"Stumbling towards intimacy": An improvised TED Talk | Anthony Veneziale

96,846 views ใƒป 2019-09-28

TED


ืื ื ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ืœืžื˜ื” ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ.

ืชืจื’ื•ื: Yael Ring ืขืจื™ื›ื”: Allon Sasson
00:12
[This is an improvised talk (and intro)
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[ื–ืืช ื”ื™ื ืฉื™ื—ื” (ื•ืžื‘ื•ื) ืžืื•ืœืชืจืช
00:14
based on a suggested topic from the audience.
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ื”ืžื‘ื•ืกืกืช ืขืœ ื ื•ืฉื ืฉื™ื—ื” ืฉื”ื•ืฆืข ืขืœ ื™ื“ื™ ื”ืงื”ืœ.
00:16
The speaker doesn't know the content of the slides.]
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ื”ื“ื•ื‘ืจ ืื™ื ื• ื™ื•ื“ืข ืืช ืชื•ื›ืŸ ื”ืฉืงื•ืคื™ื•ืช].
00:20
Moderator: Our next speaker --
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ืžื ื—ื”: ื”ื“ื•ื‘ืจ ื”ื‘ื ืฉืœื ื• --
00:21
(Laughter)
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(ืฆื—ื•ืง)
00:27
is an --
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ื”ื•ื --
00:30
incredibly --
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ืžืžืฉ --
00:34
(Laughter)
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(ืฆื—ื•ืง)
00:36
Is an incredibly experienced linguist
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ื”ื•ื ื‘ืœืฉืŸ ืžื ื•ืกื” ืžืžืฉ
00:39
working at a lab at MIT with a small group of researchers,
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ืฉืขื•ื‘ื“ ื‘ืžืขื‘ื“ื” ื‘MIT ื™ื—ื“ ืขื ืงื‘ื•ืฆื” ืงื˜ื ื” ืฉืœ ื—ื•ืงืจื™ื,
00:43
and through studying our language
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ื•ื‘ืืžืฆืขื•ืช ื—ืงื™ืจืช ื”ืฉืคื” ืฉืœื ื•
00:45
and the way that we communicate with other people,
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ื•ื”ืื•ืคืŸ ืฉื‘ื• ืื ื• ืžืชืงืฉืจื™ื ืขื ืื—ืจื™ื,
00:48
he has stumbled upon the secret of human intimacy.
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ื”ื•ื ืขืœื” ืขืœ ื”ืกื•ื“ ืœืื™ื ื˜ื™ืžื™ื•ืช ื‘ื™ืŸ ื‘ื ื™ ืื“ื.
00:52
Here to give us his perspective, please welcome to the stage,
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ื”ื•ื ื›ืืŸ ื›ื“ื™ ืœืชืช ืœื ื• ืืช ื”ืคืจืกืคืงื˜ื™ื‘ื” ืฉืœื•, ื‘ื‘ืงืฉื” ืงื‘ืœื• ืœื‘ืžื” ืืช -
00:55
Anthony Veneziale.
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ืื ืชื•ื ื™ ื•ื ื–ื™ืืœื”.
00:56
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
01:05
(Laughter)
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(ืฆื—ื•ืง)
01:10
Anthony Veneziale: You might think I know what you're going through.
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ืื ืชื•ื ื™ ื•ื ื–ื™ืืœื”: ืืชื ืื•ืœื™ ื—ื•ืฉื‘ื™ื ืฉืื ื™ ื™ื•ื“ืข ืžื” ืขื•ื‘ืจ ืขืœื™ื›ื.
01:14
You might be looking at me here on the red dot,
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ืืชื ืื•ืœื™ ืจื•ืื™ื ืื•ืชื™ ื›ืืŸ ืขืœ ื”ื ืงื•ื“ื” ื”ืื“ื•ืžื”,
01:17
or you might be looking at me on the screen.
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ืื• ืฉืืชื ืื•ืœื™ ืจื•ืื™ื ืื•ืชื™ ื“ืจืš ื”ืžืกืš.
01:20
There's a one sixth of a second delay.
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ื™ืฉ ืขื™ื›ื•ื‘ ืฉืœ ืฉื™ืฉื™ืช ื”ืฉื ื™ื”.
01:24
Did I catch myself? I did.
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ื”ืื ื”ืฆืœื—ืชื™ ืœืชืคื•ืก ืืช ืขืฆืžื™? ื”ืฆืœื—ืชื™.
