Taryn Simon photographs secret sites

102,775 views ใƒป 2009-09-24

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: JJ Kim ๊ฒ€ํ† : Albert Song
00:18
Okay, so
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๋„ค....๊ทธ๋Ÿฌ๋‹ˆ๊นŒ....
00:20
90 percent of my photographic process
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์ œ ์‚ฌ์ง„์ž‘์—…์˜ 90%๋Š”
00:23
is, in fact, not photographic.
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์‚ฌ์‹ค ์‚ฌ์ง„์ฐ๋Š” ์ผ์ด ์•„๋‹™๋‹ˆ๋‹ค.
00:25
It involves a campaign of letter writing,
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์ œ ์‚ฌ์ง„์ž‘์—…์—๋Š” ํŽธ์ง€์“ฐ๊ธฐ ์บ ํŽ˜์ธ,
00:28
research and phone calls
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์—ฐ๊ตฌ์กฐ์‚ฌ, ์ „ํ™”๊ฑธ๊ธฐ ๋“ฑ์ด ํฌํ•จ๋ฉ๋‹ˆ๋‹ค.
00:30
to access my subjects,
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์‚ฌ์ง„์˜ ์ฃผ์ œ์— ์ ‘๊ทผํ•˜๊ธฐ ์œ„ํ•œ ์ผ์ด์ฃ .
00:32
which can range from Hamas leaders in Gaza
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์‚ฌ์ง„์˜ ์ฃผ์ œ๋Š” ๊ฐ€์ž์ง€๊ตฌ์˜ ํ•˜๋งˆ์Šค๋ฐ˜๊ตฐ ์ง€๋„์ž๋ถ€ํ„ฐ
00:35
to a hibernating black bear in its cave
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์›จ์ŠคํŠธ๋ฒ„์ง€๋‹ˆ์•„ ๋™๊ตด์—์„œ ๊ฒจ์šธ์ž ์„ ์ž๋Š” ๊ฒ€์€๊ณฐ๊นŒ์ง€
00:38
in West Virginia.
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๋งค์šฐ ๋‹ค์–‘ํ•ฉ๋‹ˆ๋‹ค.
00:41
And oddly, the most notable
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ํฌํ•œํ•˜๊ฒŒ๋„, ์ œ๊ฐ€ ๋ฐ›์€ ๊ฑฐ์ ˆ์˜ ํŽธ์ง€ ์ค‘์—
00:44
letter of rejection I ever received
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๊ฐ€์žฅ ๋ˆˆ์— ๋„๋Š” ์นœ์ ˆํ•œ ํŽธ์ง€๋Š”
00:46
came from Walt Disney World,
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๋””์ฆˆ๋‹ˆ ์›”๋“œ๋กœ๋ถ€ํ„ฐ ๋ฐ›์€ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:48
a seemingly innocuous site.
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๋ณดํ†ต ์ƒ๊ฐํ•˜๊ธฐ์— ์•„๋ฌด๋Ÿฐ ํ•ด์•…์ด ์—†์„ ๊ฒƒ ๊ฐ™์€ ์žฅ์†Œ์ž–์•„์š”.
00:50
And it read -- I'm just going to read a key sentence:
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ํŽธ์ง€์— ์“ฐ์—ฌ์žˆ๊ธฐ๋ฅผ, ์ค‘์š”ํ•œ ๋ถ€๋ถ„๋งŒ ์ฝ์–ด๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
00:53
"Especially during these violent times,
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"ํŠนํžˆ ์ง€๊ธˆ๊ณผ ๊ฐ™์€ ํญ๋ ฅ์ ์ธ ์‹œ๋Œ€์—
00:56
I personally believe
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์ €๋Š” ๊ฐœ์ธ์ ์œผ๋กœ ์šฐ๋ฆฌ ๋†€์ด๊ณต์›์„ ๋ฐฉ๋ฌธํ•˜๋Š” ๊ณ ๊ฐ๋“ค์—๊ฒŒ ์ฃผ์–ด์ง€๋Š”
00:58
that the magical spell cast upon guests who visit our theme parks
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๋งˆ๋ฒ•๊ฐ™์€ ๊ฒฝํ—˜์„ ๋ณดํ˜ธํ•˜๊ณ , ๋˜ํ•œ ๊ทธ๋ถ„๋“ค์—๊ฒŒ
01:02
is particularly important to protect
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ํ˜„์‹ค๋กœ๋ถ€ํ„ฐ ๋„ํ”ผํ•  ์ˆ˜ ์žˆ๋Š” ์ค‘์š”ํ•œ ํ™˜์ƒ์„ ์ œ๊ณตํ•˜๋„๋ก
01:05
and helps to provide them with an important fantasy
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๋•๋Š” ๊ฒƒ์ด ์ค‘์š”ํ•˜๋‹ค๊ณ  ๋ฏฟ์Šต๋‹ˆ๋‹ค."
01:07
they can escape to."
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๋•๋Š” ๊ฒƒ์ด ์ค‘์š”ํ•˜๋‹ค๊ณ  ๋ฏฟ์Šต๋‹ˆ๋‹ค."
01:09
Photography threatens fantasy.
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์‚ฌ์ง„์€ ํ™˜์ƒ์— ์œ„ํ˜‘์ด ๋œ๋‹ค.
01:12
They didn't want to let my camera in
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๊ทธ๋“ค์ด ์ œ ์นด๋ฉ”๋ผ๋ฅผ ๋“ค์—ฌ๋†“์ง€ ์•Š์œผ๋ ค๋Š” ์ด์œ ๋Š”
01:14
because it confronts constructed realities, myths and beliefs,
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์‚ฌ์ง„์ด ์กฐ์ž‘๋œ ์‚ฌ์‹ค์„ฑ, ์‹ ํ™”์™€ ๋ฏฟ์Œ์— ๋งž์„œ๊ณ 
01:18
and provides what appears to be
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์ง„์‹ค์˜ ์ฆ๊ฑฐ๋กœ ๋ณด์ด๋Š” ๊ฒƒ์„ ์ œ๊ณตํ•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
01:21
evidence of a truth.
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์ง„์‹ค์˜ ์ฆ๊ฑฐ๋กœ ๋ณด์ด๋Š” ๊ฒƒ์„ ์ œ๊ณตํ•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
01:23
But there are multiple truths attached to every image,
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ํ•˜์ง€๋งŒ ๋ชจ๋“  ์‚ฌ์ง„์—๋Š” ์—ฌ๋Ÿฌ๊ฐ€์ง€ ์ง„์‹ค์ด ๋‹ด๊ฒจ์žˆ์Šต๋‹ˆ๋‹ค.
01:26
depending on the creator's intention, the viewer
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์ž‘๊ฐ€๋‚˜ ๊ด€๋žŒ์ž์˜ ์˜๋„์— ๋”ฐ๋ผ,
01:29
and the context in which it is presented.
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์ œ์‹œ๋˜๋Š” ๋ฌธ๋งฅ์— ๋”ฐ๋ผ ๋‹ค๋ฅธ ์ง„์‹ค์„ ๋ณผ ์ˆ˜ ์žˆ์ฃ .
01:33
Over a five year period following September 11th,
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911์‚ฌํƒœ ์ดํ›„ 5๋…„๊ฐ„
01:36
when the American media and government were seeking
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๋ฏธ๊ตญ์˜ ๋งค์Šค์ปด๊ณผ ์ •๋ถ€๊ฐ€
01:38
hidden and unknown sites
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๋Œ€๋Ÿ‰์‚ด์ƒ๋ฌด๊ธฐ๋ฅผ ์ฐพ์•„ ๋ฏธ๊ตญ๋ฐ–์— ์žˆ๋Š”
01:40
beyond its borders,
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์ˆจ๊ฒจ์ง€๊ณ  ์•Œ๋ ค์ง€์ง€ ์•Š์€
01:42
most notably weapons of mass destruction,
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๊ณณ๋“ค์„ ๋’ค์ง€๊ณ  ์žˆ์„ ๋•Œ
01:45
I chose to look inward at that which was integral
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์ €๋Š” ๋ฏธ๊ตญ์˜ ์„ฑ๋ฆฝ, ์‹ ํ™”, ์ผ์ƒ์ ์ธ ๊ธฐ๋Šฅ์˜
01:48
to America's foundation,
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ํ•ต์‹ฌ์ ์ธ ๊ฒƒ๋“ค์˜ ๋‚ด๋ถ€๋ฅผ ๋“ค์—ฌ๋‹ค๋ณด๊ธฐ๋กœ ํ–ˆ์Šต๋‹ˆ๋‹ค.
01:50
mythology and daily functioning.
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ํ•ต์‹ฌ์ ์ธ ๊ฒƒ๋“ค์˜ ๋‚ด๋ถ€๋ฅผ ๋“ค์—ฌ๋‹ค๋ณด๊ธฐ๋กœ ํ–ˆ์Šต๋‹ˆ๋‹ค.
01:52
I wanted to confront the boundaries of the citizen,
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์ €๋Š” ์‹œ๋ฏผ๋“ค์ด ์–ด์ฉ”์ˆ˜ ์—†์ด ๋˜๋Š” ์Šค์Šค๋กœ ์„ค์ •ํ•œ ๊ฒฝ๊ณ„๋ฅผ ๋Œ€๋ฉดํ•˜๊ณ ์ž ํ–ˆ์Šต๋‹ˆ๋‹ค.
01:55
self-imposed and real,
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์ €๋Š” ์‹œ๋ฏผ๋“ค์ด ์–ด์ฉ”์ˆ˜ ์—†์ด ๋˜๋Š” ์Šค์Šค๋กœ ์„ค์ •ํ•œ ๊ฒฝ๊ณ„๋ฅผ ๋Œ€๋ฉดํ•˜๊ณ ์ž ํ–ˆ์Šต๋‹ˆ๋‹ค.
01:57
and confront the divide between privileged
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ํŠน๊ถŒ์ธต๊ณผ ์ผ๋ฐ˜๋Œ€์ค‘์˜ ์ •๋ณด์— ๋Œ€ํ•œ ์ ‘๊ทผ์„ฑ์˜ ์ฐจ์ด์— ๋งž์„œ๋ ค๊ณ  ํ–ˆ์Šต๋‹ˆ๋‹ค.
02:00
and public access to knowledge.
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ํŠน๊ถŒ์ธต๊ณผ ์ผ๋ฐ˜๋Œ€์ค‘์˜ ์ •๋ณด์— ๋Œ€ํ•œ ์ ‘๊ทผ์„ฑ์˜ ์ฐจ์ด์— ๋งž์„œ๋ ค๊ณ  ํ–ˆ์Šต๋‹ˆ๋‹ค.
02:04
It was a critical moment in American history
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๋ฏธ๊ตญ๊ณผ ์„ธ๊ณ„์˜ ์—ญ์‚ฌ์— ์žˆ์–ด ๊ฒฐ์ •์ ์ธ ์ˆœ๊ฐ„์ด์—ˆ์Šต๋‹ˆ๋‹ค.
02:07
and global history
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๋ฏธ๊ตญ๊ณผ ์„ธ๊ณ„์˜ ์—ญ์‚ฌ์— ์žˆ์–ด ๊ฒฐ์ •์ ์ธ ์ˆœ๊ฐ„์ด์—ˆ์Šต๋‹ˆ๋‹ค.
02:09
where one felt they didn't have access to accurate information.
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์‚ฌ๋žŒ๋“ค์ด ์ •ํ™•ํ•œ ์ •๋ณด์— ์ ‘๊ทผํ•  ์ˆ˜ ์—†๋‹ค๊ณ  ๋Š๋ผ๋Š” ๋•Œ์˜€์ฃ .
02:12
And I wanted to see the center with my own eyes,
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์ €๋Š” ์ œ ๋‘ ๋ˆˆ์œผ๋กœ ๊ทธ ํ•ต์‹ฌ์„ ๋ณด๊ณ  ์‹ถ์—ˆ์Šต๋‹ˆ๋‹ค.
02:16
but what I came away with is a photograph.
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ํ•˜์ง€๋งŒ ์ œ๊ฐ€ ๊ฐ€์ง€๊ณ  ๋‚˜์˜จ ๊ฒƒ์€ ํ•œ ์žฅ์˜ ์‚ฌ์ง„์ด์—ˆ์Šต๋‹ˆ๋‹ค.
