Jay Silver: Hack a banana, make a keyboard!

220,104 views ใƒป 2013-05-16

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

00:00
Translator: Joseph Geni Reviewer: Morton Bast
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๋ฒˆ์—ญ: Jieun Shin ๊ฒ€ํ† : ํฌ์ƒ ๊ฐ•
00:12
Hey guys.
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์•ˆ๋…•ํ•˜์„ธ์š”.
00:14
It's funny, someone just mentioned MacGyver,
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๋ฐฉ๊ธˆ ๋งฅ๊ฐ€์ด๋ฒ„ ์ด์•ผ๊ธฐ๋ฅผ ํ•˜์…จ์ฃ .
00:15
because that was, like, I loved it,
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์žฌ๋ฐŒ๋„ค์š”. ์ œ๊ฐ€ ๋งฅ๊ฐ€์ด๋ฒ„๋ฅผ ์ •๋ง ์ข‹์•„ํ–ˆ์—ˆ๊ฑฐ๋“ ์š”.
00:17
and when I was seven, I taped a fork to a drill
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์ œ๊ฐ€ 7์‚ด ๋•Œ, ํฌํฌ๋ฅผ ํ…Œ์žŽ์œผ๋กœ ๋“œ๋ฆด์— ๋ถ™์—ฌ์„œ
00:23
and I was like, "Hey, Mom, I'm going to Olive Garden."
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"์—„๋งˆ, ์ € ์ŠคํŒŒ๊ฒŒํ‹ฐ ๋จน์œผ๋Ÿฌ๊ฐˆ ๊ฑฐ์˜ˆ์š”." ๋ผ๊ณ  ํ–ˆ์—ˆ์ฃ .
00:25
And -- (Drilling noise) (Laughter)
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๊ทธ๋ฆฌ๊ณ  ์ด๋ ‡๊ฒŒ... (๋“œ๋ฆด ์ž‘๋™ ์†Œ์Œ) (์›ƒ์Œ)
00:29
And it worked really well there.
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๊ทธ๋• ์ง„์งœ ์ œ๋Œ€๋กœ ์ž˜ ๋์–ด์š”.
00:32
And you know, it had a profound effect on me.
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์ด๊ฒƒ์ด ์ €์—๊ฒŒ ํฐ ์˜ํ–ฅ์„ ๋ฏธ์ณค์–ด์š”.
00:36
It sounds silly, but I thought, okay,
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๋ฐ”๋ณด๊ฐ™์ด ๋“ค๋ฆฌ๊ฒ ์ง€๋งŒ, ์ „ ์ด๋ ‡๊ฒŒ ์ƒ๊ฐํ–ˆ์–ด์š”.
00:38
the way the world works can be changed,
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"๊ทธ๋ž˜, ์„ธ์ƒ์ด ๋ฐ”๋€”๊ฑฐ์•ผ.
00:41
and it can be changed by me in these small ways.
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๋‚˜๋กœ ์ธํ•ด ์„ธ์ƒ์€ ์ด๋ ‡๊ฒŒ ์กฐ๊ธˆ์”ฉ ๋ฐ”๋€”๊ฑฐ์•ผ."
00:43
And my relationship to
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๊ทธ๋ฆฌ๊ณ  ํŠนํžˆ ์‚ฌ๋žŒ๋“ค์ด
00:45
especially human-made objects
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'์ด ๋ฌผ๊ฑด์€ ์ด๋ ‡๊ฒŒ ์“ฐ๋Š” ๊ฑฐ์•ผ' ๋ผ๊ณ 
00:47
which someone else said they work like this,
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๋งํ•  ๋•Œ ์ €๋Š” "๊ธ€์Ž„์š”, ์กฐ๊ธˆ ๋‹ค๋ฅธ ๋ฐฉ๋ฒ•์œผ๋กœ
00:49
well, I can say they work a different way, a little bit.
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์‚ฌ์šฉํ•  ์ˆ˜ ๋„ ์žˆ์–ด์š”." ๋ผ๊ณ  ๋งํ–ˆ์—ˆ์ฃ .
00:52
And so, about 20 years later,
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ํ•œ 20๋…„ ์ฏค ํ›„์—,
00:54
I didn't realize the full effect of this,
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๋ฌด์Šจ ์ผ์ด ์ƒ๊ธธ์ง€๋Š” ๊ฟˆ์—๋„ ๋ชฐ๋ž์ง€๋งŒ์š”,
00:56
but I went to Costa Rica
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์ฝ”์Šคํƒ€ ๋ฆฌ์นด์— ๊ฐ”์–ด์š”.
00:57
and I stayed with these Guaymรญ natives there,
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๊ฑฐ๊ธฐ์—์„œ ๊ตฌ์•„๋ฏธ ์›์ฃผ๋ฏผ๊ณผ ํ•จ๊ป˜ ์ง€๋ƒˆ์ฃ .
01:00
and they could pull leaves off of trees and make shingles out of them,
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๊ทธ ์‚ฌ๋žŒ๋“ค์€ ๋‚˜๋ญ‡์žŽ์œผ๋กœ ์ง€๋ถ•๋„ ๋งŒ๋“ค๊ณ ,
01:03
and they could make beds out of trees,
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๋‚˜๋ฌด๋กœ ์นจ๋Œ€๋„ ๋งŒ๋“ค ์ˆ˜ ์žˆ์—ˆ์–ด์š”.
01:06
and they could -- I watched this woman for three days.
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์ €๋Š” ํ•œ ์—ฌ์„ฑ์„ 3์ผ ๋™์•ˆ ๊ด€์ฐฐํ–ˆ์–ด์š”.
01:09
I was there. She was peeling this palm frond apart,
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๊ทธ๋…€๋Š” ์•ผ์ž ๋‚˜๋ฌด ๊ป์งˆ์„ ๋ฒ—๊ฒจ์„œ,
01:12
these little threads off of it, and she'd roll the threads together
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์‹ค์ฒ˜๋Ÿผ ์ž˜๊ฒŒ ์ชผ๊ฐ  ๋‹ค์Œ, ์†์œผ๋กœ ๋Œ๋Œ ๋ง์•„์„œ
01:15
and make little thicker threads, like strings,
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์ข€ ๋” ๋‘๊บผ์šด ์‹ค์„ ๋งŒ๋“ค์—ˆ์–ด์š”.
01:18
and she would weave the strings together,
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๊ทธ๋ฆฌ๊ณ  ๊ทธ ์‹ค์„ ์—ฎ์–ด์„œ,
01:20
and as the materiality of this exact very bag
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์ด๋ ‡๊ฒŒ ์ƒ๊ธด ๊ฐ€๋ฐฉ์„ ๋งŒ๋“ค์–ด๋ƒˆ์–ด์š”.
01:24
formed before my eyes over those three days,
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๋ฐ”๋กœ ์ œ ๋ˆˆ์•ž์—์„œ 3์ผ ๋งŒ์—์š”.
01:27
the materiality of the way the world works,
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๊ทธ ๋•Œ, ์ด ์„ธ์ƒ์— ์žˆ๋Š” ๋ชจ๋“  ๋ฌผ๊ฑด๋“ค์— ๋Œ€ํ•œ
01:30
of reality, kind of started to unravel in my mind,
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์˜๋ฌธ์ ์ด ํ’€๋ฆฌ๊ธฐ ์‹œ์ž‘ํ–ˆ์–ด์š”.
01:33
because I realized that this bag and these clothes
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์ €๋Š” ์ด ๊ฐ€๋ฐฉ๊ณผ ์˜ท, ์ง‘์—์„œ ์“ฐ๋Š” ํŠธ๋žจํด๋ฆฐ,
01:36
and the trampoline you have at home and the pencil sharpener,
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์—ฐํ•„๊นŽ์ด ๋“ฑ ์šฐ๋ฆฌ๊ฐ€ ๊ฐ€์ง€๊ณ  ์žˆ๋Š”
01:38
everything you have is made out of either a tree or a rock
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๋ชจ๋“  ๋ฌผ๊ฑด๋“ค์ด, ๋‚˜๋ฌด๋‚˜ ๋Œ ์•„๋‹ˆ๋ฉด
01:42
or something we dug out of the ground and did some process to,
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์šฐ๋ฆฌ๊ฐ€ ๋•…์„ ํŒŒ๋ฉด ๋‚˜์˜ค๋Š” ๊ฒƒ๋“ค์„ ์–ด๋–ค ๊ณผ์ •์„ ํ†ตํ•ด,
01:45
maybe a more complicated one, but still, everything was made that way.
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๋˜ ๋•Œ๋กœ๋Š” ์ข€ ๋” ๋ณต์žกํ•œ ๊ณต์ •์„ ๊ฑฐ์ณ ๋งŒ๋“ ๋‹ค๋Š” ๊ฒƒ์„ ์•Œ๊ฒŒ๋˜์—ˆ์–ด์š”.
01:49
And so I had to start studying,
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๊ทธ๋ž˜์„œ ์ €๋Š” ์—ฐ๊ตฌํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์ฃ .
01:51
who is it that's making these decisions?
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๋ˆ„๊ฐ€ ์ด๋Ÿฐ ๋ฌผ๊ฑด๋“ค์„ ๋งŒ๋“ค๊ธฐ๋กœ ๊ฒฐ์‹ฌํ–ˆ์„๊นŒ?
01:53
Who's making these things? How did they make them?
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๋ˆ„๊ฐ€ ๋งŒ๋“ค์—ˆ์„๊นŒ? ์–ด๋–ป๊ฒŒ ๋งŒ๋“ค์—ˆ์„๊นŒ?
