How augmented reality is changing activism | Glenn Cantave

47,663 views ใƒป 2019-08-02

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืชืจื’ื•ื: Boaz Lalo ืขืจื™ื›ื”: Allon Sasson
00:13
My name is Glenn,
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ืฉืžื™ ื’ืœืŸ,
00:14
I'm 25,
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ืื ื™ ื‘ืŸ 25,
00:16
and I don't know my real last name.
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ื•ืื ื™ ืœื ื™ื•ื“ืข ืืช ืฉื ื”ืžืฉืคื—ื” ื”ืืžื™ืชื™ ืฉืœื™.
00:19
It's not uncommon in America.
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ื–ื” ืœื ื ื“ื™ืจ ื‘ืืžืจื™ืงื”.
00:21
Most black people in this country are walking around
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ืจื•ื‘ ื”ืื ืฉื™ื ื”ืฉื—ื•ืจื™ื ื‘ืžื“ื™ื ื” ื–ื• ืžืกืชื•ื‘ื‘ื™ื
00:24
with a slave owner's last name.
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ืขื ืฉื ืžืฉืคื—ื” ืฉืœ ื‘ืขืœ ืขื‘ื“ื™ื.
00:27
Black history has been systemically erased and altered for centuries.
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ื”ื”ื™ืกื˜ื•ืจื™ื” ื”ืฉื—ื•ืจื” ื ืžื—ืงื” ื‘ืื•ืคืŸ ืฉื™ื˜ืชื™ ื•ืฉื•ื ืชื” ื‘ืžืฉืš ืžืื•ืช ืฉื ื™ื.
00:32
As I give this talk,
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ื‘ื–ืžืŸ ืฉืื ื™ ืžื“ื‘ืจ,
00:34
there are more than 700 Confederate monuments standing nationwide.
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ื™ืฉื ืŸ ื™ื•ืชืจ ืž 700 ืื ื“ืจื˜ืื•ืช ืงื•ื ืคื“ืจืฆื™ื™ื” ื‘ืจื—ื‘ื™ ื”ืขื•ืœื.
00:38
These were erected to honor Confederate soldiers
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ื”ืŸ ื”ื•ืงืžื• ืœื›ื‘ื•ื“ ื—ื™ื™ืœื™ ื”ืงื•ื ืคื“ืจืฆื™ื”
00:41
who fought to maintain slavery --
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ืฉื ืœื—ืžื• ืœืฉืžื•ืจ ืขืœ ื”ืขื‘ื“ื•ืช -
00:43
mostly in the South --
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ื‘ืขื™ืงืจ ื‘ื“ืจื•ื -
00:44
from the 1890s to the 1950s,
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ืžืฉื ื•ืช ื”ืชืฉืขื™ื ืฉืœ ื”ืžืื” ื”- 19 ืขื“ ืฉื ื•ืช ื”ื—ืžื™ืฉื™ื ืฉืœ ื”ืžืื” ื”- 20.
00:47
when Jim Crow laws enforcing racial segregation were in full effect.
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ื›ืืฉืจ ื—ื•ืงื™ ื”ื”ืคืจื“ื” ื”ื’ื–ืขื™ืช ืฉืœ ื’'ื™ื ืงืจื•ืื• ื ื›ื ืกื• ืœืชื•ืงืฃ.
00:52
To this day, black people are forced to confront monuments of slaveholders
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ืขื“ ื”ื™ื•ื ืื ืฉื™ื ืฉื—ื•ืจื™ื ื ืืœืฆื™ื ืœื”ืชืขืžืช ืขื ืื ื“ืจื˜ืื•ืช ืฉืœ ื‘ืขืœื™ ืขื‘ื“ื™ื
00:57
in our public spaces.
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ื‘ืžืจื—ื‘ ื”ืฆื™ื‘ื•ืจื™ ืฉืœื ื•.