01:27
I could see myself before I turned,
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ื™ื›ื•ืœืชื™ ืœืจืื•ืช ืืช ืขืฆืžื™ ืœืคื ื™ ืฉื”ืกืชื•ื‘ื‘ืชื™,
01:30
and that small delay creates a little bit of a divide.
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ื•ื”ืขื™ื›ื•ื‘ ื”ืงื˜ืŸ ื”ื–ื” ื™ืฆืจ ืคืขืจ ืงื˜ืŸ.
01:35
(Laughter)
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(ืฆื—ื•ืง)
01:39
And a divide is exactly what happens with human language,
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ื•ืคืขืจ ื”ื•ื ื‘ื“ื™ื•ืง ืžื” ืฉืงื•ืจื” ื‘ืฉืคื” ื”ืื ื•ืฉื™ืช,
01:44
and the processing of that language.
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ื•ืชื”ืœื™ืš ื”ืขื™ื‘ื•ื“ ืฉืœ ื”ืฉืคื” ื”ื–ื•.
01:47
I of course am working out of a small lab at MIT.
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ืื ื™ ื›ืžื•ื‘ืŸ ืขื•ื‘ื“ ื‘ืžืขื‘ื“ื” ืงื˜ื ื” ื‘MIT.
01:52
(Laughter)
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(ืฆื—ื•ืง)
01:54
And we are scraping for every insight that we can get.
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ื•ืื ื—ื ื• ืžื ืกื™ื ืœืžืฆื•ื ื›ืœ ืชื•ื‘ื ื” ืฉื”ื™ื.
01:58
(Laughter)
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(ืฆื—ื•ืง)
01:59
This is not often associated with a computational challenge,
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ืœืจื•ื‘ ืœื ืžื“ื•ื‘ืจ ื‘ืืชื’ืจ ื—ื™ืฉื•ื‘ื™,
02:04
but in this case, we found that persistence of vision
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ืื‘ืœ ื‘ืžืงืจื” ื”ื–ื” ืžืฆืื ื• ืฉื”ืชืžื“ืช ื”ืจืื™ื”
02:08
and auditory intake
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ื•ืงื‘ืœืช ืฉื“ืจ ืฆืœื™ืœื™
02:11
actually have more in common than we ever realized,
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ืœืžืขืฉื” ื”ืžืฉื•ืชืฃ ื‘ื™ื ื™ื”ื ื’ื“ื•ืœ ื™ื•ืชืจ ืžืžื” ืฉื—ืฉื‘ื ื•,
02:15
and we can see it in this first slide.
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ื•ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœืจืื•ืช ื–ืืช ื‘ืฉืงื•ืคื™ืช ื”ืจืืฉื•ื ื”,
02:17
(Laughter)
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(ืฆื—ื•ืง)
02:21
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
02:25
Immediately your processing goes to, "Is that a hard-boiled egg?"
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ืžื™ื™ื“ ืืชื ืžืขื‘ื“ื™ื ืืช ื”ืชืžื•ื ื” ื•ืฉื•ืืœื™ื "ื”ืื ื–ื• ื‘ื™ืฆื” ืงืฉื”?"
02:29
(Laughter)
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(ืฆื—ื•ืง)
02:31
"Is that perhaps the structural integrity of the egg
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"ืื•ืœื™ ืžื“ื•ื‘ืจ ื›ืืŸ ื‘ื—ื•ื–ืง ื”ืžื‘ื ื” ืฉืœ ื‘ื™ืฆื”
02:36
being able to sustain the weight of what seems to be a rock?
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ืฉื™ื›ื•ืœ ืœื”ื—ื–ื™ืง ื‘ืžืฉืงืœ ืฉืœ ืžื” ืฉื ืจืื” ื›ืžื• ืื‘ืŸ?
02:39
Aha, is it in fact a real rock?"
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ืื”ื”! ื”ืื ื–ืืช ืื‘ืŸ ืืžื™ืชื™ืช?"
02:43
We go to questions when we see visual information.
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ืื ื—ื ื• ืคื•ื ื™ื ืœืฉืืœื•ืช ื›ืฉืื ื—ื ื• ืจื•ืื™ื ืžื™ื“ืข ื•ื™ื–ื•ืืœื™.
02:48
But when we hear information, this is what happens.
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ืื‘ืœ ื›ืฉืื ื—ื ื• ืฉื•ืžืขื™ื ืžื™ื“ืข, ื–ื” ืžื” ืฉืงื•ืจื” -
02:53
(Laughter)
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(ืฆื—ื•ืง)
02:56
The floodgates in our mind open much like the streets of Shanghai.
