Every piece of art you've ever wanted to see -- up close and searchable | Amit Sood

Prevodilac: Milenka Okuka Lektor: Mile Živković

The world is filled with incredible objects

Svet je pun neverovatnih predmeta

and rich cultural heritage.

i bogatog kulturnog nasleđa.

And when we get access to them,

A kad imamo pristup tome,

we are blown away, we fall in love.

impresionirani smo, zaljubljujemo se.

But most of the time,

Ali većinu vremena,

the world's population is living without real access to arts and culture.

svetska populacija živi bez pravog pristupa umetnosti i kulturi.

What might the connections be when we start exploring our heritage,

Kakve bi mogle da budu veze kad počnemo da istražujemo naše nasleđe,

the beautiful locations and the art in this world?

prelepe lokacije i umetnost ovog sveta?

Before we get started in this presentation,

Pre nego što počnemo ovu prezentaciju,

I just want to take care of a few housekeeping points.

samo želim da se osvrnem na nekoliko tačaka održavanja.

First, I am no expert in art or culture.

Pre svega, nisam stručnjak za umetnost ili kulturu.

I fell into this by mistake, but I'm loving it.

Slučajno sam dopao ovde, ali veoma mi se sviđa.

Secondly, all of what I'm going to show you

Zatim, sve što ću da vam pokažem

belongs to the amazing museums, archives and foundations

pripada sjajnim muzejima, arhivima i fondacijama

that we partner with.

s kojima smo partneri.

None of this belongs to Google.

Ništa od ovoga ne pripada Guglu.

And finally, what you see behind me

I konačno, ono što vidite iza mene

is available right now on your mobile phones,

je trenutno dostupno na vašim mobilnim telefonima,

on your laptops.

na vašim laptopovima.

Ovo je naša trenutna platforma, gde možete da istražujete

This is our current platform, where you can explore

thousands of museums and objects at your fingertips,

na hiljade muzeja i objekata koji su vam nadomak prstiju,

in extremely high-definition detail.

do detalja u visokoj rezoluciji.

The diversity of the content is what's amazing.

Raznovrsnost sadržaja je zapanjujuća.

If we just had European paintings,

Kad bismo imali samo evropske slike,

if we just had modern art,

samo modernu umetnost,

I think it gets a bit boring.

mislim da bi bilo malčice dosadno.

For example, this month, we launched the "Black History" channel

Na primer, ovog meseca, pokrenuli smo kanal "Crna istorija"

with 82 curated exhibitions,

sa 82 izložbe s kustosom,

which talk about arts and culture in that community.

koje govore o umetnosti i kulturi u toj zajednici.

We also have some amazing objects from Japan,

Takođe imamo neke sjajne objekte iz Japana,

centered around craftsmanship, called "Made in Japan."

koncentrisane oko umešnosti nazvane "Proizvedeno u Japanu".

And one of my favorite exhibitions,

I jedna od mojih omiljenih izložbi,

which actually is the idea of my talk,

koja je zapravo ideja mog govora,

is -- I didn't expect to become a fan of Japanese dolls.

je: nisam očekivao da ću postati ljubitelj japanskih lutki.

But I am, thanks to this exhibition,

Ali jesam, zahvaljujući ovoj izložbi,

that has really taught me about the craftsmanship

koja me je zaista podučila o umešnosti izrade

behind the soul of a Japanese doll.

koja je u srcu japanske lutke.

Trust me, it's very exciting.

Verujte mi, veoma je uzbudljivo.

Take my word for it.

Verujte mi na reč.

So, moving on swiftly.

Pa, preletećemo preko toga.

One quick thing I wanted to showcase in this platform,

Nešto što brzo mogu da vam pokažem na ovoj platformi,

which you can share with your kids and your friends right now,

što trenutno možete da podelite s vašom decom i prijateljima

is you can travel to all these amazing institutions virtually, as well.

je da takođe možete virtuelno da putujete na sve ove sjajne ustanove.

