Why we must stop dancing to the sound of our own oppression | Madame Gandhi
30,238 views ・ 2020-09-09
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譯者: Lilian Chiu
審譯者: Adrienne Lin
00:13
So often,
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通常,我會去上健身課程,
00:15
I'll take a fitness class,
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00:17
or I'll go to a music venue,
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或者去參加音樂活動,
00:19
or, really, anywhere that plays
music in the background,
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或到任何播放著背景音樂的地方,
00:23
and I'll find myself loving the rhythms
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接著我會發現我很喜歡那些節奏、
00:26
and the melodies and the beats ...
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旋律,以及節拍……
00:29
And then I take a second
to listen to the lyrics,
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然後,我會花點時間去聽歌詞,
00:31
lyrics that, for example,
place us in a position of subservience
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有的歌詞講的是女性屈從的立場,
00:35
that we would never tolerate
in any other context.
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這是在任何其他情況下
我們都不會容許的。
00:38
And I'm aghast at the degree to which
we normalize sexism in our culture.
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我無法置信,在我們的文化中,
性別偏見被正常化到了這種程度。
00:43
I listen to this music and I'm like,
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我聽著這些音樂,心想,
00:45
I don't want to have to turn up
to the sound of my own oppression.
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我不想被迫助長這種壓迫我的聲音。
00:48
You know, music is one of the most
powerful forms of communication,
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要知道,音樂
是最強大的溝通形式之一,
00:54
because it has the potential
to either uplift or oppress.
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因為它有鼓舞的潛力,
也有壓迫的潛力。
00:59
Music caters to the emotions.
Music caters to the soul.
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音樂會迎合情緒。
音樂會迎合靈魂。
01:03
Music opens up our soul.
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音樂會打開我們的靈魂。
01:04
It opens up our channels
to receive information
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它會打開我們的管道,
讓我們接收其他各行各業的資訊,
01:07
about somebody else's walk of life,
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01:09
to inform our own roles.
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給我們的角色更多資訊。
01:11
And while I have no problem
with male fantasy,
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雖然我對男性幻想沒什麼意見,
01:15
what I do have a problem with
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我很介意的卻是,
01:17
is that, according to a recent study,
only 2.6 percent of all music producers
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一項近期研究指出,
只有 2.6% 的音樂製作人是女性。
01:23
identify as women.
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01:24
That means an even smaller percentage
identify as trans or gender nonconforming.
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那就表示,非常規性別者
或變性人的比例就更低了。
01:29
And why does this matter?
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這一點為什麼很重要?
01:31
Because, if we don't own
and control our own narrative,
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因為,如果我們不能擁有、
掌控我們自己說故事的方式,
01:34
somebody else will
tell our stories for us,
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別人會代替我們說我們的故事,
01:38
and they will get it wrong,
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而他們會搞錯,
01:39
perpetuating the very myths
that hold us back.
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會延續那些讓我們
退縮不前的迷思。
01:43
And I'm not here to tell other people
how to make their music.
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我並不是要來告訴其他人
該怎麼做音樂。
01:48
But I am here to provide
and design the alternative.
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我來的目的是要提供、
設計一個替代方案。
01:52
One strategy I take in my music
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我在我的音樂中會採用一種策略,
01:55
is making uplifting, energetic,
percussive global beats
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那就是製作熱力十足、能量滿滿、
不分國界的敲擊樂器節奏,
02:00
and placing lyrics on top of them
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並加上歌詞,
02:02
that genuinely describe
my life's experiences
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這些歌詞真實描述我的人生經歷,
02:05
without contributing
to the oppression of anybody else.
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且不帶有對任何其他人的壓迫。
02:09
It's funny, because it's the same reason
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很有趣 ,我們之所以會原諒
許多其他有問題的歌詞,
02:11
as to why we excuse
so many problematic lyrics;
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也是基於同樣的理由:
02:15
it's because we love
how the beats make us feel.
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因為我們喜歡節奏帶給我們的感覺。
02:19
An example of this is my song
"Top Knot Turn Up."
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我的歌曲《髮髻出現》就是一例。
02:26
(Music: "Top Knot Turn Up")
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(音樂:《髮髻出現》)
02:43
(Sings) I turned off my phone's
notifications so I have more time /
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(唱歌)我關掉手機的通知,
這樣我才有更多時間/
02:47
No bubbles to trouble
my clear state of mind /
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沒有泡泡會來擾亂我清楚的思緒/
02:50
One thing to know,
I'm not here to please /
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要知道一件事,
我來這裡不是要取悅/
02:52
Hair tied up, I do it properly /
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把頭髮綁起來,我做得很妥當/
02:54
My time is not your property /
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我的時間不是你的資產/
02:56
When I'm productive like my ovaries,
eyy! /
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當我和我的卵巢
一樣有生產力,欸/
02:58
Give a grown girl room to breathe,
basic rights and her liberty /
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給成熟的女孩一點呼吸的空間、
基本權利,以及她的自由/
03:01
Free from insecurity
that the world's projecting onto me /
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不受世界投射在
我身上的不安全感影響/
03:05
Please do not trouble me
when I am focused /
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我專心時,請不要打擾我/
未來是女性的天下,你已經知道了/
03:07
The future is female
you already know this /
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03:09
I'm fighting against
the corruption on SCOTUS /
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我在對抗美國最高法庭的腐敗/
03:11
Turned up in my top knot
since when I first wrote this /
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從我最初寫下這些之後,
就帶著我的髮髻出現/
03:15
It's a top knot turn up
It's a top knot turn up, turn up, turn up.
