James Nachtwey: Use my photographs to stop the worldwide XDR

27,458 views ใƒป 2008-10-13

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืžืชืจื’ื: Ariella Cwikel ืžื‘ืงืจ: Sigal Tifferet
00:20
I was a student in the '60s, a time of social upheaval and questioning,
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ื”ื™ื™ืชื™ ืกื˜ื•ื“ื ื˜ ื‘ืฉื ื•ืช ื”-60, ืชืงื•ืคื” ืฉืœ ืชื”ืคื•ื›ื•ืช ื—ื‘ืจืชื™ื•ืช ื•ืขืจืขื•ืจ ืžื•ืกื›ืžื•ืช,
00:25
and -- on a personal level -- an awakening sense of idealism.
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ื•ื‘ืจืžื” ื”ืื™ืฉื™ืช, ื”ืชืขื•ืจืจื•ืชื• ืฉืœ ืื™ื“ืืœื™ื–ื.
00:30
The war in Vietnam was raging, the Civil Rights movement was under way
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ื”ืžืœื—ืžื” ื‘ื•ื•ื™ื™ื˜ื ืื ื”ืฉืชื•ืœืœื”, ืชื ื•ืขืช ื–ื›ื•ื™ื•ืช ื”ืื–ืจื— ื™ืฆืื” ืœื“ืจื›ื”
00:34
and pictures had a powerful influence on me.
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ื•ืœืชืžื•ื ื•ืช ื”ื™ืชื” ื”ืฉืคืขื” ื—ื–ืงื” ืขืœื™.
00:37
Our political and military leaders were telling us one thing
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ื”ืžื ื”ื™ื’ื™ื ื”ืคื•ืœื™ื˜ื™ื™ื ื•ื”ืฆื‘ืื™ื™ื ืฉืœื ื• ืกื™ืคืจื• ื“ื‘ืจ ืื—ื“
00:41
and photographers were telling us another.
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ื•ืฆืœืžื™ ืขื™ืชื•ื ื•ืช ืกื™ืคืจื• ื“ื‘ืจ ืื—ืจ.
00:43
I believed the photographers and so did millions of other Americans.
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ืื ื™ ื”ืืžื ืชื™ ืœืฆืœืžื™ื ื•ื›ืš ื’ื ืžื™ืœื™ื•ื ื™ ืืžืจื™ืงืื™ื ืื—ืจื™ื.
00:48
Their images fuelled resistance to the war and to racism.
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ื”ืชืžื•ื ื•ืช ืฉืœื”ื ืชื“ืœืงื• ื”ืชื ื’ื“ื•ืช ืœืžืœื—ืžื” ื•ืœื’ื–ืขื ื•ืช.
00:52
They not only recorded history -- they helped change the course of history.
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ื”ื ืœื ืจืง ืชื™ืขื“ื• ืืช ื”ื”ื™ืกื˜ื•ืจื™ื”, ื”ื ืขื–ืจื• ืœืฉื ื•ืช ืืช ืžื”ืœื›ื”.
00:57
Their pictures became part of our collective consciousness
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ื”ืฆื™ืœื•ืžื™ื ืฉืœื”ื ื”ืคื›ื• ืœื—ืœืง ืžื”ืชื•ื“ืขื” ื”ืงื•ืœืงื˜ื™ื‘ื™ืช ืฉืœื ื•
01:00
and, as consciousness evolved into a shared sense of conscience,
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ื•ื›ื›ืœ ืฉืชื•ื“ืขื” ื–ื• ื”ืชืคืชื—ื” ืœื›ื“ื™ ืชื—ื•ืฉื” ืฉืœ ืžืฆืคื•ืŸ ืžืฉื•ืชืฃ,
01:04
change became not only possible, but inevitable.
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ื”ืฉื™ื ื•ื™ ื”ืคืš ืœื ืจืง ืืคืฉืจื™, ืืœื ื‘ืœืชื™ ื ืžื ืข.
01:07
It puts a human face on issues which, from afar,
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ื–ื” ืžืฆืจืฃ ืคื ื™ื ืื ื•ืฉื™ื•ืช ืœื ื•ืฉืื™ื ืืฉืจ ืžืจื—ื•ืง
01:11
can appear abstract or ideological or monumental in their global impact.
