How I accidentally changed the way movies get made | Franklin Leonard

200,142 views ・ 2018-11-28

TED


Please double-click on the English subtitles below to play the video.

Prevodilac: Marija Ristic Kus Lektor: Ivana Korom
00:12
This weekend,
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Ovog vikenda,
00:14
tens of millions of people in the United States
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na desetine miliona ljudi u SAD
00:17
and tens of millions more around the world,
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i na desetine miliona ljudi širom sveta,
00:19
in Columbus, Georgia, in Cardiff, Wales,
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u Kolambusu, Džordžiji, u Kardifu, Velsu,
00:22
in Chongqing, China, in Chennai, India
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u Čongkingu, Kini, u Čenajiju, Indiji
00:25
will leave their homes,
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će izaći iz svojih domova,
00:27
they'll get in their cars or they'll take public transportation
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ući u svoja kola ili javni prevoz
00:30
or they will carry themselves by foot,
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ili će ići peške
00:33
and they'll step into a room
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i ući će u prostoriju
00:34
and sit down next to someone they don't know
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i sesti kraj nekog koga ne poznaju
00:37
or maybe someone they do,
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ili možda, pak, poznaju,
00:39
and the lights will go down and they'll watch a movie.
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i svetla će se ugasiti i oni će gledati film.
00:44
They'll watch movies about aliens or robots,
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Gledaće filmove o vanzemaljcima ili robotima,
00:47
or robot aliens or regular people.
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ili robotima vanzemaljcima ili običnim ljudima.
00:50
But they will all be movies about what it means to be human.
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Svi ti filmovi će, zapravo, biti na istu temu - šta znači biti čovek.
00:55
Millions will feel awe or fear,
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Milioni će osetiti oduševljenje ili strah,
00:58
millions will laugh and millions will cry.
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milioni će se smejati, a milioni plakati.
01:02
And then the lights will come back on,
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Svetla će se ponovo upaliti,
01:04
and they'll reemerge into the world they knew several hours prior.
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a oni će se ponovo naći u svetu u kom su bili nekoliko sati ranije.
Milioni ljudi će videti taj svet malo drugačije,
01:08
And millions of people will look at the world
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01:10
a little bit differently than they did when they went in.
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nego kada su ušli.
01:14
Like going to temple or a mosque or a church,
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Odlazak u bioskop je, kao i odlazak u hram ili džamiju ili crkvu
01:18
or any other religious institution,
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ili bilo koju drugu religijsku instituciju,
01:20
movie-going is, in many ways, a sacred ritual.
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na mnogo načina, sveti ritual.
01:23
Repeated week after week after week.
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Koji se ponavlja iz nedelje u nedelju.
01:28
I'll be there this weekend,
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Ja ću biti tamo ovog vikenda,
01:30
just like I was on most weekends between the years of 1996 and 1990,
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kao što sam bio većinu vikenda između 1996. i 1990. godine,
01:34
at the multiplex, near the shopping mall
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u multipleksu, blizu šoping centra,
01:36
about five miles from my childhood home in Columbus, Georgia.
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na oko 8 kilometara od mog doma iz detinjstva, u Kolumbusu, Džordžiji.
01:40
The funny thing is that somewhere between then and now,
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Ono što je stvarno zanimljivo je da sam u nekom trenutku od tada do danas,
01:43
I accidentally changed part of the conversation
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sasvim slučajno promenio deo razgovora koji se vodi na temu
01:46
about which of those movies get made.
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koji će se filmovi praviti.
01:49
So, the story actually begins in 2005, in an office high above Sunset Boulevard,
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Priča počinje 2005. godine, u jednoj kancelariji visoko iznad Sanset bulevara,
01:53
where I was a junior executive
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u kojoj sam radio kao mlađi izvršni producent
01:54
at Leonardo DiCaprio's production company Appian Way.
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u produkcijskoj kući Appian Way, Leonarda Di Kaprija.
01:57
And for those of you who aren't familiar with how the film industry works,
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A za vas koji niste upoznati kako filmska industrija funkcioniše,
02:01
it basically means that I was one of a few people behind the person
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to zapravo znači da sam bio jedan od nekoliko ljudi koji rade
02:04
who produces the movie for the people behind and in front of the camera,
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sa osobom koja se bavi produkcijom filmova za ljude iza i za ljude ispred kamere,
02:08
whose names you will better recognize than mine.
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čija ćete imena pre prepoznati nego moje.
02:10
Essentially, you're an assistant movie producer who does the unglamorous work
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U suštini, pomoćnik ste filmskog producenta koji obavlja
02:14
that goes into the creative aspect of producing a movie.
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neglamurozni deo posla koji ide u kreativni aspekt produciranja filma.