02:19
And it's just another place from which to observe,
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๊ทธ๊ฒƒ์€ ๋˜๋‹ค๋ฅธ ๊ด€์ฐฐ์˜ ์ง€์ ์ผ ๋ฟ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
02:21
and the understanding that
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๋ชจ๋“  ๊ฒƒ์„ ์•„๋Š” ์ ˆ๋Œ€์ ์ธ ๋‚ด๋ถ€์ž๊ฐ€ ์—†๋‹ค๋Š” ์‚ฌ์‹ค, ์™ธ๋ถ€์ธ์€ ์ ˆ๋Œ€๋กœ ํ•ต์‹ฌ์— ๋‹ค๋‹ค๋ฅผ ์ˆ˜ ์—†๋‹ค๋Š” ์‚ฌ์‹ค์— ๋Œ€ํ•œ ๊นจ๋‹ฌ์Œ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
02:23
there are no absolute, all-knowing insiders.
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๋ชจ๋“  ๊ฒƒ์„ ์•„๋Š” ์ ˆ๋Œ€์ ์ธ ๋‚ด๋ถ€์ž๊ฐ€ ์—†๋‹ค๋Š” ์‚ฌ์‹ค, ์™ธ๋ถ€์ธ์€ ์ ˆ๋Œ€๋กœ ํ•ต์‹ฌ์— ๋‹ค๋‹ค๋ฅผ ์ˆ˜ ์—†๋‹ค๋Š” ์‚ฌ์‹ค์— ๋Œ€ํ•œ ๊นจ๋‹ฌ์Œ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
02:26
And the outsider can never really reach the core.
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๋ชจ๋“  ๊ฒƒ์„ ์•„๋Š” ์ ˆ๋Œ€์ ์ธ ๋‚ด๋ถ€์ž๊ฐ€ ์—†๋‹ค๋Š” ์‚ฌ์‹ค, ์™ธ๋ถ€์ธ์€ ์ ˆ๋Œ€๋กœ ํ•ต์‹ฌ์— ๋‹ค๋‹ค๋ฅผ ์ˆ˜ ์—†๋‹ค๋Š” ์‚ฌ์‹ค์— ๋Œ€ํ•œ ๊นจ๋‹ฌ์Œ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
02:31
I'm going to run through some of the photographs in this series.
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์ด ์‹œ๋ฆฌ์ฆˆ์˜ ์‚ฌ์ง„๋“ค ๋ช‡๊ฐ€์ง€๋ฅผ ๋ณด์—ฌ๋“œ๋ฆฌ๋ ค๊ณ  ํ•ฉ๋‹ˆ๋‹ค.
02:35
It's titled, "An American Index
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์ œ๋ชฉ์€ "๋ฏธ๊ตญ์˜ ์ˆจ๊ฒจ์ง€๊ณ  ๋‚ฏ์„  ๊ฒƒ๋“ค์˜ ๋ชฉ๋ก" ์ž…๋‹ˆ๋‹ค.
02:37
of the Hidden and Unfamiliar,"
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์ œ๋ชฉ์€ "๋ฏธ๊ตญ์˜ ์ˆจ๊ฒจ์ง€๊ณ  ๋‚ฏ์„  ๊ฒƒ๋“ค์˜ ๋ชฉ๋ก" ์ž…๋‹ˆ๋‹ค.
02:39
and it's comprised of nearly 70 images.
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๊ฑฐ์˜ 70์žฅ์˜ ์‚ฌ์ง„์œผ๋กœ ์ด๋ฃจ์–ด์ ธ ์žˆ์Šต๋‹ˆ๋‹ค.
02:42
In this context I'll just show you a few.
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์ด๋Ÿฐ ๋งฅ๋ฝ์—์„œ ๋ช‡์žฅ๋งŒ ๋ณด์—ฌ๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
02:44
This is a nuclear waste storage and encapsulation facility
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์ด๊ฒƒ์€ ์›Œ์‹ฑํ„ด์ฃผ ํ•ธํฌ๋“œ์˜ ๋ฐฉ์‚ฌ์„ฑํ๊ธฐ๋ฌผ ์ฒ˜๋ฆฌ์‹œ์„ค์ž…๋‹ˆ๋‹ค.
02:49
at Hanford site in Washington State,
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์ด๊ฒƒ์€ ์›Œ์‹ฑํ„ด์ฃผ ํ•ธํฌ๋“œ์˜ ๋ฐฉ์‚ฌ์„ฑํ๊ธฐ๋ฌผ ์ฒ˜๋ฆฌ์‹œ์„ค์ž…๋‹ˆ๋‹ค.
02:51
where there are over 1,900
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๊ทธ๊ณณ์—๋Š” ๋ฐฉ์‚ฌ์„ฑ ํ๊ธฐ๋ฌผ์„ ๋‹ด์€ 1900๊ฐœ์˜
02:53
stainless steel capsules containing nuclear waste
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์Šคํ…Œ์ธ๋ ˆ์Šค์บก์Š๋“ค์ด ๋ฌผ์†์— ์ž ๊ฒจ์žˆ์Šต๋‹ˆ๋‹ค.
02:55
submerged in water.
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์Šคํ…Œ์ธ๋ ˆ์Šค์บก์Š๋“ค์ด ๋ฌผ์†์— ์ž ๊ฒจ์žˆ์Šต๋‹ˆ๋‹ค.
02:57
A human standing in front of an unprotected capsule would die instantly.
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๋ณดํ˜ธ์žฅ์น˜๊ฐ€ ํ•ด์ œ๋œ ์บก์Š์•ž์— ์‚ฌ๋žŒ์ด ์žˆ๋‹ค๋ฉด ์ฆ‰์‚ฌํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
03:01
And I found one section amongst all of these
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์ €๋Š” ๋ฏธ๊ตญ์ง€๋„์˜ ์™ธ๊ณฝ์„ ์„ ๋‹ฎ์€
03:04
that actually resembled the outline
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์บก์Š์˜ ์ง‘ํ•ฉ์„ ๋ฐœ๊ฒฌํ–ˆ์Šต๋‹ˆ๋‹ค.
03:06
of the United States of America,
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์บก์Š์˜ ์ง‘ํ•ฉ์„ ๋ฐœ๊ฒฌํ–ˆ์Šต๋‹ˆ๋‹ค.
03:08
which you can see here.
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์—ฌ๊ธฐ์„œ ๋ณด์‹œ๋Š” ๊ฒƒ์ฒ˜๋Ÿผ์š”.
03:10
And a big part of the work that is
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๊ทธ๋ฆฌ๊ณ , ๋ณดํ†ต โ€˜ํ…์ŠคํŠธ(๊ธ€)โ€™๊ฐ€ ์ž‘ํ’ˆ์˜
03:12
sort of absent in this context is text.
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ํฐ ๋ถ€๋ถ„์„ ์ฐจ์ง€ํ•˜๋Š”๋ฐ, ์ด๋Ÿฐ ๋งฅ๋ฝ์—์„œ๋Š” ๋น ์ ธ ์žˆ์Šต๋‹ˆ๋‹ค.
03:16
So I create these two poles.
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๊ทธ๋ž˜์„œ ์ €๋Š” ๋‘๊ฐœ์˜ ๋Œ€๋ฆฝ๋˜๋Š” ์š”์†Œ๋ฅผ ๋งŒ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค.
03:18
Every image is accompanied with a very detailed factual text.
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๋ชจ๋“  ์ด๋ฏธ์ง€์—๋Š” ์•„์ฃผ ์ƒ์„ธํ•œ ์‚ฌ์‹ค์˜ ๊ธฐ์ˆ ์ด ๋ง๋ถ™์—ฌ์ง„๋‹ค.
03:22
And what I'm most interested in
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์ œ๊ฐ€ ๊ฐ€์žฅ ๊ด€์‹ฌ์„ ๊ฐ€์ง€๋Š” ๊ฒƒ์€
03:24
is the invisible space between a text
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'ํ…์ŠคํŠธ'์™€ ๊ด€๋ จ๋œ '์ด๋ฏธ์ง€' ์‚ฌ์ด์˜ ๋ณด์ด์ง€ ์•Š๋Š” ๊ณต๊ฐ„๊ณผ,
03:27
and its accompanying image,
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'ํ…์ŠคํŠธ'์™€ ๊ด€๋ จ๋œ '์ด๋ฏธ์ง€' ์‚ฌ์ด์˜ ๋ณด์ด์ง€ ์•Š๋Š” ๊ณต๊ฐ„๊ณผ,
03:29
and how the image is transformed by the text
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์–ด๋–ป๊ฒŒ '์ด๋ฏธ์ง€'๊ฐ€ 'ํ…์ŠคํŠธ'์— ์˜ํ•ด์„œ, ๋˜ 'ํ…์ŠคํŠธ'๊ฐ€ '์ด๋ฏธ์ง€'์— ์˜ํ•ด์„œ
03:32
and the text by the image.
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๋ณ€ํ˜•์ด ๋˜๋Š”๊ฐ€ ํ•˜๋Š” ์ ์ž…๋‹ˆ๋‹ค.
03:34
So, at best, the image is meant to float away
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ, ์ตœ์„ ์˜ ๊ฒฝ์šฐ์—๋„ ์ด๋ฏธ์ง€๋Š” ์ถ”์ƒ์„ฑ๊ณผ
03:36
into abstraction and multiple truths and fantasy.
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์—ฌ๋Ÿฌ๊ฐ€์ง€ ์ง„์‹ค๊ณผ ํ™˜์ƒ์†์œผ๋กœ ํ˜๋Ÿฌ๊ฐˆ ๋ฟ์ž…๋‹ˆ๋‹ค.
03:40
And then the text functions as this cruel anchor
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ํ…์ŠคํŠธ๋Š” ๊ทธ๊ฒƒ์„ ๋•…์— ๊ณ ์ •์‹œํ‚ค๋Š” ๋ƒ‰์ •ํ•œ ๋‹ป์˜ ๊ธฐ๋Šฅ์„ ํ•ฉ๋‹ˆ๋‹ค.
03:43
that kind of nails it to the ground.
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ํ…์ŠคํŠธ๋Š” ๊ทธ๊ฒƒ์„ ๋•…์— ๊ณ ์ •์‹œํ‚ค๋Š” ๋ƒ‰์ •ํ•œ ๋‹ป์˜ ๊ธฐ๋Šฅ์„ ํ•ฉ๋‹ˆ๋‹ค.
03:45
But in this context I'm just going to read
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์ด๋Ÿฐ ๋งฅ๋ฝ์—์„œ ์ €๋Š” ๊ทธ ํ…์ŠคํŠธ๋“ค์„ ์ถ•์•ฝํ•ด์„œ
03:48
an abridged version of those texts.
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์ฝ์–ด๋“œ๋ฆฌ๊ฒ ์Šต๋‹ˆ๋‹ค.
03:50
This is a cryopreservation unit,
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์ด๊ฒƒ์€ ๋ƒ‰๋™๋ณด์กด์žฅ์น˜์ž…๋‹ˆ๋‹ค.
03:53
and it holds the bodies of the wife and mother
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์ธ์ฒด๋ƒ‰๋™๊ธฐ์ˆ ์˜ ์„ ๊ตฌ์ž์ธ ๋กœ๋ฒ„ํŠธ ์—ํ‹ด์ €์˜
03:55
of cryonics pioneer Robert Ettinger,
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์•„๋‚ด์™€ ์–ด๋จธ๋‹ˆ๊ฐ€ ๋“ค์–ด์žˆ์Šต๋‹ˆ๋‹ค.
03:57
who hoped to be awoken one day to extended life
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๊ณผํ•™๊ธฐ์ˆ ์˜ ์ง„๋ณด์— ๋”ฐ๋ผ ๊ฑด๊ฐ•ํ•˜๊ฒŒ ์ƒ๋ช…์„ ์—ฐ์žฅํ•  ์ˆ˜ ์žˆ์„ ๋•Œ
04:00
in good health, with advancements in science and technology,
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๊นจ์›Œ์ง€๊ธฐ๋ฅผ ๋ฐ”๋ผ๋ฉด์„œ ๋ˆ„์›Œ์žˆ์ฃ .
04:04
all for the cost of 35 thousand dollars, for forever.
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๋ชจ๋‘ 3๋งŒ5์ฒœ๋ถˆ(4์ฒœ๋งŒ์›) ์ •๋„ ๋“œ๋Š”๋ฐ, ์ •ํ•ด์ง„ ๊ธฐํ•œ์€ ์—†์Šต๋‹ˆ๋‹ค.
04:09
This is a 21-year-old Palestinian woman
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21์‚ด์˜ ํŒ”๋ ˆ์Šคํƒ€์ธ ์—ฌ์„ฑ์ž…๋‹ˆ๋‹ค.
04:12
undergoing hymenoplasty.
