The spellbinding art of human anatomy | Vanessa Ruiz

122,060 views ใƒป 2016-09-19

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: JY Kang ๊ฒ€ํ† : Jihyeon J. Kim
00:13
As a lover of human anatomy,
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์ธ์ฒดํ•ด๋ถ€ํ•™์„ ์ข‹์•„ํ•˜๋Š” ์‚ฌ๋žŒ์œผ๋กœ์„œ
00:15
I'm so excited that we're finally putting our bodies at the center of focus.
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๋“œ๋””์–ด ์šฐ๋ฆฌ์˜ ๋ชธ์ด ํ™”์ œ์˜ ์ค‘์‹ฌ์ด ๋˜์—ˆ๋‹ค๋Š” ์ ์„ ๋งค์šฐ ๊ธฐ์˜๊ฒŒ ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
00:19
Through practices such as preventive medicine,
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์—ฌ๋Ÿฌ ๊ณผ์ •๋“ค, ์˜ˆ๋ฅผ ๋“ค๋ฉด ์˜ˆ๋ฐฉ์˜ํ•™
00:22
patient empowerment
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ํ™˜์ž ์žฌํ™œ
00:23
and self-monitoring --
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์ž๊ฐ€ ๊ฒ€์ง„์„ ๊ฑฐ์ณ์„œ
00:25
down to now obsessing over every single step we take in a day.
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์ด์ œ๋Š” ํ•˜๋ฃจ ๊ฑธ์Œ์ˆ˜์— ์ง‘์ฐฉํ•˜๋Š” ๋‹จ๊ณ„๊นŒ์ง€ ์ด๋ฅด๋ €์ฃ .
00:29
All of this works to promote
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์ด ๋ชจ๋“  ๊ฒƒ์ด ์ถ”๊ตฌํ•˜๋Š” ๋ฐ”๋Š”
00:31
a healthy connection between ourselves and our bodies.
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์šฐ๋ฆฌ ์ž์•„์™€ ์‹ ์ฒด ์‚ฌ์ด์˜ ๊ฑด๊ฐ•ํ•œ ์—ฐ๊ณ„์„ฑ์ž…๋‹ˆ๋‹ค.
00:37
Despite all this focus on the healthy self,
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ํ•˜์ง€๋งŒ ๊ฑด๊ฐ•ํ•œ ์ž์•„์— ๋Œ€ํ•œ ๊ด€์‹ฌ์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ 
00:41
general public knowledge of the anatomical self is lacking.
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์ผ๋ฐ˜์ธ์˜ ํ•ด๋ถ€ํ•™์  ์ง€์‹์€ ๋ถ€์กฑํ•˜์ฃ .
00:45
Many people don't know the location of their vital organs,
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์‹ ์ฒด ์žฅ๊ธฐ์˜ ์œ„์น˜๋„ ๋ชจ๋ฅด๋Š” ์‚ฌ๋žŒ๋“ค์ด ๋Œ€๋‹ค์ˆ˜์ด๊ณ 
00:48
or even how they function.
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์žฅ๊ธฐ์˜ ๊ธฐ๋Šฅ ์กฐ์ฐจ๋„ ์ž˜ ๋ชจ๋ฅด์ฃ .
00:50
And that's because human anatomy
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๊ทธ ์ด์œ ๋Š”, ์ธ์ฒด ํ•ด๋ถ€ํ•™์ด
00:52
is a difficult and time-intensive subject to learn.
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์–ด๋ ต๊ณ , ๋ฐฐ์šฐ๊ธฐ์—๋„ ๋งŽ์€ ์‹œ๊ฐ„์ด ๋“ค๊ธฐ ๋•Œ๋ฌธ์ผ ๊ฒ๋‹ˆ๋‹ค.
00:56
How many of you here made it through anatomy?
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ํ•ด๋ถ€ํ•™์„ ๊ณต๋ถ€ํ•˜์‹  ๋ถ„์ด ๋ช‡ ๋ถ„์ด๋‚˜ ๊ณ„์‹ ๊ฐ€์š”?
00:59
Wow, good --
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์™€, ์ข‹์•„์š”.
01:01
most of you are in medicine.
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์˜๋ฃŒ๊ณ„์™€ ๊ด€๊ณ„๋œ ๋ถ„์ด ๋งŽ๋„ค์š”.
01:03
I, like you, spent countless hours memorizing hundreds of structures.
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์ €๋„ ์—ฌ๋Ÿฌ๋ถ„์ฒ˜๋Ÿผ ์ˆ˜๋ฐฑ ๊ฐ€์ง€ ์‹ ์ฒด๊ตฌ์กฐ๋ฅผ ์™ธ์šฐ๋ ค๊ณ  ๋งŽ์€ ์‹œ๊ฐ„์„ ํˆฌ์žํ–ˆ์Šต๋‹ˆ๋‹ค.
01:09
Something no student of anatomy could do without the help of visuals.
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์‹œ๊ฐ์  ๋„์›€ ์—†์ด ํ•ด๋ถ€ํ•™์„ ๊ณต๋ถ€ํ•˜๋Š” ํ•™์ƒ์€ ๊ฑฐ์˜ ์—†์„ ๊ฑฐ์˜ˆ์š”.
01:15
Because at the end of the day,
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์™œ๋ƒํ•˜๋ฉด ๊ฒฐ๊ตญ์—๋Š”
01:16
whether you remember every little structure or not,
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๋ชจ๋“  ์„ธ๋ถ€ ๊ตฌ์กฐ๊นŒ์ง€ ์™ธ์šฐ๋“  ์™ธ์šฐ์ง€ ๋ชปํ•˜๋“ ๊ฐ„์—
01:19
these medical illustrations are what makes studying anatomy so intriguing.
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์ด๋Ÿฐ ์˜ํ•™ ์ผ๋Ÿฌ์ŠคํŠธ๊ฐ€ ํ•ด๋ถ€ํ•™ ๊ณต๋ถ€์— ํฅ๋ฏธ๋ฅผ ๋”ํ•ด์ฃผ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
01:24
In looking at them,
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์ด ๊ทธ๋ฆผ๋“ค์„ ๋ณด๊ณ  ์žˆ์ž๋ฉด
01:25
we're actually viewing a manual of our very selves.
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๋ฐ”๋กœ ์šฐ๋ฆฌ ์ž์‹ ์— ๋Œ€ํ•œ ์„ค๋ช…์„œ๋ฅผ ๋ณด๋Š” ๊ฒƒ๊ณผ ๊ฐ™๊ฑฐ๋“ ์š”.
01:30
But what happens when we're done studying?
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๊ทธ๋Ÿฐ๋ฐ ๊ณต๋ถ€๊ฐ€ ๋๋‚œ ๋’ค์— ์–ด๋–ป๊ฒŒ ๋˜์ฃ ?