01:54
What stops us from making them?
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์™œ ์šฐ๋ฆฌ๋Š” ๋” ์ด์ƒ ๊ทธ๊ฒƒ์„ ๋งŒ๋“ค์ง€ ์•Š๋Š”๊ฑธ๊นŒ?
01:56
Because this is how reality is created.
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์™œ๋ƒํ•˜๋ฉด ์ด๊ฒƒ์ด ๋ฐ”๋กœ ํ˜„์‹ค์ด ๋งŒ๋“ค์–ด์ง„ ๋ฐฉ๋ฒ•์ด๋‹ˆ๊นŒ์š”.
01:59
So I started right away. I was at MIT Media Lab,
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๊ทธ๋ž˜์„œ ๋ฐ”๋กœ ์—ฐ๊ตฌ๋ฅผ ํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์–ด์š”.
02:01
and I was studying the maker movement
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๋‹น์‹œ MIT ๋ฏธ๋””์–ด ์—ฐ๊ตฌ์‹ค์—์„œ ์ƒ์‚ฐ์ž ์šด๋™, ์ƒ์‚ฐ์ž, ์ฐฝ์กฐ์„ฑ์— ๋Œ€ํ•ด์„œ
02:04
and makers and creativity.
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๊ณต๋ถ€ํ•˜๊ณ  ์žˆ์—ˆ๊ฑฐ๋“ ์š”.
02:06
And I started in nature, because I saw these Guaymรญs
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๊ทธ๋Ÿฐ๋ฐ ๊ตฌ์•„๋ฏธ ์›์ฃผ๋ฏผ์ด ์ž์—ฐ์—์„œ ๋ฌด์—‡์„ ํ•˜๋Š”์ง€๋ฅผ ๋ณธ ํ›„๋กœ
02:08
doing it in nature, and there just seems to be less barriers.
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์ž์—ฐ์—์„œ ์ง€๋‚ด๊ธฐ ์‹œ์ž‘ํ–ˆ๊ณ , ๊ฑฐ๊ธฐ์—๋Š” ์žฅ์• ๋ฌผ์ด ๋ณ„๋กœ ์—†์–ด๋ณด์˜€์–ด์š”.
02:11
So I went to Vermont to Not Back to School Camp,
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์ €๋Š” ๋ฒ„๋ชฌํŠธ์—์„œ "ํ•™๊ต๋กœ ๋Œ์•„๊ฐ€์ง€ ์•Š์•„" ์บ ํ”„์—
02:14
where there's unschoolers who are just kind of hanging out
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์„ ์ƒ๋‹˜์œผ๋กœ ์ฐธ์—ฌํ–ˆ์–ด์š”. ์ด ์บ ํ”„๋Š” ํ•™๊ต์— ๊ฐ€์ง€ ์•Š๋Š” ํ•™์ƒ๋“ค์ด
02:17
and willing to try anything.
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๋†€๊ณ , ๊ฒฝํ—˜ํ•˜๊ณ , ๋‹ค์–‘ํ•œ ๊ฒƒ์„ ์‹œ๋„ํ•˜๋Š” ๊ณณ์ด์ฃ .
02:19
So I said, "Let's go into the woods near this stream
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"์ž, ์‹œ๋ƒ‡๊ฐ€ ์˜†์— ์žˆ๋Š” ์ˆฒ์œผ๋กœ ๊ฐ€์„œ
02:21
and just put stuff together, you know, make something,
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์•„๋ฌด๊ฑฐ๋‚˜ ๋ชจ์•„, ๋ญ”๊ฐ€๋ฅผ ๋งŒ๋“ค์–ด ๋ณด์ž.
02:23
I don't care, geometrical shapes, just grab some junk from around you.
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๋ญ๋“ ์ง€ ์ƒ๊ด€์—†์–ด. ์ฃผ๋ณ€์˜ ์•„๋ฌด๊ฑฐ๋‚˜ ์ฃผ์›Œ๋ณด๋Š”๊ฑฐ์•ผ.
02:26
We won't bring anything with us.
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์šฐ๋ฆฌ๊ฐ€ ์ง€๊ธˆ ๊ฐ€์ง€๊ณ  ์žˆ๋Š” ๊ฒƒ์€ ๋ชจ๋‘ ๋‘๊ณ  ๊ฐˆ๊ฑฐ์•ผ."
02:27
And, like, within minutes, this is very easy for adults
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๊ทธ๊ฒƒ์€ ์–ด๋ฅธ๋“ค์—๊ฒŒ๋„, ํ•™์ƒ๋“ค์—๊ฒŒ๋„
02:30
and teens to do.
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๊ต‰์žฅํžˆ ์‰ฌ์šด ์ผ์ด์—ˆ์–ด์š”.
02:31
Here's a triangle that was being formed underneath a flowing stream,
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์—ฌ๊ธฐ ํ๋ฅด๋Š” ์‹œ๋ƒ‡๋ฌผ ์•ˆ์— ์‚ผ๊ฐํ˜•์ด ์žˆ๊ณ ,
02:34
and the shape of an oak leaf being made
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์ด๊ฒƒ์€ ์ž‘์€ ์˜คํฌ ๋‚˜๋ญ‡์žŽ์„ ๋ชจ์•„์„œ ๋งŒ๋“ 
02:37
by other small oak leaves being put together.
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ํฐ ์˜คํฌ ๋‚˜๋ญ‡์žŽ์ด๊ตฌ์š”.
02:40
A leaf tied to a stick with a blade of grass.
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์ด๊ฒƒ์€ ๋‹จํ’์žŽ์„ ํ’€๋กœ ๋‚˜๋ฌด์— ๋ฌถ์€ ๊ฒƒ์ด๊ณ ,
02:43
The materiality and fleshiness and meat of the mushroom
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์ด๊ฒƒ์€ ๋ฒ„์„ฏ์˜ ์งˆ๊ฐ๊ณผ ๊ฐ•๋„๋ฅผ ์•Œ์•„๋ณด๊ธฐ ์œ„ํ•ด์„œ
02:45
being explored by how it can hold up different objects being stuck into it.
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๋ฒ„์„ฏ์— ์—ฌ๋Ÿฌ ๋ฌผ์งˆ๋“ค์„ ๊ฝ‚์•„๋†“์€ ๊ฑฐ์˜ˆ์š”.
02:49
And after about 45 minutes, you get really intricate projects
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45๋ถ„์ฏค ํ›„์—, ์•„์ฃผ ์ฐฝ์˜์ ์ธ ๋ฌผ๊ฑด๋“ค์„ ๋ณด๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
02:52
like leaves sorted by hue, so you get a color fade
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์˜ˆ๋ฅผ ๋“ค๋ฉด, ์ƒ‰๊น”๋ณ„๋กœ ์ •๋ ฌ๋œ ๋‚˜๋ญ‡์žŽ์„
02:55
and put in a circle like a wreath.
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๋‘ฅ๊ธ€๊ฒŒ ๋งŒ๋“ค์–ด ํ™”๊ด€๊ฐ™์ด ๋งŒ๋“  ๊ฒƒ์ด๋‚˜..
02:57
And the creator of this, he said,
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๊ทธ๋ฆฌ๊ณ  ์ด ๊ฒƒ์„ ๋งŒ๋“  ํ•™์ƒ์€,
03:00
"This is fire. I call this fire."
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"์ด๊ฑด ๋ถˆ์ด์˜ˆ์š”. ๋ถˆ์ด๋ผ๊ณ  ์ด๋ฆ„์ง€์—ˆ์–ด์š”." ๋ผ๊ณ  ํ–ˆ์–ด์š”.
03:02
And someone asked him, "How do you get those sticks
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๋ˆ„๊ตฐ๊ฐ€๊ฐ€ ์ด ํ•™์ƒ์—๊ฒŒ "์–ด๋–ป๊ฒŒ ๊ทธ ๋‚˜๋ฌด ์กฐ๊ฐ๋“ค์„
03:04
to stay on that tree?"
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๋‚˜๋ฌด์— ๋ถ™์–ด์žˆ๊ฒŒ ๋งŒ๋“ค์—ˆ์–ด?" ๋ผ๊ณ  ๋ฌผ์–ด๋ดค๋Š”๋ฐ,
03:06
And he's like, "I don't know, but I can show you."
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๊ทธ ํ•™์ƒ์€ "๋ชฐ๋ผ, ๊ทผ๋ฐ ์–ด๋–ป๊ฒŒ ํ•˜๋Š”์ง€ ๋ณด์—ฌ์ค„๊ฒŒ." ๋ผ๋”๊ตฐ์š”.
03:09
And I'm like, "Wow, that's really amazing.
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๊ทธ๋ž˜์„œ ์ œ๊ฐ€ "์šฐ์™€, ์ง„์งœ ๋ฉ‹์ง€๋‹ค.
03:10
He doesn't know, but he can show you."
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์–ด๋–ป๊ฒŒ ํ•˜๋Š”์ง€ ๋ชจ๋ฅด๋Š”๋ฐ ๋ณด์—ฌ์ค„ ์ˆ˜๋Š” ์žˆ๋‹ค๊ณ ?"
03:12
So his hands know and his intuition knows,
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๊ทธ ํ•™์ƒ์˜ ์†๊ณผ ์ง๊ฐ์€ ๊ทธ๊ฒƒ์„ ์•Œ๊ณ ์žˆ๋Š” ๊ฑฐ์ฃ .