00:59
These memorials are a physical representation of a system
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ืื ื“ืจื˜ืื•ืช ืืœื” ืžื™ื™ืฆื’ื•ืช ืคื™ื–ื™ืช ืžืขืจื›ืช
01:02
that is actively working to define whose lives matter
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ืฉืคื•ืขืœืช ืœื”ื’ื“ื™ืจ ืื™ืœื• ื—ื™ื™ื ื—ืฉื•ื‘ื™ื
01:06
and whose lives do not.
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ื•ืื™ืœื• ืœื.
01:08
If we are going to disrupt the narrative,
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ืื ืื ื—ื ื• ื”ื•ืœื›ื™ื ืœืฉื‘ืฉ ืืช ื”ืกื™ืคื•ืจ,
01:10
we have to start at the origin.
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ืขืœื™ื ื• ืœื”ืชื—ื™ืœ ื‘ืžื•ืฆื.
01:13
Genocide, slavery and patriarchy started in the Americas
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ืจืฆื— ืขื, ืขื‘ื“ื•ืช ื•ืคื˜ืจื™ืืจื›ื™ื” ื”ืชื—ื™ืœื• ื‘ืืžืจื™ืงื”
01:18
with Christopher Columbus.
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ืขื ื›ืจื™ืกื˜ื•ืคืจ ืงื•ืœื•ืžื‘ื•ืก.
01:20
Most people in the United States know about his voyage of 1492.
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ืจื•ื‘ ื”ืื ืฉื™ื ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช ื™ื•ื“ืขื™ื ืขืœ ื”ืคืœื’ืชื• ื‘- 1492.
01:25
Fewer people know that an estimated 250,000 indigenous Arawaks were wiped out
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ืคื—ื•ืช ืื ืฉื™ื ื™ื•ื“ืขื™ื ืฉ 250,000 ืืจื•ื•ืืงื™ื ื™ืœื™ื“ื™ื ื ืžื—ื•
01:31
within two years of his arrival.
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ืชื•ืš ืฉื ืชื™ื™ื ืžืจื’ืข ื”ื’ืขืชื•.
01:34
Even fewer people know
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ืืคื™ืœื• ืคื—ื•ืช ืื ืฉื™ื ื™ื•ื“ืขื™ื
01:35
that Columbus admitted in a letter written to Doรฑa Juana de la Torre
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ืฉืงื•ืœื•ืžื‘ื•ืก ื”ื•ื“ื” ื‘ืžื›ืชื‘ ืฉื ื›ืชื‘ ืœื“ื•ื ื™ื” ื’'ื•ืื ื” ื“ื” ืœื” ื˜ื•ืจื”
01:40
that "nine and 10-year-old girls were in high demand,
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ื›ื™ "ื™ืœื“ื•ืช ื‘ื ื•ืช ืชืฉืข ื•ืขืฉืจ ื”ื™ื• ืžืื•ื“ ืžื‘ื•ืงืฉื•ืช,
01:43
and for girls of all ages a good price must be paid."
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ื•ืœื‘ื ื•ืช ื‘ื›ืœ ื”ื’ื™ืœืื™ื ื™ืฉ ืœืฉืœื ืžื—ื™ืจ ื˜ื•ื‘."
01:47
Yet New York City's Columbus Circle has had him perched 76 feet high
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ื•ื‘ื›ืœ ื–ืืช, ื‘ืžืขื’ืœ ืงื•ืœื•ืžื‘ื•ืก ื‘ื ื™ื• ื™ื•ืจืง ื™ืฉ ืคืกืœ ืฉืœื• ื‘ื’ื•ื‘ื” ืฉืœ 23 ืžื˜ืจ
01:52
next to Central Park since 1892.
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ืœื™ื“ ืกื ื˜ืจืœ ืคืืจืง ืžืื– 1892.