01:32
These beautiful illustrations are then shut back
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์ด ์•„๋ฆ„๋‹ค์šด ์ผ๋Ÿฌ์ŠคํŠธ๋“ค์€ ๋ฎ์–ด๋ฒ„๋ฆฌ๊ณ 
01:36
into the pages of a medical textbook,
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์˜ํ•™์„œ์  ์‚ฌ์ด์— ๋ผ์›Œ ๋‘๊ฑฐ๋‚˜
01:38
or an app,
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์•ฑ์— ๋‹ด์•„๋‘์—ˆ๋‹ค๊ฐ€
01:39
referenced only when needed.
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ํ•„์š”ํ•  ๋•Œ๋งŒ ์ฐพ์•„๋ณด๊ฒŒ ๋˜์ฃ .
01:41
And for the public,
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๊ทธ๋ฆฌ๊ณ  ๋ณดํ†ต ์‚ฌ๋žŒ๋“ค์—๊ฒŒ๋Š”
01:42
medical illustrations may only be encountered passively
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์ด๋Ÿฐ ์˜ํ•™ ์ผ๋Ÿฌ์ŠคํŠธ๋“ค์€ ๋ณ‘์› ์ง„๋ฃŒ์‹ค ๋ฒฝ์— ๊ฑธ๋ ค ์žˆ๋‹ค๊ฐ€
01:45
on the walls of a doctor's office.
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์˜๋„์น˜ ์•Š๊ฒŒ ๋ณด๊ฒŒ ๋˜๋Š” ๊ฒƒ๋“ค์ด์ฃ .
01:48
From the beginnings of modern medicine,
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ํ˜„๋Œ€์˜ํ•™ ์ดˆ๊ธฐ๋ถ€ํ„ฐ
01:50
medical illustration,
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์˜ํ•™ ์ผ๋Ÿฌ์ŠคํŠธ
01:51
and therefore anatomy,
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๊ทธ๋Ÿฌ๋‹ˆ๊นŒ ํ•ด๋ถ€ํ•™์€
01:53
have existed primarily within the realm of medical education.
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์ฃผ๋กœ ์˜๊ณผ ๊ต์œก๊ณ„์˜ ์˜์—ญ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
01:58
Yet there's something fascinating happening right now.
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๊ทธ๋Ÿฐ๋ฐ ์ด์ œ ํฅ๋ฏธ๋กœ์šด ์ผ์ด ๋ฒŒ์–ด์ง€๊ณ  ์žˆ์ฃ .
02:01
Artists are breaking anatomy out of the confines of the medical world
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๋ฏธ์ˆ ๊ฐ€๋“ค์ด ํ•ด๋ถ€ํ•™์— ๋Œ€ํ•œ ์˜ํ•™๊ณ„์˜ ์˜์—ญ์„ ๋„˜๋ณด๊ธฐ ์‹œ์ž‘ํ•˜๊ณ 
02:05
and are thrusting it into the public space.
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์ด๋ฅผ ์ผ๋ฐ˜์ธ์˜ ์˜์—ญ์œผ๋กœ ๋Œ์–ด๋‚ด๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
02:07
For the past nine years, I have been cataloguing and sharing
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์ง€๋‚œ 9๋…„๊ฐ„, ์ €๋Š” ํ•ด๋ถ€ํ•™ ๋ฏธ์ˆ ์— ๋Œ€ํ•œ ํŽธ๋žŒ์„ ์ œ์ž‘ํ•˜๊ณ 
02:10
this rise in anatomical art with the public --
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์ผ๋ฐ˜ ๋Œ€์ค‘์—๊ฒŒ ๊ณต๊ฐœํ•ด์™”์Šต๋‹ˆ๋‹ค.
02:13
all from my perspective as a medical illustrator.
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๊ทธ๊ฒŒ ์˜ํ•™ ์ผ๋Ÿฌ์ŠคํŠธ๋ฅผ ๋ฐ”๋ผ๋ณด๋Š” ์ €์˜ ๊ด€์ ์ด ๊ทธ๋Ÿฌํ–ˆ๊ธฐ ๋•Œ๋ฌธ์ด์ฃ .
02:17
But before I get into showing you how artists are reclaiming anatomy today,
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ํ•˜์ง€๋งŒ ์˜ค๋Š˜ ๋ฏธ์ˆ ๊ฐ€๋“ค์ด ํ•ด๋ถ€ํ•™์„ ์–ด๋–ป๊ฒŒ ์žฌ์ฐฝ์กฐํ–ˆ๋Š”์ง€๋ฅผ ๋ณด์—ฌ๋“œ๋ฆฌ๊ธฐ ์ „์—
02:21
it's important to understand how art influenced anatomy in the past.
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๊ณผ๊ฑฐ์—๋Š” ๋ฏธ์ˆ ์ด ํ•ด๋ถ€ํ•™์— ์–ด๋–ค ์˜ํ–ฅ์„ ์ฃผ์—ˆ๋Š”์ง€๋ฅผ ์•„๋Š” ๊ฒƒ์ด ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค.
02:27
Now, anatomy is by its very nature a visual science,
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๋‹น์—ฐํ•˜๊ฒŒ๋„ ํ•ด๋ถ€ํ•™์€ ์‹œ๊ฐ์  ๊ณผํ•™์ž…๋‹ˆ๋‹ค.
02:30
and the first anatomists to understand this lived during the Renaissance.
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๋ฅด๋„ค์ƒ์Šค ์‹œ๋Œ€์˜ ์ตœ์ดˆ์˜ ํ•ด๋ถ€ํ•™์ž๋“ค๋„ ๊ทธ ์ ์„ ์•Œ๊ณ  ์žˆ์—ˆ์ฃ .
02:34
They relied on artists
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๊ทธ๋“ค์€ ๋ฏธ์ˆ ๊ฐ€์˜ ๋„์›€์„ ๋ฐ›์•„
02:36
to help advertise their discoveries to their peers in the public.
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์ž์‹ ๋“ค์ด ์•Œ์•„๋‚ธ ๊ฒƒ๋“ค์„ ํ•™์ƒ๊ณผ ๋Œ€์ค‘์— ์•Œ๋ ธ์Šต๋‹ˆ๋‹ค.
02:40
And this drive to not only teach but also to entertain
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๊ทธ๊ฒƒ์ด ๊ต์œก๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ์˜ค๋ฝ์ ์œผ๋กœ๋„ ๋ฐœ์ „ํ•˜์—ฌ
02:45
resulted in some of the strangest anatomical illustrations.
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๊ธฐ๊ดดํ•œ ํ•ด๋ถ€ํ•™ ์‚ฝํ™”๊ฐ€ ๋‚˜์˜ค๊ธฐ์— ์ด๋ฅด๋ €์ฃ .