03:14
but sometimes what we know gets in the way
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๊ทธ๋Ÿฌ๋‚˜ ๋•Œ๋•Œ๋กœ ์šฐ๋ฆฌ๊ฐ€ ์•Œ๊ณ  ์žˆ๋Š” ๊ฒƒ ๋•Œ๋ฌธ์—
03:17
of what could be, especially
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๋‹ค๋ฅธ ๊ฐ€๋Šฅ์„ฑ๋“ค์„ ๋ณด์ง€ ๋ชปํ•˜๊ณ  ์žˆ์–ด์š”.
03:19
when it comes to the human-made, human-built world.
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ํŠนํžˆ ์ธ๊ฐ„ ์„ธ์ƒ์—์„œ ์ธ๊ฐ„์ด ๋งŒ๋“  ๊ฒƒ์€ ํŠนํžˆ ๋” ๊ทธ๋ ‡์ฃ .
03:22
We think we already know how something works,
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์šฐ๋ฆฌ๋Š” ๋ฌด์–ธ๊ฐ€๊ฐ€ ์–ด๋–ป๊ฒŒ ์ž‘๋™๋˜๋Š” ์ง€๋ฅผ ์ด๋ฏธ ์•Œ๊ณ ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•ด์š”.
03:24
so we can't imagine how it could work.
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ๋” ์ด์ƒ ๊ทธ๊ฒƒ์ด ์–ด๋–ป๊ฒŒ ์ž‘๋™ํ•˜๋Š”์ง€ ์ฐพ์ง€ ๋ชปํ•ด์š”.
03:27
We know how it's supposed to work,
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์šฐ๋ฆฌ๋Š” ๊ทธ๋Ÿฐ ๊ฒƒ๋“ค์ด ์–ด๋–ป๊ฒŒ ์ž‘๋™๋˜์–ด์•ผ ํ•˜๋Š”์ง€ ์•Œ๊ณ  ์žˆ๊ณ ,
03:28
so we can't suppose all the things that could be possible.
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๊ทธ๋ž˜์„œ ๋‹ค๋ฅธ ๋ฐฉ๋ฒ•๋“ค์€ ์ฐพ์„ ์ˆ˜๊ฐ€ ์—†๋Š” ๊ฑฐ์ฃ .
03:31
So kids don't have as hard of a time with this,
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์–ด๋ฆฐ ์•„์ด๋“ค์€ ๋‹ฌ๋ผ์š”.
03:35
and I saw in my own son, I gave him this book.
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์ œ ์•„๋“ค์—๊ฒŒ ์ด ์ฑ…์„ ์ค˜ ๋ดค์–ด์š”. [์ฑ…์ œ๋ชฉ : ์‚ฌ๋ž‘ํ•ด ํ•ด์•ผ, ์‚ฌ๋ž‘ํ•ด ๋‹ฌ์•„.]
03:38
I'm a good hippie dad, so I'm like,
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์ €๋Š” ์ข‹์€ ํžˆํ”ผ ์Šคํƒ€์ผ ์•„๋น ์˜ˆ์š”.
03:41
"Okay, you're going to learn to love the moon.
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"์ข‹์•„, ๋„ˆ๋Š” ๋‹ฌ์„ ์‚ฌ๋ž‘ํ•˜๋Š” ๋ฒ•์„ ์•Œ๊ฒŒ ๋ ๊ฑฐ์•ผ.
03:43
I'm going to give you some building blocks
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์žฅ๋‚œ๊ฐ ๋ธ”๋ก์„ ์ค„๊ฒŒ,
03:45
and they're nonrectilinear cactus building blocks,
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์„ ์ธ์žฅ ์Œ“๊ธฐ ๋ธ”๋ก์ธ๋ฐ, ๋ธ”๋ก์ด ๋™๊ทธ๋ž—๊ฒŒ ์ƒ๊ฒผ์ง€.
03:48
so it's totally legit."
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๋ณดํ†ต ๋‹ค๋ฅธ ๋ธ”๋ก๋“ค์ฒ˜๋Ÿผ ๋ง์•ผ."
03:50
But he doesn't really know what to do with these.
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์ œ ์•„๋“ค์€ ์ด๊ฑธ๋กœ ๋ญ˜ ํ•ด์•ผ ํ• ์ง€ ์ „ํ˜€ ๋ชจ๋ฅด๊ณ  ์žˆ์—ˆ์–ด์š”.
03:52
I didn't show him.
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๊ฐ€๋ฅด์ณ ์ฃผ์ง€ ์•Š์•˜์ฃ .
03:54
And so he's like, "Okay, I'll just mess around with this."
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์•„๋“ค์€ ๊ทธ๋ƒฅ ์ด๊ฒƒ๋“ค์„ ๊ฐ€์ง€๊ณ  ์žฅ๋‚œ์น˜๋ฉฐ ๋…ธ๋Š”๊ฑฐ์ฃ .
03:55
This is no different than the sticks are to the teens in the forest.
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์ˆฒ์—์„œ ์•„์ด๋“ค์ด ์‚ฌ์šฉํ•œ ๋‚˜๋ฌด ๋ง‰๋Œ€๊ธฐ์™€ ๋‹ค๋ฅผ ๋ฐ” ์—†์ง€์š”.
03:59
Just going to try to put them in shapes
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๊ทธ๋ƒฅ ์–ด๋–ค ๋ชจ์–‘์„ ๋งŒ๋“ค๊ฑฐ๋‚˜,
04:02
and push on them and stuff.
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๋ฐ€์–ด๋„ฃ๊ฑฐ๋‚˜ ์Œ“์œผ๋ ค ํ•˜๋Š” ๊ฒƒ์ด์ฃ .
04:04
And before long, he's kind of got this mechanism
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๊ทธ๋ฆฌ๊ณ  ๊ณง ๋ฌผ์ฒด๋ฅผ ๋ฐœ์‚ฌํ•˜๊ณ  ๋˜์ง€๋Š”
04:06
where you can almost launch and catapult objects around,
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๋Œ€๋žต์˜ ์›๋ฆฌ๋ฅผ ๊นจ๋‹ซ๊ณ 
04:10
and he enlists us in helping him.
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๋„์™€๋‹ฌ๋ผ๊ณ  ์š”์ฒญํ•˜์ง€์š”.
04:12
And at this point, I'm starting to wonder,
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๊ทธ๋ž˜์„œ ์ €๋Š” ์–ด๋–ค ๋„๊ตฌ๋ฅผ
04:14
what kind of tools can we give people,
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์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์ค„ ์ˆ˜ ์žˆ์„์ง€ ๊ถ๊ธˆํ•ด์กŒ์–ด์š”.
04:17
especially adults, who know too much,
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ํŠนํžˆ ์‚ฌ์šฉ๋ฒ•์„ ์ž˜ ์•Œ๊ณ ์žˆ๋Š” ์–ด๋ฅธ๋“ค์—๊ฒŒ์š”.
04:20
so that they can see the world as malleable,
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๊ทธ๋ž˜์„œ ๊ทธ๋“ค์ด ์„ธ์ƒ์„ ์œตํ†ต์„ฑ์žˆ๊ฒŒ ๋ฐ”๋ผ๋ณด๊ณ ,
04:22
so they see themselves as agents of change
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๊ทธ๋“ค ์Šค์Šค๋กœ ์ผ์ƒ์†์—์„œ ์„ธ์ƒ์„ ๋ณ€ํ™”์‹œํ‚ค๋Š”
04:24
in their everyday lives.
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์ฃผ์—ญ์ด ๋  ์ˆ˜ ์žˆ๋„๋ก ๋ง์ด์ฃ .
04:25
Because the most advanced scientists are really
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์™œ๋ƒํ•˜๋ฉด ๋Œ€๋ถ€๋ถ„์˜ ์‹ค๋ ฅ์žˆ๋Š” ๊ณผํ•™์ž๋“ค์€
04:28
just kind of pushing the way the world itself works,
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๋‹ค๋ฅธ ์‹œ๊ฐ์„ ๊ฐ€์ง€์ง€ ๋ชปํ•˜๊ณ , ์–ด๋–ค ๋ฌธ์ œ์ด๋“  ๊ฐ„์—
04:30
pushing what matter can do,
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๋ฐฐ์šฐ๊ณ  ์—ฐ๊ตฌํ•ด์˜จ ๊ฒƒ์„ ๋ฐ”ํƒ•์œผ๋กœ ๋๊นŒ์ง€ ํ•ด๊ฒฐํ•˜๋ ค๊ณ  ํ•˜์ฃ .
04:32
the most advanced artists are just pushing the medium,
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๊ทธ๋ฆฌ๊ณ  ๋Œ€๋ถ€๋ถ„์˜ ์‹ค๋ ฅ์žˆ๋Š” ์˜ˆ์ˆ ๊ฐ€๋“ค๋„ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ
04:34
and any sufficiently complicated task,
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๊ทธ๋“ค์€ ๊ทธ๋™์•ˆ ํ•ด ์˜จ ๋ฐฉ๋ฒ•์œผ๋กœ ๊ฝค ๋ณต์žกํ•œ ์ผ๋“ค์„ ํ•ด๋‚ด์ง€์š”.
