Theaster Gates: How to revive a neighborhood: with imagination, beauty and art

142,774 views ・ 2015-03-26

TED


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譯者: Wink Wong 審譯者: Coco Shen
00:14
I'm a potter,
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我是陶藝家,
00:17
which seems like a fairly humble vocation.
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這是一個感覺相當平凡的職業。
00:21
I know a lot about pots.
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關於陶器我懂很多,
00:24
I've spent about 15 years making them.
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我從事陶器製作已經有15年了。
00:28
One of the things that really excites me in my artistic practice
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我在陶藝訓練成為陶藝家其間,
00:31
and being trained as a potter
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一樣最讓我感到興奮的
00:34
is that you very quickly learn how to make great things out of nothing;
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便是很快學會怎樣把平庸的材質 製作成精美的藝術品;
00:39
that I spent a lot of time at my wheel with mounds of clay trying stuff;
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我在陶輪前花很多時間, 用陶土做各種嘗試;
00:46
and that the limitations of my capacity, my ability,
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限制我的能力和水準的
00:49
was based on my hands and my imagination;
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是我的雙手和想像力;
00:52
that if I wanted to make a really nice bowl
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如果我想做一隻非常精美的碗
00:54
and I didn't know how to make a foot yet,
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但是卻不知道怎樣塑造碗底
00:56
I would have to learn how to make a foot;
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那我就不得不去學習碗底的製作;
00:59
that that process of learning has been very, very helpful to my life.
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這樣的學習過程對我 的生活非常有幫助。
01:04
I feel like, as a potter,
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我覺得,作爲陶器藝人,
01:06
you also start to learn how to shape the world.
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你也需要開始學著去塑造世界。
01:11
There have been times in my artistic capacity
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藝術工作的過程中有許多時候,
01:14
that I wanted to reflect
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讓我想要表達出
01:17
on other really important moments
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一些非常重要的歷史時刻
01:19
in the history of the U.S., the history of the world
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那些在美國歷史或是世界歷史中
01:23
where tough things happened,
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很艱苦的時刻,
01:25
but how do you talk about tough ideas
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可又該怎樣討論這些困難的話題
01:28
without separating people from that content?
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卻不脫離當事的人們呢?
01:32
Could I use art like these old, discontinued firehoses from Alabama,
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我能借用藝術作品,例如這些 來自阿拉巴馬州的廢舊消防水龍
01:37
to talk about the complexities of a moment of civil rights in the '60s?
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來呈現那些60年代民權 複雜的情況嗎?
01:43
Is it possible to talk about my father and I doing labor projects?
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我能否講述父親和我的勞工成績?
01:48
My dad was a roofer, construction guy, he owned small businesses,
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我父親是屋頂技工,建築工人, 同時還做著小生意。
01:52
and at 80, he was ready to retire and his tar kettle was my inheritance.
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他留給我的遺產是 一個瀝青爐。
01:59
Now, a tar kettle doesn't sound like much of an inheritance. It wasn't.
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瀝青爐聽起來算不上是什麽遺產呀。 沒錯,的確不是。
02:03
It was stinky and it took up a lot of space in my studio,
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這東西味道挺大, 還佔掉我工作室許多空間,
02:07
but I asked my dad if he would be willing to make some art with me,
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但我問父親他是否願意 和我一起從事藝術創作,
02:11
if we could reimagine this kind of nothing material
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重塑平庸的材料
02:15
as something very special.
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把它變成特別的作品。
02:18
And by elevating the material and my dad's skill,
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憑藉父親的技術,和把材料升級,
02:21
could we start to think about tar just like clay, in a new way,
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我們能否用新的方式, 把瀝青當作陶土,
02:27
shaping it differently, helping us to imagine what was possible?
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用不同的方式塑造它, 幫我們構想可以製造什麼出來呢?
02:33
After clay, I was then kind of turned on to lots of different kinds of materials,
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用了陶土後,我開始對許多 不同種類的材料感興趣。
02:37
and my studio grew a lot because I thought, well,
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我的工作室也擴大許多, 因為我想
02:40
it's not really about the material, it's about our capacity to shape things.