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ืขืฉื•ื™ื™ื ืœื”ื™ืจืื•ืช ืžื•ืคืฉื˜ื™ื ืื• ืื™ื“ืื•ืœื•ื’ื™ื™ื ืื• ืžื•ื ื•ืžื ื˜ืœื™ื™ื ื‘ื”ืฉืคืขื” ื”ื’ืœื•ื‘ืœื™ืช ืฉืœื”ื.
01:17
What happens at ground level, far from the halls of power,
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ืžื” ืฉืงื•ืจื” ื‘ืจืžืช ื”ืฉื˜ื—, ื”ืจื—ืง ืžืžืกื“ืจื•ื ื•ืช ื”ื›ื•ื—,
01:21
happens to ordinary citizens one by one.
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ืงื•ืจื” ืœืื–ืจื—ื™ื ืžืŸ ื”ืฉื•ืจื”, ืื—ื“- ืื—ื“.
01:25
And I understood that documentary photography
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ื•ื”ื‘ื ืชื™ ืฉืœืขื™ืชื•ื ื•ืช ื“ื•ืงื•ืžื ื˜ืจื™ืช
01:27
has the ability to interpret events from their point of view.
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ื™ืฉ ืืช ื”ื™ื›ื•ืœื•ืช ืœืคืจืฉ ืžืื•ืจืขื•ืช ืžื ืงื•ื“ืช ื”ืžื‘ื˜ ืฉืœื”ื.
01:31
It gives a voice to those who otherwise would not have a voice.
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ื”ื™ื ื ื•ืชื ืช ืงื•ืœ ืœืืœื• ืฉื‘ืœืขื“ื™ื” ื”ื™ื• ื ืขื“ืจื™ ืงื•ืœ.
01:36
My TED wish. Thereโ€™s a vital story that needs to be told
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ืžืฉืืœืช ื”TED ืฉืœื™. ื™ืฉื ื• ืกื™ืคื•ืจ ื—ื™ื•ื ื™ ืฉืžื•ื›ืจื—ื™ื ืœืกืคืจ ืื•ืชื•
01:41
and I wish for TED to help me gain access to it
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ื•ืื ื™ ืžื‘ืงืฉ ืžTED ืขื–ืจื” ืœื”ืฉื™ื’ ื’ื™ืฉื” ืืœื™ื•
01:45
and then to help me come up with innovative and exciting ways
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ื•ืื– ืขื–ืจื” ืœื”ื’ื•ืช ืจืขื™ื•ื ื•ืช ื—ื“ืฉื ื™ื™ื ื•ืžืจื’ืฉื™ื
01:48
to use news photography in the digital era.
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ื›ื“ื™ ืœื”ืฉืชืžืฉ ื‘ืฆื™ืœื•ื ืขื™ืชื•ื ื•ืช ื‘ืขื™ื“ืŸ ื”ื“ื™ื’ื™ื˜ืœื™.
01:51
Thank you very much.
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ืชื•ื“ื” ืจื‘ื” ืœื›ื.
01:58
[ 10.3.08 -- The story breaks. ]
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[10.3.08- ื”ืกื™ืคื•ืจ ืคื•ืจืฅ]
02:05
[ "I have been a witness, and these pictures are my testimony." ]
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["ื”ื™ื™ืชื™ ืขื“, ื•ืชืžื•ื ื•ืช ืืœื• ื”ืŸ ืขื“ื•ืชื™"- ื’'ื™ื™ืžืก ื ืงื˜ื•ื•ื™]
02:11
[ South Africa ]
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[ื“ืจื•ื ืืคืจื™ืงื”]
02:29
[ This is happening now. ]
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[ื–ื” ืงื•ืจื” ืขื›ืฉื™ื•]
02:32
[ Cambodia ]
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[ืงืžื‘ื•ื“ื™ื”]
02:47
[ Swaziland ]
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[ืกื•ื•ื–ื™ืœื ื“]
03:00
[ One person dies every 20 seconds. ]
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[ืื“ื ืื—ื“ ืžืช ื›ืœ 20 ืฉื ื™ื•ืช]
03:04
[ Thailand ]
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[ืชืื™ืœื ื“]
03:17
[ An ancient disease is taking on a deadly new form. ]
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[ืžื—ืœื” ืขืชื™ืงื” ืžืงื‘ืœืช ื“ืžื•ืช ื—ื“ืฉื” ื•ืงื˜ืœื ื™ืช]
03:22
[ Siberia ]
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[ืกื™ื‘ื™ืจ]
03:33
[ Lesotho ]
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[ืœืกื•ื˜ื•]
03:46
[ Tuberculosis: the next pandemic? ]
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[ืฉื—ืคืช: ื”ืžื’ื™ืคื” ื”ื›ืœืœ ืขื•ืœืžื™ืช ื”ื‘ืื”?]
