The history of tattoos - Addison Anderson

2,310,410 views ใƒป 2014-09-18

TED-Ed


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืชืจื’ื•ื: Ido Dekkers ืขืจื™ื›ื”: Tal Dekkers
00:06
Thinking of getting a tattoo?
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ื—ื•ืฉื‘ื™ื ืขืœ ืœืขืฉื•ืช ืงืขืงื•ืข?
00:08
Decorating your birthday suit would add another personal story
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ืงื™ืฉื•ื˜ ื—ืœื™ืคืช ื”ืœื™ื“ื” ืฉืœื›ื ื™ื•ืกื™ืฃ ืขื•ื“ ืกื™ืคื•ืจ ืื™ืฉื™
00:11
to a history of tattoos stretching back at least 8000 years.
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ืœื”ืกื˜ื•ืจื™ื” ืฉืœ ื”ืงืขืงื•ืขื™ื ืฉืžืชืืจื›ืช ืขื“ ืœืคื ื™ 8,000 ืฉื ื”.
00:16
Tattooed mummies from around the world attest to the universality
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ืžื•ืžื™ื•ืช ืžืงื•ืขืงืขื•ืช ืžืกื‘ื™ื‘ ืœืขื•ืœื ืžืขื™ื“ื•ืช ืขืœ ื”ืื•ื ื™ื‘ืจืกืœื™ื•ืช
00:19
of body modification across the millennia,
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ืฉืœ ืฉื™ื ื•ื™ื™ ื’ื•ืฃ ื‘ืžืฉืš ืืœืคื™ ื”ืฉื ื™ื,
00:22
and to the fact that you really were stuck with it forever
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ื•ื”ืขื•ื‘ื“ื” ืฉืืชื ื‘ืืžืช ืชืงื•ืขื™ื ืขื ื–ื” ืœืชืžื™ื“
00:25
if your civilization never got around to inventing laser removal.
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ืื ื”ืชืจื‘ื•ืช ืฉืœื›ื ืžืขื•ืœื ืœื ื”ื’ื™ืขื” ืœื”ืžืฆื™ื ื”ืกืจื” ื‘ืœื™ื™ื–ืจ.
00:29
A mummy from the Chinchorro culture in pre-Incan Peru
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ืœืžื•ืžื™ื” ืžืชืจื‘ื•ืช ืฆ'ื™ื ืฆ'ื•ืจื• ื‘ืคืจื• ืœืคื ื™ ืชืงื•ืคืช ื”ืื™ื ืงื”
00:32
has a mustache tattooed on his upper lip.
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ื™ืฉ ืฉืคื ืžืงื•ืขืงืข ืขืœ ื”ืฉืคื” ื”ืขืœื™ื•ื ื” ืฉืœื•.
00:35
ร–tzi, mummified iceman of the Alps, has patterned charcoal tats along his spine,
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ืœืื•ื˜ื–ื™, ืื™ืฉ ืงืจื— ืฉืงืคื ื‘ืืœืคื™ื, ื”ื™ื• ืงืขืงื•ืขื™ื ื‘ืฆื‘ืข ืคื—ื ืœืื•ืจืš ืขืžื•ื“ ื”ืฉื“ืจื” ืฉืœื•,
00:40
behind his knee and around his ankles,
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ืžืื—ื•ืจื™ ื”ื‘ืจื›ื™ื™ื ืฉืœื• ื•ืกื‘ื™ื‘ ื”ืงืจืกื•ืœื™ื ืฉืœื•,
00:42
which might be from an early sort of acupuncture.
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ืฉืื•ืœื™ ื”ื™ื• ืžืกื•ื’ ืžื•ืงื“ื ืฉืœ ืืงื•ืคื•ื ืงื˜ื•ืจื”.
00:46
The mummy of Amunet, a priestess in Middle Kingdom Egypt,
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ืœืžื•ืžื™ื” ืฉืœ ืืžื•ื ื˜, ื›ื•ื”ื ืช ื‘ืžืžืœื›ื” ื”ืžืจื›ื–ื™ืช ืฉืœ ืžืฆืจื™ื,
00:49
features tattoos thought to symbolize sexuality and fertility.
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ื”ื™ื• ืงืขืงื•ืขื™ื ืฉื›ื ืจืื” ืกื™ืžืœื• ืžื™ื ื™ื•ืช ื•ืคื•ืจื™ื•ืช.