02:17
You make lists of writers and directors and actors
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Pravite liste pisaca, režisera i glumaca
koji bi mogli biti odgovarajući za filmove koji želite da budu snimljeni;
02:20
who might be right for movies that you want to will into existence;
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02:23
you meet with many of them and their representatives,
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srećete se sa mnogo njih i njihovih predstavnika,
02:25
hoping to curry favor for some future date.
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u nadi da ćete izmoliti uslugu za neki datum u budućnosti.
02:28
And you read, a lot.
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I čitate, mnogo.
02:31
You read novels that might become movies,
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Čitate romane koji mogu postati filmovi,
02:33
you read comic books that might become movies,
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čitate stripove koji mogu postati filmovi,
02:35
you read articles that might become movies,
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čitate članke koji mogu postati filmovi,
02:37
you read scripts that might become movies.
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čitate scenarija koja mogu postati filmovi.
02:39
And you read scripts from writers that might write the adaptations
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I čitate scenarija pisaca koji bi mogli da napišu adaptacije
02:42
of the novels, of the comic books, of the articles,
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tih romana, stripova, članaka,
02:45
and might rewrite the scripts that you're already working on.
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kao i da ponovo napišu scenarija na kojima vi već radite.
02:48
All this in the hope of finding the next big thing
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Sve ovo u nadi da ćete pronaći sledeću veliku stvar
02:50
or the next big writer who can deliver something
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ili sledećeg velikog pisca koji može da napravi nešto
02:52
that can make you and your company the next big thing.
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što bi vama i vašoj kompaniji stvorilo sledeću veliku stvar.
02:56
So in 2005, I was a development executive at Leonardo's production company.
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Godine 2005. sam bio izvršni producent za razvoj u Leonardovoj produkcijskoj kući.
03:01
I got a phone call from the representative of a screenwriter
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Pozvao me je predstavnik jednog scenariste
03:05
that began pretty much the way all of those conversations did:
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i poziv je počeo manje-više kao i svi drugi razgovori te vrste:
03:09
"I've got Leo's next movie."
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"Imam Leov sledeći film."
03:11
Now in this movie, that his client had written,
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U ovom filmu, koji je njegov klijent napisao,
03:14
Leo would play an oil industry lobbyist
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Leo bi glumio lobistu naftne industrije
03:17
whose girlfriend, a local meteorologist, threatens to leave him
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čija devojka, lokalni meteorolog, preti da ga napusti,
03:20
because his work contributes to global warming.
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jer njegov rad doprinosi globalnom zagrevanju.
03:22
And this is a situation that's been brought to a head
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Ova situacija je posledica vesti
03:25
by the fact that there's a hurricane forming in the Atlantic
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da se formira uragan u Atlantiku
03:28
that's threatening to do Maria-like damage from Maine to Myrtle Beach.
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koji preti da nanese štetu poput Marije, od Mejna do Mirtl Biča.
03:31
Leo, very sad about this impending break up,
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Leo, veoma tužan zbog raskida,
03:33
does a little more research about the hurricane
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istražuje uragan detaljnije
03:35
and discovers that in its path across the Atlantic,
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i otkriva da na njegovom putu preko Atlantika,
03:38
it will pass over a long-dormant, though now active volcano
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uragan prelazi preko odavno uspavanog, mada sada aktivnog vulkana
03:41
that will spew toxic ash into its eye
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koji će izbaciti toksični pepeo u njegov centar
03:43
that will presumably be whipped into some sort of chemical weapon
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te će se on najverovatnije pretvoriti u neku vrstu hemijskog oružja
03:46
that will destroy the world.
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koje će uništiti svet.
03:48
(Laughter)
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(Smeh)
03:49
It was at that point that I asked him,
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U tom trenutku sam ga pitao:
03:53
"So are you basically pitching me 'Leo versus the toxic superstorm
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"Da li mi ti to nudiš: 'Leo protiv toksične superoluje
03:56
that will destroy humanity?'"
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koja će uništiti ljudsku vrstu?'"
03:58
And he responded by saying,
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A on je odgovorio:
04:00
"Well, when you say it like that, it sounds ridiculous."
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"Pa, kad to tako sročiš zvuči smešno."
04:03
And I'm embarrassed to admit that I had the guy send me the script,
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Sramota me je da priznam da sam mu tražio da mi pošalje scenario i da sam pročitao
04:07
and I read 30 pages before I was sure that it was as bad as I thought it was.
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30 strana pre nego sam se uverio da je stvarno onoliko loš koliko sam i mislio.
04:10
Now, "Superstorm" is certainly an extreme example,
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Sad, "Superoluja" je sasvim sigurno ekstremni primer,
04:13
but it's also not an unusual one.
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ali, takođe, nije neobičan.
04:16
And unfortunately, most scripts aren't as easy to dismiss as that one.
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Nažalost, većinu scenarija nije tako lako odbaciti.
