Theremin, the untouchable music | Pamelia Kurstin

406,257 views ใƒป 2008-02-19

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: soulkee JEON ๊ฒ€ํ† : Jinmyeong Jeong
00:12
(Music)
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์—ฐ์ฃผ์ค‘ - "Autumn Leaves"
05:20
(Applause)
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(๋ฐ•์ˆ˜)
05:35
Thank you. Ooh, I'm like, "Phew, phew, calm down. Get back into my body now." (Laughter)
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์ˆจ ์ข€ ๋Œ๋ฆด๊ป˜์š”. ํžˆํžˆ... ์ œ ์ •์‹ ์œผ๋กœ ๋Œ์•„์™€๋ผ...
05:40
Usually when I play out, the first thing that happens is
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์ œ๊ฐ€ ์—ฐ์ฃผํ•  ๋•Œ ์‚ฌ๋žŒ๋“ค์ด ๋จผ์ € ๋ณด์ด๋Š” ๋ฐ˜์‘์€ ๋†€๋žŒ์ž…๋‹ˆ๋‹ค.
05:44
people scream out, "What's she doing?!"
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"์ € ์‚ฌ๋žŒ ์ง€๊ธˆ ๋ญํ•˜๋Š” ๊ฑฐ์•ผ?"
05:47
I'll play at these rock shows, be on stage
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์–ธ์  ๊ฐ€๋Š” ๋ฝ ์ฝ˜์„œํŠธ ๊ฐ™์€ ๋ฌด๋Œ€์—์„œ ์•„๋ฌด๋Ÿฐ ๋ง์—†์ด
05:50
standing completely still, and they're like,
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๊ณ„์† ๊ฐ€๋งŒํžˆ ์›€์ง์ด์ง€ ์•Š๊ณ  ์—ฐ์ฃผ๋งŒ ํ•˜๋‹ค๋ณด๋ฉด
05:52
"What's she doing?! What's she doing?!"
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"์Ÿค ๋ญํ•˜๋Š”๊ฑฐ์•ผ, ์‘? ์Ÿค ์ด์ƒํ•œ๊ฑฐ ํ•ด.." ๋“ฑ๋“ฑ
05:55
And then I'll kind of be like -- (Vvvwow!) -- and then they're like, "Whoa!"
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๊ทธ๋Ÿฌ๋ฉด ๋‚˜๋Š” ์ด๋ ‡๊ฒŒ (๋น„์›…!) ํ•˜์ฃ .
05:59
(Laughter)
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(์›ƒ์Œ)
06:01
I'm sure you're trying to figure out,
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์žฅ๋‹ดํ•˜๋Š”๋ฐ ์ง€๊ธˆ ์ด๋Ÿฐ ์ƒ๊ฐ์„ ํ•˜์‹œ๊ฒ ์ฃ .
06:05
"Well, how does this thing work?"
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"๋„๋Œ€์ฒด ์–ด๋–ป๊ฒŒ ์—ฐ์ฃผํ•˜๋Š” ๊ฑฐ์ง€?"
06:07
Well, what I'm doing is
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์Œ...๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ์–ด... ์•„!
06:11
controlling the pitch with my left hand.
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์™ผ์†์œผ๋กœ ์Œ์˜ ๋†’๋‚ฎ์ด๋ฅผ ์กฐ์ ˆํ•˜๋Š” ๊ฑฐ์—์š”.
06:18
See, the closer I get to this antenna, the higher the note gets --
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์ด ์•ˆํ…Œ๋‚˜์— ๊ฐ€๊นŒ์›Œ์งˆ์ˆ˜๋ก ๊ณ ์Œ์ด ๋‚˜์˜ค๊ณ ์š”.
06:23
(Portamento) --
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(์‹œ๋ฒ”)
06:26
and you can get it really low.
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๊ทธ๋ฆฌ๊ณ  ์ด๋ ‡๊ฒŒ ํ•˜๋ฉด ์ €์Œ์ด ๋‚˜์˜ค์ฃ .