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์ฒ˜๋…€๋ง‰์žฌ์ƒ์ˆ ์„ ๋ฐ›๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
04:14
Hymenoplasty is a surgical procedure which restores the virginal state,
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์ฒ˜๋…€๋ง‰์žฌ์ƒ์ˆ ์„ '์ฒ˜๋…€์˜ ์ƒํƒœ'๋ฅผ ํšŒ๋ณต์‹œ์ผœ์ฃผ๋Š” ์™ธ๊ณผ์  ์ˆ˜์ˆ ์ธ๋ฐ
04:19
allowing her to adhere to certain cultural expectations
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์ด๋ฅผ ํ†ตํ•ด ์ฒ˜๋…€์„ฑ๊ณผ ๊ฒฐํ˜ผ์— ๋Œ€ํ•œ ๊ทธ๋“ค์˜ ๋ฌธํ™”์ ๊ธฐ๋Œ€์— ๋ถ€์‘ํ•˜๋„๋ก ํ•ด์ค๋‹ˆ๋‹ค.
04:22
regarding virginity and marriage.
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์ด๋ฅผ ํ†ตํ•ด ์ฒ˜๋…€์„ฑ๊ณผ ๊ฒฐํ˜ผ์— ๋Œ€ํ•œ ๊ทธ๋“ค์˜ ๋ฌธํ™”์ ๊ธฐ๋Œ€์— ๋ถ€์‘ํ•˜๋„๋ก ํ•ด์ค๋‹ˆ๋‹ค.
04:24
So it essentially reconstructs a ruptured hymen,
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ, ํŒŒ๊ดด๋œ ์ฒ˜๋…€๋ง‰์„ ๋‹ค์‹œ ๋งŒ๋“œ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:27
allowing her to bleed upon having sexual intercourse,
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์„ฑ๊ด€๊ณ„์‹œ์— ํ”ผ๋ฅผ ํ˜๋ฆฌ๋Š” ์ฒ˜๋…€์„ฑ์˜ ์ƒ์‹คํ˜„์ƒ์„ ํ‰๋‚ด๋‚ด๋„๋ก ํ•ด์ฃผ๋Š” ๊ฒ๋‹ˆ๋‹ค.
04:31
to simulate the loss of virginity.
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์„ฑ๊ด€๊ณ„์‹œ์— ํ”ผ๋ฅผ ํ˜๋ฆฌ๋Š” ์ฒ˜๋…€์„ฑ์˜ ์ƒ์‹คํ˜„์ƒ์„ ํ‰๋‚ด๋‚ด๋„๋ก ํ•ด์ฃผ๋Š” ๊ฒ๋‹ˆ๋‹ค.
04:34
This is a jury simulation deliberation room,
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์—ฌ๊ธฐ๋Š” ๋ชจ์˜ ๋ฐฐ์‹ฌ์› ํ† ์˜์‹ค์ž…๋‹ˆ๋‹ค.
04:37
and you can see beyond that two-way mirror
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์–‘๋ฉด๊ฑฐ์šธ ๋„ˆ๋จธ๋กœ ๋ฐฐ์‹ฌ์›์ž๋ฌธ๊ฐ€๋“ค์ด
04:39
jury advisers standing in a room behind the mirror.
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๊ฑฐ์šธ ๋’ค์ชฝ์˜ ๋ฐฉ์— ์„œ์žˆ๋Š” ๊ฒƒ์„ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
04:43
And they observe deliberations
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๊ทธ๋“ค์€ ํ† ์˜๋ฅผ ๊ด€์ฐฐํ•ฉ๋‹ˆ๋‹ค.
04:45
after mock trial proceedings
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๋ชจ์˜ ์žฌํŒ ์ง„ํ–‰์ด ๋๋‚œ ํ›„์—
04:47
so that they can better advise their clients how to adjust their trial strategy
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๊ณ ๊ฐ๋“ค์ด ์›ํ•˜๋Š” ๊ฒฐ๊ณผ๋ฅผ ์–ป๊ธฐ ์œ„ํ•ด ์žฌํŒ์ „๋žต์„ ์–ด๋–ป๊ฒŒ ์ˆ˜์ •ํ• ์ง€์— ๋Œ€ํ•œ
04:51
to have the outcome that they're hoping for.
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๋” ์ข‹์€ ์ž๋ฌธ์„ ํ•˜๊ธฐ ์œ„ํ•ด์„œ์ž…๋‹ˆ๋‹ค.
04:54
This process costs 60,000 dollars.
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์—ฌ๊ธฐ์—๋Š” 6๋งŒ๋‹ฌ๋Ÿฌ(์•ฝ 7์ฒœ๋งŒ์›)์ด ๋“ญ๋‹ˆ๋‹ค.
04:59
This is a U.S. Customs and Border Protection room,
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์—ฌ๊ธฐ๋Š” ๋ฏธ๊ตญ ์„ธ๊ด€/๊ตญ๊ฒฝ์ˆ˜๋น„๋Œ€ ์‚ฌ๋ฌด์‹ค์ž…๋‹ˆ๋‹ค.
05:03
a contraband room, at John F. Kennedy International Airport.
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JFK ๊ตญ์ œ๊ณตํ•ญ์˜ ๋ฐ€์ˆ˜ํ’ˆ ๋ณด๊ด€์‹ค์ž…๋‹ˆ๋‹ค.
05:06
On that table you can see 48 hours' worth
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์ € ํ…Œ์ด๋ธ” ์œ„์— 48์‹œ๊ฐ„ ๋ถ„๋Ÿ‰์˜ ๋ฐ€์ˆ˜ํ’ˆ๋“ค์ด ์žˆ์Šต๋‹ˆ๋‹ค.
05:09
of seized goods from passengers entering in to the United States.
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๋ฏธ๊ตญ์œผ๋กœ ์ž…๊ตญํ•˜๋Š” ์Šน๊ฐ๋“ค๋กœ๋ถ€ํ„ฐ ์••์ˆ˜๋œ ๊ฒƒ๋“ค์ž…๋‹ˆ๋‹ค.
05:13
There is a pig's head and African cane rats.
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๋ผ์ง€๋จธ๋ฆฌ๋„ ์žˆ๊ณ , ์•„ํ”„๋ฆฌ์นด ๋“ค์ฅ๋“ค๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
05:17
And part of my photographic work
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์ œ ์‚ฌ์ง„์ž‘์—…์˜ ์ผ๋ถ€๋ถ„์€
05:19
is I'm not just documenting what's there.
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๊ทธ๋ƒฅ ์žˆ๋Š” ๊ทธ๋Œ€๋กœ ๊ธฐ๋ก๋งŒ ํ•˜์ง€ ์•Š๋Š”๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:22
I do take certain liberties and intervene.
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์–ด๋Š ์ •๋„๋Š” ์ž์œ ๋กญ๊ฒŒ ๊ฐœ์ž…์„ ํ•ฉ๋‹ˆ๋‹ค.
05:25
And in this I really wanted it to resemble
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์ด ์‚ฌ์ง„์€ ๊ผญ ์ดˆ๊ธฐ ์ •๋ฌผํ™”์ฒ˜๋Ÿผ ์ฐ๊ณ  ์‹ถ์—ˆ์Šต๋‹ˆ๋‹ค.
05:27
an early still-life painting,
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์ด ์‚ฌ์ง„์€ ๊ผญ ์ดˆ๊ธฐ ์ •๋ฌผํ™”์ฒ˜๋Ÿผ ์ฐ๊ณ  ์‹ถ์—ˆ์Šต๋‹ˆ๋‹ค.
05:29
so I spent some time with the smells and items.
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๊ทธ๋ž˜์„œ ์–ด๋Š ์ •๋„์˜ ์‹œ๊ฐ„์„ ๋ƒ„์ƒˆ์™€ ๋ฌผ๊ฑด๋“ค ์‚ฌ์ด์—์„œ ๋ณด๋ƒˆ์Šต๋‹ˆ๋‹ค.
05:34
This is the exhibited art on the walls of the CIA
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์ด๊ฒƒ์€ ๋ฏธ๊ตญ ์ค‘์•™์ •๋ณด๊ตญ(CIA)์˜ ๋ฒฝ์— ๊ฑธ๋ ค์žˆ๋Š” ๋ฏธ์ˆ ํ’ˆ์ž…๋‹ˆ๋‹ค.
05:37
in Langley, Virginia, their original headquarters building.
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๋ฒ„์ง€๋‹ˆ์•„ ๋žญ๊ธ€๋ฆฌ์— ์žˆ๋Š” ์›๋ž˜ ๋ณธ๋ถ€ ๋นŒ๋”ฉ์ž…๋‹ˆ๋‹ค.
05:40
And the CIA has had a long history
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CIA๋Š” ์˜ค๋žœ ๊ธฐ๊ฐ„ ๋™์•ˆ ๋น„๋ฐ€์Šค๋Ÿฌ์šด, ๋˜ ๊ณต๊ฐœ์ ์ธ
05:43
with both covert and public cultural diplomacy efforts.
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๋ฌธํ™” ์™ธ๊ตํ™œ๋™์˜ ์—ญ์‚ฌ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
05:47
And it's speculated that some of their interest in the arts
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๊ทธ๋“ค์˜ ์˜ˆ์ˆ ์— ๋Œ€ํ•œ ๊ด€์‹ฌ์˜ ์ผ๋ถ€๋Š” ์†Œ๋ จ ๊ณต์‚ฐ์ฃผ์˜์— ๋Œ€ํ•ญํ•˜๊ณ 
05:49
was designed to counter Soviet communism
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์นœ๋ฏธ์ ์ธ ๊ฒƒ์œผ๋กœ ๊ฐ„์ฃผ๋˜๋Š” ์‚ฌ์ƒ์ด๋‚˜ ๋ฏธํ•™๋“ค์„ ํ™œ์„ฑํ™”ํ•˜๋„๋ก
05:52
and promote what it considered to be pro-American
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์นœ๋ฏธ์ ์ธ ๊ฒƒ์œผ๋กœ ๊ฐ„์ฃผ๋˜๋Š” ์‚ฌ์ƒ์ด๋‚˜ ๋ฏธํ•™๋“ค์„ ํ™œ์„ฑํ™”ํ•˜๋„๋ก
05:54
thoughts and aesthetics.
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๊ณ„ํš๋˜์—ˆ๋‹ค๋Š” ์ถ”์ธก๋“ค๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
05:56
And one of the art forms that elicited the interest of the agency,
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CIA์˜ ๊ด€์‹ฌ์„ ๋ˆ, ๊ทธ๋ž˜์„œ ๋ฌธ์ œ๊ฐ€ ๋˜๊ธฐ๋„ ํ–ˆ๋˜ ์˜ˆ์ˆ ํ˜•ํƒœ์˜ ํ•˜๋‚˜๊ฐ€ ๋ฐ”๋กœ
06:00
and had thus come under question, is abstract expressionism.
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์ถ”์ƒํ‘œํ˜„์ฃผ์˜์ž…๋‹ˆ๋‹ค.
06:06
This is the Forensic Anthropology Research Facility,
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์ด๊ฒƒ์€ ๋ฒ•์ •์ธ๋ฅ˜ํ•™ ์—ฐ๊ตฌ์‹œ์„ค์ž…๋‹ˆ๋‹ค.
06:10
and on a six acre plot
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6์—์ด์ปค(์•ฝ 7300ํ‰) ๋Œ€์ง€์—
06:12
there are approximately 75 cadavers at any given time
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๋ฒ•์ •์ธ๋ฅ˜ํ•™ ์—ฐ๊ตฌ์™€ ์‹œ์ฒด๋ถ€ํŒจ์†๋„๋ฅผ
06:16
that are being studied by forensic anthropologists
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๋ชจ๋‹ˆํ„ฐ ํ•˜๋Š” ์—ฐ๊ตฌ์ž๋“ค์„ ์œ„ํ•ด
06:19
and researchers who are interested in monitoring
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์–ธ์ œ๋‚˜ 75๊ตฌ ๊ฐ€๊นŒ์šด ์‹œ์ฒด๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
06:22
a rate of corpse decomposition.
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์–ธ์ œ๋‚˜ 75๊ตฌ ๊ฐ€๊นŒ์šด ์‹œ์ฒด๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
06:25
And in this particular photograph the body of a young boy
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๋ฐ”๋กœ ์ด ์‚ฌ์ง„์— ์žˆ๋Š” ์†Œ๋…„์˜ ์‹œ์ฒด๋Š”
06:28
has been used to reenact a crime scene.