01:55
I started Movers and Shakers,
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ื”ืชื—ืœืชื™ ืืช "ืžื•ื‘ืจืก ืื ื“ ืฉื™ื™ืงืจืก",
01:58
a nonprofit,
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ืœืœื ืžื˜ืจื•ืช ืจื•ื•ื—,
01:59
to get the statue removed.
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ื›ื“ื™ ืœื”ืกื™ืจ ืืช ื”ืคืกืœ.
02:01
Movers and Shakers is a group of activists, artists,
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"ืžื•ื‘ืจืก ืื ื“ ืฉื™ื™ืงืจืก" ื”ื™ื ืงื‘ื•ืฆื” ืฉืœ ืคืขื™ืœื™ื, ืืžื ื™ื,
02:05
educators and engineers focused on using immersive technology
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ืžื—ื ื›ื™ื ื•ืžื”ื ื“ืกื™ื ืืฉืจ ืžืชืžืงื“ื™ื ื‘ืฉื™ืžื•ืฉ ื‘ื˜ื›ื ื•ืœื•ื’ื™ื” ืžื”ืคื›ื ื™ืช
02:10
to highlight the narratives of the oppressed.
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ื›ื“ื™ ืœื”ื“ื’ื™ืฉ ืืช ื”ื ืจื˜ื™ื‘ื™ื ืฉืœ ื”ืžื“ื•ื›ืื™ื.
02:12
In our campaign to knock Columbus off his pedestal,
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ื‘ืงืžืคื™ื™ืŸ ืฉืœื ื• ืœื”ืคื™ืœ ืืช ืงื•ืœื•ืžื‘ื•ืก ืžื›ื ื•.
02:15
we engaged in a visually provocative form of activism.
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ืขืกืงื ื• ื‘ืฆื•ืจื” ื—ื–ื•ืชื™ืช ื•ืคืจื•ื‘ื•ืงื˜ื™ื‘ื™ืช.
02:20
We created an augmented reality installation
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ื™ืฆืจื ื• ื”ืชืงืŸ ืฉืœ ืžืฆื™ืื•ืช ืžื“ื•ืžื”
02:22
on the true story of Christopher Columbus
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ืขืœ ืกื™ืคื•ืจื• ื”ืืžื™ืชื™ ืฉืœ ื›ืจื™ืกื˜ื•ืคืจ ืงื•ืœื•ืžื‘ื•ืก
02:25
and used it to host teach-ins in Columbus Circle and Times Square.
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ื•ื”ืฉืชืžืฉื ื• ื‘ื• ืœืืจื— ื”ื“ืจื›ื•ืช ื‘ืžืขื’ืœ ืงื•ืœื•ืžื‘ื•ืก ื•ื‘ื›ื™ื›ืจ ื˜ื™ื™ืžืก.
02:30
Many see the controversy around the statue
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ืจื‘ื™ื ืจื•ืื™ื ืืช ื”ืžื—ืœื•ืงืช ืกื‘ื™ื‘ ื”ืคืกืœ
02:33
as tension between the Italian-American community
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ื›ืžืชื— ื‘ื™ืŸ ื”ืงื”ื™ืœื” ื”ืื™ื˜ืœืงื™ืช-ืืžืจื™ืงืื™ืช
02:36
and the indigenous community.
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ื•ื”ืงื”ื™ืœื” ื”ื™ืœื™ื“ื™ืช.
02:38
The reality is that most black people are here in this country
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ื”ืžืฆื™ืื•ืช ื”ื™ื ืฉืจื•ื‘ ื”ืื ืฉื™ื ื”ืฉื—ื•ืจื™ื ื ืžืฆืื™ื ื›ืืŸ ื‘ืžื“ื™ื ื” ื”ื–ื•
02:43
as a result of the atrocities
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ื›ืชื•ืฆืื” ืžื”ื–ื•ื•ืขื•ืช
02:45
that were kicked off by Christopher Columbus.
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ืฉื”ืชื—ื™ืœื• ืžื›ืจื™ืกื˜ื•ืคืจ ืงื•ืœื•ืžื‘ื•ืก.