02:51
Anatomy was caught in a struggle between science, art and culture
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๊ณผํ•™, ๋ฏธ์ˆ , ๋ฌธํ™” ์‚ฌ์ด์—์„œ ํ•ด๋ถ€ํ•™์— ๋Œ€ํ•œ ๋…ผ์Ÿ์ด ์ผ์—ˆ๊ณ 
02:56
that lasted for over 500 years.
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๋‹คํˆผ์€ 500๋…„ ์ด์ƒ ๊ณ„์†๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
03:01
Artists rendered dissected cadavers as alive,
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๋ฏธ์ˆ ๊ฐ€๋“ค์€ ํ•ด๋ถ€๋œ ์‚ฌ์ฒด๋ฅผ ์‚ด์•„์žˆ๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋ฌ˜์‚ฌํ–ˆ๊ณ 
03:06
posed in these humorous anatomical stripteases.
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ํ•ด๋ถ€๋œ ์ƒํƒœ์˜ ์šฐ์Šค๊ฝ์Šค๋Ÿฌ์šด ์ž์„ธ๋กœ ๊ทธ๋ ค๋ƒˆ์Šต๋‹ˆ๋‹ค.
03:10
Imagine seeing that in your textbooks today.
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์˜ค๋Š˜๋‚  ๊ต์žฌ์—์„œ ์ด๋Ÿฐ ๊ทธ๋ฆผ์„ ๋ณธ๋‹ค๊ณ  ์ƒ๊ฐํ•ด๋ณด์„ธ์š”.
03:14
They also showed them as very much dead --
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์–ต์ง€๋กœ ํ”ผ๋ถ€๊ฐ€ ๋ฒ—๊ฒจ์ง„ ์ฑ„
03:17
unwillingly stripped of their skin.
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์™„์ „ํžˆ ์ฃฝ์€ ์ƒํƒœ์˜ ๊ทธ๋ฆผ๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
03:21
Disembodied limbs were often posed in literal still lives.
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๋ถ„๋ฆฌ๋œ ํŒ”๋‹ค๋ฆฌ๊ฐ€ ๋ง ๊ทธ๋Œ€๋กœ ์ •๋ฌผํ™”์ฒ˜๋Ÿผ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
03:28
And some illustrations even included pop culture references.
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๋ช‡๋ช‡ ๊ทธ๋ฆผ์€ ๋Œ€์ค‘๋ฌธํ™”์— ์ฐธ๊ณ ๊ฐ€ ๋˜๊ธฐ๋„ ํ–ˆ์Šต๋‹ˆ๋‹ค.
03:32
This is Clara,
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์ด ๊ทธ๋ฆผ์€ ํด๋ผ๋ผ ์ž…๋‹ˆ๋‹ค.
03:34
a famous rhinoceros that was traveling Europe in the mid-1700s,
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1700๋…„๋Œ€ ์ค‘๋ฐ˜์— ์œ ๋Ÿฝ์„ ์—ฌํ–‰ํ•œ ์œ ๋ช…ํ•œ ์ฝ”๋ฟ”์†Œ์ฃ .
03:37
at a time when seeing a rhino was an exciting rarity.
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๊ทธ ๋‹น์‹œ์— ์ฝ”๋ฟ”์†Œ๋ฅผ ๋ณด๋Š” ๊ฑด ๊ต‰์žฅํžˆ ๋“œ๋ฌธ ์ผ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
03:40
Including her in this illustration was akin to celebrity sponsorship today.
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๊ทธ๋Ÿฐ ์ฝ”๋ฟ”์†Œ๋ฅผ ๊ทธ๋ฆผ์— ๋„ฃ๋Š”๋‹ค๋Š” ๊ฑด ์˜ค๋Š˜๋‚  ์—ฐ์˜ˆ์ธ ํ˜‘์ฐฌ์„ ๋ฐ›๋Š” ๊ฒƒ๊ณผ ๊ฐ™์ฃ .
03:46
The introduction of color
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์ฑ„์ƒ‰ ๊ธฐ์ˆ ์ด ๋„์ž…๋˜๋ฉด์„œ
03:49
then brought a whole new depth and clarity to anatomy
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ํ•ด๋ถ€ํ•™์ด ๊นŠ์ด๋ฅผ ๋”ํ•˜๊ณ  ๋ช…ํ™•ํ•ด์งˆ ์ˆ˜ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
03:52
that made it stunning.
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๊ต‰์žฅํžˆ ์•„๋ฆ„๋‹ค์›Œ์กŒ์ฃ .
03:56
By the early 20th century,
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20์„ธ๊ธฐ ์ดˆ๋ฐ˜์— ๋“ค์–ด์„œ์ž
03:57
the perfect balance of science and art had finally been struck
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์˜ํ•™ ์ผ๋Ÿฌ์ŠคํŠธ์˜ ์ถœํ˜„์œผ๋กœ ๊ณผํ•™๊ณผ ์˜ˆ์ˆ ์˜ ์™„๋ฒฝํ•œ ๊ท ํ˜•์ด
04:01
with the emergence of medical illustrators.
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๊ฒฐ๊ตญ ๋ฌด๋„ˆ์ง€๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
04:04
They created a universal representation of anatomy --
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์‚ฌ๋žŒ๋“ค์€ ํ•ด๋ถ€ํ•™์„ ์‚ด์•„์žˆ๋Š” ๊ฒƒ๋„ ์•„๋‹ˆ๊ณ  ์ฃฝ์€ ๊ฒƒ๋„ ์•„๋‹Œ
04:07
something that was neither alive nor dead,
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๋ณดํŽธ์  ๋ฐฉ์‹์œผ๋กœ ๋ฌ˜์‚ฌํ–ˆ๊ณ 
04:09
that was free from those influences of artistic culture.
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์˜ˆ์ˆ ๋ฌธํ™”์˜ ์˜ํ–ฅ์—์„œ ๋ฒ—์–ด๋‚˜๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
04:14
And this focus on no-frills accuracy
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๊ผญ ํ•„์š”ํ•œ ๋ถ€๋ถ„๋งŒ ์ •๊ตํ•˜๊ฒŒ ๋ฌ˜์‚ฌํ•จ์œผ๋กœ์จ
04:16
was precisely for the benefit of medical education.
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์˜ํ•™ ๊ต์œก์— ๋„์›€์ด ๋˜์—ˆ์ฃ .
04:20
And this is what we get to study from today.
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์ด๊ฒƒ์ด ์˜ค๋Š˜๋‚  ๊ต์œก์— ํ™œ์šฉ๋˜๋Š” ํ˜•ํƒœ์ž…๋‹ˆ๋‹ค.
04:26
But why is it that medical illustration --
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ํ•˜์ง€๋งŒ ์™œ ์ด๋Ÿฐ ์˜ํ•™ ์ผ๋Ÿฌ์ŠคํŠธ๊ฐ€
04:28
both past and present --
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๊ณผ๊ฑฐ๋Š” ๋ฌผ๋ก  ํ˜„์žฌ์—๋„
04:30
captures our imaginations?