06:28
And with this hand I'm controlling the volume,
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๊ทธ๋ฆฌ๊ณ  ์ด์ชฝ ์†์œผ๋กœ๋Š” ์Œ๋Ÿ‰์„ ์กฐ์ ˆํ•ฉ๋‹ˆ๋‹ค.
06:31
so the further away my right hand gets, the louder it gets.
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์˜ค๋ฅธ์†์ด ์—ฌ๊ธฐ์„œ ๋ฉ€์–ด์งˆ์ˆ˜๋ก ํฐ ์†Œ๋ฆฌ๊ฐ€ ๋‚˜์˜ค๋Š”๊ฑฐ์ฃ .
06:35
(Tones)
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(์‹œ๋ฒ”)
06:38
So basically, with both of your hands
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ๊ธฐ๋ณธ์ ์œผ๋กœ ์–‘์†์„ ๋ชจ๋‘ ์‚ฌ์šฉํ•ด์„œ
06:40
you're controlling pitch and volume and kind of
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์Œ์˜ ๋†’๋‚ฎ์ด์™€ ์Œ๋Ÿ‰์„ ์กฐ์ ˆํ•˜๊ณ 
06:44
trying to create the illusion that you're doing separate notes,
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๊ทธ๋ฆฌ๊ณ  ๊ณ ์Œ๊ณผ ์ €์Œ์„ ์—ฐ์Œ์œผ๋กœ ์ฒ˜๋ฆฌํ•  ์ˆ˜๋„
06:48
when really it's continuously going ...
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์žˆ์–ด์š”. ์ด๋ ‡๊ฒŒ์š”
06:50
(Flourish ... Beep)
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(์‹œ๋ฒ”)
06:54
(Laughter)
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(์›ƒ์Œ)
07:03
Sometimes I startle myself: I'll forget that I have it on,
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๊ฐ€๋”์€ ํ˜ผ์ž ๋†€๋ผ๊ธฐ๋„ ํ•ด์š”. ์ด๊ฒŒ ์ผœ ์žˆ๋‹จ ๊ฑธ ์žŠ์€ ์ฑ„
07:05
and I'll lean over to pick up something,
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๋ญ˜ ์ค๊ธฐ ์œ„ํ•ด ๋ชธ์„ ์ˆ™์ด๋ฉด
07:08
and then it goes like -- (Blip) -- "Oh!"
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์˜ค! ์ด๋Ÿฐ...
07:11
And it's like a funny sound effect that follows you around
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...์ด๋Ÿฐ ์›ƒ๊ธด ์†Œ๋ฆฌ๊ฐ€ ์ฃผ๋ณ€์—์„œ ๋‚˜์ฃ .
07:14
if you don't turn the thing off.
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์ด๊ฑธ ๋„์ง€ ์•Š์•˜์œผ๋‹ˆ๊นŒ์š”.
07:16
(Laughter)
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(์›ƒ์Œ)
07:21
Maybe we'll go into the next tune,
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๋‹ค์Œ ๊ณก์„ ์—ฐ์ฃผํ•ด์•ผ๊ฒ ๋„ค์š”.
07:25
because I totally lost where this is going.
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์ง€๊ธˆ ์ œ๊ฐ€ ๋ญ˜ ๋งํ•ด์•ผ ํ• ์ง€ ๋ชจ๋ฅด๊ฒ ๊ฑฐ๋“ ์š”!
07:29
We're going to do a song by David Mash called "Listen: the Words Are Gone,"
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๋‹ค์Œ ๊ณก์€ David Mash์˜ "Listen, Words Are Gone"์ž…๋‹ˆ๋‹ค.
07:34
and maybe I'll have words come back into me afterwards if I can relax.
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์ด ๊ณก์„ ๋‹ค ์—ฐ์ฃผํ•œ ํ›„์—” ์•„๋งˆ๋„ ํ•  ๋ง์ด ๊ธฐ์–ต๋‚˜์ง€ ์•Š์„๊นŒ ํ•ด์š”.
