Virginia Postrel: The power of glamour

31,017 views ใƒป 2008-10-17

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: J J LEE ๊ฒ€ํ† : Dae-won Jeong
00:18
You might be wondering why I'm wearing sunglasses,
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์ œ๊ฐ€ ์™œ ์„ ๊ธ€๋ผ์Šค๋ฅผ ์“ฐ๊ณ  ์žˆ๋Š”์ง€ ๊ถ๊ธˆํ•˜์‹ค๊ฒ๋‹ˆ๋‹ค.
00:20
and one answer to that is, because I'm here to talk about glamour.
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๊ทธ์— ๋Œ€ํ•œ ๋Œ€๋‹ต์€, ์ œ๊ฐ€ ๋งค๋ ฅ์— ๋Œ€ํ•ด์„œ ๋งํ•˜๊ธฐ ์œ„ํ•ด ์—ฌ๊ธฐ ์žˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
00:25
So, we all think we know what glamour is. Here it is.
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์ž, ์šฐ๋ฆฌ๋Š” ๋ชจ๋‘ ๋งค๋ ฅ์ด ๋ฌด์—‡์ธ์ง€ ์•Œ๊ณ  ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
00:28
It's glamorous movie stars, like Marlene Dietrich.
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์—ฌ๊ธฐ ์žˆ์Šต๋‹ˆ๋‹ค. ๋งˆ๋ฅผ๋ Œ ๋””ํŠธ๋ฆฌํžˆ ๊ฐ™์€ ๋งค๋ ฅ์ ์ธ ๋ฌด๋น„์Šคํƒ€๋“ค์ด์ฃ .
00:31
And it comes in a male form, too --
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๊ทธ๋ฆฌ๊ณ  ๋‚จ์„ฑ ๋ฌด๋น„์Šคํƒ€๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
00:33
very glamorous.
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๋Œ€๋‹จํžˆ ๋งค๋ ฅ์ ์ด์ฃ .
00:35
Not only can he shoot, drive, drink -- you know, he drinks wine,
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์ด์„ ์˜๊ณ  ์šด์ „ํ•  ์ˆ˜ ์žˆ์„๋ฟ๋งŒ ์•„๋‹ˆ๋ผ, ์•Œ๋‹ค์‹œํ”ผ ์™€์ธ๋„ ๋งˆ์‹œ์ฃ .
00:39
there actually is a little wine in there --
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์‚ฌ์‹ค ๊ฑฐ๊ธฐ์„œ ์™€์ธ์€ ์ž ๊น๋งŒ ๋‚˜์˜ค์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
00:41
and of course, always wears a tuxedo.
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๊ทธ๋ฆฌ๊ณ  ๋ฌผ๋ก  ์–ธ์ œ๋‚˜ ํ„ฑ์‹œ๋„๋ฅผ ์ž…์ฃ .
00:44
But I think that glamour actually has a much broader meaning --
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ํ•˜์ง€๋งŒ ์ œ ์ƒ๊ฐ์— ๋งค๋ ฅ์€ ์‚ฌ์‹ค ๋ณด๋‹ค ๋„“์€ ์˜๋ฏธ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
00:48
one that is true for the movie stars and the fictional characters,
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๊ทธ๋ฆฌ๊ณ  ๊ทธ ์ค‘ ํ•˜๋‚˜๊ฐ€ ๋ฌด๋น„์Šคํƒ€๋“ค๊ณผ ํ—ˆ๊ตฌ์˜ ์บ๋ฆญํ„ฐ์— ํ•ด๋‹นํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
00:52
but also comes in other forms.
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๊ทธ๋Ÿฌ๋‚˜ ๋‹ค๋ฅธ ํ˜•ํƒœ์˜ ๋งค๋ ฅ๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
00:54
A magazine?
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์žก์ง€์š”?
00:56
Well, it's certainly not this one.
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๋ญ, ๊ทธ๊ฑด ํ™•์‹คํžˆ ์•„๋‹™๋‹ˆ๋‹ค.
00:58
This is the least glamorous magazine on the newsstand -- it's all about sex tips.
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์ด๊ฒƒ์€ ์‹ ๋ฌธ ๊ฐ€ํŒ๋Œ€์— ์žˆ๋Š” ๋งค๋ ฅ์—†๋Š” ์žก์ง€์ž…๋‹ˆ๋‹ค. ์˜จํ†ต ์„น์Šค ์ •๋ณด ๋ฟ์ด์ฃ .
01:01
Sex tips are not glamorous.
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์„น์Šค ์ •๋ณด๋Š” ๋งค๋ ฅ์ ์ด์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
01:03
And Drew Barrymore, for all her wonderful charm,
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๊ทธ๋ฆฌ๊ณ  ๋“œ๋ฅ˜ ๋ฒ ๋ฆฌ๋ชจ์–ด๋Š” ๊ทธ๋…€์˜ ๋ชจ๋“  ๋†€๋ผ์šด ์•„๋ฆ„๋‹ค์›€์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ 
01:06
is not glamorous either.
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์—ญ์‹œ๋‚˜ ๋งค๋ ฅ์ ์ด๋ผ๊ณ  ํ•  ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.
01:08
But there is a glamour of industry.
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๊ทธ๋Ÿฌ๋‚˜ ์‚ฐ์—…์˜ ๋งค๋ ฅ์ด ์กด์žฌํ•ฉ๋‹ˆ๋‹ค.
01:10
This is Margaret Bourke-White's --
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๋ณด์‹œ๋Š” ๊ฒƒ์€ ๋งˆ๊ฐ€๋ › ๋ฒ„ํฌ ํ™”์ดํŠธ์˜ ์ž‘ํ’ˆ์œผ๋กœ
01:12
one of her pictures she did.
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๊ทธ๋…€๊ฐ€ ์ฐ์€ ์‚ฌ์ง„ ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค.
01:14
Fantastic, glamorous pictures
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์ œ๊ฐ• ๊ณต์žฅ๊ณผ ์ œ์ง€๊ณต์žฅ,
01:17
of steel mills and paper mills and all kinds of glamorous industrial places.
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๊ทธ๋ฆฌ๊ณ  ๋‹ค์–‘ํ•œ ํ™œ๊ธฐ๋„˜์น˜๋Š” ์‚ฐ์—…ํ˜„์žฅ์˜ ํ™˜์ƒ์ ์ด๊ณ  ๋งค๋ ฅ์ ์ธ ์‚ฌ์ง„๋“ค์ž…๋‹ˆ๋‹ค.
01:21
And there's the mythic glamour
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๊ทธ๋ฆฌ๊ณ  ์ฐจ๊ณ (่ปŠๅบซ) ์ฐฝ์—…๊ฐ€์˜
01:23
of the garage entrepreneur.
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์‹ ํ™”์ ์ธ ๋งค๋ ฅ๋„ ์กด์žฌํ•ฉ๋‹ˆ๋‹ค.
01:25
This is the Hewlett-Packard garage.
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์ด๊ฒƒ์€ ํœด๋ ›-ํŒฉ์ปค๋“œ์˜ ์ฐจ๊ณ ์ž…๋‹ˆ๋‹ค.
01:27
We know everyone who starts a business in a garage
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์šฐ๋ฆฌ๋Š” ์ฐจ๊ณ ์—์„œ ์‚ฌ์—…์„ ์‹œ์ž‘ํ•ด์„œ ํœด๋ ›-ํŒฉ์ปค๋“œ๋ฅผ
01:30
ends up founding Hewlett-Packard.
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์„ค๋ฆฝํ•œ ์‚ฌ๋žŒ๋“ค์„ ์•Œ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
01:33
There's the glamour of physics.
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๋ฌผ๋ฆฌ์˜ ๋งค๋ ฅ์ด ์กด์žฌํ•ฉ๋‹ˆ๋‹ค.
01:35
What could be more glamorous than understanding the entire universe,
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์ „์šฐ์ฃผ์™€ ๋Œ€ํ†ต์ผ ์ด๋ก ์„ ์ดํ•ดํ•˜๋Š” ๊ฒƒ๋ณด๋‹ค ๋” ๋งค๋ ฅ์ ์ธ ๊ฒƒ์ด ์žˆ์„๊นŒ์š”? (์ฃผ : ๋Œ€ํ†ต์ผ ์ด๋ก -์ค‘๋ ฅ, ์ „์ž๊ธฐ๋ ฅ, ์•ฝ๋ ฅ, ๊ฐ•๋ ฅ์˜ 4๊ฐ€์ง€ ๊ธฐ๋ณธ ํž˜์„ ํ•˜๋‚˜๋กœ ํ†ตํ•ฉํ•˜๋Š” ์—ฐ๊ตฌ)
01:37
grand unification? And, by the way, it helps if you're Brian Greene --
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๊ทธ๋Ÿฐ๋ฐ, ๊ทธ๊ฑด ๋ธŒ๋ผ์ด์–ธ ๊ทธ๋ฆฐ์—๊ฒŒ๋‚˜ ์“ธ๋ชจ๊ฐ€ ์žˆ๊ฒ ๋„ค์š”. (์ฃผ : ๋ธŒ๋ผ์ด์–ธ ๊ทธ๋ฆฐ-๋ฏธ๊ตญ ๋ฌผ๋ฆฌํ•™์ž)
01:41
he has other kinds of glamour.
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๊ทธ๋ฅธ ๋‹ค๋ฅธ ์ข…๋ฅ˜์˜ ๋งค๋ ฅ์„ ๊ฐ€์ง€๊ณ  ์žˆ์ฃ .
01:43
And there is, of course, this glamour.
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๊ทธ๋ฆฌ๊ณ  ๋ฌผ๋ก  ์ด๋Ÿฐ ๋งค๋ ฅ๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
01:45
This is very, very glamorous: the glamour of outer space --
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์ด๊ฑด ์•„์ฃผ ์•„์ฃผ ๋งค๋ ฅ์ ์ธ๋ฐ์š”. ์šฐ์ฃผ ๊ณต๊ฐ„์˜ ๋งค๋ ฅ์ž…๋‹ˆ๋‹ค.
01:48
and not the alien-style glamour,
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์™ธ๊ณ„ ์Šคํƒ€์ผ์˜ ๋งค๋ ฅ์ด ์•„๋‹ˆ๋ผ
01:51
but the nice, clean, early '60s version.
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๋ฉ‹์ง€๊ณ , ๋งค๋ˆํ•œ 60๋…„๋Œ€ ์ดˆ๋ฐ˜์˜ ํ˜•ํƒœ์ž…๋‹ˆ๋‹ค.
01:54
So what do we mean by glamour?
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๊ทธ๋Ÿฌ๋ฉด, ๋งค๋ ฅ์ด๋ผ๋Š” ๊ฒƒ์€ ์–ด๋–ค ๊ฒƒ์„ ์˜๋ฏธํ• ๊นŒ์š”?
01:56
Well, one thing you can do if you want to know what glamour means
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์ข‹์Šต๋‹ˆ๋‹ค. ๋งค๋ ฅ์˜ ์˜๋ฏธ๊ฐ€ ๋ฌด์—‡์ธ์ง€ ์•Œ๊ธฐ ์›ํ•œ๋‹ค๋ฉด ํ•ด๋ณผ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์ด ํ•˜๋‚˜ ์žˆ์ฃ .
02:00
is you can look in the dictionary.
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์‚ฌ์ „์„ ์ฐพ์•„๋ณด๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:02
And it actually helps a lot more if you look in a very old dictionary,
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๋งŒ์•ฝ ์•„์ฃผ ์˜ค๋žœ ์‚ฌ์ „์„ ๋“ค์—ฌ๋‹ค ๋ณธ๋‹ค๋ฉด, ์ด ๊ฒฝ์šฐ์—๋Š” 1913๋…„ํŒ์ธ๋ฐ์š”.
02:05
in this case the 1913 dictionary.
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์‹ค์ œ๋กœ ๋งŽ์€ ๋„์›€์ด ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:07
Because for centuries, glamour had a very particular meaning,
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์ˆ˜ ์„ธ๊ธฐ ๋™์•ˆ, ๋งค๋ ฅ์€ ๋งค์šฐ ํŠน๋ณ„ํ•œ ์˜๋ฏธ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์—ˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
02:12
and the word was actually used differently from the way we think of it.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ ๋‹จ์–ด๋Š” ์‚ฌ์‹ค ์šฐ๋ฆฌ๊ฐ€ ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ๊ณผ๋Š” ๋‹ค๋ฅด๊ฒŒ ์‚ฌ์šฉ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
02:17
You had "a" glamour.