00:53
Even older than the mummies,
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ืืคื™ืœื• ืขืชื™ืงื™ื ื™ื•ืชืจ ืžื”ืžื•ืžื™ื•ืช,
00:54
figurines of seemingly tattooed people,
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ื“ืžื•ื™ื•ืช ืฉืœ ืื ืฉื™ื ืฉื ืจืื™ื ืžืงื•ืขืงืขื™ื,
00:56
and tools possibly used for tattooing date back tens of thousands of years.
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ื•ื›ืœื™ื ืฉื›ื ืจืื” ืฉื™ืžื•ืฉื• ืœืงืขืงื•ืข ืžืœืคื ื™ ืขืฉืจื•ืช ืืœืคื™ ืฉื ื™ื.
01:02
Tattoos don't have one historical origin point that we know of,
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ืœืงืขืงืขื™ื ืื™ืŸ ืžืงื•ืจ ื”ืกื˜ื•ืจื™ ื™ื—ื™ื“ ืฉืื ื—ื ื• ื™ื•ื“ืขื™ื ืขืœื™ื•,
01:05
but why do we English speakers call them all tattoos?
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ืื‘ืœ ืœืžื” ืื ื—ื ื• ื“ื•ื‘ืจื™ ื”ืื ื’ืœื™ืช ืงื•ืจืื™ื ืœื”ื ื˜ืื˜ื•?
01:09
The word is an anglophonic modification of "tatao,"
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ื”ืžื™ืœื” ื”ื™ื ืฉื™ื ื• ืื ื’ืœื•ืคื•ื ื™ ืฉืœ "ื˜ื˜ืื•,"
01:12
a Polynesian word used in Tahiti,
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ืžื™ืœื” ืคื•ืœื™ื ื–ื™ืช ืฉื”ื™ืชื” ื‘ืฉื™ืžื•ืฉ ื‘ื˜ื”ื™ื˜ื™,
01:14
where English captain James Cook landed in 1769
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ืœืฉื ื”ืงืคื˜ืŸ ื”ืื ื’ืœื™ ื’'ื™ื™ืžืก ืงื•ืง ื”ื’ื™ืข ื‘ 1769
01:18
and encountered heavily tattooed men and women.
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ื•ื ืคื’ืฉ ื‘ืื ืฉื™ื ืžืงื•ืขืงืขื™ื ื‘ื›ื‘ื“ื•ืช.
01:21
Stories of Cook's findings and the tattoos his crew acquired
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ืกื™ืคื•ืจื™ื ืขืœ ื”ืžืžืฆืื™ื ืฉืœ ืงื•ืง ื•ื”ืงืขืงื•ืขื™ื ืฉื”ืฆื•ื•ืช ืฉืœื• ืขืฉื•
01:24
cemented our usage of "tattoo" over previous words like
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ื”ืฉืจื™ืฉื• ืืช ื”ืฉื™ืžื•ืฉ ืฉืœื ื• ื‘ืžื™ืœื” "ื˜ืื˜ื•" ื‘ืžืงื•ื ืžื™ืœื™ื ืงื•ื“ืžื•ืช ื›ืžื•
01:27
"scarring," "painting," and "staining,"
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"ืฆื™ืœื•ืง," "ืฆื™ื•ืจ," ื•ื”ื›ืชืžื”,"
01:30
and sparked a craze in Victorian English high society.
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ื•ื”ืฆื™ืชื• ืฉื™ื’ืขื•ืŸ ื‘ื—ื‘ืจื” ื”ื’ื‘ื•ื”ื” ืฉืœ ืื ื’ืœื™ื” ื”ื•ื™ืงื˜ื•ืจื™ืื ื™ืช.
01:33
We might think of Victorians having Victorian attitudes
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ืื ื—ื ื• ืื•ืœื™ ื—ื•ืฉื‘ื™ื ืขืœ ื”ื•ื™ืงื˜ื•ืจื™ืื ื™ื ืฉื™ืฉ ืœื”ื ื’ื™ืฉื” ื•ื™ืงื˜ื•ืจืื ื™ืช
01:36
about such a risque thing,
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ื‘ื ื•ื’ืข ืœื“ื‘ืจื™ื ืžืกื•ื›ื ื™ื.
01:39
and you can find such sentiments, and even bans, on tattooing throughout history.
