Rives: The Museum of Four in the Morning

282,985 views ใƒป 2014-05-16

TED


์•„๋ž˜ ์˜๋ฌธ์ž๋ง‰์„ ๋”๋ธ”ํด๋ฆญํ•˜์‹œ๋ฉด ์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค.

๋ฒˆ์—ญ: Gemma Lee ๊ฒ€ํ† : Jeong-Lan Kinser
00:13
The most romantic thing to ever happen to me online
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์˜จ๋ผ์ธ์—์„œ ๊ฒช์€ ๊ฐ€์žฅ ๋‚ญ๋งŒ์ ์ธ ์ผ์€
00:16
started out the way most things do:
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๋Œ€๋ถ€๋ถ„์˜ ์ผ์ด ๊ทธ๋ ‡๋“ฏ
00:18
without me, and not online.
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์ € ์—†์ด, ์˜จ๋ผ์ธ์ด ์•„๋‹Œ ๊ณณ์—์„œ, ์‹œ์ž‘๋˜์—ˆ์–ด์š”.
00:21
On December 10, 1896, the man on the medal,
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1896๋…„ 12์›” 10์ผ์— ๋ฉ”๋‹ฌ์— ์žˆ๋Š” ๊ทธ ์‚ฌ๋žŒ,
00:24
Alfred Nobel, died.
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์•Œํ”„๋ ˆ๋“œ ๋…ธ๋ฒจ์ด ์‚ฌ๋งํ–ˆ๋Š”๋ฐ์š”.
00:26
One hundred years later, exactly, actually,
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์‹ค์ œ๋กœ ์ •ํ™•ํžˆ 100๋…„ ํ›„์ธ
00:28
December 10, 1996,
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1996๋…„ 12์›” 10์ผ
00:30
this charming lady, Wislawa Szymborska,
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๋งค๋ ฅ์ ์ธ ์ด ์—ฌ์„ฑ, ๋น„์Šค์™€๋ฐ” ์‹ฌ๋ณด๋ฅด์Šค์นด๊ฐ€
00:32
won the Nobel Prize for literature.
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๋…ธ๋ฒจ ๋ฌธํ•™์ƒ์„ ๋ฐ›์•˜์ง€์š”.
00:34
She's a Polish poet.
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์ด ๋ถ„์€ ํด๋ž€๋“œ ์‹œ์ธ์ด๊ณ ์š”.
00:36
She's a big deal, obviously,
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๊ทธ๋ฆฌ๊ณ  ๋ถ„๋ช…ํžˆ ๋Œ€๋‹จํ•œ ์‚ฌ๋žŒ์ด์—์š”.
00:37
but back in '96, I thought I had never heard of her,
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์ €๋Š” 1996๋…„ ๋‹น์‹œ ์ด ๋ถ„์— ๋Œ€ํ•ด ๋“ค์–ด๋ณธ ์ ์ด ์—†์—ˆ์–ด์š”.
00:40
and when I checked out her work,
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์ œ๊ฐ€ ์ด ๋ถ„์˜ ์ž‘ํ’ˆ์„ ์ฐพ์•„๋ณด๋‹ค๊ฐ€
00:41
I found this sweet little poem,
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๊ฐ๋ฏธ๋กœ์šด ์ด ์‹œ๋ฅผ ๋ฐœ๊ฒฌํ–ˆ์–ด์š”.
00:43
"Four in the Morning."
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"์ƒˆ๋ฒฝ 4 ์‹œ."
00:44
"The hour from night to day.
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"๋ฐค์—์„œ ๋‚ฎ์œผ๋กœ ๊ฐ€๋Š” ์‹œ๊ฐ„.
00:46
The hour from side to side.
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์ขŒ์šฐ๋กœ ํ”๋“ค๋ฆฌ๋Š” ์‹œ๊ฐ„
00:47
The hour for those past thirty..."
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์„œ๋ฅธ ๋„˜์€ ์ด๋“ค์„ ์œ„ํ•œ ์‹œ๊ฐ„..."
00:49
And it goes on, but as soon as I read this poem,
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์‹œ๋Š” ๋” ์ด์–ด์ง€์ง€๋งŒ ์ œ๊ฐ€ ์ด ์‹œ๋ฅผ ์ฝ๋Š” ์ˆœ๊ฐ„
00:51
I fell for it hard,
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์ €๋Š” ๋ฐ˜ํ•ด๋ฒ„๋ ธ์–ด์š”.
00:53
so hard, I suspected we must have met
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๋„ˆ๋ฌด ๋ฐ˜ํ–ˆ๊ธฐ ๋•Œ๋ฌธ์—, ์ œ๊ฐ€ ์ด ์‹œ๋ฅผ ์˜ˆ์ „์— ์–ด๋”˜๊ฐ€์—์„œ
00:56
somewhere before.
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์ฝ์€ ์ ์ด ์žˆ์„ ๊ฑฐ๋ผ๊ณ  ์ƒ๊ฐํ–ˆ์–ด์š”.
00:57
Had I shared an elevator ride with this poem?
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์—˜๋ฆฌ๋ฒ ์ดํ„ฐ ์•ˆ์—์„œ ๋ดค์„๊นŒ์š”?
00:59
Did I flirt with this poem
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์ œ๊ฐ€ ์ด ์‹œํ•˜๊ณ  ์–ด๋”˜๊ฐ€์— ์žˆ๋Š”
01:01
in a coffee shop somewhere?
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์ปคํ”ผ์ˆ์—์„œ ๋‚ญ๋งŒ์ ์ธ ์žฅ๋‚œ์„ ์ณค์„๊นŒ์š”?
01:02
I could not place it, and it bugged me,
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์ €๋Š” ์ฝ์—ˆ๋˜ ์žฅ์†Œ๋ฅผ ์•Œ์•„๋‚ด์ง€ ๋ชปํ–ˆ๊ณ , ๊ทธ๊ฑด ์ €๋ฅผ ๊ดด๋กญํ˜”์ฃ ,
01:04
and then in the coming week or two,
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๊ทธ๋ฆฌ๊ณ  ๋‚˜์„œ 1 - 2 ์ฃผ๊ฐ€ ์ง€๋‚˜
01:05
I would just be watching an old movie,
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์˜ค๋ž˜๋œ ์˜ํ™”๋ฅผ ๋ณด๊ณ  ์žˆ์„ ๋•Œ
01:07
and this would happen.
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๋‹ค์Œ๊ณผ ๊ฐ™์€ ์ผ์ด ์ผ์–ด๋‚ฌ์–ด์š”.
01:08
(Video) Groucho Marx: Charlie, you should have come to the first party.
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(์˜์ƒ) ๊ทธ๋กœ์ตธ ๋ง‰์Šค: ์ฐฐ๋ฆฌ, ๋„ค๊ฐ€ ์ฒซ๋ฒˆ์งธ ํŒŒํ‹ฐ์— ์™”์–ด์•ผ ํ–ˆ์–ด.
01:09
We didn't get home till around four in the morning.
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์šฐ๋ฆฐ ์ƒˆ๋ฒฝ 4 ์‹œ๊นŒ์ง€ ์ง‘์— ๋ชป๊ฐ”์–ด.
01:12
Rives: My roommates would have the TV on,
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๋ผ์ด๋ธŒ์Šค: ์ง‘์„ ๊ฐ™์ด ์“ฐ๋Š” ์นœ๊ตฌ๋Š” TV๋ฅผ ์ผœ๋†“๊ณ  ์žˆ์—ˆ๋Š”๋ฐ
01:14
and this would happen.
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๋‹ค์Œ๊ณผ ๊ฐ™์€ ์ผ์ด ์ผ์–ด๋‚ฌ์–ด์š”.
01:16
(Music: Seinfeld theme)
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(์Œ์•…: ์‚ฌ์ธํŽ ํŠธ ์ฃผ์ œ๊ณก)
01:17
(Video) George Costanza: Oh boy, I was up til four in the morning
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(์˜์ƒ) ์ฃ ์ง€ ์ฝ”์Šคํƒ„์ž: ์˜ค, ์ด๋Ÿฐ, ๋‚˜๋Š” ์ƒˆ๋ฒฝ 4 ์‹œ๊นŒ์ง€ ์•ˆ ์ž๊ณ 
01:19
watching that Omen trilogy.
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๊ทธ ์˜ค๋ฉ˜ 3๋ถ€์ž‘์„ ๋ณด๊ณ  ์žˆ์—ˆ์–ด.
01:22
Rives: I would be listening to music,
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๋ผ์ด๋ธŒ์Šค: ์ œ๊ฐ€ ์Œ์•…์„ ๋“ฃ๊ณ  ์žˆ์—ˆ๋Š”๋ฐ
01:23
and this would happen.
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๋‹ค์Œ๊ณผ ๊ฐ™์€ ์ผ์ด ์žˆ์–ด๋‚ฌ์–ด์š”.
01:25
(Video) Elton John: โ™ช It's four o'clock in the morning, damn it. โ™ช
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(์˜์ƒ) ์—˜ํŠผ ์กด: โ™ช ์ƒˆ๋ฒฝ 4 ์‹œ๋„ค, ๋นŒ์–ด๋จน์„.โ™ช
01:27
Rives: So you can see what was going on, right?
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๋ผ์ด๋ธŒ์Šค: ์ž, ๋ฌด์Šจ ์ผ์ด ์ผ์–ด๋‚˜๋Š”์ง€ ์•„์‹œ๊ฒ ์ฃ ? ๊ทธ๋ ‡์ฃ ?
01:30
Obviously, the demigods of coincidence
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๋ถ„๋ช…ํžˆ ์šฐ์—ฐ์˜ ์ผ์น˜๊ฐ€
01:33
were just messing with me.
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์ €๋ฅผ ๊ฐ„์„ญํ•˜๋Š” ๊ฑฐ์˜€์–ด์š”.
01:34
Some people get a number stuck in their head,
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์–ด๋–ค ์‚ฌ๋žŒ๋“ค์€ ์ˆซ์ž๊ฐ€ ๋จธ๋ฆฌ๋ฅผ ๋งด๋Œ๊ธฐ๋„ ํ•˜๊ณ 
01:36
you may recognize a certain name or a tune,
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ํŠน์ •ํ•œ ์ด๋ฆ„์ด๋‚˜ ๋…ธ๋ž˜์— ๊ฝ‚ํžˆ๊ธฐ๋„ ํ•ด์š”.
01:38
some people get nothing, but four in the morning
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๋˜ ์–ด๋–ค ์‚ฌ๋žŒ๋“ค์€ ์•„๋ฌด๋ ‡์ง€๋„ ์•Š์ง€๋งŒ ์ƒˆ๋ฒฝ 4์‹œ๊ฐ€
01:40
was in me now, but mildly,
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์ง€๊ธˆ ์ œ ๋จธ๋ฆฟ์†์— ์žˆ๋Š”๋ฐ
01:43
like a groin injury.