04:36
whether you're a cook or a carpenter or you're raising a child --
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์š”๋ฆฌ์‚ฌ, ๋ชฉ์ˆ˜, ์œก์•„ ๋“ฑ
04:39
anything that's complicated --
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๋ญ๋“ ์ง€ ๋ณต์žกํ•œ ์ผ์€
04:41
comes up with problems that aren't solved in the middle of it,
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์ค‘๊ฐ„์— ํ•ด๊ฒฐํ•˜๊ธฐ ํž˜๋“  ๋ฌธ์ œ๋ฅผ ๋™๋ฐ˜ํ•˜๊ณ ,
04:43
and you can't do a good job getting it done unless you can say,
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๋งŒ์•ฝ ์ด๋ ‡๊ฒŒ ๋งํ•  ์ˆ˜ ์—†๋‹ค๋ฉด ์ž˜ ํ•ด๋‚ด์ง€ ๋ชปํ•  ๊ฑฐ์—์š”.
04:47
"Okay, well we're just going to have to refigure this.
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"๊ทธ๋ž˜, ๋‹ค๋ฅธ ๋ฐฉ๋ฒ•์œผ๋กœ ๋‹ค์‹œ ํ•œ๋ฒˆ ์ƒ๊ฐํ•ด๋ด์•ผ๊ฒ ์–ด.
04:49
I don't care that pencils are supposed to be for writing.
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์—ฐํ•„์€ ํ•„๊ธฐ๋ฅผ ์œ„ํ•ด ๋งŒ๋“ค์–ด์กŒ์ง€๋งŒ
04:52
I'm going to use them a different way."
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๋‚˜๋Š” ์—ฐํ•„์„ ๋‹ค๋ฅธ ๋ฐ ์“ธ๊ฑฐ์•ผ."
04:54
So let me show you a little demo.
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๊ทธ๋ž˜์„œ ๋ญ”๊ฐ€๋ฅผ ์ข€ ๋ณด์—ฌ๋“œ๋ฆด๊ฒŒ์š”.
04:59
This is a little piano circuit right in here,
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์ด๊ฒƒ์€ ํ”ผ์•„๋…ธ ์„œํ‚ท์ด๊ณ ์š”,
05:03
and this is an ordinary paintbrush
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๊ทธ๋ฆฌ๊ณ  ์ด๊ฑด ๋ณดํ†ต ๋ถ“์ด์˜ˆ์š”.
05:05
that I smashed it together with. (Beeping)
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์ด ๋‘ ๊ฐ€์ง€๋ฅผ ๋ถ™์—ฌ์„œ ๋งŒ๋“ค์—ˆ์–ด์š”. (์‚~ ์†Œ๋ฆฌ)
05:08
And so, with some ketchup,
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๊ทธ๋ฆฌ๊ณ  ์ผ€์ฐน์œผ๋กœ ์ด๋ ‡๊ฒŒ...
05:10
โ€” (musical notes) โ€”
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(์Œ์•… ์†Œ๋ฆฌ)
05:13
and then I can kind of
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๊ทธ๋ฆฌ๊ณ  ์ด๋ ‡๊ฒŒ ํ•˜๋ฉด..
05:15
โ€” (musical notes) โ€”
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(์Œ์•… ์†Œ๋ฆฌ)
05:21
(Laughter) (Applause)
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(์›ƒ์Œ) (๋ฐ•์ˆ˜)
05:23
And that's awesome, right?
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๋ฉ‹์ง€์ฃ ?
05:26
But this is not what's awesome.
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๊ทธ๋Ÿฐ๋ฐ ์ด๋Ÿฐ๊ฑด ๋ฉ‹์ง„๊ฒŒ ์•„๋‹ˆ์—์š”.
05:27
What's awesome is what happens
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์ง„์งœ ๋ฉ‹์ง„ ๊ฒƒ์€ ์ด ํ”ผ์•„๋…ธ ์„œํ‚ท์„
05:29
when you give the piano circuit to people.
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์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์ฃผ์—ˆ์„ ๋•Œ ์‚ฌ๋žŒ๋“ค์ด ํ•œ ์ผ๋“ค์ด์ฃ .
05:32
A pencil is not just a pencil.
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์—ฐํ•„์€ ๊ทธ๋ƒฅ ์—ฐํ•„์ด ์•„๋‹ˆ๊ฑฐ๋“ ์š”.
05:34
Look what it has in the middle of it.
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์—ฐํ•„์˜ ์ค‘๊ฐ„์— ๋ญ๊ฐ€ ์žˆ๋Š”์ง€ ๋ณด์„ธ์š”.
05:35
That's a wire running down the middle,
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์—ฐํ•„์˜ ์ค‘๊ฐ„์—๋Š” ์‹ฌ์ด ์žˆ์ฃ .
05:38
and not only is it a wire,
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๊ทธ๋ƒฅ ๋‹จ์ง€ ์—ฐํ•„์‹ฌ์ด ์•„๋‹ˆ์˜ˆ์š”.
05:39
if you take that piano circuit, you can thumbtack
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ํ”ผ์•„๋…ธ ์„œํ‚ท์„ ์—ฐํ•„์‹ฌ์—
05:42
into the middle of a pencil,
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๋ผ์šฐ๊ณ  ์••์ •์œผ๋กœ ๊ณ ์ •์‹œ์ผœ์„œ
05:44
and you can lay out wire on the page, too,
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์—ฐํ•„๋กœ ๊ทธ๋ฆฌ๋ฉด ๊ทธ๊ฒƒ์„ ๋”ฐ๋ผ
05:47
and get electrical current to run through it.
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์ข…์ด์—๋„ ์ „๊ธฐ๊ฐ€ ํ†ตํ•˜๋Š”๊ฑฐ์ฃ .
05:49
And so you can kind of hack a pencil,
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๋‹จ์ง€ ์—ฐํ•„์— ํ”ผ์•„๋…ธ ์„œํ‚ท์„ ๋ถ™์ธ ๊ฒƒ์œผ๋กœ
05:51
just by thumbtacking into it with a little piano electrical circuit.
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์—ฌ๋Ÿฌ๋ถ„์€ ์—ฐํ•„์˜ ์ƒˆ ๊ธฐ๋Šฅ์„ ์ฐพ์„ ์ˆ˜ ์žˆ๋Š”๊ฒ๋‹ˆ๋‹ค.
05:57
And the electricity runs through your body too.
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์šฐ๋ฆฌ ๋ชธ์†์—๋„ ์ „๊ธฐ๊ฐ€ ํ๋ฅด์ฃ .
05:58
And then you can take the little piano circuit off the pencil.
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์—ฐํ•„์— ๋ถ™์˜€๋˜ ํ”ผ์•„๋…ธ ์„œํ‚ท์„ ๋–ผ์„œ
06:02
You can make one of these brushes just on the fly.
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๋ถ“์—๋„ ๋Œ€์ถฉ ๋ถ™์—ฌ๋ณด์„ธ์š”.
06:05
All you do is connect to the bristles,
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๊ทธ๋ƒฅ ๋ถ“ํ„ธ์— ๋ถ™์ด์‹œ๋ฉด ๋ผ์š”.
06:07
and the bristles are wet, so they conduct,
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์ –์€ ๋ถ“ํ„ธ์— ์ „๋„๊ฐ€ ์ „๋‹ฌ๋ฉ๋‹ˆ๋‹ค.
06:09
and the person's body conducts,
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์‚ฌ๋žŒ ๋ชธ์—๋„ ์ „๊ธฐ๊ฐ€ ์ „๋‹ฌ๋  ์ˆ˜ ์žˆ๊ณ ์š”,
06:12
and leather is great to paint on,
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๊ฐ€์ฃฝ์€ ๊ทธ๋ฆผ ๊ทธ๋ฆฌ๊ธฐ์— ์ข‹์ฃ .
06:14
and then you can start hooking to everything,
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๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ํ”ผ์•„๋…ธ ์„œํ‚ท์€ ์–ด๋””์—๋“ ์ง€ ๋ถ™์ผ ์ˆ˜ ์žˆ์–ด์š”.
06:16
even the kitchen sink.
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๋ถ€์—Œ ์‹ฑํฌ๋Œ€์—๋„ ๊ฐ€๋Šฅํ•˜์ฃ .
06:17
The metal in the sink is conductive.
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๊ธˆ์†์œผ๋กœ๋œ ์‹ฑํฌ๋Œ€์—๋„ ์ „๊ธฐ๊ฐ€ ์ „๋‹ฌ ๋  ์ˆ˜ ์žˆ์–ด์š”.
06:19
Flowing water acts like a theremin or a violin.
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ํ๋ฅด๋Š” ๋ฌผ์€ ๋งˆ์น˜ ํ…Œ๋ ˆ๋ฏผ์ด๋‚˜ ๋ฐ”์ด์˜ฌ๋ฆฐ ๊ฐ™์€ ์†Œ๋ฆฌ๋ฅผ ๋ƒ…๋‹ˆ๋‹ค.
06:23
(Musical notes)
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(์Œ์•… ์†Œ๋ฆฌ)
06:28
And you can even hook to the trees.
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๋‚˜๋ฌด์—์„œ๋„ ๊ฐ€๋Šฅํ•ด์š”.
06:29
Anything in the world is either conductive or not conductive,
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์ „๋„์„ฑ์ด ์žˆ๋“  ์—†๋“ , ์ด ์„ธ์ƒ์— ์žˆ๋Š” ๋ชจ๋“  ๋ฌผ๊ฑด์—
06:32
and you can use those together.
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์‚ฌ์šฉํ•ด ๋ณผ ์ˆ˜ ์žˆ์–ด์š”.