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ื”ืกื›ืจื™ื ื‘ืžื•ื— ืฉืœื ื• ื ืคืชื—ื™ื ืžืžืฉ ื›ืžื• ื”ืจื—ื•ื‘ื•ืช ืฉืœ ืฉื ื’ื—ืื™.
03:01
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
03:05
So many pieces of information to process,
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ื™ืฉ ื›ืœ ื›ืš ื”ืจื‘ื” ืคื™ืกื•ืช ืžื™ื“ืข ืœืขื‘ื“,
03:08
so many ideas, concepts, feelings and, of course, vulnerabilities
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ื›ืœ ื›ืš ื”ืจื‘ื” ืจืขื™ื•ื ื•ืช, ืžื•ืฉื’ื™ื, ืชื—ื•ืฉื•ืช, ื•ื›ืžื•ื‘ืŸ ื’ื ื—ื•ืœืฉื•ืช
03:12
that we don't often wish to share.
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ืฉืœืจื•ื‘ ืื ื—ื ื• ืœื ืจื•ืฆื™ื ืœืฉืชืฃ ืขื ืื—ืจื™ื.
03:14
And so we hide,
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ื•ืœื›ืŸ ืื ื—ื ื• ืžืชื—ื‘ืื™ื,
03:16
and we hide behind what we like to call the floodgate of intimacy.
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ื•ืื ื—ื ื• ืžืชื—ื‘ืื™ื ืžืื—ื•ืจื™ ืžื” ืฉืื ื—ื ื• ืžื›ื ื™ื "ืกื›ืจ ื”ืื™ื ื˜ื™ืžื™ื•ืช".
03:20
(Laughter)
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(ืฆื—ื•ืง)
03:22
And what might that floodgate be holding?
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ื•ืžื” ื ืžืฆื ืžืื—ื•ืจื™ ืื•ืชื• ืกื›ืจ?
03:25
What is the dike upon which it is built?
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ืืช ืžื” ื”ื•ื ืขื•ืฆืจ?
03:28
Well, first off --
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ื•ื‘ื›ืŸ, ืจืืฉื™ืช --
03:30
(Laughter)
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(ืฆื—ื•ืง)
03:36
we found that it's different for six different genotypes.
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ื’ื™ืœื™ื ื• ืฉื”ืชืฉื•ื‘ื” ืฉื•ื ื” ืขื‘ื•ืจ ืฉืฉื” ื’ื ื•ื˜ื™ืคื™ื.
03:40
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
03:49
And, of course, we can start categorizing these genotypes
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ื•ื›ืžื•ื‘ืŸ, ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœื”ืชื—ื™ืœ ื‘ื—ืœื•ืงื” ืฉืœ ืื•ืชื ื’ื ื•ื˜ื™ืคื™ื
03:52
into a neuronormative experience and a neurodiverse experience.
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ืœื—ื•ื•ื™ื” ื ื•ื™ืจื•-ื ื•ืจืžื˜ื™ื‘ื™ืช ื•ื—ื•ื•ื™ื” ื ื•ื™ืจื•-ืฉื•ื ื•ืช.
03:57
(Laughter)
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(ืฆื—ื•ืง)
03:59
On the right-hand side of the screen,
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ื‘ืฆื“ ื”ื™ืžื ื™ ืฉืœ ื”ืžืกืš,
04:01
you're seeing spikes for the neurodiverse thinking.
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ืืชื ืจื•ืื™ื ืขืœื™ื•ืช ื—ื“ื•ืช ื‘ื—ืฉื™ื‘ื” ื”ื ื•ื™ืจื•-ืฉื•ื ื•ืช.
04:04
Now, there are generally only two emotional states
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ื‘ื“ืจืš ื›ืœืœ ื™ืฉื ื ืจืง ืฉื ื™ ืžืฆื‘ื™ื ืจื’ืฉื™ื™ื
04:06
that a neurodiverse brain can tabulate and keep count of at any given time,
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ืฉืžื•ื— ื ื•ื™ืจื•-ืฉื•ื ื” ื™ื›ื•ืœ ืœื—ื•ื•ืช ื•ืœืชืขื“ ื‘ื›ืœ ืจื’ืข ื ืชื•ืŸ,
04:12
thereby eliminating the possibility for them to be emotionally, sometimes,
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ื•ื‘ื›ืš ืœื‘ื˜ืœ ืืช ื”ืืคืฉืจื•ืช ืฉื”ื ื™ื”ื™ื• ืจื’ืฉื ื™ื™ื, ืœืคืขืžื™ื,
04:18
attuned to the present situation.