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์•ฝํ•œ ์„œํ˜œ๋ถ€ ๋ถ€์ƒ ๊ฐ™์€๊ฑฐ์ฃ .
01:46
I always assumed it would just go away
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์ €๋Š” ํ•ญ์ƒ ์ด๊ฒƒ์ด ๊ฒฐ๊ตญ์—”
01:47
on its own eventually,
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์Šค์Šค๋กœ ์‚ฌ๋ผ์งˆ ๊ฒƒ์ด๋ผ๊ณ  ์ƒ๊ฐํ–ˆ๊ณ 
01:49
and I never talked about it with anybody,
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์ด๊ฒƒ์„ ์•„๋ฌดํ•œํ…Œ๋„ ์ด์•ผ๊ธฐํ•˜์ง€ ์•Š์•˜์ง€๋งŒ
01:50
but it did not, and I totally did.
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์‚ฌ๋ผ์ง€์ง€ ์•Š์•˜๊ณ  ๊ฒฐ๊ตญ์—” ์ด์•ผ๊ธฐํ–ˆ์ฃ .
01:54
In 2007, I was invited to speak at TED
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2007๋…„์— ์ €๋Š” TED ์—ฐ์„ค์—
01:56
for the second time,
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2๋ฒˆ์งธ๋กœ ์ดˆ์ฒญ๋ฐ›์•˜๊ณ 
01:57
and since I was still an authority on nothing,
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์—ฌ์ „ํžˆ ์–ด๋–ค ๋ถ„์•ผ์—์„œ๋„ ๊ถŒ์œ„๊ฐ€ ์—†์–ด์„œ
01:59
I thought, what if I made a multimedia presentation
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์‹ค์ œ๋กœ๋Š” ์‚ฌ์†Œํ•˜๊ฑฐ๋‚˜
02:03
on a topic so niche
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ํ„ฐ๋ฌด๋‹ˆ ์—†์„ ๋งŒํผ ํ‹ˆ์ƒˆ์— ์žˆ๋Š” ์ฃผ์ œ๋ฅผ ๊ฐ€์ง€๊ณ 
02:04
it is actually inconsequential
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๋ฉ€ํ‹ฐ๋ฏธ๋””์–ด ํ”„๋ ˆ์  ํ…Œ์ด์…˜์„ ํ•˜๋Š”๊ฒŒ ์–ด๋–จ๊นŒ?
02:06
or actually cockamamie.
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๋ผ๊ณ  ์ƒ๊ฐํ–ˆ์ฃ .
02:07
So my talk had some of my four in the morning examples,
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๊ทธ๋ž˜์„œ ์ œ ์ด์•ผ๊ธฐ๋Š” "์ƒˆ๋ฒฝ 4์‹œ"์™€ ๊ฐ™์€ ์˜ˆ์‹œ๋‚˜
02:11
but it also had examples
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๊ทธ ํ•ด์˜ ๋™๋ฃŒ TED ์—ฐ์„ค์ž๋“ค๋กœ๋ถ€ํ„ฐ์˜
02:12
from my fellow TED speakers that year.
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์˜ˆ์‹œ๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์Šต๋‹ˆ๋‹ค.
02:14
I found four in the morning in a novel
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์ €๋Š” ์ด์‚ฌ๋ฒจ ์•„์˜Œ๋ฐ์˜ ์†Œ์„ค์—์„œ
02:16
by Isabel Allende.
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"์ƒˆ๋ฒฝ 4์‹œ"๋ฅผ ์ฐพ์•„๋ƒˆ์–ด์š”.
02:17
I found a really great one
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๋นŒ ํด๋ฆฐํ„ด์˜ ์ž์„œ์ „์—์„œ๋„
02:18
in the autobiography of Bill Clinton.
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์ •๋ง ๊ดœ์ฐฎ์€ ๊ฒƒ์„ ์ฐพ์•„๋ƒˆ๊ณ ์š”.
02:20
I found a couple in the work of Matt Groening,
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๋งท ๊ทธ๋กœ๋‹์˜ ์ž‘ํ’ˆ์—์„œ๋„ ๋ช‡ ๊ฐœ๋ฅผ ์ฐพ์•„๋ƒˆ์–ด์š”,
02:22
although Matt Groening told me later
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๋งท ๊ทธ๋กœ๋‹์€ ๋‚˜์ค‘์—
02:24
that he could not make my talk
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02:24
because it was a morning session
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์ œ ์–˜๊ธฐ๋ฅผ ๋“ค์„ ์ˆ˜ ์—†๋‹ค๊ณ  ํ–ˆ์–ด์š”
์™œ๋ƒํ•˜๋ฉด ์•„์นจ ์‹œ๊ฐ„์ด์—ˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
02:26
and I gather that he is not an early riser.
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๊ทธ๋ž˜์„œ ๊ทธ๋Š” ์ผ์ฐ ์ผ์–ด๋‚˜๋Š” ์‚ฌ๋žŒ์ด ์•„๋‹ˆ๋ผ๊ณ  ์ถ”์ธกํ•ฉ๋‹ˆ๋‹ค.
02:29
However, had Matt been there,
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ํ•˜์ง€๋งŒ ๋งท์ด ๊ฑฐ๊ธฐ ์žˆ์—ˆ๋‹ค๋ฉด
02:32
he would have seen this mock conspiracy theory
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๊ทธ๋Š” ๊ฐ€์งœ ์Œ๋ชจ๋ก ์„ ๋ดค์„ ํ…Œ๊ณ 
02:35
that was un-freaking-canny for me to assemble.
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๊ทธ๊ฑด ์ œ๊ฐ€ ๊ตฌ์„ฑํ•˜๊ธฐ์—๋„ ๊ธฐ๋ฌ˜ํ–ˆ์Šต๋‹ˆ๋‹ค.
02:38
It was totally contrived
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๊ทธ๊ฒƒ์€ ๊ทธ์ € ๊ทธ ๊ณต๊ฐ„, ๊ทธ ์ˆœ๊ฐ„์„ ์œ„ํ•ด์„œ
02:39
just for that room, just for that moment.
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์™„์ „ํžˆ ๊พธ๋ฉฐ๋‚ธ ๊ฒƒ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
02:41
That's how we did it in the pre-TED.com days.
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TED.com ์ด ๋‚˜์˜ค๊ธฐ ์ „์—” ๊ทธ๋ ‡๊ฒŒ ์ผ์„ ํ–ˆ์ฃ .
02:43
It was fun. That was pretty much it.
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๊ทธ๊ฑด ์žฌ๋ฏธ์žˆ์—ˆ๊ณ  ๊ทธ๊ฒŒ ๋‹ค์˜€์Šต๋‹ˆ๋‹ค.
02:46
When I got home, though, the emails started coming in
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ํ•˜์ง€๋งŒ ์ œ๊ฐ€ ์ง‘์œผ๋กœ ๋Œ์•„์™”์„ ๋•Œ ์ด๋ฉ”์ผ์ด ์˜ค๊ธฐ ์‹œ์ž‘ํ–ˆ์Šต๋‹ˆ๋‹ค.
02:49
from people who had seen the talk live,
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๊ฐ•์—ฐ์„ ๋ผ์ด๋ธŒ๋กœ ๋ณธ ์‚ฌ๋žŒ๋“คํ•œํ…Œ์„œ
02:50
beginning with, and this is still my favorite,
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์ด๋ ‡๊ฒŒ ์‹œ์ž‘๋˜๋Š” ๋ง๊ณผ ํ•จ๊ป˜์š”. ์ด๊ฒƒ์€ ์•„์ง๋„ ์ œ๊ฐ€ ์ข‹์•„ํ•˜๋Š”๋ฐ์š”.
02:53
"Here's another one for your collection:
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"๋‹น์‹ ์˜ ์†Œ์žฅํ’ˆ์„ ์œ„ํ•ด ์—ฌ๊ธฐ ๋˜๋‹ค๋ฅธ ๊ฒŒ ์žˆ์–ด์š”:
02:54
'It's the friends you can call up at 4 a.m. that matter.'"
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'์ƒˆ๋ฒฝ 4์‹œ์— ์ „ํ™”๋ฅผ ๊ฑธ ์ˆ˜ ์žˆ๋Š” ์นœ๊ตฌ๊ฐ€ ์ค‘์š”ํ•ฉ๋‹ˆ๋‹ค.'"
02:57
The sentiment is Marlene Dietrich.
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๊ทธ ์ •์„œ๋Š” ๋งˆ๋ฅผ๋ Œ ๋””ํŠธ๋ฆฌํžˆ์˜ ๊ฒƒ์ด์ฃ .
02:59
The email itself was from another very
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๊ทธ ์ด๋ฉ”์ผ์€ ๋˜๋‹ค๋ฅธ
03:02
sexy European type,
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๋งค๋ ฅ์ ์ธ ์œ ๋Ÿฝ ์‚ฌ๋žŒํ•œํ…Œ์„œ ์™”๋Š”๋ฐ
03:04
TED Curator Chris Anderson.
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TED ํ๋ ˆ์ดํ„ฐ ํฌ๋ฆฌ์Šค ์•ค๋”์Šจ์ž…๋‹ˆ๋‹ค.
03:06
(Laughter)
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(์›ƒ์Œ)
03:08
Chris found this quote
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ํฌ๋ฆฌ์Šค๋Š” ์ด ๋ฌธ๊ตฌ๋ฅผ
03:09
on a coffee cup or something,
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์ปคํ”ผ์ž”์ด๋‚˜ ๋‹ค๋ฅธ ๋ฐ์„œ ๋ฐœ๊ฒฌํ–ˆ๊ณ 
03:11
and I'm thinking, this man is the Typhoid Mary
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์ €๋Š” ์ด ์‚ฌ๋žŒ์ด ํผํŠธ๋ฆด ๊ฐ€์น˜๊ฐ€ ์žˆ๋Š” ์ƒ๊ฐ์„
03:13
of ideas worth spreading, and I have infected him.
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ํผํŠธ๋ฆฌ๋Š” ์ „์—ผ๋ณ‘ ๋ณด๊ท ์ž์ด๊ณ  ์ œ๊ฐ€ ๊ทธ๋ฅผ ์ „์—ผ์‹œ์ผฐ๋‹ค๊ณ  ์ƒ๊ฐํ–ˆ์ฃ .