06:34
So โ€” (Laughter) โ€”
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๊ทธ๋ž˜์„œ... (์›ƒ์Œ)
06:36
I took this to those same teens, because those teens are
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์ด ํ•™์ƒ๋“ค์€ ์ด๋Ÿฐ ์‹คํ—˜๋„ ํ•ด์š”. ์ •๋ง ํ›Œ๋ฅญํ•œ ์•„์ด๋“ค์ด์ฃ .
06:39
really awesome, and they'll try things that I won't try.
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์ €๋„ ์ƒ๊ฐ์น˜ ๋ชปํ•œ ๊ฒƒ๋“ค์„ ์ด ํ•™์ƒ๋“ค์€ ํ•ด์š”.
06:41
I don't even have access to a facial piercing if I wanted to.
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์ €๋Š” ํ”ผ์–ด์‹ฑ์ด ์—†์–ด์„œ ํ•˜๊ณ  ์‹ถ์–ด๋„ ๋ชปํ•ฉ๋‹ˆ๋‹ค๋งŒ,
06:44
And this young woman, she made what she called a hula-looper,
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์ด ์—ฌํ•™์ƒ์€ ์ด๋ฅธ๋ฐ” ํ›Œ๋ผ-๋ฃจํผ๋ฅผ ๋งŒ๋“ค์—ˆ์–ด์š”.
06:48
and as the hula hoop traveled around her body,
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ํ›Œ๋ผํ›„ํ”„๋ฅผ ๋Œ๋ฆด ๋•Œ
06:51
she has a circuit taped to her shirt right there.
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ํ”ผ์•„๋…ธ ์„œํ‚ท์„ ์˜ท์—๋‹ค๊ฐ€ ๋ถ™์˜€์ง€์š”.
06:53
You can see her pointing to it in the picture.
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ํ•™์ƒ์ด ์†๊ฐ€๋ฝ์œผ๋กœ ๊ฐ€๋ฆฌํ‚ค๊ณ  ์žˆ๋Š” ๊ฒƒ์„ ๋ณด์‹ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
06:56
And every time the hula hoop would smush against her body,
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๊ทธ๋ž˜์„œ ํ›Œ๋ผํ›„ํ”„๋ฅผ ๋Œ๋ฆด ๋•Œ ๋งˆ๋‹ค
06:58
it would connect two little pieces of copper tape,
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ํ›Œ๋ผํ›„ํ”„์™€ ์˜ท์— ์žˆ๋Š” ๊ธˆ์†๋ถ€๋ถ„์ด ๋งŒ๋‚˜๋ฉด์„œ
07:00
and it would make a sound, and the next sound,
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์†Œ๋ฆฌ๋ฅผ ๋‚ด๋Š”๊ฑฐ์ฃ .
07:02
and it would loop the same sounds over and over again.
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ํ›Œ๋ผํ›„ํ”„๊ฐ€ ๋Œ์•„๊ฐˆ ๋•Œ๋งˆ๋‹ค ์†Œ๋ฆฌ๊ฐ€ ๋ฐ˜๋ณตํ•ด์„œ ๋‚ฉ๋‹ˆ๋‹ค
07:04
I ran these workshops everywhere.
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์ด๋Ÿฐ ์—ฐ์ˆ˜ํšŒ์„ ์—ฌ๋Ÿฌ ๊ตฐ๋ฐ์—์„œ ์—ด์—ˆ์–ด์š”.
07:06
In Taiwan, at an art museum, this 12-year-old girl
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๋Œ€๋งŒ์— ์žˆ๋Š” ํ•œ ์˜ˆ์ˆ  ๋ฐ•๋ฌผ๊ด€์—์„œ 12์‚ด์งœ๋ฆฌ ์—ฌํ•™์ƒ์€
07:09
made a mushroom organ out of some mushrooms that were from Taiwan
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๋ฒ„์„ฏ๊ณผ ์ „๊ธฐ๊ฐ€ ํ†ตํ•˜๋Š” ํ…Œ์ดํ”„์™€ ํ’€ ๋“ฑ์„ ์ด์šฉํ•ด์„œ
07:13
and some electrical tape and hot glue.
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์˜ค๋ฅด๊ฐ„์„ ๋งŒ๋“ค์—ˆ์–ด์š”.
07:15
And professional designers were making artifacts
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๋””์ž์ด๋„ˆ๋“ค์€ ์ด๊ฒƒ์„ ํ™œ์šฉํ•˜์—ฌ
07:17
with this thing strapped onto it.
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๋ฉ‹์ง„ ๋ฌผ๊ฑด๋“ค์„ ๋งŒ๋“ค์–ด๋ƒˆ์ฃ .
07:19
And big companies like Intel
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๊ทธ๋ฆฌ๊ณ  ์ธํ…” ๊ฐ™์€ ํฐ ํšŒ์‚ฌ๋“ค์ด๋‚˜,
07:21
or smaller design firms like Ideo or startups like Bump,
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์•„์ด๋””์˜ค์™€ ๊ฐ™์€ ์ž‘์€ ๋””์ž์ธ ํšŒ์‚ฌ, ๋˜ ๋ฒ”ํ”„๊ฐ™์ด
07:25
were inviting me to give workshops,
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๋ง‰ ์ถœ๋ฒ”ํ•œ ํšŒ์‚ฌ๋กœ๋ถ€ํ„ฐ ์—ฐ์ˆ˜ํšŒ์— ์ดˆ๋Œ€๋ฅผ ๋ฐ›์•„
07:26
just to practice this idea of smashing electronics
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์ด ํ”ผ์•„๋…ธ ์„œํ‚ท์„ ์ „๊ธฐ๊ฐ€ ํ†ตํ•˜๋Š”
07:28
and everyday objects together.
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์ผ์ƒ ์†Œํ’ˆ๋“ค์— ๋ถ™์—ฌ, ์†Œ๋ฆฌ๋ฅผ ๋งŒ๋“ค์–ด๋ณด๊ณค ํ–ˆ์ฃ .
07:30
And then we came up with this idea
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๊ทธ๋Ÿฌ๋‹ค๊ฐ€ ๋‹จ์ง€ ์ „๊ธฐ๋ฅผ ์‚ฌ์šฉํ•˜๋Š” ๊ฒƒ
07:33
to not just use electronics,
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์ด์ƒ์˜ ์ƒ๊ฐ์„ ํ•˜๊ฒŒ ๋˜์—ˆ๊ณ ,
07:35
but let's just smash computers with everyday objects
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๊ทธ๋ž˜์„œ ์ปดํ“จํ„ฐ์™€ ์ผ ์ƒ ์†Œํ’ˆ๋“ค์„ ์—ฐ๊ฒฐํ•˜๋ฉด
07:38
and see how that goes over.
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์–ด๋–ป๊ฒŒ ๋˜๋Š”์ง€ ์‹คํ—˜ํ•ด๋ณด๊ธฐ๋กœ ํ–ˆ์–ด์š”.
07:40
And so I just want to do a quick demo.
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์ž ๊น ๋ณด์—ฌ๋“œ๋ฆด๊ฒŒ์š”.
07:44
So this is the MaKey MaKey circuit,
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์ด๊ฒƒ์€ "๋ฉ”์ดํ‚ค ๋ฉ”์ดํ‚ค ์„œํ‚ท"์ž…๋‹ˆ๋‹ค.
07:46
and I'm just going to set it up from the beginning in front of you.
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์–ด๋–ป๊ฒŒ ์ž‘๋™๋˜๋Š”์ง€ ์ฒ˜์Œ๋ถ€ํ„ฐ ๋ฐ”๋กœ ๋ณด์—ฌ๋“œ๋ฆด๊ฒŒ์š”.
07:49
So I'll just plug it in, and now it's on by USB.
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์ด USB ๋‹จ์ž๋ฅผ ์ปดํ“จํ„ฐ์— ๊ฝ‚๊ณ ์š”,
07:53
And I'll just hook up the forward arrow.
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ํ•œ ์ชฝ์„ ์ด ์˜ค๋ฅธ์ชฝ์—์žˆ๋Š” ํ”ผ์ž์— ๊ฝ‚๊ณ ,
07:56
You guys are facing that way, so I'll hook it to this one.
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๋‹ค๋ฅธ ํ•œ ์ชฝ๋„ ๊ฐ™์€ ํ”ผ์ž์— ๊ฝ‚์€ ๋‹ค์Œ์—,
08:00
And I'll just hook up a little ground wire to it.
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์ ‘์ง€์„ ์„ ์—ฐ๊ฒฐํ• ๊ฒŒ์š”.
08:03
And now, if I touch this piece of pizza,
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์ž ์ด์ œ, ์ œ๊ฐ€ ์ด ํ”ผ์ž๋ฅผ ๊ฑด๋“œ๋ฆฌ๋ฉด
08:06
the slides that I showed you before should go forward.
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์ปดํ“จํ„ฐ์˜ ์Šฌ๋ผ์ด๋“œ๊ฐ€ ๋„˜์–ด๊ฐ€์ฃ .
08:09
And now if I hook up this wire just by connecting it
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์ด์ œ ํ•œ์ชฝ ์„ ์„ ์™ผ์ชฝ ํ”ผ์ž์— ๊ฝ‚์•„๋ณผ๊ฒŒ์š”.
08:12
to the left arrow, I'm kind of programming it by where I hook it up,
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๋ฐฉํ–ฅํ‚ค๋กœ ์‚ฌ์šฉํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ”„๋กœ๊ทธ๋ž˜๋ฐํ•˜๋Š” ๊ฑฐ์—์š”.