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ื•ืืชื ื™ื›ื•ืœื™ื ืœืžืฆื•ื ืกื ื˜ื™ืžื ื˜ื™ื, ื•ืืคื™ืœื• ื—ืจืžื•ืช, ืขืœ ืงืขืงื•ืขื™ื ื‘ื”ืกื˜ื•ืจื™ื”.
01:43
But while publicly some Brits looked down their noses at tattoos,
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ืื‘ืœ ื‘ืขื•ื“ ื›ืžื” ื‘ืจื™ื˜ื™ื ื–ืœื–ืœื• ื‘ืงืขืงื•ืขื™ื,
01:46
behind closed doors and away from their noses,
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ืžืื—ื•ืจื™ ื“ืœืชื•ืช ืกื’ื•ืจื•ืช ื•ื”ืจื—ืง ืžืืคื,
01:49
lots of people had them.
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ื”ืจื‘ื” ืื ืฉื™ื ืขืฉื• ืื•ืชื.
01:51
Reputedly, Queen Victoria had a tiger fighting a python,
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ื”ื™ื” ื™ื“ื•ืข, ืฉืœืžืœื›ื” ื•ื™ืงื˜ื•ืจื™ื” ื”ื™ื” ื˜ื™ื’ืจื™ืก ื ืœื—ื ื‘ืคื™ืชื•ืŸ,
01:55
and tattoos became very popular among Cook's fellow soldiers,
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ื•ืงืขืงื•ืขื™ื ื”ืคื›ื• ืœืžืื•ื“ ืคื•ืคื•ืœืจื™ื™ื ื‘ืจื—ื‘ื™ ื”ื—ื™ื™ืœื™ื ื”ืขืžื™ืชื™ื ืฉืœ ืงื•ืง,
01:59
who used them to note their travels.
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ืฉื”ืฉืชืžืฉื• ื‘ื”ื ื›ื“ื™ ืœืกืžืœ ืืช ื”ืžืกืขื•ืช ืฉืœื”ื.
02:01
You crossed the Atlantic? Get an anchor.
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ื—ืฆื™ืชื ืืช ื”ืื˜ืœื ื˜ื™? ืฆื™ื™ืจื• ืขื•ื’ืŸ.
02:03
Been south of the Equator? Time for your turtle tat.
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ื”ื™ื™ืชื ื“ืจื•ืžื™ืช ืœืงื• ื”ืžืฉื•ื•ื”? ื”ื’ื™ืข ื”ื–ืžืŸ ืœืงืขืงื•ืข ืฉืœ ืฆื‘.
02:07
But Westerners sported tattoos long before meeting
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ืื‘ืœ ืžืขืจื‘ื™ื™ื ืงืขืงืขื• ื”ืจื‘ื” ืœืคื ื™ ื”ืคื’ื™ืฉื”
02:09
the Samoans and Maori of the South Pacific.
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ืขื ื”ืกืžื•ืื™ื ื•ื”ืžืื•ืจื™ื ืฉืœ ื“ืจื•ื ื”ืคืกื™ืคื™.
02:12
Crusaders got the Jerusalem Cross so if they died in battle,
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ืฆืœื‘ื ื™ื ืงืขืงืขื• ืืช ืฆืœื‘ ื™ืจื•ืฉืœื™ื ื›ืš ืฉืื ื™ืžื•ืชื• ื‘ืงืจื‘,
02:15
they'd get a Christian burial.
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ื”ื ื™ืงื‘ืœื• ืงื‘ื•ืจื” ื ื•ืฆืจื™ืช.
02:18
Roman soldiers on Hadrian's Wall had military tattoos
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ืœื—ื™ื™ืœื™ื ืจื•ืžืื™ื ืขืœ ื—ื•ืžืช ื”ื“ืจื™ืืŸ ื”ื™ื• ืงืขืงื•ืขื™ื ืฆื‘ืื™ื™ื
02:21
and called the Picts beyond it "Picts," for the pictures painted on them.
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ื•ืงืจืื• ืœืคื™ืงื˜ื™ื ืžืขื‘ืจ ืœื”ื "ืคื™ืงื˜ื™ื," ืขืœ ืฉื ื”ืฆื™ื•ืจื™ื ืฉืฆื•ื™ื™ืจื• ืขืœื™ื”ื.
02:26
There's also a long tradition of people being tattooed unwillingly.
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ื™ืฉ ื’ื ืžืกื•ืจืช ืืจื•ื›ื” ืฉืœ ืื ืฉื™ื ืฉืงื•ืขืงืขื• ื‘ื ื™ื’ื•ื“ ืœืจืฆื•ื ื.