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์šฐ๋ฆฌ ์ƒ์ƒ๋ ฅ์„ ์ž๊ทนํ•˜๋Š” ๊ฑธ๊นŒ์š”?
04:33
Now, we are innately tuned into the beauty of the human body.
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์šฐ๋ฆฌ๋Š” ์„ ์ฒœ์ ์œผ๋กœ ์‹ ์ฒด์˜ ์•„๋ฆ„๋‹ค์›€์— ๊ด€์‹ฌ์„ ๊ฐ–์Šต๋‹ˆ๋‹ค.
04:37
And medical illustration is still art.
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๊ทธ๋ž˜์„œ ์˜ํ•™ ์ผ๋Ÿฌ์ŠคํŠธ๋ฅผ ์—ฌ์ „ํžˆ ์˜ˆ์ˆ ๋กœ ๋ฐ›์•„๋“ค์ด์ฃ .
04:42
Nothing can elicit an emotional response --
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์ฆ๊ฑฐ์›€์—์„œ๋ถ€ํ„ฐ ์ ˆ๋Œ€์  ํ˜์˜ค๊ฐ๊นŒ์ง€
04:44
from joy to complete disgust --
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์šฐ๋ฆฌ ๊ฐ์„ฑ์  ๋ฐ˜์‘์„ ์ด๋Œ์–ด ๋‚ด๋Š” ๊ฒƒ์€
04:47
more than the human body.
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์šฐ๋ฆฌ ์‹ ์ฒด ์™ธ์—๋Š” ์—†์„ ๊ฑฐ์˜ˆ์š”.
04:49
And today,
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๊ทธ๋ž˜์„œ ์˜ค๋Š˜๋‚ 
04:50
artists armed with that emotion,
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๊ทธ๋Ÿฐ ๊ฐ์ •๋“ค์— ์‚ฌ๋กœ์žกํžŒ ๋ฏธ์ˆ ๊ฐ€๋“ค์ด
04:53
are grasping anatomy from the medical world,
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ํ•ด๋ถ€ํ•™์„ ์˜ํ•™๊ณ„์—์„œ ๋„์ง‘์–ด๋‚ด์–ด
04:55
and are reinvigorating it through art in the most imaginative ways.
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์˜ˆ์ˆ ์  ์ƒ์ƒ๋ ฅ์„ ๋™์›ํ—ค์„œ ํ™œ๊ธฐ๋ฅผ ๋ถˆ์–ด๋„ฃ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
05:01
A perfect example of this is Spanish contemporary artist Fernando Vicente.
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๊ทธ ์ข‹์€ ์˜ˆ๊ฐ€ ์ŠคํŽ˜์ธ์˜ ํ˜„๋Œ€๋ฏธ์ˆ ๊ฐ€ ํŽ˜๋ฅด๋‚œ๋„ ๋น„์„ผํ…Œ์˜ ์ž‘ํ’ˆ์ž…๋‹ˆ๋‹ค.
05:07
He takes 19th century anatomical illustrations of the male body
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๊ทธ๋Š” 19์„ธ๊ธฐ์— ๊ทธ๋ ค์ง„ ๋‚จ์„ฑ ์‹ ์ฒด์˜ ํ•ด๋ถ€ํ•™ ์ผ๋Ÿฌ์ŠคํŠธ๋ฅผ ๊ฐ€์ ธ๋‹ค๊ฐ€
05:13
and envelops them in a female sensuality.
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๊ด€๋Šฅ์  ์—ฌ์„ฑ์˜ ๋ชจ์Šต์„ ๋ง์”Œ์› ์Šต๋‹ˆ๋‹ค.
05:18
The women in his paintings taunt us to view beyond their surface anatomy,
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๊ทธ๋ฆผ์˜ ์—ฌ์„ฑ์€ ๋“œ๋Ÿฌ๋‚œ ํ•ด๋ถ€ํ•™ ๋ฌ˜์‚ฌ์˜ ์ด๋ฉด์„ ๋ณด๋ผ๋Š” ๋“ฏ์ด ์šฐ๋ฆฌ๋ฅผ ์กฐ๋กฑํ•˜์ฃ .
05:23
thereby introducing a strong femininity
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์ด๋ฅผ ํ†ตํ•ด ๊ฐ•ํ•œ ์—ฌ์„ฑ๋ฏธ๋ฅผ ๋“œ๋Ÿฌ๋ƒ…๋‹ˆ๋‹ค.
05:26
that was previously lacking in the history of anatomical representation.
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๊ณผ๊ฑฐ์˜ ํ•ด๋ถ€ํ•™ ๋ฌ˜์‚ฌ์—์„œ๋Š” ๋ณผ ์ˆ˜ ์—†์—ˆ๋˜ ๊ฒƒ์ด์ฃ .
05:32
Artistry can also be seen in the repair and recovery of the human body.
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์˜ˆ์ˆ ์„ฑ์€ ์‹ ์ฒด์˜ ์น˜๋ฃŒ๋‚˜ ํšŒ๋ณต ์ธก๋ฉด์—์„œ๋„ ๋‚˜ํƒ€๋‚ฉ๋‹ˆ๋‹ค.
05:37
This is an X-ray of a woman who fractured and dislocated her ankle
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์ด๊ฒƒ์€ ๋กค๋Ÿฌ์Šค์ผ€์ดํŠธ ์‚ฌ๊ณ ๋กœ ๋ฐœ๋ชฉ ๊ณจ์ ˆ๊ณผ ํƒˆ๊ณจ์„ ์ž…์€
05:40
in a roller-skating accident.
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์–ด๋Š ์—ฌ์„ฑ์˜ ๋ฐฉ์‚ฌ์„  ์‚ฌ์ง„์ž…๋‹ˆ๋‹ค.
05:42
As a tribute to her trauma,
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๊ทธ๋…€๋Š” ํŠธ๋ผ์šฐ๋งˆ ๊ทน๋ณต์„ ์œ„ํ•ด
05:44
she commissioned Montreal-based architect Federico Carbajal
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๋ชฌํŠธ๋ฆฌ์˜ฌ์—์„œ ํ™œ๋™ํ•˜๋Š” ๊ฑด์ถ•๊ฐ€์ธ ํŽ˜๋“œ๋ฆฌ์ฝ” ์นด๋ฅด๋ฐ”ํ• ์—๊ฒŒ ์˜๋ขฐํ•˜์—ฌ
05:48
to construct a wire sculpture of her damaged lower leg.
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๋ถ€์ƒ๋‹นํ•œ ๋‹ค๋ฆฌ ๋ถ€๋ถ„์„ ์ฒ ์‚ฌ ์กฐํ˜•๋ฌผ๋กœ ์ œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
05:53
Now, notice those bright red screws magnified in the sculpture.