08:15
now I have a left arrow and a right arrow,
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์ž ์ด์ œ ์™ผ์ชฝ, ์˜ค๋ฅธ์ชฝ ๋ฐฉํ–ฅํ‚ค๊ฐ€ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
08:18
so I should be able to go forwards and backwards
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์ด๋ ‡๊ฒŒ ์•ž์œผ๋กœ ๋’ค๋กœ,
08:21
and forwards and backwards. Awesome.
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์•ž์œผ๋กœ ๋’ค๋กœ ์›€์ง์ด์ง€์š”. ๋ฉ‹์ง€์ฃ .
08:24
And so we're like, "We gotta put a video out about this."
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๊ทธ๋ž˜์„œ "์šฐ๋ฆฌ ๋ช‡ ์‚ฌ๋žŒ ๋ง๊ณ ๋Š”, ์‚ฌ๋žŒ๋“ค์ด ์ด๊ฒŒ ์–ผ๋งˆ๋‚˜
08:26
Because no one really believed that this was important
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์ค‘์š”ํ•˜๊ณ  ์˜๋ฏธ์žˆ๋Š” ๋ฐœ๊ฒฌ์ธ์ง€ ๋ชจ๋ฅด๋‹ˆ๊นŒ
08:29
or meaningful except me and, like, one other guy.
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๋น„๋””์˜ค๋กœ ๋งŒ๋“ค์–ด์•ผ๊ฒ ์–ด." ๋ผ๊ณ  ์ƒ๊ฐํ–ˆ์ฃ .
08:32
So we made a video to prove that
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ์ด๊ฒƒ์œผ๋กœ ๋งŽ์€ ๊ฒƒ์„ ํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์„
08:34
there's lots of stuff you can do.
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์ฆ๋ช…ํ•˜๊ธฐ ์œ„ํ•ด์„œ ๋น„๋””์˜ค๋ฅผ ๋งŒ๋“ค์—ˆ์–ด์š”.
08:35
You can kind of sketch with Play-Doh
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๊ตฌ๊ธ€์—์„œ ๊ฒŒ์ž„ ์ปจํŠธ๋กค๋Ÿฌ ๊ทธ๋ฆผ์„ ๊ฒ€์ƒ‰ํ•ด์„œ
08:37
and just Google for game controllers.
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์ฐฐํ™์œผ๋กœ ๋Œ€์ถฉ ๋น„์Šทํ•˜๊ฒŒ ๋งŒ๋“ค์—ˆ์–ด์š”.
08:41
Just ordinary Play-Doh, nothing special.
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๊ทธ๋ƒฅ ๋ณดํ†ต ์ฐฐํ™์ด์˜ˆ์š”, ํŠน๋ณ„ํ•œ ๊ธฐ๋Šฅ์ด ์žˆ๋Š”๊ฒŒ ์•„๋‹ˆ๊ตฌ์š”.
08:44
And you can literally draw joysticks
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๊ทธ๋ฆฌ๊ณ  ์—ฐํ•„๋กœ ์กฐ์ด์Šคํ‹ฑ์„ ์ข…์ด์—๋‹ค๊ฐ€ ๊ทธ๋ ค์„œ ์—ฐ๊ฒฐํ•˜๋ฉด
08:45
and just find Pacman on your computer and then just hook it up. (Video game noises)
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์ด๋ ‡๊ฒŒ ํŒฉ๋งจ๊ฒŒ์ž„๋„ ํ•  ์ˆ˜ ์žˆ์–ด์š”.
08:53
And you know the little plastic drawers you can get at Target?
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์Šˆํผ์—์„œ ์‚ฌ์˜จ ํ”Œ๋ผ์Šคํ‹ฑ ์„œ๋ž์žฅ์œผ๋กœ๋Š” ๋ญ˜ ํ• ๊นŒ์š”?
08:56
Well, if you take those out, they hold water great,
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์„œ๋ž์žฅ์„ ํ•˜๋‚˜์”ฉ ๋นผ์„œ ๋ฌผ์„ ๋‹ด์•„ ๊ฒŒ์ž„์„ ํ•  ์ˆ˜ ์žˆ์ฃ .
08:58
but you can totally cut your toes,
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๋ฐœ์„ ๋‹ค์น  ์ˆ˜๋„ ์žˆ์œผ๋‹ˆ๊นŒ
09:00
so yeah, just be careful.
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์กฐ์‹ฌํ•ด์•ผ๋ฉ๋‹ˆ๋‹ค.
09:03
You know the Happiness Project, where the experts
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"ํ–‰๋ณต ํ”„๋กœ์ ํŠธ"์—์„œ, ์ „๋ฌธ๊ฐ€๋“ค์ด ํ”ผ์•„๋…ธ ๊ณ„๋‹จ์„
09:06
are setting up the piano stairs, and how cool that is?
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๋งŒ๋“ค์—ˆ๋˜๊ฑฐ ์•„์‹œ์ฃ ? ์ •๋ง ๋ฉ‹์กŒ์ฃ .
09:09
Well, I think it's cool,
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๊ทธ๊ฒƒ๋„ ๋ฉ‹์กŒ์ง€๋งŒ,
09:10
but we should be doing that stuff ourselves.
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์šฐ๋ฆฌ ์Šค์Šค๋กœ๋„ ํ”ผ์•„๋…ธ ๊ณ„๋‹จ์„ ๋งŒ๋“ค ์ˆ˜ ์žˆ์–ด์š”.
09:12
It shouldn't be a set of experts engineering the way the world works.
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๊ผญ ์ „๋ฌธ๊ฐ€๊ฐ€ ๋‚˜์„œ์„œ ๋งŒ๋“ค์–ด์•ผ ํ•  ํ•„์š”๋Š” ์—†์–ด์š”.
09:15
We should all be participating
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์šฐ๋ฆฌ ๋ชจ๋‘๊ฐ€ ์ฐธ์—ฌํ•ด์„œ
09:17
in changing the way the world works together.
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๋‹ค ๊ฐ™์ด ์„ธ์ƒ์„ ๋ฐ”๊ฟ”์•ผ ํ•ด์š”.
09:19
Aluminum foil. Everybody has a cat.
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์•Œ๋ฃจ๋ฏธ๋Š„ ํ˜ธ์ผ๋กœ, ๊ณ ์–‘์ด ํ•œ ๋งˆ๋ฆฌ์ฏค ํ‚ค์šฐ์‹œ์ฃ ?
09:21
Get a bowl of water. This is just Photo Booth on your Mac OS.
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๊ทธ๋ฆ‡์— ๋ฌผ์„ ์ฃผ๋ฉด, ๋งคํ‚จํ† ์‹œ์˜ ํฌํ† ๋ถ€์Šค๊ฐ€ ๋ฉ๋‹ˆ๋‹ค.
09:25
Hover the mouse over the "take a photo" button,
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"์‚ฌ์ง„ ์ฐ๊ธฐ" ๋ฒ„ํŠผ์— ๋งˆ์šฐ์Šค๋ฅผ ์˜ฌ๋ ค๋†“์œผ๋ฉด,
09:27
and you've got a little cat photo booth.
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๊ณ ์–‘์ด๊ฐ€ ์ปดํ“จํ„ฐ๋กœ ์‚ฌ์ง„์„ ์ฐ๋Š” ํฌํ† ๋ถ€์Šค๊ฐ€ ๋ฉ๋‹ˆ๋‹ค.
09:28
And so we needed hundreds of people to buy this.
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์šฐ๋ฆฌ๋Š” ์ด๊ฒƒ๋“ค์„ ์‚ด ์‚ฌ๋žŒ๋“ค์ด ํ•„์š”ํ•ด์š”.
09:31
If hundreds of people didn't buy this, we couldn't put it on the market.
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๋งŽ์€ ์‚ฌ๋žŒ๋“ค์ด ์‚ฌ์ง€ ์•Š์œผ๋ฉด ์‹œ์žฅ์— ๋‚ด๋†“์„์ˆ˜๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค.
09:34
And so we put it up on Kickstarter,
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๊ทธ๋ž˜์„œ ์ด๊ฒƒ์„ ํ‚ฅ์Šคํƒ€ํ„ฐ์— ์˜ฌ๋ ธ๊ณ ,
09:37
and hundreds of people bought it in the first day.
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์ฒซ๋‚ ์—๋งŒ ์ˆ˜๋ฐฑ๋ช…์˜ ์‚ฌ๋žŒ๋“ค์ด ์ด๊ฒƒ์„ ๊ตฌ๋งคํ–ˆ์ฃ .
09:40
And then 30 days later,
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ํ•œ๋‹ฌ ํ›„์— ๋งŒ์ฒœ๋ช…์ด๋‚˜ ๋˜๋Š” ๋ถ„๋“ค์ด
09:41
11,000 people had backed the project.
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์šฐ๋ฆฌ ํ”„๋กœ์ ํŠธ์— ์ž๊ธˆ์„ ์ง€์›ํ•ด ์ฃผ์…จ์–ด์š”.
09:44
And then what the best part is, we started getting
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์ œ์ผ ๊ธฐ๋ปค๋˜ ๊ฒƒ์€, ์ •๋ง ๋งŽ์€ ์‚ฌ๋žŒ๋“ค์ด ์ด์™€ ๊ฐ™์€
09:46
a flood of videos in of people doing crazy things with it.
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์žฌ๋ฏธ์žˆ๋Š” ๋น„๋””์˜ค๋ฅผ ๋งŒ๋“ค์–ด์„œ ๋ณด๋‚ด์ฃผ๊ธฐ ์‹œ์ž‘ํ–ˆ์–ด์š”.