One of our recent ideas was with The Guggenheim Museum in New York,

Jedna od naših skorašnjih ideja s muzejom Gugenhajm u Njujorku

where you can get a taste of what it might feel like

gde možete da iskusite kakav bi bio osećaj

to actually be there.

da ste zapravo tamo.

You can go to the ground floor

Možete da pođete do prizemlja

and obviously, most of you, I assume, have been there.

i očito, većina vas, pretpostavljam, bila je tamo.

And you can see the architectural masterpiece that it is.

I uverili biste se da je to remek-delo arhitekture.

But imagine this accessibility for a kid in Bombay

Ali zamislite šta ova dostupnost znači za dete iz Bombaja

who's studying architecture,

koje studira arhitekturu,

who hasn't had a chance to go to The Guggenheim as yet.

koje još uvek nije bilo u prilici da poseti Gugenhajm.

You can obviously look at objects in the Guggenheim Museum,

Očito možete da posmatrate objekte iz muzeja Gugenhajm,

you can obviously get into them and so on and so forth.

očito mogu da vas fasciniraju i tako dalje.

There's a lot of information here.

Ovde imate mnogo informacija.

But this is not the purpose of my talk today.

Ali ovo nije svrha mog današnjeg govora.

This exists right now.

Ovo trenutno postoji.

What we now have are the building blocks to a very exciting future,

Trenutno imamo građu za veoma uzbudljivu budućnost,

when it comes to arts and culture

kad se radi o umetnosti i kulturi

and accessibility to arts and culture.

i dostupnosti umetnosti i kulture.

So I am joined today onstage by my good friend and artist in residence

Te mi se na sceni pridružio moj dobar prijatelj i gostujući umetnik

at our office in Paris, Cyril Diagne,

u našim kancelarijama u Parizu, Siril Dijan,

who is the professor of interactive design

koji je profesor interaktivnog dizajna

at ECAL University in Lausanne, Switzerland.

na univerzitetu ECAL u Lozani u Švajcarskoj.

What Cyril and our team of engineers have been doing

Siril i naša ekipa inženjera

is trying to find these connections and visualize a few of these.

pokušavaju da nađu ove veze i da vizualizuju neke od njih.

So I'm going to go quite quick now.

Pa ću ih brzo preleteti.

This object you see behind me -- oh, just clarification:

Ovi objekti koje vidite iza mene - eh, samo da objasnim:

Always, seeing the real thing is better.

uvek je bolje videti prave objekte.

In case people think I'm trying to replicate the real thing.

Da ljudi ne pomisle da pokušavam da repliciram prave objekte.

So, moving on.

Dakle, idemo dalje.

This object you see behind me is the Venus of Berekhat Ram.

Objekat koji vidite iza mene je Venera iz Berekat Rama.

It's one of the oldest objects in the world,

To je jedan od najstarijih objekata na svetu,

found in the Golan Heights around 233,000 years ago,

pronađen je na visoravni Golan pre oko 233.000 godina

and currently residing at the Israel Museum in Jerusalem.

i trenutno se nalazi u Izraelskom muzeju u Jerusalimu.

It is also one of the oldest objects on our platform.

To je i jedan od najstarijih objekata na našoj platformi.

So let's zoom.

Dakle, zumirajmo.

We start from this one object.

Počinjemo ovim objektom.

What if we zoomed out

Šta kad bismo odzumirali

and actually tried to experience our own cultural big bang?

i zapravo pokušali da doživimo naš sopstveni kulturološki veliki prasak?

What might that look like?

Kako bi to moglo da izgleda?

This is what we deal with on a daily basis at the Cultural Institute --

S ovim se svakodnevno bavimo na Institutu za kuturu -

over six million cultural artifacts curated and given to us by institutions,

preko šest miliona artefakta kulture koje su institucije odabrale i poklonile nama

to actually make these connections.

kako bismo zapravo napravili ove veze.

You can travel through time,

Možete da putujete kroz vreme,

you can understand more about our society through these.

možete da bolje razumete naše društvo preko njih.