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๋‹น์‹ ์€ ๋งค๋ ฅ(a glamour)์„ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
02:19
It wasn't glamour as a quality -- you "cast a glamour."
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๋งค๋ ฅ์ด๋ž€ ๋‹จ์–ด๋Š” ๋ฌผ์งˆ๋ช…์‚ฌ๊ฐ€ ์•„๋‹ˆ์—ˆ์Šต๋‹ˆ๋‹ค. ๋งค๋ ฅ ํ•œ ๊ฐœ๋ฅผ ๋˜์ง‘๋‹ˆ๋‹ค.
02:21
Glamour was a literal magic spell.
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๋งค๋ ฅ์€ ๋ฌธ์ž ๊ทธ๋Œ€๋กœ์˜ ๋งˆ๋ฒ• ์ฃผ๋ฌธ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
02:24
Not a metaphorical one, the way we use it today,
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์˜ค๋Š˜๋‚  ์šฐ๋ฆฌ๊ฐ€ ์‚ฌ์šฉํ•˜๋Š”๋Œ€๋กœ์˜ ์€์œ ์ ์ธ ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค.
02:26
but a literal magic spell associated with witches and gypsies
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๋งˆ๋…€์™€ ์ง‘์‹œ ๊ทธ๋ฆฌ๊ณ  ๋ฒ”์œ„๋ฅผ ๋„“ํ˜€ ์ผˆํŠธ์กฑ ๋งˆ๋ฒ•๊ณผ
02:30
and to some extent, Celtic magic.
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์—ฐ๊ด€์ด ์žˆ๋Š” ๋ฌธ์ž ๊ทธ๋Œ€๋กœ์˜ ๋งˆ๋ฒ• ์ฃผ๋ฌธ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
02:33
And over the years, around the turn of the 20th century,
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๊ทธ๋ฆฌ๊ณ  ์ˆ˜ ๋…„ ๋™์•ˆ, 20์„ธ๊ธฐ๊ฐ€ ๋ฐ”๋€” ์ฆˆ์Œ์—,
02:36
it started to take on this other kind of deception --
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๋งค๋ ฅ์€ ์กฐ๊ธˆ์€ ๋‹ค๋ฅธ ์ •์˜๋ฅผ ๊ฐ€์ง€๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
02:42
this definition for any artificial interest in, or association with,
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ํ˜„ํ˜นํ•˜๋„๋ก ๊ณผ์žฅํ•˜๊ณ  ๋ฏธํ™”๋˜๋„๋ก ํ•จ์œผ๋กœ์จ
02:47
an object through which it appears delusively magnified or glorified.
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์–ด๋–ค ๋Œ€์ƒ์— ์ธ์œ„์ ์ธ ๊ด€์‹ฌ์„ ๊ฐ€์ง€๊ฒŒ ํ•˜๊ฑฐ๋‚˜ ์—ฐ์ƒํ•˜๋„๋ก ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
02:52
But still, glamour is an illusion.
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ํ•˜์ง€๋งŒ ์—ฌ์ „ํžˆ, ๋งค๋ ฅ์€ ์ผ์ข…์˜ ํ™˜์ƒ์ž…๋‹ˆ๋‹ค.
02:54
Glamour is a magic spell.
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๋งค๋ ฅ์€ ์ผ์ข…์˜ ๋งˆ๋ฒ• ์ฃผ๋ฌธ์ž…๋‹ˆ๋‹ค.
02:57
And there's something dangerous about glamour
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๊ทธ๋ฆฌ๊ณ  ๋งค๋ ฅ๊ณผ ๊ด€๋ จํ•ด ์–ด๋–ค ์œ„ํ—˜ํ•œ ๊ฒƒ์ด ์กด์žฌํ•ฉ๋‹ˆ๋‹ค.
02:59
throughout most of history. When the witches cast a magic spell
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๋Œ€๋ถ€๋ถ„์˜ ์—ญ์‚ฌ๋ฅผ ํ†ตํ•ด, ๋งˆ๋…€๋“ค์ด ์—ฌ๋Ÿฌ๋ถ„์—๊ฒŒ ๋งˆ๋ฒ• ์ฃผ๋ฌธ์„ ๋˜์งˆ ๋•Œ,
03:03
on you, it was not in your self-interest --
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๊ทธ ์ฃผ๋ฌธ์€ ์—ฌ๋Ÿฌ๋ถ„์˜ ์ž๊ธฐ์ด์ต ๋ฒ”์ฃผ์— ์žˆ์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค.
03:05
it was to get you to act against your interest.
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๊ทธ ์ฃผ๋ฌธ์€ ์—ฌ๋Ÿฌ๋ถ„๋“ค์˜ ์ด์ต์— ๋ฐ˜ํ•ด์„œ ํ–‰๋™ํ•˜๋„๋ก ๋งŒ๋“ญ๋‹ˆ๋‹ค.
03:07
Well of course, in the 20th century,
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๋ฌผ๋ก , 20์„ธ๊ธฐ์—๋Š”,
03:09
glamour came to have this different meaning associated with Hollywood.
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๋งค๋ ฅ์€ ํ• ๋ฆฌ์šฐ๋“œ์™€ ๊ด€๋ จํ•˜์—ฌ ์ด๋Ÿฐ ๋‹ค๋ฅธ ์˜๋ฏธ๋ฅผ ๊ฐ€์ง€๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
03:13
And this is Hedy Lamarr.
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์ด ์‚ฌ๋žŒ์€ ํ—ค๋”” ๋ผ๋งˆ์ž…๋‹ˆ๋‹ค.
03:15
Hedy Lamarr said, "Anyone can look glamorous,
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ํ—ค๋”” ๋ผ๋งˆ๊ฐ€ ๋งํ–ˆ์ฃ , "๋ˆ„๊ตฌ๋“  ๋งค๋ ฅ์ ์œผ๋กœ ๋ณด์ผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
03:17
all you have to do is sit there and look stupid." (Laughter)
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๊ฑฐ๊ธฐ ๊ทธ๋ƒฅ ์•‰์•„์„œ ๋ฉ์ฒญํ•˜๊ฒŒ ๋ณด์ด๊ธฐ๋งŒ ํ•˜๋ฉด ๋ฉ๋‹ˆ๋‹ค."
03:20
But in fact, with all due respect to Hedy --
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ํ•˜์ง€๋งŒ ์‚ฌ์‹ค, ํ—ค๋””์—๊ฒŒ๋Š” ๋ฏธ์•ˆํ•œ ์ผ์ด์ง€๋งŒ,
03:25
about whom we'll hear more later -- there's a lot more to it.
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๋‚˜์ค‘์— ํ—ค๋””์— ๋Œ€ํ•ด์„œ๋Š” ๋” ๋“ฃ๊ฒŒ ๋ ํ…๋ฐ์š”. ์•„๋ฌดํŠผ ๊ทธ๊ฒƒ ์ด์ƒ์˜ ๊ฒƒ์ด ์กด์žฌํ•ฉ๋‹ˆ๋‹ค.
03:29
There was a tremendous amount of technical achievement
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์ด๋Ÿฐ ํ• ๋ฆฌ์šฐ๋“œ์˜ ๋งค๋ ฅ์„ ๋งŒ๋“ค์–ด๋‚ด๋Š” ๊ฒƒ๊ณผ ๊ด€๋ จํ•ด์„œ
03:32
associated with creating this Hollywood glamour.
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์—„์ฒญ๋‚œ ๊ธฐ์ˆ ์  ์„ฑ๊ณผ๊ฐ€ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค.
03:34
There were scores of retouchers and lighting experts and make-up experts.
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์ˆ˜ ๋งŽ์€ ์ˆ˜์ • ๊ธฐ์ˆ ์ž์™€ ์กฐ๋ช… ์ „๋ฌธ๊ฐ€ ๊ทธ๋ฆฌ๊ณ  ํ™”์žฅ ์ „๋ฌธ๊ฐ€๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
03:38
You can go to the museum of Hollywood history in Hollywood
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์—ฌ๋Ÿฌ๋ถ„์€ ํ• ๋ฆฌ์šฐ๋“œ์— ์žˆ๋Š” ํ• ๋ฆฌ์šฐ๋“œ ๋ฐ•๋ฌผ๊ด€์— ๊ฐ€์„œ
03:41
and see Max Factor's special rooms that he painted different colors
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๋ฉ”์ดํฌ์—…์„ ํ•ด์ฃผ๋ คํ–ˆ๋˜ ์Šคํƒ€์˜ ์•ˆ์ƒ‰์— ๋”ฐ๋ผ ๋‹ค๋ฅธ ์ƒ‰์กฐ๋ฅผ ์‚ฌ์šฉํ–ˆ๋˜
03:44
depending on the complexion of the star he was going to make up.
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๋งฅ์Šค ํŒฉํ„ฐ์˜ ํŠน๋ณ„ํ•œ ๋ฐฉ์„ ๋ณด์‹ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. (์ฃผ : ๋งฅ์Šค ํŒฉํ„ฐ - ํ—๋ฆฌ์šฐ๋“œ ์œ ๋ช… ๋ถ„์žฅ์‚ฌ)
03:48
So you've got this highly stylized portrait of something
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๊ทธ๋ž˜์„œ ์ด ๋•…(earth)์˜ ๊ฒƒ์ด ์•„๋‹Œ ๊ณ ๋„์˜ ์–‘์‹ํ™”๋œ ์–ผ๊ตด์„
03:51
that was not entirely of this earth -- it was a portrait of a star.
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๊ฐ€์งˆ ์ˆ˜ ์žˆ์—ˆ์Šต๋‹ˆ๋‹ค. ๊ทธ๊ฒƒ์€ ์Šคํƒ€(star)์˜ ์–ผ๊ตด์ด์—ˆ์ฃ .
03:54
And actually, we see glamorized photos of stars all the time --
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๊ทธ๋ฆฌ๊ณ  ์šฐ๋ฆฌ๋Š” ๋งค๋ ฅ์ ์œผ๋กœ ๋งŒ๋“ค์–ด์ง„ ์Šคํƒ€์˜ ์‚ฌ์ง„๋“ค์„ ํ•ญ์ƒ ๋ด…๋‹ˆ๋‹ค.
03:58
they call them false color.
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๊ทธ๋“ค์€ ์ธ์กฐ ๋น›๊น”์ด๋ผ๊ณ  ๋ถ€๋ฅด์ฃ .
04:00
Glamour is a form of falsification,
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๋งค๋ ฅ์€ ๋ณ€์กฐ์˜ ๋ชจ์Šต์ž…๋‹ˆ๋‹ค.
04:04
but falsification to achieve a particular purpose.
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ํ•˜์ง€๋งŒ ๋ณ€์กฐ๋Š” ํŠน์ •ํ•œ ๋ชฉํ‘œ๋ฅผ ์ด๋ฃจ์–ด ๋ƒ…๋‹ˆ๋‹ค.
04:07
It may be to illuminate the star; it may be to sell a film.
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๊ทธ๊ฒƒ์€ ์Šคํƒ€๋ฅผ ๋ฐ๊ฒŒ ๋น„์ถฐ์ฃผ๊ฑฐ๋‚˜ ์•„๋งˆ๋„ ์˜ํ™”๋ฅผ ํŒ”๊ธฐ ์œ„ํ•ด ์กด์žฌํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
04:11
And it involves a great deal of technique.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ๋Œ€๋‹จํ•œ ๊ธฐ์ˆ ์  ์ฒ˜๋ฆฌ๋ฅผ ํฌํ•จํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
04:13
It's not -- glamour is not something --
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๋งค๋ ฅ์€ ๋Œ€๋‹จํ•œ ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค.
04:15
you don't wake up in the morning glamorous. I don't care who you are.
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์—ฌ๋Ÿฌ๋ถ„์ด ์•„์นจ์— ์ผ์–ด๋‚  ๋•Œ ๋งค๋ ฅ์ ์ธ ๋ชจ์Šต์€ ์•„๋‹™๋‹ˆ๋‹ค. ์—ฌ๋Ÿฌ๋ถ„์ด ๋ˆ„๊ตฌ๋“ ์ง€ ์ƒ๊ด€์—†์Šต๋‹ˆ๋‹ค.
04:18
Even Nicole Kidman doesn't wake up in the morning glamorous.
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๋‹ˆ์ฝœ ํ‚ค๋“œ๋จผ ์กฐ์ฐจ๋„ ๋งค๋ ฅ์ ์ธ ๋ชจ์Šต์œผ๋กœ ์ž ์„ ๊นจ๋Š”๊ฑด ์•„๋‹™๋‹ˆ๋‹ค.