02:48
So we ended up holding a slave auction in Union Square
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ืื– ื‘ืกื•ืคื• ืฉืœ ื“ื‘ืจ ืงื™ื™ืžื ื• ืžื›ื™ืจื” ืคื•ืžื‘ื™ืช ืฉืœ ืขื‘ื“ื™ื ื‘ื›ื™ื›ืจ ื™ื•ื ื™ื•ืŸ
02:53
to tie into the genesis of the transatlantic slave trade.
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ื›ื“ื™ ืœืงืฉื•ืจ ืœื’'ื ืกื™ืก ืฉืœ ืกื—ืจ ื”ืขื‘ื“ื™ื ื”ื˜ืจื ืก ืื˜ืœื ื˜ื™.
02:57
I ran the New York City Marathon in chains to spread awareness to this issue.
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ืจืฆืชื™ ืืช ืžืจืชื•ืŸ ื ื™ื• ื™ื•ืจืง ื‘ืขื™ืจ ื‘ืฉืจืฉืจืื•ืช ื›ื“ื™ ืœืขื•ืจืจ ืžื•ื“ืขื•ืช ืœื ื•ืฉื ื–ื”.
03:03
I was also arrested in Giants Stadium for hosting a slave reenactment
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ื ืขืฆืจืชื™ ื’ื ื‘ืืฆื˜ื“ื™ื•ืŸ ื”ื’'ื™ืื ื˜ืก ื‘ื’ืœืœ ืฉืฉื—ื–ืจืชื™ ืขื‘ื“ื•ืช
03:07
at their football team's home opener.
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ื‘ืžืฉื—ืง ื”ืคืชื™ื—ื” ืฉืœ ืงื‘ื•ืฆืช ื”ืคื•ื˜ื‘ื•ืœ ืฉืœื”ื.
03:11
We gave it everything that we had,
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ื ืชื ื• ืืช ื›ืœ ืžื” ืฉื”ื™ื” ืœื ื•,
03:15
but in the end,
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ืื‘ืœ ื‘ืกื•ืฃ,
03:16
New York City decided to keep the statue,
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ื ื™ื• ื™ื•ืจืง ื”ื—ืœื™ื˜ื” ืœืฉืžื•ืจ ืขืœ ื”ืคืกืœ,
03:19
and New York State unanimously voted to make it a landmark.
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ื•ืžื“ื™ื ืช ื ื™ื• ื™ื•ืจืง ื”ืฆื‘ื™ืขื” ืคื” ืื—ื“ ืœื”ืคื•ืš ืืช ื–ื” ืœื ืงื•ื“ืช ืฆื™ื•ืŸ.
03:23
The news was devastating,
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ื”ื—ื“ืฉื•ืช ื”ื™ื• ื”ืจืกื ื™ื•ืช,
03:25
but it opened up another door.
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ืื‘ืœ ื”ืŸ ืคืชื—ื• ื“ืœืช ื ื•ืกืคืช.
03:27
We realized that with augmented reality
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ื”ื‘ื ื• ืฉืขื ืžืฆื™ืื•ืช ืžื•ื’ื‘ืจืช
03:30
you don't need permission from the government
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ืืชื” ืœื ืฆืจื™ืš ืื™ืฉื•ืจ ืžื”ืžืžืฉืœื”
03:32
to put up a monument or to make a statement.
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ืœื”ืงื™ื ืื ื“ืจื˜ื” ืื• ืœื”ื‘ื™ืข ืืช ื“ืขืชืš.
03:36
You can just do it.
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ืืชื” ืคืฉื•ื˜ ื™ื›ื•ืœ ืœืขืฉื•ืช ืืช ื–ื”.