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ื•ืžื—ื•ื‘ืจื™ื ืœืžืฆื‘ ื”ืงื™ื™ื.
04:20
But on the left-hand side, you can see the neuronormative brain,
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ืื‘ืœ ื‘ืฆื“ ื”ืฉืžืืœื™, ืืชื ื™ื›ื•ืœื™ื ืœืจืื•ืช ืืช ื”ืžื•ื— ื”ื ื•ื™ืจื•-ื ื•ืจืžื˜ื™ื‘ื™,
04:24
which can often handle about five different pieces
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ืฉื™ื›ื•ืœ ืœืชืžืจืŸ ืœืขืชื™ื ืงืจื•ื‘ื•ืช ื‘ื™ืŸ ื—ืžื™ืฉื” ื—ืœืงื™ื ืฉื•ื ื™ื
04:27
of emotional cognitive information at any given time.
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ืฉืœ ืžื™ื“ืข ืจื’ืฉื™ ืงื•ื’ื ื˜ื™ื‘ื™ ื‘ื›ืœ ืจื’ืข ื ืชื•ืŸ.
04:30
These are the slight variances that you are seeing
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ืืœื” ื”ื ื”ื”ื‘ื“ืœื™ื ื”ื“ืงื™ื ืฉืืชื ืจื•ืื™ื
04:33
in the 75, 90 and 60 percentile,
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ื‘ืื—ื•ื–ื•ืŸ ื”75, ื”90 ื•ื”60,
04:36
and then of course that dramatic difference
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ื•ืื– ื›ืžื•ื‘ืŸ ื”ื”ื‘ื“ืœ ื”ื“ืจืžื˜ื™ ื”ืžื•ืคื™ืข
04:38
of the 25, 40 and 35 percentile.
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ื‘ืื—ื•ื–ื•ืŸ ื”24, ื”40 ื•ื”35.
04:40
(Laughter)
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(ืฆื—ื•ืง)
04:41
But of course, what is the neural network
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ื›ืžื•ื‘ืŸ, ืžื”ื™ ืื•ืชื” ื”ืจืฉืช ื”ื ื•ื™ืจื•ืœื•ื’ื™ืช
04:43
that is helping to bridge and build these different discrepancies?
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ืฉืžืกื™ื™ืขืช ืœื’ืฉืจ ื•ืœื‘ื ื•ืช ืืช ืื•ืชื ืคืขืจื™ื ืฉื•ื ื™ื?
04:50
(Laughter)
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(ืฆื—ื•ืง)
04:59
Fear.
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ืคื—ื“.
05:00
(Laughter)
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(ืฆื—ื•ืง)
05:02
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
05:08
And as we all know, fear resides in the amygdala,
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ื•ื›ืคื™ ืฉื›ื•ืœื ื• ื™ื•ื“ืขื™ื, ืคื—ื“ ื ืžืฆื ื‘ืืžื™ื’ื“ืœื”,
05:11
and it is a very natural response,
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ื•ื”ื•ื ืชื’ื•ื‘ื” ืžืื•ื“ ื˜ื‘ืขื™ืช,
05:13
and it is very closely linked with visual perception.
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ื•ื”ื•ื ืงืฉื•ืจ ืžืื•ื“ ืœืชืคื™ืกื” ื—ื–ื•ืชื™ืช.
05:17
It is not as closely linked with verbal perception,
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ื”ื•ื ืคื—ื•ืช ืงืฉื•ืจ ืœืชืคื™ืกื” ื”ืฉืคืชื™ืช,
05:21
so our fear receptors often will be going off
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ื›ืš ืฉืงื•ืœื˜ื™ ื”ืคื—ื“ ืฉืœื ื• ืœืจื•ื‘ ืžืชืจื™ืขื™ื
05:24
in advance of any of our cognitive usage around verbal and words
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ืœืคื ื™ ื›ืœ ืฉื™ืžื•ืฉ ืงื•ื’ื ื™ื˜ื™ื‘ื™ ืฉืคืชื™ ืฉืœื ื•, ืฉื™ืžื•ืฉ ื‘ืžื™ืœื™ื
05:30
and cues of language.
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ื•ืจืžื–ื™ื ืฉืœ ืฉืคื”.
05:32
So as we see these fear moments,
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ืื– ื›ืฉืื ื—ื ื• ืจื•ืื™ื ืืช ืจื’ืขื™ ื”ืคื—ื“ ื”ืืœื”,
05:35
we of course are taken aback.
