Why tragedies are alluring - David E. Rivas

680,336 views ・ 2015-07-09

TED-Ed


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譯者: Crystal Yip 審譯者: MQ L
00:06
The story goes something like this:
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故事通常如此展開:
00:09
a royal, rich or righteous individual, who otherwise happens to be a lot like us,
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一位皇族、富有或正義的人, 而這個人在其他方面如同一般人一樣
00:15
makes a mistake that sends his life, and the lives of those around him,
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犯了一個錯誤, 引致他和周圍的人
00:20
spiraling into ruin.
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墮進毀滅的漩渦
00:22
Sound familiar?
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聽來熟悉?
00:24
This is the classic story pattern for Greek tragedy.
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這是希臘悲劇故事的經典結構
00:27
For thousands of years,
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數千年來
00:29
we've spun spellbinding tales that fit this pattern,
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我們按照這個結構,編寫迷人故事
00:32
and modern storytellers around the world continue to do so.
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現代說故事的人仍然繼續這個傳統
00:37
Three critical story components influenced by Aristotle's "Poetics"
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亞里士多德在《詩學》提出 三個主要的故事元素
00:41
help us understand the allure.
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幫助我們理解這些故事的迷人之處
00:44
First, the tragic hero should be elevated in rank and ability,
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第一、悲劇英雄 應有高人一等的地位和能力
00:48
but also relatable.
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但同時要能引起一般人的共鳴
00:50
Perhaps he is a king, or extraordinary in some other way.
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也許,他是國王,或有某方面的特長
00:54
But because you and I are neither unusually good
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但因為你或我都不是非常善良
00:56
nor unusually bad,
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也不是十惡不赦
00:58
neither is the hero.
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悲劇英雄亦是同樣
01:00
And he has one particular tragic flaw, or hamartia,
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而他有一個悲劇性的弱點, 即「哈馬提亞」
01:04
something like ambition, tyranny, stubbornness, or excess pride
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例如野心、專制、固執,或過份自負
01:09
that causes him to make a critical mistake.
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導致他犯下一個致命錯誤
01:13
And from that mistake comes disaster and downfall.
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那個錯誤引來災難和墮落
01:17
As an example of these elements in action,
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為了說明這些故事元素如何運作
01:20
let's look to Sophocles's "Oedipus Rex,"
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我們以索福克勒斯的《伊底帕斯王》為例
01:22
about a man who doesn't know he was adopted,
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一個不知道自己是被收養的男人
01:25
and is warned by an oracle that he's destined to murder his father
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被神諭警告:他命定殺害自己的父親
01:29
and marry his mother.
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並會娶自己的母親為妻
01:31
In trying to escape this fate,
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為了逃避這個命運
01:33
he kills a man who won't get out of his way at a crossroad.
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他殺了一個攔阻在路口的男人
01:37
He then cleverly answers the riddle of the monstrous Sphynx,
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然後,他解開 獅身人面獸「斯芬克斯」的謎題
01:40
freeing the Kingdom of Thebes from a plague.
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從而解救底比斯王國,使它免於瘟疫
01:44
He marries the widowed queen and becomes king.
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他娶了守寡的皇后,成為底比斯國王
01:47
But after he finds out that the murdered man was his father,
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但之後他發現所殺的是自己的父親
01:51
and the queen he married is his mother,
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而他娶的皇后是自己的母親
01:54
Oedipus gouges out his eyes and retreats into the wilderness.
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伊底帕斯自挖雙眼,隱身荒野
01:59
At the beginning of his story,
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在這個故事之初
02:01
Oedipus is elevated in ability, and he's elevated in rank.
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伊底帕斯能力過人,而且身位顯貴
02:05
He's neither unusually evil nor saintly.
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他並不特別可惡,也不特別善良
02:08
He's relatable.
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他能引起一般人的共鳴
02:09
Notice the height of the fall.
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留意他墮落的高度
02:11
Once a king, but now homeless and blind.
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他曾經是國王, 最後卻無家可歸,雙目失明
02:15
It's more tragic, after all, if a king falls from a tall throne
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國王從崇高的王位墮下
02:19
than if a jester falls off his step stool.
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比小丑從踏腳矮凳跌倒, 要悲劇性得多
02:22
Oedipus's tragic flaw is hubris, or excessive pride,
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伊底帕斯的悲劇性弱點是 「休布瑞斯」,或過份自負
02:26
and it causes him to attempt to avoid the fate prophesied for him,
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這驅使他嘗試避免預言中的命運
02:30
which is exactly what makes it happen.
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但這正是促成預言成真的原因
02:33
He's a particularly unlucky soul
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他是一個特別不幸的靈魂
02:36
because his mistake of killing his father and marrying his mother
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因為他犯下殺父娶母的錯誤時
02:39
is done in complete ignorance.
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皆毫不知情
02:43
Of course, these narrative principles transcend classic Greek tragedy.
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當然,這些敍事原則超越經典希臘悲劇
02:48
In Shakespeare's canon,
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在莎士比亞的經典中
02:50
we see Hamlet's indecisiveness lead to a series of bad decisions,
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我們看出哈姆雷特的猶豫不決 引致一連串的壞決定
02:54
or perhaps non-decisions,
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或者不作決定
02:56
that culminate in the death of almost every character in the play,
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最終導致劇本中絕大部分角色的死亡
03:00
and Macbeth's ambition catapults him to the top
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馬克白的野心使他到達權力高峰
03:04
before sending him careening to his grave.
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然後墮進墳墓
03:07
Even modern pop culture staples like "Game of Thrones" and "The Dark Knight"
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即使是現代流行文化產物, 例如「權力遊戲」和「黑暗騎士」
03:10
resonate with the tropes Aristotle identified over 2000 years ago.
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也相通於亞里士多德 2000多年前提出的修辭技巧
03:16
So what's the point of all of this suffering?
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那麼,這樣的苦難是為了甚麼?
03:19
According to Aristotle, and many scholars since,
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依照亞里士多德和後世學者的說法,
03:22
a good tragedy can evoke fear and pity in the audience:
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一齣好的悲劇能引起觀眾的恐懼和同情
03:26
Fear of falling victim to the same or similar catastrophe,
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恐懼會和受害者掉進相同或類似的災難
03:30
and pity for the height of the hero's downfall.
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並同情英雄的墜落
03:34
Ideally, after watching these tragic events unfold,
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理想地,觀看悲劇後
03:37
we experience catharsis,
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我們會經歷「卡塔西斯」,
03:39
a feeling of relief and emotional purification.
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感到安慰和情感上的淨化
03:43
Not everyone agrees why this happens.
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不是所有人都同意這感覺出現的原因
03:45
It may be that empathizing with the hero
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有可能是因為與英雄的同情共感
03:47
allows us to experience and release strong emotions that we keep bottled up,
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讓我們經驗並釋放 平日密封的強烈情感
03:53
or maybe it just lets us forget about our own problems for a little while.
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或它只是讓我們暫時忘記自己的問題
03:57
But regardless of how you feel when you watch poor Oedipus,
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但無論你觀看可憐的伊底帕斯時, 感覺如何
04:01
never has there been a more salient reminder
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最明顯的提醒是
04:03
that no matter how bad things get,
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無論事情有多壞
04:05
at least you didn't kill your father and marry your mother.
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至少你並沒有殺父娶母
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