07:38
(Music)
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์—ฐ์ฃผ์ค‘ - "Listen: the Words Are Gone"
10:32
(Applause)
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(๋ฐ•์ˆ˜)
10:44
So, I'm trying to think of some of the questions
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์‚ฌ๋žŒ๋“ค์ด ์ž์ฃผ ๋ฌผ์–ด๋ณด๋Š” ์งˆ๋ฌธ์„ ์ƒ๊ฐํ•ด๋‚ด๋Š” ์ค‘์ด์—์š”.
10:47
that are commonly asked; there are so many.
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์—„์ฒญ ๋งŽ๋”๋ผ๊ณ ์š”.
10:49
And ... Well, I guess I could tell you
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๊ทธ๋ž˜์„œ ๊ทธ๋ƒฅ ํ…Œ๋ ˆ๋ฏผ์— ๋Œ€ํ•œ ์—ญ์‚ฌ๋ฅผ
10:52
a little of the history of the theremin.
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์งง๊ฒŒ ์„ค๋ช…ํ•˜๋ ค๊ตฌ์š”.
10:54
It was invented around the 1920s, and the inventor, Lรฉon Theremin
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์ด๊ฑด 1920๋…„๋Œ€์— '๋ฆฌ์˜น ํ…Œ๋ ˆ๋ฏผ'์ด๋ผ๋Š” ๋ฐœ๋ช…๊ฐ€์— ์˜ํ•ด ๋ฐœ๋ช…๋˜์—ˆ์–ด์š”.
11:00
-- he also was a musician besides an inventor --
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์‚ฌ์‹ค ๊ทธ๋Š” ๋ฐœ๋ช…๊ฐ€์ด๊ธฐ ์ „์— ์Œ์•…๊ฐ€์˜€์ฃ .
11:05
he came up with the idea for making the theremin,
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๊ทธ๊ฐ€ ํ…Œ๋ ˆ๋ฏผ์„ ๋งŒ๋“ค๋ ค๊ณ  ํ•œ ๋ฐœ์ƒ์€
11:10
I think, when he was working on some shortwave radios.
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๋‹จํŒŒ๋ผ๋””์˜ค์˜ ์‹ ํ˜ธ๋ฅผ ๋งž์ถ”๋‹ค ์ƒ๊ฐ๋‚œ๊ฑฐ๋ž˜์š”.
11:14
And there'd be that sound in the signal -- it's like (Screeching) --
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๊ทธ๊ฑธ๋กœ ์‹ ํ˜ธ๋ฅผ ์žก๋‹ค๋ณด๋‹ˆ ์ด๋Ÿฐ ์†Œ๋ฆฌ๊ฐ€ ๋‚œ๊ฑฐ์—์š”.
11:17
and he thought, "Oh, what if I could control that sound
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๋Š” '์˜ค, ์ด๋Ÿฐ ์†Œ๋ฆฌ์—๋„ ๋†’๋‚ฎ์ด๊ฐ€ ์žˆ๊ตฐ.
11:21
and turn it into an instrument, because there are pitches in it."
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๊ทธ๋ ‡๋‹ค๋ฉด ์ด๋Ÿฐ ์†Œ๋ฆฌ๋กœ ์—ฐ์ฃผ๋ฅผ ํ•  ์ˆ˜๋„ ์žˆ๊ฒ ๋„ค.'
11:25
And so somehow through developing that,
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๋ญ... ์ด๋Ÿฐ ์ƒ๊ฐ์œผ๋กœ ์ด๊ฑธ ๋งŒ๋“ค๊ธฐ ์‹œ์ž‘ํ•ด์š”.
11:28
he eventually came to make the theremin the way it is now.
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๊ฒฐ๊ณผ์ ์œผ๋กœ ๊ทธ๋Š” ์˜ค๋Š˜๋‚ ๊ณผ ๊ฐ™์€ ํ…Œ๋ ˆ๋ฏผ์„ ๋งŒ๋“ค๊ฒŒ ๋œ๊ฑฐ์ฃ .