You can look at it from the perspective of our planet,

Možete da to posmatrate iz ugla naše planete

and try to see how it might look without borders,

i da pokušate da vidite kako bi izgledalo bez granica,

if we just organized art and culture.

kad bismo samo organizovali umetnosti i kulturu.

We can also then plot it by time,

Možemo je i vremenski struktuirati,

which obviously, for the data geek in me, is very fascinating.

što je očito, za štrebera za podatke u meni, veoma fascinantno.

You can spend hours looking at every decade

Možete da provedete sate posmatrajući svaku deceniju

and the contributions in that decade and in those years

i doprinos u toj deceniji i tih godina

for art, history and cultures.

u umetnosti i kulturama.

We would love to spend hours showing you each and every decade,

Voleli bismo da provedemo sate pokazujući vam baš svaku deceniju,

but we don't have the time right now.

ali trenutno nemamo toliko vremena.

So you can go on your phone and actually do it yourself.

Pa, možete da uzmete telefon i zapravo to sami uradite.

(Applause)

(Aplauz)

But if you don't mind and can hold your applause till later,

Ako nemate ništa protiv, zadržite aplauz za kasnije,

I don't want to run out of time,

ne želim da mi istekne vreme

because I want to show you a lot of cool stuff.

jer želim da vam pokažem mnogo sjajnih stvari.

So, just very quickly:

Dakle, veoma brzo:

you can move on from here to another very interesting idea.

možete da se krećete odavde do još jedne veoma zanimljive ideje.

Beyond the pretty picture,

Mimo lepe slike,

beyond the nice visualization,

mimo fine vizualizacije,

what is the purpose, how is this useful?

šta je svrha, kako je ovo korisno?

This next idea comes from discussions with curators

Sledeća ideja potiče iz diskusije s kustosima

that we've been having at museums,

koji rade u muzejima,

who, by the way, I've fallen in love with,

u koje sam se, usput, zaljubio

because they dedicate their whole life to try to tell these stories.

jer posvećuju čitav svoj život kako bi ispričali ove priče.

One of the curators told me, "Amit, what would it be like

Jedan od kustosa mi je rekao: "Amite, kako bi izgledalo

if you could create a virtual curator's table

kad bi mogao da stvoriš virtuelnu tabelu za kustose

where all these six million objects

gde bi svih šest miliona objekata

are displayed in a way for us to look at the connections between them?"

bilo izloženo tako da mi možemo da tražimo veze među njima?"

You can spend a lot of time, trust me, looking at different objects

Možete da provedete mnogo vremena, verujte mi, posmatrajući različite objekte

and understanding where they come from.

i razumevajući odakle potiču.

It's a crazy Matrix experience.

To je ludo iskustvo nalik Matriksu.

(Laughter)

(Smeh)

Just moving on,

Idemo dalje,

let's take the world-famous Vincent Van Gogh,

uzmimo svetski poznatog Vinsenta van Goga,

who is very well-represented on this platform.

koji je veoma dobro predstavljen na ovoj platformi.

Thanks to the diversity of the institutions we have,

Zahvaljujući raznovrsnosti institucija ovde,

we have over 211 high-definition, amazing artworks by this artist,

imamo preko 211 izuzetnih umetničkih dela u visokoj rezoluciji od ovog umetnika,

now organized in one beautiful view.

sad su organizovani u jedan lep prizor.

And as it resolves, and as Cyril goes deeper,

I kako se sve ovo razlaže, i Siril ide dublje,

you can see all the self-portraits,

možete da vidite autoportrete,

you can see still life.

mrtvu prirodu.

But I just wanted to highlight one very quick example,

Ali samo sam želeo da istaknem jedan veoma kratak primer,

which is very timely:

veoma je podesan:

"The Bedroom."

"Spavaća soba".