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其實關鍵不在於材料, 而是我們塑造事物的能力。
02:44
I became more and more interested in ideas
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我對創意越來越有興趣。
02:47
and more and more things that were happening just outside my studio.
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那時在我的工作室外 也有許多事情在發生。
02:53
Just to give you a little bit of context, I live in Chicago.
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先讓各位了解一下背景, 我住在芝加哥。
02:57
I live on the South Side now. I'm a West Sider.
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我現在住在南邊, 我是西邊的人。
03:00
For those of you who are not Chicagoans, that won't mean anything,
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若你們不是芝加哥人, 就不會知道其中的意義。
03:03
but if I didn't mention that I was a West Sider,
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但是如果我不說我是西邊人,
03:06
there would be a lot of people in the city that would be very upset.
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那裡市區的許多人 可能會很不高興。
03:10
The neighborhood that I live in is Grand Crossing.
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我住的區域是「格蘭區」。
03:13
It's a neighborhood that has seen better days.
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那是一個美景不再的區域。
03:16
It is not a gated community by far.
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它不是什麼富裕的社區。
我們附近有許多廢棄的建築,
03:21
There is lots of abandonment in my neighborhood,
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03:24
and while I was kind of busy making pots and busy making art
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當我忙著製作器皿和創造藝術品,
我的藝術生涯正在蓬勃發展,
03:27
and having a good art career,
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就在我的工作室外,
03:29
there was all of this stuff that was happening
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03:31
just outside my studio.
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03:34
All of us know about failing housing markets
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我們都知道房地產市場低迷
03:37
and the challenges of blight,
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以及衰落所帶給它的挑戰,
03:39
and I feel like we talk about it with some of our cities more than others,
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我覺得我們只管談論一些城市 而不太理會其他城市,
03:43
but I think a lot of our U.S. cities and beyond
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但我想還有很多很多美國的城市
03:45
have the challenge of blight,
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都有這種衰退的難題。
03:48
abandoned buildings that people no longer know what to do anything with.
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大家不知道該如何 處理廢棄的建築,
03:52
And so I thought, is there a way that I could start to think
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所以我就想,我是否可以想辦法
03:55
about these buildings as an extension or an expansion of my artistic practice?
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把這些建築變成我的 藝術領域的延伸?
04:00
And that if I was thinking along with other creatives --
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我想與其他有創意的人, 一起集思廣益 --
04:03
architects, engineers, real estate finance people --
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像是建築師,工程師, 房地產金融家 --
04:07
that us together might be able to kind of think
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我們一起可能想出
04:10
in more complicated ways about the reshaping of cities.
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精妙的辦法去重塑這些城市。
04:15
And so I bought a building.
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所以我買下了一座建築物。
04:16
The building was really affordable.
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這座建築很便宜。
04:19
We tricked it out.
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我們把它好好地打扮了一番。
04:21
We made it as beautiful as we could to try to just get some activity happening
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我們想了些辦法, 把它修繕地美輪美奐,
來吸引周邊街區的活動。
04:25
on my block.
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04:27
Once I bought the building for about 18,000 dollars,
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我花了大約一萬八千元 買了這座建築物,
04:30
I didn't have any money left.
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口袋裏一分錢都不剩。
04:32
So I started sweeping the building as a kind of performance.
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所以我開始打掃這個建築, 當做是一種表演。
04:37
This is performance art, and people would come over,
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那是表演藝術, 等人來了之後,
04:40
and I would start sweeping.
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我就開始掃。
04:41
Because the broom was free and sweeping was free.
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因為掃把是免費的, 掃地也是。
04:44
It worked out.
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它奏效了。
04:46
(Laughter)
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(笑聲)
04:48
But we would use the building, then, to stage exhibitions, small dinners,
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那時我們用這個地方做展示場, 小型餐會,
04:54
and we found that that building on my block, Dorchester --
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我們發現我們附近的朵徹斯特 (Dorchester)建築 --
04:58
we now referred to the block as Dorchester projects --
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我們現在稱這條街區為 朵徹斯特計劃 --
05:01
that in a way that building became a kind of gathering site
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這座建築成為了大家聚會的地方,
05:04
for lots of different kinds of activity.
