Theremin, the untouchable music | Pamelia Kurstin

407,600 views ・ 2008-02-19

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Prevoditelj: Senzos Osijek Recezent: Tilen Pigac - EFZG
00:12
(Music)
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(Glazba)
05:20
(Applause)
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(Pljesak)
05:35
Thank you. Ooh, I'm like, "Phew, phew, calm down. Get back into my body now." (Laughter)
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Smiri se. Vrati se sad u moje tijelo.
05:40
Usually when I play out, the first thing that happens is
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Najčešće kad sviram vani, prva stvar koja se dogodi je
05:44
people scream out, "What's she doing?!"
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da se ljudi izderu: Što to ona radi?
05:47
I'll play at these rock shows, be on stage
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Znate, sviram na rock izvedbama, na pozornici sam,
05:50
standing completely still, and they're like,
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stojim potpuno mirno i samo to činim.
05:52
"What's she doing?! What's she doing?!"
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Znate, Što to ona radi? Što radi?
05:55
And then I'll kind of be like -- (Vvvwow!) -- and then they're like, "Whoa!"
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I onda ja napravim, i onda oni (Wwwow!)- znate, i onda, kao ...
05:59
(Laughter)
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(Smijeh)
06:01
I'm sure you're trying to figure out,
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I sigurna sam da pokušavate shvatiti
06:05
"Well, how does this thing work?"
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kako to funkcionira?
06:07
Well, what I'm doing is
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Pa, ono što radim jest da -- oh! --
06:11
controlling the pitch with my left hand.
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kontroliram visinu sa svojom lijevom rukom.
06:18
See, the closer I get to this antenna, the higher the note gets --
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Pogledajte, što sam bliže anteni, bude viši ton.
06:23
(Portamento) --
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(Portamento)
06:26
and you can get it really low.
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I može biti prilično dubok.
06:28
And with this hand I'm controlling the volume,
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I s ovom rukom nadzirem glasnoću,
06:31
so the further away my right hand gets, the louder it gets.
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tako da što mi je desna ruka udaljenija, to postane glasnije.
06:35
(Tones)
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(Tonovi)
06:38
So basically, with both of your hands
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U biti, s obje ruke
06:40
you're controlling pitch and volume and kind of
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kontrolirate visinu i glasnoću
06:44
trying to create the illusion that you're doing separate notes,
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i pokušavate stvoriti iluziju da činite odvojene tonove,
06:48
when really it's continuously going ...
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a zapravo ono stalno radi ...
06:50
(Flourish ... Beep)
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(Cvjeta ... Beep)
06:54
(Laughter)
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(Smijeh)
07:03
Sometimes I startle myself: I'll forget that I have it on,
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Ponekad uplašim samu sebe: Zaboravim da ga imam na sebi
07:05
and I'll lean over to pick up something,
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i nagnem se pokupiti nešto
07:08
and then it goes like -- (Blip) -- "Oh!"
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i onda počne, oh! Znate.
07:11
And it's like a funny sound effect that follows you around
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To je poput smiješnog zvučnog efekta koji te prati
07:14
if you don't turn the thing off.
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ako ga ne isključiš.
07:16
(Laughter)
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(Smijeh)
07:21
Maybe we'll go into the next tune,
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Možda da krenemo na sljedeću pjesmu
07:25
because I totally lost where this is going.
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jer sam potpuno izgubila nit.
07:29
We're going to do a song by David Mash called "Listen: the Words Are Gone,"
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Izvest ćemo pjesmu Davida Masha „Listen, Words Are Gone"
07:34
and maybe I'll have words come back into me afterwards if I can relax.
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i možda mi se poslije vrate riječi kad se smirim.
07:38
(Music)
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(Glazba)
10:32
(Applause)
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(Pljesak)
10:44
So, I'm trying to think of some of the questions
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Pokušavam se sjetiti pitanja
10:47
that are commonly asked; there are so many.
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koja se često postavljaju. Ima ih toliko mnogo.
10:49
And ... Well, I guess I could tell you
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Mogla bih vam ispričati nešto
10:52
a little of the history of the theremin.
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o povijesti teremina.
10:54
It was invented around the 1920s, and the inventor, Léon Theremin
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Izumljen je oko 1920. i izumitelj, Léon Theremin
11:00
-- he also was a musician besides an inventor --
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-- koji je bio i glazbenik --
11:05
he came up with the idea for making the theremin,
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došao je na ideju izrade teremina
11:10
I think, when he was working on some shortwave radios.
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kada je radio na nekim kratkovalnim radijima
11:14
And there'd be that sound in the signal -- it's like (Screeching) --
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i ondje bi čuo taj zvuk u signalu -- To jepoput -- (Cviljenje)
11:17
and he thought, "Oh, what if I could control that sound
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i pomislio je, „Oh, što bi bilo kada bih mogao kontrolirati taj zvuk
11:21
and turn it into an instrument, because there are pitches in it."
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i pretvoriti to u instrument zato što tu postoje tonovi.