03:15
I am contagious,
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์ €๋Š” ์ „์—ผ์„ฑ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
03:17
which was confirmed less than a week later
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๊ทธ๊ฒƒ์€ 1์ฃผ์ผ๋„ ๋˜์ง€ ์•Š์•„ ํ™•์ธ๋˜์—ˆ๋Š”๋ฐ
03:20
when a Hallmark employee scanned and sent
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ํ™€๋งˆํฌ์—์„œ ์ผํ•˜๋Š” ์‚ฌ๋žŒ์ด
03:22
an actual greeting card
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๋˜‘๊ฐ™์€ ๋ฌธ๊ตฌ๊ฐ€ ๋“ค์–ด๊ฐ„
03:23
with that same quotation.
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์—ฐํ•˜์žฅ์„ ์Šค์บ”ํ•ด์„œ ๋ณด๋‚ด์คฌ์„ ๋•Œ์˜€์ฃ .
03:24
As a bonus, she hooked me up with a second one they make.
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๋ณด๋„ˆ์Šค๋กœ ๊ทธ๋…€๋Š” ๊ทธ๋“ค์ด ๋งŒ๋“œ๋Š” ๋‘ ๋ฒˆ์งธ ์นด๋“œ๋„ ๋ณด๋ƒˆ์Šต๋‹ˆ๋‹ค.
03:27
It says, "Just knowing I can call you
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"ํ•„์š”ํ•˜๋ฉด ์ƒˆ๋ฒฝ 4์‹œ์—
03:29
at four in the morning if I need to
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๋‹น์‹ ํ•œํ…Œ ์ „ํ™”ํ•  ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ์•„๋Š” ๊ฒƒ ๋งŒ์œผ๋กœ๋„
03:30
makes me not really need to,"
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๊ทธ๋Ÿด ํ•„์š”๊ฐ€ ์—†๊ฒŒ ๋งŒ๋“ญ๋‹ˆ๋‹ค."
03:32
which I love, because together these are like,
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์•„์ฃผ ๋งˆ์Œ์— ๋“œ๋Š”๋ฐ ์™œ๋ƒํ•˜๋ฉด ๋‘˜๋‹ค ์ด๋ ‡๊ฑฐ๋“ ์š”.
03:33
"Hallmark: When you care enough
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"ํ™€๋งˆํฌ: ๊ฐ€์žฅ ์ข‹์€ ๊ฒƒ์„
03:35
to send the very best twice,
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๋‘ ๋ฒˆ ๋ณด๋‚ผ ๋งŒํผ ๋ฐฐ๋ คํ•œ๋‹ค๋ฉด
03:37
phrased slightly differently."
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๋ฌธ๊ตฌ๋ฅผ ์•ฝ๊ฐ„ ๋‹ค๋ฅด๊ฒŒ ํ•˜์„ธ์š”."
03:39
I was not surprised at the TEDster
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์ €๋Š” TED ์ฐธ๊ฐ€์ž์™€
03:43
and New Yorker magazine overlap.
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๋‰ด์š”์ปค ์žก์ง€๊ฐ€ ๊ฒน์นœ๋‹ค๊ณ  ํ•ด๋„ ๋†€๋ผ์ง€ ์•Š์•˜์–ด์š”.
03:45
A bunch of people sent me this when it came out.
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์ด๊ฒŒ ๋‚˜์™”์„ ๋•Œ ์—ฌ๋Ÿฌ ์‚ฌ๋žŒ๋“ค์ด ์ €ํ•œํ…Œ ์ด๊ฑธ ๋ณด๋ƒˆ์–ด์š”.
03:47
"It's 4 a.m.โ€”maybe you'd sleep better if you bought some crap."
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"์ƒˆ๋ฒฝ 4์‹œ - ํ—ˆ์ ‘ํ•œ ๊ฑธ ์ƒ€๋”๋ผ๋ฉด ์ž ์„ ๋” ์ž˜ํ…๋ฐ."
03:50
I was surprised at the TEDster/"Rugrats" overlap.
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์ €๋Š” TED ์ฐธ๊ฐ€์ž์™€ "๋Ÿฌ๊ทธ๋ ˆ์ธ "๊ฐ€ ๊ฒน์ณ์„œ ๋†€๋ž์Šต๋‹ˆ๋‹ค.
03:53
More than one person sent me this.
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ํ•œ ์‚ฌ๋žŒ ์ด์ƒ์ด ์ €ํ•œํ…Œ ์ด๊ฑธ ๋ณด๋ƒˆ์–ด์š”.
03:55
(Video) Didi Pickles: It's four o'clock in the morning.
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(์˜์ƒ) ๋””๋””(์—ฌ์ž) ํ”ผํด์ฆˆ: ์ƒˆ๋ฒฝ 4์‹œ์—์š”.
03:57
Why on Earth are you making chocolate pudding?
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๋„๋Œ€์ฒด ์™œ ์ดˆ์ฝœ๋ › ํ‘ธ๋”ฉ์„ ๋งŒ๋“œ๋Š” ๊ฑฐ์ฃ ?
03:59
Stu Pickles: Because I've lost control of my life.
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์Šคํˆฌ (๋‚จ์ž) ํ”ผํด์ฆˆ: ์™œ๋ƒํ•˜๋ฉด ๋‚ด ์‚ถ์„ ํ†ต์ œ๋ ฅ์„ ์ƒ์‹คํ–ˆ๊ธฐ ๊นจ๋ฌธ์—.
04:01
(Laughter)
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(์›ƒ์Œ)
04:04
Rives: And then there was the lone TEDster
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๋ผ์ด๋ธŒ์ฆˆ: ๊ทธ๋ฆฌ๊ณ  ์™ธ๋กœ์šด TED ์ฐธ๊ฐ€์ž๊ฐ€ ์žˆ์—ˆ๋Š”๋ฐ
04:05
who was disgruntled I had overlooked
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๊ทธ๊ฐ€ ๊ณ ์ „์ด๋ผ๊ณ  ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ์„
04:07
what he considers to be a classic.
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์ œ๊ฐ€ ์•Œ์•„์ฐจ๋ฆฌ์ง€ ๋ชปํ–ˆ์„ ๋•Œ ๊ทธ๋Š” ๊ธฐ๋ถ„์ด ์ƒํ–ˆ์ฃ .
04:09
(Video) Roy Neary: Get up, get up! I'm not kidding. Ronnie Neary: Is there an accident?
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(์˜์ƒ) ๋กœ์ด ๋‹ˆ์–ด๋ฆฌ: ์ผ์–ด๋‚˜, ์ผ์–ด๋‚˜! ๋†๋‹ด์ด ์•„๋ƒ.
๋กœ๋‹ˆ ๋‹ˆ์–ด๋ฆฌ: ์‚ฌ๊ณ ์—์š”?
04:12
Roy: No, it's not an accident. You wanted to get out of the house anyway, right?
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๋กœ์ด: ์•„๋‹ˆ, ์‚ฌ๊ณ ๋Š” ์•„๋ƒ. ์–ด์จ‹๋“  ๋‹น์‹ ์€ ์ง‘์—์„œ ๋‚˜๊ฐ€๊ณ  ์‹ถ์–ดํ•˜์ž–์•„?
04:15
Ronnie: Not at four o'clock in the morning.
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๋กœ๋‹ˆ: ์ƒˆ๋ฒฝ 4์‹œ ๋ง๊ตฌ์š”.
04:17
Rives: So that's "Close Encounters,"
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๋ผ์ด๋ธŒ์ฆˆ: ๊ทธ๊ฑด "๋ฏธ์ง€์™€์˜ ์กฐ์šฐ"์ž…๋‹ˆ๋‹ค.
04:19
and the main character is all worked up
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์ฃผ์ธ๊ณต์€ ์™ธ๊ณ„์ธ ๋•Œ๋ฌธ์—
04:20
because aliens, momentously,
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๊นจ์–ด๋‚ฌ๋Š”๋ฐ
04:22
have chosen to show themselves to earthlings
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์™ธ๊ณ„์ธ์€ ๊ทธ๋“ค์—๊ฒŒ ์ง€๊ตฌ์ธ๋“ค์„
04:23
at four in the morning,
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์ƒˆ๋ฒฝ 4์‹œ์— ๋ณด์—ฌ์ฃผ๊ธฐ๋กœ ํ–ˆ๊ธฐ ๋•Œ๋ฌธ์ด์ฃ .
04:24
which does make that a very solid example.
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์•„์ฃผ ํ™•์‹คํ•œ ์˜ˆ๋ฅผ ๋งŒ๋“ค์–ด์ฃผ์ฃ .
04:26
Those were all really solid examples.
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๊ทธ๊ฒƒ๋“ค์€ ๋ชจ๋‘ ์ •๋ง ํ™•์‹คํ•œ ์˜ˆ์ž…๋‹ˆ๋‹ค.
04:28
They did not get me any closer to understanding
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์ œ๊ฐ€ ์ด๋ ‡๊ฒŒ ํŠน๋ณ„ํ•œ ์‹œ๋ฅผ ์•Œ์•„๋ณธ ์ด์œ ๋ฅผ
04:30
why I thought I recognized this one particular poem.
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์ด๋ณด๋‹ค ๋” ์ž˜ ์„ค๋ช…ํ•ด์ฃผ๋Š” ๊ฑด ์—†์—ˆ์–ด์š”.
04:32
But they followed the pattern. They played along.
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ํ•˜์ง€๋งŒ ๊ทธ๊ฒƒ๋“ค์€ ํŒจํ„ด์„ ๋”ฐ๋ฅด๊ณ  ๊ทธ๊ฒƒ๋“ค์€ ์ž˜ ํ’€์–ด๊ฐ”์–ด์š”.
04:34
Right? Four in the morning as this scapegoat hour
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๊ทธ๋ ‡์ฃ ? ์ƒˆ๋ฒฝ 4์‹œ๋ฅผ ํฌ์ƒ์–‘์œผ๋กœ ๋งŒ๋“ค์–ด
04:37
when all these dramatic occurrences
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์ด ๋ชจ๋“  ๊ทน์ ์ธ ์‚ฌ๊ฑด๋“ค์ด
04:39
allegedly occur.
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๊ทธ๋“ค์ด ์ฃผ์žฅํ•˜๋Š” ๋ฐ”์— ๋”ฐ๋ผ ์ด ์‹œ๊ฐ„์— ์ผ์–ด๋‚ฌ์ฃ .
04:41
Maybe this was some kind of cliche
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์–ด์ฉŒ๋ฉด ์ด๊ฒƒ์€ ์ผ์ข…์˜ ์ƒํˆฌ์ ์ธ ๋ฌธ๊ตฌ๋กœ์„œ
04:43
that had never been taxonomized before.
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์ด์ „์—๋Š” ๋ถ„๋ฅ˜๋œ ์ ์ด ์—†์—ˆ์„์ง€๋„ ๋ชจ๋ฆ…๋‹ˆ๋‹ค.