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那裡有許多不同種類的活動。
05:06
We turned the building into what we called now the Archive House.
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我們將那建築變成我們現在稱為 「檔案樓」的地方。
05:11
The Archive House would do all of these amazing things.
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「檔案樓」可以舉辦許多令人驚嘆的事情。
05:14
Very significant people in the city and beyond
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城中無數的達官貴人,
05:17
would find themselves in the middle of the hood.
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會來到這裏。
那時,我覺得
05:20
And that's when I felt like
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或許我做陶藝的經歷
05:22
maybe there was a relationship between my history with clay
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05:25
and this new thing that was starting to develop,
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和這裏所發生的變化有關聯
05:28
that we were slowly starting
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這種新變化慢慢地開始重塑
05:30
to reshape how people imagined the South Side of the city.
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人們對芝加哥南區的印象。
05:35
One house turned into a few houses,
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從一間房子到許多間房子,
05:37
and we always tried to suggest
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我們一直認爲,
05:40
that not only is creating a beautiful vessel important,
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創造一個美麗的外表重要,
05:44
but the contents of what happens in those buildings is also very important.
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但是在這些建築的內涵 也非常重要。
05:47
So we were not only thinking about development,
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所以我們不是只着眼於發展,
05:50
but we were thinking about the program,
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而且同時也想制定計劃,
05:52
thinking about the kind of connections that could happen
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想有那些連繫可能發生於
05:56
between one house and another, between one neighbor and another.
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一個房子跟著另一個房子之間, 或鄰里互相之間
這個建物我們後來稱 它為「聆聽屋」,
06:02
This building became what we call the Listening House,
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06:05
and it has a collection of discarded books
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它收藏了一批強生印刷公司
06:08
from the Johnson Publishing Corporation,
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丟棄的書本,
06:11
and other books from an old bookstore that was going out of business.
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以及其他從一個 倒閉的老書店的書。
06:15
I was actually just wanting to activate these buildings as much as I could
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我其實就是要讓這些建築 盡可能活動起來。
06:19
with whatever and whoever would join me.
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以任何方式與任何願意參與的人。
06:23
In Chicago, there's amazing building stock.
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芝加哥有一座令人驚奇的建築物。
06:26
This building, which had been the former crack house on the block,
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這個建築以前是這附近的吸毒屋,
06:30
and when the building became abandoned,
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當這個建築物被棄置後,
06:33
it became a great opportunity to really imagine what else could happen there.
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它做就了一個好機會讓人猜想 有什麼別的可以在那裡發生。
06:37
So this space we converted into what we call Black Cinema House.
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我們於是把這個地方變成 今日所謂的「黑色電影屋」。
06:41
Black Cinema House was an opportunity in the hood to screen films
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「黑色電影屋」讓這隣近地方可以放映電影,
06:45
that were important and relevant to the folk who lived around me,
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對於住在我附近的人 很重要和有意義。
06:49
that if we wanted to show an old Melvin Van Peebles film, we could.
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如果我們想放映一部 梅爾文·凡·皮布爾斯的老片,我們就放。
06:53
If we wanted to show "Car Wash," we could.
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如果我們想放映「洗車場」, 我們就放映。
06:56
That would be awesome.
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那多棒。
06:57
The building we soon outgrew,
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那座建築很快就不夠用了,
07:00
and we had to move to a larger space.
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我們只有搬到另一處更大的。
07:03
Black Cinema House, which was made from just a small piece of clay,
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黑色電影屋本來 只是一小塊陶土做的,
07:07
had to grow into a much larger piece of clay, which is now my studio.
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成為一個很大塊陶土, 就是我現在的工作室。
07:14
What I realized was that for those of you who are zoning junkies,
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我發現你們那些分區狂,
07:18
that some of the things that I was doing
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我所做的一些事
07:20
in these buildings that had been left behind,
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在那些被遺忘的建築裡,
07:23
they were not the uses by which the buildings were built,
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不是以原來建築的使用目的 而使用,
07:27
and that there are city policies that say,
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有城市法規說,
07:29
"Hey, a house that is residential needs to stay residential."