04:21
There is a process of "idealization, glorification and dramatization,"
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์ด์ƒํ™”, ๋ฏธํ™”, ๊ทนํ™”์˜ ๊ณผ์ •์ด ์กด์žฌํ•ฉ๋‹ˆ๋‹ค.
04:25
and it's not just the case for people.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ๋‹จ์ง€ ์‚ฌ๋žŒ์—๊ฒŒ๋งŒ ๊ตญํ•œ๋œ ๊ฒƒ์€ ์•„๋‹™๋‹ˆ๋‹ค.
04:27
Glamour doesn't have to be people.
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๋งค๋ ฅ์˜ ๋Œ€์ƒ์ด ์‚ฌ๋žŒ์ผ ํ•„์š”๋Š” ์—†์Šต๋‹ˆ๋‹ค.
04:29
Architectural photography --
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๊ฑด์ถ• ์‚ฌ์ง„์ž…๋‹ˆ๋‹ค.
04:31
Julius Schulman, who has talked about transfiguration,
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๋ณ€ํ˜•์— ๋Œ€ํ•ด์„œ ์–ธ๊ธ‰ํ•ด์˜จ ์ค„๋ฆฌ์–ด์Šค ์А๋จผ์€ ์ด ๋ฉ‹์ง€๊ณ 
04:34
took this fabulous, famous picture of the Kauffman House.
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์œ ๋ช…ํ•œ ์ฝ”ํ”„๋จผ ํ•˜์šฐ์Šค์˜ ์‚ฌ์ง„์„ ์ฐ์—ˆ์Šต๋‹ˆ๋‹ค.
04:37
Architectural photography is extremely glamorous.
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๊ฑด์ถ• ์‚ฌ์ง„์€ ๋Œ€๋‹จํžˆ ๋งค๋ ฅ์ ์ž…๋‹ˆ๋‹ค.
04:40
It puts you into this special, special world.
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์—ฌ๋Ÿฌ๋ถ„์„ ์ด๋Ÿฐ ํŠน๋ณ„ํ•œ ์„ธ์ƒ์œผ๋กœ ์ธ๋„ํ•ฉ๋‹ˆ๋‹ค.
04:44
This is Alex Ross's comic book art,
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์ด๊ฒƒ์€ ๊ทน๋„๋กœ ์‚ฌ์‹ค์ฃผ์˜์ ์ธ
04:47
which appears to be extremely realistic,
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์•Œ๋ ‰์Šค ๋กœ์Šค์˜ ๋งŒํ™”์ฑ… ์ž‘ํ’ˆ์ž…๋‹ˆ๋‹ค.
04:49
as part of his style is he gives you a kind of realism in his comic art.
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๊ทธ์˜ ๋งŒํ™”์˜ˆ์ˆ ์—์„œ ์ผ์ข…์˜ ์‚ฌ์‹ค์ฃผ์˜๋ฅผ ๊ทธ์˜ ์Šคํƒ€์ผ๋กœ์„œ ์—ฌ๋Ÿฌ๋ถ„๊ป˜ ๋ณด์—ฌ์ค๋‹ˆ๋‹ค.
04:54
Except that light doesn't work this way in the real world.
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ํ˜„์‹ค ์„ธ๊ณ„์—์„œ๋Š” ๋น›์ด ์ด๋ ‡๊ฒŒ ์ž‘์šฉํ•˜์ง€ ์•Š๋Š”๋‹ค๋Š” ๊ฒƒ๋งŒ ์ œ์™ธํ•˜๋ฉด ๋ง์ด์ฃ .
04:57
When you stack people in rows,
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๊ทธ๋ฆฌ๊ณ  ์ธ๋ฌผ๋“ค์„ ์ค„์ง€์–ด ์„ธ์›Œ๋†“์œผ๋ฉด,
04:59
the ones in the background look smaller than the ones in the foreground --
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๋’ท์ชฝ์— ์žˆ๋Š” ์ธ๋ฌผ์ด ์•ž์ชฝ์— ์žˆ๋Š” ์ธ๋ฌผ๋ณด๋‹ค ๋” ์ž‘์•„๋ณด์ž…๋‹ˆ๋‹ค.
05:02
but not in the world of glamour.
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ํ•˜์ง€๋งŒ ๋งค๋ ฅ์˜ ์„ธ๊ณ„์—์„œ๋Š” ๊ทธ๋ ‡์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
05:05
What glamour is all about -- I took this from a blurb
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๋งค๋ ฅ์ด๋ž€ ๋ฌด์—‡์— ๊ด€ํ•œ ๊ฒƒ์ธ๊ฐ€. ์ €๋Š” ์ด๊ฒƒ์„
05:08
in the table of contents of New York magazine,
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๋‰ด์š• ๋งค๊ฑฐ์ง„์˜ ๋ชฉ์ฐจ์—์„œ ์–ป์—ˆ์Šต๋‹ˆ๋‹ค.
05:11
which was telling us that glamour is back --
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๊ฑฐ๊ธฐ์—๋Š” ๋งค๋ ฅ์ด๋ž€ ์ผ์ƒ์„ ์ดˆ์›”ํ•˜๋Š”
05:13
glamour is all about transcending the everyday.
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๊ฒƒ์— ๊ด€ํ•œ ๊ฒƒ์ด๋ผ๊ณ  ๋‚˜์™€ ์žˆ์Šต๋‹ˆ๋‹ค.
05:16
And I think that that's starting to get at what the core
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๊ทธ๋ฆฌ๊ณ  ์ œ ์ƒ๊ฐ์—๋Š” ๋ชจ๋“  ์˜จ๊ฐ– ๋งค๋ ฅ์„ ๊ฒฐํ•ฉ์‹œํ‚จ
05:19
that combines all sorts of glamour is.
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ํ•ต์‹ฌ์ด ๋ฌด์—‡์ธ๊ฐ€์— ๋„๋‹ฌํ•˜๊ธฐ ์‹œ์ž‘ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:22
This is Filippino Lippi's 1543 portrait of Saint Apollonia.
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์ด๊ฒƒ์€ ํ•„๋ฆฌํ”ผ๋…ธ ๋ฆฌํ”ผ์˜ 1543๋…„ ์ž‘ํ’ˆ ์„ฑ๋…€ ์•„ํด๋กœ๋‹ˆ์•„์ž…๋‹ˆ๋‹ค.
05:27
And I don't know who she is either,
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๊ทธ๋ฆฌ๊ณ  ์ €๋Š” ๊ทธ๋…€๊ฐ€ ๋ˆ„๊ตฐ์ง€๋„ ๋ชจ๋ฆ…๋‹ˆ๋‹ค.
05:29
but this is the [16th] century equivalent of a supermodel.
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ํ•˜์ง€๋งŒ ์ด๊ฒƒ์€ 15์„ธ๊ธฐ์˜ ์Šˆํผ๋ชจ๋ธ๊ณผ ๊ฐ™์€ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
05:32
It's a very glamorous portrait.
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์•„์ฃผ ๋งค๋ ฅ์ ์ธ ์ดˆ์ƒํ™”์ฃ .
05:34
Why is it glamorous?
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์™œ ๊ทธ๊ฒƒ์ด ๋งค๋ ฅ์ ์ผ๊นŒ์š”?
05:36
It's glamorous, first, because she is beautiful --
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๋จผ์ € ๊ทธ๋…€๊ฐ€ ์•„๋ฆ„๋‹ต๊ธฐ ๋•Œ๋ฌธ์— ๊ทธ๋ ‡์Šต๋‹ˆ๋‹ค.
05:38
but that does not make you glamorous,
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ํ•˜์ง€๋งŒ ๊ทธ๊ฒŒ ์—ฌ๋Ÿฌ๋ถ„์„ ๋งค๋ ฅ์ ์œผ๋กœ ๋งŒ๋“ค์–ด์ฃผ์ง„ ์•Š์Šต๋‹ˆ๋‹ค.
05:40
that only makes you beautiful.
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์—ฌ๋Ÿฌ๋ถ„์„ ์•„๋ฆ„๋‹ต๊ฒŒ ๋งŒ๋“ค ๋ฟ์ž…๋‹ˆ๋‹ค.
05:42
She is graceful, she is mysterious and she is transcendent,
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๊ทธ๋…€๋Š” ์šฐ์•„ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋…€๋Š” ์‹ ๋น„๋กญ๊ณ  ์ดˆ์›”์ ์œผ๋กœ ๋ณด์ž…๋‹ˆ๋‹ค.
05:47
and those are the central qualities of glamour.
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๊ทธ๊ฒƒ๋“ค์ด ๋งค๋ ฅ์˜ ํ•ต์‹ฌ ํŠน์„ฑ์ž…๋‹ˆ๋‹ค.
05:49
You don't see her eyes; they're looking downward.
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๊ทธ๋…€๊ฐ€ ๋ˆˆ์„ ๋‚ด๋ฆฌ๊น”๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์— ๋ˆˆ์„ ๋ณผ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.
05:53
She's not looking away from you exactly,
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๊ทธ๋…€๊ฐ€ ์—ฌ๋Ÿฌ๋ถ„์œผ๋กœ๋ถ€ํ„ฐ ๋ˆˆ๊ธธ์„ ๋Œ๋ฆฌ๊ณ  ์žˆ๋Š” ๊ฒƒ์€ ์•„๋‹™๋‹ˆ๋‹ค.
05:55
but you have to mentally imagine her world.
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ํ•˜์ง€๋งŒ ์—ฌ๋Ÿฌ๋ถ„์€ ์ •์‹ ์ ์œผ๋กœ ๊ทธ๋…€์˜ ์„ธ๊ณ„๋ฅผ ์ƒ์ƒํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
05:59
She's encouraging you to contemplate this higher world
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๊ทธ๋…€๋Š” ์‡ ๋กœ๋œ ์žฅ์น˜๋กœ ์ฃฝ์Œ์— ์ด๋ฅด๋Š” ๊ณ ๋ฌธ์„ ๋‹นํ•˜๋ฉฐ
06:03
to which she belongs, where she can be completely tranquil
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๊ทธ๋…€๊ฐ€ ์™„์ „ํžˆ ํ‰์˜จํ•  ์ˆ˜ ์žˆ๋Š”, ๊ทธ๋…€๊ฐ€ ์†ํ•ด ์žˆ๋Š”
06:06
while holding the iron instruments of her death by torture.
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๋” ๋†’์€ ์„ธ๊ณ„๋ฅผ ๋ฐ”๋ผ๋ณผ ๊ฒƒ์„ ๋…๋ คํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
06:10
Mel Gibson's "Passion Of The Christ" -- not glamorous.
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๋ฉœ ๊น์Šจ์˜ "ํŒจ์…˜ ์˜ค๋ธŒ ๋” ํฌ๋ผ์ด์ŠคํŠธ"๋Š” ๋งค๋ ฅ์ ์ด์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
06:13
That's glamour:
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์ €๊ฒƒ์ด ๋งค๋ ฅ์ ์ธ ๊ฒƒ์ด์ฃ .
06:15
that's Michelangelo's "Pieta," where Mary is the same age as Jesus
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์ €๊ฒƒ์€ ๋ฏธ์ผˆ๋ž€์ ค๋กœ์˜ "ํ”ผ์—ํƒ€(์ดํƒˆ๋ฆฌ์•„์–ด๋กœ ์ž๋น„๋ฅผ ๋ฒ ํ‘ธ์†Œ์„œ)"์ž…๋‹ˆ๋‹ค.
06:18
and they're both awfully happy and pleasant.
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๋งˆ๋ฆฌ์•„๊ฐ€ ์˜ˆ์ˆ˜์™€ ๊ฐ™์€ ๋‚˜์ด๋กœ ๋‘˜ ๋‹ค ๋ชน์‹œ ํ–‰๋ณตํ•˜๊ณ  ์ฆ๊ฑฐ์›Œ ๋ณด์ž…๋‹ˆ๋‹ค.
06:21
Glamour invites us to live in a different world.
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๋งค๋ ฅ์€ ์šฐ๋ฆฌ๋ฅผ ๋‹ค๋ฅธ ์„ธ์ƒ์— ์‚ด๋„๋ก ์ธ๋„ํ•ฉ๋‹ˆ๋‹ค.
