Why is Aristophanes called "The Father of Comedy"? - Mark Robinson

828,610 views ・ 2018-08-21

TED-Ed


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Prevodilac: Milenka Okuka Lektor: Ivana Krivokuća
00:06
At the annual Athenian drama festival in 426 BC,
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Na godišnjem Atinskom festivalu drame 426. godine pre nove ere,
00:11
a comic play called The Babylonians,
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komedija naslovljena „Vavilonjani”
00:14
written by a young poet named Aristophanes,
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koju je napisao mladi pesnik po imenu Aristofan
00:17
was awarded first prize.
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je nagrađena prvim mestom.
00:19
But the play’s depiction of Athens’ conduct during the Peloponnesian War
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Međutim, dramski prikaz ponašanja Atine tokom peloponeskog rata
00:23
was so controversial that afterwards,
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je bio toliko kontroverzan da je kasnije
00:26
a politician named Kleon took Aristophanes to court
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političar po imenu Kleon izveo Aristofana pred sud
00:30
for "slandering the people of Athens in the presence of foreigners."
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zbog „klevetanja atinskog naroda u prisustvu stranaca.”
00:35
Aristophanes struck back two years later with a play called The Knights.
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Aristofan je uzvratio udarac dve godine kasnije dramom „Vitezovi”.
00:40
In it, he openly mocked Kleon,
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U njoj je otvoreno ismevao Kleona,
00:43
ending with Kleon’s character working as a lowly sausage seller
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a na kraju lik Kleona završava kao nižerazredni prodavac kobasica
00:47
outside the city gates.
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van gradskih kapija.
00:49
This style of satire was a consequence
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Ovaj stil satire je bio posledica
00:51
of the unrestricted democracy of 5th century Athens
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nesputane atinske demokratije u petom veku
00:55
and is now called "Old Comedy."
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i danas se naziva „starom komedijom”.
00:58
Aristophanes’ plays, the world’s earliest surviving comic dramas,
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Aristofanove drame, najstarije preživele komedije u svetu,
01:02
are stuffed full of parodies, songs, sexual jokes, and surreal fantasy.
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pune su parodija, pesama, lascivnih šala i nadrealističnih fantazija.
Često koriste fantastične situacije,
01:09
They often use wild situations,
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01:10
like a hero flying to heaven on a dung beetle,
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poput glavnog lika koji leti u nebesa na balegaru
01:14
or a net cast over a house to keep the owner’s father trapped inside,
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ili mreže prebačene preko kuće da bi vlasnikov otac bio zarobljen unutra,
01:19
in order to subvert audience expectations.
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a njima se podrivaju očekivanja publike.
01:22
And they’ve shaped how comedy’s been written and performed ever since.
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I oblikovale su to kako se komedija piše i izvodi do danas.
01:27
The word "comedy" comes from the Ancient Greek "komos," – revel,
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Reč „komedija” potiče od antičke grčke reči „komos” - pir
01:32
and "oide," – singing,
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i „oida” - pevanje
01:35
and it differed from its companion art form, "tragedy" in many ways.
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i razlikovala se na više načina od svog pandana po umetničkom obliku „tragedije”.
01:40
Where ancient Athenian tragedies dealt with the downfall of the high and mighty,
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Dok su se antičke atinske tragedije bavile propašću velikaša i moćnika,
01:45
their comedies usually ended happily.
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njihove komedije su obično imale srećan kraj.
01:47
And where tragedy almost always borrowed stories from legend,
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I dok su tragedije gotovo uvek pozajmljivale priče iz legendi,
01:51
comedy addressed current events.
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komedije su se bavile aktuelnim događajima.
01:53
Aristophanes’ comedies celebrated ordinary people and attacked the powerful.
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Aristofanove komedije su slavile obične ljude, a napadale su moćnike.
01:59
His targets were arrogant politicians,
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Njegove mete su bili arogantni političari,
02:01
war-mongering generals,
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ratnohuškački generali
02:03
and self-important intellectuals,
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i samodovoljni intelektualci,
02:05
exactly the people who sat in the front row of the theatre,
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baš oni ljudi koji su sedeli u prvom redu u pozorištu
02:08
where everyone could see their reactions.
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gde su svi mogli da vide njihove reakcije.
02:11
As a result, they were referred to as komoidoumenoi:
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Posledica toga je da su ih nazivali komoidumenoima:
02:16
"those made fun of in comedy."
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„oni koji su ismevani u komedijama.”
02:18
Aristophanes’ vicious and often obscene mockery
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Aristofanovo žestoko i često bestidno ismevanje
02:22
held these leaders to account, testing their commitment to the city.