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「設定為住宅地建築物只能 住宅使用」。
07:33
But what do you do in neighborhoods when ain't nobody interested in living there?
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但是如果沒有人有興趣住在那裡的話, 那些建築怎麼辦呢?
07:38
That the people who have the means to leave have already left?
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有能力搬走的已經搬走了。
07:42
What do we do with these abandoned buildings?
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我們如何處理這些 被遺棄的建築物呢?
07:44
And so I was trying to wake them up using culture.
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所以我嘗試以文化來喚醒它們。
07:47
We found that that was so exciting for folk,
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我們發現大家都很興奮,
07:50
and people were so responsive to the work, that we had to then find bigger buildings.
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許多人積極參與我們的活動, 以致於我們必須找更大的建築物。
07:55
By the time we found bigger buildings,
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等到我們找到了更大的建物,
07:57
there was, in part, the resources necessary to think about those things.
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那裡就會有我們必須 思考的必要資源
08:01
In this bank that we called the Arts Bank, it was in pretty bad shape.
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我們稱為「藝術銀行」的狀況 曾經很不好,
08:05
There was about six feet of standing water.
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那裡之前有六呎深的積水。
08:09
It was a difficult project to finance,
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那是一個很難獲得資釒的案子,
08:11
because banks weren't interested in the neighborhood
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因為銀行對這個地區沒有興趣。
08:14
because people weren't interested in the neighborhood
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因為人們對這個地區沒有興趣
08:16
because nothing had happened there.
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因為那裏沒有任何動靜。
08:18
It was dirt. It was nothing. It was nowhere.
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只有灰塵,沒有其他, 什麼都沒有。
08:22
And so we just started imagining, what else could happen in this building?
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所以我們開始想像, 在這個建物可以做什麼?
08:28
(Applause)
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(掌聲)
08:33
And so now that the rumor of my block has spread,
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那時有關這個地方的謠言傳出來,
08:36
and lots of people are starting to visit,
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許多人開始來參觀,
08:38
we've found that the bank can now be a center
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我們發現這個"銀行"已成為一個
08:40
for exhibition, archives, music performance,
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展覽場地、資料館和音樂廳,
08:43
and that there are people who are now interested
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有一些人開始對
08:46
in being adjacent to those buildings because we brought some heat,
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這些建築物的附近地方有興趣。
08:50
that we kind of made a fire.
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因為我們帶來了熱潮, 好像起了一把火。
08:52
One of the archives that we'll have there is this Johnson Publishing Corporation.
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我們將在那裡設立 強森出版公司的資料庫,
08:56
We've also started to collect memorabilia from American history,
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也開始收集美國歷史的大事紀,
09:00
from people who live or have lived in that neighborhood.
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從那些住在或曾住在 那裡的人們收集。
09:04
Some of these images are degraded images of black people,
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這裡有些貶低黑人的圖像,
09:08
kind of histories of very challenging content,
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有點令人質疑的歷史內容,
09:11
and where better than a neighborhood
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那裡會找到比這附近地區更適合。
09:13
with young people who are constantly asking themselves about their identity
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那裡的年輕人不停的在 找尋自己的身分認同,
09:18
to talk about some of the complexities
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年輕人討論種族和階級
09:20
of race and class?
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的各種複雜問題呢?
09:22
In some ways, the bank represents a hub,
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從某些方面,"銀行"代表了一個樞紐。
09:26
that we're trying to create a pretty hardcore node of cultural activity,
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我們嘗試去創造一個文化活動的核心,
09:31
and that if we could start to make multiple hubs
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如果我們可以開始 創造了幾個中心。
09:34
and connect some cool green stuff around there,
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同時也在周圍種些 花草連接各中心,
09:37
that the buildings that we've purchased and rehabbed,
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我們購買和重建的建築物,
09:40
which is now around 60 or 70 units,
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現已有大約60到70個單位,
09:44
that if we could land miniature Versailles on top of that,
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如果我們可以在其上再加上 如同迷你凡爾賽宮的設計,
09:49
and connect these buildings by a beautiful greenbelt --
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將這些建物以綠地連接起來 --
09:52
(Applause) --
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(掌聲)--
09:55
that this place where people never wanted to be
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這些原來人們不願意來的地方,
09:59
would become an important destination
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會成為變成一個來自全國以至世界各地的人 到訪的一個重要目的地。
10:01
for folk from all over the country and world.