04:45
Maybe I was on the trail
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์–ด์ฉŒ๋ฉด ์ €๋Š” ์ƒˆ๋กœ์šด ๋ฌธํ™” ๊ตฌ์„ฑ ์š”์†Œ๋‚˜
04:47
of a new meme or something.
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๋‹ค๋ฅธ ๋ญ”๊ฐ€๋ฅผ ๋”ฐ๋ฅด๋Š” ์‚ฌ๋žŒ์ผ์ง€๋„ ๋ชจ๋ฆ…๋‹ˆ๋‹ค.
04:48
Just when things were getting pretty interesting,
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์ผ์ด ์ ์  ์žฌ๋ฏธ์žˆ๊ฒŒ ๋˜์–ด๊ฐˆ ๋•Œ
04:51
things got really interesting.
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๊ทธ๊ฑด ์ •๋ง ์žฌ๋ฏธ์žˆ๊ฒŒ ๋˜์—ˆ์ฃ .
04:52
TED.com launched, later that year,
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๊ทธํ•ด ๋ง์— TED.com ์ด ์‹œ์ž‘๋˜์—ˆ๊ณ 
04:54
with a bunch of videos from past talks,
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์ œ ๊ฒƒ์„ ํฌํ•จํ•œ
04:56
including mine,
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๊ณผ๊ฑฐ์˜ ๊ฐ•์—ฐ๋“ค์ด ์†Œ๊ฐœ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
04:57
and I started receiving "four in the morning" citations
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์ €๋Š” "์ƒˆ๋ฒฝ 4์‹œ" ์ธ์šฉ๊ตฌ๋ฅผ ๋ฐ›๊ธฐ ์‹œ์ž‘ํ–ˆ์–ด์š”.
05:00
from what seemed like every time zone on the planet.
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์ง€๊ตฌ์˜ ๋ชจ๋“  ์‹œ๊ฐ„๋Œ€์— ์žˆ๋Š” ์‚ฌ๋žŒ๋“ค๋กœ๋ถ€ํ„ฐ ๋ง์ž…๋‹ˆ๋‹ค.
05:03
Much of it was content I never would have found
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๋Œ€๋ถ€๋ถ„์˜ ๋‚ด์šฉ์€ ์ œ๊ฐ€ ์ฐพ๊ณ ์ž ํ–ˆ๋‹ค๋ฉด
05:05
on my own if I was looking for it,
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ํ˜ผ์ž์„œ๋Š” ์ฐพ์„ ์ˆ˜ ์—†๋Š” ๊ฒƒ๋“ค์ด์—ˆ์Šต๋‹ˆ๋‹ค.
05:07
and I was not.
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์ €๋Š” ์ฐพ๊ณ  ์žˆ์ง€๋Š” ์•Š์•˜์–ด์š”.
05:08
I don't know anybody with juvenile diabetes.
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์ €๋Š” ์—ฐ์†Œ์žํ˜• ๋‹น๋‡จ๋ณ‘์„ ๊ฐ€์ง„ ์‚ฌ๋žŒ์„ ๋ชจ๋ฆ…๋‹ˆ๋‹ค.
05:10
I probably would have missed the booklet,
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์ €๋Š” ์•„๋งˆ๋„ ์ด๋Ÿฐ ์†Œ์ฑ…์ž๋ฅผ ๋ชป๋ดค๊ฒ ์ฃ .
05:12
"Grilled Cheese at Four O'Clock in the Morning."
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"์ƒˆ๋ฒฝ 4์‹œ์— ๊ตฌ์šด ์น˜์ฆˆ"
05:13
(Laughter)
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(์›ƒ์Œ)
05:16
I do not subscribe to Crochet Today! magazine,
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์ €๋Š” ์˜ค๋Š˜์˜ ๋œจ๊ฐœ์งˆ! ์ด๋ž€ ์žก์ง€๋ฅผ ์‹ ์ฒญํ•œ ์ ๋„ ์—†์ง€๋งŒ
05:19
although it looks delightful. (Laughter)
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์œ ์พŒํ•˜๊ฒŒ ๋ณด์ž…๋‹ˆ๋‹ค. (์›ƒ์Œ)
05:23
Take note of those clock ends.
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์‹œ๊ณ„ ๋ฐ”๋Š˜์„ ๋ณด์„ธ์š”.
05:25
This is a college student's suggestion
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์ด๊ฒƒ์€ ๋Œ€ํ•™์ƒ์ด ์ œ์•ˆํ•œ ๊ฑด๋ฐ
05:26
for what a "four in the morning" gang sign
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"์ƒˆ๋ฒฝ 4์‹œ" ์˜ ์ง‘๋‹จ ํ‘œ์‹œ๊ฐ€
05:28
should look like.
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์ด๋ž˜์•ผ ํ•œ๋‹ค๊ตฌ์š”.
05:30
People sent me magazine ads.
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์‚ฌ๋žŒ๋“ค์€ ์ œ๊ฒŒ ์žก์ง€ ๊ด‘๊ณ ๋ฅผ ๋ณด๋ƒˆ์Šต๋‹ˆ๋‹ค.
05:32
They took photographs in grocery stores.
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๊ทธ๋“ค์€ ์‹๋ฃŒํ’ˆ ๊ฐ€๊ฒŒ์—์„œ ์‚ฌ์ง„์„ ์ฐ์—ˆ์ฃ .
05:34
I got a ton of graphic novels and comics.
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์ €๋Š” ์ˆ˜๋งŽ์€ ๊ทธ๋ž˜ํ”ฝ ์†Œ์„ค๊ณผ ๋งŒํ™”๋ฅผ ๋ฐ›์•˜์–ด์š”.
05:38
A lot of good quality work, too:
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์ˆ˜์ค€ ๋†’์€ ์ž‘ํ’ˆ๋„ ๋งŽ์•˜์–ด์š”.
05:39
"The Sandman," "Watchmen."
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"์ž ๊ท€์‹ ", "๊ฒฝ๋น„์›"
05:41
There's a very cute example here from "Calvin and Hobbes."
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"์บ˜๋นˆ๊ณผ ํ™‰์Šค"์— ๋‚˜์˜จ ์•„์ฃผ ๊ท€์—ฌ์šด ์˜ˆ๋„ ์žˆ์Šต๋‹ˆ๋‹ค.
05:44
In fact, the oldest citation anybody sent in
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์‚ฌ์‹ค ์‚ฌ๋žŒ๋“ค์ด ๋ณด๋‚ธ ๊ฐ€์žฅ ์˜ค๋ž˜๋œ ์ธ์šฉ๊ตฌ๋Š”
05:47
was from a cartoon from the Stone Age.
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๋งŒํ™” '์„๊ธฐ ์‹œ๋Œ€'์—์„œ ๋‚˜์™”์–ด์š”.
05:49
Take a look.
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๋ณด์„ธ์š”.
05:51
(Video) Wilma Flintstone: Like how early?
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(์˜์ƒ) ์œŒ๋งˆ ํ”Œ๋ฆฐ์Šคํ†ค: ์–ผ๋งˆ๋‚˜ ์ผ์ฐ?
05:53
Fred Flintstone: Like at 4 a.m., that's how early.
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ํ”„๋ ˆ๋“œ ํ”Œ๋ฆฐ์Šคํ†ค: ์ƒˆ๋ฒฝ 4์‹œ, ๊ทธ๋งŒํผ ์ผ์ฐ.
05:56
Rives: And the flip side of the timeline,
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๋ผ์ด๋ธŒ์Šค: ์—ญ์‚ฌ์˜ ๋ฐ˜๋Œ€ํŽธ,
05:58
this is from the 31st century.
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์ด๊ฒƒ์€ 31์„ธ๊ธฐ์—์„œ ๋‚˜์˜จ ๊ฑด๋ฐ์š”.
05:59
A thousand years from now,
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์ง€๊ธˆ๋ถ€ํ„ฐ ์ฒœ๋…„ ๋’ค์—๋„
06:00
people are still doing this.
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์‚ฌ๋žŒ๋“ค์€ ์—ฌ์ „ํžˆ ์ด๋ ‡๊ฒŒ ํ•ฉ๋‹ˆ๋‹ค.
06:03
(Video): Announcer: The time is 4 a.m.
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(์˜์ƒ) ๋ฐœํ‘œ์ž: ์‹œ๊ฐ„์€ ์ƒˆ๋ฒฝ 4์‹œ์ž…๋‹ˆ๋‹ค.
06:06
(Laughter)
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(์›ƒ์Œ)
06:07
Rives: It shows the spectrum.
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๋ผ์ด๋ธŒ์Šค: ๋ฒ”์œ„๋ฅผ ๋ณด์—ฌ์ค๋‹ˆ๋‹ค.
06:08
I received so many songs, TV shows, movies,
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์ €๋Š” ์•„์ฃผ ๋งŽ์€ ๋…ธ๋ž˜, TV ์‡ผ, ์˜ํ™”๋ฅผ ๋ฐ›์•˜๋Š”๋ฐ
06:12
like from dismal to famous,
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์‹ค๋ง์Šค๋Ÿฌ์šด ๊ฒƒ๋ถ€ํ„ฐ ์œ ๋ช…ํ•œ ๊ฒƒ๊นŒ์ง€ ๋‹ค์–‘ํ•ฉ๋‹ˆ๋‹ค.
06:14
I could give you a four-hour playlist.
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์—ฌ๋Ÿฌ๋ถ„๊ป˜ 4์‹œ๊ฐ„ ์งœ๋ฆฌ ์žฌ์ƒ๋ชฉ๋ก์„ ๋“œ๋ฆด ์ˆ˜ ์žˆ์–ด์š”.
06:16
If I just stick to modern male movie stars,
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์ œ๊ฐ€ ํ˜„๋Œ€์˜ ๋‚จ์ž ์˜ํ™”๋ฐฐ์šฐ๋งŒ ๊ณ ์ง‘ํ•œ๋‹ค๋ฉด
06:18
I keep it to the length
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๊ด‘๊ณ  ํ•œ ํŽธ์˜ ๊ธธ์ด๋กœ
06:19
of about a commercial.
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์ค„์ผ ์ˆ˜ ์žˆ์–ด์š”.
06:21
Here's your sampler.
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์—ฌ๊ธฐ ๊ทธ ์ƒ˜ํ”Œ์ด ์žˆ์Šต๋‹ˆ๋‹ค.
06:22
(Movie montage of "It's 4 a.m.")