This is an artwork where three copies exist --

Ovo je umetničko delo koga postoje tri kopije -

one at the Van Gogh Museum in Amsterdam,

jedna je u muzeju Van Gog u Amsterdamu,

one at the Orsay in Paris

druga je u Orseju u Parizu,

and one at the Art Institute of Chicago,

a treća je u Čikaškom umetničkom institutu,

which, actually, currently is hosting a reunion

koji je zapravo trenutno domaćin fizičkog okupljanja

of all three artworks physically,

sva tri umetnička dela,

I think only for the second time ever.

verujem, tek drugi put u istoriji.

But, it is united digitally and virtually for anybody to look at

Ali su ujedinjeni digitalno i virtuelno tako da ih svako može videti

in a very different way,

na različite načine

and you won't get pushed in the line in the crowd.

i neće vas gurati u gomili u redu.

So let's take you and let's travel through "The Bedroom" very quickly,

Pa, hajde da vas povedem i da putujemo kroz "Spavaću sobu" veoma brzo,

so you can experience what we are doing for every single object.

kako biste razumeli šta radimo sa svakim objektom.

We want the image to speak as much as it can

Želimo da prizor govori koliko god može

on a digital platform.

na digitalnoj platformi.

And all you need is an internet connection and a computer

A sve što vam je potrebno je internet veza i kompjuter.

(Applause)

(Aplauz)

And, Cyril, if you can go deeper, quickly.

I, Sirile, ako možeš pođi dublje, brzo.

I'm sorry, this is all live,

Žao mi je, ovo ide uživo,

so you have to give Cyril a little bit of --

pa morate da date Sirilu malo -

and this is available for every object:

a ovo je dostupno za svaki objekat:

modern art, contemporary art, Renaissance -- you name it,

modernu umetnost, savremenu umetnost, renesansu - šta god,

even sculpture.

čak i za skulpture.

Sometimes, you don't know what can attract you

Ponekad ne znate šta će da vas privuče

to an artwork or to a museum or to a cultural discovery.

kod nekog umetničkog dela ili muzeja ili kulturološkog otkrića.

So for me, personally, it was quite a challenge

Pa je za mene lično to bio popriličan izazov

because when I decided to make this my full-time job at Google,

jer kad sam odlučio da mi ovo bude stalni posao u Guglu,

my mother was not very supportive.

moja majka mi nije pružila naročitu podršku.

I love my mother,

Volim moju majku,

but she thought I was wasting my life with this museum stuff.

ali smatrala je da traćim svoj život na ove muzejske stvari.

And for her, a museum is what you do when you go on vacation

A za nju su muzeji ono čime se bavite kad ste na odmoru

and you tick-mark and it's over, right?

i prosto to štiklirate i gotovo, zar ne?

And it took around four and a half years

I trebale su mi oko četiri i po godine

for me to convince my lovely Indian mother

da ubedim moju ljupku majku Indijku

that actually, this is worthwhile.

da je ovo zapravo vredno truda.

And the way I did it was, I realized one day that she loves gold.

A to sam postigao, shvativši jednog dana da voli zlato.

So I started showing her all objects that have the material gold in them.

Te sam počeo da joj pokazujem sve objekte koji imaju zlato u sebi.

And the first thing my mom asks me is,

A prvo što me je majka pitala:

"How can we buy these?"

"Kako možemo da ih kupimo?"

(Laughter)

(Smeh)

And obviously, my salary is not that high,

I, očigledno, moja plata nije toliko velika,

so I was like, "We can't actually do that, mom.

pa sam bio u fazonu: "Zapravo je to nemoguće, majko.

But you can explore them virtually."

Ali možeš virtuelno da ih istražuješ."

And so now my mom -- every time I meet her, she asks me,

Pa me sad majka - svaki put kad me vidi pita:

"Any more gold, any more silver in your project? Can you show me?"

"Ima li još zlata, još srebra u tvom projektu? Možeš li da mi pokažeš?"

And that's the idea I'm trying to illustrate.