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從某些方面,我很像是 一個陶藝家,
10:05
In some ways, it feels very much like I'm a potter,
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10:08
that we tackle the things that are at our wheel,
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我們在輪子上想辦法處理東西,
10:12
we try with the skill that we have
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我們使用已有技能
10:14
to think about this next bowl that I want to make.
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思考著怎樣創作下一個器皿。
10:19
And it went from a bowl to a singular house to a block to a neighborhood
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從一個器皿到一個房屋,一個小區, 一個大區,
10:23
to a cultural district to thinking about the city,
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到一個文化區,以致一個城市,
10:26
and at every point, there were things that I didn't know that I had to learn.
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在每一點,都有一些我不懂的事 我必須學。
10:30
I've never learned so much about zoning law in my life.
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我一輩子沒有學過那麼多的 有關區劃的法規。
10:33
I never thought I'd have to.
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我從沒想過我會學那些。
10:35
But as a result of that, I'm finding that there's not just room
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但是結果我發現那裡不僅是
10:38
for my own artistic practice,
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我自己的藝術實踐的空間,
10:40
there's room for a lot of other artistic practices.
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還有許多其他藝術實踐的空間。
10:43
So people started asking us,
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有些人開始問我們,
10:45
"Well, Theaster, how are you going to go to scale?"
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「提也斯特,你要如何 擴大規模?」
10:47
and, "What's your sustainability plan?"
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以及,「你有永續經營的計劃嗎?」
10:49
(Laughter) (Applause)
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(笑聲)(掌聲)
10:54
And what I found was that I couldn't export myself,
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我發現我無法外銷自己,
10:58
that what seems necessary in cities like Akron, Ohio,
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如俄亥俄州阿克倫市的城市,
11:02
and Detroit, Michigan, and Gary, Indiana,
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以及密西根州的底特律, 和印第安納州的蓋里市
11:04
is that there are people in those places who already believe in those places,
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那裡需要對當地有信心的本地人,
11:08
that are already dying to make those places beautiful,
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在那些面臨死亡的地區, 讓它們再度美麗,
11:11
and that often, those people who are passionate about a place
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那些對當地很有熱情的人,
11:15
are disconnected from the resources necessary to make cool things happen,
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往往沒有足夠的資源 來做那些很酷的事,
11:19
or disconnected from a contingency of people
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或者他們沒有人脈
11:22
that could help make things happen.
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來幫忙做那些事。
11:23
So now, we're starting to give advice around the country
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所以現在,我們開始提供全國性
11:28
on how to start with what you got,
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關於如何從你的現況 著手的諮詢服務,
11:30
how to start with the things that are in front of you,
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如何從你當前的狀況開始,
11:33
how to make something out of nothing,
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如何從無到有,
11:35
how to reshape your world at a wheel or at your block
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如何從一個輪子上 或者你的鄰里,
11:40
or at the scale of the city.
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或者是你的城市來重塑你的世界。
11:42
Thank you so much.
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謝謝!
11:44
(Applause)
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(掌聲)
11:51
June Cohen: Thank you. So I think many people watching this
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June Cohen:謝謝你。 我想許多看這個影片的人,
11:55
will be asking themselves the question you just raised at the end:
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會問他們自己你剛剛在 結尾提到的問題:
11:58
How can they do this in their own city?
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他們如何在自己的城市 做同樣事情呢?
12:00
You can't export yourself.
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你無法外銷你自己。
12:02
Give us a few pages out of your playbook about what someone who is inspired
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請你提供你的劇本中的幾頁給 那些被你啟發的人,
12:05
about their city can do to take on projects like yours?