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๋ฒ”์ฃ„ ์‚ฌ๊ฑด์„ ์žฌ๊ตฌ์„ฑํ•˜๊ธฐ ์œ„ํ•ด ์‚ฌ์šฉ๋˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
06:32
This is the only federally funded site
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์ด๊ณณ์€ ์—ฐ๋ฐฉ์ •๋ถ€๊ฐ€ ์ž๊ธˆ์„ ์ง€์›ํ•˜๋Š” ๊ณณ์œผ๋กœ๋Š” ์œ ์ผํ•˜๊ฒŒ
06:35
where it is legal to cultivate cannabis
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๋ฏธ๊ตญ์—์„œ ๊ณผํ•™์  ์—ฐ๊ตฌ๋ฅผ ์œ„ํ•ด
06:38
for scientific research in the United States.
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ํ•ฉ๋ฒ•์ ์œผ๋กœ ๋Œ€๋งˆ์ดˆ๋ฅผ ์žฌ๋ฐฐํ•˜๋Š” ๊ณณ์ž…๋‹ˆ๋‹ค.
06:41
It's a research crop marijuana grow room.
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์—ฐ๊ตฌ์šฉ ๋Œ€๋งˆ์ดˆ ์žฌ๋ฐฐ์‹ค์ž…๋‹ˆ๋‹ค.
06:43
And part of the work that I hope for
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์ œ๊ฐ€ ์›ํ•˜๋Š” ์ž‘์—… ์ค‘ ํ•˜๋‚˜๋Š”
06:46
is that there is a sort of disorienting entropy
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์ผ์ข…์˜ '๋ฐฉํ–ฅ์„ ์žƒ๊ฒŒ ํ•˜๋Š” ์—”ํŠธ๋กœํ”ผ'๊ฐ€ ์žˆ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:49
where you can't find any discernible formula in how these things --
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์–ด๋–ค๊ฒƒ๋“ค ์‚ฌ์ด์˜ ์ฐจ์ด๋ฅผ ๋ถ„๊ฐ„ํ•  ๋ฐฉ๋ฒ•์„ ์ฐพ์„ ์ˆ˜ ์—†๋Š”...
06:53
they sort of awkwardly jump from government to science
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์ •๋ถ€์—์„œ ๊ณผํ•™์œผ๋กœ, ์ข…๊ต์—์„œ ์•ˆ๋ณด๋กœ...
06:56
to religion to security --
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์–ด์ƒ‰ํ•˜๊ฒŒ ์—ฐ๊ฒฐ๋˜๋Š”...
06:58
and you can't completely understand
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์ •๋ณด๊ฐ€ ์–ด๋–ป๊ฒŒ ๋ถ„์‚ฐ๋˜๋Š”์ง€
07:01
how information is being distributed.
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์™„์ „ํžˆ ์ดํ•ดํ•  ์ˆ˜ ์—†๋Š” ์ƒํƒœ...
07:05
These are transatlantic submarine communication cables
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์ด๊ฒƒ์€ ๋Œ€์„œ์–‘ํšก๋‹จ ํ•ด์ € ํ†ต์‹ ์ผ€์ด๋ธ”์ž…๋‹ˆ๋‹ค.
07:08
that travel across the floor of the Atlantic Ocean,
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๋Œ€์„œ์–‘์˜ ๋ฐ”๋‹ฅ์„ ๊ฐ€๋กœ์งˆ๋Ÿฌ
07:11
connecting North America to Europe.
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๋ถ๋ฏธ์™€ ์œ ๋Ÿฝ์„ ์—ฐ๊ฒฐํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
07:13
They carry over 60 million simultaneous voice conversations,
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๋™์‹œ์— 6์ฒœ๋งŒ๊ฐœ๊ฐ€ ๋„˜๋Š” ์Œ์„ฑํ†ตํ™”๋ฅผ ์—ฐ๊ฒฐํ•ฉ๋‹ˆ๋‹ค.
07:17
and in a lot of the government and technology sites
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์ˆ˜๋งŽ์€ ์ •๋ถ€๋‚˜ ๊ธฐ์ˆ  ์‹œ์„ค์—๋Š”
07:20
there was just this very apparent vulnerability.
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์•„์ฃผ ๋ˆˆ์— ๋„๋Š” ์ทจ์•ฝ์„ฑ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
07:23
This one is almost humorous because it feels like I could
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์ด ๊ฒฝ์šฐ๋Š” ๊ฑฐ์˜ ์šฐ์Šต๊ธฐ๊นŒ์ง€ ํ•œ๋ฐ์š”. ์™œ๋ƒํ•˜๋ฉด
07:25
just snip all of that conversation in one easy cut.
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ํ•œ๋ฒˆ์˜ ๊ฐ€์œ„์งˆ๋กœ ๊ทธ ๋ชจ๋“  ๋Œ€ํ™”๋ฅผ ๋Š์–ด๋ฒ„๋ฆด ์ˆ˜ ์žˆ์„ ๊ฒƒ ๊ฐ™์œผ๋‹ˆ๊นŒ์š”.
07:28
But stuff did feel like it could have been taken
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์ด ์ผ€์ด๋ธ”๋“ค์€ 30~40๋…„์ด ์ง€๋‚œ ๊ฒƒ์ฒ˜๋Ÿผ,
07:32
30 or 40 years ago, like it was locked in the Cold War era
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๋ƒ‰์ „์‹œ๋Œ€์— ๊ฐ‡ํ˜€์žˆ์—ˆ๋˜ ๊ฒƒ์ฒ˜๋Ÿผ,
07:36
and hadn't necessarily progressed.
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์ง„๋ณดํ•˜์ง€ ๋ชปํ•œ๊ฒƒ์ฒ˜๋Ÿผ ๋Š๊ปด์กŒ์Šต๋‹ˆ๋‹ค.
07:39
This is a Braille edition of Playboy magazine.
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์ด๊ฑด ํ”Œ๋ ˆ์ด๋ณด์ด ์žก์ง€์˜ ์ ์žํŒ์ž…๋‹ˆ๋‹ค.
07:42
(Laughter)
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(์›ƒ์Œ)
07:44
And this is ... a division of the Library of Congress
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์ด๊ฑด....์˜ํšŒ ๋„์„œ๊ด€์ด
07:46
produces a free national library service
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์‹œ๊ฐ์žฅ์• ์ธ๋“ค์„ ์œ„ํ•ด ๋งŒ๋“  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:50
for the blind and visually impaired,
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์‹œ๊ฐ์žฅ์• ์ธ๋“ค์„ ์œ„ํ•ด ๋งŒ๋“  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:52
and the publications they choose to publish
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์ ์žํŒ์˜ ์ถœํŒ์—ฌ๋ถ€๋ฅผ ๊ฒฐ์ •ํ•˜๋Š” ๊ธฐ์ค€์€
07:54
are based on reader popularity.
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๋…์ž๋“ค ์‚ฌ์ด์˜ ์ธ๊ธฐ๋„๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค.
07:57
And Playboy is always in the top few.
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ํ”Œ๋ ˆ์ด๋ณด์ด๋Š” ํ•ญ์ƒ ์ตœ์ƒ์œ„๊ถŒ์ด๊ตฌ์š”.
07:59
(Laughter)
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(์›ƒ์Œ)
08:01
But you'd be surprised, they don't do the photographs. It's just the text.
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ํ•˜์ง€๋งŒ ๋†€๋ผ์šด ๊ฒƒ์€, ์‚ฌ์ง„์€ ์—†๊ณ  ๊ธ€์”จ๋งŒ ์žˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:05
(Laughter)
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(์›ƒ์Œ)
08:06
This is an avian quarantine facility
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์ด ๊ณณ์€ ์กฐ๋ฅ˜ ๊ฒ€์—ญ์‹œ์„ค์ž…๋‹ˆ๋‹ค.
08:08
where all imported birds coming into America
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๋ฏธ๊ตญ์œผ๋กœ ๋“ค์–ด์˜ค๋Š” ๋ชจ๋“  ์กฐ๋ฅ˜๋“ค์€
08:10
are required to undergo a 30-day quarantine,
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30์ผ๊ฐ„ ์ด ๊ณณ์—์„œ ๊ฒ€์—ญ์„ ๊ฑฐ์ณ์•ผ ํ•ฉ๋‹ˆ๋‹ค.
08:13
where they are tested for diseases
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์ด๊ณณ์—์„œ ์—ฌ๋Ÿฌ๊ฐ€์ง€ ์งˆ๋ณ‘ ๊ฒ€์‚ฌ๋ฅผ ํ•˜๋Š”๋ฐ
08:15
including Exotic Newcastle Disease
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๋‰ด์บ์Šฌ๋ณ‘์ด๋‚˜ ์กฐ๋ฅ˜๋…๊ฐ๋“ฑ์ด ์—ฌ๊ธฐ์— ํฌํ•จ๋ฉ๋‹ˆ๋‹ค.
08:17
and Avian Influenza.
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๋‰ด์บ์Šฌ๋ณ‘์ด๋‚˜ ์กฐ๋ฅ˜๋…๊ฐ๋“ฑ์ด ์—ฌ๊ธฐ์— ํฌํ•จ๋ฉ๋‹ˆ๋‹ค.
08:21
This film shows
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์ด ํ•„๋ฆ„์—์„œ ๋ณผ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์€
08:25
the testing of a new explosive fill on a warhead.
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ํƒ„๋‘์— ์žฅ์ฐฉํ•  ์ƒˆ๋กœ์šด ํญ์•ฝ์„ ์‹คํ—˜ํ•˜๋Š” ์žฅ๋ฉด์ž…๋‹ˆ๋‹ค.
08:29
And the Air Armament Center
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ํ”Œ๋กœ๋ฆฌ๋‹ค ์—๊ธ€๋ฆฐ ๊ณต๊ตฐ๊ธฐ์ง€์— ์žˆ๋Š”
08:31
at Eglin Air Force Base in Florida
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๊ณต์ค‘ํญ๊ฒฉ์žฅ๋น„์„ผํ„ฐ์—์„œ๋Š”
08:33
is responsible for the deployment and testing
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๋ฏธ๊ตญ์—์„œ ๋‚˜์˜ค๋Š” ๋ชจ๋“  ๊ณต์ค‘ํญ๊ฒฉ๋ฌด๊ธฐ์˜
08:35
of all air-delivered weaponry
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์‹คํ—˜๊ณผ ๋ฐฐ์น˜๋ฅผ ๋‹ด๋‹นํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
08:38
coming from the United States.
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์‹คํ—˜๊ณผ ๋ฐฐ์น˜๋ฅผ ๋‹ด๋‹นํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
08:42
And the film was shot on 72 millimeter, government-issue film.
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์ด ํ•„๋ฆ„์€ ์ •๋ถ€์—์„œ ์ œ๊ณตํ•œ 72mm ํ•„๋ฆ„์œผ๋กœ ์ดฌ์˜๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
08:46
And that red dot is a marking on the government-issue film.
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์ €๊ธฐ ์žˆ๋Š” ๋นจ๊ฐ„ ์ ์€ ์ •๋ถ€์ œ๊ณตํ•„๋ฆ„์— ํ‘œ์‹œ๋˜์–ด ์žˆ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:50
All living white tigers in North America
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๋ถ๋ฏธ์— ์‚ด๊ณ  ์žˆ๋Š” ๋ชจ๋“  ๋ฐฑํ˜ธ๋Š”
08:53
are the result of selective inbreeding --
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์„ ํƒ์ ์ธ ๊ทผ์นœ๊ต๋ฐฐ์˜ ๊ฒฐ๊ณผ๋ฌผ์ž…๋‹ˆ๋‹ค.
08:55
that would be mother to son,
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์—„๋งˆ์™€ ์•„๋“ค์„ ๊ต๋ฐฐ์‹œํ‚ค๊ธฐ๋„ ํ•˜๊ณ ,
08:57
father to daughter, sister to brother --
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์•„๋น ์™€ ๋”ธ, ๋‚จ๋งค๊ฐ„์˜ ๊ต๋ฐฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.
08:59
to allow for the genetic conditions
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์ƒ์—…์ ์œผ๋กœ ํŒ๋งค๊ฐ€๋Šฅํ•œ ๋ฐฑํ˜ธ๋ฅผ ๋งŒ๋“ค ์ˆ˜ ์žˆ๋Š”
09:02
that create a salable white tiger.
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์œ ์ „์  ์กฐ๊ฑด์„ ๋งž์ถ”๊ธฐ ์œ„ํ•ด์„œ์ž…๋‹ˆ๋‹ค.
09:04
Meaning white fur, ice blue eyes, a pink nose.
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๊ทธ ์กฐ๊ฑด์ด๋ž€, ํ•˜์–€ ํ„ธ, ์–ผ์Œ์ฒ˜๋Ÿผ ํ‘ธ๋ฅธ ๋ˆˆ, ๋ถ„ํ™์ƒ‰ ์ฝ”๊ฐ™์€ ๊ฒƒ๋“ค์ž…๋‹ˆ๋‹ค.
