How ancient art influenced modern art - Felipe Galindo

401,436 views ・ 2016-02-25

TED-Ed


Please double-click on the English subtitles below to play the video.

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The term modern art sounds like it means art that is popular at the moment,
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but in fact, modern art is a style that originated over 150 years ago,
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and includes artists that by now have attained classic status,
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such as Picasso, Matisse, and Gauguin.
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And what's even more ironic is that the movement they pioneered,
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considered revolutionary and even scandalous at the time,
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was inspired largely by an object of a traditional and ancient design.
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As far back as the Renaissance,
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the primary European art movements emphasized conventional representation
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and adherence to classical forms.
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But that began to change in the late 19th century
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as artists like Van Gogh and Cézanne expanded the boundaries of painting.
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Soon, a movement arose that sought to create an entirely new style of art,
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and one way of doing so was to look beyond Western civilization.
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For example, Paul Gauguin moved to the island of Tahiti in the 1890s.
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There, he found inspiration in the island's inhabitants, landscape, and culture
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to create artwork that intertwined European themes and Polynesian lore.
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Others looked the cultures of the Islamic world,
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but the most influential inspiration would come from Sub-Saharan Africa.
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As European empires expanded deeper into the African continent,
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its artifacts and artworks made their way into the hands of museums and collectors.
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One such collector was Henri Matisse,
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who showed his friend Picasso a mask he had acquired
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made by the Dan tribe of the Ivory Coast.
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The mask awoke Picasso's curiosity,
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leading him to visit the Trocadéro Ethnographic Museum in Paris in 1907.
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Founded to house acquisitions from colonial conquests,
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the museum boasted a collection of African art,
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with stylized figures and masks made of wood
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and decorated with simple colors and materials.
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The visit was a revelation for Picasso,
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who proclaimed that African masks were what painting was all about.
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At this time, Picasso had been working on a painting of five nude women
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in a style that would later come to be known as Cubism.
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And while three of these ladies show facial features
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found in ancient Iberian art,
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a nod to Picasso's Spanish heritage,
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the faces of the two on the right closely resemble African masks.
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Created in 1907 after hundreds of sketches and studies,
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"Les Demoiselles d'Avignon"
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has been considered the first truly 20th century masterpiece,
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breaking with many previously held notions in art.
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It was at once aggressive and abstract,
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distorted yet primal in its raw geometry,
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a new artistic language with new forms, colors, and meanings.
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And these avant-garde qualities caused a sensation
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when the painting was first exhibited almost ten years later.
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The public was shocked,
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critics denounced it as immoral,
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and even Picasso's own friends were simultaneously surprised,
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offended,
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and mesmerized at his audacity.
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More artists soon followed in Picasso's footsteps.
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Constantin Brâncuși and Amedeo Modigliani in Paris,
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as well as the German Expressionists,
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all drew on the aesthetics of African sculptures in their work.
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Others looked to a different continent for their inspiration.
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British sculptor Henry Moore based many of his semi-abstract bronze sculptures
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on a replica of a chacmool,
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a distinctive reclining statue from the Toltec-Maya culture.
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Pre-Columbian art was also a major influence for Josef Albers.
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He created a series of compositions,
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such as the geometrical series Homage to the Square,
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that were inspired by pyramids and local art
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he encountered on his frequent visits to Mexico.
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Inspiration from ancient cultures
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initiated one of the most revolutionary movements in art history,
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but were these artists playing the role of explorers or conquistadors,
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appropriating ideas and profiting from cultures they considered primitive?
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Questions like this deserve scrutiny, as artists continue to redefine standards.
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Perhaps not too long from now,
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the bold innovations of modern art will seem like stale orthodoxies,
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ready to be overturned by a new set of radical trailblazers
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drawing inspiration from another unlikely source.
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