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髮髻出現,髮髻出現,髮髻出現。
03:19
It's a top knot turn up
It's a top knot turn up, turn up, turn up.
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髮髻出現,髮髻出現,髮髻出現。
03:23
It's a top knot turn up
It's a top knot turn up, eyyy.
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髮髻出現,髮髻出現,髮髻出現。
03:26
It's a top knot turn up.
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髮髻出現。
03:28
(Music ends)
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(音樂結束)
03:30
I want us to keep making
sex-positive, beautiful music
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我希望我們能持續製作
在性方面保持正面的美妙音樂,
03:34
about joy and freedom.
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談喜悅,談自由。
03:36
I want us to embrace our own pleasure
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我希望我們能擁抱自己的樂趣,
03:38
just as much as we embrace our own pain.
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如同擁抱我們自己的痛苦。
03:40
I want us to celebrate the authentic,
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我希望我們能讚頌真實的、
03:43
nuanced,
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微妙的、
03:44
multidimensional aspects
of our human existence,
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多維度的人類存在面向,
03:48
rather than perform false narratives
of degrading sexuality
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而不是用虛假的故事來貶低性向,
03:53
in order to feel accepted or loved.
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用這種方式來感受被接納或被愛。
03:56
And another strategy
that I take in my music
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我在我的音樂中還會用另一項策略,
03:59
to combat the misogyny
that exists on the airwaves
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來對抗電波中的厭女議論,
04:02
is to visually depict the very world
I wished we lived in.
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就是以視覺方式描述
我希望我們生活在什麼樣的世界中。
04:05
In the music video
for my song "See Me Thru,"
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我的歌曲《看透我》
是一首很有氣氛的
04:08
which is like a vibe-y,
queer electronic R and B song,
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酷兒電子節奏藍調歌曲,
在它的 MV 中,
04:12
I cast two of my dear friends,
Ania and Dejha,
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我安排了兩位摯友,
艾尼亞和黛加,
04:16
to play the role of the lovers,
because they're married in real life.
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演出一對愛人的角色,
因為她們在現實中已經結婚。
04:20
But what you don't know
is that they also are behind the camera
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但你不知道的是,她們也在幕後,
04:23
concepting and directing
the entire video.
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構想整支影片並擔任導演。
04:28
(Video) Heyyyyy ohhhh
My emotions were tired
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(影片)嘿喔,我的情緒累了。
04:38
Music should be safe
and accessible for all to experience.
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音樂應該是安全的,
讓所有人都可以去體驗的。
04:42
As you can see, it's not about
losing the sex appeal or swag
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各位可以看到,並不是要放棄
音樂本身的性吸引力或自信態度,
04:45
that music has,
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04:46
it's about writing messages
that infuse tenderness and positivity
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重點是寫出來的訊息
要能將溫柔和正能量
04:50
into music that motivates us
and challenges us.
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注入到音樂中,
來鼓舞我們、挑戰我們。
04:53
And while we as musicians
absolutely have the responsibility
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雖然我們音樂家絕對有責任
04:57
to make music that isn't disempowering,
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要製作出不會貶低
別人自信心的音樂,
04:59
the consumers can be
part of the change, too.
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但消費者也能參與改變。
05:02
Firstly, we get to choose
which songs we want to mute
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首先,我們能夠選擇
想把哪些歌曲靜音掉,
05:05
and which songs we want to turn louder.
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把哪些歌曲開大聲一點。
05:06
We get to say, "I respect myself enough
to say I don't want to listen to this,
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我們能說:「我夠尊重我自己,
所以我不想聽這種音樂,
05:10
and I don't want this to be
in anybody else's space, either."
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且我也不希望這種音樂
出現在任何人的空間中。」
05:13
Secondly, we can simply ask ourselves:
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第二,我們可以問問自己:
05:16
"Does this music or this message
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「這種音樂或這種訊息
是否會助長對其他人的壓迫?
05:18
contribute to the oppression
of somebody else?
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我為什麼要容忍它?」
05:20
Why am I tolerating it?"
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05:21
And finally, we can all be choosing
to make playlists or DJ-ing music
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最後,我們在製作音樂播放清單
或當 DJ 播放音樂時,
05:25
that provides the right vibe or mood
that we're looking for in that moment
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都可以選擇能帶來適當氣氛或心情,
05:29
without the problematic messaging.
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同時又不帶有麻煩訊息的音樂。
05:31
Why does this matter?
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這為什麼很重要?
05:32
Because it's teaching algorithms
in our streaming systems and our world
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因為要教導我們的串流
播放系統和我們的世界,
05:36
exactly what it is that
we do want to listen to,
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這就是我們想要聽的音樂,
05:40
creating long-term change
and a feedbacking mechanism
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這樣才能對反饋機制
造成長期的改變,
05:43
that impacts the entire industry.
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才會影響整個產業。
05:45
This is not a message
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這不只是
05:48
for just a small group of people.
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給小眾的訊息。
05:50
This is a message that affects everybody,
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這是會影響到所有人的訊息,
05:53
because when we protect and liberate
our most vulnerable genders,
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因為當我們能投射和解放
我們最弱勢的性別時,
05:57
we liberate everybody.
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我們就是解放了所有人。
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