02:30
Greeks and Romans tattooed slaves and mercenaries to discourage
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ื™ื•ื•ื ื™ื ื•ืจื•ืžืื™ื ืงื™ืขืงืขื• ืขื‘ื“ื™ื ื•ืฉื›ื™ืจื™ ื—ืจื‘ ื›ื“ื™ ืœืžื ื•ืข
02:33
escape and desertion.
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ื‘ืจื™ื—ื•ืช ื•ืขืจื™ืงื•ืช.
02:35
Criminals in Japan were tattooed as such as far back as the 7th century.
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ืคื•ืฉืขื™ื ื‘ื™ืคืŸ ืงื•ืขืงืขื• ืขื•ื“ ืžื”ืžืื” ื”ืฉื‘ื™ืขื™ืช.
02:40
Most infamously, the Nazis tattooed numbers on the chest or arms
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ื•ื”ื›ื™ ื™ื“ื•ืขื™ื ืœืฉืžืฆื” ื”ื™ื• ื”ื ืืฆื™ื ืฉืงื™ืขืงืขื• ืžืกืคืจ ืขืœ ื”ื—ื–ื” ืื• ื”ื–ืจื•ืข
02:43
of Jews and other prisoners at the Auschwitz concentration camp
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ืฉืœ ื™ื”ื•ื“ื™ื ื•ืืกื™ืจื™ื ืื—ืจื™ื ื‘ืžื—ื ื” ื”ื”ืฉืžื“ื” ืื•ืฉื•ื•ื™ืฅ
02:47
in order to identify stripped corpses.
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ื›ื“ื™ ืœื–ื”ื•ืช ืืช ื”ื’ื•ืคื•ืช ื”ืžื•ืคืฉื˜ื•ืช.
02:50
But tattoos forced on prisoners and outcasts can be redefined
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ืื‘ืœ ืงืขืงืขื•ื™ื ืฉื ื›ืคื• ืขืœ ื”ืืกื™ืจื™ื ื•ื”ืžื ื•ื“ื™ื ื™ื›ื•ืœื™ื ืœื”ื™ื•ืช ืžื•ื’ื“ืจื™ื ืžื—ื“ืฉ
02:53
as people take ownership of that status or history.
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ื›ืฉืื ืฉื™ื ืœื•ืงื—ื™ื ื‘ืขืœื•ืช ืขืœ ื”ืžืขืžื“ ื”ื–ื” ื‘ื”ืกื˜ื•ืจื™ื”.
02:57
Primo Levi survived Auschwitz and wore short sleeves to Germany after the war
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ืคืจื™ืžื• ืœื•ื™ ืฉืจื“ ืืช ืื•ืฉื•ื•ื™ืฅ ื•ืœื‘ืฉ ืฉืจื•ื•ืœื™ื ืงืฆืจื™ื ืœื’ืจืžื ื™ื” ืื—ืจื™ ื”ืžืœื—ืžื”
03:01
to remind people of the crime his number represented.
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ื›ื“ื™ ืœื”ื–ื›ื™ืจ ืœืื ืฉื™ื ืืช ื”ืคืฉืขื™ื ืฉื”ืžืกืคืจ ืฉืœื• ื™ืฆื’.
03:05
Today, some Holocaust survivors' descendants
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ื”ื™ื•ื, ื›ืžื” ืฆืืฆืื™ื ืฉืœ ื ื™ืฆื•ืœื™ ืฉื•ืื”
03:07
have their relatives numbers' tattooed on their arms.
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ื ื•ืฉืื™ื ืืช ื”ืžืกืคืจื™ื ืฉืœ ืงืจื•ื‘ื™ื”ื ืžืงื•ืขืงืขื™ื ืขืœ ื–ืจื•ืขื.
03:10
The Torah has rules against tattoos,
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ื‘ืชื•ืจื” ื™ืฉ ื—ื•ืงื™ื ื ื’ื“ ืงืขืงื•ืขื™ื,
03:12
but what if you want to make indelible what you feel should never be forgotten?
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ืื‘ืœ ืžื” ืื ืืชื ืจื•ืฆื™ื ืœื•ื•ื“ื ืฉืžื” ืฉืืชื ืžืจื’ื™ืฉื™ื ืœืขื•ืœื ืœื ื™ืฉื›ื—?
