces between the buildings.
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却没有太多存在的意义
02:58
And we expect to do so for free.
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而我们正在自觉接受这样免费的存在
03:01
Shiny towers are an invasive species
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亮晶晶的高塔是一种入侵物种
03:04
and they are choking our cities and killing off public space.
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而它们的存在窒息了我们的城市 也碾压了我们的公共空间
03:09
We tend to think of a facade as being like makeup,
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我们趋向于把建筑的外表 当作被粉饰的门面
03:12
a decorative layer applied at the end to a building that's effectively complete.
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最后附上的装饰层 会让建筑看起来很完整
03:16
But just because a facade is superficial
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但是一个轻薄的外表
03:19
doesn't mean it's not also deep.
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并不意味着建筑本身没有深度
03:21
Let me give you an example
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我来举个例子看看
一个城市的外观是如何 影响人们生活方式的吧
03:24
of how a city's surfaces affect the way we live in it.
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03:27
When I visited Salamanca in Spain,
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当我去拜访位于西班牙的 萨拉曼卡的时候
03:29
I gravitated to the Plaza Mayor
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我被那里的马约尔广场深深吸引
03:32
at all hours of the day.
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于是一整天都呆在了那儿
03:33
Early in the morning, sunlight rakes the facades,
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清晨 阳光撒向整个建筑
03:36
sharpening shadows,
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留下清晰的阴影
03:38
and at night, lamplight segments the buildings
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到了傍晚时分 灯光将楼房分割成了
03:41
into hundreds of distinct areas,
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数百个截然不同的小区域
03:44
balconies and windows and arcades,
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阳台 窗户 还有走廊
03:46
each one a separate pocket of visual activity.
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都造就了各自独特的视觉区
03:50
That detail and depth, that glamour
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那些细节 深度和它所带来的魅力
03:54
gives the plaza a theatrical quality.
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赋予了整个广场以大剧场的视觉效果
03:58
It becomes a stage where the generations can meet.
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它变成了一个 无论男女老少都可以邂逅的舞台
04:01
You have teenagers sprawling on the pavers,
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你会看见少年躺在路边
04:05
seniors monopolizing the benches,
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老年人垄断长椅
04:08
and real life starts to look like an opera set.
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那真实的生活就像是 戏剧里所布景的那样
04:12
The curtain goes up on Salamanca.
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这就是关于萨拉曼卡的全貌
04:15
So just because I'm talking about the exteriors of buildings,
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好了 我们讨论的是一个建筑的外观
04:20
not form, not function, not structure,
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不是它的组成 功能或是结构
04:24
even so those surfaces give texture to our lives,
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但仅仅就是这些外观 给我们的生活带来了触动
04:29
because buildings create the spaces around them,
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因为建筑创新了周围的空间环境
04:32
and those spaces can draw people in
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这些空间环境可以吸引人们聚集其间
或是将人们驱逐
04:35
or push them away.
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04:37
And the difference often has to do with the quality of those exteriors.
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而这些差距往往就是 由建筑外观的质量决定的
04:40
So one contemporary equivalent of the Plaza Mayor in Salamanca
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说一个与萨拉曼卡的马约尔广场 相较衡的现代广场
04:44
is the Place de la Défense in Paris,
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巴黎的协和广场
04:47
a windswept, glass-walled open space
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一个大风贯通 被玻璃墙围绕的开放空间
04:51
that office workers hurry through
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办公室白领会迅速从中通过
04:53
on the way from the metro to their cubicles
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从地铁站直奔属于他们的办公室
04:55
but otherwise spend as little time in as possible.
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除此之外 他们也会尽可能的 少花时间呆在里面
04:59
In the early 1980s, the architect Philip Johnson
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在上世纪80年代初期 一个叫做Philip Johnson的建筑师
05:03
tried to recreate a gracious European plaza in Pittsburgh.
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曾尝试在匹兹堡 重塑一个优雅的欧式广场
05:07
This is PPG Place,
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这就是PPG Place(地点名称)
05:09
a half acre of open space encircled by commercial buildings
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半英亩空地就这样 被由玻璃组成的
商业建筑包围着
05:14
made of mirrored glass.