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教他們如何在他們的城市 做那些你做過的。
12:08
Theaster Gates: One of the things I've found that's really important
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Theaster Gates:我發現一個很重要的事情
12:11
is giving thought to not just the kind of individual project,
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就是不要只是思考單獨的案子,
12:16
like an old house,
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例如一間老屋,
12:18
but what's the relationship between an old house,
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而是思考老屋和
12:21
a local school, a small bodega,
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當地學校,以及小酒窖 之間的關係,
12:24
and is there some kind of synergy between those things?
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想想這些地方之間是否有某種共同作用?
12:27
Can you get those folk talking?
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你是否可以讓他們彼此對話?
12:30
I've found that in cases where neighborhoods have failed,
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我發現在已廢棄的社區
12:34
they still often have a pulse.
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通常仍然有氣息。
12:36
How do you identify the pulse in that place, the passionate people,
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熱情的人們, 你如何得知那個地方的氣息,
12:40
and then how do you get folk who have been fighting,
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而且你如何讓那些二十年來 一直在努力
12:43
slogging for 20 years, reenergized about the place that they live?
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奮鬥的人們對於他們所居住的地方 再度充滿活力?
12:47
And so someone has to do that work.
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必須有人要做這些工作。
12:50
If I were a traditional developer, I would be talking about buildings alone,
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如果我們傳統的地產商人, 我就只會考慮建築物本身,
12:54
and then putting a "For Lease" sign in the window.
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然後將「出租」的牌子掛在窗戶上。
12:58
I think that you actually have to curate more than that,
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我認為你必須比那個 要策劃得更多,
13:01
that there's a way in which you have to be mindful about,
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你必須專心地思考
13:03
what are the businesses that I want to grow here?
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我要在這裏開展的生意是什麼?
13:06
And then, are there people who live in this place
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然後,有沒有住在此地的居民
13:09
who want to grow those businesses with me?
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願意和我一起發展這些生意?
13:11
Because I think it's not just a cultural space or housing;
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因為我認為它不會只是 一個文化空間或只是住宅;
13:14
there has to be the recreation of an economic core.
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而是一定要有重新創造的經濟核心。
13:17
So thinking about those things together feels right.
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所以應該將這些一起考慮才對。
13:20
JC: It's hard to get people to create the spark again
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JC: 要讓人們再創造火花不容易
13:23
when people have been slogging for 20 years.
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當他們已經辛苦了二十年。
13:25
Are there any methods you've found that have helped break through?
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你有沒有發現其他 可以幫助突破的方法?
13:28
TG: Yeah, I think that now there are lots of examples
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TG: 是的,我想有很多例子證明
13:31
of folk who are doing amazing work,
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已經有人正在做那些驚人的工作,
13:33
but those methods are sometimes like, when the media is constantly saying
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但是這些方法有時候, 經媒體一直報導
13:38
that only violent things happen in a place,
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那裡只有發生暴力事件,
13:41
then based on your skill set and the particular context,
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以你的能力以及那裡的特殊情況,
13:44
what are the things that you can do in your neighborhood
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在你的小區,你可以怎樣
13:47
to kind of fight some of that?
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對抗那些負面的報導呢?
13:49
So I've found that if you're a theater person,
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我發現如果你是 一個從事劇場的人,
13:52
you have outdoor street theater festivals.
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你可以辦戶外的街頭劇場節,
13:54
In some cases, we don't have the resources in certain neighborhoods
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在有些地方,我們沒有資源
13:58
to do things that are a certain kind of splashy,
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來舉辦引人注意的活動,
14:02
but if we can then find ways of making sure that people
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但是如果我們可以找方法來確保
14:05
who are local to a place,
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當地的人
14:06
plus people who could be supportive of the things that are happening locally,
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以及那些會支持當地的活動的人,
14:10
when those people get together,
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當這些人同心合力,
14:12
I think really amazing things can happen.
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我認為真正很神奇的事情 將會發生。
14:14
JC: So interesting.
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JC: 很有趣。
14:16
And how can you make sure that the projects you're creating
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那你如何確定你的計劃
14:18
are actually for the disadvantaged
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真正幫到弱勢人群
14:20
and not just for the sort of vegetarian indie movie crowd
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而不是為了其他素食獨立電影人
14:24
that might move in to take advantage of them.