03:37
So New York City right now
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ืื– ื‘ื ื™ื• ื™ื•ืจืง ืขื›ืฉื™ื•
03:39
currently has more than 150 statues of men and six of women
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ื™ืฉ ืœืžืขืœื” ืž- 150 ืคืกืœื™ื ืฉืœ ื’ื‘ืจื™ื ื•- 6 ืฉืœ ื ืฉื™ื
03:43
and currently acknowledges slaveholders in public spaces as well.
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ืฉื›ื™ื•ื ืžืฆื™ื™ื ื™ื ื‘ืขืœื™ ืขื‘ื“ื™ื ื‘ืžืจื—ื‘ื™ื ืฆื™ื‘ื•ืจื™ื™ื.
03:47
So we decided, why not just put up a bunch of AR monuments
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ืื– ื”ื—ืœื˜ื ื•, ืœืžื” ืœื ืคืฉื•ื˜ ืœื”ืงื™ื ื”ืžื•ืŸ ืื ื“ืจื˜ืื•ืช ืฉืœ ืžืฆื™ืื•ืช ืžื“ื•ืžื”
03:50
of women and people of color throughout the city?
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ืฉืœ ื ืฉื™ื ื•ื’ื‘ืจื™ื ืฉื—ื•ืจื™ื ื‘ื›ืœ ืจื—ื‘ื™ ื”ืขื™ืจ?
03:53
Typically, monuments are created
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ื‘ื“ืจืš ื›ืœืœ ื ื•ืฆืจื•ืช ืื ื“ืจื˜ืื•ืช
03:55
to commemorate the achievements of the deceased,
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ืœื”ื ืฆื™ื— ืืช ื”ื”ื™ืฉื’ื™ื ืฉืœ ื”ืžื ื•ื—ื™ื,
03:58
but with augmented reality, we can reroute the rules.
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ืื‘ืœ ืขื ืžืฆื™ืื•ืช ืžื“ื•ืžื”, ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืฉื›ืชื‘ ืืช ื”ื›ืœืœื™ื.
04:02
We started with sports.
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ื”ืชื—ืœื ื• ื‘ืกืคื•ืจื˜.
04:04
Colin Kaepernick.
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ืงื•ืœื™ืŸ ืงืคืจื ื™ืง.
04:06
He was the starting quarterback of the San Francisco 49ers,
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ื”ื•ื ื”ื™ื” ื”ืงื•ื•ื˜ืจื‘ืง ื”ืคื•ืชื— ืฉืœ ื” - 49ers ื‘ืกืŸ ืคืจื ืกื™ืกืงื•,
04:09
and he wanted to use his platform
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ื•ื”ื•ื ืจืฆื” ืœื”ืฉืชืžืฉ ื‘ืžืขืžื“ ืฉืœื•
04:11
to highlight the injustice of systemic racism.
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ื›ื“ื™ ืœื”ื“ื’ื™ืฉ ืืช ื”ืขื•ื•ืœ ืฉืœ ื”ื’ื–ืขื ื•ืช ื”ืžืขืจื›ืชื™ืช.
04:14
So he consulted a Green Beret on the most respectful way to do this,
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ืื– ื”ื•ื ื”ืชื™ื™ืขืฅ ืขื ื—ื™ื™ืœ ืžื”ื›ื•ืžืชื•ืช ื”ื™ืจื•ืงื•ืช ื‘ื“ืจืš ื”ืžื›ื•ื‘ื“ืช ื‘ื™ื•ืชืจ ืœืขืฉื•ืช ื–ืืช,
04:18
and he decided to take a knee during the national anthem.
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ื•ื”ื•ื ื”ื—ืœื™ื˜ ืœื›ืจื•ืข ื‘ืจืš ื‘ืžื”ืœืš ื”ื”ืžื ื•ืŸ ื”ืœืื•ืžื™.
04:21
He lost his contract with the 49ers,
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ื”ื•ื ื”ืคืกื™ื“ ืืช ื”ื—ื•ื–ื” ืขื ื” - 49ers.