11:35
And a lot of times, even kids nowadays,
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์š”์ƒˆ ์•„์ด๋“ค๋„ ์ž์ฃผ '์šฐํ›„ํ›„ํ›„์šฐ' ๊ฑฐ๋ฆฌ๋ฉฐ
11:39
they'll make reference to a theremin by going, "Whoo-hoo-hoo-hoo,"
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ํ…Œ๋ ˆ๋ฏผ์„ ๋”ฐ๋ผํ•˜๋Š” ์†Œ๋ฆฌ๋ฅผ ๋‚ด์š”.
11:43
because in the '50s it was used in the sci-fi horror movies,
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์™œ๋ƒํ•˜๋ฉด 50๋…„๋Œ€์— ์ด๊ฑด ๊ณตํฌ์˜ํ™”์˜ ํšจ๊ณผ์Œ์œผ๋กœ ์‚ฌ์šฉ๋๊ฑฐ๋“ ์š”.
11:45
that sound that's like ... (Woo-hoo-hoo-hoo)
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์ด ์†Œ๋ฆฌ๊ฐ€ ์ข€ ๊ทธ๋ ‡์ž–์•„์š”..(์šฐ...)
11:49
(Laughter)
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(์›ƒ์Œ)
11:52
It's kind of a funny, goofy sound to do.
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์–ด์จŒ๋“  ๋ญ ์ด๋Ÿฐ ์ข€ ์›ƒ๊ธด ์†Œ๋ฆฌ๋ฅผ ๋งŒ๋“ค์ฃ .
11:58
And sometimes if I have too much coffee,
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๊ทธ๋ฆฌ๊ณ  ์–ด์ฉŒ๋‹ค ์ปคํ”ผ๋ฅผ ๋„ˆ๋ฌด ๋งˆ์…”์„œ
12:00
then my vibrato gets out of hand.
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๋–จ๋ฆผ์Œ ํ‘œํ˜„์ด ํ†ต์ œ ๋ถˆ๋Šฅ์ด ๋˜๊ธฐ๋„ ํ•œ๋‹ต๋‹ˆ๋‹ค.
12:02
You're really sensitive to your body and its functions
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์ด ์•…๊ธฐ ๋’ค์— ์žˆ๋‹ค๋ณด๋ฉด
12:05
when you're behind this thing.
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์ž์‹ ์˜ ๋ชธ๊ณผ ์•…๊ธฐ์˜ ๊ธฐ๋Šฅ์— ๊ต‰์žฅํžˆ ๋ฏผ๊ฐํ•ด์ ธ์š”.
12:07
You have to stay so still if you want to have the most control.
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์—ฐ์ฃผ๋ฅผ ์ •ํ™•ํžˆ ํ•˜๊ณ  ์‹ถ๋‹ค๋ฉด ์ •๋ง ๊ฐ€๋งŒํžˆ ์žˆ์–ด์•ผํ•ด์š”.
12:10
It reminds me of the balancing act earlier on -- what Michael was doing --
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์•„๊นŒ ๋งˆ์ดํด์ด ํ–ˆ๋˜ ๊ท ํ˜• ์œ ์ง€ ์ž์„ธ๊ฐ€ ๋– ์˜ค๋ฅด๋Š”๋ฐ์š”.
12:15
because you're fighting so hard to keep the balance
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์™œ๋ƒํ•˜๋ฉด ์Œ์ •๊ณผ ์Œ๋Ÿ‰์˜ ๊ท ํ˜•์„
12:18
with what you're playing with and stay in tune, and at the same time
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๊ณ„์† ์œ ์ง€ํ•ด์•ผ ํ•˜์ง€๋งŒ, ๋˜ ๋™์‹œ์—
12:24
you don't want to focus so much on being in tune all the time;
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์ •ํ™•ํ•œ ์Œ์ •์„ ์ง€ํ‚ค๋Š” ๊ฒƒ์—๋งŒ ์น˜์ค‘ํ•˜๊ธฐ ์‹ซ์œผ๋‹ˆ๊นŒ์š”.
12:27
you want to be feeling the music.