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ืื ื—ื ื• ื›ืžื•ื‘ืŸ ื ืจืชืขื™ื ืœืื—ื•ืจ.
05:38
We stumble in a certain direction,
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ืื ื—ื ื• ื ืจืชืขื™ื ืœื›ื™ื•ื•ืŸ ืžืกื•ื™ื,
05:42
generally away from the intimacy.
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ื‘ื“ืจืš ื›ืœืœ ื ืžื ืขื™ื ืžืื™ื ื˜ื™ืžื™ื•ืช.
05:45
(Laughter)
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(ืฆื—ื•ืง)
05:47
Now of course, there's a difference between the male perception
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ื›ืžื•ื‘ืŸ ืฉื™ืฉ ื”ื‘ื“ืœ ื‘ื™ืŸ ื”ืชืคื™ืกื” ื”ื’ื‘ืจื™ืช
05:50
and the female perception
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ื•ื”ืชืคื™ืกื” ื”ื ืฉื™ืช
05:52
and of trans and those who are in between, all of those as well,
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ื•ื–ื• ื”ื˜ืจื ืก ื•ื›ืœ ืžื™ ืฉื‘ื™ื ื™ื”ื, ื’ื ื›ืœ ืืœื”,
05:56
and outside of the gender spectrum.
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ื•ืืœื” ืฉืžื—ื•ืฅ ืœืกืคืงื˜ืจื•ื ื”ืžื’ื“ืจื™.
05:58
(Laughter)
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(ืฆื—ื•ืง)
06:01
But fear is the central underlying underpinning
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ืื‘ืœ ื”ืคื—ื“ ื”ื•ื ื”ื›ื•ื— ื”ืขื™ืงืจื™ ื”ืฉื•ื›ืŸ ื‘ื‘ืกื™ืก
06:05
of all of our response systems.
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ื›ืœ ืžืขืจื›ืช ื”ืชื’ื•ื‘ื” ืฉืœื ื•.
06:07
Fight-or-flight is one of the earliest,
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ื”ืœื—ื ืื• ื‘ืจื— ื”ื•ื ืื—ืช ื”ืชื’ื•ื‘ื•ืช
06:11
some say reptilian, response to our environment.
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ื”ืžื•ืงื“ืžื•ืช ื‘ื™ื•ืชืจ, ื™ืฉ ืฉื™ืืžืจื• ืฉื›ื‘ืจ ืžืฉืœื‘ ื”ื–ื•ื—ืœื™ื, ืœืกื‘ื™ื‘ื” ืฉืœื ื•.
06:15
How can we disengage or unhook ourselves from the horns of the amygdala?
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ืื™ืš ืื ื—ื ื• ื™ื›ื•ืœื™ื ืœื”ืชื ืชืง ืื• ืœื‘ืจื•ื— ืžืงืจื ื™ ื”ืืžื™ื’ื“ืœื”?
06:20
(Laughter)
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(ืฆื—ื•ืง)
06:22
Well, I'd like to tell you the secret right now.
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ื•ื‘ื›ืŸ, ืื ื™ ืจื•ืฆื” ืœื’ืœื•ืช ืœื›ื ืืช ื”ืกื•ื“ ืขื›ืฉื™ื•.
06:25
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
06:33
This is all making much, much too much sense.
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ื›ืœ ื–ื” ืžืžืฉ ืžืžืฉ ื”ื’ื™ื•ื ื™.
06:36
(Laughter)
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(ืฆื—ื•ืง)
06:40
The secret lies
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ื”ืกื•ื“ ื ืžืฆื
06:43
in turning our backs to one another,
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ื‘ื”ืคื ื™ื™ืช ื”ื’ื‘ ื–ื” ืœื–ื”,
06:46
and I know that that sounds absolutely like the opposite
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ื•ืื ื™ ื™ื•ื“ืข ืฉื–ื” ื ืฉืžืข ืžืžืฉ ื”ื”ืคืš ื”ื’ืžื•ืจ
06:50
of what you were expecting,
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ืžืžื” ืฉืฆื™ืคื™ืชื,
06:52
but when in a relationship you turn your back to your partner
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ืื‘ืœ ื‘ืžืขืจื›ืช ื™ื—ืกื™ื, ื›ืฉืืชื ืžืคื ื™ื ืืช ื”ื’ื‘ ืœื‘ืŸ ื”ื–ื•ื’ ืฉืœื›ื
06:56
and place your back upon their back --
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ื•ืžืฉืขื™ื ื™ื ืืช ื”ื’ื‘ ืฉืœื›ื ืขืœ ื”ื’ื‘ ืฉืœื”ื --
06:59
(Laughter)
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(ืฆื—ื•ืง)
07:02
you eliminate visual cues.