04:23
he was blackballed by every NFL owner,
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ื”ื•ื ืกื•ืจื‘ ืขืœ ื™ื“ื™ ื›ืœ ืงื‘ื•ืฆื” ื‘ - NFL.
04:26
he was criticized by millions
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ืžื™ืœื•ื ื™ื ื‘ื™ืงืจื• ืื•ืชื•
04:28
and even the president of the United States
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ื•ืืคื™ืœื• ื ืฉื™ื ืืจืฆื•ืช ื”ื‘ืจื™ืช
04:30
decided to insult him.
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ื”ื—ืœื™ื˜ ืœื”ืขืœื™ื‘ ืื•ืชื•.
04:32
It may be decades before Colin Kaepernick is adequately respected for his courage,
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ื™ื™ืชื›ืŸ ืฉื™ืขื‘ืจื• ืขืฉืจื•ืช ืฉื ื™ื ืœืคื ื™ ืฉืงื•ืœื™ืŸ ืงืคืจื ื™ืง ื™ื›ื•ื‘ื“ ื›ืจืื•ื™ ื‘ื’ืœืœ ืื•ืžืฅ ืœื™ื‘ื•,
04:39
so our team decided to do this.
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ืื– ื”ืฆื•ื•ืช ืฉืœื ื• ื”ื—ืœื™ื˜ ืœืขืฉื•ืช ืืช ื–ื”.
04:42
Now anyone that walks by Trump Tower can see Colin Kaepernick take a knee
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ืขื›ืฉื™ื• ื›ืœ ืžื™ ืฉืขื•ื‘ืจ ืœื™ื“ ืžื’ื“ืœ ื˜ืจืืžืค ื™ื›ื•ืœ ืœืจืื•ืช ืืช ืงื•ืœื™ืŸ ืงืคืจื ื™ืง ื›ื•ืจืข ื‘ืจืš
04:47
in augmented reality,
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ื‘ืžืฆื™ืื•ืช ืžื“ื•ืžื”,
04:49
and there's nothing they can do about it.
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ื•ืื™ืŸ ืฉื•ื ื“ื‘ืจ ืฉื”ื ื™ื›ื•ืœื™ื ืœืขืฉื•ืช ื‘ืงืฉืจ ืœื–ื”.
04:51
(Laughter)
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(ืฆื—ื•ืง)
04:53
Representation matters.
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ื”ื™ื™ืฆื•ื’ ืžืฉื ื”!
04:55
Serena Williams proved to the world
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ืกืจื™ื ื” ื•ื•ื™ืœื™ืืžืก ื”ื•ื›ื™ื—ื” ืœืขื•ืœื
04:58
that a black girl from Compton can dominate a sport
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ืฉื ืขืจื” ืฉื—ื•ืจื” ืžืงื•ืžืคื˜ื•ืŸ ื™ื›ื•ืœื” ืœืฉืœื•ื˜ ื‘ืกืคื•ืจื˜
05:01
that's traditionally played at exclusive country clubs.
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ืฉื‘ืื•ืคืŸ ืžืกื•ืจืชื™ ืžืฉื—ืงื™ื ืื•ืชื• ืจืง ื‘ืžื•ืขื“ื•ื ื™ื ื™ื•ืงืจืชื™ื™ื.
05:04
Let's celebrate her now.
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ื‘ื•ืื• ื ื”ืœืœ ืื•ืชื” ืขื›ืฉื™ื•.
05:07
Jackie Robinson.
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ื’'ืงื™ ืจื•ื‘ื™ื ืกื•ืŸ.
05:08
He broke the color barrier
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ื”ื•ื ืฉื‘ืจ ืืช ืžื—ืกื•ื ื”ืฆื‘ืข
05:11
and empowered many black athletes to play in Major League Baseball.