04:19
For example, a comedy about a high school senior,
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Na primer, komedija o maturantkinji gimnazije,
04:23
who, when faced with an unplanned pregnancy,
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koja, suočena sa neplaniranom trudnoćom,
04:25
makes an unusual decision regarding her unborn child.
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donosi neobičnu odluku u vezi sa svojim nerođenim detetom.
04:28
That's obviously "Juno."
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To je očigledno "Džuno".
04:30
Two hundred and thirty million at the worldwide box office,
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Ukupno je zaradio 230 miliona od prodaje karata,
04:32
four Oscar nominations, one win.
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imao 4 nominacije za Oskara, dobio jednog.
04:35
How about a Mumbai teen who grew up in the slums
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Šta kažete na tinejdžera iz Mumbaja koji je odrastao u barakama,
04:37
wants to become a contestant on the Indian version
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koji hoće da se takmiči u indijskoj verziji programa
04:40
of "Who Wants To Be A Millionaire?"?
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"Želite li da postanete milioner?"?
04:42
That's an easy one -- "Slumdog Millionaire."
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Taj je lak - "Milioner iz blata".
04:44
Three hundred seventy-seven million worldwide,
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Ukupno je zaradio 377 miliona od prodaje karata,
04:46
10 Oscar nominations and eight wins.
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10 nominacija za Oskara, dobio 8.
04:49
A chimpanzee tells his story
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Šimpanza priča svoju priču
04:51
of living with the legendary pop star Michael Jackson.
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kako je živeti sa legendarnom pop zvezdom Majklom Džeksonom.
04:54
Anyone?
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Neko? Bilo ko?
04:55
(Laughter)
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(Smeh)
04:56
It's a trick question.
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To je trik pitanje.
04:57
But it is a script called "Bubbles,"
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To je scenario koji se zove "Babls",
04:59
that is going to be directed by Taika Waititi,
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koji će režirati Taika Vaititi,
05:02
the director of "Thor: Ragnarok."
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režiser filma "Tor: Ragnarok".
05:04
So, a large part of your job as a development executive
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Dakle, veći deo posla izvršinog producenta za razvoj
05:07
is to separate the "Superstorms" from the "Slumdog Millionaires,"
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je da izdvaja "Superoluje" od "Milionera iz blata",
05:10
and slightly more generally, the writers who write "Superstorm"
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i još malo opširnije, pisce koji pišu "Superoluje"
05:13
from the writers who can write "Slumdog Millionaire."
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od pisaca koji mogu da napišu "Milionera iz blata".
05:16
And the easiest way to do this, obviously, is to read all of the scripts,
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A najlakši način da ovo uradite je, očigledno, da pročitate sva scenarija,
05:20
but that's, frankly, impossible.
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ali je to, iskreno, nemoguće.
05:22
A good rule of thumb is that the Writers Guild of America
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Praksa je pokazala da Udruženje pisaca Amerike
05:25
registers about 50,000 new pieces of material every year,
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registruje oko 50.000 novih materijala svake godine,
05:28
and most of them are screenplays.
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a najviše scenarija.
05:30
Of those, a reasonable estimate is about 5,000 of them
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Razumna procena bi bila da oko 5.000 tih scenarija
05:33
make it through various filters, agencies, management companies,
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uspe da prođe kroz razne filtere, agencije, upravne kompanije,
05:36
screenplay compositions and the like,
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komponovanje scenarija i slično
05:38
and are read by someone at the production company
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i pročita ih neko u nekoj produkcijskoj kući
05:40
or major studio level.
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ili nekom velikom studiju.
05:42
And they're trying to decide whether they can become
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Onda oni pokušavaju da odluče da li ta scenarija mogu da postanu
05:45
one of the 300-and-dropping movies that are released by the major studios
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jedan od 300 i manje filmova koje objave veliki studiji
05:48
or their sub-brands each year.
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ili njima pripadajući brendovi svake godine.
05:50
I've described it before
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Već sam ranije opisao
05:51
as being a little bit like walking into a members-only bookstore
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da je to kao da ulazite u knjižaru za koju je potrebno članstvo,
05:55
where the entire inventory is just organized haphazardly,
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gde inventar nije organizovan, nego razbacan,
05:58
and every book has the same, nondescript cover.
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a svaka knjiga ima istu bezličnu naslovnicu.
06:00
Your job is to enter that bookstore
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Vaš posao je da uđete u tu knjižaru
06:03
and not come back until you've found the best and most profitable books there.
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i ne izađete dok ne nađete najbolje i najprofitabilnije knjige koje ona ima.
06:07
It's anarchic and gleefully opaque.
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Anarhično je i neprozirno.
06:10
And everyone has their method to address these problems.
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Svi imaju svoj način borbe sa ovim problemima.