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ืืชื ืžื‘ื˜ืœื™ื ืืช ื”ืจืžื–ื™ื ื”ื•ื™ื–ื•ืืœื™ื™ื.
07:04
(Laughter)
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(ืฆื—ื•ืง)
07:05
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
07:10
You are more readily available
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ืืชื ื™ื•ืชืจ ืžื•ื›ื ื™ื ื•ืคื ื•ื™ื™ื
07:13
to failing first,
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ืœื”ื™ื•ืช ื”ืจืืฉื•ื ื™ื ืœื”ื™ื›ืฉืœ,
07:17
and failing first --
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ื•ื”ื™ื›ื•ืœืช ืœื”ื™ื•ืช ื”ืจืืฉื•ืŸ ืœื”ื™ื›ืฉืœ --
07:19
(Laughter)
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(ืฆื—ื•ืง)
07:21
far outweighs the lengths we go to
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ื”ื•ื ื‘ืขืœ ืžืฉืงืœ ืจื‘ ื”ืจื‘ื” ื™ื•ืชืจ ืžื”ืžืืžืฆื™ื ื”ืจื‘ื™ื ืฉืื ื—ื ื• ืžืฉืงื™ืขื™ื
07:27
to appeal to others,
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ืœืžืฆื•ื ื—ืŸ ื‘ืขื™ื ื™ ืื—ืจื™ื,
07:29
to our partners and to ourselves.
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ื‘ืขื™ื ื™ ื‘ื ื™ ื”ื–ื•ื’ ืฉืœื ื• ื•ื‘ืขื™ื ื™ื ื•.
07:32
We spend billions and billions of dollars
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ืื ื—ื ื• ืžื‘ื–ื‘ื–ื™ื ืžื™ืœืืจื“ื™ ืžื™ืœืืจื“ื™ ื“ื•ืœืจื™ื
07:35
on clothing, on makeup,
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ืขืœ ื‘ื’ื“ื™ื, ืžื™ื™ืงืืค,
07:38
on the latest trend of glasses,
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ื”ืื•ืคื ื” ื”ืื—ืจื•ื ื” ื‘ืžืฉืงืคื™ื™ื,
07:42
but what we don't spend money and time on
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ืื‘ืœ ืžื” ืฉืื ื—ื ื• ืœื ืžื•ื›ื ื™ื ืœื”ืฉืงื™ืข ื–ืžืŸ ื•ื›ืกืฃ ื‘ื•
07:45
is connecting with each other
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ื”ื•ื ื‘ืงืฉืจ ื–ื” ืขื ื–ื”
07:48
in a way that is truthful
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ื‘ืื•ืคืŸ ืืžื™ืชื™
07:50
and honest
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ื•ื›ืŸ
07:52
and stripped of those visual receptors.
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ื•ื—ืฃ ืžื›ืœ ืื•ืชื ืจืžื–ื™ื ื•ื™ื–ื•ืืœื™ื™ื.
07:54
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
08:00
(Laughter)
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(ืฆื—ื•ืง)
08:02
It sounds hard, doesn't it?
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ื–ื” ื ืฉืžืข ืงืฉื”, ื ื›ื•ืŸ?
08:04
(Laughter)
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(ืฆื—ื•ืง)
08:13
But we want to be aggressive about this.
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ืื‘ืœ ืื ื—ื ื• ืจื•ืฆื™ื ืœื”ื™ื•ืช ืื’ืจืกื™ื‘ื™ื™ื ื‘ื–ื”.
08:17
We don't want to just sit on the couch.
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ืื ื—ื ื• ืœื ืจื•ืฆื™ื ืกืชื ืœืฉื‘ืช ืขืœ ื”ืกืคื”.
08:20
As a historian said earlier today,
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ื›ืคื™ ืฉื”ื™ืกื˜ื•ืจื™ื•ืŸ ืืžืจ ืžื•ืงื“ื ื™ื•ืชืจ ื”ื™ื•ื,
08:22
it's important to get up and circumvent sometimes that couch.
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ื—ืฉื•ื‘ ืœืงื•ื ื•ืœืคืขืžื™ื ืœื”ืงื™ื ืืช ื”ืกืคื” ื”ื–ืืช.
08:28
And how can we do it?