A to je ideja koju pokušavam da ilustrujem,

It does not matter how you get in,

Nije bitno kako stignete tu,

as long as you get in.

dokle got ste tu.

Once you get in, you're hooked.

Čim stignete tu, navučeni ste.

Moving on from here very quickly,

Idemo dalje, veoma brzo,

there is kind of a playful idea, actually,

radi se nekako o razigranoj ideji, zapravo,

to illustrate the point of access,

da bih ilustrovao tačku pristupa,

and I'm going to go quite quickly on this one.

i brzo ću proći kroz ovo.

We all know that seeing the artwork in person is amazing.

Svi znamo da je predivno gledanje umetnina uživo.

But we also know that most of us can't do it,

Ali takođe znamo da većina nas to ne može da uradi,

and the ones that can afford to do it, it's complicated.

a oni koji mogu to da priušte, komplikovano je.

So -- Cyril, can we load up our art trip, what do we call it?

Pa - Sirile, možemo li da pustimo umetničko putovanje, kako ga zovemo?

We don't have a good name for this.

Nemamo dobro ime za ovo.

But essentially, we have around 1,000 amazing institutions,

Ali u suštini imamo oko 1000 sjajnih institucija,

68 countries.

68 država.

But let's start with Rembrandt.

No počnimo Rembrantom.

We might have time for only one example.

Možda imamo vremena samo za jedan primer.

But thanks to the diversity,

No zahvaljujući raznolikosti,

we've got around 500 amazing Rembrandt object artworks

imamo oko 500 sjajnih Rembrantovih umetničkih dela

from 46 institutions and 17 countries.

iz 46 institucija i 17 država.

Let's say that on your next vacation,

Recimo da na vašem sledećem putovanju

you want to go see every single one of them.

želite da vidite svako od njih.

That is your itinerary,

To je vaša maršruta,

you will probably travel 53,000 kilometers,

verovatno biste putovali 53.000 kilometara,

visit around, I think, 46 institutions,

posetili biste, verujem, 46 institucija,

and just FYI, you might release 10 tons of CO2 emissions.

i samo za vašu informaciju, oslobodili biste 10 tona CO2.

(Laughter)

(Smeh)

But remember, it's art,

No, sećate se, to je umetnost,

so you can justify it, perhaps, in some way.

pa to možete da opravdate, možda, nekako.

Moving on swiftly from here,

Idemo hitro odavde,

is something a little bit more technical and more interesting.

imamo nešto malčice više tehničko i interesantnije.

All that we've shown you so far uses metadata to make the connections.

Sve što smo vam do sad pokazali koristi metapodatke za pravljenje veza.

But obviously we have something cool nowadays

Ali očito imamo nešto sjajno ovih dana

that everyone likes to talk about, which is machine learning.

o čemu svi vole da govore, a to je mašinsko učenje.

So what we thought is, let's strip out all the metadata,

Te smo pomislili, hajde da ogolimo sve metapodatke,

let's look at what machine learning can do

pogledajmo šta mašinsko učenje može da postigne

based purely on visual recognition of this entire collection.

zasnovano u potpunosti na vizuelnom prepoznavanju čitave ove kolekcije.

What we ended up with is this very interesting map,

Na kraju smo dobili ovu veoma zanimljivu mapu,

these clusters that have no reference point information,

ove ogranke koji nemaju informacije s referencama,

but has just used visuals to cluster things together.

već su samo vizuelno grupisani zajedno.

Each cluster is an art to us by itself of discovery.

Svaka grupa sama po sebi otkrivena je za nas umetnost.

But one of the clusters we want to show you very quickly

Ali jedna od grupa koju želimo da vam pokažemo na kratko

is this amazing cluster of portraits

je ova zadivljujuća grupa portreta,

that we found from museums around the world.

koju smo našli u muzejima širom sveta.

If you could zoom in a little bit more, Cyril.

Zumiraj još malo, Sirile.

Just to show you, you can just travel through portraits.

Samo da bismo vam pokazali da možete da putujete putem portreta.