09:08
And the majority of these white tigers
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์‚ฌ์‹ค ๋ฐฑํ˜ธ๋“ค์˜ ๋Œ€๋ถ€๋ถ„์€ ์ด๋Ÿฐ ์ƒํƒœ๋กœ ํƒœ์–ด๋‚˜์ง€ ์•Š๊ณ ,
09:11
are not born in a salable state
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์‚ฌ์‹ค ๋ฐฑํ˜ธ๋“ค์˜ ๋Œ€๋ถ€๋ถ„์€ ์ด๋Ÿฐ ์ƒํƒœ๋กœ ํƒœ์–ด๋‚˜์ง€ ์•Š๊ณ ,
09:13
and are killed at birth.
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ํƒœ์–ด๋‚˜์ž ๋งˆ์ž ์‚ด์ฒ˜๋ถ„๋ฉ๋‹ˆ๋‹ค.
09:15
It's a very violent process that is little known.
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์ด๊ฒƒ์€ ๊ฑฐ์˜ ์•Œ๋ ค์ง€์ง€ ์•Š์€ ๋งค์šฐ ์ž”ํ˜นํ•œ ๊ณผ์ •์ž…๋‹ˆ๋‹ค.
09:18
And the white tiger is obviously celebrated in several forms of entertainment.
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์•„์‹œ๋‹ค์‹œํ”ผ ๋ฐฑํ˜ธ๋“ค์ด ๋ช‡๋ช‡ ์—”ํ„ฐํ…Œ์ธ๋จผํŠธ์‚ฌ์—…์—์„œ ํฐ ์ธ๊ธฐ๋ฅผ ๋Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
09:23
Kenny was born. He actually made it to adulthood.
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์ผ€๋‹ˆ๊ฐ€ ํƒœ์–ด๋‚ฌ์Šต๋‹ˆ๋‹ค. ์‹ค์ œ๋กœ ์–ด๋ฅธ์ด ๋  ๋•Œ๊นŒ์ง€ ์‚ด์•˜์Šต๋‹ˆ๋‹ค.
09:26
He has since passed away,
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๊ทธ๋ฆฌ๊ณ  ๋‚˜์„œ ์„ธ์ƒ์„ ๋– ๋‚ฌ์ฃ .
09:28
but was mentally retarded
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ํ•˜์ง€๋งŒ, ์ •์‹ ์ง€์ฒด์žฅ์• ๊ฐ€ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
09:30
and suffers from severe bone abnormalities.
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๊ทธ๋ฆฌ๊ณ , ์‹ฌ๊ฐํ•œ ๊ณจ๊ฒฉ์ด์ƒ์œผ๋กœ ๊ณ ํ†ต๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.
09:34
This, on a lighter note, is at
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์ข€ ๋ฐ์€ ์–˜๊ธฐ๋กœ ๋ฐ”๊ฟ”์„œ
09:36
George Lucas' personal archive.
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์ด๊ฑด ์กฐ์ง€ ๋ฃจ์นด์Šค์˜ ๊ฐœ์ธ ์†Œ์žฅํ’ˆ์ž…๋‹ˆ๋‹ค.
09:39
This is the Death Star.
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[๋ฐ์Šค ์Šคํƒ€]์ฃ .
09:41
And it's shown here in its true orientation.
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[์Šคํƒ€์›Œ์ฆˆ:์ œ๋‹ค์ด์˜ ๊ท€ํ™˜]์—์„œ ๊ฑฐ์šธ์— ๋น„์นœ ํ˜•ํƒœ๋กœ ๋ณด์˜€๋˜ ๊ฒƒ์ด
09:44
In the context of "Star Wars: Return of the Jedi,"
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์—ฌ๊ธฐ์—์„œ๋Š” ์›๋ž˜ ๋ฐฉํ–ฅ ๊ทธ๋Œ€๋กœ
09:46
its mirror image is presented.
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๋ณด์—ฌ์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
09:48
They flip the negative.
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์˜ํ™”์—์„œ๋Š” ๋„ค๊ฐ€ํ‹ฐ๋ธŒ๋ฅผ ๋’ค์ง‘์–ด์„œ ๋ณด์—ฌ์ฃผ์ฃ 
09:50
And you can see the photoetched brass detailing,
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ํฌํ† ์—์นญ์œผ๋กœ ์‹๊ฐ๋œ ํ™ฉ๋™์˜ ๋””ํ…Œ์ผ๊ณผ
09:53
and the painted acrylic facade.
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์ฑ„์ƒ‰๋œ ์•„ํฌ๋ฆด ์ „๋ฉด์„ ๋ณด์‹ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
09:55
In the context of the film,
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์˜ํ™”์—์„œ ์ด ๊ณณ์€
09:57
this is a deep-space battle station of the Galactic Empire,
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ํ–‰์„ฑ๊ณผ ๋ฌธ๋ช…์„ ํŒŒ๊ดดํ•  ์ˆ˜ ์žˆ๋Š”
10:00
capable of annihilating planets and civilizations,
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์€ํ•˜์ œ๊ตญ ๊นŠ์€ ๊ณณ์˜ ์šฐ์ฃผ์ „์Ÿ ๊ธฐ์ง€์ž…๋‹ˆ๋‹ค.
10:04
and in reality it measures about four feet by two feet.
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์‹ค์ œ๋กœ๋Š” 120cm*60cm ์ •๋„ ๋ฉ๋‹ˆ๋‹ค.
10:07
(Laughter)
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(์›ƒ์Œ)
10:11
This is at Fort Campbell in Kentucky.
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์ผ„ํ„ฐํ‚ค์— ์žˆ๋Š” ํฌํŠธ์บ ๋ฒจ์ž…๋‹ˆ๋‹ค.
10:14
It's a Military Operations on Urbanized Terrain site.
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๋„์‹œํ™”๋œ ์ง€์—ญ์˜ ๊ตฐ์‚ฌ์ž‘์ „์‹œ์ ˆ์ž…๋‹ˆ๋‹ค.
10:17
Essentially they've simulated a city
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์ด ์‹œ์„ค์˜ ํ•ต์‹ฌ์€ ์‹œ๊ฐ€์ „ ์—ฐ์Šต์„ ์œ„ํ•ด์„œ ์‹ค์ œ ๋„์‹œํ˜•ํƒœ๋ฅผ ์‹œ๋ฎฌ๋ ˆ์ด์…˜ํ–ˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
10:20
for urban combat,
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์ด ์‹œ์„ค์˜ ํ•ต์‹ฌ์€ ์‹œ๊ฐ€์ „ ์—ฐ์Šต์„ ์œ„ํ•ด์„œ ์‹ค์ œ ๋„์‹œํ˜•ํƒœ๋ฅผ ์‹œ๋ฎฌ๋ ˆ์ด์…˜ํ–ˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
10:22
and this is one of the structures that exists in that city.
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์ด๊ฑด ๊ทธ ๋„์‹œ ์•ˆ์— ์žˆ๋Š” ๊ตฌ์กฐ๋ฌผ ์ค‘ ํ•˜๋‚˜์ธ๋ฐ์š”.
10:24
It's called the World Church of God.
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'ํ•˜๋‚˜๋‹˜์˜ ์„ธ๊ณ„๊ตํšŒ'๋กœ ๋ถˆ๋ฆฝ๋‹ˆ๋‹ค.
10:27
It's supposed to be a generic site of worship.
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์ผ๋ฐ˜์ ์ธ ์˜ˆ๋ฐฐ๋‹น์œผ๋กœ ์ง€์–ด์ง„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
10:30
And after I took this photograph,
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์ œ๊ฐ€ ์ด ์‚ฌ์ง„์„ ์ฐ์€ ํ›„์—
10:33
they constructed a wall around the World Church of God
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ํ•˜๋‚˜๋‹˜์˜ ์„ธ๊ณ„๊ตํšŒ ์ฃผ๋ณ€์œผ๋กœ ๋‹ด์ด ์„ธ์›Œ์กŒ๋Š”๋ฐ
10:35
to mimic the set-up of mosques in Afghanistan or Iraq.
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์•„ํ”„๊ฐ€๋‹ˆ์Šคํƒ„์ด๋‚˜ ์ด๋ผํฌ์˜ ๋ชจ์Šคํฌ์ฒ˜๋Ÿผ ๋งŒ๋“ค๊ธฐ ์œ„ํ•ด์„œ์˜€์Šต๋‹ˆ๋‹ค.
10:40
And I worked with Mehta Vihar
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๋ฉ”ํƒ€ ๋น„์•ผ๋ฅด๋ผ๋Š” ๋ถ„๊ณผ ๊ณต๋™์ž‘์—…์„ ํ–ˆ๋Š”๋ฐ์š”.
10:42
who creates virtual simulations for the army
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๊ตฐ๋Œ€์˜ ์ „์ˆ ํ›ˆ๋ จ์„ ์œ„ํ•œ ๊ฐ€์ƒ ์‹œ๋ฎฌ๋ ˆ์ด์…˜ ํ™˜๊ฒฝ์„
10:45
for tactical practice.
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๋งŒ๋“ค์–ด ๋‚ด์‹œ๋Š” ๋ถ„์ž…๋‹ˆ๋‹ค.
10:47
And we put that wall around the World Church of God,
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์šฐ๋ฆฌ๋Š” ํ•˜๋‚˜๋‹˜์˜ ์„ธ๊ณ„ ๊ตํšŒ ์ฃผ์œ„๋กœ ๋‹ด์„ ๋„ฃ๊ณ 
10:49
and also used the characters and vehicles and explosions
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๊ตฐ์‚ฌ์šฉ ๋น„๋””์˜ค๊ฒŒ์ž„์— ๋“ค์–ด๊ฐ€๋Š” ์‚ฌ๋žŒ๋“ค๊ณผ ์ž๋™์ฐจ, ํญ๋ฐœ๋ฌผ๋„ ์‚ฌ์šฉํ–ˆ์Šต๋‹ˆ๋‹ค.
10:53
that are offered in the video games for the army.
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๊ตฐ์‚ฌ์šฉ ๋น„๋””์˜ค๊ฒŒ์ž„์— ๋“ค์–ด๊ฐ€๋Š” ์‚ฌ๋žŒ๋“ค๊ณผ ์ž๋™์ฐจ, ํญ๋ฐœ๋ฌผ๋„ ์‚ฌ์šฉํ–ˆ์Šต๋‹ˆ๋‹ค.
10:56
And I put them into my photograph.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์„ ์ œ ์‚ฌ์ง„์— ํ•ฉ์„ฑํ–ˆ์Šต๋‹ˆ๋‹ค.
11:00
This is live HIV virus
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์ด๊ฒƒ์€ ์‚ด์•„์žˆ๋Š” HIV (์—์ด์ฆˆ) ๋ฐ”์ด๋Ÿฌ์Šค์ž…๋‹ˆ๋‹ค.
11:02
at Harvard Medical School, who is working with the U.S. Government
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๋ฉธ๊ท ๊ท ๋ฉด์—ญ์ฒด๋ฅผ ๊ฐœ๋ฐœํ•˜๊ธฐ ์œ„ํ•ด ๋ฏธ๊ตญ์ •๋ถ€์™€ ๊ณต๋™์ž‘์—…์„ ํ•˜๋Š” ํ•˜๋ฒ„๋“œ ์˜๋Œ€์— ์žˆ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
11:04
to develop sterilizing immunity.
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๋ฉธ๊ท ๊ท ๋ฉด์—ญ์ฒด๋ฅผ ๊ฐœ๋ฐœํ•˜๊ธฐ ์œ„ํ•ด ๋ฏธ๊ตญ์ •๋ถ€์™€ ๊ณต๋™์ž‘์—…์„ ํ•˜๋Š” ํ•˜๋ฒ„๋“œ ์˜๋Œ€์— ์žˆ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
11:08
And Alhurra is a U.S. Government- sponsored
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[์•Œ ํ›„๋ผ]๋Š” ๋ฏธ๊ตญ์ •๋ถ€๊ฐ€ ํ›„์›ํ•˜๋Š”
11:11
Arabic language television network
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์•„๋ž์–ด ํ…”๋ ˆ๋น„์ ผ ๋ฐฉ์†ก์œผ๋กœ ๋‰ด์Šค์™€ ์ •๋ณด๋ฅผ ์•„๋ž๊ถŒ 22๊ฐœ ๊ตญ๊ฐ€์— ๋ฐฉ์†กํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
11:14
that distributes news and information to over 22 countries in the Arab world.