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์กฐํ˜•๋ฌผ์—์„œ ๋นจ๊ฐ„์ƒ‰ ๋‚˜์‚ฌ๋ฅผ ํ™•๋Œ€ํ•œ ๋ถ€๋ถ„์„ ์‚ดํŽด๋ณด์„ธ์š”.
05:57
These are the actual surgical screws used in reconstructing her ankle.
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์ด๊ฒƒ๋“ค์€ ๋ฐœ๋ชฉ ๊ต์ •์— ์‚ฌ์šฉ๋œ ์‹ค์ œ ์™ธ๊ณผ์ˆ˜์ˆ ์šฉ ๋‚˜์‚ฌ์ž…๋‹ˆ๋‹ค.
06:02
It's medical hardware that's been repurposed as art.
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์˜๋ฃŒ ๊ธฐ๊ตฌ๋ฅผ ์˜ˆ์ˆ ๋กœ ์žฌ์‚ฌ์šฉํ•œ ๊ฒฝ์šฐ๊ฐ€ ๋˜๊ฒ ์ฃ .
06:08
People often ask me how I choose the art that I showcase online
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๊ฐ€๋” ์ €๋Š” ์˜จ๋ผ์ธ ์ „์‹œ๋‚˜ ๊ฐค๋Ÿฌ๋ฆฌ ์ „์‹œ์— ์‚ฌ์šฉํ•˜๋Š” ๊ทธ๋ฆผ์„
06:12
or feature in gallery shows.
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์–ด๋–ป๊ฒŒ ๊ณ ๋ฅด๋ƒ๋Š” ์งˆ๋ฌธ์„ ๋ฐ›๊ณค ํ•ฉ๋‹ˆ๋‹ค.
06:14
And for me it's a balance between the technique
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์ œ ์ž…์žฅ์—์„œ๋Š” ๊ธฐ์ˆ ๊ณผ ์ „์‹œ ์ปจ์…‰์„ ๊ท ํ˜•์„ ์ด๋ฃจ์–ด
06:17
and a concept that pushes the boundaries of anatomy as a way to know thyself,
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์ž์‹ ์„ ์•Œ์ž๋Š” ์ˆ˜๋‹จ์œผ๋กœ์„œ ํ•ด๋ถ€ํ•™์˜ ๊ฒฝ๊ณ„๋ฅผ ํ—ˆ๋ฌผ๊ณ ์ž ํ•ฉ๋‹ˆ๋‹ค.
06:21
which is why the work of Michael Reedy struck me.
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๊ทธ๋Ÿฐ ๋ฉด์—์„œ ๋งˆ์ดํด ๋ฆฌ๋””์˜ ์ž‘ํ’ˆ์€ ์ œ๊ฒŒ ์ถฉ๊ฒฉ์ ์ด์ฃ .
06:25
His serious figure drawings are often layered in elements of humor.
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์ง„์ง€ํ•œ ๋ชจ์Šต์˜ ๊ทธ์˜ ๊ทธ๋ฆผ์—๋Š” ๋•Œ๋กœ๋Š” ํ•ดํ•™์  ์š”์†Œ๊ฐ€ ๊น”๋ ค์žˆ์Šต๋‹ˆ๋‹ค.
06:29
For instance, take a look at her face.
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์˜ˆ๋ฅผ ๋“ค๋ฉด, ์ด ์—ฌ์„ฑ์˜ ์–ผ๊ตด์„ ๋ณด์„ธ์š”.
06:33
Notice those red marks.
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ํ™์กฐ๋ฅผ ๋ณผ ์ˆ˜ ์žˆ์ฃ .
06:36
Michael manifests the consuming insecurity of a skin condition
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๋งˆ์ดํด์€ ์‹ฌ๊ฐํ•˜๊ฒŒ ๋ถˆ์•ˆ์ •ํ•œ ํ”ผ๋ถ€์ƒํƒœ๋ฅผ ๋‚˜ํƒ€๋‚˜๊ธฐ ์œ„ํ•ด
06:40
as these maniacal cartoon monsters
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๋ฐฐ๊ฒฝ์— ์„ฑ๊ฐ€์‹œ๊ณ  ํ†ต์ œ๋ถˆ๋Šฅ์˜
06:42
annoying and out of control in the background.
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๋ฏธ์นœ๋“ฏํ•œ ๋งŒํ™”์† ๊ดด๋ฌผ์˜ ๋ชจ์Šต์„ ๊ทธ๋ ค๋„ฃ์—ˆ์ฃ .
06:45
On the mirrored figure,
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๊ทธ ๋ฐ˜๋Œ€ํŽธ ๊ทธ๋ฆผ์—๋Š”
06:47
he renders the full anatomy
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์™„์ „ํ•œ ํ•ด๋ถ€ํ•™ ๊ทธ๋ฆผ์„ ๊ทธ๋ฆฌ๊ณ 
06:49
and covers it in glitter,
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๋ฐ˜์ง์ด๋Š” ๊ฒƒ๋“ค๋กœ ๋’ค๋ฎ์—ˆ์Šต๋‹ˆ๋‹ค.
06:51
making it look like candy.
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๋งˆ์น˜ ์‚ฌํƒ•์ฒ˜๋ฆผ ๋ณด์ด๊ฒŒ ํ–ˆ์ฃ .
06:54
By doing this,
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์ด๋ฅผ ํ†ตํ•ด์„œ
06:55
Michael downplays the common perception of anatomy
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๋งˆ์ดํด์€ ์งˆ๋ณ‘๊ณผ ์ฃฝ์Œ์— ๋ฐ€์ ‘ํ•œ ๊ด€๊ณ„๋ฅผ ๊ฐ–๋Š” ํ•ด๋ถ€ํ•™์— ๋Œ€ํ•œ
06:58
so closely tied to just disease and death.
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์ผ๋ฐ˜์  ์ธ์‹์„ ๊ฐ€๋ณ๊ฒŒ ๋‹ค๋ฃจ์—ˆ์Šต๋‹ˆ๋‹ค.
07:03
Now, this next concept might not make much sense,
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์ด์ œ, ๋‹ค์Œ ์ž‘ํ’ˆ์˜ ์ปจ์…‰์€ ๋‚ฉ๋“์ด ์•ˆ ๋  ์ˆ˜๋„ ์žˆ๋Š”๋ฐ์š”.
07:06
but human anatomy is no longer limited to humans.
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์‹ ์ฒด ํ•ด๋ถ€ํ•™์ด ์ธ๊ฐ„์—๊ฒŒ๋งŒ ํ•ด๋‹น๋˜์ง€๋Š” ์•Š๊ฒ ์ฃ .
07:10
When you were a child,
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์—ฌ๋Ÿฌ๋ถ„์ด ์–ด๋ ธ์„ ์ ์—
07:11
did you ever wish that your toys could come to life?
