What makes a poem … a poem? - Melissa Kovacs

3,815,268 views ・ 2017-03-20

TED-Ed


Please double-click on the English subtitles below to play the video.

Prevodilac: Milenka Okuka Lektor: Mile Živković
00:07
Muhammad Ali spent years training to become the greatest boxer
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Muhamed Ali je godinama trenirao da bi postao najveći bokser
00:11
the world had ever seen,
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koga je svet ikad video,
00:13
but only moments to create the shortest poem.
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ali je za nekoliko trenutaka stvorio najkraću pesmu.
00:17
Ali captivated Harvard's graduating class in 1975
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Ali je opčinio klasu diplomaca sa Harvarda 1975.
00:21
with his message of unity and friendship.
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svojom porukom o jedinstvu i prijateljstvu.
00:24
When he finished, the audience wanted more.
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Kada je završio, publika je želela više.
00:27
They wanted a poem.
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Želeli su pesmu.
00:29
Ali delivered what is considered the shortest poem ever.
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Ali je izveo nešto što se smatra najkraćom pesmom ikad napisanom.
00:32
"Me, we."
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"Ja, mi."
00:35
Or is it "me, weeee"?
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Ili je to bilo "ja, mini"?
00:38
No one's really sure.
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Niko zasigurno ne zna.
00:39
Regardless, if these two words are a poem, then what exactly makes a poem a poem?
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Kako god, ako su ove dve reči poezija, onda šta tačno čini pesmu pesmom?
00:45
Poets themselves have struggled with this question,
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Sami pesnici su se borili s ovim pitanjem,
00:48
often using metaphors to approximate a definition.
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često koristeći metafore kako bi se približili definiciji.
00:51
Is a poem a little machine?
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Da li je pesma mali mehanizam?
00:53
A firework?
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Vatromet?
00:54
An echo?
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Eho?
00:55
A dream?
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San?
00:57
Poetry generally has certain recognizable characteristics.
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Poezija uopšteno ima određene prepoznatljive karakteristike.
01:01
One - poems emphasize language's musical qualities.
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Prva - pesme naglašavaju muzički kvalitet jezika.
01:05
This can be achieved through rhyme, rhythm, and meter,
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Ovo može da se postigne putem rime, ritma i metra,
01:08
from the sonnets of Shakepeare,
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od Šekspirovih soneta
01:09
to the odes of Confucius,
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preko Konfučijevih oda
01:11
to the Sanskrit Vedas.
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do Veda iz sanskrita.
01:13
Two - poems use condensed language,
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Druga - pesme koriste jezgrovit jezik,
01:16
like literature with all the water wrung out of it.
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nalik književnosti iz koje je isceđena sva voda.
01:20
Three - poems often feature intense feelings,
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Treća - pesme često sadrže snažna osećanja,
01:23
from Rumi's spiritual poetry
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od Rumijeve duhovne poezije
01:25
to Pablo Neruda's "Ode to an Onion."
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do "Ode luku" Pabla Nerude.
01:29
Poetry, like art itself, has a way of challenging simple definitions.
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Poezija, poput same umetnosti, zna kako da izazove proste definicije.
01:33
While the rhythmic patterns of the earliest poems
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Dok su ritmički obrasci najranijih pesama
01:36
were a way to remember stories even before the advent of writing,
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bili način da se zapamte priče čak i pre pojave pisanja,
01:40
a poem doesn't need to be lyrical.
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pesma ne mora da bude lirska.
01:42
Reinhard Döhl's “Apfel”
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"Apfel" Rajnharda Dola
01:44
and Eugen Gomringer's "silencio"
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i "silencio" Jugena Gomringera
01:46
toe the line between visual art and poetry.
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pomeraju granicu između vizuelne umetnosti i poezije.
U međuvremenu, E. E. Kamings je pisao pesme čiji su oblici podjednako važni
01:50
Meanwhile, E.E. Cummings wrote poems whose shapes were as important
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01:53
as the words themselves,
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kao i same reči,
01:55
in this case amplifying the sad loneliness of a single leaf falling through space.
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u ovom slučaju naglašavajući tužnu usamljenost lista koji pada u prostoru.
02:01
If the visual nature of poetry faded into the background,
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Ako bi se vizuelna priroda poezije stopila sa pozadinom,
02:05
perhaps we'd be left with music,
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možda bi nam preostala muzika,
02:07
and that's an area that people love to debate.
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a to je oblast o kojoj ljudi vole da raspravljaju.
02:10
Are songs poems?
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Jesu li tekstovi pesama poezija?
02:12
Many don't regard songwriters as poets in a literary sense,
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Mnogi ne smatraju kantautore pesnicima u književnom smislu,
02:16
but lyrics from artists like Paul Simon,
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međutim tekstovi umetnika, poput Pola Sajmona,
02:18
Bob Dylan,
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Boba Dilana
02:19
and Tupac Shakur
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i Tupaka Šakura
02:21
often hold up even without the music.
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često mogu da stoje i bez muzike.
02:23
In rap, poet elements like rhyme, rhythm, and imagery
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U repu su pesnički elemeti, poput rime, ritma i slika
02:27
are inseparable from the form.
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neodvojivi od oblika.
02:29
Take this lyric from the Notorious B.I.G.
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Uzmite ovaj tekst Notorijus Biajdžija:
02:32