06:13
You know, most rely on the major agencies
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Znate, većina se oslanja na velike agencije
06:15
and they just assume that if there's great talent in the world,
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i misle da je, ako postoji neko ko je zaista talentovan,
06:18
they've already found their way to the agencies,
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ta osoba uspela da pronađe put do ovih agencija,
06:21
regardless of the structural barriers that actually exist
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zanemarujući strukturalne barijere koje postoje kako bi se
06:23
to get into the agencies in the first place.
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uopšte moglo doći do tih agencija.
06:26
Others also constantly compare notes among themselves
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Drugi, pak, stalno upoređuju beleške među sobom
06:28
about what they've read and what's good,
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o tome šta su pročitali i šta je dobro
06:30
and they just hope that their cohort group is the best, most wired
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i nadaju se da je njihova grupa prijatelja najbolja i najbolje povezana
06:33
and has the best taste in town.
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i da ima najbolji ukus u čitavom gradu.
06:36
And others try to read everything, but that's, again, impossible.
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Dok drugi, pak, pokušavaju da pročitaju sve, što je, opet, nemoguće.
06:39
If you're reading 500 screenplays in a year,
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Ako pročitaš 500 scenarija godišnje,
06:41
you are reading a lot.
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mnogo čitaš.
06:43
And it's still only a small percentage of what's out there.
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A to je opet samo mali procenat svega što je objavljeno.
06:46
Fundamentally, it's triage.
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U osnovi, to je trijaža.
06:49
And when you're in triage, you tend to default to conventional wisdom
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A kad primenjujete trijažu, uglavnom se držite ustaljenih pravila
06:52
about what works and what doesn't.
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o tome šta funkcioniše, a šta ne.
06:55
That a comedy about a young woman dealing with reproductive reality
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Da komedija o mladoj ženi koja se bori sa realnošću reprodukcije
06:59
can't sell.
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neće biti dobro prodata.
07:00
That the story of an Indian teenager isn't viable in the domestic marketplace
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Da priča o indijskom tinejdžeru neće biti isplativa na domaćem tržištu,
07:04
or anywhere else in the world outside of India.
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niti bilo kom drugom u svetu, osim tržišta u Indiji.
07:06
That the only source of viable movies is a very narrow groups of writers
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Da je jedini izvor isplativih filmova jedna veoma mala grupa pisaca
07:10
who have already found their way to living and working in Hollywood,
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koji su već našli način da žive i rade u Holivudu,
07:14
who already have the best representation in the business,
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koji već imaju najbolje predstavnike u poslu
07:16
and are writing a very narrow band of stories.
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i koji pišu samo jedan žanr priča.
07:19
And I'm somewhat embarrassed to admit, that that's where I found myself in 2005.
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Mene je pomalo sramota da priznam da sam se u tome i ja nalazio 2005 godine.
07:24
Sitting in that office above Sunset Boulevard,
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Sedeći u toj kancelariji iznad Sanset bulevara,
07:26
staring down that metaphorical anonymized bookstore,
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zureći ka toj metaforičnoj, anonimnoj knižari,
07:29
and having read nothing but bad scripts for months.
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a da nisam pročitao nijedan dobar scenario mesecima.
07:34
And I took this to mean one of two things:
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I zaključio sam da to znači da:
07:36
either A: I was not very good at my job,
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ili ja nisam dobro radio svoj posao,
07:38
which was, ostensibly, finding good scripts,
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koji je, makar prividno, bio pronalaženje dobrih scenarija,
07:41
or B: reading bad scripts was the job.
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ili je čitanje loših scenarija bio moj posao.
U tom slučaju, nedeljni pozivi moje majke
07:45
In which case, my mother's weekly phone calls,
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kada me pita da li mi je prijemni za Pravni fakultet još uvek važeći
07:47
asking me if my law school entrance exam scores were still valid
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su verovatno bili nešto na šta je trebalo da obratim više pažnje.
07:50
was something I should probably pay more attention to.
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07:53
What I also knew
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Ono što sam takođe znao
07:54
was that I was about to go on vacation for two weeks,
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je da je trebalo da idem na dvonedeljni odmor,
07:56
and as bad as reading bad scripts is when it is your job,
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a ma koliko da je čitanje loših scenarija naporno kada si na poslu,
07:59
it's even more painful on vacation.
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još je napornije kada si na odmoru.
08:01
So I had to do something.
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Te sam morao nešto da učinim.
08:03
So late one night at my office, I made a list
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Tako sam, jedne noći u mojoj kancelariji, napravio listu
08:05
of everyone that I had had breakfast, lunch, dinner or drinks with
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svih onih sa kojima sa doručkovao, ručao, večerao ili išao na piće,
08:08
that had jobs similar to mine, and I sent them an anonymous email.
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a koji su imali posao sličan mom i poslao sam im anonimni mejl.