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์žฅ๋‚œ๊ฐ์ด ์‹ค์ œ๋กœ ์‚ด์•„์žˆ๊ธฐ๋ฅผ ๋ฐ”๋ž€ ์ ์ด ์žˆ์œผ์‹ ๊ฐ€์š”?
07:14
Well, Jason Freeny makes those dreams come true
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์ œ์ด์Šจ ํ”„๋ฆฌ๋‹ˆ๋Š” ๊ทธ ๊ฟˆ์„ ํ˜„์‹ค๋กœ ๋ฐ”๊พธ์—ˆ์Šต๋‹ˆ๋‹ค.
07:16
with his magical toy dissections.
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์ด๋Ÿฐ ๋งˆ๋ฒ•๊ณผ๋„ ๊ฐ™์€ ์žฅ๋‚œ๊ฐ ํ•ด๋ถ€๋ฅผ ํ†ตํ•ด์„œ ๋ง์ด์ฃ .
07:18
(Laughter)
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(์›ƒ์Œ)
07:20
One might think that this would bring a morbid edge
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์ˆœ์ˆ˜ํ•œ ์–ด๋ฆด์  ์บ๋ฆญํ„ฐ์— ๋Œ€ํ•ด์„œ ์†Œ๋ฆ„๋ผ์น˜๋Š” ๋Š๋‚Œ์„ ์ค€๋‹ค๊ณ 
07:23
to one's innocent childhood characters,
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์ƒ๊ฐํ•˜๋Š” ์‚ฌ๋žŒ๋„ ์žˆ๊ฒ ์ง€๋งŒ
07:25
but Jason says of his dissections,
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์ œ์ด์Šจ์€ ์ž์‹ ์˜ ํ•ด๋ถ€๋„์— ๋Œ€ํ•ด์„œ ์ด๋ ‡๊ฒŒ ๋งํ•ฉ๋‹ˆ๋‹ค.
07:28
"One thing I've never seen in a child's reaction to my work is fear."
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"์•„์ด๋“ค์ด ์ œ ์ž‘ํ’ˆ์„ ๋ณด๊ณ  ๊ณตํฌ์‹ฌ์„ ๋ณด์ธ ์ ์€ ์—†์–ด์š”."
07:33
It's always wonder,
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ํ•ด๋ถ€ํ•™์€ ๋Š˜ ๋†€๋ž๊ณ 
07:35
amazement
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์žฌ๋ฏธ์žˆ๊ณ 
07:36
and wanting to explore.
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ํƒ๊ตฌํ•˜๊ณ  ์‹ถ์€ ๋Œ€์ƒ์ž…๋‹ˆ๋‹ค.
07:38
Fear of anatomy and guts is a learned reaction.
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ํ•ด๋ถ€ํ•™๊ณผ ์žฅ๊ธฐ์— ๋Œ€ํ•œ ๊ณตํฌ์‹ฌ์€ ํ•™์Šต๋œ ๋ฐ˜์‘์ผ ๋ฟ์ด์ฃ .
07:44
This anatomization also extends to politically and socially charged objects.
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์ด๋Ÿฐ ํ—ค๋ถ€ํ•™์€ ์ •์น˜์ , ์‚ฌํšŒ์  ์‚ฌ๋ฌผ์—๊นŒ์ง€ ํ™•์žฅ๋ฉ๋‹ˆ๋‹ค.
07:51
In Noah Scalin's "Anatomy of War,"
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๋…ธ์•„ ์Šค์นผ๋ฆฐ์˜ "์ „์Ÿ์˜ ํ•ด๋ถ€ํ•™"์„ ๋ณด๋ฉด
07:53
we see a gun dissected to reveal human organs.
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ํ•ด์ฒด๋œ ์ด์— ์ธ๊ฐ„์˜ ์žฅ๊ธฐ๊ฐ€ ๋“œ๋Ÿฌ๋‚˜ ์žˆ์Šต๋‹ˆ๋‹ค.
07:57
But if you look closely,
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ํ•˜์ง€๋งŒ ์ž์„ธํžˆ ์‚ดํŽด๋ณด๋ฉด
07:59
you'll notice that it lacks a brain.
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๋‡Œ๋Š” ์—†๋‹ค๋Š” ๊ฑธ ์•Œ ์ˆ˜ ์žˆ์ฃ .
08:02
And if you keep looking, you might also notice
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๊ทธ๋ฆฌ๊ณ  ์ข€ ๋” ์‚ดํŽด๋ณด๋ฉด
08:05
that Noah has so thoughtfully placed the rectum
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๋…ธ์•„๋Š” ์˜๋„์ ์œผ๋กœ ์ธ๊ฐ„์˜ ์ง์žฅ์„
08:08
at the business end of that gun barrel.
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์ด์‹  ๋งจ๋์— ๋ฐฐ์น˜ํ–ˆ์Œ์„ ์•Œ ์ˆ˜ ์žˆ์ฃ .
08:13
Now, this next artist I've been following for many years,
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๋‹ค์Œ ์ž‘๊ฐ€๋Š” ์ œ๊ฐ€ ์ˆ˜๋…„๊ฐ„ ๋ˆˆ์—ฌ๊ฒจ ๋ด ์˜จ ์ž‘๊ฐ€์ž…๋‹ˆ๋‹ค.
08:16
watching him excite the public about anatomy.
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ํ•ด๋ถ€ํ•™์œผ๋กœ ๋Œ€์ค‘์„ ์ž๊ทนํ–ˆ์ฃ .
08:21
Danny Quirk is a young artist
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๋Œ€๋‹ˆ ์ฟผํฌ๋ผ๋Š” ์ Š์€ ์ž‘๊ฐ€์ธ๋ฐ์š”.
08:23
who paints his subjects in the process of self-dissection.
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๊ทธ๋Š” ์ž๊ธฐ ํ•ด๋ถ€ ๊ณผ์ •์„ ์ฃผ์ œ๋กœ ์ž‘ํ’ˆ์„ ๊ทธ๋ ค์™”์Šต๋‹ˆ๋‹ค.
08:27
He bends the rules of medical illustration
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๊ทธ๋Š” ์˜ํ•™ ์ผ๋Ÿฌ์ŠคํŠธ์˜ ๊ทœ์น™์„ ๋น„ํ‹€์–ด
08:29
by inserting a very dramatic light and shadow.
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๋งค์šฐ ๊ทน๋‹จ์ ์ธ ๋ช…์•”์„ ์ถ”๊ฐ€ํ–ˆ์Šต๋‹ˆ๋‹ค.
08:32
And this creates a 3-D illusion
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๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฐ ์ž…์ฒด์ ์ธ ์ฐฉ์‹œ๋Š”
08:35
that lends itself very well to painting directly on the human skin.
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์ธ๊ฐ„์˜ ํ”ผ๋ถ€์— ์ง์ ‘ ๊ทธ๋ฆฌ๊ธฐ์—๋„ ์ ํ•ฉํ•˜์ฃ .