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ื•ื”ืขืฆื™ื ื”ืจื‘ื” ืกืคื•ืจื˜ืื™ื ืฉื—ื•ืจื™ื ืœืฉื—ืง ื‘ืœื™ื’ืช ื”ืขืœ ื‘ื‘ื™ื™ืกื‘ื•ืœ.
05:15
We're going to take this monument of him and put it in Ebbets Field
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ืื ื—ื ื• ื”ื•ืœื›ื™ื ืœื”ื ื™ื— ืืช ื”ืื ื“ืจื˜ื” ืฉืœื• ื‘ืฉื“ื” ืื‘ื˜ืก
05:18
so that anyone can see him swing for the fences
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ื›ื“ื™ ืฉื›ื•ืœื ื™ืจืื• ืื•ืชื• ื—ื•ื‘ื˜
05:21
in Ebbets Field in Brooklyn.
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ื‘ืฉื“ื” ืื‘ื˜ืก ื‘ื‘ืจื•ืงืœื™ืŸ.
05:23
With augmented reality,
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ืขื ืžืฆื™ืื•ืช ืžื•ื’ื‘ืจืช,
05:25
we have the power to tell stories in public spaces that need to be told.
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ื™ืฉ ืœื ื• ืืช ื”ื›ื•ื— ืœืกืคืจ ืกื™ืคื•ืจื™ื ื‘ืžืจื—ื‘ื™ื ืฆื™ื‘ื•ืจื™ื™ื ืฉืฆืจื™ืš ืœืกืคืจ ืื•ืชื.
05:30
The achievements of people like Frida Kahlo, Audre Lorde,
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ื”ื”ื™ืฉื’ื™ื ืฉืœ ืื ืฉื™ื ื›ืžื• ืคืจื™ื“ื” ืงืืœื•, ืื•ื“ืจื™ ืœื•ืจื“,
05:34
Toussaint Louverture,
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ื˜ื•ืกื™ื™ื ื˜ ืœื•ื‘ืจื˜ื•ืจ,
05:36
Madam C.J. Walker --
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ื’ื‘ืจืช ืกื™ ื’'ื™ื™ ื•ื•ืงืจ -
05:38
this should be common knowledge.
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ื–ื” ืืžื•ืจ ืœื”ื™ื•ืช ื™ื“ืข ื‘ืกื™ืกื™.
05:41
Our vision is a "Pokรฉmon Go" for a contextualized history.
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ื”ื—ื–ื•ืŸ ืฉืœื ื• ื”ื•ื "Pokรฉmon Go" ื‘ื”ืงืฉืจ ืœื”ื™ืกื˜ื•ืจื™ื”.
05:46
Augmented reality can also be used as a tool to support organizations
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ื ื™ืชืŸ ืœื”ืฉืชืžืฉ ื‘ืžืฆื™ืื•ืช ืžื•ื’ื‘ืจืช ื’ื ื›ื›ืœื™ ืœืชืžื™ื›ื” ื‘ืืจื’ื•ื ื™ื
05:50
that are fighting against systemic oppression.
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ืฉื ืœื—ืžื™ื ื ื’ื“ ื“ื™ื›ื•ื™ ืžืขืจื›ืชื™.
05:54
In 2019 we will release our free smartphone app
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ื‘ืฉื ืช 2019 ื ืฉื—ืจืจ ืืช ืืคืœื™ืงืฆื™ื™ืช ื”ืกืžืืจื˜ืคื•ืŸ ื”ื—ื™ื ืžื™ืช ืฉืœื ื•
05:56
with augmented reality monuments and content.
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ืขื ืื ื“ืจื˜ืื•ืช ื•ืชื›ื ื™ื ืžื“ื•ืžื™ื.