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為了利用弱勢者才搬進來。
14:26
TG: Right on. So I think this is where it starts to get into the thick weeds.
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TG: 問得好。 我想這就是我們 開始要傷腦筋的地方。
14:31
JC: Let's go there. TG: Right now, Grand Crossing
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JC:我們談談那個吧! TG:現在,在格蘭區
14:33
is 99 percent black, or at least living,
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有百分之99是黑人, 至少是住那裡,
14:36
and we know that maybe who owns property in a place
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我們知道那裏的業主
14:40
is different from who walks the streets every day.
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或許不是每天在街上走動的人們。
14:42
So it's reasonable to say that Grand Crossing is already
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所以可以說「格蘭區」已經
14:45
in the process of being something different than it is today.
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開始演變成跟現在不同的地方。
14:49
But are there ways to think about housing trusts or land trusts
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但是也可以想想屋宇信託或 土地信託
14:55
or a mission-based development
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或使命為本發展計劃
14:57
that starts to protect some of the space that happens,
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來保障這裡已經改造的地方,
15:00
because when you have 7,500 empty lots in a city,
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因為當你的城市有7500個空地,
15:04
you want something to happen there,
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你想在那𥚃有些作為,
15:06
but you need entities that are not just interested in the development piece,
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不僅需要找那些對 地產有興趣的對象,
15:11
but entities that are interested in the stabilization piece,
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還要找對安撫人心有興趣的人仕
15:14
and I feel like often the developer piece is really motivated,
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我覺得通常地產項目很易實行,
15:17
but the other work of a kind of neighborhood consciousness,
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反而其他鄰里的觀念的發展
15:21
that part doesn't live anymore.
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卻不見了。
15:22
So how do you start to grow up important watchdogs
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所以你如何訓練重要的監督
15:27
that ensure that the resources that are made available
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來確保新來的朋友
15:30
to new folk that are coming in
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得到有效的人力物力。
15:31
are also distributed to folk who have lived in a place for a long time.
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同時也分配給這裡長住的居民。
15:35
JC: That makes so much sense. One more question:
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JC: 非常有道理。最後一條問題:
15:37
You make such a compelling case for beauty and the importance of beauty and the arts.
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你講了那些有關美的例子, 令人注目,還強調美的重要。
可是其他人會質疑那些基金
15:42
There would be others who would argue that funds would be better spent
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15:45
on basic services for the disadvantaged.
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何不好好花在弱勢社群 的基本服務。
15:48
How do you combat that viewpoint, or come against it?
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你如何對付或反抗這種觀點?
15:52
TG: I believe that beauty is a basic service.
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TG: 我相信美是基本的服務。
15:54
(Applause)
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(鼓掌聲)
我常常發現有些資源
16:02
Often what I have found is that when there are resources
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16:06
that have not been made available to certain under-resourced cities
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沒有用在一些缺乏資源的城市
16:09
or neighborhoods or communities,
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或鄰里或社區時,
16:11
that sometimes culture is the thing that helps to ignite,
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有時候,文化正是 幫助點燃的東西,
16:16
and that I can't do everything,
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而且我也無法面面俱到,
16:19
but I think that there's a way in which if you can start with culture
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但我想你找方法從文化開始
16:22
and get people kind of reinvested in their place,
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讓人們再度在 自己的地方投資,
16:25
other kinds of adjacent amenities start to grow,
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其他種類的設施也會在隣近多起來,
16:29
and then people can make a demand that's a poetic demand,
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然後人們可以做一個詩意的要求,
16:33
and the political demands that are necessary to wake up our cities,
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以及政治要求來喚醒我們的城市,
16:38
they also become very poetic.
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這些城市也會變成很詩意的。
16:40
JC: It makes perfect sense to me.
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Jc: 我覺得很有意思。
16:42
Theaster, thank you so much for being here with us today.
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Theaster,很多謝 你今日跟大家分享。
多謝,Theaster Gates。
16:45
Thank you. Theaster Gates.
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(掌聲)
16:46
(Applause)
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