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์•„๋ž์–ด ํ…”๋ ˆ๋น„์ ผ ๋ฐฉ์†ก์œผ๋กœ ๋‰ด์Šค์™€ ์ •๋ณด๋ฅผ ์•„๋ž๊ถŒ 22๊ฐœ ๊ตญ๊ฐ€์— ๋ฐฉ์†กํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
11:19
It runs 24 hours a day, commercial free.
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์ƒ์—…๊ด‘๊ณ  ์—†์ด ๋งค์ผ 24์‹œ๊ฐ„ ๋ฐฉ์†ก๋ฉ๋‹ˆ๋‹ค.
11:22
However, it's illegal to broadcast Alhurra within the United States.
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ํ•˜์ง€๋งŒ ๋ฏธ๊ตญ๋‚ด์—์„œ [์•Œ ํ›„๋ผ] ์ฑ„๋„์„ ๋ฐฉ์†กํ•˜๋Š” ๊ฒƒ์€ ๋ถˆ๋ฒ•์ž…๋‹ˆ๋‹ค.
11:27
And in 2004, they developed a channel called Alhurra Iraq,
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2004๋…„์—๋Š” [์•Œํ›„๋ผ ์ด๋ผํฌ]๋ผ๋Š” ์ฑ„๋„์ด ์‹ ์„ค๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
11:30
which specifically deals with events occurring in Iraq
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์ฃผ๋กœ ์ด๋ผํฌ์—์„œ ์ผ์–ด๋‚˜๋Š” ์ผ๋“ค์„ ๋‹ค๋ฃจ๋ฉฐ ์ด๋ผํฌ์—์„œ ๋ฐฉ์†ก๋ฉ๋‹ˆ๋‹ค.
11:33
and is broadcast to Iraq.
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์ฃผ๋กœ ์ด๋ผํฌ์—์„œ ์ผ์–ด๋‚˜๋Š” ์ผ๋“ค์„ ๋‹ค๋ฃจ๋ฉฐ ์ด๋ผํฌ์—์„œ ๋ฐฉ์†ก๋ฉ๋‹ˆ๋‹ค.
11:36
Now I'm going to move on to another project I did.
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์ด์ œ ์ œ๊ฐ€ ํ•œ ๋‹ค๋ฅธ ์ž‘์—…์œผ๋กœ ๋„˜์–ด๊ฐ€๊ฒ ์Šต๋‹ˆ๋‹ค.
11:38
It's titled "The Innocents."
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์ œ๋ชฉ์€ '๋ฌด์ฃ„์ธ ์‚ฌ๋žŒ๋“ค'์ž…๋‹ˆ๋‹ค.
11:41
And for the men in these photographs,
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์ด ์‚ฌ์ง„๋“ค์— ๋‚˜์˜ค๋Š” ์‚ฌ๋žŒ๋“ค์— ๋Œ€ํ•ด์„œ๋Š”
11:43
photography had been used to create a fantasy.
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์‚ฌ์ง„์ˆ ์ด ํ™˜์ƒ์„ ์ฐฝ์กฐํ•˜๊ธฐ ์œ„ํ•ด ์‚ฌ์šฉ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
11:46
Contradicting its function as evidence of a truth,
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์ง„์‹ค์˜ ์ฆ๊ฑฐ๋ผ๋Š” ๋ณธ์—ฐ์˜ ๊ธฐ๋Šฅ์— ๋ชจ์ˆœ๋˜๋Š” ๊ฒƒ์ด์ฃ .
11:49
in these instances it furthered the fabrication of a lie.
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์ด ๊ฒฝ์šฐ์—๋Š” ๊ฑฐ์ง“์˜ ๋‚ ์กฐ๋ฅผ ์‹ฌํ™”์‹œํ‚ค๋Š” ์—ญํ• ์„ ํ•ฉ๋‹ˆ๋‹ค.
11:53
I traveled across the United States
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์ €๋Š” ๋ฏธ๊ตญ ์ „์—ญ์„ ์—ฌํ–‰ํ•˜๋ฉด์„œ
11:55
photographing men and women who had been wrongfully convicted
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์ž์‹ ๋“ค์ด ์ €์ง€๋ฅด์ง€ ์•Š์€ ํญ๋ ฅ์ ์ธ ๋ฒ”์ฃ„๋กœ
11:58
of crimes they did not commit, violent crimes.
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์ž˜๋ชป ๊ธฐ์†Œ๋œ ์‚ฌ๋žŒ๋“ค์˜ ์‚ฌ์ง„์„ ์ฐ์—ˆ์Šต๋‹ˆ๋‹ค.
12:02
I investigate photography's ability to blur truth and fiction,
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์ „ ์ง„์‹ค๊ณผ ํ—ˆ๊ตฌ๋ฅผ ํ๋ฆฟํ•˜๊ฒŒ ํ•˜๋Š” ์‚ฌ์ง„์˜ ํž˜๊ณผ
12:06
and its influence on memory,
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๊ธฐ์–ต์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ์— ๋Œ€ํ•ด์„œ ์กฐ์‚ฌํ–ˆ์Šต๋‹ˆ๋‹ค.
12:08
which can lead to severe, even lethal consequences.
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์ด๊ฑด ์‹ฌ๊ฐํ•œ, ์‹ฌ์ง€์–ด ์ƒ์‚ฌ๊ฐ€ ๊ฑธ๋ฆฐ ๋ฌธ์ œ์ž…๋‹ˆ๋‹ค.
12:12
For the men in these photographs,
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์‚ฌ์ง„์˜ ๋“ฑ์žฅ์ธ๋ฌผ๋“ค์˜ ๊ฒฝ์šฐ
12:14
the primary cause of their wrongful conviction
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์ž˜๋ชป๋œ ๊ธฐ์†Œ์˜ ์ตœ๋Œ€์›์ธ์€
12:16
was mistaken identification.
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์‚ฌ๋žŒ์„ ์ž˜๋ชป ์•Œ์•„๋ณด์•˜๊ธฐ ๋•Œ๋ฌธ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
12:19
A victim or eyewitness identifies
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ํ”ผํ•ด์ž๋‚˜ ๋ชฉ๊ฒฉ์ž๋Š” ๋ฒ•์ง‘ํ–‰๊ธฐ๊ด€์˜ ์‚ฌ์ง„์„ ์ด์šฉํ•˜์—ฌ
12:21
a suspected perpetrator
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ํ”ผํ•ด์ž๋‚˜ ๋ชฉ๊ฒฉ์ž๋Š” ๋ฒ•์ง‘ํ–‰๊ธฐ๊ด€์˜ ์‚ฌ์ง„์„ ์ด์šฉํ•˜์—ฌ
12:23
through law enforcement's use of images.
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๋ฒ”์ฃ„์ž๋ฅผ ์ง€๋ชฉํ•˜๊ฒŒ ๋˜๋Š”๋ฐ,
12:26
But through exposure to composite sketches,
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๋ชฝํƒ€์ฅฌ, ํด๋ผ๋กœ์ด๋“œ ์‚ฌ์ง„, ์šฉ์˜์ž ์–ผ๊ตด์‚ฌ์ง„ ๋ฐ ํ”ผ์˜์ž ์ •๋ ฌ ๋“ฑ์— ๋…ธ์ถœ๋˜๋Š” ๊ณผ์ •์„ ํ†ตํ•ด
12:28
Polaroids, mug shots and line-ups,
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๋ชฝํƒ€์ฅฌ, ํด๋ผ๋กœ์ด๋“œ ์‚ฌ์ง„, ์šฉ์˜์ž ์–ผ๊ตด์‚ฌ์ง„ ๋ฐ ํ”ผ์˜์ž ์ •๋ ฌ ๋“ฑ์— ๋…ธ์ถœ๋˜๋Š” ๊ณผ์ •์„ ํ†ตํ•ด
12:31
eyewitness testimony can change.
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๋ชฉ๊ฒฉ์ž์˜ ์ฆ์–ธ์€ ๋ฐ”๋€” ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
12:33
I'll give you an example from a case.
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์‚ฌ๊ฑด์˜ ์˜ˆ๋ฅผ ํ•˜๋‚˜ ๋“ค์–ด๋ณด๊ฒ ์Šต๋‹ˆ๋‹ค.
12:36
A woman was raped and presented with a series of photographs
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์„ฑํญํ–‰์„ ๋‹นํ•œ ์–ด๋–ค ์—ฌ์„ฑ์—๊ฒŒ ๋ฒ”์ธ์„ ๊ณจ๋ผ๋‚ด๋ผ๊ณ 
12:39
from which to identify her attacker.
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์ผ๋ จ์˜ ์‚ฌ์ง„์ด ์ œ์‹œ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
12:41
She saw some similarities in one of the photographs,
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์‚ฌ์ง„๋“ค ์ค‘ ํ•œ ์žฅ์—์„œ ์–ด๋–ค ์œ ์‚ฌ์ ์„ ๋ณธ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
12:45
but couldn't quite make a positive identification.
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ํ•˜์ง€๋งŒ ๋™์ผ์ธ์ธ์ง€๋Š” ํ™•์‹ ํ•˜์ง€๋Š” ๋ชปํ–ˆ์Šต๋‹ˆ๋‹ค.
12:47
Days later, she is presented with another photo array
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๋ฉฐ์น  ํ›„์— ๊ทธ๋…€์—๊ฒŒ ๋˜๋‹ค๋ฅธ ์ผ๋ จ์˜ ์‚ฌ์ง„๋“ค์ด ์ œ์‹œ๋ฉ๋‹ˆ๋‹ค.
12:51
of all new photographs,
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๋ชจ๋‘ ์ƒˆ๋กœ์šด ์‚ฌ์ง„๋“ค์ž…๋‹ˆ๋‹ค.
12:53
except that one photograph that she had some draw to
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์ฒซ๋‚  ์ œ์‹œ๋œ ์‚ฌ์ง„ ์ค‘์— ๊ทธ๋…€์˜ ๋ˆˆ์— ๋„์—ˆ๋˜ ํ•œ ์žฅ๋งŒ ๋˜ ๋“ค์–ด์žˆ๊ณ ,
12:56
from the earlier array is repeated in the second array.
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๋‚˜๋จธ์ง€๋Š” ๋ชจ๋‘ ์ƒˆ๋กœ์šด ์‚ฌ์ง„์ด์—ˆ์ฃ .
12:59
And a positive identification is made
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์ด๋ฒˆ์—๋Š” ํ™•์‹คํ•˜๊ฒŒ ๋ฒ”์ธ์„ ์ง€๋ชฉํ•˜๊ฒŒ ๋˜๋Š”๋ฐ,
13:02
because the photograph replaced the memory,
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์ด๊ฑด ์‚ฌ์ง„์ด ๊ธฐ์–ต์„ ๋Œ€์ฒดํ–ˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
13:04
if there ever was an actual memory.
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์‹ค์ œ ๊ธฐ์–ต์ด ์žˆ๊ธฐ๋ผ๋„ ํ–ˆ๋Š”์ง€ ๋ชจ๋ฅด๊ฒ ์ง€๋งŒ์š”.
13:08
Photography offered the criminal justice system
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์‚ฌ์ง„์ˆ ์€ ๊ฒฝ์ฐฐ, ๊ฒ€์ฐฐ, ๋ฒ•์›์— ๋ฌด๊ณ ํ•œ ์‹œ๋ฏผ์„ ๋ฒ”์ฃ„์ž๋กœ ๋‘”๊ฐ‘์‹œํ‚ค๋Š” ๋„๊ตฌ๋ฅผ ์ œ๊ณตํ–ˆ์Šต๋‹ˆ๋‹ค.
13:11
a tool that transformed innocent citizens into criminals,
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์‚ฌ์ง„์ˆ ์€ ๊ฒฝ์ฐฐ, ๊ฒ€์ฐฐ, ๋ฒ•์›์— ๋ฌด๊ณ ํ•œ ์‹œ๋ฏผ์„ ๋ฒ”์ฃ„์ž๋กœ ๋‘”๊ฐ‘์‹œํ‚ค๋Š” ๋„๊ตฌ๋ฅผ ์ œ๊ณตํ–ˆ์Šต๋‹ˆ๋‹ค.
13:14
and the criminal justice system failed to recognize the limitations
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๊ทธ๋ฆฌ๊ณ , ๊ฒฝ์ฐฐ, ๊ฒ€์ฐฐ, ๋ฒ•์›์€ ์‚ฌ์ง„์— ์˜ํ•œ ๋ฒ”์ฃ„์ž ์ง€๋ชฉ์˜ ํ•œ๊ณ„๋ฅผ ์ธ์‹ํ•˜์ง€ ๋ชปํ–ˆ์Šต๋‹ˆ๋‹ค.
