Why should you read Toni Morrison’s “Beloved”? - Yen Pham

615,162 views ・ 2021-01-05

TED-Ed


Please double-click on the English subtitles below to play the video.

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A mirror that shatters without warning.
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A trail of cracker crumbs strewn across the floor.
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Two tiny handprints that appear on a cake.
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Everyone at 124 Bluestone Road knows their house is haunted—
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but there’s no mystery about the spirit tormenting them.
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This ghost is the product of an unspeakable trauma;
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the legacy of a barbaric history
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that hangs over much more than this lone homestead.
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So begins "Beloved," Toni Morrison’s Pulitzer Prize-winning novel
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about the suffering wrought by slavery and the wounds that persist in its wake.
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Published in 1987, "Beloved" tells the story of Sethe,
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a woman who escaped enslavement.
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When the novel opens, Sethe has been living free for over a decade.
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Her family has largely dissolved— Sethe’s mother-in-law died years earlier,
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and her two sons ran away from fear of the specter.
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Sethe’s daughter Denver remains in the house,
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but the pair live a half-life.
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Shunned by the wider community,
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the two have only each other and the ghost for company.
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Sethe is consumed by thoughts of the spirit,
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whom she believes to be her eldest daughter.
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When a visitor from Sethe’s old life returns and threatens the ghost away,
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it seems like the start of a new beginning for her family.
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But what comes in the ghost’s place may be even harder to bear.
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As with much of Morrison’s work,
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"Beloved" investigates the roles of trauma and love in African-American history.
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Morrison writes about black identities in a variety of contexts,
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but her characters are united by their desire to find love and be loved—
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even when it’s painful.
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Some of her novels explore when love challenges social conventions,
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like the forbidden affection that grows between the townsfolk of "Paradise"
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and their fugitive neighbors.
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Other works examine how we can be blind to the love we already possess.
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In "Sula," one character realizes that it’s not her marriage,
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but rather, one of her friendships that embodies the great love of her life.
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Perhaps Morrison’s most famous exploration of the difficulty of love
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takes place in "Beloved."
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Here, the author considers how the human spirit is diminished
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when you know the things and people you love most will be taken away.
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Morrison shows that slavery is destructive to love in all forms,
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poisoning both enslaved people and their enslavers.
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"Beloved" examines the dehumanizing effects of the slave trade
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in numerous ways.
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Some are straightforward, such as referring to enslaved people
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as animals with monetary value.
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But others are more subtle.
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Sethe and Paul D.— the visitor from her old plantation—
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are described as trying to “live an unlivable life.”
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Their coping mechanisms are different; Sethe remains mired in her past,
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while Paul D. dissociates himself completely.
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But in both cases, it’s clear each character has been irreparably scarred.
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Morrison also blends perspectives and timelines,
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to convey how the trauma of slavery
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ripples across various characters and time periods.
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As she delves into the psyche of townspeople, enslavers,
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and previously enslaved people,
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she exposes conflicting viewpoints on reality.
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This tension shows the limitations of our own perspectives,
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and the ways in which some characters
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are actively avoiding the reality of their actions.
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But in other instances, the characters’ shifting memories align perfectly;
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capturing the collective trauma that haunts the story.
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Though "Beloved" touches on dark subjects,
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the book is also filled with beautiful prose,
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highlighting its characters’ capacity for love and vulnerability.
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In a stream-of-consciousness sequence written from Sethe’s perspective,
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Morrison unspools memories of subjugation alongside moments of tenderness;
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like a baby reaching for her mother’s earrings, spring colors,
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and freshly painted stairs.
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Sethe’s mother-in-law had them painted white, she recalls,
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“so you could see your way to the top… where lamplight didn’t reach."
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Throughout the book, Morrison asks us to consider hope in the dark,
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and to question what freedom really means.
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She urges readers to ponder the power we have over each other,
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and to use that power wisely.
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In this way, "Beloved" remains a testimony to the destructiveness of hate,
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the redeeming power of love,
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and the responsibility we bear to heed the voices of the past.
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