08:11
And I made a very simple request.
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A imao sam veoma jednostavan zahtev.
08:14
Send me a list of up to 10 of your favorite screenplays
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Pošalji mi listu od najviše 10 tvojih omiljenih scenarija
koji ispunjavaju ova tri kriterijuma.
08:17
that meet three criteria.
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08:18
One: you love the screenplay,
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Prvi: scenario ti se dopada,
08:20
two: the filmed version of that screenplay will not be in theaters
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drugi: snimljena verzija tog scenarija neće biti prikazana u bioskopima
08:23
by the end of that calendar year,
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do kraja te kalendarske godine,
08:25
and three: you found out about the screenplay this year.
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i treći: scenario je otkriven ove godine.
08:29
This was not an appeal for the scripts that would be the next great blockbuster,
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Ovo nije bio zahtev za scenarija koja bi postala sledeći veliki blokbaster,
08:33
not an appeal for the scripts that will win the Academy Award,
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nije bio zahtev za scenarija koja bi dobila Oskara,
08:36
they didn't need to be scripts that their bosses loved
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nisu morala da budu scenarija koja su se dopala njihovim šefovima
08:38
or that their studio wanted to make.
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ili koja je njihov studio želeo da snimi.
08:40
It was very simply an opportunity for people to speak their minds
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To je samo bila prilika da iskažu svoje mišljenje
08:43
about what they loved,
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o onome što im se dopalo,
08:45
which, in this world, is increasingly rare.
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što je, u tom svetu, sve ređe.
08:48
Now, almost all of the 75 people I emailed anonymously responded.
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Skoro svih 75 ljudi kojima sam poslao mejl anonimno je odgovorilo.
A onda je još 20 drugih ljudi poslalo mejl na taj anonimni mejl,
08:52
And then two dozen other people actually emailed to participate
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08:55
to this anonymous email address,
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sa željom da učestvuje,
08:56
but I confirmed that they did in fact have the jobs they claimed to have.
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a ja sam se uverio da oni zaista rade to što trvde da rade.
09:00
And I then compiled the votes into a spreadsheet,
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Potom sam organizovao glasove u tabelu,
09:02
ran a pivot table, output it to PowerPoint,
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izradio pivot tabelu, stavio je u prezentaciju,
09:04
and the night before I left for vacation,
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i veče pre nego što sam otišao na odmor,
09:06
I slapped a quasi subversive name on it
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stavio neko kvazi subverzivno ime na nju
09:08
and emailed it back from that anonymous email address
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i poslao je sa anonimne mejl adrese
09:11
to everyone who voted.
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svima koji su glasali.
09:12
The Black List.
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Crna lista.
09:13
A tribute to those who lost their careers during the anti-communist hysteria
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Počast svima koji su izgubili karijere tokom antikomunističke histerije
09:17
of the 1940s and 50s,
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1940-ih i '50-ih godina
09:18
and a conscious inversion of the notion
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i svesno izvrtanje ideje
09:20
that black somehow had a negative connotation.
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da je crno nekako imalo negativnu konotaciju.
09:24
After arriving in Mexico, I pulled out a chair by the pool,
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Nakon što sam stigao u Meksiko, seo sam u stolicu kraj bazena,
09:27
started reading these scripts and found, to my shock and joy,
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počeo da čitam ova scenarija i otkrio, na moje iznenađenje i radost,
09:30
that most of them were actually quite good.
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da je većina njih zapravo bila veoma dobra.
09:32
Mission accomplished.
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Misija ostvarena.
09:34
What I didn't and couldn't have expected
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Ono što se potom dogodilo
09:36
was what happened next.
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nikako nisam očekivao.
09:38
About a week into my time on vacation,
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Nakon, otprilike, nedelju dana odmora,
09:40
I stopped by the hotel's business center to check my email.
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svratio sam do biznis centra u hotelu da pregledam svoje mejlove.
09:43
This was a pre-iPhone world, after all.
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To je bilo u vreme pre iPhone-a.
09:46
And found that this list that I had created anonymously
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Otkrio sam da je ona lista koju sam napravio, anonimno,
09:49
had been forwarded back to me several dozen times,
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upućena meni, na moju ličnu mejl adresu,
09:52
at my personal email address.
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nekoliko desetina puta.
09:53
Everyone was sharing this list of scripts that everyone had said that they loved,
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Svi su delili tu listu scenarija koji su se dopali drugima,
09:57
reading them and then loving them themselves.
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čitali ih, a potom ih i sami zavoleli.
10:00
And my first reaction, that I can't actually say here,
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Moja prva reakcija, koju ne mogu ovde da izgovorim,
10:03
but will describe it as fear,
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ali ću je opisati kao strah,
10:05
the idea of surveying people about their scripts
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je da ideja o ispitivanju ljudi o njihovim scenarijima
10:08
was certainly not a novel or a genius one.