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("์ƒˆ๋ฒฝ 4์‹œ."๋ฅผ ์งœ๊น๊ธฐํ•œ ์˜ํ™”)
06:49
(Laughter)
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(์›ƒ์Œ)
06:52
Rives: So somewhere along the line,
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๋ผ์ด๋ธŒ์Šค: ๊ทธ๋Ÿฌ๋Š” ๊ณผ์ •์—์„œ
06:54
I realized I have a hobby
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์ €๋Š” ์ œ๊ฐ€ ์›ํ•˜๋Š”์ง€๋„ ๋ชฐ๋ž๋˜
06:56
I didn't know I wanted,
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์ทจ๋ฏธ๋ฅผ ๊ฐ–๊ณ  ์žˆ์Œ์„ ๊นจ๋‹ฌ์•˜์Šต๋‹ˆ๋‹ค.
06:58
and it is crowdsourced.
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๊ทธ๋ฆฌ๊ณ  ๊ทธ๊ฑด ์ผ๋ฐ˜๋Œ€์ค‘์„ ํ™œ์šฉํ•œ ๊ฒƒ์ด์ฃ .
07:00
But I was also thinking what you might be thinking,
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ํ•˜์ง€๋งŒ ์—ฌ๋Ÿฌ๋ถ„์ด ์ƒ๊ฐํ•˜๋Š” ๊ฒƒ์„ ์ €๋„ ์ƒ๊ฐํ•˜๊ณ  ์žˆ์—ˆ์–ด์š”.
07:03
which is really, couldn't you do this
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๊ทธ๊ฒƒ์€ ์•„๋ฌด ์‹œ๊ฐ„๋•Œ๋‚˜
07:04
with any hour of the day?
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์ด๊ฒƒ์„ ํ•  ์ˆ˜ ์—†์„๊นŒ? ์˜€์–ด์š”.
07:06
First of all, you are not getting clips like that
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์ฒซ์งธ, ์—ฌ๋Ÿฌ๋ถ„์€ ์ด์™€ ๊ฐ™์€ ์˜์ƒ๋“ค์„
07:07
about four in the afternoon.
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์˜คํ›„ 4์‹œ์ฏค์—๋Š” ๋ฐ›์ง€ ์•Š์Šต๋‹ˆ๋‹ค.
07:09
Secondly, I did a little research.
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๋‘˜์งธ, ์ €๋Š” ์—ฐ๊ตฌ๋ฅผ ์ข€ ํ–ˆ์–ด์š”.
07:10
You know, I was kind of interested.
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์•„์‹œ๋‹ค์‹œํ”ผ ์ €๋Š” ์ข€ ๊ถ๊ธˆํ–ˆ๊ฑฐ๋“ ์š”.
07:12
If this is confirmation bias,
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๋งŒ์•ฝ ์ด๊ฒŒ ํ™•์ฆ ํŽธํ–ฅ์ด๋ผ๋ฉด
07:14
there is so much confirmation, I am biased.
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๊ฑฐ๊ธฐ์—” ๋„ˆ๋ฌด๋‚˜ ๋งŽ์€ ํ™•์ฆ์ด ์žˆ๊ณ  ์ €๋Š” ํŽธํ–ฅ๋˜์—ˆ์Šต๋‹ˆ๋‹ค.
07:17
Literature probably shows it best.
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๋ฌธํ—Œ์ด ์•„๋งˆ๋„ ๊ทธ๊ฑธ ์ž˜ ๋ณด์—ฌ์ค„๊ฑฐ์—์š”.
07:18
There are a couple three in the mornings in Shakespeare.
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์…ฐ์ต์Šคํ”ผ์–ด ์ž‘ํ’ˆ์—๋Š” ์ƒˆ๋ฒฝ 3์‹œ๊ฐ€ ๋ช‡ ๋ฒˆ ๋‚˜์˜ต๋‹ˆ๋‹ค.
07:20
There's a five in the morning.
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์ƒˆ๋ฒฝ 5์‹œ๋„ ๋‚˜์˜ค๊ณ 
07:22
There are seven four in the mornings,
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์ƒˆ๋ฒฝ 7์‹œ 4๋ถ„๋„ ์žˆ๋Š”๋ฐ
07:23
and they're all very dire.
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๋ชจ๋‘ ๋ณ„๋กœ์ž…๋‹ˆ๋‹ค.
07:24
In "Measure for Measure," it's the call time for the executioner.
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"๋ณด๋ณต"์—์„œ๋Š” ์‚ฌํ˜• ์ง‘ํ–‰์ธ์ด ๋‚˜์˜ค๋Š” ์‹œ๊ฐ„์ž…๋‹ˆ๋‹ค.
07:27
Tolstoy gives Napoleon insomnia
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ํ†จ์Šคํ† ์ด๋Š” ๋‚˜ํด๋ ˆ์˜น์—๊ฒŒ
07:30
at four in the morning right before battle
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"์ „์Ÿ๊ณผ ํ‰ํ™”"์—์„œ
07:32
in "War and Peace."
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์ „์Ÿ ์ง์ „ ์ƒˆ๋ฒฝ 4์‹œ์— ๋ถˆ๋ฉด์ฆ์„ ์คฌ์Šต๋‹ˆ๋‹ค.
07:34
Charlotte Brontรซ's "Jane Eyre" has got kind of
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์ƒฌ๋Ÿฟ ๋ธŒ๋ก ํ…Œ์˜ "์ œ์ธ ์—์–ด"๋Š”
07:35
a pivotal four in the morning,
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์•„์ฃผ ์ค‘์š”ํ•œ ์ƒˆ๋ฒฝ 4์‹œ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
07:36
as does Emily Brontรซ's "Wuthering Heights."
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์—๋ฐ€๋ฆฌ ๋ธŒ๋ก ํ…Œ์˜ "ํญํ’์˜ ์–ธ๋•"๋„ ๋งˆ์ฐฌ๊ฐ€์ง€์ž…๋‹ˆ๋‹ค.
07:40
"Lolita" has as a creepy four in the morning.
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"๋กœ๋ฆฌํƒ€"๋Š” ์˜ค์‹นํ•œ ์ƒˆ๋ฒฝ 4์‹œ๊ฐ€ ์žˆ์–ด์š”.
07:43
"Huckleberry Finn" has one in dialect.
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"ํ—ˆํด๋ฒ ๋ฆฌ ํ•€"์€ ์‚ฌํˆฌ๋ฆฌ๋กœ ๋œ ๊ฒƒ์ด ํ•˜๋‚˜ ์žˆ์Šต๋‹ˆ๋‹ค.
07:47
Someone sent in H.G. Wells' "The Invisible Man."
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์–ด๋–ค ์‚ฌ๋žŒ์€ H.G. ์›ฐ์Šค์˜ "ํˆฌ๋ช…์ธ๊ฐ„"์„ ๋ณด๋ƒˆ์Šต๋‹ˆ๋‹ค.
07:50
Someone else sent in Ralph Ellison's "Invisible Man."
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๋ˆ„๊ตฌ๋Š” ๋ž„ํ”„ ์—˜๋ฆฌ์Šจ์˜ "๋ณด์ด์ง€ ์•Š๋Š” ์ธ๊ฐ„"์„ ๋ณด๋ƒˆ๋”๊ตฐ์š”.
07:53
"The Great Gatsby" spends the last
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"์œ„๋Œ€ํ•œ ๊ฐœ์ธ ๋น„"๋Š” ๊ทธ์˜ ์ƒ์˜
07:55
four in the morning of his life
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๋งˆ์ง€๋ง‰ ์ƒˆ๋ฒฝ 4์‹œ๋ฅผ
07:57
waiting for a lover who never shows,
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๋๋‚ด ๋‚˜ํƒ€๋‚˜์ง€ ์•Š๋Š” ์—ฐ์ธ์„ ๊ธฐ๋‹ค๋ฆฌ๋ฉด์„œ ๋ณด๋ƒˆ๊ณ 
07:59
and the most famous wake-up in literature, perhaps,
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์–ด์ฉŒ๋ฉด ๋ฌธํ—Œ์—์„œ ๊ฐ€์žฅ ์œ ๋ช…ํ•œ ๊นจ์–ด๋‚จ์€
08:02
"The Metamorphosis."
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"๋ณ€์‹ "์ž…๋‹ˆ๋‹ค.
08:03
First paragraph, the main character wakes up
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์ฒซ ๋ฌธ๋‹จ์—์„œ ์ฃผ์ธ๊ณต์ด ๊นจ์–ด๋‚˜
08:05
transformed into a giant cockroach,
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๊ฑฐ๋Œ€ํ•œ ๋ฐ”ํ€ด๋ฒŒ๋ ˆ๋กœ ๋ณ€์‹ ํ•˜์ฃ .
08:07
but we already know, cockroach notwithstanding,
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์šฐ๋ฆฌ๊ฐ€ ์ด๋ฏธ ์•Œ๋‹ค์‹œํ”ผ ๋ฐ”ํ€ด๋ฒŒ๋ ˆ์ž„์—๋„ ๋ถˆ๊ตฌํ•˜๊ณ 
08:10
something is up with this guy.
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๋ญ”๊ฐ€ ์ด์ƒํ•ฉ๋‹ˆ๋‹ค.
08:12
Why? His alarm is set for four o'clock in the morning.
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์™œ์ฃ ? ๊ทธ์˜ ์ž๋ช…์ข…์ด ์ƒˆ๋ฒฝ 4์‹œ์— ๋งž์ถฐ์ ธ ์žˆ๊ธฐ ๋•Œ๋ฌธ์ž…๋‹ˆ๋‹ค.
08:15
What kind of person would do that?
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์–ด๋–ค ์‚ฌ๋žŒ์ด ๊ทธ๋ ‡๊ฒŒ ํ• ๊นŒ์š”?
08:19
This kind of person would do that.
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์ด๋Ÿฐ ์‚ฌ๋žŒ์ด ๊ทธ๋ ‡๊ฒŒ ํ•˜๊ฒ ์ฃ .
08:21
(Music)
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(์Œ์•…)
08:25
(4 a.m. alarm clock montage)
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(์ƒˆ๋ฒฝ 4์‹œ ์ž๋ช…์ข… ์‹œ๊ณ„)
08:30
(Video) Newcaster: Top of the hour. Time for the morning news.
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(์˜์ƒ) ๋‰ด์Šค ์ง„ํ–‰์ž: ์ •์‹œ ์•„์นจ ๋‰ด์Šค ์‹œ๊ฐ„์ž…๋‹ˆ๋‹ค.
08:33
But of course, there is no news yet.
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ํ•˜์ง€๋งŒ ๋ฌผ๋ก  ๋‰ด์Šค๋Š” ์—†์Šต๋‹ˆ๋‹ค.
08:34
Everyone's still asleep in their comfy, comfy beds.
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๋ชจ๋‘๊ฐ€ ํŽธ์•ˆํ•œ, ํŽธ์•ˆํ•œ ์นจ๋Œ€์—์„œ ์•„์ง๋„ ์ž๊ณ  ์žˆ์–ด์š”.