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ื•ืื™ืš ื ื•ื›ืœ ืœืขืฉื•ืช ื–ืืช?
08:29
Well yes, ice is a big part of it.
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ื•ื‘ื›ืŸ, ื›ืŸ, ICE (ืงืจื—) ื”ื•ื ืžืจื›ื™ื‘ ื—ืฉื•ื‘.
08:34
Insights, compassion and empathy:
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ืชื•ื‘ื ื•ืช, ื—ืžืœื” ื•ืืžืคืชื™ื”:
08:37
I, C, E.
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(ืžื” ืฉื™ื•ืฆืจ ื‘ืื ื’ืœื™ืช ืืช ืจ"ืช) I.C.E.
08:39
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
08:51
And when we start using this ice method,
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ื•ื›ืฉืื ื—ื ื• ืžืชื—ื™ืœื™ื ืœื”ืฉืชืžืฉ ื‘ืžืชื•ื“ืช ื”ICE,
08:56
well, the possibilities become much bigger than us.
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ื•ื‘ื›ืŸ ื”ืืคืฉืจื•ื™ื•ืช ื”ื•ืคื›ื•ืช ืœื’ื“ื•ืœื•ืช ื™ื•ืชืจ ืžืืชื ื•.
09:01
In fact, they become smaller than you.
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ืœืžืขืฉื”, ื”ืŸ ื”ื•ืคื›ื•ืช ืœืงื˜ื ื•ืช ื™ื•ืชืจ ืžื›ื.
09:06
On a molecular level,
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ื‘ืจืžื” ื”ืžื•ืœืงื•ืœืจื™ืช,
09:08
I believe that that insight
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ืื ื™ ืžืืžื™ืŸ ืฉื”ืชื•ื‘ื ื” ื”ื–ื•
09:12
is the unifying theme
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ื”ื™ื ื”ืชืžื” ื”ืžืฉื•ืชืคืช
09:13
for every talk you have seen so far at TED
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ืœื›ืœ ืฉื™ื—ื” ืฉืจืื™ืชื ืขื“ ื›ื” ื‘TED
09:16
and will continue as we of course embark
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ื•ื”ืชืžื” ื”ื–ื• ืชืžืฉื™ืš ื›ืฉื ืฆื
09:20
on this journey here on this tiny planet,
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ืœืžืกืข ื”ื–ื” ื›ืืŸ ื‘ื›ื•ื›ื‘ ื”ืœื›ืช ื”ืงื˜ืŸ ื”ื–ื”,
09:25
on the ledge, on the precipice,
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ืขืœ ื”ืงืฆื”, ืขืœ ืžืคืชืŸ ื”ื“ืœืช,
09:28
as we are seeing, yes, death is inevitable.
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ื›ืฉืื ื—ื ื• ืจื•ืื™ื, ื›ืŸ, ืฉื”ืžื•ื•ืช ื”ื•ื ื‘ืœืชื™ ื ืžื ืข.
09:32
(Laughter)
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(ืฆื—ื•ืง)
09:34
Will it meet all of us at the same time,
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ื”ืื ื ืคื’ื•ืฉ ื‘ื• ื‘ืื•ืชื• ื”ื–ืžืŸ,
09:37
I think, is the variable we are inquiring.
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ืื ื™ ื—ื•ืฉื‘, ืฉื–ื” ื”ืžืฉืชื ื” ืฉืื ื—ื ื• ืžื—ืคืฉื™ื.