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05:15
And he ornamented those buildings with metal trim and bays
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他运用了金属镶边 间隔排架
还有哥特式的塔楼设计
05:19
and Gothic turrets
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05:21
which really pop on the skyline.
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这些使得整栋建筑确实冲破了天际线
05:23
But at ground level,
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但是从平地的角度来看
05:26
the plaza feels like a black glass cage.
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整个广场就好像一个黑色的玻璃笼子
05:29
I mean, sure, in summertime
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我的意思是 是的 在夏日的午后
05:31
kids are running back and forth through the fountain
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孩子们还是会在喷泉的周围来回跑动
05:34
and there's ice-skating in the winter,
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冬天还是会在这里滑冰
05:36
but it lacks the informality of a leisurely hangout.
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但是却少了这种娱乐的休闲与自在
05:39
It's just not the sort of place you really want to just hang out and chat.
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这个广场的确不是那种 会让你想去聚会畅谈的地方
05:47
Public spaces thrive or fail for many different reasons.
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这些公共空间的成功与失败 取决于很多不同的原因
建筑虽然只是其中一方面
05:51
Architecture is only one,
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05:53
but it's an important one.
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但却也是极其重要的一方面
05:55
Some recent plazas
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一些最近新建的广场
05:57
like Federation Square in Melbourne
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比如墨尔本的联邦广场
06:00
or Superkilen in Copenhagen
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或是哥本哈根的Superkilen线性公园
06:03
succeed because they combine old and new,
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它们的成功源于 它们结合了古朴与新潮
06:07
rough and smooth,
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粗糙与光滑
06:09
neutral and bright colors,
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色彩的中性与明亮
06:11
and because they don't rely excessively on glass.
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并且它们没有过分依赖玻璃
06:15
Now, I'm not against glass.
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我并不是反对使用玻璃
06:19
It's an ancient and versatile material.
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玻璃毕竟是一种古老且通用性强的材料
06:23
It's easy to manufacture and transport
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它们易于大量生产 运输
06:27
and install and replace
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安装 替换
06:29
and clean.
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和清洁
06:31
It comes in everything from enormous, ultraclear sheets
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无论是巨大的超洁净面板 还是简单的透明砖
06:34
to translucent bricks.
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都有玻璃的存在
06:37
New coatings make it change mood
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新式涂层能够 让它们在光照的变化中
06:39
in the shifting light.
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变换色调
06:41
In expensive cities like New York, it has the magical power
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在像纽约这样的高消费城市 玻璃拥有神奇的能力
06:44
of being able to multiply real estate values by allowing views,
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通过扩大视觉空间 使房地产价格轻松翻倍
06:48
which is really the only commodity that developers have to offer
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而玻璃也是开发商唯一能够用来
06:51
to justify those surreal prices.
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对离奇高的地产价格做出解释的理由
06:56
In the middle of the 19th century,
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在19世纪中期
06:58
with the construction of the Crystal Palace in London,
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伴随着伦敦水晶宫的建成
07:00
glass leapt to the top of the list of quintessentially modern substances.
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玻璃一跃到了 标准现代化材料清单的榜首
07:06
By the mid-20th century,
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到了20世纪中期
07:07
it had come to dominate the downtowns of some American cities,
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玻璃主要通过这些壮观的写字楼
07:11
largely through some really spectacular office buildings
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主导了美国部分城市的市中心
07:14
like Lever House in midtown Manhattan, designed by Skidmore, Owings and Merrill.
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像是在曼哈顿的由Skidmore Owings 和Merrill三人设计的利华大厦
07:19
Eventually, the technology advanced to the point
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直到最后 科技进步到达了一种
07:22
where architects could design structures so transparent
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使建筑师们能够让设计结构透明到
07:25
they practically disappear.
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看不见的地步
07:28
And along the way,
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在这个过程中
07:29
glass became the default material of the high-rise city,
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玻璃成为了高楼耸立的 城市中的默认材料
07:34
and there's a very powerful reason for that.
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其实这些改变的背后 有着强大的理由来支持
因为世界人口都聚集于城市之中
07:37
Because as the world's populations converge on cities,
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07:41
the least fortunate pack into jerry-built shantytowns.