08:37
Rives: Exactly.
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๋ผ์ด๋ธŒ์Šค: ๊ทธ๋ ‡์ฃ .
08:39
So that's Lucy from the Peanuts,
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๊ทธ๋ž˜์„œ ํ”ผ๋„ˆ์ธ ์—์„œ ๋‚˜์˜จ ๋ฃจ์‹œ,
08:41
"Mommie Dearest", Rocky, first day of training,
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"์กด๊ฒฝํ•˜๋Š” ์–ด๋จธ๋‹ˆ"์—์„œ ๋กœํ‚ค๊ฐ€ ์—ฐ์ˆ˜๋ฐ›๋Š” ์ฒซ๋‚ ,
08:43
Nelson Mandela, first day in office,
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๋„ฌ์Šจ ๋งŒ๋ธ๋ผ๊ฐ€ ์ง‘๋ฌด์‹ค์—์„œ ์‹œ์ž‘ํ•œ ์ฒซ๋‚ ,
08:45
and Bart Simpson, which combined with a cockroach
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๋ฐ”ํŠธ ์‹ฌ์Šจ๊ณผ ๋ฐ”ํ€ด ๋ฒŒ๋ ˆ๋ฅผ ํ•ฉํ•˜๋ฉด
08:48
would give you one hell of a dinner party
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์—„์ฒญ๋‚œ ๋งŒ์ฐฌํšŒ๊ฐ€ ๋  ํ…Œ๊ณ 
08:50
and gives me yet another category,
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์ €ํ•œํ…Œ๋Š” ๋˜๋‹ค๋ฅธ ๋ถ„๋ฅ˜๊ฐ€ ๋˜๋Š”๋ฐ
08:52
people waking up, in my big old database.
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์‚ฌ๋žŒ๋“ค์ด ์ œ๊ฐ€ ๊ฐ–๊ณ  ์žˆ๋Š” ํฌ๊ณ  ์˜ค๋ž˜๋œ ๋ฐ์ดํƒ€๋ฒ ์ด์Šค์—์„œ ๊นจ์–ด๋‚˜์ฃ .
08:55
Just imagine that your friends and your family
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๋ฐ•์ œํ•œ ๋ถ๊ทน๊ณฐ์„ ์—ฌ๋Ÿฌ๋ถ„์ด ์ˆ˜์ง‘ํ•œ๋‹ค๋Š” ์‚ฌ์‹ค์„
08:57
have heard that you collect, say, stuffed polar bears,
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์—ฌ๋Ÿฌ๋ถ„์˜ ์นœ๊ตฌ์™€ ๊ฐ€์กฑ๋“ค์ด ๋“ฃ๊ณ 
09:00
and they send them to you.
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๊ทธ๊ฒƒ๋“ค์„ ์—ฌ๋Ÿฌ๋ถ„์—๊ฒŒ ๋ณด๋‚ธ๋‹ค๊ณ  ์ƒ์ƒํ•ด๋ณด์„ธ์š”.
09:02
Even if you don't really, at a certain point,
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์–ด๋Š ์‹œ์ ์—์„œ๋Š” ์ •๋ง ์ˆ˜์ง‘ํ•˜์ง€ ์•Š๋Š”๋‹ค๊ณ  ํ•ด๋„
09:05
you totally collect stuffed polar bears,
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์—ฌ๋Ÿฌ๋ถ„์€ ๋ฐ•์ œ๋œ ๋ถ๊ทน๊ณฐ์„ ์™„์ „ํžˆ ์ˆ˜์ง‘ํ•  ๊ฒƒ์ด๊ณ 
09:08
and your collection is probably pretty kick-ass.
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๊ทธ ์ˆ˜์ง‘ํ’ˆ์€ ์•„๋งˆ๋„ ์—„์ฒญ๋‚˜๊ฒ ์ฃ .
09:10
And when I got to that point, I embraced it.
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๊ทธ๋ž˜์„œ ์ œ๊ฐ€ ๊ทธ ์‹œ์ ์— ์ด๋ฅด๋ €์„ ๋•Œ ์ €๋Š” ๊ทธ๊ฒƒ์„ ํฌ์šฉํ–ˆ์Šต๋‹ˆ๋‹ค.
09:12
I got my curator on. I started fact checking,
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์ €๋Š” ํ๋ ˆ์ดํ„ฐ๋ฅผ ๊พธ๋ ธ๊ณ  ์‚ฌ์‹ค ํ™•์ธ์„ ํ•˜๊ณ 
09:15
downloading, illegally screen-grabbing.
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์ž๋ฃŒ๋ฅผ ๋‚ด๋ ค๋ฐ›๊ณ , ๋ถˆ๋ฒ•์œผ๋กœ ํ™”๋ฉด์„ ์ €์žฅํ–ˆ์Šต๋‹ˆ๋‹ค.
09:18
I started archiving.
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์ €๋Š” ๊ธฐ๋ก์„ ๋ณด๊ด€ํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ์–ด์š”.
09:19
My hobby had become a habit,
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์ œ ์ทจ๋ฏธ๋Š” ์Šต๊ด€์ด ๋˜์—ˆ๊ณ 
09:21
and my habit gave me possibly the world's
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์ œ ์Šต๊ด€์€ ์•„๋งˆ๋„ ์„ธ์ƒ์—์„œ
09:24
most eclectic Netflix queue.
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๊ฐ€์žฅ ์ ˆ์ถฉ์ ์ธ ๋„ทํ”Œ๋ฆญ์Šค ๋ชฉ๋ก์„ ์ œ๊ณตํ–ˆ์ฃ .
09:27
At one point, it went, "Guys and Dolls: The Musical,"
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์–ด๋Š ์ˆœ๊ฐ„์—๋Š” "์•„๊ฐ€์”จ์™€ ๊ฑด๋‹ฌ๋“ค: ๋ฎค์ง€์ปฌ,"
09:30
"Last Tango in Paris,"
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"ํŒŒ๋ฆฌ์—์„œ์˜ ๋งˆ์ง€๋ง‰ ํƒฑ๊ณ ,"
09:31
"Diary of a Wimpy Kid,"
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"์œ”ํ”ผ ํ‚ค๋“œ์˜ ์ผ๊ธฐ,"
09:32
"Porn Star: Legend of Ron Jeremy."
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"ํฌ๋ฅด๋…ธ ์Šคํƒ€: ๋ก  ์ œ๋ ˆ๋ฏธ์˜ ์ „์„ค." ๋กœ ์ด๋ค„์กŒ์—ˆ์ฃ .
09:34
Why "Porn Star: Legend of Ron Jeremy"?
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์™œ "ํฌ๋ฅด๋…ธ ์Šคํƒ€: ๋ก  ์ œ๋ ˆ๋ฏธ์˜ ์ „์„ค"์ด ๋“ค์–ด์žˆ๋ƒ๊ตฌ์š”?
09:36
Because someone told me I would find this clip in there.
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๋ˆ„๊ฐ€ ์ œ๊ฒŒ ์ด ์˜์ƒ์„ ๊ฑฐ๊ธฐ์„œ ์ฐพ์„ ์ˆ˜ ์žˆ์„๊ฑฐ๋ผ๊ณ  ๋งํ•ด์คฌ๊ธฐ ๋•Œ๋ฌธ์ด์ฃ .
09:39
(Video) Ron Jeremy: I was born
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(์˜์ƒ) ๋ก  ์ œ๋ ˆ๋ฏธ: ์ €๋Š” ํ€ธ์ฆˆ์‹œ์˜ ํ”Œ๋Ÿฌ์‹ฑ ์ค‘๊ตญ์ธ ๊ฑฐ๋ฆฌ์—์„œ
09:40
in Flushing, Queens
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09:42
on March, 12, 1953,
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1953๋…„ 3์›” 12์ผ ์ƒˆ๋ฒฝ 4์‹œ์— ํƒœ์–ด๋‚ฌ์–ด์š”.
09:45
at four o'clock in the morning.
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๋ผ์ด๋ธŒ์Šค: ๋ฌผ๋ก  ๊ทธ๋Š” ๊ทธ๋•Œ ํƒœ์–ด๋‚ฌ์ฃ . (์›ƒ์Œ) (๋ฐ•์ˆ˜)
09:47
Rives: Of course he was. (Laughter) (Applause)
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09:48
Yeah. Not only does it seem to make sense,
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์˜ˆ, ์ดํ•ด๊ฐ€ ๋  ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ
09:51
it also answers the question,
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๋‹ค์Œ ์งˆ๋ฌธ์—๋„ ๋‹ต์„ ์คฌ์ฃ .
09:54
"What do Ron Jeremy and Simone de Beauvoir
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"๋ก  ์ œ๋ ˆ๋ฏธ์™€ ์‹œ๋ชฌ ๋“œ ๋ณด๋ถ€์•„๋ฅด์˜
09:56
have in common?"
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๊ณตํ†ต์ ์€ ๋ฌด์—‡์ธ๊ฐ€?"
09:58
Simone de Beauvoir begins her entire autobiography
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์‹œ๋ชฌ ๋“œ ๋ณด๋ถ€์•„๋ฅด๋Š” ๊ทธ๋…€์˜ ์ž์„œ์ „์„
10:01
with the sentence, "I was born at four o'clock in the morning,"
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์ด ๋ฌธ์žฅ์œผ๋กœ ์‹œ์ž‘ํ•ฉ๋‹ˆ๋‹ค. "๋‚˜๋Š” ์ƒˆ๋ฒฝ 4์‹œ์— ํƒœ์–ด๋‚ฌ๋‹ค."
10:03
which I had because someone else had emailed it to me,
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๋ˆ„๊ฐ€ ์ œ๊ฒŒ ์ด๋ฉ”์ผ์„ ๋ณด๋‚ด์ค˜์„œ ๋ฐ›์•˜๋Š”๋ฐ
10:05
and when they did, I had another bump up
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๊ทธ๊ฑธ ๋ฐ›์•˜์„ ๋•Œ ์ด๊ฒƒ์— ๋Œ€ํ•œ
ํ•ญ๋ชฉ์„ ๋˜ ํ•œ๋ฒˆ ๋” ๋†’ํžˆ๊ฒŒ ๋˜์—ˆ์ฃ . ์™œ๋ƒํ•˜๋ฉด ํฌ๋ฅด๋…ธ ์Šคํƒ€ ๋ก  ์ œ๋ ˆ๋ฏธ์™€
10:08
in my entry for this, because porn star Ron Jeremy
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10:11
and feminist Simone de Beauvoir
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์—ฌ์„ฑ์ฃผ์˜์ž ์‹œ๋ชฌ ๋“œ ๋ณด๋ถ€์•„๋ฅด๋Š”
10:13
are not just different people.