And essentially, you can do nature, you can do horses

I u suštini, možete tako i sa prirodom, možete s konjima,

and clusters galore.

imate u izobilju grupa.

When we saw all these portraits,

Kad smo videli sve te portrete,

we were like, "Hey, can we do something fun for kids,

bili smo u fazonu: "Hej, a da napravimo nešto zabavno za decu

or can we do something playful

ili da napravimo nešto zabavno

to get people interested in portraits?"

da bi se ljudi zainteresovali za portrete?"

Because I haven't really seen

Jer zaista nisam video

young kids really excited to go to a portrait gallery.

dečicu istinski uzbuđenu zbog posete galeriji portreta.

I wanted to try to figure something out.

Želeo sam da nešto smislim.

So we created something called the portrait matcher.

Te smo napravili nešto što se zove uparivanje portreta.

It's quite self-explanatory,

Prilično je doslovno,

so I'm just going to let Cyril show his beautiful face.

te ću prosto prepustiti Sirilu da pokaže svoje lepo lice.

And essentially what's happening is, with the movement of his head,

I u suštini se dešava to da pokretima svoje glave,

we are matching different portraits around the world from museums.

uparujemo različite portrete iz muzeja širom sveta.

(Applause)

(Aplauz)

And I don't know about you,

I ne znam za vas,

but I've shown it to my nephew and sister,

ali pokazao sam ovo nećaku i sestri

and the reaction is just phenomenal.

i reakcija je prosto fenomenalna.

All they ask me is, "When can we go see this?"

Samo me pitaju sledeće: "Kad možemo da vidimo ovo?"

And by the way, if we're nice,

I usput, ako smo dobri,

maybe, Cyril, you can smile and find a happy one?

možda, Sirile, da se nasmešiš i pronađeš srećni primerak?

Oh, perfect.

Oh, savršeno.

By the way, this is not rehearsed.

Usput, ovo nije uvežbano.

Congrats, Cyril. Great stuff. Oh wow.

Čestitke, Sirile. Sjajan materijal. Alal vera!

OK, let's move on; otherwise, this will just take the whole time.

U redu, nastavimo; u suprotnom ovo će nam uzeti sve vreme.

(Applause)

(Aplauz)

So, art and culture can be fun also, right?

Dakle, umetnost i kultura mogu i da budu zabavni, ne?

For our last quick experiment --

Naš poslednji kratki eksperiment -

we call all of these "experiments" --

mi sve ovo nazivamo "eksperimentima"-

our last quick experiment comes back to machine learning.

naš poslednji kratki eksperiment nas vraća mašinskom učenju.

We show you clusters, visual clusters,

Pokazujemo vam grupe, vizuelne grupe,

but what if we could ask the machine to also name these clusters?

ali šta ako bismo mogli da pitamo mašinu da takođe imenuje ove grupe?

What if it could automatically tag them, using no actual metadata?

Šta ako bi ih ona automatski obeležavala, bez upotrebe stvarnih metapodataka?

So what we have is this kind of explorer,

Stoga imamo ovaj tip istraživača,

where we have managed to match, I think, around 4,000 labels.

gde smo uspeli da uparimo, verujem, oko 4000 oznaka.

And we haven't really done anything special here,

I zaista nismo napravili bilo šta naročito ovde,

just fed the collection.

prosto smo uneli kolekciju.

And we found interesting categories.

I otkrili smo zanimljive kategorije.

We can start with horses, a very straightforward category.

Možemo da počnemo konjima, veoma jednostavna kategorija.

You would expect to see that the machine has put

Očekivali biste da ćete videti kako je mašina unela

images of horses, right?

slike konja, zar ne?

And it has, but you also notice, right over there,

I jeste, ali takođe primećujete, tačno ovde,

that it has a very abstract image

da se ovde nalazi veoma apstraktna slika

that it has still managed to recognize and cluster as horses.

koju je mašina ipak uspela da prepozna i grupiše kao konja.

We also have an amazing head in terms of a horse.