06:24
It has to simultaneously be mysterious, a little bit distant --
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์‹ ๋น„๋กœ์šด ๋™์‹œ์— ์กฐ๊ธˆ์€ ๊ฑฐ๋ฆฌ๊ฐ์ด ์žˆ์–ด์•ผ ํ•ฉ๋‹ˆ๋‹ค.
06:28
that's why, often in these glamour shots,
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๊ทธ๊ฒƒ์ด ์ด๋Ÿฐ ๋งค๋ ฅ์ ์ธ ์žฅ๋ฉด๋“ค์—์„œ ๊ฑฐ์˜
06:30
the person is not looking at the audience,
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์ธ๋ฌผ์ด ์‚ฌ๋žŒ๋“ค์„ ๋ฐ”๋ผ๋ณด๊ณ  ์žˆ์ง€ ์•Š๋Š” ์ด์œ ์ž…๋‹ˆ๋‹ค.
06:32
it's why sunglasses are glamorous --
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๊ทธ๊ฒƒ์ด ์„ ๊ธ€๋ผ์Šค๊ฐ€ ๋งค๋ ฅ์ ์ธ ์ด์œ ์ด์ง€๋งŒ,
06:35
but also not so far above us that we can't identify with the person.
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ํ•˜์ง€๋งŒ ์šฐ๋ฆฌ๋ฅผ ์ดˆ์›”ํ•˜์—ฌ์„œ ๊ทธ ์‚ฌ๋žŒ๊ณผ ๋™์ผ์‹œ ํ•  ์ˆ˜ ์—†๋„๋ก ํ•ฉ๋‹ˆ๋‹ค.
06:39
In some sense, there has to be something like us.
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์–ด๋–ค ์˜๋ฏธ์—์„œ๋Š”, ์šฐ๋ฆฌ์™€ ์œ ์‚ฌํ•œ ๋ญ”๊ฐ€๊ฐ€ ์žˆ์–ด์•ผ๋งŒ ํ•ฉ๋‹ˆ๋‹ค.
06:43
So as I say, in religious art, you know, God is not glamorous.
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์ œ๊ฐ€ ๋งํ–ˆ๋˜ ๋Œ€๋กœ, ์ข…๊ต ์˜ˆ์ˆ ์—์„œ๋Š” ์•Œ๋‹ค์‹œํ”ผ ์‹ ์€ ๋งค๋ ฅ์ ์ด์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
06:46
God cannot be glamorous because God is omnipotent,
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์‹ ์€ ์ „๋Šฅํ•˜๊ธฐ ๋•Œ๋ฌธ์— ๋งค๋ ฅ์ ์ผ ์ˆ˜ ์—†๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:49
omniscient -- too far above us.
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์‹ ์€ ๊ทธ ๋ชจ๋“ ๊ฒŒ ์šฐ๋ฆฌ๋ฅผ ์ดˆ์›”ํ•˜์ฃ .
06:51
And yet you will see in religious art, saints or the Virgin Mary
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๊ทธ๋ฆฌ๊ณ  ์—ฌ๋Ÿฌ๋ถ„์€ ์ข…๊ต ์˜ˆ์ˆ ์—์„œ ์„ฑ์ž๋‚˜ ์„ฑ๋ชจ ๋งˆ๋ฆฌ์•„๋ฅผ ๋ณผ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
06:54
will often be portrayed -- not always -- in glamorous forms.
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์ž์ฃผ ํ‘œํ˜„๋˜๋Š” ๊ฒƒ๋“ค์ด์ง€๋งŒ ํ•ญ์ƒ ๋งค๋ ฅ์ ์ธ ๋ชจ์Šต์€ ์•„๋‹™๋‹ˆ๋‹ค.
06:57
As I said earlier, glamour does not have to be about people,
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๊ทธ๋ฆฌ๊ณ  ์•ž์„œ ๋งํ•œ ๊ฒƒ์ฒ˜๋Ÿผ, ๋งค๋ ฅ์ด๋ž€ ์‚ฌ๋žŒ์— ๋Œ€ํ•œ ๊ฒƒ๋งŒ์ด์–ด์„œ๋Š” ์•ˆ๋ฉ๋‹ˆ๋‹ค.
07:01
but it has to have this transcendent quality.
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ํ•˜์ง€๋งŒ ๊ทธ๊ฒƒ์€ ์ดˆ์›”์ ์ธ ํŠน์„ฑ์„ ๊ฐ€์ ธ์•ผ๋งŒ ํ•ฉ๋‹ˆ๋‹ค.
07:04
What is it about Superman?
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์ž, ์Šˆํผ๋งจ์— ๋Œ€ํ•œ ๊ฒƒ์€ ์–ด๋–ค๊ฐ€์š”?
07:06
Aside from Alex Ross's style, which is very glamorous,
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๋งค์šฐ ๋งค๋ ฅ์ ์ธ ์•Œ๋ ‰์Šค ๋กœ์Šค์˜ ์Šคํƒ€์ผ์„ ์ œ์™ธํ•˜๊ณ ,
07:08
one thing about Superman is he makes you believe that a man can fly.
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์Šˆํผ๋งจ์ด ์—ฌ๋Ÿฌ๋ถ„์ด ๋ฏฟ๋„๋ก ๋งŒ๋“œ๋Š” ํ•œ ๊ฐ€์ง€๋Š” ์‚ฌ๋žŒ์ด ๋‚  ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:12
Glamour is all about transcending this world
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๊ทธ๋ฆฌ๊ณ  ๋งค๋ ฅ์€ ๋ชจ๋‘ ์ด ์„ธ์ƒ์„ ์ดˆ์›”ํ•˜๋Š” ๊ฒƒ์— ๋Œ€ํ•œ ๊ฒƒ์ด๋ฉฐ,
07:15
and getting to an idealized, perfect place.
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์ด์ƒํ™”๋œ, ์™„๋ฒฝํ•œ ๊ณณ์œผ๋กœ ๋„๋‹ฌํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:19
And this is one reason that modes of transportation
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๊ทธ๋ฆฌ๊ณ  ์ด๊ฒƒ์ด ๊ตํ†ต ์ˆ˜๋‹จ์ด ์•„์ฃผ ๋งค๋ ฅ์ ์ด
07:23
tend to be extremely glamorous.
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๋  ์ˆ˜ ์žˆ๋Š” ํ•˜๋‚˜์˜ ์ด์œ ์ž…๋‹ˆ๋‹ค.
07:25
The less experience we have with them,
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๊ทธ๋ฆฌ๊ณ  ๊ทธ์— ๋Œ€ํ•œ ๊ฒฝํ—˜์ด ์ ์œผ๋ฉด ์ ์„์ˆ˜๋ก,
07:27
the more glamorous they are.
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๊ทธ๊ฒƒ์€ ๋”์šฑ ๋” ๋งค๋ ฅ์ ์ผ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:29
So you can do a glamorized picture of a car,
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๊ทธ๋ž˜์„œ ์ž๋™์ฐจ์˜ ๋งค๋ ฅ์ ์ธ ์‚ฌ์ง„์„ ์ฐ์„ ์ˆ˜๋Š” ์žˆ์Šต๋‹ˆ๋‹ค.
07:32
but you can't do a glamorized picture of traffic.
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ํ•˜์ง€๋งŒ ์ฐจ๋Ÿ‰๋“ค์— ๋Œ€ํ•œ ๋งค๋ ฅ์ ์ธ ์‚ฌ์ง„์€ ์ฐ์„ ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค.
07:34
You can do a glamorized picture of an airplane, but not the inside.
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๋น„ํ–‰๊ธฐ์˜ ๋งค๋ ฅ์ ์ธ ์‚ฌ์ง„์„ ์ฐ์„ ์ˆ˜ ์žˆ์ง€๋งŒ ๋‚ด๋ถ€๋Š” ์•ˆ๋ฉ๋‹ˆ๋‹ค.
07:38
The notion is that it's going to transport you,
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๊ทธ ๊ฐœ๋…์€ ๊ทธ๊ฒƒ์ด ์—ฌ๋Ÿฌ๋ถ„์„ ์ด๋™์‹œ์ผœ์ค€๋‹ค๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:40
and the story is not about, you know, the guy in front of you in the airplane,
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๊ทธ๋ฆฌ๊ณ  ๊ทธ ์ด์•ผ๊ธฐ๋Š” ๋น„ํ–‰๊ธฐ์—์„œ ์—ฌ๋Ÿฌ๋ถ„ ์•ž์— ์žˆ๋Š” ์„ฑ๊ฐ€์‹  ๊ผฌ๋งˆ ์•„์ด๋‚˜
07:44
who has this nasty little kid, or the big cough.
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๊ธฐ์นจ์„ ํ•ด๋Œ€๋Š” ์‚ฌ๋žŒ๋“ค์— ๋Œ€ํ•œ ๊ฒƒ์ด ์•„๋‹™๋‹ˆ๋‹ค.
07:48
The story is about where you're arriving,
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๊ทธ ์ด์•ผ๊ธฐ๋Š” ์—ฌ๋Ÿฌ๋ถ„์— ๋„์ฐฉํ•  ๊ณณ์ด๋‚˜,
07:50
or thinking about where you're arriving.
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๋„์ฐฉํ•  ๊ณณ์— ๋Œ€ํ•ด ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ์— ๋Œ€ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
07:52
And this sense of being transported
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๊ทธ๋ฆฌ๊ณ  ์ด ์ด๋™๋œ๋‹ค๋Š” ์˜๋ฏธ๋Š”
07:54
is one reason that we have glamour styling.
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์šฐ๋ฆฌ๊ฐ€ ๋งค๋ ฅ์ ์ธ ์Šคํƒ€์ผ์„ ๊ฐ€์ง€๊ณ  ์žˆ๋‹ค๋Š” ํ•˜๋‚˜์˜ ์ด์œ ์ž…๋‹ˆ๋‹ค.
07:58
This sort of streamlining styling is not just glamorous
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์ด๋Ÿฐ ์ข…๋ฅ˜์˜ ์œ ์„ ํ˜• ์Šคํƒ€์ผ์€ ๋งค๋ ฅ์ ์ด์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
08:02
because we associate it with movies of that period, but because,
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์šฐ๋ฆฌ๊ฐ€ ๊ทธ๊ฒƒ์„ ๊ทธ ์‹œ๋Œ€์˜ ์˜ํ™”์™€ ์—ฐ๊ด€์ง€์–ด๋†จ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
08:06
in it's streamlining, it transports us from the everyday.
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์œ ์„ ํ˜• ๋‚ด์—์„œ ์ผ์ƒ์œผ๋กœ ๋ถ€ํ„ฐ ์šฐ๋ฆฌ๋ฅผ ์ด๋™์‹œ์ผœ์ค๋‹ˆ๋‹ค.
08:09
The same thing -- arches are very glamorous.
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๋™์ผํ•œ ๊ฒƒ์œผ๋กœ ์•„์น˜๋Š” ๋งค์šฐ ๋งค๋ ฅ์ ์ž…๋‹ˆ๋‹ค.
08:12
Arches with stained glass -- even more glamorous.
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์Šคํ…Œ์ธ๋“œ๊ธ€๋ผ์Šค๋กœ ๋งŒ๋“  ์•„์น˜๋Š” ๋”์šฑ ๋งค๋ ฅ์ ์ž…๋‹ˆ๋‹ค.
08:15
Staircases that curve away from you are glamorous.
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๊ณก์„ ์„ ๊ทธ๋ฆฌ๋Š” ๊ณ„๋‹จ์€ ๋งค๋ ฅ์ ์ž…๋‹ˆ๋‹ค.
08:18
I happen to find that particular staircase picture very glamorous
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์ €๋Š” ์šฐ์—ฐํžˆ ๋งค์šฐ ๋งค๋ ฅ์ ์ธ ํŠน์ดํ•œ ๊ณ„๋‹จ ์‚ฌ์ง„์„ ๋ฐœ๊ฒฌํ•˜๊ฒŒ ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
08:21
because, to me, it captures the whole promise
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์ œ๊ฒŒ๋Š”, ๊ทธ๊ฒƒ์ด ํ•™๋ฌธ์  ์‚ฌ์ƒ‰์˜ ์‚ถ์˜
08:23
of the academic contemplative life --
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๋ชจ๋“  ๊ฐ€๋Šฅ์„ฑ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
08:26
but maybe that's because I went to Princeton.