11:25
And so somehow through developing that,
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Tako da je, nekako, razvojem toga
11:28
he eventually came to make the theremin the way it is now.
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došao do izrade teremina kakav je on danas.
11:35
And a lot of times, even kids nowadays,
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I mnogo puta čak i djeca danas,
11:39
they'll make reference to a theremin by going, "Whoo-hoo-hoo-hoo,"
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pozivaju se na teremin i rade zvukove kao whoo-hoo-hoo-hoo,
11:43
because in the '50s it was used in the sci-fi horror movies,
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zato što se u 50-ima koristio u SF filmovima strave,
11:45
that sound that's like ... (Woo-hoo-hoo-hoo)
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onaj zvuk koji zvuči poput ... (Woo-ooo)
11:49
(Laughter)
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(Smijeh)
11:52
It's kind of a funny, goofy sound to do.
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To je onaj smiješni zvuk koji čine.
11:58
And sometimes if I have too much coffee,
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I ponekad kad popijem previše kave,
12:00
then my vibrato gets out of hand.
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moj vibrato izmakne kontroli.
12:02
You're really sensitive to your body and its functions
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Jako si osjetljiv na svoje tijelo i njegove funkcije
12:05
when you're behind this thing.
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kad si za tereminom.
12:07
You have to stay so still if you want to have the most control.
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Moraš stajati jako mirno ako želiš najveću kontrolu.
12:10
It reminds me of the balancing act earlier on -- what Michael was doing --
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Podsjeća me na čin ravnoteže koji je prije Michael radio,
12:15
because you're fighting so hard to keep the balance
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jer se boriš tako jako da održiš ravnotežu
12:18
with what you're playing with and stay in tune, and at the same time
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s onim čime sviraš te da ostaneš u tonalitetu i, u isto vrijeme,
12:24
you don't want to focus so much on being in tune all the time;
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ne želiš se toliko usredotočiti na tonalitet svo vrijeme
12:27
you want to be feeling the music.
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jer želiš osjetiti glazbu.
12:30
And then also, you're trying to stay very, very, very still
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I onda, također, pokušavaš stajati jako, jako, jako mirno,
12:34
because little movements with other parts of your body
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jer mali pokreti drugih dijelova tijela utječu na visinu.
12:38
will affect the pitch, or sometimes if you're holding a low note -- (Tone rising out of key) --
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Ili ponekad kad držiš dubok ton
12:45
and breathing will make it ...
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i dišeš, dogodi se ... (Nije više u tonalitetu)
12:48
(Laughter)
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(Smijeh)
12:49
If I pass out on the next song ...
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Ako se onesvijestim na sljedećoj skladbi --
12:52
(Laughter)
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(Smijeh)
12:54
I think of it almost like
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To je definitivno, mislim da je to
12:58
like a yoga instrument because it makes you so aware
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skoro kao instument za jogu jer od njega postanete svjesni
13:01
of every little crazy thing your body is doing,
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svake male ludosti koju vaše tijelo čini,
13:05
or just aware of what you don't want it to be doing
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ili samo onoga što ne želite da čini
13:10
while you're playing; you don't want to have any sudden movements.
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dok svirate, znate, iznenadni pokreti.
13:14
And if I go to a club and play a gig, people are like,
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Ako odem u klub odraditi gažu, ljudi mi kažu:
13:17
"Here, have some drinks on us!"
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“Popij piće, mi častimo!“
13:19
And it's like, "Well, I'm about to go on soon;
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A onda, kao, uskoro ću nastupati;
13:22
I don't want to be like -- (Teetering tones) -- you know?"
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ne želim da bude, kao, znate ... (Zvukovi kolebanja)
13:26
It really does reflect the mood that you're in also,
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To također odražava vaše raspoloženje,
13:29
if you're ...
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ako ste, znate, ako ste --
13:31
it's similar to being a vocalist, except
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to je slično kao kada ste vokalist,
13:34
instead of it coming out of your throat,
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samo što to ne izlazi iz vašeg grla,
13:36
you're controlling it just in the air
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nego to kontrolirate u zraku
13:38
and you don't really have a point of reference;
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i nemate zapravo uporište;
13:41
you're always relying on your ears and adjusting constantly.
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uvijek se oslanjate na svoje uši i stalno prilagođavate.
13:46
You just have to always adjust to what's happening
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Uvijek se morate prilagođavati onomu što se događa
13:48
and realize you'll have bummer notes come here and there
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i shvatiti da ćete ponekad imati strane tonove koji će se pojaviti
13:52
and listen to it, adjust it, and just move on,
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i morate ih slušati, prilagoditi, i ići dalje,
13:55
or else you'll get too tied up and go crazy. Like me.
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inače ćete se previše upetljati i poludjeti. Poput mene.
14:04
I think we will play another tune now.
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Mislim da ću odsvirati još jednu pjesmu sad.
14:09
I'm going to do "Lush Life." It's one of my favorite tunes to play.
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Izvest ću "Lush Life": to je jedna od skladbi koju najviše volim izvoditi.
14:12
(Music)
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(Glazba)
19:02
(Applause)
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(Pljesak)
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