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definitivno nije bila nova ili genijalna.
10:10
Surely, there was some unwritten Hollywood rule of omertà
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Naravno, postojalo je neko nepisano holivudsko pravilo da se o tome ćuti
10:14
that had guided people away from doing that before
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koje je sprečavalo ljude da to učine ranije,
10:16
that I was simply too naive to understand, it being so early in my career.
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koje sam ja samo bio previše naivan da bih razumeo, jer sam bio na početku karijere.
10:20
I was sure I was going to get fired,
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Bio sam siguran da ću biti otpušten,
10:22
and so I decided that day that A: I would never tell anybody
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te sam tog dana odlučio da pod A: nikada nikome neću reći
10:25
that I had done this,
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da sam ovo ja uradio,
10:27
and B: I would never do it again.
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i pod B: da neću ovo ponovo uraditi.
10:30
Then, six months later, something even more bizarre happened.
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Onda se, 6 meseci kasnije, desilo nešto još bizarnije.
10:34
I was in my office, on Sunset,
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Bio sam u mojoj kancelariji, na Sansetu,
10:36
and got a phone call from another writer's agent.
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i primio sam poziv agenta jednog drugog pisca.
10:39
The call began very similarly to the call about "Superstorm":
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Poziv je počeo veoma slično onom o "Superoluji":
10:42
"I've got Leo's next movie."
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"Imam Leov sledeći film."
10:44
Now, that's not the interesting part.
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To nije deo koji je zanimljiv.
10:46
The interesting part was the way the call ended.
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Zanimljivo je bilo kako se taj poziv završio.
10:49
Because this agent then told me, and I quote,
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Jer mi je taj agent potom rekao, citiram:
10:54
"Don't tell anybody, but I have it on really good authority
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"Nemoj nikome da kažeš, ali znam iz prve ruke
10:57
this is going to be the number one script on next year's Black List."
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da će ovo biti scenario Broj jedan na Crnoj listi sledeće godine."
11:00
(Laughter)
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(Smeh)
11:03
Yeah.
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Da.
11:04
Suffice it to say, I was dumbfounded.
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Malo je reći da sam bio zapanjen.
11:07
Here was an agent, using the Black List, this thing that I had made anonymously
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Evo ga agent koji, koristeći Crnu listu, ono što sam ja napravio anonimno
i odlučio da ne to ne uradim nikad više,
11:11
and decided to never make again,
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11:12
to sell his client to me.
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pokušava da mi "proda" svog klijenta.
11:14
To suggest that the script had merit,
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Nagovestiti da scenario ima vrednost
11:16
based solely on the possibility of being included on a list of beloved screenplays.
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samo zato što bi mogao biti na listi omiljenih scenarija.
11:21
After the call ended, I sat in my office, sort of staring out the window,
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Nakon tog poziva, sedeo sam u kancelariji, zureći kroz prozor,
11:25
alternating between shock and general giddiness.
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dok su se u meni smenjivali osećaj šoka i vrtoglavice.
11:28
And then I realized that this thing that I had created
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A potom sam shvatio da je ovo što sam napravio
11:30
had a lot more value
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imalo mnogo veću vrednost
11:31
than just me finding good screenplays to read over the holidays.
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od toga da meni pronađe dobra scenarija za čitanje na odmoru.
11:34
And so I did it again the next year --
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I tako sam ga ponovio sledeće godine,
11:37
and the "LA Times" had outed me as the person who had created it --
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a "LA Tajms" je otkrio da sam ja taj koji je to napravio,
11:40
and the year after that,
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i godine nakon te,
11:41
and the year after that -- I've done it every year since 2005.
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i godine nakon te, napravio sam je svake godine od 2005.
11:45
And the results have been fascinating,
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Rezultati su bili zapanjujući,
11:46
because, unapologetic lying aside, this agent was exactly right.
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jer, ako ostavimo laganje bez pardona po strani, onaj agent je zapravo bio u pravu.
11:51
This list was evidence, to many people, of a script's value,
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Ova lista je bila dokaz mnogima o vrednosti nekog scenarija,
11:54
and that a great script had greater value
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a da sjajan scenario ima veću vrednost
11:56
that, I think, a lot of people had previously anticipated.
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nego što je, ja mislim, mnogo ljudi prethodno očekivalo.
11:59
Very quickly, the writers whose scripts were on that list
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Ubrzo su pisci, čija su scenarija bila na toj listi,
12:02
started getting jobs,
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počeli da dobijaju poslove,
12:03
those scripts started getting made,
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ta scenarija su počela da se snimaju,
12:05
and the scripts that got made
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a scenarija koja su bila snimljena
12:07
were often the ones that violated the assumptions
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su najčešće bila ona koja su kršila pretpostavke
12:09
about what worked and what didn't.