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๊ทธ๋ƒฅ ์Œ์•…์„ ๋Š๋ผ๊ณ  ์‹ถ์ž–์•„์š”.
12:30
And then also, you're trying to stay very, very, very still
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๊ทธ๋Ÿฐ๋ฐ ์ •๋ง ์ •๋ง ์ •๋ง ๊ฐ€๋งŒํžˆ ์žˆ์–ด์•ผ ํ•˜์ฃ .
12:34
because little movements with other parts of your body
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์™œ๋ƒํ•˜๋ฉด ์–ด๋–ค ์‹ ์ฒด ์ผ๋ถ€๋ถ„์˜ ์ž‘์€ ์›€์ง์ž„์ด
12:38
will affect the pitch, or sometimes if you're holding a low note -- (Tone rising out of key) --
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์Œ์˜ ๋†’๋‚ฎ์ด๋ฅผ ๋ฐ”๊พธ๊ณ ,
12:45
and breathing will make it ...
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๋งŒ์•ฝ ๋‚ฎ์€ ์Œ์„ ์žก๊ณ , ์ˆจ์„ ์ด๋ ‡๊ฒŒ ๋‚ด์‰ฌ๋ฉด... (์Œ์ • ์ดํƒˆ)
12:48
(Laughter)
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(์›ƒ์Œ)
12:49
If I pass out on the next song ...
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๋‹ค์Œ ๊ณก์„ ํ•˜๋‹ค ๊ธฐ์ ˆํ•˜๋ฉด.. ์ˆจ ์ฐธ๋‹ค๊ฐ€ ๊ทธ๋Ÿฐ๊ฑฐ์—์š”.
12:52
(Laughter)
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(์›ƒ์Œ)
12:54
I think of it almost like
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ํ•˜์ง€๋งŒ ํ™•์‹คํžˆ ์ด๊ฒŒ ์š”๊ฐ€์— ์“ฐ์ด๋Š” ์•…๊ธฐ์™€
12:58
like a yoga instrument because it makes you so aware
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๋น„์Šทํ•˜๋‹ค๊ณ  ์ƒ๊ฐ๋˜์š”. ์™œ๋ƒํ•˜๋ฉด ์ด๊ฑธ ์—ฐ์ฃผํ•˜๋‹ค๋ณด๋ฉด
13:01
of every little crazy thing your body is doing,
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๊ฐ‘์ž๊ธฐ ์ด๊ฒŒ ์—ฌ๋Ÿฌ๋ถ„์ด ํ•˜๊ณ  ์žˆ๋Š”
13:05
or just aware of what you don't want it to be doing
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๋ชจ๋“  ํ–‰๋™ ํ•˜๋‚˜ํ•˜๋‚˜๋ฅผ ๋ช…ํ™•ํžˆ ์งš์–ด์ฃผ๊ณ ,
13:10
while you're playing; you don't want to have any sudden movements.
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์—ฌ๋Ÿฌ๋ถ„์ด ํ•˜๊ณ  ์‹ถ์ง€ ์•Š์•„ ํ•˜๋Š” ๋ชจ๋“  ๊ฑธ ์•Œ๋ ค์ฃผ๊ฑฐ๋“ ์š”.
13:14
And if I go to a club and play a gig, people are like,
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๊ทธ๋ฆฌ๊ณ  ํด๋Ÿฝ์— ๊ฐ€์„œ ์—ฐ์ฃผ๋ฅผ ํ•˜๋ฉด ์‚ฌ๋žŒ๋“ค์ด
13:17
"Here, have some drinks on us!"
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"์ €ํฌ๊ฐ€ ์‚ด๊ฒŒ์š”, ํ•œ ์ž” ํ•˜์„ธ์š”!"
13:19
And it's like, "Well, I'm about to go on soon;
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๊ทธ๋Ÿผ ์ „ "์•„ ์ด์ œ ๊ณง ์—ฐ์ฃผ ๋“ค์–ด๊ฐ€์•ผํ•ด์„œ..
13:22
I don't want to be like -- (Teetering tones) -- you know?"