09:39
(Laughter)
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(ืฆื—ื•ืง)
09:46
I think that timeline gets a bit longer
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ืื ื™ ื—ื•ืฉื‘ ืฉืœื•ื— ื”ื–ืžื ื™ื ื”ื–ื” ืžืชืืจืš
09:49
when we use ice
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ื›ื›ืœ ืฉืื ื—ื ื• ืžืฉืชืžืฉื™ื ื‘ICE
09:50
and when we rest our backs upon one another
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ื•ื›ืฉืื ื—ื ื• ืžืฉืขื™ื ื™ื ืืช ื”ื’ื‘ ืฉืœื ื• ื–ื” ืขืœ ื–ื”
09:55
and build together,
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ื•ื‘ื•ื ื™ื ื™ื—ื“,
09:57
leaving behind the fear
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ื•ืžื•ืชื™ืจื™ื ืžืื—ื•ืจ ืืช ื”ืคื—ื“
09:59
and working towards --
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ื•ื‘ื•ื ื™ื ื™ื—ื“ --
10:01
(Laughter)
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(ืฆื—ื•ืง)
10:14
they'll edit this part out --
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ื”ื ื™ืขืจื›ื• ืืช ื”ื—ืœืง ื”ื–ื” --
10:15
(Laughter)
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(ืฆื—ื•ืง)
10:20
a ripened experience of love,
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ื—ื•ื•ื™ื” ื‘ืฉืœื” ืฉืœ ืื”ื‘ื”,
10:24
compassion,
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ื—ืžืœื”,
10:26
intimacy based on a truth
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ืื™ื ื˜ื™ืžื™ื•ืช ื”ืžื‘ื•ืกืกืช ืขืœ ืืžืช
10:28
that you are sharing from your mind's eye
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ืฉืืชื ื—ื•ืœืงื™ื ื“ืจืš ื”ืžื•ื— ืฉืœื›ื
10:32
and the heart that we all can touch,
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ื•ื”ืœื‘ ืฉืœื›ื ืฉื›ื•ืœื ื• ื™ื›ื•ืœื™ื ืœื’ืขืช ื‘ื•,
10:36
tactilely feel,
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ืœื—ื•ืฉ ื‘ื• ืžืžืฉ,
10:38
have maybe potentially a mushy experience
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ืื•ืœื™ ืืคื™ืœื• ืœื—ื•ืฉ ืชื—ื•ืฉื” ืกืคื•ื’ื™ืช
10:42
that we don't just throw out because it is browned,
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ืฉืื ื—ื ื• ืœื ืคืฉื•ื˜ ื–ื•ืจืงื™ื ืœืคื— ื›ื™ ื”ื•ื ืฉื™ื ื” ืฆื‘ืข,
10:47
but let us slice in half the experience we have gathered,
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ืืœื ื‘ื•ืื• ื ื—ืชื•ืš ืœื—ืฆื™ ืืช ื”ื—ื•ื•ื™ื” ืฉืงื™ื‘ืœื ื•,
10:53
let us seed what the heart, the core,
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ื‘ื ื ืฉืชื•ืœ ืืช ืžื” ืฉื”ืœื‘, ื”ื’ืจืขื™ืŸ,
10:56
the seed of that idea in each of us is,
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ื”ื–ืจืข ืฉืœ ืžื”ื• ืจืขื™ื•ืŸ ื‘ืชื•ืš ื›ืœ ืื—ื“ ืžืืชื ื•,
10:59
and let us share it back to back.
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ื•ื‘ื•ืื• ื ื—ื•ื•ื” ืื•ืชื• ื’ื‘ ืืœ ื’ื‘.
11:01
Thank you very much.
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ืชื•ื“ื” ืจื‘ื”.
11:02
(Applause)
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(ืžื—ื™ืื•ืช ื›ืคื™ื™ื)
ืขืœ ืืชืจ ื–ื”

ืืชืจ ื–ื” ื™ืฆื™ื’ ื‘ืคื ื™ื›ื ืกืจื˜ื•ื ื™ YouTube ื”ืžื•ืขื™ืœื™ื ืœืœื™ืžื•ื“ ืื ื’ืœื™ืช. ืชื•ื›ืœื• ืœืจืื•ืช ืฉื™ืขื•ืจื™ ืื ื’ืœื™ืช ื”ืžื•ืขื‘ืจื™ื ืขืœ ื™ื“ื™ ืžื•ืจื™ื ืžื”ืฉื•ืจื” ื”ืจืืฉื•ื ื” ืžืจื—ื‘ื™ ื”ืขื•ืœื. ืœื—ืฅ ืคืขืžื™ื™ื ืขืœ ื”ื›ืชื•ื‘ื™ื•ืช ื‘ืื ื’ืœื™ืช ื”ืžื•ืฆื’ื•ืช ื‘ื›ืœ ื“ืฃ ื•ื™ื“ืื• ื›ื“ื™ ืœื”ืคืขื™ืœ ืืช ื”ืกืจื˜ื•ืŸ ืžืฉื. ื”ื›ืชื•ื‘ื™ื•ืช ื’ื•ืœืœื•ืช ื‘ืกื ื›ืจื•ืŸ ืขื ื”ืคืขืœืช ื”ื•ื•ื™ื“ืื•. ืื ื™ืฉ ืœืš ื”ืขืจื•ืช ืื• ื‘ืงืฉื•ืช, ืื ื ืฆื•ืจ ืื™ืชื ื• ืงืฉืจ ื‘ืืžืฆืขื•ืช ื˜ื•ืคืก ื™ืฆื™ืจืช ืงืฉืจ ื–ื”.

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