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o tome šta se prodavalo, a šta ne.
12:11
They were scripts like "Juno" and "Little Miss Sunshine"
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To su bila scenarija kao "Džuno" i "Mala mis sanšajn"
12:15
and "The Queen" and "The King's Speech"
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i "Kraljica" i "Kraljev govor"
12:17
and "Spotlight."
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i "Pod lupom"
12:19
And yes, "Slumdog Millionaire."
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I da, "Milioner iz blata".
Čak i film o šimpanzi Majkla Džeksona koji tek treba da izađe.
12:21
And even an upcoming movie about Michael Jackson's chimpanzee.
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12:25
Now, I think it's really important that I pause here for a second
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Mislim da je veoma važno da se zaustavim ovde za trenutak
12:28
and say that I can't take credit for the success of any of those movies.
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i kažem da ja nisam zaslužan za uspeh bilo kog od ovih filmova.
12:32
I didn't write them, I didn't direct them, I didn't produce them, I didn't gaff them,
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Nisam ih napisao, nisam ih režirao, nisam ih producirao, nisam radio osvetljenje
12:36
I didn't make food and craft service --
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nisam spremao, ni posluživao hranu,
12:38
we all know how important that is.
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a svi znamo koliko je to važno.
12:40
The credit for those movies, the credit for that success,
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Zasluga za te filmove, zasluga za njihov uspeh,
12:42
goes to the people who made the films.
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ide ljudima koji su ih napravili.
12:45
What I did was change the way people looked at them.
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Ono što jesam uradio, promenio sam način na koji su ih ljudi videli.
12:47
Accidentally, I asked if the conventional wisdom was correct.
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Sasvim slučajno, pitao sam da li ustaljena pravila uvek treba primeniti.
12:52
And certainly, there are movies on that list that would have gotten made
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Naravno da je bilo filmova na toj listi koji bi bili snimljeni
i bez Crne liste,
12:56
without the Black List,
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ali je bilo i mnogo onih koji sasvim sigurno ne bi.
12:57
but there are many that definitely would not have.
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12:59
And at a minimum, we've catalyzed a lot of them into production,
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U najmanju ruku, ubrzali smo produkciju mnogih od njih,
13:02
and I think that's worth noting.
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a ja mislim da je to vredno pomena.
13:04
There have been about 1,000 screenplays on the Black List
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Oko 1.000 scenarija se našlo na Crnoj listi
13:07
since its inception in 2005.
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od njenog začetka 2005.
13:08
About 325 have been produced.
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Oko 325 je snimljeno.
13:11
They've been nominated for 300 Academy Awards,
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Nominovani su za 300 Oskara,
13:14
they've won 50.
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dobili su ih 50.
13:16
Four of the last nine Best Pictures have gone to scripts from the Black List,
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Četiri od poslednjih 9 Oskara za Najbolji film
dobila su scenarija sa Crne liste,
13:20
and 10 of the last 20 screenplay Oscars have gone to scripts from the Black List.
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a 10 od poslednjih 20 Oskara za scenarija su dodeljeni scenarijima sa Crne liste.
13:24
All told, they've made about 25 billion dollars
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Sve u svemu, zaradili su oko 25 milijardi dolara
13:27
in worldwide box office,
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u bioskopima širom sveta,
13:28
which means that hundreds of millions of people
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što znači da je stotine miliona ljudi
13:31
have seen these films when they leave their homes,
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videlo ove filmove, kada iz svojih domova dođu
13:33
and sit next to someone they don't know and the lights go down.
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i sednu kraj nekog koga ne poznaju, a svetla se ugase.
13:37
And that's to say nothing of post-theatrical environments
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I to da ni ne spomenem sve ono što dolazi posle bioskopa,
13:40
like DVD, streaming and, let's be honest, illegal downloads.
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kao npr. DVD, gledanje filmova online i hajde da budemo iskreni, piraterija.
13:44
Five years ago today, October 15,
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Pre pet godina na današnji datum, 15. oktobar,
13:48
my business partner and I doubled down on this notion
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moj poslovni partner i ja smo se još više fokusirali na ovu ideju
13:51
that screenwriting talent was not where we expected to find it,
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da talentovani scenaristi nisu bili tamo gde smo mi očekivali da ih nađemo,
13:55
and we launched a website that would allow anybody on earth
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te smo napravili veb sajt koji bi omogućio bilo kome na planeti,
13:58
who had written an English-language screenplay
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ko ima scenario na engleskom jeziku,
14:00
to upload their script, have it evaluated,
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2016
da otpremi svoj scenario, da isti bude procenjen
14:02
and make it available to thousands of film-industry professionals.
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i dostupan hiljadama profesionalaca iz filmske industrije.