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ํ•˜์ง€๋งŒ ์•„๋งˆ๋„ ๊ทธ๊ฑด ์ œ๊ฐ€ ํ”„๋ฆฐ์Šคํ„ด์„ ๊ฐ”๊ธฐ ๋•Œ๋ฌธ์ผ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
08:28
Anyway, skylines are super glamorous,
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์–ด์จŒ๋“ , ์Šค์นด์ด๋ผ์ธ์€ ์•„์ฃผ ๋งค๋ ฅ์ ์ž…๋‹ˆ๋‹ค.
08:31
city streets -- not so glamorous.
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๋„์‹œ์˜ ๊ฑฐ๋ฆฌ๋Š” ๊ทธ๋‹ค์ง€ ๋งค๋ ฅ์ ์ด์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
08:33
You know, when you get, actually to this town it has reality.
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์•Œ๋‹ค์‹œํ”ผ, ์—ฌ๋Ÿฌ๋ถ„์ด ์ด ๋„์‹œ์— ๊ฐˆ ๋•Œ, ํ˜„์‹ค์„ฑ์„ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
08:36
The horizon, the open road, is very, very glamorous.
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์ง€ํ‰์„ , ์—ด๋ฆฐ ๊ธธ์€ ๋งค์šฐ ๋งค์šฐ ๋งค๋ ฅ์ ์ž…๋‹ˆ๋‹ค.
08:40
There are few things more glamorous than the horizon --
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์ง€ํ‰์„  ๋ณด๋‹ค ๋”์šฑ ๋งค๋ ฅ์ ์ธ ๊ฒƒ์ด ๋ช‡๊ฐ€์ง€ ์žˆ์Šต๋‹ˆ๋‹ค.
08:43
except, possibly, multiple horizons.
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์•„๋งˆ ์ผ์ข…์˜ ๋‹ค์ˆ˜ ์ง€ํ‰์„ ์„ ์ œ์™ธํ•˜๋ฉด ๋ง์ž…๋‹ˆ๋‹ค.
08:47
Of course, here you don't feel the cold, or the heat --
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๊ทธ๋ฆฌ๊ณ  ๋ฌผ๋ก  ์—ฌ๊ธฐ์„œ ์—ฌ๋Ÿฌ๋ถ„์€ ์ถ”์œ„๋‚˜ ์—ด๊ธฐ๋ฅผ ๋А๋ผ์ง€ ๋ชปํ•˜์‹ค ๊ฒ๋‹ˆ๋‹ค.
08:52
you just see the possibilities.
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๋‹จ์ง€ ๊ฐ€๋Šฅ์„ฑ๋งŒ ๋ณผ ๋ฟ์ด์ฃ .
08:54
In order to pull glamour off, you need this Renaissance quality
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๋งค๋ ฅ์„ ๋„์ง‘์–ด ๋‚ด๊ธฐ ์œ„ํ•ด์„œ, ์นด์Šคํ‹ธ๋ฆฌ์˜ค๋„ค๊ฐ€ ๊ทธ์˜ ์ฑ… "๊ถ์ •๋ก "์—์„œ ๋งŒ๋“ค์–ด๋‚ธ
08:58
of sprezzatura, which is a term coined by Castiglione
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์šฉ์–ด์ธ ์Šคํ”„๋ ˆ์ฐจํˆฌ๋ผ๋ผ๋Š” (์ฃผ : ์Šคํ”„๋ ˆ์ฐจํˆฌ๋ผ - ์–ด๋ ค์šด ๊ฒƒ์„ ์‰ฝ๊ฒŒ ํ•œ ๋“ฏ์ด ๋ณด์ด๋Š” ๋Šฅ๋ ฅ)
09:03
in his book, "The Book Of The Courtier."
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์ด๋Ÿฐ ๋ฅด๋„ค์ƒ์Šค์˜ ์šฐ์ˆ˜ํ•จ์ด ํ•„์š”ํ•ฉ๋‹ˆ๋‹ค.
09:05
There's the not-glamorous version of what it looks like today,
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๋ช‡ ์„ธ๊ธฐ๊ฐ€ ์ง€๋‚œ ํ›„์—, ์˜ค๋Š˜๋‚ ์ด ์–ด๋–ค์ง€์˜ ๋น„๋งค๋ ฅ์ ์ธ ๋ฒ„์ „์ด
09:08
after a few centuries.
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์กด์žฌํ•ฉ๋‹ˆ๋‹ค.
09:10
And sprezzatura is the art that conceals art.
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์Šคํ”„๋ ˆ์ฐจํˆฌ๋ผ๋Š” ๊ธฐ์ˆ ์„ ๊ฐ์ถ”๋Š” ๊ธฐ์ˆ ์ž…๋‹ˆ๋‹ค.
09:14
It makes things look effortless.
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๋…ธ๋ ฅํ•˜์ง€ ์•Š๋Š” ๊ฒƒ์ฒ˜๋Ÿผ ๋ณด์ด๋„๋ก ํ•ฉ๋‹ˆ๋‹ค.
09:16
You don't think about how Nicole Kidman is maneuvering that dress --
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์—ฌ๋Ÿฌ๋ถ„์€ ๋‹ˆ์ฝœ ํ‚ค๋“œ๋จผ์ด ๊ทธ ์˜ท์„ ์–ด๋–ป๊ฒŒ ๊ต๋ฌ˜ํ•˜๊ฒŒ ์ฒ˜๋ฆฌํ•˜๋Š”์ง€ ์ƒ๊ฐํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
09:20
she just looks completely natural.
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๊ทธ๋…€๋Š” ๋‹จ์ง€ ์™„๋ฒฝํ•˜๊ฒŒ ์ž์—ฐ์Šค๋Ÿฌ์›Œ ๋ณด์ž…๋‹ˆ๋‹ค.
09:22
And I remember reading, after the Lara Croft movies,
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๊ทธ๋ฆฌ๊ณ  ๋ผ๋ผ ํฌ๋กœํ”„ํŠธ ์˜ํ™” ์ดฌ์˜ ๋’ค์—,
09:25
how Angelina Jolie would go home completely black and blue.
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์•ˆ์ ค๋ฆฌ๋‚˜ ์กธ๋ฆฌ๊ฐ€ ์™„์ „ํžˆ ๋ฉ์ด ๋“ค์–ด์„œ ์ง‘์— ๊ฐ”๋‹ค๊ณ  ์ฝ์€ ๊ฒƒ์„ ๊ธฐ์–ตํ•ฉ๋‹ˆ๋‹ค.
09:29
Of course, they covered that with make-up,
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ํ•˜์ง€๋งŒ ๋ฌผ๋ก  ํ™”์žฅ์œผ๋กœ ์™„์ „ํžˆ ๊ฐ€๋ ธ์ฃ .
09:31
because Lara Croft did all those same stunts --
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๋ผ๋ผ ํฌ๋กœํ”„ํŠธ๊ฐ€ ๊ทธ ๋ชจ๋“  ์Šคํ„ดํŠธ๋ฅผ ํ–ˆ์ง€๋งŒ
09:33
but she doesn't get black and blue, because she has sprezzatura.
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๊ทธ๋…€๋Š” ๋ฉ์ด ๋ณด์ด์ง€ ์•Š์•˜๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ๊ทธ๋…€๊ฐ€ ์Šคํ”„๋ ˆ์ฐจํˆฌ๋ผ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
09:37
"To conceal all art and make whatever is done or said appear to be without effort":
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์Šคํ”„๋ ˆ์ฐจํˆฌ๋ผ๋Š” ๋…ธ๋ ฅํ•˜๋Š” ๊ฒƒ์„ ๋ณด์ด์ง€ ์•Š๊ณ  ์„ฑ์ทจ๋‚˜ ๊ธฐ์ˆ ์„ ์ˆจ๊ธฐ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
09:42
And this is one of the critical aspects of glamour.
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๊ทธ๋ฆฌ๊ณ  ์ด๊ฒƒ์ด ๋งค๋ ฅ์˜ ๋น„ํŒ์  ์ธก๋ฉด ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค.
09:45
Glamour is about editing.
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๋งค๋ ฅ์€ ํŽธ์ง‘์— ๋Œ€ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
09:47
How do you create the sense of transcendence,
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์ดˆ์›”์˜ ์˜๋ฏธ์™€ ์™„๋ฒฝํ•œ ์„ธ์ƒ์„ ์ด๋Œ์–ด๋‚ธ๋‹ค๋Š”
09:49
the sense of evoking a perfect world?
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์˜๋ฏธ๋ฅผ ์–ด๋–ป๊ฒŒ ๋งŒ๋“ค์–ด๋‚ด์‹œ๊ฒ ์Šต๋‹ˆ๊นŒ?
09:52
The sense of, you know, life could be better, I could join this --
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์‚ถ์ด ๋” ๋‚˜์•„์งˆ ์ˆ˜ ์žˆ๋‹ค, ์ด๊ฒƒ์— ๋™์ฐธํ•  ์ˆ˜ ์žˆ๋‹ค.
09:56
I could be a perfect person, I could join this perfect world.
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์™„๋ฒฝํ•œ ์‚ฌ๋žŒ์ด ๋  ์ˆ˜ ์žˆ๋‹ค. ์ด ์™„๋ฒฝํ•œ ์„ธ์ƒ์— ๋™์ฐธํ•  ์ˆ˜ ์žˆ๋‹ค ๊ฐ™์€ ์˜๋ฏธ์ฃ .
09:58
We don't tell you all the grubby details.
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์ด๊ฒƒ์ €๊ฒƒ ์ž์„ธํ•œ ์‚ฌํ•ญ๋“ค์„ ๋ชจ๋‘ ๋งํ•˜์ง€๋Š” ์•Š๊ฒ ์Šต๋‹ˆ๋‹ค.
10:01
Now, this was kindly lent to me by Jeff Bezos, from last year.
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์ด์ œ, ์ด๊ฒƒ์€ ์ œํ”„ ๋ฒ ์กฐ์Šค๊ฐ€ ์ž‘๋…„์— ์ €์—๊ฒŒ ์นœ์ ˆํ•˜๊ฒŒ๋„ ๋นŒ๋ ค์ค€ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
10:05
This is underneath Jeff's desk.
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์ œํ”„์˜ ์ฑ…์ƒ ์•„๋ž˜์ž…๋‹ˆ๋‹ค.
10:07
This is what the real world of computers,
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์ด๊ฒƒ์€ ์˜จ๊ฐ– ์ปดํ“จํ„ฐ, ์ „๋“ฑ, ์ „๊ธฐ ๊ธฐ๊ตฌ ๋“ฑ
10:10
lamps, electrical appliances of all kinds, looks like.
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๋ณด์—ฌ์ง€๋Š” ์‹ค์ œ ์„ธ์ƒ์ž…๋‹ˆ๋‹ค.
10:14
But if you look in a catalog --
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ํ•˜์ง€๋งŒ ์—ฌ๋Ÿฌ๋ถ„์ด ์นดํƒˆ๋กœ๊ทธ๋ฅผ ๋ณธ๋‹ค๋ฉด,
10:16
particularly a catalog of modern, beautiful objects for your home --
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ํŠนํžˆ ์—ฌ๋Ÿฌ๋ถ„ ๊ฐ€์ •์„ ์œ„ํ•œ ํ˜„๋Œ€์˜ ์•„๋ฆ„๋‹ค์šด ๋ฌผ๊ฑด๋“ค์„ ๋ณธ๋‹ค๋ฉด์š”,
10:19
it looks like this.
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์ด๋ ‡๊ฒŒ ๋ณด์ž…๋‹ˆ๋‹ค.
10:21
There are no cords.
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์ „์„ ์ด ์—†์Šต๋‹ˆ๋‹ค.
10:23
Look next time you get these catalogs in your mail --
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๋‹ค์Œ๋ฒˆ์— ์—ฌ๋Ÿฌ๋ถ„ ์šฐํŽธํ•จ์—์„œ ์ด๋Ÿฐ ์นด๋‹ฌ๋กœ๊ทธ๋ฅผ ์ฐพ์•„๋ณด์„ธ์š”.
10:26
you can usually figure out where they hid the cord.