08:41
Danny makes it look as if a person's skin has actually been removed.
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๋Œ€๋‹ˆ๋Š” ์‚ฌ๋žŒ์˜ ํ”ผ๋ถ€๊ฐ€ ์‹ค์ œ๋กœ ๋ฒ—๊ฒจ์ง„ ๋“ฏ์ด ๋ณด์ด๋„๋ก ํ–ˆ๋Š”๋ฐ์š”.
08:46
And this effect --
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์ด๋Ÿฐ ํšจ๊ณผ๋Š”
08:47
also cool and tattoo-like --
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๋ฉ‹์žˆ๋Š” ๋ฌธ์‹ ์ฒ˜๋Ÿผ ๋ณด์ด๋Š” ํšจ๊ณผ๋Š”
08:50
easily transitions into a medical illustration.
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์ž์—ฐ์Šค๋Ÿฝ๊ฒŒ ์˜ํ•™ ์ผ๋Ÿฌ์ŠคํŠธ๋กœ ๋ฐ”๋€๋‹ˆ๋‹ค.
08:55
Now Danny is currently traveling the world,
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์ง€๊ธˆ ๋Œ€๋‹ˆ๋Š” ์„ธ๊ณ„๋ฅผ ๋‹ค๋‹ˆ๋ฉฐ
08:57
teaching anatomy to the public via his body paintings,
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์ž์‹ ์˜ ๋ฐ”๋””ํŽ˜์ธํŒ…์„ ํ†ตํ•ด ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ํ•ด๋ถ€ํ•™์„ ๊ฐ€๋ฅด์น˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
09:00
which is why it was so shocking to find out
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ํ•œ ๊ฐ€์ง€ ๋†€๋ผ์šด ์‚ฌ์‹ค์€
09:02
that he was rejected from medical illustration programs.
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๊ทธ๊ฐ€ ์˜ํ•™ ์ผ๋Ÿฌ์ŠคํŠธ ๊ณผ์ •์— ์ž…ํ•™ ๊ฑฐ๋ถ€๋œ ์ ์ด ์žˆ๋‹ค๋Š” ๊ฑฐ์˜€์–ด์š”.
09:05
But he's doing just fine.
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๊ทธ๋Ÿฐ๋ฐ ์ง€๊ธˆ์€ ์ œ๋ฒ• ์ž˜๋‚˜๊ฐ€์ฃ .
09:10
Then there are artists
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์ด์ œ ์†Œ๊ฐœํ•  ์ž‘๊ฐ€๋“ค์€
09:11
who are extracting anatomy from both the medical world and the art world
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ํ•ด๋ถ€ํ•™์„ ์˜ํ•™๊ณ„์™€ ์˜ˆ์ˆ ๊ณ„๋กœ๋ถ€ํ„ฐ ๋„์ง‘์–ด๋‚ด์„œ
09:15
and are placing it directly on the streets.
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์ง์ ‘ ๊ฑฐ๋ฆฌ๋กœ ๊ฐ€์ง€๊ณ  ๋‚˜์˜จ ์‚ฌ๋žŒ๋“ค์ž…๋‹ˆ๋‹ค.
09:18
London-based SHOK-1 paints giant X-rays of pop culture icons.
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๋Ÿฐ๋˜์˜ SHOK-1์€ ๋Œ€์ค‘๋ฌธํ™”๋กœ์„œ ๊ฑฐ๋Œ€ํ•œ ์—‘์Šค๋ ˆ์ด ์‚ฌ์ง„์„ ๊ทธ๋ฆฝ๋‹ˆ๋‹ค.
09:23
His X-rays show how culture can come to have an anatomy of its own,
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๊ทธ์˜ ์—‘์Šค๋ ˆ์ด ๊ทธ๋ฆผ์€ ๋ฌธํ™” ์ž์ฒด๊ฐ€ ์–ด๋–ค ํ•ด๋ถ€๋œ ๋ชจ์Šต์„ ๊ฐ–๋Š”์ง€ ๋ณด์—ฌ์ฃผ์ฃ .
09:27
and conversely how culture can become part of the anatomy of a person.
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๋˜ํ•œ ๋ฐ˜๋Œ€๋กœ, ๋ฌธํ™”๊ฐ€ ์ธ๊ฐ„ ํ•ด๋ถ€ํ•™์— ์žˆ์–ด ์–ด๋–ค ๋ถ€๋ถ„์„ ์ฐจ์ง€ํ•˜๋Š”์ง€๋ฅผ ๋ณด์—ฌ์ค๋‹ˆ๋‹ค.
09:32
You come to admire his work
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๊ทธ์˜ ์ž‘ํ’ˆ์— ๊ฐํƒ„ํ•˜์‹ค ๊ฑฐ์˜ˆ์š”.
09:33
because reproducing X-rays by hand, let alone with spray paint,
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์™œ๋ƒํ•˜๋ฉด ์Šคํ”„๋ ˆ์ด ํŽ˜์ธํŠธ๋งŒ์œผ๋กœ ์—‘์Šค๋ ˆ์ด ์‚ฌ์ง„์„ ์ง์ ‘ ๊ทธ๋ ธ๊ฑฐ๋“ ์š”.
09:36
is extremely difficult.
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์ •๋ง ์–ด๋ ค์šด ์ž‘์—…์ž…๋‹ˆ๋‹ค.
09:38
But then again this is a street artist,
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๋˜ ํ•œ ์‚ฌ๋žŒ์˜ ๊ฑฐ๋ฆฌ ์˜ˆ์ˆ ๊ฐ€๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
09:40
who also happens to hold a degree in applied chemistry.
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์‘์šฉ ํ™”ํ•™ ๋ถ„์•ผ ํ•™์œ„๋ฅผ ๊ฐ–๊ณ  ์žˆ๋Š”๋ฐ์š”.
09:45
Nychos, an Austrian street artist,
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ํ˜ธ์ฃผ์˜ ๊ฑฐ๋ฆฌ์˜ˆ์ˆ ๊ฐ€ ๋‚˜์ด์ฝ”์Šค์ž…๋‹ˆ๋‹ค.
09:47
takes the term "exploded view" to a whole new level,
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๊ทธ๋Š” 'ํ•ด๋ถ€๋„'๋ฅผ ์™„์ „ํžˆ ์ƒˆ๋กœ์šด ์ˆ˜์ค€์œผ๋กœ ๋Œ์–ด์˜ฌ๋ ธ์Šต๋‹ˆ๋‹ค.
09:50
splattering human and animal dissections on walls all over the world.
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์˜จ ์„ธ์ƒ์˜ ๊ฑด๋ฌผ ๋ฒฝ์— ์‚ฌ๋žŒ๊ณผ ๋™๋ฌผ์˜ ํ•ด๋ถ€๋„๋ฅผ ๋ฟŒ๋ฆฌ๊ณ  ๋‹ค๋‹ˆ์ฃ .