03:17
And those criminals and outcasts of Japan, where tattooing was eventually outlawed
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ื•ื”ืคื•ืฉืขื™ื ื•ื”ืžื ื•ื“ื™ื ื”ืืœื” ื‘ื™ืคืŸ, ืฉื ืงืขืงื•ืขื™ื ื”ื•ืฆืื• ืžื”ื—ื•ืง ืœื‘ืกื•ืฃ
03:21
from the mid-19th century to just after World War II,
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ืžืืžืฆืข ื”ืžืื” ื” 19 ืขื“ ืื—ืจื™ ืžืœื—ืžืช ื”ืขื•ืœื ื”ืฉื ื™ื”,
03:24
added decoration to their penal tattoos,
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ื”ื•ืกื™ืคื• ืงื™ืฉื•ื˜ื™ื ืœืงืขืงื•ืขื™ ื”ืคืื ืืœ ืฉืœื”ื,
03:27
with designs borrowed from woodblock prints, popular literature
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ืขื ืขื™ืฆื•ื‘ื™ื ืฉื”ื•ืฉืืœื• ืžื”ื“ืคืกื•ืช ืขืฅ, ืกืคืจื•ืช ืคื•ืคื•ืœืจื™ืช
03:30
and mythical spirtual iconography.
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ื•ืื™ืงื•ื ื•ื’ืจืคื™ื” ืจื•ื—ื ื™ืช ืžื™ืชื™ืช.
03:33
Yakuza gangs viewed their outsider tattoos as signs of lifelong loyalty and courage.
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ื›ื ื•ืคื™ื•ืช ื™ืืงื•ื–ื” ืจื•ืื™ื ื‘ืงืขืงื•ืขื™ื ืฉืœื”ื ืกื™ืžืŸ ืœื ืืžื ื•ืช ืœื—ื™ื™ื ื•ืื•ืžืฅ.
03:38
After all, they lasted forever and it really hurt to get them.
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ืื—ืจื™ ื”ื›ืœ, ื”ื ื ืฉืืจื™ื ืœืชืžื™ื“ ื•ื–ื” ื‘ืืžืช ื›ื•ืื‘ ืœืขืฉื•ืช ืื•ืชื.
03:42
For the Maori, those tattoos were an accepted mainstream tradition.
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ืขื‘ื•ืจ ื”ืžืื•ืจื™ื, ื”ืงืขืงื•ืขื™ื ื”ืืœื” ื”ื™ื• ืžืกื•ืจืช ืžืงื•ื‘ืœืช.
03:47
If you shied away from the excruciating chiseling in of your moko design,
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ืื ื ืžื ืขืชื ืžืคื ื™ ื”ื›ืื‘ ื”ื ื•ืจื ืฉืœ ื—ืจื™ื˜ืช ืขื™ืฆื•ื‘ื™ ืžื•ืงื•,
03:51
your unfinished tattoo marked your cowardice.
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ื”ืงืขืงื•ืข ื”ืœื ื’ืžื•ืจ ืฉืœื›ื ืžืขื™ื“ ืขืœ ื”ืคื—ื“ื ื•ืช ืฉืœื›ื.
03:54
Today, unless you go the traditional route,
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ื”ื™ื•ื, ืืœื ืื ืืชื ื‘ื•ื—ืจื™ื ื‘ื“ืจืš ื”ืžืกื•ืจืชื™ืช,
03:56
your tattoo artist will probably use a tattoo machine
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ืื•ืžืŸ ื”ืงืขืงื•ืขื™ื ืฉืœื›ื ื›ื ืจืื” ื™ืฉืชืžืฉ ื‘ืžื›ื•ื ืช ืงืขืงื•ืขื™ื
03:59
based on the one patented by Samuel O'Reilly in 1891,
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ืฉืžืชื‘ืกืกืช ืขืœ ืื—ืช ืฉื”ื•ืฆื ืขืœื™ื” ืคื˜ื ื˜ ืขื™ ื™ื“ื™ ืกืžื•ืืœ ืื•ืจื™ื™ืœื™ ื‘ 1891,
04:04
itself based on Thomas Edison's stencil machine from 1876.