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最穷的那批人会住进 偷工减料建造的棚户区当中
07:45
But hundreds of millions of people need apartments and places to work
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而数以亿计的人 还是会需要越来越高大的
07:49
in ever-larger buildings,
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公寓和办公楼
07:50
so it makes economic sense to put up towers
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所以从经济角度考虑 建立高塔并用便宜且实用的
07:53
and wrap them in cheap and practical curtain walls.
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玻璃帘幕作为墙壁的举措 是完全合理的
07:57
But glass has a limited ability
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但是玻璃的表现力
08:00
to be expressive.
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毕竟是有局限的
08:03
This is a section of wall framing a plaza
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这是在墨西哥南部 前西班牙城米特拉
08:05
in the pre-Hispanic city of Mitla, in southern Mexico.
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一个广场外墙的一部分
08:10
Those 2,000-year-old carvings
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这些历经2000年的雕纹
08:11
make it clear that this was a place of high ritual significance.
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让这里看起来充满了宗教仪式气息
08:17
Today we look at those and we can see a historical and textural continuity
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现今,当我们看向这些建筑 我们能够清晰地感受到
四周的山脉和 取材于当地的石材并建造于
08:22
between those carvings, the mountains all around
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08:25
and that church which is built on top of the ruins
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废墟之上的教堂之间
08:29
using stone plundered from the site.
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为历史与构造留存的一脉相承的连续性
08:32
In nearby Oaxaca, even ordinary plaster buildings
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在附近的瓦哈卡 即使是普通的石膏建筑
08:35
become canvasses for bright colors, political murals
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也会成为丰富多姿的 色彩表达 政治壁画
08:39
and sophisticated graphic arts.
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或是复杂精美的图案艺术的画布
08:42
It's an intricate, communicative language
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这些错综复杂的 具有交流性的语言
08:46
that an epidemic of glass would simply wipe out.
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会因玻璃的盛行而被轻松抹杀
08:49
The good news is that architects and developers
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好消息是,建筑师和开发商们
08:52
have begun to rediscover the joys of texture
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已经开始在不脱离现代化的基础上
08:55
without backing away from modernity.
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重新发掘其他材质带来的乐趣
08:58
Some find innovative uses for old materials like brick
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有一些人找到了比如 砖头或是赤陶瓦等旧材料的
09:03
and terra-cotta.
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新用途
09:05
Others invent new products like the molded panels that Snøhetta used
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还有一些人则是发掘了新的建材 比如Snøhetta在旧金山现代艺术博物馆
09:10
to give the San Francisco Museum of Modern Art
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外观建设中用到的模压板
09:13
that crinkly, sculptural quality.
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使得博物馆看起来富有 皱巴巴的雕塑般的气质
09:16
The architect Stefano Boeri even created living facades.
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建筑师Stefano Boeri甚至 创造了这种活着的表面纹理
09:20
This is his Vertical Forest, a pair of apartment towers in Milan,
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这是“垂直丛林” 在米兰的一对公寓高楼
09:24
whose most visible feature is greenery.
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它们最显眼的特征便是那外表的绿色
09:27
And Boeri is designing a version of this for Nanjing in China.
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Boeri正在为中国南京 设计一个类似的版本
09:32
And imagine if green facades were as ubiquitous as glass ones
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想象一下,如果这种绿色外观 能够和玻璃一样普及的话
09:37
how much cleaner the air in Chinese cities would become.
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那么中国城市的空气质量 将会得到多么大的改善啊
09:41
But the truth is that these are mostly one-offs,
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但事实是 这些往往都只是个例
09:44
boutique projects,
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精品工程
09:45
not easily reproduced at a global scale.
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没办法轻易的在全球范围内普及
09:49
And that is the point.
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但这也就是它的意义所在
09:52
When you use materials that have a local significance,
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当你去使用这些具有地方特色的建材时
09:55
you prevent cities from all looking the same.