09:55
Influenced by comics and heavy metal,
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๋งŒํ™”์™€ ํ—ค๋น„๋ฉ”ํƒˆ์— ์˜ํ–ฅ์„ ๋ฐ›์•„
09:58
Nychos inserts a very youthful and enticing energy into anatomy
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๋‚˜์ด์ฝ”์Šค๋Š” ํ•ด๋ถ€ํ•™์— ํ˜ˆ๊ธฐ์™•์„ฑํ•˜๊ณ  ๋งคํ˜น์ ์ธ ์—๋„ˆ์ง€๋ฅผ ๋ถˆ์–ด ๋„ฃ์Šต๋‹ˆ๋‹ค.
10:03
that I just love.
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์ œ๊ฐ€ ์ •๋ง ์ข‹์•„ํ•˜์ฃ .
10:06
Street artists believe that art belongs to the public.
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๊ฑฐ๋ฆฌ ์˜ˆ์ˆ ๊ฐ€๋“ค์€ ์˜ˆ์ˆ ์€ ๋Œ€์ค‘์˜ ๊ฒƒ์ด๋ผ๊ณ  ๋ฏฟ์Šต๋‹ˆ๋‹ค.
10:10
And this street anatomy is so captivating
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์ด๋Ÿฐ ๊ฑฐ๋ฆฌ์˜ ํ•ด๋ถ€ํ•™์€ ๋Œ€๋‹จํžˆ ๋งค๋ ฅ์ ์ž…๋‹ˆ๋‹ค.
10:13
because it is the furthest removed from the medical world.
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์˜ํ•™๊ณ„์™€๋Š” ์™„์ „ํžˆ ๋™๋–จ์–ด์ ธ ์žˆ๊ธฐ ๋•Œ๋ฌธ์ด์ฃ .
10:16
It forces you to look at it,
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์—ฌ๋Ÿฌ๋ถ„๋“ค๋กœ ํ•˜์—ฌ๊ธˆ ์ด๊ฑธ ๋ณด๋ฉฐ
10:18
and confront your own perceptions about anatomy,
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ํ•ด๋ถ€ํ•™์— ๋Œ€ํ•œ ์—ฌ๋Ÿฌ๋ถ„์˜ ์ธ์‹๊ณผ ์ง๋ฉดํ•˜๋„๋ก ํ•ด์ค๋‹ˆ๋‹ค.
10:21
whether you find it beautiful,
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์—ฌ๊ธฐ์—์„œ ์•„๋ฆ„๋‹ค์›€์„ ๋ฐœ๊ฒฌํ•˜๊ฑฐ๋‚˜
10:23
gross,
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์ง•๊ทธ๋Ÿฝ๊ฑฐ๋‚˜
10:24
morbid
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์†Œ๋ฆ„๋ผ์น˜๊ฑฐ๋‚˜
10:26
or awe-inspiring, like I do.
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์ €์ฒ˜๋Ÿผ ๊ฒฝ์™ธ๊ฐ์„ ๋Š๋‚„์ง€๋„ ๋ชจ๋ฅด์ฃ .
10:28
That it elicits these responses at all
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๋‚˜ํƒ€๋‚˜๋Š” ์ด๋Ÿฐ ๋ฐ˜์‘๋“ค์€
10:30
is due to our intimate and often changing relationship with it.
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์ด์— ๋Œ€ํ•œ ์นœ์ˆ™ํ•จ๊ณผ ๋ณ€ํ™”ํ•˜๋Š” ๊ด€๊ณ„์— ๋”ฐ๋ผ ๋‚˜ํƒ€๋‚ฉ๋‹ˆ๋‹ค.
10:36
All of the artists that I showed you here today
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์˜ค๋Š˜ ์†Œ๊ฐœํ•ด๋“œ๋ฆฐ ๋ชจ๋“  ์ž‘๊ฐ€๋“ค์€
10:38
referenced medical illustrations for their art.
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์ž์‹ ๋“ค์˜ ์˜ˆ์ˆ  ์ž‘ํ’ˆ์— ์˜ํ•™ ์ผ๋Ÿฌ์ŠคํŠธ๋ฅผ ์ด์šฉํ•ฉ๋‹ˆ๋‹ค.
10:41
But for them,
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ํ•˜์ง€๋งŒ ๊ทธ๋“ค์—๊ฒŒ ์žˆ์–ด์„œ
10:42
anatomy isn't just something to memorize,
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ํ•ด๋ถ€ํ•™์€ ์™ธ์›Œ์•ผ ํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๋ผ
10:45
but a base from which to understand the human body on a meaningful level;
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์ธ๊ฐ„์˜ ์‹ ์ฒด๋ฅผ ์˜๋ฏธ์žˆ๋Š” ๋Œ€์ƒ์œผ๋กœ ์ดํ•ดํ•˜๊ณ 
10:50
to depict it in ways that we can relate,
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์šฐ๋ฆฌ์˜ ํ‘œํ˜„์ˆ˜๋‹จ์œผ๋กœ ๋ฌ˜์‚ฌํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
10:52
whether it be through cartoons,
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๋งŒํ™”๋ฅผ ์ด์šฉํ•˜๊ฑฐ๋‚˜
10:54
body painting
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๋ฐ”๋”” ํŽ˜์ธํŒ…
10:56
or street art.
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ํ˜น์€ ๊ฑฐ๋ฆฌ์˜ˆ์ˆ ๋กœ ๋ง์ด์ฃ .
10:57
Anatomical art has the power
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ํ•ด๋ถ€ํ•™ ์˜ˆ์ˆ ์€ ํž˜์„ ๊ฐ–์Šต๋‹ˆ๋‹ค.
11:00
to reach far beyond the pages of a medical textbook,
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์˜ํ•™์„œ์ ์˜ ๋‚ด์šฉ์„ ๋›ฐ์–ด๋„˜์–ด
11:03
to ignite an excitement in the public,
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๋Œ€์ค‘์˜ ํฅ๋ฏธ๋ฅผ ์œ ๋ฐœํ•˜๊ณ 
11:05
and reinvigorate an enthusiasm in the medical world,
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์˜ํ•™๊ณ„์— ์—ด์ •์„ ๋ถˆ์–ด๋„ฃ๋Š” ํž˜์„ ๊ฐ–์ฃ .
11:08
ultimately connecting our innermost selves with our bodies through art.
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๊ทธ๋ฆฌ๊ณ  ๊ฒฐ๊ตญ์—๋Š” ์˜ˆ์ˆ ์„ ํ†ตํ•ด ์šฐ๋ฆฌ ๋ชธ๊ณผ ๋‚ด๋ฉด์˜ ์ž์•„๋ฅผ ์—ฐ๊ฒฐํ•ด ์ค๋‹ˆ๋‹ค.
11:15
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
11:17
(Applause)
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(๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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