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์—ฌ๋Ÿฌ๋ถ„์€ ๋ณดํ†ต ๊ทธ๋“ค์ด ์–ด๋””์— ์ „์„ ์„ ์ˆจ๊ฒผ๋Š”์ง€ ์ฐพ์•„๋‚ผ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
10:29
But there's always this illusion that if you buy this lamp,
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ํ•˜์ง€๋งŒ ์—ฌ๋Ÿฌ๋ถ„์ด ์ด ์ „๋“ฑ์„ ์‚ฐ๋‹ค๋ฉด, ์–ธ์ œ๋‚˜ ์ด๋Ÿฐ ํ™˜์ƒ์ด ์ž๋ฆฌํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
10:32
you will live in a world without cords. (Laughter)
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์—ฌ๋Ÿฌ๋ถ„์€ ์ฝ”๋“œ๊ฐ€ ์—†๋Š” ์„ธ์ƒ์—์„œ ์‚ด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
10:35
And the same thing is true of, if you buy this laptop
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๊ทธ๋ฆฌ๊ณ  ์—ฌ๋Ÿฌ๋ถ„์ด ์ด๋Ÿฐ ๋…ธํŠธ๋ถ์„ ์‚ฌ๊ฑฐ๋‚˜
10:38
or you buy this computer -- and even in these wireless eras,
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์•„๋‹ˆ๋ฉด ์—ฌ๋Ÿฌ๋ถ„์ด ์ด ์ปดํ“จํ„ฐ๋ฅผ ์‚ฐ๋‹ค๋ฉด
10:41
you don't get to live in the world without cords.
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์—ฌ๋Ÿฌ๋ถ„์€ ์ฝ”๋“œ ์—†๋Š” ์„ธ์ƒ์—์„œ ์‚ด์ง€ ๋ชปํ•˜๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
10:43
You have to have mystery and you have to have grace.
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์—ฌ๋Ÿฌ๋ถ„์€ ์‹ ๋น„ํ•จ์„ ๊ฐ€์ ธ์•ผ๋งŒ ํ•˜๊ณ  ์šฐ์•„ํ•จ์„ ์ง€๋…€์•ผ๋งŒ ํ•ฉ๋‹ˆ๋‹ค.
10:47
And there she is -- Grace.
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๊ทธ๋ฆฌ๊ณ  ์—ฌ๊ธฐ ๊ทธ๋ ˆ์ด์Šค๊ฐ€ ์žˆ๊ตฐ์š”.
10:49
This is the most glamorous picture, I think, ever.
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์ œ ์ƒ๊ฐ์—๋Š” ์ด๊ฒƒ์ด ์ตœ๊ณ ์˜ ๋งค๋ ฅ์ ์ธ ์‚ฌ์ง„์ด๋„ค์š”.
10:51
Part of the thing is that, in "Rear Window,"
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๊ทธ๊ฒƒ์€ "์ด์ฐฝ"์ด๋ผ๋Š” ์ž‘ํ’ˆ์˜ ๋ถ€๋ถ„์ž…๋‹ˆ๋‹ค.
10:54
the question is, is she too glamorous to live in his world?
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์งˆ๋ฌธ์€ ๊ทธ๋…€๊ฐ€ ์ด ์„ธ์ƒ์—์„œ ์‚ด๊ธฐ์— ๋„ˆ๋ฌด๋‚˜ ๋งค๋ ฅ์ ์ด์—ˆ๋Š”๊ฐ€ ์ž…๋‹ˆ๋‹ค.
10:57
And the answer is no, but of course it's really just a movie.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ ๋‹ต์€ ๊ทธ๋ ‡์ง€ ์•Š๋‹ค๊ฐ€ ๋˜๊ฒ ๋„ค์š”. ํ•˜์ง€๋ง ๋ฌผ๋ก  ๊ทธ๊ฑด ์ง„์งœ ์˜ํ™”์ž…๋‹ˆ๋‹ค.
11:00
Here's Hedy Lamarr again.
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์—ฌ๊ธฐ ํ—ค๋”” ๋ผ๋งˆ๋ฅด๊ฐ€ ๋‹ค์‹œ ๋‚˜์™”๋„ค์š”.
11:02
And, you know, this kind of head covering is extremely glamorous
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๊ทธ๋ฆฌ๊ณ  ์ด๋Ÿฐ ์ข…๋ฅ˜์˜ ๋จธ๋ฆฌ ๋ฎ๊ฐœ๋Š” ์ •๋ง ๋งค๋ ฅ์ ์ด์ฃ .
11:05
because, like sunglasses, it conceals and reveals at the same time.
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์„ ๊ธ€๋ผ์Šค์ฒ˜๋Ÿผ, ๊ทธ๊ฒƒ์€ ๊ฐ์ถ”๊ธฐ๋„ ํ•˜๊ณ  ๋™์‹œ์— ๋“œ๋Ÿฌ๋‚ด๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.
11:09
Translucence is glamorous --
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๋ฐ˜ํˆฌ๋ช…์€ ๋งค๋ ฅ์ ์ž…๋‹ˆ๋‹ค.
11:11
that's why all these people wear pearls.
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๊ทธ๊ฒƒ์ด ๋ชจ๋“  ์‚ฌ๋žŒ๋“ค์ด ์ง„์ฃผ๋ฅผ ์ฐฉ์šฉํ•˜๋Š” ์ด์œ ์ž…๋‹ˆ๋‹ค.
11:13
It's why barware is glamorous. Glamour is translucent --
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๋ฐ”์—์„œ ์“ฐ๋Š” ๊ทธ๋ฆ‡๋“ค์ด ๋งค๋ ฅ์ ์ธ ์ด์œ ์ž…๋‹ˆ๋‹ค. ๋งค๋ ฅ์€ ๋ฐ˜ํˆฌ๋ช…ํ•ฉ๋‹ˆ๋‹ค.
11:17
not transparent, not opaque.
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ํˆฌ๋ช…ํ•œ ๊ฒƒ๋„ ์•„๋‹ˆ๊ณ  ๋ถˆํˆฌ๋ช…ํ•œ ๊ฒƒ๋„ ์•„๋‹™๋‹ˆ๋‹ค.
11:19
It invites us into the world
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๊ทธ๊ฒƒ์€ ์šฐ๋ฆฌ๋ฅผ ๋‹ค๋ฅธ ์„ธ์ƒ์œผ๋กœ ์ธ๋„ํ•˜์ง€๋งŒ
11:21
but it doesn't give us a completely clear picture.
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์™„์ „ํžˆ ๋ช…์พŒํ•œ ๊ทธ๋ฆผ์„ ๋ณด์—ฌ์ฃผ์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค.
11:25
And I think if Grace Kelly is the most glamorous person,
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๊ทธ๋ฆฌ๊ณ  ์ œ ์ƒ๊ฐ์—๋Š” ๊ทธ๋ ˆ์ด์Šค ์ผˆ๋ฆฌ๋Š” ๊ฐ€์žฅ ๋งค๋ ฅ์ ์ธ ์‚ฌ๋žŒ์ž…๋‹ˆ๋‹ค.
11:28
maybe a spiral staircase with glass block may be the most glamorous interior shot,
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์•„๋งˆ๋„ ์œ ๋ฆฌ ๋ธ”๋ก์ด ์žˆ๋Š” ๋‚˜์„ ํ˜• ๊ณ„๋‹จ์€ ๊ฐ€์žฅ ๋งค๋ ฅ์ ์ธ ์ธํ…Œ๋ฆฌ์–ด ์žฅ๋ฉด์ผ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
11:34
because a spiral staircase is incredibly glamorous.
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๋‚˜์„ ํ˜• ๊ณ„๋‹จ์€ ์—„์ฒญ๋‚˜๊ฒŒ ๋งค๋ ฅ์ ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
11:37
It has that sense of going up and away,
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๋†’์ด ๋ฉ€๋ฆฌ ์˜ค๋ฅด๋Š” ๋А๋‚Œ์„ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
11:41
and yet you never think about how you would really trip
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๊ทธ๋ฆฌ๊ณ  ์—ฌ๋Ÿฌ๋ถ„์€ ์–ด๋–ป๊ฒŒ ์ง„์งœ ์ด๋™ํ• ์ง€์— ๋Œ€ํ•ด์„œ ์ƒ๊ฐํ•ด๋ณธ์ ์ด ์—†์„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
11:44
if you were -- particularly going down.
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๋งŒ์•ฝ ๊ทธ๋ ‡๋‹ค๋ฉด, ํŠนํžˆ๋‚˜ ๋‚ด๋ ค๊ฐ‘๋‹ˆ๋‹ค.
11:46
And of course glass block has that sense of translucence.
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๊ทธ๋ฆฌ๊ณ  ๋ฌผ๋ก  ์œ ๋ฆฌ ๋ธ”๋ก์€ ๋ฐ˜ํˆฌ๋ช…์˜ ๋А๋‚Œ์„ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
11:49
So, this session's supposed to be about pure pleasure
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์ž, ์ด ๊ธฐ๊ฐ„์˜ ์˜๋ฏธ๋Š” ์ˆœ์ˆ˜ํ•œ ์ฆ๊ฑฐ์›€์— ๋Œ€ํ•œ ๊ฒƒ์œผ๋กœ ์—ฌ๊ฒจ์ง€์ง€๋งŒ
11:53
but glamour's really partly about meaning.
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๋งค๋ ฅ์€ ์‹ค์ œ๋กœ ์˜๋ฏธ์— ๊ด€ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
11:56
All individuals and all cultures have ideals
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๋ชจ๋“  ์‚ฌ๋žŒ๋“ค์ด๋‚˜ ๋ชจ๋“  ๋ฌธํ™”๋Š”
11:59
that cannot possibly be realized in reality.
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ํ˜„์‹ค์—์„œ๋Š” ์ด๋ค„์งˆ ์ˆ˜ ์—†๋Š” ์ด์ƒ์„ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
12:03
They have contradictions,
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๋ชจ์ˆœ์„ ์ง€๋‹ˆ๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
12:05
they uphold principles that are incommensurable with each other --
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์„œ๋กœ ๋น„๊ตํ•  ์ˆ˜ ์—†๋‹ค๋Š” ์ฃผ์˜๋ฅผ ์ง€์ง€ํ•ฉ๋‹ˆ๋‹ค.
12:08
whatever it is -- and yet these ideals give meaning and purpose
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๊ทธ๊ฒƒ์ด ๋ฌด์—‡์ด๋“  ๊ทธ๋ฆฌ๊ณ  ์ด ์ด์ƒ๋“ค์ด ์šฐ๋ฆฌ์˜ ์‚ฌ๋žŒ์—
12:11
to our lives as cultures and as individuals.
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๋ฌธํ™”์™€ ๊ฐœ๊ฐœ์ธ์œผ๋กœ์„œ ์–ด๋–ค ์˜๋ฏธ์™€ ๋ชฉ์ ์„ ์ฃผ๋˜ ๋ง์ด์ฃ .
12:14
And the way we deal with that is we displace them --
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์„ ๋‹ค๋ฃจ๋Š” ๋ฐฉ๋ฒ•์€ ์šฐ๋ฆฌ๊ฐ€ ๊ทธ๊ฒƒ์„ ๊ต์ฒดํ•˜๋Š” ๊ฒƒ์ด๋นˆ๋‹ค.
12:18
we put them into a golden world, an imagined world,
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๊ทธ๊ฒƒ๋“ค์„ ํŠน๋ณ„ํ•œ ์„ธ์ƒ๊ณผ ์ƒ์ƒ๋œ ์„ธ์ƒ,
12:21
an age of heroes, the world to come.
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์˜์›…๋“ค์˜ ์‹œ๋Œ€, ๋„๋ž˜ํ•  ์„ธ์ƒ์œผ๋กœ ๋ฐ”๊ฟ”๋†“์Šต๋‹ˆ๋‹ค.
12:24
And in the life of an individual, we often associate that with some object.
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๊ทธ๋ฆฌ๊ณ  ๊ฐœ๊ฐœ์ธ์˜ ์‚ถ ์•ˆ์—์„œ, ์šฐ๋ฆฌ๋Š” ์ข…์ข… ๊ทธ๊ฒƒ๋“ค์„ ์–ด๋–ค ๋Œ€์ƒ๊ณผ ์—ฐ๊ด€์‹œ์ผœ๋†“์Šต๋‹ˆ๋‹ค.
12:28
The white picket fence, the perfect house.
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ํ•˜์–€ ๋ง๋š ์šธํƒ€๋ฆฌ๋‚˜ ์™„๋ฒฝํ•œ ์ง‘ ๊ฐ™์€ ๊ฒƒ๋“ค์ด์ฃ .
12:32
The perfect kitchen -- no bills on the counter in the perfect kitchen.
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์™„๋ฒฝํ•œ ์ฃผ๋ฐฉ, ์™„๋ฒฝํ•œ ์ฃผ๋ฐฉ์—๋Š” ์นด์šดํ„ฐ์— ๊ณ„์‚ฐ์„œ๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค.
12:35
You know, you buy that Viking range, this is what your kitchen will look like.