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je pozivalo vođe na odgovornost, testirajući njihovu posvećenost gradu.
02:26
One issue, in particular, inspired much of Aristophanes’ work:
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Naročito je jedno pitanje značajno inspirisalo Aristofanova dela:
02:31
the Peloponnesian War between Athens and Sparta.
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peloponeski rat između Atine i Sparte.
02:35
In Peace, written in 421 BC,
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U „Miru” napisanom 421. godine p.n.e,
02:38
a middle-aged Athenian frees the embodiment of peace from a cave,
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sredovečni Atinjanin oslobađa otelotvorenje mira iz pećine,
02:43
where she’d been exiled by profiteering politicians.
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gde su ga prognali političari profiteri.
02:46
Then, in the aftermath of a crushing naval defeat for Athens in 411 BC,
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Potom, nakon velikog poraza atinske mornarice 411. godine p.n.e,
02:53
Aristophanes wrote "Lysistrata."
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Aristofan je napisao „Lizistratu”.
02:55
In this play, the women of Athens grow sick of war
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U ovoj drami, Atinjankama postaje muka od rata
02:59
and go on a sex strike until their husbands make peace.
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i kreću u seksualni štrajk dok njihovi muževi ne proglase mir.
03:03
Other plays use similarly fantastic scenarios to skewer topical situations,
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Druge drame koriste slične fantastične scenarije
kako bi iskrivile aktuelne situacije,
03:08
such as in "Clouds,"
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kao u „Oblakinjama”,
03:10
where Aristophanes mocked fashionable philosophical thinking.
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gde je Aristofan ismevao moderno filozofsko razmišljanje.
03:14
The hero Strepsiades enrolls in Socrates’s new philosophical school,
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Junak Strepsijad se upisuje u Sokratovu novu filozofsku školu
03:19
where he learns how to prove that wrong is right
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gde uči kako da dokaže da je pogrešno ispravno
03:22
and that a debt is not a debt.
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i da dȗg nije dȗg.
03:24
No matter how outlandish these plays get, the heroes always prevail in the end.
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Koliko god čudnovate ove predstave bile, junaci uvek pobede na kraju.
03:30
Aristophanes also became the master of the parabasis,
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Aristofan je takođe postao majstor parabaze,
03:35
a comic technique where actors address the audience directly,
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komičke tehnike gde se glumci direktno obraćaju publici,
03:38
often praising the playwright or making topical comments and jokes.
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često hvaleći dramaturga ili iznoseći aktuelne komentare i šale.
03:43
For example, in "Birds,"
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Na primer, u „Pticama”,
03:45
the Chorus takes the role of different birds
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hor preuzima uloge različitih ptica
03:48
and threatens the Athenian judges that if their play doesn’t win first prize,
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i preti atinskom žiriju da će se,
ako njihova predstava ne osvoji prvo mesto,
03:52
they’ll defecate on them as they walk around the city.
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prazniti po njima dok budu gradom šetali.
03:55
Perhaps the judges didn’t appreciate the joke,
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Možda se žiriju nije svidela šala
03:58
as the play came in second.
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jer je predstava osvojila drugo mesto.
04:00
By exploring new ideas
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Istražujući nove ideje
04:02
and encouraging self-criticism in Athenian society,
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i ohrabrujući samokritiku u atinskom društvu,
04:05
Aristophanes not only mocked his fellow citizens,
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Aristofan ne samo da je ismevao svoje sugrađane,
04:08
but he shaped the nature of comedy itself.
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već je i oblikovao samu prirodu komedije.
04:11
Hailed by some scholars as the father of comedy,
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Dok ga neki akademici slave kao oca komedije,
04:15
his fingerprints are visible upon comic techniques everywhere,
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njegovi otisci su vidljivi u svim komičkim tehnikama,
04:18
from slapstick
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od slepstika
04:19
to double acts
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preko komičnih dueta
04:20
to impersonations
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i imitacije
04:22
to political satire.
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do političke satire.
04:23
Through the praise of free speech and the celebration of ordinary heroes,
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Pohvalom slobode govora i slavljenjem običnih junaka,
04:27
his plays made his audience think while they laughed.
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njegove predstave su terale publiku istovremeno na smeh i na razmišljanje.
04:31
And his retort to Kleon in 425 BC still resonates today:
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A njegova opaska Kleonu iz 425. godine p.n.e i danas odjekuje:
04:37
“I’m a comedian, so I’ll speak about justice,
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„Ja sam komičar, pa ću da govorim o pravdi,
04:40
no matter how hard it sounds to your ears.”
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ma koliko to teško zvučalo vašim ušima.”
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