09:50
So this is "The Star-Spangled Banner" by eating lunch,
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์ด๊ฒƒ์€ ์ ์‹ฌ ์‹์‚ฌ๋ฅผ ํ•˜๋ฉด์„œ ์—ฐ์ฃผํ•˜๋Š” ๋ฏธ๊ตญ ๊ตญ๊ฐ€์—์š”.
09:53
including drinking Listerine.
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๊ฐ€๊ธ€ํ•˜๋Š” ๊ฒƒ๋„ ํฌํ•จํ•ด์„œ์š”.
09:55
And we actually sent this guy materials.
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๊ทธ๋ž˜์„œ ์šฐ๋ฆฌ๋Š” ์ด ์‚ฌ๋žŒํ•œํ…Œ ๊ทธ ๋„๊ตฌ๋“ค์„ ๋ณด๋‚ด์คฌ์–ด์š”.
09:57
We're like, "We're sponsoring you, man.
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"์šฐ๋ฆฌ๊ฐ€ ์‘์›ํ• ๊ฒŒ์š”.
09:58
You're, like, a pro maker."
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๋‹น์‹ ์€ ์ •๋ง ํ”„๋กœ์˜ˆ์š”."๋ผ๊ณ  ํ•˜๋ฉด์„œ์š”.
10:00
Okay, just wait for this one. This is good.
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์ž, ์ด๊ฑธ ํ•œ ๋ฒˆ ๋ณด์„ธ์š”. ์ •๋ง ๋ฉ‹์ ธ์š”.
10:04
(Laughter)
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(์›ƒ์Œ)
10:06
(Applause)
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(๋ฐ•์ˆ˜)
10:09
And these guys at the exploratorium are
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์ด ์‚ฌ๋žŒ๋“ค์€ ์ƒŒํ”„๋ž€์‹œ์Šค์ฝ” ๊ณผํ•™๊ด€์—์„œ
10:11
playing house plants as if they were drums.
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ํ™”๋ถ„์„ ๋“œ๋Ÿผ์ฒ˜๋Ÿผ ์—ฐ์ฃผํ•˜๊ณ  ์žˆ์–ด์š”.
10:16
And dads and daughters are completing circuits in special ways.
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์ด ์•„๋น ์™€ ๋”ธ์€ ์•„์ฃผ ํŠน๋ณ„ํ•œ ๋ฐฉ๋ฒ•์œผ๋กœ ์†Œ๋ฆฌ๋ฅผ ๋‚ด์ฃ .
10:20
And then this brother -- look at this diagram.
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๊ทธ๋ฆฌ๊ณ  ์ด ์˜ค๋น ๋Š”, ์—ฌ๊ธฐ ๊ทธ๋ฆผ๋ฅผ ๋ณด์„ธ์š”.
10:22
See where it says "sister"?
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"์—ฌ๋™์ƒ"์ด๋ผ๊ณ  ๊ทธ๋ฆฐ ๊ฒƒ ๋ณด์ด์„ธ์š”?
10:23
I love when people put humans on the diagram.
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๊ทธ๋ฆผ ์†์— ์‚ฌ๋žŒ์„ ์ด๋Ÿฐ ์‹์œผ๋กœ ๊ทธ๋ฆฌ๋Š”๊ฒŒ ๋„ˆ๋ฌด ๊ท€์—ฌ์›Œ์š”.
10:26
I always add humans to any technical --
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์ €๋„ ํ•ญ์ƒ ์ด๋Ÿฐ ๊ธฐ์ˆ ์  ๊ทธ๋ฆผ๋ฅผ ๊ทธ๋ฆด๋•Œ
10:28
if you're drawing a technical diagram, put a human in it.
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์ด๋ ‡๊ฒŒ ์‚ฌ๋žŒ์„ ๊ทธ๋ ค๋„ฃ์ฃ .
10:30
And this kid is so sweet. He made this trampoline slideshow advancer for his sister
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์ด ์•„์ด๋Š” ์ •๋ง ๊ท€์—ฌ์›Œ์š”. ์—ฌ๋™์ƒ์„ ์œ„ํ•ด์„œ ์ด ํŠธ๋ ˜ํด๋ฆฐ
10:35
so that on her birthday, she could be the star of the show,
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์Šฌ๋ผ์ด๋“œ์‡ผ๋ฅผ ๋งŒ๋“ค์—ˆ์–ด์š”. ์—ฌ๋™์ƒ์€ ์ด๊ฑธ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด
10:37
jumping on the trampoline to advance the slides.
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ํŠธ๋ ˜ํด๋ฆฐ์—์„œ ๋›ฐ๋ฉด์„œ, ์‡ผ์˜ ์ฃผ์ธ๊ณต์ด ๋˜์—ˆ์ง€์š”.
10:40
And this guy rounded up his dogs and he made a dog piano.
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์ด ์‚ฌ๋žŒ์€ ์• ์™„๊ฒฌ์„ ํ”ผ์•„๋…ธ๋กœ ๋งŒ๋“ค์—ˆ๋„ค์š”.
10:46
And this is fun,
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์ด๋Ÿฐ ๊ฒƒ๋“ค์€ ๊ทธ์ € ์žฌ๋ฏธ๋กœ ํ•˜๋Š” ๊ฑฐ์ง€๋งŒ,
10:48
and what could be more useful than feeling alive and fun?
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์žฌ๋ฏธ๋ณด๋‹ค๋Š” ์–ด๋–ป๊ฒŒ ์‹ค์šฉ์ ์œผ๋กœ ์ด์šฉํ•  ์ˆ˜ ์žˆ์„๊นŒ์š”?
10:51
But it's also very serious because
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์ง„์ง€ํ•œ ๋ฌธ์ œ์ด๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.
10:53
all this accessibility stuff started coming up,
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์ปดํ“จํ„ฐ ์‚ฌ์šฉ์ด ์–ด๋ ค์šด ์‚ฌ๋žŒ๋“ค์—๊ฒŒ
10:56
where people can't use computers, necessarily.
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์ ‘๊ทผ์„ฑ์„ ๊ฐ€์ ธ๋‹ค์ฃผ๊ธฐ ๋•Œ๋ฌธ์ด์ฃ .
10:59
Like this dad who wrote us, his son has cerebral palsy
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์˜ˆ๋ฅผ ๋“ค๋ฉด, ํ•œ ์•„๋ฒ„์ง€๊ฐ€ ์šฐ๋ฆฌ์—๊ฒŒ ์—ฐ๋ฝ์„ ํ–ˆ๋Š”๋ฐ์š”,
11:01
and he can't use a normal keyboard.
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์•„๋“ค์ด ๋‡Œ์„ฑ๋งˆ๋น„ ๋•Œ๋ฌธ์— ์ผ๋ฐ˜ ํ‚ค๋ณด๋“œ๋ฅผ ์‚ฌ์šฉํ•  ์ˆ˜๊ฐ€ ์—†๋ฐ์š”.
11:03
And so his dad couldn't necessarily afford
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๊ทธ๋Ÿฐ๋ฐ ์ด ์•„๋ฒ„์ง€๋Š” ์•„์ด๋ฅผ ์œ„ํ•ด์„œ ํŠน์ˆ˜ ์ œ์ž‘๋œ
11:07
to buy all these custom controllers.
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์ปดํ“จํ„ฐ ์ œํ’ˆ๋“ค์„ ์‚ฌ์ค„ ํ˜•ํŽธ์ด ๋˜์ง€ ์•Š์•˜๋˜ ๊ฑฐ์ฃ .
11:09
And so, with the MaKey MaKey, he planned to make
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๊ทธ๋ž˜์„œ ๊ทธ ์•„๋ฒ„์ง€๋Š” ์ด ๋ฉ”์ดํ‚ค ๋ฉ”์ดํ‚ค๋กœ
11:10
these gloves to allow him to navigate the web.
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์žฅ๊ฐ‘์„ ๋งŒ๋“ค์–ด์„œ ์ธํ„ฐ๋„ท์„ ์‚ฌ์šฉ ํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•ด์ฃผ๊ณ  ์‹ถ์–ดํ–ˆ์Šต๋‹ˆ๋‹ค.
11:13
And a huge eruption of discussion
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์ด๋Ÿฐ ์˜ˆ์ƒ์น˜ ๋ชปํ•œ ๊ฒƒ์— ๋Œ€ํ•ด ์ด์•ผ๊ธฐ๊ฐ€ ๋‚˜์™”์„ ๋•Œ
11:15
around accessibility came, and we're really excited about that.
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์šฐ๋ฆฐ ์ •๋ง ๊ธฐ๋ปค์–ด์š”.
11:18
We didn't plan for that at all.
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์šฐ๋ฆฌ๋Š” ๊ทธ๋Ÿฐ๊ฒƒ๊นŒ์ง„ ์˜ˆ์ƒํ•˜์ง€ ๋ชปํ–ˆ์—ˆ๊ฑฐ๋“ ์š”.
11:20
And then all these professional musicians started using it,
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๊ทธ๋ฆฌ๊ณ  ์ฝ”์ฒผ๋ผ ๊ฐ™์€ ๊ณณ์—์„œ
11:23
like at Coachella, just this weekend
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๋ฎค์ง€์…˜๋“ค๋„ ์ด๋Ÿฐ ๊ฒƒ์„ ์‚ฌ์šฉํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์–ด์š”.