03:50
[ India ]
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[ื”ื•ื“ื•]
04:03
[ TB is preventable and curable, ]
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[ืฉื—ืคืช ื ื™ืชื ืช ืœืžื ื™ืขื” ื•ืจื™ืคื•ื™]
04:10
[ but it is mutating due to inadequate treatment. ]
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[ืื‘ืœ ื”ื™ื ืขื•ื‘ืจืช ืžื•ื˜ืฆื™ื•ืช ืขืงื‘ ื˜ื™ืคื•ืœ ืœืงื•ื™]
04:20
[ XDR-TB: ]
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[ XDR-TB ]
04:22
[ extreme drug resistant tuberculosis. ]
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[ืฉื—ืคืช ื—ืกื™ื ื” ื‘ืžื™ื•ื—ื“ ืœืชืจื•ืคื•ืช]
04:26
[ There is no reliable cure. ]
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[ืื™ืŸ ืชืจื•ืคื” ืืžื™ื ื”]
04:34
[ Patients often die within weeks of diagnosis. ]
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[ื—ื•ืœื™ื ืœืขืชื™ื ืงืจื•ื‘ื•ืช ืžืชื™ื ืชื•ืš ืฉื‘ื•ืขื•ืช ืžื–ืžืŸ ื”ืื‘ื—ื•ืŸ]
04:42
[ 49 countries have reported XDR-TB. ]
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[49 ืืจืฆื•ืช ื“ื™ื•ื•ื—ื• ืขืœ XDR-TB ]
04:49
[ XDR-TB is a critical threat to global health. ]
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[ XDR-TB ืžื”ื•ื•ื” ืื™ื•ื ืงืจื™ื˜ื™ ืขืœ ื”ื‘ืจื™ืื•ืช ื”ืขื•ืœืžื™ืช]
04:57
[ Extreme outbreak, suffering, affliction ]
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[ื”ืชืคืจืฆื•ืช ืงื™ืฆื•ื ื™ืช]
04:58
[ Extreme loss, pain, pandemic ]
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[ืกื‘ืœ ืงื™ืฆื•ื ื™]
05:06
[ Extremely preventable. ]
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[ื ื™ืชื ืช ืœืžื ื™ืขื”]
05:09
[ XDR-TB. ]
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[ XDR-TB ]
05:15
[ We can stop this now. ]
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[ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืขืฆื•ืจ ืืช ื–ื” ืขื›ืฉื™ื•]
05:23
[ Spread the story. Stop the disease. ]
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[ื”ืคื™ืฆื• ืืช ื”ืกื™ืคื•ืจ. ืขืฆืจื• ืืช ื”ืžื—ืœื”.]
05:28
[ Go to XDRTB.org now. ]
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[ื›ื ืกื• ืœ Go to XDRTB.org ืขื›ืฉื™ื•]
05:32
[ XDRTB.org: we are the treatment. ]
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[ื›ื ืกื• ืœ XDRTB.org. ืื ื—ื ื• ื”ืชืจื•ืคื”]
05:37
[ We are the treatment. ]
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[ืื ื—ื ื• ื”ืชืจื•ืคื”]
05:41
[ Made possible through the kind support of BD. ]
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[ื”ืชืืคืฉืจ ื‘ื–ื›ื•ืช ื”ืชืžื™ื›ื” ื”ืื“ื™ื‘ื” ืฉืœ BD]
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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