"I can hear sweat trickling down your cheek
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"Čujem znoj kako niz obraz kaplje ti
02:34
Your heartbeat sound like Sasquatch feet
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Otkucaj srca ti zvuku Saskvačevih stopala naliči
02:37
Thundering, shaking the concrete."
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Grmi, trese beton."
02:39
So far, all the examples we've seen have had line breaks.
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Do sad, svi primeri koje smo videli su imali prelomljene stihove.
02:43
We can even imagine the two words of Ali's poem organizing in the air -
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Možemo čak i da zamislimo dve reči Alijeve pesme kako se sklapaju u vazduhu -
02:48
Me, We.
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Ja, Mi.
02:50
Poetry has a shape that we can usually recognize.
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Poezija ima oblik koji obično možemo da prepoznamo.
02:53
Its line breaks help readers navigate the rhythms of a poem.
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Njeni prelomi stihova pomažu čitaocima da se snađu u ritmu pesme.
02:57
But what if those line breaks disappeared?
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Međutim, šta kad ne bi bilo prelomljenih stihova?
02:59
Would it lose its essence as a poem?
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Da li bi pesma izgubila svoju suštinu?
03:02
Maybe not.
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Možda ne.
03:03
Enter the prose poem.
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Uzmite pesme u prozi.
03:05
Prose poems use vivid images and wordplay
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Prozne pesme koriste živopisne slike i igre rečima,
03:07
but are formatted like paragraphs.
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ali su uobličene kao paragrafi.
03:11
When we look at poetry less as a form and more as a concept,
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Kada posmatramo poeziju manje kao oblik, a više kao koncept,
03:15
we can see the poetic all around us:
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možemo da zapazimo poetičnost svuda oko nas:
03:18
spiritual hymns,
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duhovne himne,
03:19
the speeches of orators like Martin Luther King, Jr.,
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govori govornika, poput Martina Luterka Kinga mlađeg,
03:22
JFK,
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Džona F. Kenedija
03:23
and Winston Churchill,
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i Vinstona Čerčila,
03:24
and surprising places like social media.
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kao i na iznenađujućim mestima, poput društvenih mreža.
03:27
In 2010, journalist Joanna Smith tweeted updates from the earthquake in Haiti.
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Godine 2010. novinarka Džoana Smit je tvitovala novine o zemljotresu na Haitiju.
03:33
"Was in b-room getting dressed when heard my name.
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"Oblačila sam se u sobi kad čula sam mi ime.
03:36
Tremor. Ran outside through sliding door.
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Podrhtavanje. Istrčavam kroz klizeća vrata.
03:38
All still now. Safe. Roosters crowing."
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Sve je sad mirno. Bezbedno. Petlovi kukuriču."
03:42
Smith uses language in a way that is powerful, direct,
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Smit koristi jezik na snažan, direktan način,
03:46
and filled with vivid images.
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s mnogo živopisnih slika.
03:48
Compare her language to a haiku,
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Uporedite njen jezik s haikuom,
03:50
the ancient Japanese poetic form that emphasizes bursts of brief intensity
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drevnim japanskim pesničkim oblikom koji naglašava izlive sažete siline
03:55
with just three lines of five, seven, and five syllables.
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sa svega tri stiha od pet, sedam i pet slogova.
04:00
The waters of poetry run wide and deep.
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Vode poezije teku široko i duboko.
04:03
Poetry has evolved over time,
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Poezija je vremenom evoluirala,
04:05
and perhaps now more than ever,
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danas možda više nego ikad pre,
04:07
the line between poetry, prose, song, and visual art has blurred.
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granica između poezije, proze, pesme i vizuelne umetnosti je zamagljena.
04:12
However, one thing has not changed.
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Međutim, jedno se nije promenilo.
04:15
The word poetry actually began in verb form,
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Reč poezija je zapravo nastala u glagolskom obliku,
04:18
coming from the ancient Greek poiesis, which means to create.
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potiče od antičke grčke reči poesis što znači stvarati.
04:23
Poets, like craftsman, still work with the raw materials of the world
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Pesnici, nalik zanatlijama, i dalje rade sa sirovim materijalom iz sveta
04:28
to forge new understandings
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kako bi skovali nova razumevanja
04:29
and comment on what it is to be human in a way only humans can.
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i zapažanja o tome kako je biti čovek, kako to samo ljudi znaju.
04:36
Dartmouth researchers tested this idea by asking robots to pen poetry.
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Istraživači sa Dartmauta su testirali ovu ideju,
tražeći od robota da napišu poeziju.
04:41
A panel of judges sorted through stacks of sonnets
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Komisija procenitelja je razvrstavala gomile soneta
04:45
to see if they could distinguish those made by man and machine.
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kako bi videli da li mogu da razlikuju koje su napisali ljudi, a koje mašine.
04:49
You may be happy to know that while scientists have successfully
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Možda će vas razveseliti saznanje da dok naučnici uspešno
04:53
used artificial intelligence in manufacturing,
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koriste veštačku inteligenciju u proizvodnji,
04:56
medicine,
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medicini,
04:57
and even journalism,
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pa čak i novinarstvu,
04:58
poetry is a different story.
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poezija je nešto drugo.
05:01
The robots were caught red-handed 100% of the time.
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Roboti su uhvaćeni na delu 100% puta.
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