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์—ฌ๋Ÿฌ๋ถ„์ด ๋ฐ”์ดํ‚น ๋ ˆ์ธ์ง€(์„ธ๊ณ„์ ์ธ ๋นŒํŠธ์ธ ๊ฐ€์ „์—…์ฒด)๋ฅผ ์‚ฝ๋‹ˆ๋‹ค. ์ด๊ฒƒ์ด ์—ฌ๋Ÿฌ๋ถ„ ์ฃผ๋ฐฉ์˜ ๋ชจ์Šต์ด ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
12:38
The perfect love life -- symbolized by the perfect necklace,
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์™„๋ฒฝํ•œ ์• ์ •์ƒํ™œ์€ ์™„๋ฒฝํ•œ ๋ชฉ๊ฑธ์ด์™€ ์™„๋ฒฝํ•œ ๋‹ค์ด์•„๋ชฌ๋“œ ๋ฐ˜์ง€๋กœ
12:41
the perfect diamond ring.
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์ƒ์ง•์ด ๋ฉ๋‹ˆ๋‹ค.
12:43
The perfect getaway in your perfect car.
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์—ฌ๋Ÿฌ๋ถ„์˜ ์™„๋ฒฝํ•œ ์ฐจ ์•ˆ์—์„œ ์™„๋ฒฝํ•œ ํœด๊ฐ€์ฃ .
12:45
This is an interior design firm that is literally called Utopia.
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์ด๊ฒƒ์€ ๋ฌธ์ž ๊ทธ๋Œ€๋กœ ์œ ํ† ํ”ผ์•„๋ผ ๋ถˆ๋ฆฌ๋Š” ์ธํ…Œ๋ฆฌ์–ด ๋””์ž์ธ ํšŒ์‚ฌ์ž…๋‹ˆ๋‹ค.
12:49
The perfect office --
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์™„๋ฒฝํ•œ ์‚ฌ๋ฌด์‹ค.
12:51
again, no cords, as far as I can tell.
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๋‹ค์‹œ ๋งํ•˜์ง€๋งŒ ์ „์„ ์ด ์—†์ฃ .
12:53
And certainly, no, it doesn't look a thing like my office.
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ํ™•์‹คํ•˜๊ฒŒ๋„ ์ œ ์‚ฌ๋ฌด์‹ค์˜ ์ง‘๊ธฐ๋“ค ๊ฐ™์ง€๋Š” ์•Š๋„ค์š”.
12:56
I mean, there's no paper on the desk.
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์ œ ๋ง์€, ์ฑ…์ƒ์œ„์— ์ข…์ด๊ฐ€ ์—†์Šต๋‹ˆ๋‹ค.
12:58
We want this golden world.
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์šฐ๋ฆฌ๋Š” ์ด๋Ÿฐ ํ›Œ๋ฅญํ•œ ์„ธ์ƒ์„ ์›ํ•ฉ๋‹ˆ๋‹ค.
13:00
And some people get rich enough,
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๊ทธ๋ฆฌ๊ณ  ์–ด๋–ค ์‚ฌ๋žŒ๋“ค์€ ์ถฉ๋ถ„ํžˆ ๋ถ€์œ ํ•ด์งˆ ์ˆ˜ ์žˆ๊ณ 
13:02
and if they have their ideals -- in a sort of domestic sense,
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๋งŒ์•ฝ ๊ทธ๋“ค์ด ์ผ์ข…์˜ ๊ฐ€์ •์  ๋А๋‚Œ์œผ๋กœ ์ด์ƒ์„ ๊ฐ€์ง„๋‹ค๋ฉด
13:06
they get to acquire their perfect world.
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์™„๋ฒฝํ•œ ์„ธ์ƒ์„ ์ด๋ฃจ์–ด๋‚ผ ์ˆ˜ ์žˆ์ฃ .
13:08
Dean Koontz built this fabulous home theater, which is --
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๋”˜ ๊ตฐ์ธ ๋Š” ์ด ๋ฉ‹์ง„ ํ™ˆ ์”จ์–ดํ„ฐ๋ฅผ ๋งŒ๋“ค์—ˆ์Šต๋‹ˆ๋‹ค.
13:11
I don't think accidentally -- in Art Deco style.
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์ œ๊ฐ€ ์šฐ์—ฐ์น˜์•Š๊ฒŒ ์•„๋ฅด ๋ฐ์ฝ” ์Šคํƒ€์ผ์ด๋ผ ์ƒ๊ฐํ•˜์ง„ ์•Š์Šต๋‹ˆ๋‹ค. (์ฃผ : ์•„๋ฅด ๋ฐ์ฝ” ์Šคํƒ€์ผ - 1920~30๋…„๋Œ€ ์œ ํ–‰ํ•œ ๊ธฐํ•˜ํ•™์  ๋ฌด๋Šฌ์™€ ๊ฐ•๋ ฌํ•œ ์ƒ‰์ฑ„ ์Šคํƒ€์ผ)
13:15
That symbolizes this sense of being safe and at home.
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๊ทธ๊ฒƒ์€ ์ง‘์—์„œ์˜ ์•ˆ์ „ํ•œ ๋А๋‚Œ์„ ์ƒ์ง•ํ•ฉ๋‹ˆ๋‹ค.
13:18
This is not always good, because what is your perfect world?
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์ด์ œ ์ด๊ฒƒ์€ ์–ธ์ œ๋‚˜ ์ข‹์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ์™œ๋ƒํ•˜๋ฉด ์—ฌ๋Ÿฌ๋ถ„์˜ ์™„๋ฒฝํ•œ ์„ธ์ƒ์ด๋ž€ ๋ฌด์—‡์ธ๊ฐ€์š”?
13:21
What is your ideal, and also, what has been edited out?
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์—ฌ๋Ÿฌ๋ถ„์˜ ์ด์ƒ์€ ๋ฌด์—‡์ด๊ณ , ๋˜ํ•œ ๋ฌด์—‡์„ ์ˆ˜์ •ํ•ด์•ผ ํ• ๊นŒ์š”?
13:24
Is it something important?
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๊ทธ๊ฒƒ์ด ์ค‘์š”ํ•œ ๊ฒƒ์ผ๊นŒ์š”?
13:26
"The Matrix" is a movie that is all about glamour.
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์ž, ์˜ํ™” ๋งคํŠธ๋ฆญ์Šค๋Š” ๋งค๋ ฅ์— ๋Œ€ํ•œ ๋ชจ๋“  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
13:29
I could do a whole talk on "The Matrix" and glamour.
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๋งคํŠธ๋ฆญ์Šค์™€ ๋งค๋ ฅ๋งŒ์„ ๊ฐ€์ง€๊ณ  ๋‚ด๋‚ด ์ด์•ผ๊ธฐ ํ•  ์ˆ˜ ์žˆ๊ฒ ๋Š”๋ฐ์š”.
13:31
It was criticized for glamorizing violence,
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ํ•˜์ง€๋งŒ ์•Œ๋‹ค์‹œํ”ผ, ๊ทธ ์˜ํ™”๋Š” ๋งค๋ ฅ์ ์ธ ํญ๋ ฅ์œผ๋กœ ๋น„ํŒ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.
13:35
because, look -- sunglasses and those long coats, and, of course,
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์™œ๋ƒํ•˜๋ฉด ๋ณด์„ธ์š”, ์„ ๊ธ€๋ผ์Šค์™€ ๊ธด ์ฝ”ํŠธ ๊ทธ๋ฆฌ๊ณ  ๋ฌผ๋ก 
13:40
they could walk up walls and do all these kinds of things
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๊ทธ๋“ค์€ ๋ฒฝ์„ ๊ฑธ์„ ์ˆ˜๋„ ์žˆ๊ณ , ํ˜„์‹ค ์„ธ๊ณ„์—์„œ๋Š” ๋ถˆ๊ฐ€๋Šฅํ•œ
13:42
that are impossible in the real world.
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์ด๋Ÿฐ ๋ชจ๋“  ๊ฒƒ๋“ค์„ ํ•ด๋ƒˆ์—ˆ์ฃ .
13:44
This is another Margaret Bourke-White photo.
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์ด๊ฒƒ์€ ๋งˆ๊ฐ€๋ › ๋ฒ„ํฌ ํ™”์ดํŠธ์˜ ๋˜ ๋‹ค๋ฅธ ์‚ฌ์ง„์ธ๋ฐ์š”.
13:46
This is from Soviet Union. Attractive.
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์ด๊ฒƒ์€ ๊ตฌ์†Œ๋ จ์—์„œ ์ฐ์€ ์‚ฌ์ง„์ž…๋‹ˆ๋‹ค. ๋งค๋ ฅ์ ์ด์ฃ .
13:48
I mean, look how happy the people are, and good-looking too.
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์ œ ๋ง์€, ์‚ฌ๋žŒ์„์ด ์–ผ๋งˆ๋‚˜ ํ–‰๋ณตํ•˜๊ฒŒ ๋ณด์ด๋Š”์ง€ ๊ทธ๋ฆฌ๊ณ  ์ž˜์ƒ๊ธฐ๊ธฐ๊นŒ์ง€ ํ–ˆ๋„ค์š”.
13:52
You know, we're marching toward Utopia.
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์•Œ๋‹ค์‹œํ”ผ, ์šฐ๋ฆฌ๋Š” ์œ ํ† ํ”ผ์•„๋ฅผ ํ–ฅํ•ด ๋‚˜์•„๊ฐ€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
13:55
I'm not a fan of PETA, but I think this is a great ad.
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์ €๋Š” PETA(๋™๋ฌผ์„ ์ธ๋„์ ์œผ๋กœ ์‚ฌ๋ž‘ํ•˜๋Š” ์‚ฌ๋žŒ๋“ค)์˜ ํŒฌ์€ ์•„๋‹™๋‹ˆ๋‹ค๋งŒ, ์ด ๊ด‘๊ณ ๊ฐ€ ๋Œ€๋‹จํ•˜๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
13:58
Because what they're doing is they're saying,
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๊ทธ๋“ค์ด ํ•˜๋Š” ๊ฒƒ์€ ์—ฌ๋Ÿฌ๋ถ„์˜ ์ฝ”ํŠธ๊ฐ€ ๋งค๋ ฅ์ ์ด์ง€ ์•Š๋‹ค๊ณ 
14:00
your coat's not so glamorous, what's been edited out is something important.
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๋งํ•˜๋Š” ๊ฒƒ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค. ์ž˜๋ผ๋‚ธ ๊ฒƒ์ด ์ค‘์š”ํ•œ ๊ฒƒ์ด๋ผ๋Š” ๋งํ•˜๋Š” ๊ฒƒ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
14:04
But actually, what's even more important
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ํ•˜์ง€๋งŒ ์‚ฌ์‹ค ๋ฌด์—‡์ด ์ž˜๋ผ์กŒ๋Š”์ง€ ๊ธฐ์–ตํ•˜๋Š” ๊ฒƒ๋ณด๋‹ค
14:06
than remembering what's been edited out is thinking, are the ideals good?
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์ด์ƒ์ ์ธ ์„ ์ด๋ž€ ๋ฌด์—‡์ธ์ง€ ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ์ด ๋” ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค.
14:10
Because glamour can be very totalitarian and deceptive.
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๋งค๋ ฅ์€ ๋งค์šฐ ์ „์ฒด์ฃผ์˜์ ์ด๊ณ  ํ˜„ํ˜น์‹œํ‚ฌ ์ˆ˜ ์žˆ๋Š” ๊ฒƒ์ด๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
14:14
And it's not just a matter of glamorizing cleaning your floor.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ์—ฌ๋Ÿฌ๋ถ„์˜ ๋ฐ”๋‹ฅ์„ ๋งค๋ ฅ์ ์œผ๋กœ ์ฒญ์†Œํ•˜๋А๋ƒ์˜ ๋ฌธ์ œ๊ฐ€ ์•„๋‹™๋‹ˆ๋‹ค.
14:17
This is from "Triumph Of The Will" --
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์ด๊ฒƒ์€ "์˜์ง€์˜ ์Šน๋ฆฌ"์—์„œ ๊ฐ€์ ธ์™€
14:19
brilliant editing to cut together things.
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ํ›Œ๋ฅญํ•˜๊ฒŒ ์ž˜๋ผ๋‚ด์„œ ํŽธ์ง‘ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
14:21
There's a glamour shot.
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๋งค๋ ฅ์ ์ธ ์‚ฌ์ง„์ด ์žˆ์Šต๋‹ˆ๋‹ค.