05:59
You can take your smartphone and hold it over any one-dollar bill
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ืืชื” ื™ื›ื•ืœ ืœืงื—ืช ืืช ื”ื˜ืœืคื•ืŸ ื”ื—ื›ื ืฉืœืš ื•ืœื”ื—ื–ื™ืง ืื•ืชื• ืžืขืœ ื›ืœ ืฉื˜ืจ ืฉืœ ื“ื•ืœืจ
06:02
and see a scene in augmented reality
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ื•ืœืจืื•ืช ืืช ื”ืžืฆื™ืื•ืช ื”ืžื•ื’ื‘ืจืช
06:04
that illustrates the injustice of cash bail.
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ืฉืžืชืืจืช ืืช ื—ื•ืกืจ ื”ืฆื“ืง ื‘ืขืจื‘ื•ืช ื›ืกืคื™ืช.
06:08
You can then click on the screen
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ืœืื—ืจ ืžื›ืŸ ืชื•ื›ืœื• ืœืœื—ื•ืฅ ืขืœ ื”ืžืกืš
06:09
and be directed to the donation page of The Bail Project,
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ื•ืœืคื ื•ืช ืœื“ืฃ ื”ืชืจื•ืžื” ืฉืœ ืคืจื•ื™ืงื˜ ื”ืขืจื‘ื•ืช,
06:13
a fund that raises money for people who cannot afford bail.
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ืงืจืŸ ืฉืžื’ื™ื™ืกืช ื›ืกืฃ ืœืื ืฉื™ื ืฉืœื ื™ื›ื•ืœื™ื ืœื”ืจืฉื•ืช ืœืขืฆืžื ืขืจื‘ื•ืช.
06:17
With augmented reality,
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ืขื ืžืฆื™ืื•ืช ืžื“ื•ืžื”,
06:19
we the people have the power
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ืœื ื•, ืœืื ืฉื™ื ื™ืฉ ืืช ื”ื›ื•ื—
06:22
to highlight the narratives of the oppressed
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ืœื”ื“ื’ื™ืฉ ืืช ื”ื ืจื˜ื™ื‘ื™ื ืฉืœ ื”ืžื“ื•ื›ืื™ื
06:24
when institutions refuse to do so.
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ื›ืืฉืจ ืžื•ืกื“ื•ืช ืžืกืจื‘ื™ื ืœืขืฉื•ืช ื–ืืช.
06:27
We can use this tool to highlight the systemic implications
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ืื ื• ื™ื›ื•ืœื™ื ืœื”ืฉืชืžืฉ ื‘ื›ืœื™ ื–ื” ื›ื“ื™ ืœื”ื“ื’ื™ืฉ ืืช ื”ื”ืฉืœื›ื•ืช
06:31
of erasing someone's history.
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ืฉืœ ืžื—ื™ืงืช ื”ื”ื™ืกื˜ื•ืจื™ื” ืฉืœ ืžื™ืฉื”ื•.
06:34
And more concretely,
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ื•ื‘ื™ืชืจ ื“ื™ื•ืง,
06:35
we can use this technology as a way to support initiatives
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ืื ื• ื™ื›ื•ืœื™ื ืœื”ืฉืชืžืฉ ื‘ื˜ื›ื ื•ืœื•ื’ื™ื” ื–ื• ื›ื“ืจืš ืœืชืžื•ืš ื‘ื™ื•ื–ืžื•ืช
06:39
that are fighting against systemic racism.
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ืฉื ืœื—ืžื•ืช ื ื’ื“ ื’ื–ืขื ื•ืช ืžืขืจื›ืชื™ืช.
06:42
With AR, we have the power to reimagine a world
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ืขื ืžืฆื™ืื•ืช ืžื•ื’ื‘ืจืช ื™ืฉ ืœื ื• ืืช ื”ื›ื•ื— ืœื”ืžืฆื™ื ืขื•ืœื
06:47
that prioritizes justice over oppression.
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ืฉืžืขื“ื™ืฃ ืฆื“ืง ืขืœ ืคื ื™ ื“ื™ื›ื•ื™
06:50
Thank you.
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ืชื•ื“ื”.
06:52
(Applause and cheers)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื ื•ืฆื”ืœื•ืช)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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