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ื”ื™ื ืžื‘ื•ืกืกืช ืขืœ ืžื›ื•ื ืช ื”ื”ืขืชืงื” ืฉืœ ืชื•ืžืืก ืื“ื™ืกื•ืŸ ืž 1876,
04:09
But with the incredibly broad history of tattoos giving you so many options,
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ืื‘ืœ ืขื ื”ื”ืกื˜ื•ืจื™ื” ื”ืจื—ื‘ื” ืœื”ืคืœื™ื ืฉืœ ืงืขืงื•ืขื™ื ืฉื ื•ืชื ืช ืœื›ื ื›ืœ ื›ืš ื”ืจื‘ื” ืืคืฉืจื•ื™ื•ืช,
04:14
what are you going to get?
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ืžื” ืชืขืฉื•?
04:15
This is a bold-lined expression of who you are,
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ื–ื• ื”ืฆื”ืจื” ื‘ื•ืœื˜ืช ืฉืœ ืžื™ ืฉืืชื,
04:18
or you want to appear to be.
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ืื• ืื™ืš ืฉืืชื ืจื•ืฆื™ื ืœื”ืจืื•ืช.
04:20
As the naturalist aboard Cook's ship said of the tataoed Tahitians,
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ื›ืžื• ืฉื”ื ืจื˜ื•ืจืœื™ืกื˜ ืขืœ ืกืคื™ื ืชื• ืฉืœ ืงื•ืง ืืžืจ ืขืœ ื”ื˜ื”ื™ื˜ื™ื ื”ืžืงื•ืขืงืขื™ื,
04:24
"Everyone is marked, thus in different parts of his body,
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"ื›ื•ืœื ืžืกื•ืžื ื™ื, ื‘ื—ืœืงื™ื ืฉื•ื ื™ื ืฉืœ ื”ื’ื•ืฃ,
04:27
according maybe to his humor or different circumstances of his life."
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ืื•ืœื™ ืœืคื™ ื”ื”ื•ืžื•ืจ ืฉืœื”ื ืื• ื ืกื™ื‘ื•ืช ืฉื•ื ื•ืช ืฉืœ ื”ื—ื™ื™ื ืฉืœื”ื."
04:31
Maybe your particular humor and circumstances
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ืื•ืœื™ ื”ื”ื•ืžื•ืจ ื”ืคืจื˜ื™ ื•ื”ื ืกื™ื‘ื•ืช ืฉืœื›ื
04:34
suggest getting a symbol of cultural heritage,
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ืžืฆื™ืขื™ื ืœื”ื•ืกื™ืฃ ืกืžืœ ืฉืœ ืžืกื•ืจืช ืชืจื‘ื•ืชื™ืช,
04:37
a sign of spirituality, sexual energy,
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ืกื™ืžืŸ ืœืจื•ื—ื ื™ื•ืช, ืื ืจื’ื™ื” ืžื™ื ื™ืช,
04:40
or good old-fashioned avant-garde defiance.
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ืื• ืคืฉื•ื˜ ื”ืชื’ืจื•ืช ืื•ื•ื ื’ืจื“ื™ืช ืคืฉื•ื˜ื”.
04:43
A reminder of a great accomplishment,
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ืชื–ื›ื•ืจืช ืœื”ื™ืฉื’ ื’ื“ื•ืœ,
04:45
or of how you think it would look cool if Hulk Hogan rode a Rhino.
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ืื• ืฉืืชื ื—ื•ืฉื‘ื™ื ืฉื–ื” ื™ืจืื” ืžื’ื ื™ื‘ ืฉื”ืืœืง ื”ื•ื’ืืŸ ื™ืจื›ื‘ ืขืœ ืงืจื ืฃ.
04:49
It's your expression, your body, so it's your call.
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ื–ื• ื”ื”ื‘ืขื” ืฉืœื›ื, ื”ื’ื•ืฃ ืฉืœื›ื, ืื– ื–ื• ื”ื—ืœื˜ื” ืฉืœื›ื.
04:52
Just two rules:
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ืจืง ืฉื ื™ ื—ื•ืงื™ื:
04:54
you have to find a tattooist who won't be ashamed to draw your idea,
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ืืชื ืฆืจื™ื›ื™ื ืœืžืฆื•ื ืžืงืขืงืข ืฉืœื ื™ืชื‘ื™ื™ืฉ ืœืงืขืงืข ืืช ื”ืจืขื™ื•ืŸ ืฉืœื›ื,
04:57
and when in doubt, you can never go wrong with "Mom."
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ื•ื›ืฉื™ืฉ ืกืคืงื•ืช, ืืชื ืœืขื•ืœื ืœื ื™ื›ื•ืœื™ื ืœื˜ืขื•ืช ืขื "ืืžื."
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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