14:23
National Socialism is all about glamour.
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๊ตญ๊ฐ€์‚ฌํšŒ์ฃผ์˜๋Š” ๋ชจ๋‘ ๋งค๋ ฅ์— ๋Œ€ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
14:25
It was a very aesthetic ideology.
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๊ทธ๊ฒƒ์€ ๋งค์šฐ ์‹ฌ๋ฏธ์ ์ธ ์ด๋ฐ์˜ฌ๋กœ๊ธฐ์˜€์Šต๋‹ˆ๋‹ค.
14:27
It was all about cleaning up Germany, and the West, and the world,
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๊ทธ๊ฒƒ์€ ๋ชจ๋‘ ๋…์ผ๊ณผ ์„œ๊ตฌ, ์„ธ๊ณ„๋ฅผ ์ •ํ™”ํ•˜๊ณ  ๋งค๋ ฅ์ ์ด์ง€ ์•Š์€ ๊ฒƒ๋“ค์„
14:30
and ridding it of anything unglamorous.
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์—†์• ๋Š” ๊ฒƒ์— ๋Œ€ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
14:32
So glamour can be dangerous.
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๊ทธ๋ž˜์„œ ๋งค๋ ฅ์€ ์œ„ํ—˜ํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.
14:34
I think glamour has a genuine appeal, has a genuine value.
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์ €๋Š” ๋งค๋ ฅ์€ ์ง„์‹ฌ์–ด๋ฆฐ ํ˜ธ์†Œ์™€ ์ง„์ •ํ•œ ๊ฐ€์น˜๋ฅผ ๋‹ด๊ณ  ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•ฉ๋‹ˆ๋‹ค.
14:37
I'm not against glamour.
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์ €๋Š” ๋งค๋ ฅ์— ๋ฐ˜๋Œ€ํ•˜์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
14:39
But there's a kind of wonder in the stuff that gets edited away in the cords of life.
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ํ•˜์ง€๋งŒ ์‚ถ์˜ ์ „์„ ์ด ์ œ๊ฑฐ๋œ ๊ฒƒ๋“ค์— ์ผ์ข…์˜ ๊ฒฝ์ด๋กœ์›€์ด ์กด์žฌํ•ฉ๋‹ˆ๋‹ค.
14:44
And there is both a way to avoid the dangers of glamour
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๊ทธ๋ฆฌ๊ณ  ๋งค๋ ฅ์˜ ์œ„ํ—˜์„ ํ”ผํ•˜๋Š” ๋ฐฉ๋ฒ•๊ณผ
14:48
and a way to broaden your appreciation of it.
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๊ทธ๊ฒƒ์„ ์‹๋ณ„ํ•˜๋Š” ๋Šฅ๋ ฅ์„ ํ‚ค์šฐ๋Š” ๋ฐฉ๋ฒ•์ด ๋ชจ๋‘ ์กด์žฌํ•ฉ๋‹ˆ๋‹ค.
14:50
And that's to take Isaac Mizrahi's advice
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์ด ์•„์ด์ž‘ ๋ฏธ์ฆˆ๋ผํžˆ์˜ ์กฐ์–ธ์„ ์ทจํ•˜๋Š” ๊ฒƒ์ด๊ณ  (์ฃผ : ์•„์ด์ž‘ ๋งˆ์ฆˆ๋ผํžˆ - ๋ฏธ๊ตญ ํŒจ์…˜ ๋””์ž์ด๋„ˆ)
14:53
and confront the manipulation of it all,
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๊ทธ ๋ชจ๋“  ๊ฒƒ์„ ์ฒ˜๋ฆฌํ•˜๋Š” ๊ฒƒ์— ์ง๋ฉดํ•˜๋Š” ๊ฒƒ์ด๋ฉฐ,
14:55
and sort of admit that manipulation is something that we enjoy,
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์šฐ๋ฆฌ๊ฐ€ ์ฆ๊ธฐ๋Š” ๋ฌด์–ธ๊ฐ€๋ฅผ ์กฐ์œจํ•˜๋Š” ๊ฒƒ์„ ์ด๋ฅผํ…Œ๋ฉด ์ธ์ •ํ•˜๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
15:00
but also enjoy how it happens.
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ํ•˜์ง€๋งŒ ๋˜ํ•œ ๊ทธ๊ฒƒ์ด ์–ด๋–ป๊ฒŒ ๋ฒŒ์–ด์ง€๋Š”์ง€ ์ฆ๊ธฐ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค.
15:02
And here's Hedy Lamarr.
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์—ฌ๊ธฐ ํ—ค๋”” ๋ผ๋งˆ๋ฅด๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
15:04
She's very glamorous but, you know, she invented spread-spectrum technology.
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์ž, ๊ทธ๋…€๋Š” ๋งค์šฐ ๋งค๋ ฅ์ ์ด์ง€๋งŒ ์•Œ๋‹ค์‹œํ”ผ ๊ทธ๋…€๋Š” ๋„๋ฆฌ ํผ์ง€๋Š” ๊ธฐ์ˆ ์„ ๋งŒ๋“ค์–ด๋ƒˆ์Šต๋‹ˆ๋‹ค.
15:07
So she's even more glamorous if you know that she really wasn't stupid,
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๊ทธ๋ž˜์„œ ์—ฌ๋Ÿฌ๋ถ„์ด ๊ทธ๋…€๊ฐ€ ์ง„์งœ ๋ฐ”๋ณด๊ฐ€ ์•„๋‹ˆ๋ผ๋Š” ๊ฒƒ์„ ์•ˆ๋‹ค๋ฉด ๊ทธ๋…€๋Š” ๋”์šฑ ๋งค๋ ฅ์ ์ผ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
15:10
even though she thought she could look stupid.
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๊ทธ๋…€ ์Šค์Šค๋กœ๋Š” ๋ฐ”๋ณด ๊ฐ™์•„ ๋ณด์ธ๋‹ค๊ณ  ์ƒ๊ฐํ–ˆ์„์ง€๋ผ๋„ ๋ง์ž…๋‹ˆ๋‹ค.
15:12
David Hockney talks about how the appreciation of this
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์—ฌ๋Ÿฌ๋ถ„์ด ๋งŒ์•ฝ ๋งŒ๋“ค์–ด์ง€๋Š”๋ฐ ๊ฒจ์šฐ ๋ช‡ ๋ถ„์˜ ์ผ์ดˆ๋ฐ–์— ๊ฑธ๋ฆฌ์ง€ ์•Š๋Š”
15:16
very glamorous painting is heightened if you think about
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์ด ์–ผ๋ฃฉ์„ ๊ทธ๋ ค๋‚ด๋Š”๋ฐ 2์ฃผ๊ฐ€ ๊ฑธ๋ ธ๋‹ค๋Š” ์‚ฌ์‹ค์„ ์ƒ๊ฐํ•ด๋ณธ๋‹ค๋ฉด,
15:19
the fact that it takes two weeks to paint this splash,
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์ œ ์ƒ๊ฐ์—๋Š” ๋ฐ์ด๋น„๋“œ ํ˜ธํฌ๋‹ˆ๊ฐ€ ๋ฌด์ฒ™ ๋งค๋ ฅ์ ์ธ ์ด ๊ทธ๋ฆผ์„
15:23
which only took a fraction of a second to happen.
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๋†’๊ฒŒ ํ‰๊ฐ€ํ•  ๊ฒƒ์ž…๋‹ˆ๋‹ค. (์ฃผ : ๋ฐ์ด๋น„๋“œ ํ˜ธํฌ๋‹ˆ - ์˜๊ตญ์˜ ํ™”๊ฐ€์ด์ž ์‚ฌ์ง„๊ฐ€)
15:25
There is a book out in the bookstore --
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์„œ์ ์— ๋‚˜์˜จ ์ฑ… ํ•œ ๊ถŒ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
15:28
it's called "Symphony In Steel,"
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"๊ฐ•์ฒ ์˜ ์‹ฌํฌ๋‹ˆ"๋ผ๊ณ  ๋ถˆ๋ฆฝ๋‹ˆ๋‹ค.
15:30
and it's about the stuff that's hidden under the skin of the Disney Center.
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๊ทธ๊ฒƒ์€ ๋””์ฆˆ๋‹ˆ ์„ผํ„ฐ์˜ ํ‘œ๋ฉด ์•„๋ž˜ ์ˆจ๊ฒจ์ง„ ๊ฒƒ๋“ค์— ๋Œ€ํ•œ ๋‚ด์šฉ์ž…๋‹ˆ๋‹ค.
15:33
And that has a fascination.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฒƒ์€ ๋งคํ˜น์ ์ž…๋‹ˆ๋‹ค.
15:35
It's not necessarily glamorous, but unveiling the glamour has an appeal.
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๋ฐ˜๋“œ์‹œ ๋งค๋ ฅ์ ์ธ ๊ฒƒ์€ ์•„๋‹ˆ์ง€๋งŒ, ๋งค๋ ฅ์„ ๋“œ๋Ÿฌ๋‚ด๋Š” ๊ฒƒ์€ ํ˜ธ์†Œ๋ ฅ์„ ๊ฐ€์ง‘๋‹ˆ๋‹ค.
15:38
There's a wonderful book called "Crowns"
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"์™•๊ด€๋“ค"์ด๋ผ๋Š” ๋ฉ‹์ง„ ์ฑ…์ด ์žˆ์Šต๋‹ˆ๋‹ค.
15:41
that's all these glamour pictures of black women in their church hats.
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๊ตํšŒ ๋ชจ์ž(ํ‘์ธ๋“ค์ด ์˜ˆ๋ฐฐ์—์„œ ์“ฐ๋˜ ๋ชจ์ž)๋ฅผ ์“ด ๋งค๋ ฅ์ ์ธ ํ‘์ธ ์—ฌ์„ฑ๋“ค์˜ ์‚ฌ์ง„๋“ค์ด ์žˆ์Šต๋‹ˆ๋‹ค.
15:45
And there's a quote from one of these women, and she talks about,
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๊ทธ๋ฆฌ๊ณ  ์ด ์—ฌ์„ฑ๋“ค ์ค‘ ํ•œ๋ช…์˜ ๋ง์„ ์ธ์šฉํ•œ ์–ด๊ตฌ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
15:48
"As a little girl, I'd admire women at church with beautiful hats.
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"ํ•œ ์ž‘์€ ์†Œ๋…€๋กœ, ์•„๋ฆ„๋‹ค์šด ๋ชจ์ž๋ฅผ ์“ฐ๊ณ  ๊ตํšŒ์— ์žˆ๋Š” ์—ฌ์„ฑ๋“ค์— ๊ฐํƒ„ํ–ˆ์—ˆ์–ด์š”.
15:51
They looked like beautiful dolls, like they'd just stepped out of a magazine.
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๊ทธ๋…€๋“ค์€ ์•„๋ฆ„๋‹ค์šด ์ธํ˜• ๊ฐ™์•˜์ฃ . ์žก์ง€ ๋ฐ–์œผ๋กœ ๋‚˜์˜จ ์‚ฌ๋žŒ๋“ค ๊ฐ™์•˜์–ด์š”.
15:55
But I also knew how hard they worked all week.
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ํ•˜์ง€๋งŒ ๊ทธ๋…€๋“ค์ด ํ•œ ์ฃผ ๋‚ด๋‚ด ์–ผ๋งˆ๋‚˜ ํž˜๋“ค๊ฒŒ ์ผํ–ˆ๋Š”์ง€ ์•Œ์•˜์ฃ .
15:58
Sometimes under those hats there's a lot of joy and a lot of sorrow."
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๋•Œ๋•Œ๋กœ ๊ทธ ๋ชจ์ž ์•„๋ž˜์—๋Š” ์ˆ˜๋งŽ์€ ์ฆ๊ฑฐ์›€๊ณผ ์Šฌํ””์ด ํ•จ๊ป˜ ๊ณต์กดํ•˜๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค."
16:02
And, actually, you get more appreciation for glamour
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๊ทธ๋ฆฌ๊ณ  ์‚ฌ์‹ค, ๋ฌด์—‡์ด ๋งค๋ ฅ์„ ๋งŒ๋“ค์–ด๋‚ด๋Š”์ง€ ๊นจ๋‹ฌ์„ ๋•Œ,
16:05
when you realize what went into creating it.
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๋งค๋ ฅ์— ๋Œ€ํ•œ ๋” ๋งŽ์€ ์ดํ•ด๋ฅผ ์–ป๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค.
16:08
Thank you.
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๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค.
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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