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๊ทธ์ € ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์ด ์•„๋‹™๋‹ˆ๋‹ค.
10:14
They are different people that have this thing connecting them,
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๊ทธ๋“ค์€ ์ด๋Ÿฐ ์‚ฌ์‹ค๋กœ ์—ฐ๊ฒฐ๋œ ์„œ๋กœ ๋‹ค๋ฅธ ์‚ฌ๋žŒ๋“ค์ž…๋‹ˆ๋‹ค.
10:17
and I did not know if that is trivia or knowledge
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์ €๋Š” ๊ทธ๊ฒƒ์ด ํ•˜์ฐฎ์€ ๊ฒƒ์ด๋‚˜ ์ง€์‹,
10:20
or inadvertent expertise, but I did wonder,
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๋˜๋Š” ์šฐ์—ฐ์˜ ์ „๋ฌธ์ธ์ง€๋Š” ๋ชจ๋ฅด๊ฒ ์ง€๋งŒ
10:23
is there maybe a cooler way to do this?
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์ด์ผ์„ ํ•˜๋Š”๋ฐ ๋ฉ‹์ง„ ๋ฐฉ๋ฒ•์ด ์žˆ์ง€ ์•Š์„๊นŒ ๊ถ๊ธˆํ–ˆ์Šต๋‹ˆ๋‹ค.
10:25
So last October, in gentleman scholar tradition,
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๊ทธ๋ž˜์„œ ์ง€๋‚œ 10์›” ์  ํ‹€๋งจ ์Šค์นผ๋Ÿฌ์˜ ์ „ํ†ต์—
10:29
I put the entire collection online
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์ œ๊ฐ€ ๋ชจ์€ ๊ฒƒ๋“ค์„ ์˜จ๋ผ์ธ์œผ๋กœ ์˜ฌ๋ ค
10:31
as "Museum of Four in the Morning."
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"์ƒˆ๋ฒฝ 4์‹œ ๋ฐ•๋ฌผ๊ด€"์œผ๋กœ ์ด๋ฆ„๋ถ™์˜€์ฃ .
10:33
You can click on that red "refresh" button.
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๋นจ๊ฐ„์ƒ‰์˜ "์žฌ์ƒ"๋ฒ„ํŠผ์„ ๋ˆ„๋ฅด๋ฉด
10:35
It will take you at random to one of
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์†Œ์žฅํ’ˆ์— ๋“ค์–ด์žˆ๋Š” ์ˆ˜๋ฐฑ ํŽธ์˜
10:37
hundreds of snippets that are in the collection.
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ํ† ๋ง‰ ์ •๋ณด๋“ค์„ ๋ฌด์ž‘์œ„๋กœ ๋ณด์—ฌ์ค„ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
10:40
Here is a knockout poem
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์—ฌ๊ธฐ ๋นŒ๋ฆฌ ์ฝœ๋ฆฐ์Šค๊ฐ€
10:41
by Billy Collins called "Forgetfulness."
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"๊ฑด๋ง์ฆ"์ด๋ผ๊ณ  ๋ถ€๋ฅธ ๋ฉ‹์ง„ ์‹œ๊ฐ€ ์žˆ์Šต๋‹ˆ๋‹ค.
10:44
(Video) Billy Collins: No wonder you rise
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(์˜์ƒ) ๋นŒ๋ฆฌ ์ฝœ๋ฆฐ์Šค: ๋‹น์‹ ์ด
10:45
in the middle of the night
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ํ•œ๋ฐค์ค‘์— ์ผ์–ด๋‚˜
10:47
to look up the date of a famous battle
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์ „์Ÿ์— ๊ด€ํ•œ ์ฑ…์—์„œ
10:49
in a book on war.
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์œ ๋ช…ํ•œ ์ „ํˆฌ ๋‚ ์งœ๋ฅผ ์ฐพ๋Š”๊ฒŒ ์ „ํ˜€ ์ด์ƒํ•˜์ง€ ์•Š์•„.
10:51
No wonder the moon in the window
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์ฐฝ๋ฐ–์˜ ๋‹ฌ์ด
10:54
seems to have drifted out of a love poem
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๋‹น์‹ ์ด ์™ธ์šฐ๊ณ  ์žˆ๋Š”
10:56
that you used to know by heart.
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์—ฐ์• ์‹œ์—์„œ ๋ฉ€์–ด์ ธ ๊ฐ„๊ฒŒ ์ „ํ˜€ ์ด์ƒํ•˜์ง€ ์•Š์•„.
10:59
Rives: So the first hour of this project
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๋ผ์ด๋ธŒ์Šค: ๊ทธ๋ž˜์„œ ์ด ํ”„๋กœ์ ํŠธ์˜ ์ฒ˜์Œ ํ•œ์‹œ๊ฐ„์€
11:03
was satisfying.
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๋งŒ์กฑ์Šค๋Ÿฌ์› ์Šต๋‹ˆ๋‹ค.
11:04
A Bollywood actor sang a line on a DVD in a cafe.
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๋ณผ๋ฆฌ์šฐ๋“œ ๋ฐฐ์šฐ๊ฐ€ ์นดํŽ˜์˜ DVD์—์„œ ๋…ธ๋ž˜๋ฅผ ๋ถ€๋ฆ…๋‹ˆ๋‹ค.
11:08
Half a globe away, a teenager
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์ง€๊ตฌ ๋ฐ˜๋ฐ”ํ€ด๋ฅผ ๋Œ์•„ ์‹ญ๋Œ€ ์•„์ด๊ฐ€
11:11
made an Instagram video of it and sent it to me,
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์ธ์Šคํƒ€๊ทธ๋žจ ์˜์ƒ์„ ๋งŒ๋“ค์–ด ์ œ๊ฒŒ ๋ณด๋ƒˆ์–ด์š”.
11:13
a stranger.
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์ด๋ฐฉ์ธ์ธ๋ฐ ๋ง์ด์ฃ .
11:14
Less than a week later, though,
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ํ•˜์ง€๋งŒ 1์ฃผ์ผ๋„ ๋˜์ง€ ์•Š์•„
11:16
I received a little bit of grace.
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์ €๋Š” ์ถ•๋ณต์„ ๋ฐ›์•˜์Šต๋‹ˆ๋‹ค.
11:19
I received a poignant tweet.
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๊ฐ€์Šด ์ €๋ฏธ๋Š” ํŠธ์œ—์„ ๋ฐ›์•˜์–ด์š”.
11:23
It was brief.
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๊ทธ๊ฒƒ์€ ์งง์•˜์Šต๋‹ˆ๋‹ค.
11:25
It just said, "Reminds me of an ancient mix tape."
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ํŠธ์œ—์€ ์ด๋ ‡๊ฒŒ ์™”์Šต๋‹ˆ๋‹ค. "์˜›๋‚ ์˜ ๋…น์Œ ํ…Œ์ดํ”„๊ฐ€ ์ƒ๊ฐ๋‚˜์š”."
11:29
The name was a pseudonym, actually, or a pseudo-pseudonym.
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์ด๋ฆ„์€ ํ•„๋ช…์ด์—ˆ๋Š”๋ฐ ์‹ค์€ ๊ฐ€์งœ ํ•„๋ช…์ด์—ˆ์ฃ .
11:32
As soon as I saw the initials, and the profile pic,
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์ฒซ ๊ธ€์งœ์™€ ํ”„๋กœํ•„ ์‚ฌ์ง„์„ ๋ณด์ž๋งˆ์ž
11:35
I knew immediately, my whole body knew
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์ €๋Š” ์ˆœ๊ฐ„์ ์œผ๋กœ, ์ œ ์˜จ๋ชธ์œผ๋กœ
11:37
immediately who this was,
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๊ทธ ์‚ฌ๋žŒ์ด ๋ˆ„๊ตฐ์ง€ ์•Œ์•˜๊ณ 
11:40
and I knew immediately
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๊ทธ๋…€๊ฐ€ ์–˜๊ธฐํ•˜๋Š”
11:42
what mix tape she was talking about.
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ํ…Œ์ดํ”„๊ฐ€ ๋ฌด์—‡์„ ๋งํ•˜๋Š” ๊ฑด์ง€ ๋ฐ”๋กœ ์•Œ์•˜์Šต๋‹ˆ๋‹ค.
11:45
(Music)
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(์Œ์•…)
11:48
L.D. was my college romance.
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L.D. ๋Š” ์ œ๊ฐ€ ๋Œ€ํ•™๋•Œ ์‚ฌ๋ž‘ํ•˜๋˜ ์‚ฌ๋žŒ์ด์—ˆ์–ด์š”.
11:51
This is in the early '90s. I was an undegrad.
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๊ทธ๋•Œ๋Š” 90๋…„๋Œ€ ์ดˆ๋ฐ˜์ด์—ˆ๊ณ  ์ €๋Š” ํ•™๋ถ€๋ฅผ ๋‹ค๋‹ˆ๊ณ  ์žˆ์—ˆ์ฃ .
11:53
She was a grad student in the library sciences department.
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๊ทธ๋…€๋Š” ๋„์„œ๊ด€ํ•™๊ณผ ๋Œ€ํ•™์›์ƒ์ด์—ˆ์Šต๋‹ˆ๋‹ค.
11:57
Not the kind of librarian that takes her glasses off,
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์•ˆ๊ฒฝ์„ ๋ฒ—๊ณ  ๋จธ๋ฆฌ๋ฅผ ํ’€์–ด๋‚ด๋ฆฌ๋ฉด
11:59
lets her hair down, suddenly she's smoking hot.
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๊ฐ‘์ž๊ธฐ ๋งค๋ ฅ์ ์œผ๋กœ ๋ณด์ด๋Š” ๊ทธ๋Ÿฐ ์‚ฌ์„œ๋Š” ์•„๋‹ˆ์—ˆ์Šต๋‹ˆ๋‹ค.
12:01
She was already smoking hot,
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๊ทธ๋…€๋Š” ์ด๋ฏธ ๋งค๋ ฅ์ ์ด์—ˆ๊ณ 
12:03
she was super dorky,
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์•„์ฃผ ์ด์ƒํ–ˆ์–ด์š”.
12:04
and we had a December-May romance,
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์šฐ๋ฆฌ๋Š” 12-5์›” ์—ฐ์• ๋ฅผ ํ–ˆ๋Š”๋ฐ
12:06
meaning we started dating in December,
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12์›”์— ์—ฐ์• ๋ฅผ ์‹œ์ž‘ํ•ด์„œ
12:08
and by May, she had graduated
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5์›”์—๋Š” ๊ทธ๋…€๊ฐ€ ์กธ์—…์„ ํ–ˆ๊ณ 
12:11
and became my one that got away.