Takođe imamo jednu divnu glavu u konjskom smislu.

And each one has the tags as to why it got categorized in this.

I svaka ima belešku zašto je svrstana tu.

So let's move to another one which I found very funny and interesting,

Zato pređimo na još jednu koja mi je veoma smešna i zanimljiva

because I don't understand how this category came up.

jer ne razumem kako smo došli do ove kategorije.

It's called "Lady in Waiting."

Zove se: "Dame koje čekaju".

If, Cyril, you do it very quickly,

Sirile, pokaži to na brzinu,

you will see that we have these amazing images

videćete da imamo ove divne slike

of ladies, I guess, in waiting or posing.

dama, pretpostavljam, koje čekaju ili poziraju.

I don't really understand it.

Zaista to ne razumem.

But I've been trying to ask my museum contacts,

Ali sam pokušao da pitam moje kontakte iz muzeja,

you know, "What is this? What's going on here?"

znate: "Šta je ovo? Šta se ovde dešava?"

And it's fascinating.

I fascinantno je.

Coming back to gold very quickly,

Vraćamo se zlatu, veoma na kratko,

I wanted to search for gold

želeo sam da tragam za zlatom

and see how the machine tagged all the gold.

i da vidim kako je mašina obeležila sve zlato.

But, actually, it doesn't tag it as gold.

Ali, zapravo, ona to ne obeležava kao zlato.

We are living in popular times.

Živimo u modernom vremenu.

It tags it as "bling-bling."

Ona to obeležava kao "bling-bling".

(Laughter)

(Smeh)

I'm being hard on Cyril, because I'm moving too fast.

Surov sam prema Sirilu jer suviše brzo pričam.

Essentially, here you have all the bling-bling

U suštini ovde imate sav bling-bling

of the world's museums organized for you.

iz svetskih muzeja, sortiran za vas.

And finally, to end this talk and these experiments,

I, naposletku, za kraj ovog govora i ovih eksperimenata,

what I hope you feel after this talk is happiness and emotion.

nadam se da ćete nakon ovog govora osećati sreću i emocije.

And what would we see when we see happiness?

A šta vidimo kad vidimo sreću?

If we actually look at all the objects

Ako bismo zapravo pogledali sve objekte

that have been tagged under "happiness,"

koji su obeleženi pod "sreća",

you would expect happiness, I guess.

očekivali biste sreću, pretpostavljam.

But there was one that came up that was very fascinating and interesting,

Ali jedan se pojavio koji je veoma fascinantan i zanimljiv,

which was this artwork by Douglas Coupland,

a to je ovo umetničko delo Daglasa Koplanda,

our friend and artist in residence as well,

našeg prijatelja i umetnika stipendiste

called, "I Miss My Pre-Internet Brain."

pod nazivom: "Nedostaje mi moj preinternetski mozak".

I don't know why the machine feels like it misses its pre-Internet brain

Ne znam zašto mašini nedostaje njen preinternetski mozak

and it's been tagged here,

i obeleženo je ovde,

but it's a very interesting thought.

ali je to veoma zanimljiva misao.

I sometimes do miss my pre-Internet brain,

Meni ponekad nedostaje preinternetski mozak,

but not when it comes to exploring arts and culture online.

ali ne kad se radi o istraživanju umetnosti i kulture na internetu.

So take out your phones, take out your computers,

Zato izvadite svoje telefone, izvadite kompjutere,

go visit museums.

posetite muzeje.

And just a quick call-out to all the amazing archivists,

I samo kratko pominjanje svih divnih arhivara,

historians, curators,

istoričara, kustosa,

who are sitting in museums, preserving all this culture.

koji sede u muzejima, čuvajući svu tu kulturu.

And the least we can do is get our daily dose of art and culture

I bar možemo da dobijemo svoju dnevnu dozu umetnosti i kulture

for ourselves and our kids.

za nas i našu decu.

Thank you.

Hvala vam.

(Applause)

(Aplauz)