13:18
of relying on photographic identifications.
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๊ทธ๋ฆฌ๊ณ , ๊ฒฝ์ฐฐ, ๊ฒ€์ฐฐ, ๋ฒ•์›์€ ์‚ฌ์ง„์— ์˜ํ•œ ๋ฒ”์ฃ„์ž ์ง€๋ชฉ์˜ ํ•œ๊ณ„๋ฅผ ์ธ์‹ํ•˜์ง€ ๋ชปํ–ˆ์Šต๋‹ˆ๋‹ค.
13:22
Frederick Daye, who is photographed at his alibi location,
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์ž์‹ ์˜ ์•Œ๋ฆฌ๋ฐ”์ด ์žฅ์†Œ์—์„œ ์ดฌ์˜ํ•œ ํ”„๋ ˆ๋“œ๋ฆญ ๋ฐ์ด์”จ๋Š”
13:26
where 13 witnesses placed him at the time of the crime.
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๋ฒ”์ฃ„์‹œ์ ์— 13๋ช…์˜ ๋ชฉ๊ฒฉ์ž๋กœ๋ถ€ํ„ฐ ์ง€๋ชฉ๋‹นํ–ˆ์Šต๋‹ˆ๋‹ค.
13:29
He was convicted by an all-white jury
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๊ทธ๋Š” ์ „์› ๋ฐฑ์ธ์œผ๋กœ ๊ตฌ์„ฑ๋œ ๋ฐฐ์‹ฌ์›๋‹จ์— ์˜ํ•ด
13:32
of rape, kidnapping and vehicle theft.
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๊ฐ•๋„, ๋‚ฉ์น˜, ์ฐจ๋Ÿ‰์ ˆ๋„๋กœ ์œ ์ฃ„ํŒ๊ฒฐ์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.
13:34
And he served 10 years of a life sentence.
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๊ทธ๋ฆฌ๊ณ , ์ข…์‹ ํ˜• ์ค‘์˜ 10๋…„๊ฐ„์„ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
13:38
Now DNA exonerated Frederick
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ํ”„๋ ˆ๋“œ๋ฆญ์€ ์ด์ œ DNA ์ฆ๊ฑฐ์— ์˜ํ•ด ๋ฌด์ฃ„๊ฐ€ ์ž…์ฆ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
13:40
and it also implicated another man
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DNA ์ฆ๊ฑฐ์— ๋”ฐ๋ฅด๋ฉด ํ˜„์žฌ ๊ต๋„์†Œ์—์„œ ๋ณต์—ญ์ค‘์ธ ๋‹ค๋ฅธ ์‚ฌ๋žŒ์ด
13:42
who was serving time in prison.
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๋ฒ”์ธ์ผ ๊ฐ€๋Šฅ์„ฑ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
13:44
But the victim refused to press charges
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ํ•˜์ง€๋งŒ ํ”ผํ•ด์ž๋Š” ๊ทธ ์‚ฌ๋žŒ์„ ๊ณ ์†Œํ•˜๋Š” ๊ฒƒ์„ ๊ฑฐ๋ถ€ํ–ˆ์Šต๋‹ˆ๋‹ค.
13:46
because she claimed that law enforcement
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๊ณ ์†Œ๋ฅผ ๊ฑฐ๋ถ€ํ•œ ์ด์œ ๋Š” ๊ฒฝ์ฐฐ์ด ํ”„๋ ˆ๋“œ๋ฆญ์˜ ์‚ฌ์ง„์„ ์ด์šฉํ•จ์œผ๋กœ์จ
13:48
had permanently altered her memory through the use of Frederick's photograph.
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๊ทธ๋…€์˜ ๊ธฐ์–ต์„ ์˜๊ตฌ์ ์œผ๋กœ ๋ณ€ํ˜•์‹œ์ผฐ๊ธฐ ๋•Œ๋ฌธ์ด๋ผ๊ณ  ์ฃผ์žฅํ–ˆ์Šต๋‹ˆ๋‹ค.
13:53
Charles Fain was convicted of kidnapping, rape and murder
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์ฑจ์ŠคํŽ˜์ธ์€ ๋“ฑ๊ตํ•˜๋Š” ์—ฌ์ž ์–ด๋ฆฐ์ด๋ฅผ ๋‚ฉ์น˜, ๊ฐ•๊ฐ„, ์‚ด์ธํ•œ ํ˜์˜๋กœ ๊ธฐ์†Œ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
13:57
of a young girl walking to school.
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์ฑจ์ŠคํŽ˜์ธ์€ ๋“ฑ๊ตํ•˜๋Š” ์—ฌ์ž ์–ด๋ฆฐ์ด๋ฅผ ๋‚ฉ์น˜, ๊ฐ•๊ฐ„, ์‚ด์ธํ•œ ํ˜์˜๋กœ ๊ธฐ์†Œ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
13:59
He served 18 years of a death sentence.
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์‚ฌํ˜•์„ ๊ณ ๋ฅผ ๋ฐ›๊ณ  18๋…„์„ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
14:02
I photographed him at the scene of the crime
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์•„์ด๋‹คํ˜ธ์ฃผ ์Šค๋„ค์ดํฌ๋ฆฌ๋ฒ„์— ์žˆ๋Š” ๋ฒ”์ฃ„ํ˜„์žฅ์—์„œ ์ด ์‚ฌ์ง„์„ ์ฐ์—ˆ๋Š”๋ฐ์š”.
14:04
at the Snake River in Idaho.
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์•„์ด๋‹คํ˜ธ์ฃผ ์Šค๋„ค์ดํฌ๋ฆฌ๋ฒ„์— ์žˆ๋Š” ๋ฒ”์ฃ„ํ˜„์žฅ์—์„œ ์ด ์‚ฌ์ง„์„ ์ฐ์—ˆ๋Š”๋ฐ์š”.
14:06
And I photographed all of the wrongfully convicted
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์ €๋Š” ๋ชจ๋“  '์ž˜๋ชป ๊ธฐ์†Œ๋œ ์‚ฌ๋žŒ๋“ค'์˜ ์‚ฌ์ง„์„
14:10
at sites that came to particular significance
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์ž˜๋ชป๋œ ๊ธฐ์†Œ์‚ฌ์‹ค๊ณผ ๊ด€๋ จ๋œ ํŠน๋ณ„ํ•œ ์˜๋ฏธ๊ฐ€ ์žˆ๋Š” ์žฅ์†Œ์—์„œ ์ฐ์—ˆ์Šต๋‹ˆ๋‹ค.
14:15
in the history of their wrongful conviction.
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์ž˜๋ชป๋œ ๊ธฐ์†Œ์‚ฌ์‹ค๊ณผ ๊ด€๋ จ๋œ ํŠน๋ณ„ํ•œ ์˜๋ฏธ๊ฐ€ ์žˆ๋Š” ์žฅ์†Œ์—์„œ ์ฐ์—ˆ์Šต๋‹ˆ๋‹ค.
14:17
The scene of arrest, the scene of misidentification,
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์ฒดํฌํ˜„์žฅ, ์ž˜๋ชป๋œ ์ง€๋ชฉ์˜ ํ˜„์žฅ, ์•Œ๋ฆฌ๋ฐ”์ด ์žฅ์†Œ ๊ฐ™์€ ๊ณณ๋“ค์ด์ฃ .
14:19
the alibi location.
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์ฒดํฌํ˜„์žฅ, ์ž˜๋ชป๋œ ์ง€๋ชฉ์˜ ํ˜„์žฅ, ์•Œ๋ฆฌ๋ฐ”์ด ์žฅ์†Œ ๊ฐ™์€ ๊ณณ๋“ค์ด์ฃ .
14:21
And here, the scene of the crime, it's this place
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์—ฌ๊ธฐ, ๋ฒ”์ฃ„ํ˜„์žฅ์€ ๊ทธ๊ฐ€ ํ•œ๋ฒˆ๋„ ๋ชป๊ฐ€๋ณธ ๊ณณ์ด์ง€๋งŒ ๊ทธ์˜ ์ธ์ƒ์„ ์˜์›ํžˆ ๋ฐ”๊ฟ”๋†“์€ ๊ณณ์ž…๋‹ˆ๋‹ค.
14:23
to which he's never been, but changed his life forever.
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์—ฌ๊ธฐ, ๋ฒ”์ฃ„ํ˜„์žฅ์€ ๊ทธ๊ฐ€ ํ•œ๋ฒˆ๋„ ๋ชป๊ฐ€๋ณธ ๊ณณ์ด์ง€๋งŒ ๊ทธ์˜ ์ธ์ƒ์„ ์˜์›ํžˆ ๋ฐ”๊ฟ”๋†“์€ ๊ณณ์ž…๋‹ˆ๋‹ค.
14:27
So photographing there, I was hoping to highlight
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๊ทธ๋ž˜์„œ ๊ทธ๊ณณ์—์„œ ์‚ฌ์ง„์„ ์ฐ์œผ๋ฉด์„œ ์ œ๊ฐ€ ๊ฐ•์กฐํ•˜๊ณ  ์‹ถ์—ˆ๋˜ ๊ฒƒ์€
14:29
the tenuous relationship between truth and fiction,
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๊ทธ์˜ ์ธ์ƒ์—์„œ, ๋˜ ์‚ฌ์ง„์ด๋ผ๋Š” ๊ฒƒ์—์„œ
14:32
in both his life and in photography.
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์ง„์‹ค๊ณผ ํ—ˆ๊ตฌ์˜ ๊ด€๊ณ„๊ฐ€ ์–ผ๋งˆ๋‚˜ ํ—ˆ์ˆ ํ•œ๊ฐ€ ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
14:37
Calvin Washington was convicted of capital murder.
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์บ˜๋นˆ ์›Œ์‹ฑํ„ด์€ ํŠน๊ธ‰์‚ด์ธ๋ฒ”์œผ๋กœ ๊ธฐ์†Œ๋˜์–ด
14:40
He served 13 years of a life sentence in Waco, Texas.
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์ข…์‹ ํ˜• ํŒ๊ฒฐ์„ ๋ฐ›๊ณ  ํ…์‚ฌ์Šค ์™€์ฝ”์—์„œ 13๋…„๊ฐ„ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
14:45
Larry Mayes, I photographed at the scene of arrest,
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๋ž˜๋ฆฌ ๋ฉ”์ด์Šค๋Š” ์ฒดํฌํ˜„์žฅ์—์„œ ์‚ฌ์ง„์„ ์ฐ์—ˆ๋Š”๋ฐ์š”.
14:48
where he hid between two mattresses in Gary, Indiana,
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์ธ๋””์• ๋‚˜ ๊ฐœ๋ฆฌ์—์„œ ๋งคํŠธ๋ฆฌ์Šค ๋‘ ์žฅ ์‚ฌ์ด์— ์ˆจ์–ด์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
14:50
in this very room to hide from the police.
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๊ฒฝ์ฐฐ๋กœ๋ถ€ํ„ฐ ์ˆจ์–ด์žˆ๋˜ ๋ฐ”๋กœ ์ด ๋ฐฉ์—์„œ์š”.
14:54
He ended up serving 18 and a half years
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๊ทธ๋Š” ๊ฒฐ๊ตญ ๊ฐ•๊ฐ„๊ณผ ๊ฐ•๋„๋กœ 80๋…„ํ˜•์„ ๋ฐ›๊ณ  18๋…„๋ฐ˜์„ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
14:56
of an 80 year sentence for rape and robbery.
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๊ทธ๋Š” ๊ฒฐ๊ตญ ๊ฐ•๊ฐ„๊ณผ ๊ฐ•๋„๋กœ 80๋…„ํ˜•์„ ๋ฐ›๊ณ  18๋…„๋ฐ˜์„ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
14:59
The victim failed to identify Larry
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ํ”ผํ•ด์ž๋Š” ๋‘ ๋ฒˆ์˜ ์‹ค์ œ ํ”ผ์˜์ž ์ •๋ ฌ์—์„œ ๋ž˜๋ฆฌ๋ฅผ ์ง€๋ชฉํ•˜์ง€ ๋ชปํ–ˆ์—ˆ๋Š”๋ฐ์š”.
15:01
in two live lineups
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ํ”ผํ•ด์ž๋Š” ๋‘ ๋ฒˆ์˜ ์‹ค์ œ ํ”ผ์˜์ž ์ •๋ ฌ์—์„œ ๋ž˜๋ฆฌ๋ฅผ ์ง€๋ชฉํ•˜์ง€ ๋ชปํ–ˆ์—ˆ๋Š”๋ฐ์š”.