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์ด๋Ÿฐ์‹์œผ๋กœ (๋ถˆ์•ˆ์ •ํ•œ ์Œ) ํ•˜๊ธด ์‹ซ์œผ๋‹ˆ๊นŒ..."
13:26
It really does reflect the mood that you're in also,
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์ด๊ฑด ์ •๋ง ์—ฐ์ฃผ์ž์˜ ๊ธฐ๋ถ„์„ ๋ฐ˜์˜ํ•˜๋Š” ๊ฒƒ ๊ฐ™์•„์š”.
13:29
if you're ...
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๋งˆ์น˜, ๋ญ๋ž„๊นŒ
13:31
it's similar to being a vocalist, except
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๋…ธ๋ž˜๋ฅผ ๋ถ€๋ฅด๋Š” ๊ฒƒ๊ณผ ๋น„์Šทํ•ด์š”.
13:34
instead of it coming out of your throat,
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๊ทธ๊ฒŒ ๋‹จ์ง€ ๋ชฉ์†Œ๋ฆฌ๋กœ ๋‚˜์˜ค๋Š” ๊ฒŒ ์•„๋‹Œ ๊ฒƒ ๋ฟ์ด์ฃ .
13:36
you're controlling it just in the air
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ํ—ˆ๊ณต์—์„œ ์ปจํŠธ๋กค์„ ํ•˜๋Š” ๊ฒƒ์ด์ฃ .
13:38
and you don't really have a point of reference;
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๊ทธ๋ฆฌ๊ณ  ๋ญ”๊ฐ€ ๊ธฐ์ค€์ด ๋˜๋Š” ์ ๋„ ์—†๊ตฌ์š”,
13:41
you're always relying on your ears and adjusting constantly.
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ํ•ญ์ƒ ๊ท€์— ์˜์กดํ•˜๋ฉด์„œ ๊ณ„์† ์กฐ์ ˆ์„ ํ•ด์ค˜์•ผ ํ•˜๋Š”๊ฑฐ์ฃ .
13:46
You just have to always adjust to what's happening
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ํ•ญ์ƒ ์ƒํ™ฉ์— ๋”ฐ๋ผ ๋งž์ถฐ์ค˜์•ผ ํ•˜๊ณ ,
13:48
and realize you'll have bummer notes come here and there
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์˜๋„์น˜ ์•Š์€ ์Œ๋“ค์ด ์—ฌ๊ธฐ ์ €๊ธฐ์„œ ๋‚œ๋‹ค๋Š” ๊ฒƒ์„ ์•Œ์•„์•ผ ํ•˜๊ตฌ์š”.
13:52
and listen to it, adjust it, and just move on,
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๊ณ„์† ๋“ฃ๊ณ , ์กฐ์ ˆํ•˜๊ณ , ๋‚˜์•„๊ฐ€๋Š”๊ฑฐ์ฃ .
13:55
or else you'll get too tied up and go crazy. Like me.
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์•ˆ ๊ทธ๋Ÿฌ๋ฉด ๋„ˆ๋ฌด ์—ฌ๊ธฐ์— ์–ฝ๋งค์—ฌ์„œ ๋ฏธ์ณ๋ฒ„๋ฆด ๊ฑฐ์—์š”. ๋งˆ์น˜ ์ €์ฒ˜๋Ÿผ์š”.
14:04
I think we will play another tune now.
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ํ•˜๋‚˜ ๋” ์—ฐ์ฃผํ•ด๋ด๋„ ๋  ๊ฒƒ ๊ฐ™๋„ค์š”.
14:09
I'm going to do "Lush Life." It's one of my favorite tunes to play.
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"Lush Life"๋ผ๋Š” ๊ณก์„ ํ• ๊ฒŒ์š”. ์ œ๊ฐ€ ์ œ์ผ ์ข‹์•„ํ•˜๋Š” ๊ฒƒ ์ค‘ ํ•˜๋‚˜์—์š”.
14:12
(Music)
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์—ฐ์ฃผ์ค‘ - "Lush Life"
19:02
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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