11:25
Jurassic 5 was using this onstage,
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"์ฅฌ๋ผ์‹5" ๋ผ๋Š” ๋ฐด๋“œ๊ฐ€ ๋ฌด๋Œ€์—์„œ ์ด๊ฒƒ์„ ์‚ฌ์šฉํ–ˆ๊ตฌ์š”,
11:28
and this D.J. is just from Brooklyn, right around here,
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๋ธŒ๋ฃฉํด๋ฆฐ ์ถœ์‹  DJ๊ฐ€
11:32
and he put this up last month.
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์ด ๋™์˜์ƒ์„ ๋ณด๋‚ด์คฌ์–ด์š”.
11:34
And I love the carrot on the turntable.
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ํ„ดํ…Œ์ด๋ธ” ์œ„์— ๋†“์—ฌ์žˆ๋Š” ๋‹น๊ทผ์ด ์ •๋ง ์žฌ๋ฐŒ์ฃ .
11:36
(Music: Massive Attack โ€” "Teardrop")
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(์Œ์•…: ๋งค์‹œ๋ธŒ ์–ดํƒ - "๋ˆˆ๋ฌผ ํ•œ ๋ฐฉ์šธ")
11:43
Most people cannot play them that way. (Laughter)
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์ผ๋ฐ˜ ์‚ฌ๋žŒ๋“ค์€ ์ด๋ ‡๊ฒŒ ์—ฐ์ฃผ ๋ชปํ•ฉ๋‹ˆ๋‹ค.
11:46
And when this started to get serious,
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์ด๊ฒƒ์ด ์ง„์ง€ํ•˜๊ฒŒ ์ด์šฉ๋˜๊ธฐ ์‹œ์ž‘ํ•ด์„œ,
11:47
I thought, I'd better put a really serious warning label on the box that this comes in,
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์ƒ์ž์— ๊ฒฝ๊ณ  ๋ฌธ๊ตฌ๋ฅผ ๋„ฃ๋Š”๊ฒŒ ์ข‹๊ฒ ๋‹ค๊ณ  ์ƒ๊ฐํ–ˆ์–ด์š”.
11:50
because otherwise people are going to be getting this
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์™œ๋ƒํ•˜๋ฉด ๊ทธ๋ ‡์ง€ ์•Š์œผ๋ฉด
11:52
and they're going to be turning into agents of creative change,
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๋ชจ๋“  ์‚ฌ๋žŒ๋“ค์ด ์ฐฝ์˜์  ๋ณ€ํ™”์˜ ์š”์›์ด ๋˜์–ด
11:54
and governments will be crumbling,
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์ •๋ถ€๊ฐ€ ๋ฌด๋„ˆ์งˆ๊นŒ๋ด์š”.
11:56
and I wouldn't have told people, so I thought I'd better warn them.
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๊ตณ์ด ํ•˜์ง€ ์•Š์•„๋„ ๋˜์ง€๋งŒ, ๊ฒฝ๊ณ ํ•˜๋Š” ๊ฒƒ์ด ์ข‹๋‹ค๊ณ  ์ƒ๊ฐํ–ˆ์–ด์š”.
11:58
And I also put this little surprise. When you open the lid
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๊ทธ๋ฆฌ๊ณ  ์ž‘์€ ๊นœ์ง ์„ ๋ฌผ์„ ๋„ฃ์—ˆ์ฃ .
12:00
of the box, it says, "The world is a construction kit."
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์ด ์ƒ์ž๋ฅผ ์—ด๋ฉด, "์ด ์„ธ์ƒ์€ ๋‹น์‹ ์˜ ์žฅ๋‚œ๊ฐ์ž…๋‹ˆ๋‹ค." ๋ผ๊ณ  ์จ์žˆ์ฃ .
12:03
And as you start to mess around this way,
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์ด ๋ฌผ๊ฑด๋“ค์„ ๋งˆ์Œ๋Œ€๋กœ ์‚ฌ์šฉํ•ด ๋ณด๋ฉด์„œ,
12:05
I think that, in some small ways, you do start to see
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์ผ์ƒ์†์—์„œ ์กฐ๊ธˆ์”ฉ ์—ฌ๋Ÿฌ๋ถ„์˜ ์•„์ด๋””์–ด๋ฅผ
12:08
the landscape of your everyday life
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์ฐฝ์˜๋ ฅ์žˆ๊ฒŒ ํ‘œํ˜„ํ•˜๊ณ  ์žˆ๋Š”
12:10
a little bit more like something you could express yourself with,
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์ž์‹ ์„ ๋ฐœ๊ฒฌํ•  ๊ฑฐ๋ผ๊ณ  ๋ฏฟ์–ด์š”.
12:13
and a little bit more like you could participate
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๊ทธ๋ฆฌ๊ณ  ๋ฌผ๊ฑด๋“ค์„ ์ƒˆ๋กญ๊ฒŒ ๋””์ž์ธํ•˜๋Š”
12:15
in designing the future of the way the world works.
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์ž์‹ ์„ ๋ฐœ๊ฒฌํ•  ๊ฑฐ๋ผ๊ณ  ๋ฏฟ์Šต๋‹ˆ๋‹ค.
12:18
And so next time you're on an escalator
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๋‹ค์Œ์— ์—ฌ๋Ÿฌ๋ถ„์ด ์—์Šค์ปฌ๋ ˆ์ดํ„ฐ์— ํƒ”์„ ๋•Œ
12:22
and you drop an M&M by accident,
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์‹ค์ˆ˜๋กœ M&M ์ดˆ์ฝ”๋ ›์„ ๋–จ์–ด๋œจ๋ฆฌ๊ฒŒ ๋˜๋ฉด,
12:23
you know, maybe that's an M&M surfboard, not an escalator,
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๊ทธ ์ดˆ์ฝ”๋ ›์„ ๋ฐ”๋กœ ์ค์ง€ ๋งˆ์„ธ์š”.
12:26
so don't pick it up right away.
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M&M์ด ์„œํ•‘ ๋ณด๋“œ๋ฅผ ํƒ€๋Š” ์ค‘์ผ์ง€๋„ ๋ชจ๋ฅด๋‹ˆ๊นŒ์š”.
12:28
Maybe take some more stuff out of your pockets
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์ฃผ๋จธ๋‹ˆ์— ๋“ค์–ด์žˆ๋Š” ๋ญ”๊ฐ€๋ฅผ ์ผ๋ถ€๋Ÿฌ
12:30
and throw it down, and maybe some chapstick, whatever.
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๋–จ์–ด๋œจ๋ ค ๋ณผ์ˆ˜๋„ ์žˆ๊ฒ ์ฃ . ์ฑ•์Šคํ‹ฑ ๊ฐ™์€๊ฑฐ์š”.
12:33
I used to want to design a utopian society
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์ €๋Š” ์ด์ƒ์ ์ด๊ณ 
12:38
or a perfect world or something like that.
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์™„๋ฒฝํ•œ ์„ธ์ƒ์„ ๋งŒ๋“ค๊ณ  ์‹ถ์—ˆ์–ด์š”.
12:40
But as I'm kind of getting older
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๊ทธ๋Ÿฐ๋ฐ ์„ธ์›”์ด ์ง€๋‚˜๊ฐ€๋ฉด์„œ,
12:42
and kind of messing with all this stuff,
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๊ทธ๋ฆฌ๊ณ  ์ด๋ ‡๊ฒŒ ๋ฌผ๊ฑด๋“ค์„ ๋งˆ์Œ๋Œ€๋กœ ์‚ฌ์šฉํ•˜๋ฉด์„œ
12:44
I'm realizing that my idea of a perfect world
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๊นจ๋‹ฌ์€ ๊ฒƒ์€, ์™„๋ฒฝํ•œ ์„ธ์ƒ์€
12:46
really can't be designed by one person
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๋‹จ ํ•œ ์‚ฌ๋žŒ์ด ๋งŒ๋“ค ์ˆ˜์žˆ๋Š” ๊ฒƒ๋„ ์•„๋‹ˆ๊ณ ,
12:48
or even by a million experts.
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์ˆ˜์ฒœ ๋ช…์˜ ์ „๋ฌธ๊ฐ€๋„ ๋งŒ๋“ค ์ˆ˜ ์—†๋‹ค๋Š” ๊ฒƒ์ด์˜ˆ์š”.
12:50
It's really going to be seven billion pairs of hands,
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์ „ ์„ธ๊ณ„ 70์–ต๋ช…์˜ ์‚ฌ๋žŒ๋“ค์ด
12:53
each following their own passions,
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๋ชจ๋‘ ์—ด์ •์„ ๊ฐ€์ง€๊ณ ,
12:55
and each kind of like a mosaic coming up
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๊ฐ ๊ฐ€์ •์—์„œ, ์„ธ์ƒ์„ ๋ฐ”๊พธ๊ฒ ๋‹ค๋Š”
12:58
and creating this world in their backyards
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์ƒ๊ฐ์„ ํ–ˆ์„ ๋•Œ, ๋ชจ์ž์ดํฌ์ฒ˜๋Ÿผ
12:59
and in their kitchens.
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ํ•˜๋‚˜์˜ ์ž‘ํ’ˆ์ด ์™„์„ฑ๋˜๋Š” ๊ฑฐ์ฃ .
13:01
And that's the world I really want to live in.
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๊ทธ๊ฒƒ์ด ๋ฐ”๋กœ ์ œ๊ฐ€ ์ •๋ง ์‚ด๊ณ  ์‹ถ์–ดํ•˜๋Š” ์„ธ์ƒ์ž…๋‹ˆ๋‹ค.
13:03
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
13:05
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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