15:03
and then made a positive identification, days later,
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๋ฉฐ์น  ํ›„์— ์—ฌ๋Ÿฌ์žฅ์˜ ์‚ฌ์ง„ ์ค‘์—์„œ ๋ž˜๋ฆฌ๋ฅผ ์ง€๋ชฉํ–ˆ์Šต๋‹ˆ๋‹ค.
15:06
from a photo array.
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๋ฉฐ์น  ํ›„์— ์—ฌ๋Ÿฌ์žฅ์˜ ์‚ฌ์ง„ ์ค‘์—์„œ ๋ž˜๋ฆฌ๋ฅผ ์ง€๋ชฉํ–ˆ์Šต๋‹ˆ๋‹ค.
15:09
Larry Youngblood served eight years of a 10 and half year sentence
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๋ž˜๋ฆฌ ์˜๋ธ”๋Ÿฌ๋“œ๋Š” ์นด๋‹ˆ๋ฐœ์—์„œ 10์‚ด ์†Œ๋…„์„ ๋ฐ˜๋ณต์ ์œผ๋กœ ์„ฑํญํ–‰ํ•˜๊ณ  ๋‚ฉ์น˜ํ•œ ํ˜์˜๋กœ
15:12
in Arizona for the abduction and repeated sodomizing
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10๋…„ 6๊ฐœ์›”์˜ ์ง•์—ญ์„ ์„ ๊ณ ๋ฐ›๊ณ  8๋…„์„ ์•„๋ฆฌ์กฐ๋‚˜์—์„œ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
15:16
of a 10 year old boy at a carnival.
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10๋…„ 6๊ฐœ์›”์˜ ์ง•์—ญ์„ ์„ ๊ณ ๋ฐ›๊ณ  8๋…„์„ ์•„๋ฆฌ์กฐ๋‚˜์—์„œ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
15:19
He is photographed at his alibi location.
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๊ทธ๋Š” ์•Œ๋ฆฌ๋ฐ”์ด ์žฅ์†Œ์—์„œ ์‚ฌ์ง„์„ ์ฐ์—ˆ์Šต๋‹ˆ๋‹ค.
15:23
Ron Williamson. Ron was convicted of the rape and murder
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๋ก  ์œŒ๋ฆฌ์—„์Šจ์€ ํด๋Ÿฝ์—์„œ ์—ฌ์ข…์—…์›์„ ๊ฐ•๊ฐ„ ์‚ดํ•ดํ•œ ํ˜์˜๋กœ ๊ธฐ์†Œ๋˜์–ด
15:27
of a barmaid at a club,
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๋ก  ์œŒ๋ฆฌ์—„์Šจ์€ ํด๋Ÿฝ์—์„œ ์—ฌ์ข…์—…์›์„ ๊ฐ•๊ฐ„ ์‚ดํ•ดํ•œ ํ˜์˜๋กœ ๊ธฐ์†Œ๋˜์–ด
15:29
and served 11 years of a death sentence.
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์‚ฌํ˜•์„ ๊ณ ๋ฅผ ๋ฐ›๊ณ  11๋…„์„ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
15:32
I photographed Ron at a baseball field
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๋ก ์€ ์•ผ๊ตฌ์žฅ์—์„œ ์‚ฌ์ง„์„ ์ฐ์—ˆ๋Š”๋ฐ์š”.
15:34
because he had been drafted to the Oakland A's
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๊ทธ๊ฐ€ ๊ธฐ์†Œ ์ง์ „์— ์˜คํด๋žœ๋“œ ํ”„๋กœ์•ผ๊ตฌ๋‹จ์—์„œ ์ง€๋ช…์„ ๋ฐ›์•˜์—ˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
15:36
to play professional baseball just before his conviction.
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๊ทธ๊ฐ€ ๊ธฐ์†Œ ์ง์ „์— ์˜คํด๋žœ๋“œ ํ”„๋กœ์•ผ๊ตฌ๋‹จ์—์„œ ์ง€๋ช…์„ ๋ฐ›์•˜์—ˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
15:40
And the state's key witness in Ron's case
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๋ก  ์‚ฌ๊ฑด์—์„œ ๊ฒ€์ฐฐ ์ธก ํ•ต์‹ฌ์ฆ์ธ์ด์—ˆ๋˜ ์‚ฌ๋žŒ์ด ๋‚˜์ค‘์— ์‹ค์ œ ๋ฒ”์ธ์œผ๋กœ ๋ฐํ˜€์กŒ์Šต๋‹ˆ๋‹ค.
15:43
was, in the end, the actual perpetrator.
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๋ก  ์‚ฌ๊ฑด์—์„œ ๊ฒ€์ฐฐ ์ธก ํ•ต์‹ฌ์ฆ์ธ์ด์—ˆ๋˜ ์‚ฌ๋žŒ์ด ๋‚˜์ค‘์— ์‹ค์ œ ๋ฒ”์ธ์œผ๋กœ ๋ฐํ˜€์กŒ์Šต๋‹ˆ๋‹ค.
15:48
Ronald Jones served eight years of a death sentence
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๋กœ๋„๋“œ ์กด์Šค๋Š” 28์„ธ ์—ฌ์„ฑ์„ ๊ฐ•๊ฐ„ ์‚ดํ•ดํ•œ ํ˜์˜๋กœ ์‚ฌํ˜•์„ ๊ณ ๋ฅผ ๋ฐ›๊ณ  8๋…„์„ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
15:52
for rape and murder of a 28-year-old woman.
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๋กœ๋„๋“œ ์กด์Šค๋Š” 28์„ธ ์—ฌ์„ฑ์„ ๊ฐ•๊ฐ„ ์‚ดํ•ดํ•œ ํ˜์˜๋กœ ์‚ฌํ˜•์„ ๊ณ ๋ฅผ ๋ฐ›๊ณ  8๋…„์„ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
15:54
I photographed him at the scene of arrest in Chicago.
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์ด ์‚ฌ์ง„์€ ์‹œ์นด๊ณ ์˜ ์ฒดํฌํ˜„์žฅ์—์„œ ์ฐ์—ˆ์Šต๋‹ˆ๋‹ค.
15:59
William Gregory was convicted of rape and burglary.
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์œŒ๋ฆฌ์—„ ๊ทธ๋ ˆ๊ณ ๋ฆฌ๋Š” ๊ฐ•๋„ ๊ฐ•๊ฐ„ํ˜์˜๋กœ ๊ธฐ์†Œ๋˜์–ด
16:03
He served seven years of a 70 year sentence in Kentucky.
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70๋…„ํ˜• ์ค‘ 7๋…„์„ ์ผ„ํ„ฐํ‚ค์—์„œ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
16:08
Timothy Durham, who I photographed at his alibi location
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์•Œ๋ฆฌ๋ฐ”์ด ์žฅ์†Œ์—์„œ ์‚ฌ์ง„์„ ์ฐ์€ ํ‹ฐ๋ชจ์‹œ ๋”๋Ÿผ์€
16:11
where 11 witnesses placed him at the time of the crime,
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๊ทธ๋ฅผ ์•Œ๋ฆฌ๋ฐ”์ด ํ˜„์žฅ์—์„œ ๋ดค๋‹ค๋Š” ๋ชฉ๊ฒฉ์ž๊ฐ€ 11๋ช…์ด๋‚˜ ์žˆ์—ˆ๋Š”๋ฐ์š”.
16:14
was convicted of 3.5 years
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๊ฐ•๊ฐ„๊ณผ ๊ฐ•๋„ ๋“ฑ ์—ฌ๋Ÿฌ ๊ฑด์— ๋Œ€ํ•ด 3,220๋…„ ํ˜• ํŒ๊ฒฐ์„ ๋ฐ›๊ณ 
16:16
of a 3220 year sentence,
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๊ฐ•๊ฐ„๊ณผ ๊ฐ•๋„ ๋“ฑ ์—ฌ๋Ÿฌ ๊ฑด์— ๋Œ€ํ•ด 3,220๋…„ ํ˜• ํŒ๊ฒฐ์„ ๋ฐ›๊ณ 
16:21
for several charges of rape and robbery.
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3๋…„ 6๊ฐœ์›”์„ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
16:23
He had been misidentified by an 11-year-old victim.
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๊ทธ๋Š” 11์‚ด์งœ๋ฆฌ ํ”ผํ•ด์ž๋กœ๋ถ€ํ„ฐ ์ž˜๋ชป๋œ ์ง€๋ชฉ์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.
16:28
Troy Webb is photographed here at the scene of the crime in Virginia.
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ํŠธ๋กœ์ด ์›น์€ ๋ฒ„์ง€๋‹ˆ์•„์˜ ๋ฒ”์ฃ„ํ˜„์žฅ์—์„œ ์‚ฌ์ง„์„ ์ฐ์—ˆ์Šต๋‹ˆ๋‹ค.
16:32
He was convicted of rape, kidnapping and robbery,
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๊ทธ๋Š” ๊ฐ•๊ฐ„, ๋‚ฉ์น˜, ๊ฐ•๋„๋กœ ๊ธฐ์†Œ๋˜์–ด 47๋…„ํ˜•์„ ๋ฐ›๊ณ  7๋…„์„ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
16:35
and served seven years of a 47 year sentence.
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๊ทธ๋Š” ๊ฐ•๊ฐ„, ๋‚ฉ์น˜, ๊ฐ•๋„๋กœ ๊ธฐ์†Œ๋˜์–ด 47๋…„ํ˜•์„ ๋ฐ›๊ณ  7๋…„์„ ๋ณต์—ญํ–ˆ์Šต๋‹ˆ๋‹ค.
16:39
Troy's picture was in a photo array
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ํ”ผํ•ด์ž๋Š” ์—ฌ๋Ÿฌ ์žฅ์˜ ์‚ฌ์ง„ ์ค‘์—์„œ ํŠธ๋กœ์ด์˜ ์‚ฌ์ง„์— ๊ด€์‹ฌ์„ ๊ฐ€์กŒ์ง€๋งŒ
16:41
that the victim tentatively had some draw toward,
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ํ”ผํ•ด์ž๋Š” ์—ฌ๋Ÿฌ ์žฅ์˜ ์‚ฌ์ง„ ์ค‘์—์„œ ํŠธ๋กœ์ด์˜ ์‚ฌ์ง„์— ๊ด€์‹ฌ์„ ๊ฐ€์กŒ์ง€๋งŒ
16:43
but said he looked too old.
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๋„ˆ๋ฌด ๋Š™์–ด๋ณด์ธ๋‹ค๊ณ  ๋งํ–ˆ์Šต๋‹ˆ๋‹ค.
16:46
The police went and found a photograph of Troy Webb
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๊ฒฝ์ฐฐ์€ ํŠธ๋กœ์ด ์›น์ด 4๋…„ ์ „์— ์ฐ์€ ์‚ฌ์ง„์„ ๊ตฌํ•ด์™€์„œ
16:49
from four years earlier,
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๊ฒฝ์ฐฐ์€ ํŠธ๋กœ์ด ์›น์ด 4๋…„ ์ „์— ์ฐ์€ ์‚ฌ์ง„์„ ๊ตฌํ•ด์™€์„œ
16:51
which they entered into a photo array days later,
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๋ฉฐ์น  ํ›„ ์žˆ์—ˆ๋˜ ์‚ฌ์ง„ํ™•์ธ์กฐ์‚ฌ์— ์ง‘์–ด๋„ฃ์—ˆ๊ณ ,
16:54
and he was positively identified.
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๊ฑฐ๊ธฐ์„œ ๋ฒ”์ธ์œผ๋กœ ์ง€๋ชฉ์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.
16:58
Now I'm going to leave you with a self portrait.
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๋งˆ์ง€๋ง‰์œผ๋กœ ์ดˆ์ƒํ™” ํ•œ ์žฅ์„ ๋ณด์—ฌ๋“œ๋ฆฌ๊ณ  ๋งˆ์น˜๊ฒ ์Šต๋‹ˆ๋‹ค.
17:02
And it reiterates that distortion is a constant,
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๋ฐ˜๋ณตํ•ด์„œ ๊ฐ•์กฐํ•  ์ ์€, ์™œ๊ณก์€ ์–ธ์ œ๋‚˜ ์ผ์–ด๋‚˜๊ณ 
17:06
and our eyes are easily deceived.
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์šฐ๋ฆฌ์˜ ๋ˆˆ์€ ์‰ฝ๊ฒŒ ์†์•„ ๋„˜์–ด๊ฐ‘๋‹ˆ๋‹ค.
17:19
That's it. Thank you.
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์—ฌ๊ธฐ๊นŒ์ง‘๋‹ˆ๋‹ค. ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
17:21
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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