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就能够避免城市外观趋于一致
09:58
Copper has a long history in New York --
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在纽约 铜的运用已有很长的历史了
10:01
the Statue of Liberty,
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自由女神像和
10:03
the crown of the Woolworth Building --
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伍尔沃思大厦的楼顶都是如此
10:06
but it fell out of fashion for a long time
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但是它已经脱离时尚界多年
10:09
until SHoP Architects used it to cover the American Copper Building,
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直到SHoP建筑师们在建造 东河岸的一对扭曲塔楼
10:13
a pair of twisting towers on the East River.
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American Copper Building时 再次使用了它
10:16
It's not even finished
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它还没有完工
10:18
and you can see the way sunset lights up that metallic facade,
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但你仍能够从夕阳中 看到那耀眼的金属光泽
10:22
which will weather to green as it ages.
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知道它们会随着时间风化成绿色
10:25
Buildings can be like people.
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楼房也可以和人一样
10:27
Their faces broadcast their experience.
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它们的脸上写满了沧桑
10:31
And that's an important point,
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这是很重要的一点
10:32
because when glass ages,
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因为当玻璃老化的时候
10:35
you just replace it,
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我们就会把它换掉
10:37
and the building looks pretty much the same way it did before
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这样那些楼房看起来始终都是一个样子
直到最终销毁
10:40
until eventually it's demolished.
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10:41
Almost all other materials have the ability
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几乎所有的材料都有能力去
10:44
to absorb infusions of history and memory,
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吸收并融纳历史和记忆
10:48
and project it into the present.
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并把这些都呈现于当代
10:52
The firm Ennead
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Ennead公司
10:54
clad the Utah Natural History Museum in Salt Lake City in copper and zinc,
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用铜和锌包裹了位于盐湖城的 犹他自然历史博物馆
10:59
ores that have been mined in the area for 150 years
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在这里 开采这些矿产的历史 已经有150年了
11:05
and that also camouflage the building against the ochre hills
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这也将这座建筑巧妙的 隐藏于了矿山之中
11:09
so that you have a natural history museum
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这样我们就拥有了一个真正反映了
11:11
that reflects the region's natural history.
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当地自然历史的自然历史博物馆
11:15
And when the Chinese Pritzker Prize winner Wang Shu
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当中国建筑师王澍 (普利茨克奖获得者)
11:18
was building a history museum in Ningbo,
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在宁波建造一个历史博物馆的时候
11:21
he didn't just create a wrapper for the past,
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他将从村庄废墟中 存留下来的砖石木瓦
11:24
he built memory right into the walls
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加入到了外墙当中
11:27
by using brick and stones and shingles
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他不仅仅是包装了历史
11:31
salvaged from villages that had been demolished.
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也以此将回忆注入了建筑当中
11:36
Now, architects can use glass
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现今的建筑师们可以用同样抒情
11:39
in equally lyrical and inventive ways.
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而富有创造性的方式去使用玻璃
11:41
Here in New York, two buildings,
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在这里 纽约 有两栋楼
11:43
one by Jean Nouvel and this one by Frank Gehry
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一栋是Jean Nouvel设计的 图中的这个则是Frank Gehry的作品
11:46
face off across West 19th Street,
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它们面朝西十九大道
11:49
and the play of reflections that they toss back and forth
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而它们所创造的光与影的前后交错
11:52
is like a symphony in light.
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就如同光世界的交响曲
11:56
But when a city defaults to glass
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但当玻璃成为一个城市的默认材料
11:59
as it grows,
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不断地被增加用量
12:00
it becomes a hall of mirrors,
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城市就会变成巨大的镜厅
12:02
disquieting and cold.
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让人感到不安 冰冷
12:05
After all, cities are places of concentrated variety
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毕竟城市理应是一个充满了
12:11
where the world's cultures and languages and lifestyles
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多样的世界文化 语言和生活方式的
12:16
come together and mingle.
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大熔炉
12:18
So rather than encase all that variety
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所以我们不应该将这些多样性
12:22
and diversity in buildings of crushing sameness,
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局限在这一模一样的外表下
12:26
we should have an architecture that honors the full range of the urban experience.
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我们应该让建筑充分反映 丰富多彩的城市体验
12:31
Thank you.
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谢谢大家
(掌声)
12:33
(Applause)
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