Sa zadovoljstvom mogu da kažem da smo, za pet godina koliko postoji,
14:06
And I'm pleased to say, in the five years since its launch,
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14:08
we've largely proved that thesis.
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uveliko uspeli da dokažemo poentu.
14:10
Hundreds of writers from across the world have found representation,
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Na stotine pisaca širom planete je uspelo da nađe agenta,
14:13
have had their work optioned or sold.
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da dobije predugovor ili proda scenario.
14:15
Seven have even seen their films made in the last three years,
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Njih 7 je čak videlo snimanje svojih filmova u poslednje 3 godine,
14:18
including the film "Nightingale,"
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uključujući i film "Slavuj",
14:20
the story of a war veteran's psychological decline,
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priču o psihološkom posustanku jednog ratnog veterana,
14:22
in which David Oyelowo's face is the only one on screen
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u kom je lice Dejvida Ojelova jedino na ekranu
14:25
for the film's 90-minute duration.
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tokom svih 90 minuta koliko film traje.
14:27
It was nominated for a Golden Globe and two Emmy Awards.
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Nominovan je za Zlatni Globus i dve Emi nagrade.
14:30
It's also kind of cool that more than a dozen writers
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Takođe je nekako kul što je više od desetine autora
14:32
who were discovered on the website
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koji su bili otkriveni na sajtu,
14:34
have ended up on this end-of-year annual list,
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završilo na ovogodišnjoj Listi,
14:36
including two of the last three number one writers.
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uključujući i dva od poslednja tri najbolja pisca.
14:39
Simply put, the conventional wisdom about screenwriting merit --
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Jednostavno rečeno, ustaljena pravila o dobrim scenarijima,
14:43
where it was and where it could be found,
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gde su bili i gde mogu biti nađeni,
14:46
was wrong.
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bila su pogrešna.
14:48
And this is notable, because as I mentioned before,
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Ovo se može primetiti jer, kao što sam rekao ranije,
14:51
in the triage of finding movies to make and making them,
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tokom trijaže pronalaženja filmova i snimanja istih,
14:54
there's a lot of relying on conventional wisdom.
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mnogo toga se oslanja na ustaljena pravila.
14:58
And that conventional wisdom,
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A ta ustaljena pravila,
15:00
maybe, just maybe,
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možda, samo možda,
15:02
might be wrong to even greater consequence.
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mogu biti pogrešna sa velikim posledicama.
15:05
Films about black people don't sell overseas.
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Filmovi o crncima se ne prodaju dobro sa druge strane okeana.
Akcioni filmovi sa glavnom ženskom ulogom ne idu dobro,
15:09
Female-driven action movies don't work,
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15:11
because women will see themselves in men, but men won't see themselves in women.
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jer žene sebe vide u muškarcima, ali muškarci sebe ne vide u ženama.
15:16
That no one wants to see movies about women over 40.
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Da niko ne želi da gleda film o ženi koja ima više od 40 godina.
15:19
That our onscreen heroes have to conform to a very narrow idea about beauty
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Da naši heroji na ekranu moraju da potpadnu pod veoma usku ideju o lepoti
15:23
that we consider conventional.
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koju mi smatramo konvencionalnom.
15:26
What does that mean when those images are projected 30 feet high
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Šta to znači kada su sve te slike projektovane na 10 metara
15:29
and the lights go down,
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i svetla se ugase,
15:30
for a kid that looks like me in Columbus, Georgia?
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za dete koje liči na mene u Kolambusu, Džordžiji?
15:33
Or a Muslim girl in Cardiff, Wales?
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Ili za muslimansku devojčicu u Kardifu, Velsu?
15:36
Or a gay kid in Chennai?
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Ili gej dete u Čenaju?
15:38
What does it mean for how we see ourselves
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Šta to znači za to kako mi vidimo sebe
15:41
and how we see the world and for how the world sees us?
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i kako vidimo svet i to kako svet vidi nas?
15:47
We live in very strange times.
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Živimo u veoma čudnom vremenu.
15:50
And I think for the most part, we all live in a state of constant triage.
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I mislim da uglavnom, svi mi živimo u stanju konstantne trijaže.
15:54
There's just too much information,
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Prosto je previše informacija,
15:56
too much stuff to contend with.
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previše toga s čim se treba takmičiti.
15:58
And so as a rule, we tend to default to conventional wisdom.
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Te tako po pravilu, imamo tendenciju da automatski koristimo ustaljena pravila.
16:03
And I think it's important that we ask ourselves, constantly,
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I smatram da je važno da sami sebe stalno pitamo,
16:06
how much of that conventional wisdom is all convention and no wisdom?
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koliko je od tih ustaljenih pravila sve ustaljeno, ali bez logike?
16:12
And at what cost?
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I po kojoj ceni?
16:14
Thank you.
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Hvala vam.
16:15
(Applause)
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(Aplauz)
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