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๋– ๋‚˜๋ฒ„๋ฆฐ ๊ทธ๋…€๊ฐ€ ๋์Šต๋‹ˆ๋‹ค.
12:14
But her mix tape did not get away.
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ํ•˜์ง€๋งŒ ๊ทธ๋…€๊ฐ€ ์„ ๋ณ„ํ•ด ๋งŒ๋“  ํ…Œ์ดํ”„๋Š” ๋– ๋‚˜๊ฐ€์ง€ ์•Š์•˜์–ด์š”.
12:18
I have kept this mix tape in a box
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์ €๋Š” ์ด ํ…Œ์ดํ”„๋ฅผ ์ƒ์ž์— ๋„ฃ์–ด
12:21
with notes and postcards, not just from L.D.,
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L.D. ๋ฟ๋งŒ ์•„๋‹ˆ๋ผ ๋‹ค๋ฅธ ์‚ฌ๋žŒํ•œํ…Œ ๋ฐ›์€ ์ชฝ์ง€์™€ ์—ฝ์„œ๋„ ํ•จ๊ป˜
12:24
from my life, but for decades.
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์ˆ˜์‹ญ๋…„๋™์•ˆ ๋ณด๊ด€ํ–ˆ์Šต๋‹ˆ๋‹ค.
12:27
It's the kind of box where,
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๊ทธ๊ฒƒ์€ ์ผ์ข…์˜ ์ƒ์ž์ด์ง€๋งŒ
12:28
if I have a girlfriend, I tend to hide it from her,
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์—ฌ์ž ์นœ๊ตฌ๊ฐ€ ์žˆ๋‹ค๋ฉด ์ˆจ๊ธฐ๊ณ  ์‹ถ๊ณ 
12:30
and if I had a wife, I'm sure I would share it with her,
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์•„๋‚ด๊ฐ€ ์žˆ๋‹ค๋ฉด ๊ณต์œ ๋ฅผ ํ•˜๊ฒ ์ง€๋งŒ
12:32
but the story โ€” (Laughter) โ€” with this mix tape
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์ด ์„ ๋ณ„ํ•ด ๋งŒ๋“  ํ…Œ์ดํ”„์™€ ๊ด€๋ จ๋œ ์ด์•ผ๊ธฐ๋Š” (์›ƒ์Œ)
12:35
is there are seven songs per side,
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๊ฐ ํ•œ ๋ฉด์— 7๊ณก์˜ ๋…ธ๋ž˜๊ฐ€ ์žˆ๋Š”๋ฐ
12:37
but no song titles.
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๋…ธ๋ž˜ ์ œ๋ชฉ์€ ์—†์Šต๋‹ˆ๋‹ค.
12:39
Instead, L.D. has used the U.S. Library of Congress
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๋Œ€์‹  L.D.๋Š” ๋ฏธ๊ตญ ๊ตญํšŒ ๋„์„œ๊ด€์˜
12:42
classification system, including page numbers,
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๋ถ„๋ฅ˜๋ฒ•์„ ์จ์„œ ์ชฝ ๋ฒˆํ˜ธ์™€ ํ•จ๊ป˜
12:45
to leave me clues.
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๋‹จ์„œ๋ฅผ ๋‚จ๊ฒผ์Šต๋‹ˆ๋‹ค.
12:47
When I got this mix tape,
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์ œ๊ฐ€ ์ด ํ…Œ์ดํ”„๋ฅผ ๊บผ๋‚ด
12:49
I put it in my cassette player,
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์นด์„ธํŠธ ํ”Œ๋ ˆ์ด์–ด์— ๋„ฃ๊ณ 
12:50
I took it to the campus library, her library,
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ํ•™๊ต ๋„์„œ๊ด€, ๊ทธ๋…€์˜ ๋„์„œ๊ด€์œผ๋กœ ๊ฐ€์„œ
12:54
I found 14 books on the shelves.
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์ฑ…์žฅ์—์„œ 14๊ถŒ์˜ ์ฑ…์„ ์ฐพ์•˜์Šต๋‹ˆ๋‹ค.
12:56
I remember bringing them all
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๊ทธ ์ฑ…์„ ๋ชจ๋‘ ๊บผ๋‚ด
12:57
to my favorite corner table,
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์ œ๊ฐ€ ์ข‹์•„ํ•˜๋Š” ๊ตฌ์„ ์ฑ…์ƒ์— ๊ฐ€์ ธ์™€์„œ
12:59
and I read poems paired to songs
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๋…ธ๋ž˜์™€ ์ง์„ ์ด๋ฃฌ ์‹œ๋ฅผ ์ฝ์—ˆ์–ด์š”.
13:03
like food to wine,
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์Œ์‹์— ์–ด์šธ๋ฆฌ๋Š” ํฌ๋„์ฃผ์ฒ˜๋Ÿผ
13:04
paired, I can tell you,
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์ง์„ ์ด๋ฃจ์—ˆ์ฃ .
13:06
like saddle shoes
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์ง™์€ ์ฒญ๋ก์ƒ‰ ๋นˆํ‹ฐ์ง€ ๋ฉด ๋“œ๋ ˆ์Šค์—
13:08
to a cobalt blue vintage cotton dress.
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์–ด์šธ๋ฆฌ๋Š” ์ƒˆ๋“ค ์Šˆ์ฆˆ์ฒ˜๋Ÿผ.
13:11
I did this again last October.
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์ €๋Š” ์ž‘๋…„ 10์›”์— ํ•œ ๋ฒˆ ๋” ๊ทธ๋ ‡๊ฒŒ ํ–ˆ์Šต๋‹ˆ๋‹ค.
13:13
I'm sitting there, I got new earbuds,
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๊ฑฐ๊ธฐ ์•‰์•„์„œ ์ƒˆ๋กœ์šด ์ด์–ด๋ฒ„๋“œ๋ฅผ ๋ผ๊ณ 
13:16
old Walkman, I realize this is just the kind
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๋‚ก์€ ์›Œํฌ๋งจ์„ ํ‹€์—ˆ์ฃ .
์ด๊ฒƒ์€ ์ œ๊ฐ€ ์‚ฌ์น˜์Šค๋Ÿฝ์ง€ ์•Š์„ ๋•Œ์กฐ์ž
13:18
of extravagance I used to take for granted
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13:20
even when I was extravagant.
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๋‹น์—ฐํ•˜๊ฒŒ ์—ฌ๊ฒผ๋˜ ์ผ์ข…์˜ ์‚ฌ์น˜์˜€์Šต๋‹ˆ๋‹ค.
13:22
And then I thought, "Good for him."
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๊ทธ๋ฆฌ๊ณ  ์ƒ๊ฐํ–ˆ์ฃ . "๊ทธ๋ฅผ ์œ„ํ•ด ์ž˜ ๋์–ด."
13:26
"PG" is Slavic literature.
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"PG"๋Š” ์Šฌ๋ผ๋ธŒ ๋ฌธํ—Œ์ž…๋‹ˆ๋‹ค.
13:29
"7000" series Polish literature.
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"7000"์‹œ๋ฆฌ์ฆˆ๋Š” ํด๋ž€๋“œ ๋ฌธํ—Œ์ž…๋‹ˆ๋‹ค.
13:32
Z9A24 is a collection of 70 poems.
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Z9A24 ๋Š” 70ํŽธ์˜ ์‹œ๋ฅผ ๋ชจ์€ ๊ฒƒ์ž…๋‹ˆ๋‹ค.
13:35
Page 31 is Wislawa Szymborska's poem
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31์ชฝ์€ ๋น„์Šฌ๋ผ๋ฐ” ์‰ผ๋ณด๋ฅด์Šค์นด์˜ ์‹œ์ธ๋ฐ
13:38
paired with Paul Simon's "Peace Like a River."
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ํด ์‚ฌ์ด๋จผ์˜ "๊ฐ•๊ฐ™์€ ํ‰ํ™”"์™€ ์ง์„ ์ด๋ฃน๋‹ˆ๋‹ค.
13:40
(Music: Paul Simon, "Peace Like a River")
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(์Œ์•…: ํด ์‚ฌ์ด๋จผ, "๊ฐ•๊ฐ™์€ ํ‰ํ™”")
13:44
(Video) Paul Simon: โ™ช Oh, four in the morning โ™ช
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(์˜์ƒ) ํด ์‚ฌ์ด๋จผ: โ™ช ์˜ค, ์ƒˆ๋ฒฝ 4์‹œ โ™ช
13:45
โ™ช I woke up from out of my dream โ™ช
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โ™ช ๋‚˜๋Š” ๋‚ด ๊ฟˆ์—์„œ ๊นจ์–ด๋‚ฌ๋‹ค๋„ค โ™ช
13:51
Rives: Thank you. Appreciate it. (Applause)
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๋ผ์ด๋ธŒ์Šค: ๊ฐ์‚ฌํ•ฉ๋‹ˆ๋‹ค. ๊ณ ๋ง™์Šต๋‹ˆ๋‹ค. (๋ฐ•์ˆ˜)
์ด ์›น์‚ฌ์ดํŠธ ์ •๋ณด

์ด ์‚ฌ์ดํŠธ๋Š” ์˜์–ด ํ•™์Šต์— ์œ ์šฉํ•œ YouTube ๋™์˜์ƒ์„ ์†Œ๊ฐœํ•ฉ๋‹ˆ๋‹ค. ์ „ ์„ธ๊ณ„ ์ตœ๊ณ ์˜ ์„ ์ƒ๋‹˜๋“ค์ด ๊ฐ€๋ฅด์น˜๋Š” ์˜์–ด ์ˆ˜์—…์„ ๋ณด๊ฒŒ ๋  ๊ฒƒ์ž…๋‹ˆ๋‹ค. ๊ฐ ๋™์˜์ƒ ํŽ˜์ด์ง€์— ํ‘œ์‹œ๋˜๋Š” ์˜์–ด ์ž๋ง‰์„ ๋”๋ธ” ํด๋ฆญํ•˜๋ฉด ๊ทธ๊ณณ์—์„œ ๋™์˜์ƒ์ด ์žฌ์ƒ๋ฉ๋‹ˆ๋‹ค. ๋น„๋””์˜ค ์žฌ์ƒ์— ๋งž์ถฐ ์ž๋ง‰์ด ์Šคํฌ๋กค๋ฉ๋‹ˆ๋‹ค. ์˜๊ฒฌ์ด๋‚˜ ์š”์ฒญ์ด ์žˆ๋Š” ๊ฒฝ์šฐ ์ด ๋ฌธ์˜ ์–‘์‹์„ ์‚ฌ์šฉํ•˜์—ฌ ๋ฌธ์˜ํ•˜์‹ญ์‹œ์˜ค.

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